#Miista

[lamaisongaga]

FASHION CREDITS: LADY GAGA AT COACHELLA WEEKEND I

Eight years after she first made history at Coachella, Lady Gaga reclaimed her throne in 2025 with a headlining performance that was nothing short of operatic chaos. 

Choreography by Parris Goebel, styling by HARDSTYLE, hair by Frederic Aspiras and glam by Sarah Tanno-Stewart.

Her dark pop spectacle opened with a haunting visual interlude titled “The Manifesto of Mayhem”—a cinematic overture that reintroduced the world to Mistress Mayhem, Gaga’s latest alter ego.

Bathed in crimson light and surrounded by shadows, Gaga emerged on the screens in a rare archival piece: a bondage-inspired black leather straitjacket from Dolce & Gabbana’s Spring/Summer 2003 collection. The jacket, adorned with a grid of heavy buckles and silver hardware, set the tone for the night—iconoclastic, provocative, and entirely in control.

The incredible black mesh boater hat with rubber barbed wire around was created for our girl by milliner Lara Jensen who‘s been working with Gaga for over a decade!

Her angelic counterpart donned the Garden Fairy mesh corset top made from recycled vintage fabrics ($925 - sold out) from Central Saint Martins graduate Gyouree Kim‘s Spring/Summer 2025 "Cherubim" collection.

If the "Manifesto of Mayhem" set the tone, then what followed was pure operatic excess. Gaga made her true entrance atop a towering crimson structure draped in velvet folds—her silhouette like a deity descending upon her disciples.

The look? A custom creation by avant-garde visionaries Samuel Lewis, Athena Lawton and William Ramseur—a pleated, studded spiked masterwork of red velvet drama. Drawing inspiration from Edwardian silhouettes and Mugler’s villainous couture—particularly his take on "Lady Macbeth"—the jacket was armored in silver pyramidal studs, its spine and shoulders flaring like a queen prepared for battle.

Beneath the sweeping opera curtain–inspired skirt—engineered by the theatrical masterminds at Jet Sets —hid an elaborate cage several feet tall, housing Gaga’s dancers like a twisted chorus of shadows. The garment was both fortress and stage, its hem draping downward like blood-soaked drapery from an abandoned palace.

Topped with bone-like protrusions with crystal embellishments at the collar and sleeves, Gaga became something between a saint and a specter. Her performance from this fortress-skirted throne was a visual aria: high camp meets high art, rooted in madness, resurrection, and pure spectacle.

The opera singers beside her were dressed in huge wavy constructed yellow and black skirts with beaded velvet tops, custom-made by Candice Cuoco.

In one swift motion, she shed the heavy opera curtain—only to unveil a sensual, custom-made Samuel Lewis and Seth Pratt creation beneath. The ruby-red satin dress featured a sharp bodice with architectural puff shoulders and a plunging open front that gave way to the black lining. A crystal-embellished sash draped diagonally across her chest.

For the most intimate and arresting act of her set, Gaga appeared in a teddy—part lingerie fantasy, part gothic confessional, custom-made by the same duo. Crafted in rich black satin, the piece featured a sculpted bustier, delicate lace trim, and a shimmering crystal-embellished cross that ran from neckline to hem, catching the light like a whispered scandal.

Gaga strutted across the stage in the surprisingly affordable Leza over-the-knee boots by Steve Madden—retailing for just $89.99. Yes, you read that right.

"OFF WITH HER HEAD!"

Three of the characters are wearing these impeccable black veiled headpieces and dresses which were created by Nasir Mazhar in 2021, originally for Ballet Lorent.

Gaga's string orchestra wore draped black taffeta gowns made by AGRO STUDIO with custom headpieces all created by Lara Jensen.

As the lights dimmed and the stage transformed into a sepia-toned wasteland, re-emerged not as a pop powerhouse, but as a ghostly relic of beauty undone. Lying among skeletal remains and grains of dust, she conjured a scene straight from a tragic gothic fable.

For this act, titled “And She Fell Into A Gothic Dream,” Gaga wore a custom Dilara Findikoglu corset mini dress—a distressed, doll-like creation that whispered of innocence lost and romance decomposed. The off-white, almost bone-colored garment featured delicately frayed edges, an asymmetric hem, and panels of antique lace that seemed stitched together by time itself. Every rip and raw edge told a story of longing, survival, and sorrow.

The dancers wore skeleton masks made specially by Sarah Sitkin!

Gaga stepped back into one of her most iconic songs—"Paparazzi"—but this time, she didn’t just revisit it. She rearmed it.

As the familiar opening notes rang through the desert sky, Gaga reappeared in a custom Manuel Albarran armor bolero and matching helmet—a direct visual homage to the Mugler look she wore in the original "Paparazzi" music video.

For the high-octane performance featuring Gesaffelstein, Gaga slipped into a custom Marni catsuit, based on the house’s Fall/Winter 2025 collection. The original red suit—featuring beaded embroidery of a black wolf—was reimagined for Gaga as a skin-tight, asymmetrical bodysuit, fused with nude illusion mesh and stitched with jet-black sequins that glinted like sharpened claws.

To elevate the glam rock look even further, Gaga threw on a custom coat made entirely of hand-cut blue and black paper feathers, inspired by the brand’s Spring/Summer 2025 collection.

A true blast from the past are her Savannah vinyl corset boots from Penthouse.

Her female background dances all wore custom costumes by Courtney McWilliams paired with the Miista Imogen black lace-up sneaker boots!

As the opening of "Zombieboy" echoed, Gaga returned to the stage, wearing a striking custom look designed by Samuel Lewis and William Ramseur: a military-inspired royal blue satin bustle coat, tailored to perfection and cut with razor-sharp precision. The garment featured exaggerated puffed shoulders, a nipped waist, and a flared skirt with an almost theatrical silhouette, marrying 18th-century regency with gothic fantasy. The pièce de résistance? The coat’s intricate gold embroidery, stitched by the artisans of Altesam Embroidery, which shimmered like bone filigree under the stage lights—mirroring a skeletal ribcage and spine that gave the look both regality and decay.

But Gaga didn’t stop there. To crown the ensemble, she donned a custom Marni paper feather helmet, styled like a twisted jester’s crown with raven-black plumage erupting from her temples.

The studded harness belt, she wore during "Zombieboy", was custom-made by Jonathan Burdine in collaboration with Iggy Soliven.

For "Shadow of a Man", Gaga emerged cloaked in mystery and command, donning a custom Louis Verdad x Samuel Lewis creation that was equal parts military regalia and avant-garde sculpture.

The charcoal grey structured jacket, tailored to her frame like armor, featured razor-sharp lines and a high, asymmetrical collar that framed her silhouette like a shadow in motion. Bold black patent leather straps slashed across her shoulders and waist, adding a sense of futuristic restraint to the otherwise regal tailoring.

Underneath, she wore black stretch vinyl shorts by Los Angeles Apparel.

For the final look of the night, Gaga delivered a breathtaking visual transformation in a total couture creation by Matières Fécales (formerly known as Fecal Matter), a brand famed for its futuristic, grotesque, and avant-garde sensibilities.

The custom ensemble was a full conceptual look, comprised of a satin-stitched bodysuit featuring a haunting red anatomical cross motif—meant to evoke the feeling of surgical stitches, resurrection, and rebirth (and a nod to the "Abracadabra" music video!). The bodysuit alone was a spectacle, but Gaga layered it with even more drama: a translucent organza coat (cropped specifically for her performance), and an exaggerated feathered bustle skirt constructed from delicate white plumes that moved with every beat, adding an ethereal weightlessness to the performance.

The silhouette was further intensified with a sculptural feather collar piece—a headpiece of long, otherworldly white feathers shooting upward like wings, perfectly framing her head and extending the theatrical effect, created by Paul Battenberg-Cartwright.

On her hands, Gaga wore elongated gauze gloves created by artist Yaz XL, designed to resemble haunting, claw-like monster hands. The exaggerated fingers extended dramatically into crystal-embellished tips, catching the stage lights with every movement and adding an eerie elegance to her already ethereal silhouette.

To complete the look, she grounded the ensemble with custom white lace-up ankle boots by Chrome Hearts.

The dancers were all dressed in custom Luis de Javier white lace looks and Balenciaga Cagole white boots! The nurses, that wheeled Gaga in, wore custom ILONA red gowns and hats.

[convinceanything]

i ordered my miista mules and i got a free top from a girl on instagram 😍😍😍😍

[nyc-looks]

Sabreena, 34

“I’m in a Mademe x Alpha jacket, Supreme top, Eckhaus Latta denim paired with Miista clogs. My handbag is also Supreme. I love pops of color, textures, and different shapes. The 90s and 70s will always be a vibe for me.”

May 10, 2024 ∙ Lower East Side

[plueschi]

[kittenheels-tilefloors]

me and this 80 yr old coat

[grrl-beetle]

MIISTA

[sentimental-obsessions]

[garbie-girl]

Brand: Miista

[mausirot]

@miista sur instagram ᡣ • . • 𐭩

[fashionlandscapeblog]

Yis Kid x Miista

[lamaisongaga]

FASHION CREDITS: LADY GAGA ON SNL 2025

Lady Gaga took over Saturday Night Live last night, pulling double duty as both host and musical guest—and, as expected, she delivered on every front to promote her album "Mayhem". From hilarious sketches to high-energy performances, she dominated the stage with her signature mix of wit, charm, and sheer talent.

But beyond the entertainment, Gaga also served major fashion moments throughout the night, all styled by Chloe & Chenelle Delgadillo. Hair by Frederic Aspiras and makeup by Sarah Tanno-Stewart.

Gaga opened the show with the stalwart SNL opening host monologue, wearing Giuseppe di Morabito Fall/Winter 2025 fully beaded sheer gown with cascading drapery that contours the body, creating a fluid and sculptural effect.

Her white-dyed ostrich feather stole is from David Koma's Fall/Winter 2024 collection.

Gaga also wore a pair of Marli New York Avenues full diamond and white-gold drop earrings from the "A New York Affair" high jewelry collection.

To finish things off, she slipped on a white satin Christian Louboutin Lady Peep platform pumps.

We got two first-timers here.

1. Lady Gaga performed "Abracadabra" on live TV.

2. She (and her dancers) wore NYC-based emerging designer brand Luar, who custom-made this spectacular red crystallized catsuit with hooded headpiece. Love the draped hip structures.

Her witchy black leather lace-up ankle boots are the Emile by Miista ($545) which were customized with crystals by Luar.

Shop:

Miista "Emile" Boots ($545.00)

Just too delicious.

Gaga performed "Killah" on SNL last night, wearing a custom Robert Wun Birding puff shoulder suit with pleated shirt and trousers in the color "Purple Rain"! Robert also dressed two of Gaga‘s backup dancers in similar suits in pink and yellow.

She then revealed a fiery red crystallized fringe bodysuit which hails from Tony Ward‘s Spring/Summer 2025 "Twilight Reverie" haute couture collection. The color palette of the collection was derived from the hues of the twilight sky that capture the subtle interplay of light and shadow.

Her Anok red patent pumps with ankle strap are by Amina Muaddi.

Gaga and cast members Chloe Fineman, Heidi Gardner, and Ego Nwodim star in a fictional commercial for L’Oreal "Easy Run" mascara—a mascara that runs easily and messily, to give you more attention. 

She looked spectacular in this Rabanne Pre-Fall 2024 eyelet-detailed black maxi dress with ruched stretch bodice and deep V-neck ($1,199).

Gaga accessorized her dress with this Prada Spring/Summer 2025 studded black leather belt ($2,100) from the menswear collection.

I wouldn‘t be surprised if this one ended up coming from her personal closet.

Gaga starred alongside Marcello Hernández in the "A Long Goodbye" skit as Alicia, wearing the Reformation Kaylia white polka-dot mini dress with ruffle-trimmed collar and black velvet bow detail ($248).

Some floral lace ruffle socks and these Gucci horsebit black leather loafer pumps completed her character's look.

In the "Funeral Home" skit, Lady Gaga and Heidi Gardner both revisit the roaring twenties in the Lara New York Dakota flapper-inspired beaded fringe cocktail dress ($298).

You know I had to.

For the funny "Little Red Glasses" skit, Lady Gaga portrayed an older woman perfectly in this vintage Alfred Dunner abstract lightweight jacket.

I appreciate SNL's costume stylist for gracing us with so many new labels last night!

In the "No More Slay" skit Lady Gaga, who‘s playing Pia, is wearing the Toccin [pronounced 'toss-in'] Elsie soft grey wool-cashmere short-sleeved pullover sweater ($295).

[thissweetenamor]

[nyc-looks]

Silke, 26

“I’m wearing what I could grab in 5 minutes! The bodysuit is a Sisterhood Of The Traveling Pants situation from my best friend in New Zealand, the Retrofete dress was a birthday gift from my ex coworker’s new workplace, shoes from a Miista sample sale, the bag and chain gifts from my boyfriend at the time. Apparently I love gifts, and you can count on me to wear them! What inspires my style: Choosing my favorite pieces and not worrying about how they look when put together. The rainbow, sparkles, and what no one else wants to buy!”

May 10, 2024 ∙ Tribeca

[mybigbleu]

Aline Coffee Tall Boots, MIISTA 2024

[whitedenim]

ig:maryannjenkk

[bloomeuphoria]

Battle For the Planet

Jumpsuit: Iggy Tuxedo Jumpsuit by Veronica Beard - $695 (Winter 2016)

Shoes: Alexandra Black by Miista - $305 (Winter 2016)

Harness: Black Armour Harness by Alexandra Abraham - $375 (Winter 2016)

Jacket: Uninvited by BLANKNYC - $128 (Winter 2016)

Ring: The Triangle Ring by Thomas Sabo - $149 (Winter 2016)

Total Look Cost: $1,652