#Spice & Wolf Anime 2024

[ladymahou]

Ookami to Koushinryou Episode 2

[imnosupaman]

[dailyspiceandwolf]

Spice & Wolf 2024 PV 2 ▶ 5/?

[nijigasakilove]

Incredibly moved by this premiere. Passione got their A team working on this and it shows. After 6 months of Frieren, it’s great to get another long running grand adventure show. Never seen the original, but I know it’s beloved and I can already see why. The relationship between Holo and Lawrence already seems fun as hell.

Kevin Penkin on the OST, Claris ED too? Whew😮‍💨 2000s vibes are strong in this first episode, which is nice. Seems like they were able to bring the magic of that era to a modern audience thanks in large part to having the same director. Let’s see how it goes.

[animebw]

Seasonal Reflection: Summer 2024 Anime

In my experience, summer tends to be the weakest season for anime basically every year. Not entirely sure why: maybe everyone saves the biggest shows for spring and fall, so the space between gets stuck with the also-rans? Whatever the case, as long as I've been covering anime, summer has reliably been the season with the most disappointments and the least true gems. Except for this year. My god, except for this year. In defiance of the trend, summer 2024 has been absolutely stuffed with exciting anime, so many shows that delighted me in unexpected ways. I'm truly stunned by how many shows I watched that felt like nothing else I've seen before. Anime isn't just coasting through this summer on good enough; it's experimenting, pushing the boundaries, evolving the capabilities of visual storytelling in this medium. Maybe it's not an all-timer season, but it feels fresh in a way I haven't felt in quite some time. And even though the two best shows haven't quite finished yet (Monogatari Off/Monster and the back half of My Hero Academia's seventh season), there's more than enough for me to recommend you a full course of worthwhile anime. So let's buckle down and sort through the shows I watched this season to figure out which ones are worth your time and which ones should be discarded without a second thought.

(And if you see one show conspicuously missing from this list, don't worry- it's just around the corner...)

My Deer Friend Nokotan: Dropped at 7 Episodes

Normally I save discussion of the shows I dropped for brief snippets at the end of my seasonal wrap-ups. But this time, I got far enough into a couple shows before realizing they sucked that I figured I should let you know upfront so you don't get suckered into wasting your time like I did. Because I care about you. So if you were as excited by the batshit crazy meme marketing surrounding My Deer Friend Nokotan as I was, then you should know the actual show completely fails to live up to that bonkers energy. Oh, it certainly tries, but in execution, all the "lol so random" comedy and forced fourth-wall breaks makes it come off like a tryhard reddit troll so irony-poisoned they've forgotten what makes actual people laugh. And that's before it drops a godawful siscon imouto in the second episode, and all the jokes centered around humiliating the protagonist for being a virgin... god, I stuck with this piece of crap way longer than it deserved. If you want an actual hilarious slapstick comedy with batshit off-the-walls energy, just go track down Nichijou and experience the single funniest television show this side of Gintama. You'll have a much better time.

Sengoku Youko: Thousandfold Chaos Arc: Dropped at 7 Episodes

Man, Satoshi Mizukami is turning out to be the most overrated cult artist out there, huh? Sure, I liked Planet With a lot, but between this and the faults in Biscuit Hammer that you couldn't blame on the shitty production, all the beloved works his fans rave about like they're Shakespeare-level literature have completely dropped the ball. And I was excited for Sengoku Youko! The first season was pretty good! And the second season has a really interesting timeskip that reorients the story around a new protagonist and shakes up the kinds of ideas it can play with! But all that's let down thanks to one of the worst written female co-protagonists I've seen in a long time. God, Tsukiko is the worst. She's introduced as the strongest swordsman in her village, but all she does on screen is lose, get captured, act subservient to all the men around her, get captured again, and fall instantly in love with the guy who bisects her father in half. But don't worry, just wait until she's all grown up! Then we can add in gross sexual assault comedy complete with boob jiggles! Wow, what a mature and life-changing treatise on the human condition! Yeah, eat me. This is sexist garbage plain and simple, and there's too much good anime to waste time on the ones that can't clear the astronomically low bar of not being degrading to women.

ATRI: My Dear Moments: 3.5/10

There is so much I wish I could like about Atri. Its vision of a post-climate disaster world rebuilding from rising sea levels feels like the Studio Key/Ghibli crossover I've been dreaming of for ages. And it pulls at so many interesting threads; the meaning of community, the purpose of progress, disability, transhumanism, all wrapped up in a suitably sappy emotional package. And none of that matters. Because it's all secondary to the true purpose of this anime: justifying a romance between a near-adult and a robot girl who doesn't read any older than ten, complete with writing than infantilizes and sexualizes her at the same time. Because god forbid any of this high-concept melodrama be allowed to stand without making you feel like you should be put on a watchlist for engaging with it. Luckily, most of those worldbuilding philosophical ideas also pretty much fall apart by the end, so at least you don't have to feel conflicted about skipping this one wholesale. Christ, I miss Jun Maeda more every day.

Suicide Squad Isekai: 4/10

So this feels like it should've ended up either way better or way worse than it did. I mean, an unholy amalgamation of anime's absolute worst subgenre with the laughingstock of mainstream Western comics, written by the author of Re:Zero of all people? This should've either been a trainwreck of apocalyptic proportions or somehow wrapped back around to being an genuine lightning-in-a-bottle masterpiece. Or both! But instead, it's just sort of... there. It exists. It's DC supervillains transported to an isekai world to fight other DC supervillains and fuck around with fantasy nonsense, and I can barely think of anything else to talk about. I guess the isekai world itself is a lot more creative than the usual Dragon Quest knockoff? Character banter's alright? But it feels like all the effort here went into a very select assortment of things that the creators actually cared about- Harley's character design, a handful of genuinely awesome fight scenes- and everything else was just left flailing by the wayside with the laziest and least interesting execution, on a story and production level alike. You're better off just looking up clips of the best fight scenes on Youtube or wherever and giving the rest a pass.

Sakuna of Rice and Ruin: 4.5/10

This is one of those frustrating shows that doesn't really do anything wrong, but never manages to amount to more than that. It's a solid little tale about an immature young harvest goddess banished to an island somewhere in Heaven to learn maturity by growing rice, coming to terms with her grief for her lost parents and coming to respect the mortals who worship her along the way. And every stop of that character journey makes sense, with the progression from brash, arrogant hothead to mature, kind protector never feeling rushed or shortchanged. But ultimately, I think Sakuna just skews to young to be of interest. It's too basic in its moralizing and messages, as well-handled as they are, always taking the simplest and most obvious story route to get where it's going as if it assumes this is your first time watching anime and it doesn't have to try to be more complex than that. Well, there's that one weird episode where aliens randomly show up for a minute and are never addressed again, but that's not the good kind of complexity. I guess if you've got young kids, this is a perfectly fine show to put on for them; they might even get a lot out of it! But if you're over the age of, like, seven, you can get everything it offers better elsewhere.

Bye Bye Earth: 5/10

I've been staring at the screen for minutes trying to figure out how to properly describe Bye Bye Earth. But no matter what, nothing I come up with feels adequate to capture just how much of an incomprehensible fever dream this show is. The best way I can think to describe it is "Show Don't Tell" taken to its absolute extreme, a fantasy world where almost nothing is explained in clear terms and none of your preconceptions can be taken for granted. Swords that grow from roots, a city split into good and evil, battles that play out like giant orchestral processions, gender-shifting mermaids, elder gods that forbid travel between countries, girls hatching from eggs, an army of spiritual emptiness, plants that are more like animals than vegetation, so many insane and unique concepts that are treated as if they're commonplace facts any layperson would know. It feels like a show beamed in from an alternate dimension where the world's basic logic just does not function in the same way ours does, as if all these wild worldbuilding ideas are as familiar and universal as the sun in the sky and the moon at night. Does that make it a good show? A bad show? I honestly don't think it matters. All I know is that as utterly inscrutable as Bye Bye Earth is, I was glued to the screen every week wondering what demented sights it would show me next. At least until the penultimate episode had an astonishingly horrible rape scene that ended the whole affair with a black, bitter taste in my mouth.

Spice and Wolf (2nd Cours): 5/10

Good news, everyone: new Spice and Wolf is finally out of the material already covered by the first show and onto the new stuff! It only took nineteen goddamn episodes, but there's finally a reason for this new adaptation to exist beyond poorly regurgitating the timeless stories already covered back in 2008! Was it worth it? Honestly, jury's still out. The one new arc we get at the end of this season is a solid Spice and Wolf entry with all the slow-simmering romantic tension and well-realized economic conflict that makes this story so enduring. But considering how much time we wasted getting here, I still can't shake the feeling that this whole endeavor has been the most pointless remake in the history of anime. It would've been a much better idea to pick up were the original show left off and jump right into the new material rather than waste a whole season repeating what's already been done. So who knows, maybe I'll feel different once season 2 rolls around and we actually get all that new, previously unadapted story this remake supposedly exists to cover. I hope it's good! But I'll probably still recommend skipping all but the last six episodes of this season, cause even at its best, it just doesn't hold a candle to the original's sense of lived-in atmosphere and subtle majesty. Just go watch the original, it's still a classic and deserves to be celebrated on its own terms.

Dead Dead Demons Dededededestruction: 6/10

Okay, look: is this a good show? Absolutely. Should you watch it? No, you should not. Why? Because after the penultimate episode, I cracked and read the manga, and it's just better in every conceivable way. Better artwork, better pacing, more detail that provides critical thematic and emotional context for most of the big political machinations, and a sheer mastery of the form that this mostly straightforward adaptation just can't measure up to. Whatever criticisms I have of Inio Asano as a writer, there's just no one else who can use the medium of manga in such heartbreaking, evocative ways. Even the moments I liked most from this show become so much more spectacular under his guiding pen. But most importantly? For some unfathomable reason, this adaptation takes one of the manga's penultimate arcs- a huge, paradigm-shifting flashback that completely recontextualizes the entire story in explosive and jaw-dropping ways- and shoves it close to the very beginning. It's one of the single most baffling choices I've ever seen in adaptation, completely robbing the arc of its context and ruining the impact it was originally intended to have. For that reason alone, I can't possibly recommend watching Dededede over reading the manga. And at least that way, you can totally skip the disappointing final volume that feels like a half-baked sequel pitch cut short halfway through development!

Mayonaka Punch: 6.5/10

Do you guys remember Ya Boi Kongming? That show from a few years back that somehow took the premise of "3rd century Chinese war strategist becomes a modern pop idol's manager" and turned it into a genuinely wonderful time? Well, the same writer and director have reunited for the first original work- and it's about cringefail lesbian vampire Youtubers. If I have not already sold you on Mayonaka Punch from that description alone, I'm afraid you're a lost cause. This is the most delightfully chaotic show of the season, buoyed by an endlessly dynamic cast of losers, misfits and morons who put the "suck" in "bloodsucker" in all the best ways. But even moreso than the constantly creative ways it finds to mash vampires and Youtube together, what's most impressive about Mayonaka Punch is how damn well it understands the influencer age. More than any other anime I've watched, it really gets the intricacies of the content grind, parasocial relationships, toxic comments, cancel mobs, and the thousands of contradictions that underline the simple desire to create something awesome and share it with millions worldwide. Because this team is simply that damn good at exploring the full, genuine ramifications of even the most insane premise imaginable. Sadly, its emotional moments aren't nearly as strong as Kongming's (save for one truly tearjerking episode in the first half), and the ending feels like a half-conclusion trying to keep things open for a sequel. So here's hoping we get a season 2 at some point that tightens up the screenwriting and lets this show blossom into its full potential.

Twilight Out of Focus: 6.5/10

There are two things anime desperately needs more of: good BL romance, and couples that actually explore sex in their relationships. Luckily, Twilight Out of Focus is here to give us both at the same time, three times over. This is a sweet, sensual anthology series about three gay couples that develop in the same high school film club over the course of a couple years, each one refreshingly different in personality and what aspects of film-making the story explores with them. I do wish it dived a little deeper into the more technical aspects of the craft at times, but that's not really where its focus lies (heh). It's more about how the various characters interact with film-making than the art itself, and what those interactions say about them as people and parts of a couple. And with evocative direction, charming voice acting, and a clever script that packs a lot of development into twelve episodes without feeling overstuffed, it's more than effective in its goals. Just be aware the first arc tackles some heavy topics like abuse and pedophilia, so watch tactically if those are sensitive or triggering subjects for you. They're handled well, to be clear, but just be prepared.

Days With My Stepsister: 6.5/10

I'm of the firm opinion that you can make a good story out of anything. Doesn't matter how tawdry, trashy, lowbrow, juvenile, or inherently distasteful the subject matter; with the right execution, any starting point can be shaped into something wonderful. Or maybe that's just what I'm telling myself to justify how the show about step-siblings falling in love ended up one of the most captivating anime I watched all season. But can you blame me? I don't know what kind of wizardry first-time director Souta Ueno pulled, but it's clear he understood exactly what can make a story like this so compelling, and he delivered that vision with some of the most immersive, mesmerising, and downright poetic cinematic storytelling in TV anime. Cinematography that sinks you into the characters' feelings like a stone plunging into an abyssal pool, symbolism that makes even the most basic lines of dialogue bleed with unspoken nuance, fuck, even the sound mixing feels like it's communicating hidden depths beyond the simple words on the page or development of the plot. It's a tour-de-force powerhouse of directoral talent that left me in awe every week, even as the side characters fall victim to much tropier writing and the inevitability of the oncoming incest romance makes the back half buckle with discomfort. I'd be hard-pressed to call Days With My Stepsister a masterpiece, but it is absolutely an achievement worth celebrating, and I look forward to seeing where Ueno takes his talents next.

Too Many Losing Heroines: 7/10

You know that feeling when you watch a show and it makes you mad not because it's bad, but because it doesn't seen to trust how good it is? That's the feeling I got over and over again watching Too Many Losing Heroines. It's bogged down by the kind of tasteless, degrading fanservice you usually see in bottom-tier light novels, written by authors who know they're crap and try to paper over their mistakes with accidental pervert scenes. It's the kind of desperation that screams of a show shooting for the lowest common denominator because it knows it has nothing of actual substance to offer. Except Too Many Losing Heroines is actually really fucking good and doesn't need these scenes at all? It's blisteringly funny, outrageously silly, often tasteless in actual fun ways, and a genuinely sincere exploration of the many forms romantic rejection can take and how people process it. I'm not kidding, this show almost made me cry at multiple points with how it embraces the power of friendship in the face of adolescent angst. So why do we still have these stupid fucking boob jiggles and accidental gropings that contribute nothing except making it infinitely harder for me to recommend this to normal people? Why does so much anime just not trust itself on its own merits when it has something truly worthwhile to offer?

Shoshimin: How to Become Ordinary: 7/10

Like many anime fans, I have struggled to accept the cruel reality that Hyouka is likely never getting another season. KyoAni almost never returns to a series after leaving it dormant for this long, and with the director's tragic death in the 2019 arson attack, I doubt the surviving staff who knew him would want to take on such a heavy burden (before you ask, Dragon Maid season 2 was already in production before Takemoto passed). So if you've been missing author Honebu Yonezawa's penchant for meta-commentary mysteries as much as I have, then good news, here's another one of his works adapted to animation! Just don't expect it to be as warm and comforting as Hyouko, because whereas that show was all about the joy of seeking the extraordinary within the ordinary, Shoshimin is equally obsessed with the consequences of it. It's the story of two viciously abnormal high school students who know the way they interact with the world is alienating them from it, but just can't stop themselves from enabling each other's thirst to puzzle and out-think and understand. It's like watching two serial killers struggling to assimilate into normal society, except their only weapons are their intellect and their biggest victims are their own ability to feel at home in the so-called "ordinary" world they constantly find excuses to shut the door on. This is, hands down, one of the most fascinating series of 2024, and while its unhurried pace might be a bore for some people, if you've got the patience to let the vibes sink into you, I can't recommend it enough.

The Elusive Samurai: 7/10

There are moments watching The Elusive Samurai when you will swear it's the most beautiful work of animation every produced. Stunning moving backgrounds, jaw-dropping stylistic flourishes that bend the rules of reality, so much fluid detail and shifting perspectives, insane and mind-twisting editing choices... I can't count how many times this show left me staring dumstruck for minutes on end as it piled on moment after moment of the most striking visual artistry I've seen all year. It doesn't manage that level of consistency throughout its run, sadly; there are definitely moments where you feel the shortcuts taken, especially whenever the garish CGI horses are on screen. But there's enough of that brilliance that even if the story was complete garbage, I would still recommend checking this show out for its animation alone. Luckily, the story's pretty good too! It's a bizarre genre-blending historical meta comedy epic that's sort of similar to Gintama in tone, except it's more shooting to sucker-punch you with the most extreme juxtaposition of stupid comedy and gruesome, horrific violence imaginable. It's a tonal whiplash that does not always work, but it manages to weave a shockingly lovable tale of a runaway heir to the throne seeking to rebuild his kingdom not through violence, but through well, elusiveness and choosing the pursuit of life over the glory of death. Add a cast of charming sidekicks and some of the most comically loathsome bad guys in recent memory and you've got a recipe for a very good time. Now please let the cute halberd girl do more stuff in season 2. It's what the people deserve.

Senpai is an Otokonoko: 7.5/10

Love triangles are a trope I've struggled with for as long as I can remember. Most times it pops up in a story, I feel my skin crawling back into my bones trying to escape the cringe. So how do you get a love triangle I don't just love, but actively root for all three possible outcomes? Well, placing it at the heart of a queer coming-of-age story with a trio of kids grappling with self-loathing and the desire for acceptance certainly helps. Doubly so when that story is executed with as much love, understanding, and joy as Senpai is an Otokonoko. What seems like a fraught premise at first- a girl confesses to her female classmate before finding out she's actually a cross-dressing boy- quickly evolves into a genuine exploration of Japan's queer identity, from the stigma of being seen as gay to the struggle to understand one's own gender identity, to even asexuality! And it's always handled with genuine affection for the people at hand, seeking to uplift queer experiences and prove that no one, no matter how "different," is deserving of a place to belong in this great big world. The production values may be modest and a little too reliant on chibi cut-in gags, but out of all summer's offerings, this is the show that spoke to me the most, and I can't wait for the recently announced movie finale to bring Aoi, Makoto and Ryuji's story to a close.

Dropped:

Tower of God Season 2- Dropped at 2 episodes for being a butt-ugly downgrade of the first season with all the same writing problems.

Narenare: Cheer For You- Dropped at 2 episodes for being utterly vapid.

The Magical Girl and Evil Lieutenant Used to be Arch-Enemies- Dropped at 2 episodes for having the dullest submissive doll of a protagonist.

[thefigureresource]

Pop Up Parade Holo : 2024 ver [Spice and Wolf: Merchant Meets the Wise Wolf] non scale from Good Smile Company coming September 2024.

[jjs-brainrot]

Alright, finally got my preliminary watch list for anime season Summer 2024 down. (You can find out what all the anime airing in Summer 2024 are over at AniCharts)

Carry Over: Spice and Wolf remake: Hell yeah, more Spice and Wolf!

The Fable: Decently strong so far so I'm def interested in more

Sengoku Youko: Hell yeah, more Sengoku Youko!

Oshi no Ko S2: I've already watched season 1 so I might as well watch season 2…

For Sure: My Deer Friend Nokotan: I must learn why humans are not deer…

Plus-Sized Elf: As a card carrying member of the elf ear licker association, I am required by law to watch this. (plus half my friends are fans of the manga)

Maybe: VTuber Legend: Imma be real, "corpo vtuber gets drunk and says some stuff she probably shouldn't but goes viral" is fairly standard stuff in the vtuber sphere

Mayonaka Punch: Youtuber anime. It's a P.A. Works original so it'll at least be decent. Like and subscribe.

Na-Nare Hana-Nare: Cheerleader anime. It's a P.A. Works original so it'll at least be decent. Hoping it ends up at least as gay as Anima Yell was.

Dahlia in Bloom: No idea how good this'll be but it's literally the only shoujo anime this season so I have to at least check it out.

A Journey Through Another World: Raising Kids While Adventuring: Yeah sure, dad isekai. The sword dad isekai was pretty good so why not.

My Wife Has No Emotion: I know it's been like 2 decades but Chobits season 2 is looking way different /jk.

Dungeon People: Dungeon Keeper the anime sounds neat.

[demifiendrsa]

 Spice & Wolf: Merchant Meets the Wise Wolf TV Anime - PV1

The new Spice & Wolf TV anime will premiere in 2024.

Key visual

Cast

Jun Fukuyama as Kraft Lawrence

Ami Koshimizu as Holo

Staff

Chief Director: Takeo Takahashi

Director: Hijiri Sanpei

Screenplay: Yasuyuki Mutō

Music: Kevin Penkin

Original creator: Isuna Hasekura

Animation Production: Passione

[heather-m-quigley]

[gadosoulsilver]

More Holo to bright your day ✨

[fullpower-88]

[ladymahou]

Ookami to Koushinryou Episode 3

[formulaorange]

2024 Spring Anime

Kaiju No. 8 This series started the same time as SpyxFamily and I've been waiting years for it to be animated. It's a series I was instantly hooked on. The animations in the teasers were incredibly sus but I'm glad to see it's pulled together. This is a must watch for this season. Noteworthy On-going Shows: Delicious in Dungeon - Episodes 13-24 A Character based comedic fantasy that honestly has me hooked. New Seasons:

Demon Slayer - Hashira Training Arc I can't believe we're already here. I think this will be one of the last 2 or 3 seasons of the show. This is one I'm not sure what to expect in terms of story but I'm looking forward to it regardless.

That Time I Got Reincarnated As a Slime - Season 3 One of the Og's is back baby. This is one of my all time favourite shows, one of the original fantasy/isekai series. This series gets better and better and I'm so hooked to each character. 100% biased opinion but if you haven't seen this, go check it out.

My Hero Academia - Season 7 This is one that I haven't caught up on the anime for so I'm not 100% where we are but I'm pretty sure it's about to get real dark. I think lots of people have put this show on the backburner or have dropped it entirely. But I really have to say we're starting to head into some of the peak of the series. It gets much darker and more serious and starts to shift from the original shonen high school style.

Additional New Seasons: Mushoku Tensei - Season 2 Cour 2 I won't lie, this arc honestly doesn't look very appealing to me. That said, I have faith in the writers and will be watching and updating if it picks up. Both of these shows from 2008 coming back were not on my bucket list but here we are: Spice and Wolf - Looks to be a re-make of the original series Black Butler - Public School Arc - New continuation of the og series Also: The Misfit of Demon King Academy II - Part 2 The Irregular at Magic High School - Season 3 Laid-Back Camp - Season 3 New Noteworthy Shows:

Wind Breaker A new series about a delinquent who moves to a school where it's all about being the strongest and beating each other up. Honestly it reminds me a little of Food wars but if it was actually about fighting instead of food lol. The animations look stellar, I'm actually pretty excited to check this one out. ( I'd also say it looks completely different to Tokyo Revengers so I wouldn't compare the two.)

Mission:Yozakura Family A newer shonen jump series about a kid who tries to integrate with a mismatched family of spies. Looks like a lot of fun and has a similar vibe to some old school SJ series.

Go! Go! Loser Ranger Why does this look so good. This series genuinely looks so cool, the animation look out of this world and the story looks killer. From what I can gather it's a guy who always plays the villain and is sick of his role. The story shows the heroes as villains and gives me a bit of Invincible vibes. (This is a Disney+ exclusive) The Fable I've heard that this is one of the most legendary comedies. I know there's a few live actions for it on Netflix but I haven't had a chance to check it out. I feel like the trailers don't seem to get anything across so this'll be one I'll follow up on.

Going through the extra shows is now the bane of my existence. I want to go back to before all the isekai light novels were being animated. After doing this I feel defeated that some of these look half-decent. Whisper Me a Love Song Wholesome girl's love series about figuring out what kind of love they feel for each other: 3 Episodes The Many Sides of Voice Actor Radio 2 girls who's offline personalities are total opposites, their rivalry in a brutal industry. Looks like it could be a fun slice of life series: 3 Episodes Jellyfish Can't Swim in the Night Looks like a really well done series about a group of girls forming an anonymous idol group: 3 Episodes

I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability The animations actually look amazing from the trailer and this series could be cute: 1 Episode An Archdemon's Dilemma: How to Love Your Elf Bride I think this might be a guilty pleasure show. I like the idea of the awkward romance between these two. Likely wouldn't reccommend this for a normal watcher: 1 Episode Grandpa and Grandma Turn Young Again Animations and concept look fun: 1 Episode Notable OVA's: Code Geass: Roze of the Recapture A prequel to the original series. The animation looks just like the OG and I'm so stoked that this is coming out.

[dailyspiceandwolf]

Illustration by Aoi Yamane, Animation Director

[nijigasakilove]

Another week not being married to Holo I can’t take it

[animebw]

Short Reflection: Spring 2024 Anime

I feel like 2024 is shaping up to be an unusual year for anime. Most mainstream shonen and isekai are staggering into audience fatigue of some kind or another, two-cours series are making a massive comeback, and big waves are being made from eclectic shows like Apothecary Diaries and Girls Band Cry that would likely be relegated to cult classic status in years prior. There haven't been many clear standouts yet, but there's a lot of fascinating second-tier stuff bubbling just under the surface. It feels like the general anime audience has grown so big at this point that the way we consume shows and the kinds of shows that break through are evolving before our eyes. Never mind movies like Look Back and The Colors Within waiting in the wings to redefine our notions of what animated cinema can be. All this is to say, I don't know what we'll make of 2024 when all is said and done, but it's gonna be a very interesting story. For now, though, let's take stock of spring's roster of shows to pick out the best, the worst, and the worth checking out. Not counting the shows I've already talked about (Hibike Euphonium's final season 9.5/10 and Demon Slayer's training arc 4/10) or MHA's latest foray, which I'm still waiting to see exactly how it shakes out.

Dead Dead Demons' Dededede Destruction: Please Watch/10

I'm putting this one right up front because while it's still very early into airing, there's a good chance a lot of you don't even know it exists. Released initially as a pair of movies earlier this year, this adaptation of Oyasumi Punpun author Inio Asano's bizarre bildungsroman alien invasion manga has been retooled into an 18-episode TV series with (apparently) lots of additional footage to fill out everything the movies had to cut for time. Those production circumstances alone would be interesting enough to merit checking it out (fingers crossed Haikyuu can get the same treatment?), but more importantly, this show is just really damn good, and it deserves better than being dropped on Crunchyroll with almost no fanfare and incomplete English subs that don't translate most of the written text. As someone who kind of loved and hated Punpun in equal measure, Dededede feels like all of Asano's best instincts on full display, a riveting exploration of how modern humanity is forced to struggle through "normal" life in the shadow of the apocalypse, asking how we can still set our sights on our futures when there's a very good chance that future might never come. It's messy and difficult, and yet it brims with love for people and our ability to seek kindness and compassion even in the darkest times. Just do yourself a favor and skip the awful "episode 0" prologue; not only is it leagues worse than the rest of the show, it spoils so many details about the story's endgame that it might just ruin the experience outright if you're not careful. You've been warned.

Mushoku Tensei Season 2 Part 2: 1.5/10

Is the second part of Mushoku Tensei season 2 as apocalyptically awful as the first part? Not quite, no. But that's only because Rudeus doesn't do anything quite as jaw-dropping as buying a child slave or kidnapping and molesting a pair of catgirls with no consequences. I know, the bar is in fucking hell and this garbage fire still barely managed to stumble over it. Otherwise, it remains every bit as vile as always. Here's a fun drinking game you can play: take a shot every time someone this season 1) makes excuses to justify why Rudeus shouldn't feel bad about doing something awful, 2) praises Rudeus to high heaven and calls him the most specialest boy ever, 3) falls head over heels for Rudeus in a matter of seconds. You'll likely pass out before you're halfway through the season, but on the plus side that means you won't have to watch any fucking more. I simply remain baffled that so many people have been fooled into thinking this show is something meaningful and smart, how many people ignore its glaringly obvious awfulness to pretend it's saying things it's not actually saying and exploring ideas it's not actually exploring. All I can do is wait impatiently for Re:Zero's return later this year so it can smack everyone senseless with a reminder of what challenging, subversive isekai storytelling actually looks like. Maybe then we'll finally be able to recognize this steaming pile of misogyny and rape culture for what it is and cast it out without a second thought. We can only hope.

Urusei Yatsura Season 2 (2nd Half): 4.5/10

I think I've given Urusei Yatsura a fair shake. I've done my best to enjoy it through its weaker moments and painfully obvious crows' feet. But now that it's finally over, all I can think is maybe it was better off left in the past. There are infinitely better screwball comedies that have come since, comedies that have been building off the tropes Urusei Yatsura established and finding much more interesting, meaningful things to do with them. This may be a foundational rom-com text, but fifty goddamn years later all its best qualities have been improved upon to the point of obsolescence, and all that's really left is the gross, dated stuff and the fact that every time it tries to be sincere and sentimental it runs into the unavoidable problem that all the romantic relationships its built on really kind of suck. Sorry, but Ataru and Lum are an awful couple and all the worst parts of this show are when it unironically tries to make you root for them despite them being pretty blatantly terrible for each other. I'll stick with Inuyasha, thank you very much.

Wind Breaker: 5/10

Man, why does every promising modern delinquent anime end up driving itself into a ditch before long? First Tokyo Revengers, then Bucchigiri, and now Wind Breaker has completed the trifecta. And this one had so much potential! Casting a shoujo-style blushy tsundere bad boy as the protagonist of an otherwise straightforward tough-guy action brawler is one of the most inspired strokes of genius I've seen in a long time (let alone getting the Kyo Sohma's VA to voice him). What better way to explore the emotional human side of delinquent storytelling than with a main character who's arc is all about accepting other people and learning to love himself despite the world's rejection of him? That plus a slick production full of badass fistfights should've been an easy recipe for success. Unfortunately, it falls victim to the most common of shonen death knells: getting stuck in an overlong, dragged-out arc that consists of nothing but uninteresting fights against half-baked antagonists that loses sight of what made this series unique until its final moments. And double minus points for entirely taking place in a single visually dull location that you're forced to stare at for like 5 episodes straight with occasional flashbacks as your only escape. Seriously, you could cut the Shishitoren arc to half its current length and lose very little of value. I can only hope the upcoming second season won't get similarly bogged down, cause a good version of this show is something I desperately want to believe is possible.

Konosuba Season 3: 5.5/10

So here's the good news first: Despite a seven year gap since the second season and a change in studio, Konosuba's third season is still every bit the same show it was. As for the bad news... well, the bad news is that Konosuba's third season is still every bit the same show it was. Yeah, in the years since I first watched it, I've had to really reckon with all the ways this show fucking sucks, and all of those reasons remain on full display undimmed by the passage of time. It's sexist, it's objectifying, it's violently queerphobic, it thinks sexual assault is the funniest thing ever when Kazuma's the one doing it, it's every bit as misogynistic and masturbatory as the isekai genre it's supposedly satirizing. And it's also still one of the funniest goddamn anime ever made when it wants to be. Seriously, if you just strip away all the godawful incel-pandering that's seemingly endemic to modern isekai, Konosuba's god-tier expression work and pitch-black sarcasm are a blast of laughing gas like nothing else in its vicinity. If it could just focus on telling actual jokes instead of passing off alt-right sexual politics as "comedy" half the time, it would more than deserve its status as a modern classic. But it won't, because it genuinely believes all that garbage is the funniest shit ever. Which is why it'll forever be stuck as a show that you can never admit to enjoying in public without being justifiably judged by everyone around you.

Train to the End of the World: 5.5/10

It's kind of impossible to describe what Train to the End of the World is about without sounding like you're flipping through ten different plot summaries and choosing words at random. But here's as best I can: a freak accident causes the world to morph into a surreal patchwork of bizarre locales, while also seemingly reducing the scope of the world to a single train line in Japan stretching between rural town Agano and Tokyo's metropolitan Ikebukuro district. When Agano high-schooler Shizuru finds evidence that her long-lost friend Yoka might be trapped in Ikebukuro- and also maybe related to the reason everything went insane- she hops on an abandoned train car with a few friends and a dog and starts the long, long journey to reach Ikebukuro through the madness and chaos that defines the new world. The best I can explain it is Gullliver's Travels by way of Alice in Wonderland and Salvador Dali, each episode taking us to another stop on the train line that's morphed into its own flavor of batshit crazy, from mushroom people to horny zombies to a post-canon bad end magical girl world. Unfortunately, any semblance of a point feels buried under a thousand tons of calcified absurdism too thick for anything resembling sincerity to peek through. There are attempts at exploring deeper themes or character moments, but the show's pace is so blisteringly fast and so deeply uninterested with anything beyond what wild ideas it can pull out of its hat that nothing really sticks by the time the train's rolling on to its next destination. If there's anything here beyond a series of wacky Moments(tm) delivered with the rushed breathlessness of a Youtube video on 2X speed, I can't say it made an impression.

Tonari no Youkai-san: 5.5/10

I'm of two minds about Tonari no Yokuai-san. On the one hand, it's a deeply heartfelt iyashikei that uses its fantasy elements to explore grief, loss, love, community, and the reasons we celebrate life even knowing it must one day end. This town of humans and spirits living side-by-side feels so real and warm you wish you could live there yourself, and the characters populating it, from earnest nekomata to old gay cars to prickly fox spirits and everyone in between, burst with inner life so naturally it almost makes you jealous. On the other hand, for some baffling reason, this show keeps trying to shoehorn in action plots and sci-fi elements that gel with the quiet, contemplative tone as well as oil and water. I genuinely don't understand why the author thought they needed time-space bureaus and giant rampaging snakes to liven things up when just the main character going through an existential crisis about how they're going to outlive everyone they love is ten thousand times more gripping than any of that other nonsense. On the bright side, the good stuff is still really good, and considering how few of you likely watched this show already, let this be your reminder this your reminder not to let it slip through the cracks.

Go Go Loser Ranger: 6/10

Is the idea of a dark, edgy twist on tokusatsu where the protagonist is a nameless minion trying to overthrow a fascist cabal of sentai rangers that unique? Not really, no. But god damn if Go Go Loser Ranger doesn't make it work regardless. There's something just inherently fun about watching one of those nameless background mooks that normally exist just to get punted en masse decide "You know what? I'm done being the world's punching bag. I'm gonna become the protagonist of my own story and take these fuckers down." We've all rooted for the underdog at some point, after all. It's only fair the most disposable fodder get a chance in the spotlight. And Go Go Loser Ranger delights in twisting that setup as far as it can get away with, constantly making you second-guess your allegiances to any one side as it quickly becomes clear there are no true heroes to root for in this world, just lots of different people flawed in very different ways, all fighting for their own personal gain. You're never quite sure when someone you're rooting for is going to break your trust with some horrific act, or someone you loathe is going to prove themselves more courageous than they first let on, and it keeps you on the edge of your seat waiting to see when the next shoe's going to fall. Sadly, it also suffers from Wind Breaker's mistake of spending too much time on an overlong arc that's mostly just dull characters fighting in a duller location, but by the end it's shaken off those doldrums and returned to form in a big way. As long as the second season can keep those gears turning, we're in for a good time.

Spice and Wolf Reboot (1st Cours): 6/10

Let's be blunt: there is no point to remaking Spice and Wolf. The original series is still just as good fifteen years later, and despite the source material continuing past the point it ended, it reached such a beautiful conclusion on its own terms that it more than cemented its status as a true eternal anime classic. Sure, it's nice to experience this story again, to re-aquaint myself with Holo and Lawrence's wonderful chemistry and the fascinating ins and outs of Medieval economics that drive their story. There's a reason I fell in love with this show so many years ago, and Reboot Wolf still has plenty of that charm to go around. But this isn't a re-imagining or a Brotherhood/Froobs 2019 style "proper" adaptation. This is just the same show again but a little bit worse in every way. All I can think of, watching this story I know play out again, is how much stiffer and generic the modern art direction and animation is, how it plays things so much safer with its source material while the original wasn't afraid to make strong changes, how Holo's prickly personality has been neutered into a much more docile, Lawrence-dependent character while the original stood so strong on her own two feet. Maybe it works well enough if this is your first taste of Spice and Wolf, but then, the original show is right there! You could just watch that instead and get a much better experience all around!

Yuru Camp Season 3: 6.5/10

Speaking of shows that are probably pointless, was there really any need for Yuru Camp to continue after the one-two satisfying punch of season 2 and the epilogue movie? Those endings put such a beautiful bow on the series that anything else would feel superfluous. Especially with such a massive downgrade in the art direction department, Jesus Christ. I don't know who's running studio 8bit's compositing department these days, but between this and the latest Yama no Susume season, it's so painful to see a studio that once excelled at background art reduced to putting filters over photographs and awkwardly slapping ill-fitting moeblob characters on top. The clash between the characters and the backgrounds this season is legitimately painful at times, and for a vibes-based iyashikei like Yuru Camp, that could so easily be a death knell. Thank the gods, then, that most of this series' charm still comes through in spite of itself, the wonderful characters and delightfully daffy comedy still as strong as ever as it extols the virtues of finding your peace in the great outdoors. But if we're going to get any more, then please figure out how to make this new aesthetic not so physically repellent to look at.

Kaiju No. 8: 7/10

I've said many times that the art of making a Good Enough show is more complicated than most people appreciate. It takes so much skill and talent, so much mastery of the basic building blocks of storytelling, to create something that's just fun to watch plain and simple. And Kaiju No. 8 is yet another example of how impressive it is when one of these shows gets it right. It's a simple, straightforward action show about an over-the-hill sanitation worker getting one last chance to live his dream as a member of the elite kaiju-slaying force that keeps the world safe from the towering monsters that menace it... by accidentally becoming part kaiju himself. The characters are simple but lovable, the emotional stakes are earnest without being overbearing, the action is consistently exciting and well-animated, and the story keeps you on your toes with well-worn tropes executed in novel and exciting ways. I honestly don't think I've seen a shonen action romp so perfectly nail its fundamentals like this since the early days of My Hero Academia. Whether or not this show will also rise to MHA's eventual level of complexity and thematic weight remains to be seen, but for now, it's just plain fun, and an easy recommendation to anyone looking for a good time.

Delicious in Dungeon (2nd Cours): 7.5/10

Well, I asked for Dungeon Meshi to get darker, and by god, that's exactly what it did. Through shocking plot turns and deeply disquieting thematic touches, this silly little fantasy cooking comedy has developed into something much more sinister and unsettling... while still being primarily a silly fantasy comedy about cooking D&D monsters into mouthwatering meals. I'm still not sure if the tonal whiplash entirely works, but my god does it make this a fascinating show to watch. A single episode can take you from some of the most gut-busting deadpan snark this side of Gintama to a skin-crawling contemplation on mortality and consuming life to perpetuate your own without missing a beat. Turns out, Dungeon Meshi has thoughts on the nature of food as a biological, societal and cultural force, and how that force is not always as simple or benign as a meal shared with friends and family. And it explores those ideas with a quiet dread that makes even its silliest moments feel like a tentative breath before things come crashing down. I have no idea how things will shake out in the second season, but if manga fans are to be believed, it's only going to get more twisted and insane from here. I cannot fucking wait. Just, can Falin stay on screen for more than a single episode without being kidnapped again this time? Girl's such a damsel in distress even Princess Peach is giving her concerned looks.

Jellyfish Can't Swim in the Night: 7.5/10

There is no feeling quite like being a young artist. You're excited to make your mark, painfully anxious about not measuring up while simultaneously being quite full of yourself, bursting with ideas and not quite sure how to execute them, but above all else, in love with the act of creation. And I don't think I've ever seen an anime that so perfectly embodies that messy, beautiful spirit as Jellyfish Can't Swim in the Night. Four girls from different artistic backgrounds- an artist, a singer, a musician, and a tech wiz- come together as one to give each other the strength they lack on their own, forming the musical group JELEE as they strive to love themselves and their work through the magic they make together. It's an explosion of passion and joy, often times outstripping its ability to measure up to its ambitions and stumbling over itself, but always shining, always dazzling, always wearing its heart firmly on its sleeve as it celebrates the joy of creation in the digital age and the importance of sincerity in a world too afraid of cringe to accept it. It's also a wonderfully capital-P Progressive series; there's a gay kiss, one character is eventually revealed to be nonbinary in a scene so spectacular I wish I could bump my score up another half-point for it alone. Sadly, it only reaches those heights every so often- but when it does, my god is it a sight to behold.

Girls Band Cry: 8/10

I remember back when I watched Love Live Sunshine, I wished there was a girls' music anime where the protagonists sung the kind of badass punk rock usually reserved for the antagonists of idol shows. Well, it looks like writer Jukki Hanada and director Kazuo Sakai heard me, because five years after bidding Sunshine farewell, they're returned with one of the most exhilarating, renegade expressions of punk spirit we've gotten in a long time. Girls Band Cry is a supernova, a soaring firecracker of a show that marries an instantly iconic headbanger soundtrack with Hanada's typically spectacular character writing in this tale of five outcasts forming a band and coming together to spit in the face of the world that tried to grind them into conformity. Nina Iseri's arrogant, self-righteous immaturity is a primal scream for the importance of doing what's right over what's easy, and you feel that scream in your fucking soul. Even the show's scrappy CG animation embodies that non-comformist spirit, charting stunning new avenues for 3D anime with some of the most expressive character models and soaring concert scenes you're likely to see all decade. And while the pacing is definitely rushed at points, the overwhelming emotions bleeding from each and every scene make even the weakest moments go down easy. It's downright criminal Toei fumbled the ball on an official English release, but unless you're completely against sailing the high seas, you owe it to yourself to track it down regardless. So raise your middle fingers to the sky, spill your heart from your chest, and let Togenashi Togeari force you to believe in the power of rock all over again.

Dropped:

-Bartender Drops of God (3 Episodes). Too boring to stick with in a pretty packed season.

-A Condition Called Love (3 Episodes). Creepy possessiveness excused for the sake of romance.

Blue Archive (1 Episode). Do you even need to ask.

-The Many Sides of Voice Actor Radio (2 Episodes). Awful adaptation that butchers what made the manga so great.

-Whisper Me a Love Song (9 Episodes). The production falls completely apart and it skips the main couple's first kiss. Just read the manga, it's really damn good and deserved so much better.