#Sphere Sound Records

[odk-2]

Crazy Elephant - Gimme Gimme Good Lovin' (1969) Joey Levine / Ritchie Cordell from: "Gimme Gimme Good Lovin'" /" Hips and Lips" (1st US Single Release) "Gimme Gimme Good Lovin'" / "Dark Part of My Mind" (2nd US Single Release) "Crazy Elephant" (LP)

Garage Pop

JukeHostUK (left click = play) (320kbps)

Personnel: The Marzano-Calvert Studio Group Included: Robert Spencer: Lead Vocals Larry Laufer: Keyboards / Backing Vocals Norman Marzano: Bass / Backing Vocals Bob Avery: Drums

Arranged by Joey Levine Produced by Joey Levine / Artie Resnick

Recorded: @ Bell Sound Studios (?) in New York City, New York USA 1968

Single Released: January, 1969 (Original US Release) Sphere Sound Records

March, 1969 (Second US Release) Bell Records

April, 1969 (UK Release) Major Minor Records

[ddarker-dreams]

Intimidation Ranking / Yan Sumeru Boys.

Kaveh — 2/10

Like... he's writing your names next to one another in his notebook and drawing a heart around it. Kaveh isn't inspiring much fear in the traditional sense. You find him endearing more than anything. He visibly brightens up when you're around, stares off into the horizon and sighs when you're not. His more socially unacceptable tendencies are kept under lock and key (such as his innumerable blueprints for how he'll build your house when you get married, despite how you're both only friends). His romantic rivals don't have to fear for their lives as much as they would if put up against the others on this list. That being said, he still has his methods for dealing with them. It's more psychological in nature. Once he's cemented himself as an important figure in your life, he'll 'exaggerate the truth' (he thinks the word lying has a negative connotation), about any rivals' negative traits. He does this covertly over increments of time so as not to arouse any suspicion. You couldn't possibly look at Kaveh and suspect any wrongdoing on his part.

Alhaitham — 5/10

Alhaitham is weird because he has the potential to rank high, but he'd rather not go that route if it isn't necessary. Outsourcing to criminals would require extra work. He'd prefer to stay in the realm of legality for convenience's sake, perhaps pushing gray areas, but nothing that'll require a major coverup. Just a little good old-fashioned coercion if you're being stubborn about returning his affections. He's crafty, he needn't get his hands dirty to obtain the outcome he desires. Should you be of an academic inclination, he'll utilize his influence in those spheres to impede your progress. There's no physical evidence so you have no means of retaliation. Given his dispassionate demeanor, people will have a hard time believing you should you tell them about this. Alhaitham himself will utilize a similar tactic should you ever confront him. His sound logic and steady voice make you wonder if you really are imagining everything. It's maddening.

Cyno — 7.5/10

Cyno is a force of nature. Once he's set his sights on you, that's it. While it isn't you who needs to be frightened per se, the same cannot be said for those he deems as questionable influences in your life (basically anyone who isn't him that receives your attention). He has the authority and resources to comb through their entire bloodline for any potential wrongdoings. No one's lived a perfect life, he's bound to find something, even if it just ends with them having to pay a fine. Still, in a highly competitive area like Sumeru, having anything on their record is a death sentence. Rumors start circulating that anyone who hangs out around you is subject to meticulous background checks. No one knows why, but that doesn't matter, the risk alone serves as a sufficient deterrent. If they cheated on a test when they were ten, Cyno is going to find out. The man's nothing if not determined. Cyno genuinely thinks he's doing this in your best interest — his conscience is crystal clear. This adds another layer of formidability because there will be no convincing him to stop.

Wanderer — 9/10

As Scaramouche, it would've been a 10/10, but he's had some character development. Emphasis on the word some. Nahida considers his budding attachment to you a healthy development, especially since you're the first person he's taken an active interest in without her involvement. He's keen on maintaining this innocent, well-meaning façade since he's still under surveillance for his previous crimes. This unintentionally works wonders for him. While he still has a sharp tongue, the fact he actively chooses to be in your general vicinity proves you're special to him. You think he's harmless, if not a touch blunt. He's perpetually hanging around and offering to help with whatever you're up to. You're happy, Nahida's happy, and surprisingly enough, he's happy. This cannot be said for anyone else in your friend group. He increases his unpleasantness when around them, never to an incriminating degree, but just enough to give them pause. They'd rather not deal with him and he's always around you, like a miserable little forcefield that repels any outside force. Wanderer may not be free to wreak havoc anymore, but all that means is that he has to get creative about it. Nahida's lack of omnipotence gives him enough room to slink around. Where there's a will, there's a way.

[ghostbsuter]

I'm on the writing grind, you can see that I just finished rewatching the Teen Titans (2003).

Edit: Here is some art I did for Titan!Phantom

.・゜-: ✧ :-

(The end is near.)

Gripping the communicator, the bright yellow case with a cartoonish 'T' on top glared back at him.

(The portal was growing.)

He presses the button, the communicator switches on and he calls out.

"Phantom to Titans, do you hear me? Phantom to Titans."

The crackling sound came as a sign of connection, It didn't take any heavy weight off, however.

"Robin here, Phantom? Everything alright?" The soothing voice of Teen Titans leader answers him, and he suppresses a sigh.

"Robin," he bites his lip, the portal only growing.

The ghost zone is eating Amity and all just because fucking Vlad couldn't, for one ancient time, sit still.

"I—" a deep breath. "I'm sorry," he apologises with a wince. "You're gonna be really angry at me when you... find out."

Concern leaks through the voice as Robin speaks. "Phantom? What's going on?"

Thr screen on the communicator switches on and Robins brow knitted expression stares back at him.

It quickly changes, alarmed. "Phantom." The vigilante says. "Is Amity Park okay? Do you need backup?"

Always on the right track, dear leader. Danny shakes his head fondly.

"It's too late for backup," he admits quietly.

"Phan—"

"Just tell new members of me, okay?"

Danny doesn't let the other finish, giving a bitter smile before throwing the communicator on the ground, breaking it.

The familiar yet threatening green of the ghost zone welcomes him.

—

"Titans! Emergency call, Phantom got a situation!"

The bright red lights is enough for the rest of the team to flood to the common room.

"Rob?" Cyborg asks. "What's the situation?"

"We don't know!" The bird answers, stressed. He's pulling the audio and video recording of the call up to the monitor, replaying it for the team.

They don't figure it out until they are at Amity, landing with the jet and jumping from their seats.

Raven and Starfire fly ahead, and they all reach the border of Amity.

Or what of Amity remains.

Because–

The entire city is gone—!!

Complete annihilation.

(When robin finds out who did this, he will have words with them.)

"Robin," Raven waves them all over to her side. She's crouching, hand in a sphere of black, her magic. "Amity wasn't destroyed. It was relocated."

Her expression is grim. "Someone abducted a whole city."

All he does is nod, looking at the team before him.

"Someone call Herald, Titans, we got work to do. Our mission is to find Amity Park, Phantom, and save both." With sombre nods, they prepared for take off.

"Titans! Go!"

And they separate.

[all-about-kyu]

Summary: Both being in the NSFW content creation sphere, you and Yunho find a mutually beneficial piece of content to film. Pairing: NSFW Audio Creator!Yunho x Only Fans Creator!reader Tropes: Adult Content creator au, friends with benefits au Genre: smut Rating: R 18+ Warnings: language, the reader is smaller than Yunho by a good amount Smut Warnings: recorded sex, blindfolding, auralism, protected sex, implications of a hand kink, use of the name “daddy”, pet names, nipple play, clitoral stimulation, ripping clothing Word Count: 2,416 Host Tag: @sanjoongie @thelargefrye February Filth Masterlist Before You Interact

Listen to ♡ Often by The Weekend

“You’re sure you’re not going to get kidnapped?” Yeri checks for the tenth time.

“I’m sure!” You laugh, “This isn’t my first rodeo. I’ve talked with him before, too, several times. You know Yunho and I are friends.”

Yeri’s jaw falls to the floor. You meet her eyes through your mirror after you finish fixing your makeup. You look at her as if you’ve just said the most mundane sentence in the world. On the other hand, she looks as if you just told her you’re not actually who you told her you are.

“You mean to tell me–”

“I haven’t fucked him. Not in the literal sense, at least.” You explain, “We’ve fucked around in DMs before a few times but nothing in person yet. We’re genuinely friends, too, it’s not just about our jobs. He’s seen me. I’ve seen him. We’re both being safe. Now go back to your own apartment unless you want to witness something you probably don’t want to.”

She shakes her head and scrunches her nose. You laugh at her action and start walking her toward your front door. You start to pull your door open to let her out when she starts to sound like a broken record.

“Seriously, if you think he might–”

She’s cut off by someone clearing their throat. She turns around, and you look up. He’s right in the doorway, looking devastatingly handsome. Yeri buttons her lip and slips past him. You bid her goodbye as she’s already halfway to the elevator.

“Come on in.” You smile at the tall man, moving to let him in.

“It’s nice to see you in person finally.” He smiles

You nod, mouth suddenly dry, “I hope it wasn’t too bad of a trip here.”

“No,” he shakes his head, “It was actually really nice. It’s beautiful out.”

You’ve been friends online for a while now, and this sudden awkward tension is almost suffocating. Yunho smiles at you and takes your hand in his. You look at your connected hands before looking back up to his face. You’ve seen him before in pictures you exchanged in the past. Some of them are more distracting than others. Seeing him in person seems to create a whole new level of devastation for your panties and your heart at the same time.

He drops your hand and leans against a bookshelf at the edge of your entryway. He’s nearly the same height as it. You need a stool to reach the top shelf of it. Now you take in just how tall he is. You knew he was tall. Knowing a fact versus seeing it is so different. You already know his cock is big too. You’ve been blessed to see it several times. Your mind starts to wander to your activities planned for the afternoon.

“You okay?” Yunho’s eyes fill with concern, “If you don’t want to do anything, we don’t have to. We can just hang out.”

“No, no,” you chuckle, “I just forgot how… big you are…” You admit.

Yunho smirks as he leans over you while leaning against the bookshelves. You gulp at the sight.

“Did you, sweetheart?”

Fuck.

Your mouth goes dry again, trying to find a proper response. You knew damn well what the plan was walking into today. Both of you had planned out the entire scene in depth to ensure safety and quality content for your followers. Hearing his voice, seeing that stupidly hot smirk, everything about him renders you speechless.

“Sweetheart?” He calls again, “You still with me?”

You nod, “Just… thinking…”

“About?” He leans in close enough that you can feel his breath against your lips.

“We have a bit of content to film, and–” You stop yourself and stare at his lips for a moment.

“And?” He questions.

Your gaze stays fixated on his lips, “And… I fucking need you right now.”

Yunho doesn’t waste a moment closing the gap between you. The way he pulls you tight against him, combined with the heat of the kiss, makes your knees buckle. You stand there for a while, just kissing him. Your neck hurts a bit from stretching up to reach him, though you’re sure he is hurting more from craning down. By the time you pull away, your lips are puffy and wet with spit. His aren’t in much better condition; he has a bit of your lipgloss smeared near his own lips.

“Is your camera all set up?” He asks, his voice slightly raspier than earlier.

“Mm,” you hum, “You’re okay with your face being on camera?”

“We already talked about that.” He reminds you, “It’s okay. My face isn’t fully a secret to my audience.”

You take his hand in yours again and guide him toward your room. As you had told him before, your camera is already set up in front of your bed. You reach over and press record before you even say another word to him. As much as you’d love to get wrecked by him now, you know the goal is to get content. Your high-quality microphone is already connected and tested to ensure it gets the best recording it can. After all, it’s not just being uploaded to your Only Fans. The audio from today is being edited and uploaded to Yunho’s NSFW audio subscription as well. Short free clips are going to be posted on both of your Twitter accounts in addition to helping with the traction. Before you get in the view of the camera, you slip your shorts off from under your oversized T-shirt. Per the agreed-upon scene, you’re playing the role of his pretty little stay-at-home girlfriend and won’t be needing pants if you’re at home all day.

“You ready, princess?”

You know he’s put on his acting, but he still searches for any uncertainty in your eyes.

“I’m ready, Daddy.” you respond, voice sweet and needy.

Despite neither of you truly having a daddy kink, you both agreed to that title for Yunho to both protect his identity and play into the content you both know people want. You sit on the side of your bed and look up at him with wide, faux-innocent eyes. Yunho hums and leans down to cage you against the bed. One hand slips back a bit to grab a silk tie just behind you. He pulls it off of the bed and leans back a bit to hold it between you.

“We’re gonna play a little game, okay?”

You nod, “Will I get to feel you?”

“Oh, sweetheart, you’ll feel me. You just won’t see a damn thing.”

Yunho leans forward again and kisses you sloppily. The wet sounds of your kiss are enough to make you rub your thighs together. He, of course, notices it and grips your thigh with his other hand. Massaging the flesh, he pushes your oversized shirt up to expose your soaked panties. He guides you back further until you’re nearly laid down. He drops the tie just long enough to pull the shirt off of your body. You’re only left in your panties while he’s fully clothed. That doesn’t last long, though. He pulls his own shirt off. You appreciate his toned body and end up fixated on the noticeable bulge under his sweats. You gulp before meeting his eyes again.

“Can’t I suck you off for a bit? I wanna be a good girl for you.”

Yunho gives you an endearing smile, holding your chin in his hand, “That’s so sweet of you, baby. As much as Daddy would love that, I have other plans for us today. I’m gonna blindfold you now, okay? You know our cues.”

“Colors, if I can speak. If not, two taps for a break and three for a full stop.”

He kisses you again, “That’s my girl.”

It’s for the camera, you know that. Still, it doesn’t stop you from nearly melting at the praise. He takes the black silk tie and carefully secures it around your head, checking to make sure it’s not too loose or tight. You feel him guide you to lie down on your bed and push your thighs apart to be flat across the bed as well. Every sound sounds so vivid. The soft sound of his hands moving across the bedding, the gentle sounds of his breath by your ear, even the light creaking of your bed as he puts his full body weight on it. A gasp escapes your lips as he leaves more wet kisses along your throat. The noises he makes as he kisses you while letting his hands wander are enough to make your panties even more soaked than they previously were.

“You’re so jumpy, baby.” He chuckles, “Relax, let me make you feel good.”

“Daddy,” you whine, bucking your hips when his hand trails along your inner thigh.

“Yes, princess?”

You gasp when his kisses reach your chest, “Need–” 

You let out a broken whine when he wraps his lips around one of your nipples. His fingers lightly trail up and down your thighs, intentionally skipping over the place you need him most. Each time you buck your hips toward his touch, he lightly nips at your chest. The lack of vision only heightens your other senses more. Each time he so much as grazes your body, you jolt in reaction. Each word he says and each noise he makes sends you into another plane of existence.

You feel his body pull away from you, leaving behind a waft of his addictive scent. You feel as he pulls your panties to the side and strokes through your folds. The squelching sounds that come from your lower lips are loud. Each rub against your clit, each time his pretty, long fingers push into you, you feel yourself crave him more. He fucks you on his fingers for a while. His thumb presses perfectly against your clit while two of his other fingers thrust in and out of you at a pace that makes you see stars. His unoccupied hand holds one of your thighs down. His fingers dig into your skin in a way that may leave bruises, not that you mind at all.

“You hear that, sweetheart? You’re so fucking wet. What’s got you such a wreck? Hmm?”

“Daddy, I– fuck! Everything, it’s everything!”

“Everything? It’s how you keep whining and moaning while I finger your pretty little pussy, the way I’m speaking to you, the fact that you can’t see a damn thing. You’re at my mercy, sweetheart.”

You want to close your thighs so badly due to the amount of pleasure you’re feeling. A light slap on your thigh stops your action. A moment later, Yunho pulls his fingers from inside you, and you feel his weight lift off of the bed. The sound of foil ripping fills the space, followed by a low, growly groan. Though you can’t see it, you know Yunho kept his promise to put a condom on.

“Daddy,” your voice wavers with uncertainty.

You feel his hand rest against your waist, “It’s okay, princess. Daddy didn’t leave you all alone. I’m right here.”

The small gesture of reassurance makes your heart flutter for a brief moment. You feel the bed sink again and feel his bare skin against yours. He places a sweet kiss against your lips and whispers a quick check-in.

“You want Daddy to fuck you now?”

“Please, want Daddy’s cock, please.” You whine.

You feel the head of his cock rubs through your folds a few times before pushing in. Your panties are still pushed to the side, though they aren’t terribly in the way. Yunho continues to shower you with filthy comments and praises. Your hands fly forward and feel their way to his hair. Pulling him forward more, you pull him into another sloppy kiss. His thrusts are loud, and the squelching sound of your pussy is louder than it was with just his fingers. Your moans are muffled slightly by his kisses, but still, they’re loud. The fact that you can’t see anything makes it hard to know exactly what is happening.

“Wanna see you.” You request.

“My princess wants to see me now? I thought you liked not knowing what’s coming.” He teases.

“I- I do, but I wanna see Daddy now. Please?”

Yunho gives a particularly punctuated thrust, “Alright, princess, pick up your head a little, and I’ll take it off.”

You do as he says, and light floods your field of view a split second later. It takes a few moments for your eyes to adjust to the light. Once they do, you’re met with the sight of Yunho above you, sat up straight on his knees as he thrusts into you. He has a heated, lust-driven look in his eyes that brings you closer to your orgasm.

“Are you attached to these panties, baby?”

You shake your head at his question. A moment later, the telltale sign of clothing ripping fills the room. You break eye contact for a moment to see that he ripped the seat of your panties and was seconds away from ripping the waistband, too. Yunho smirked at you and leaned in close to your ear.

“I’ll buy you a new pair later, or I’ll pay for you to get some new ones.”

“Daddy, wanna– gonna–”

You’re not on Earth anymore. Your mind is so far gone, lost in the obsession you’ve discovered you have with his voice and the filthy, debauched noises being created in the space. In all honesty, you didn’t even process what he just said to you. All you can think about is the fact that you’re mere moments from your orgasm.

“Pretty baby wants to cum?” He asks, gripping onto your now bare hips.

“Please,” small tears form in your eyes, “Please, please!”

Yunho smirks at you again, “Cum.”

Your orgasm rips through you, stronger than anything you’ve ever felt before. Yunho’s thrusts grow stronger and faster. As you ride out your high, he reaches his own. He releases his load into the condom with a loud groan. His eyebrows furrowed together while his eyes remain locked on your own. You both start to fall from cloud nine around the same moment. Yunho leans down to hover above you and places a small kiss against your collarbone.

“You did such a good job, pretty girl. I’m so proud of you.”

That last comment wasn’t for the camera. That was specifically for you.

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Networks: @cultofdionysusnet @kwritersworld @k-vanity

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[mister-a-z-fell]

I was asked to provide a guide to the Celestial Hierarchy, so this is a very rough guide, with certain details omitted for various reasons.

The ‘alt text’ thingy didn’t seem willing to contain a full description, so I include it below:

An attempt at describing the informative ‘graphical’ representation.

The image describes the Hierarchy of Heaven, with the titles of angelic choirs and notes on their roles and functions.

God is, of course, at the top (although in a more dimensionally accurate depiction, this would be the centre).

Beneath God is the Metatron - Voice of God. The appended note reads ‘TECHNICALLY PART OF THE SERAPHIM’ but further information is blocked out with ‘REDACTED’ in its place.

There are three groups of angels below Metatron. They are the First, Second and Third Spheres.

The First Sphere includes Seraphim, Cherubim and Thrones.

The following notes are attached:

1: ARCHANGELS (this is written with a capital A)

Senior management, drawn from the ranks of Seraphim and Cherubim.

Theirs are CENTRE-FACING ROLES (Enacting the Will of God, facilitation of the Plan, long-term strategies and Angelic Resources).

2: As a point of etiquette, Seraphim and Cherubim are only to be spoken of as a plurality. Do not refer to one Seraph or one Cherub.
3. Cherubim are not to be confused with Cherubs — young/neonate angels, or cherubs — quasi-sentient firmament devices. (The word ‘cherub’ is written with strangely accented letters, suggesting that the words may sound different.)

Thrones have their own role description: LOGISTICS & LARGE-SCALE

MACROCOSMIC FORCES, and an additional, emphatic note: NO WHEELS. NONE OF US HAVE WHEELS.

The Second Sphere includes Dominions, Virtues and Powers.

The role description for Dominions and Virtues reads: ARCHITECTS. ENGINEERS, FIRMAMENT-SMITHS, but the description beside Powers has been redacted.

The Third Sphere includes Principalities, archangels (with a small a) and Angels.

A note on etiquette regarding archangels reads ‘don’t forget the small a. But don’t bring it up in conversation’.

This Sphere is characterised as ‘EARTH-FACING ROLES & ADMINISTRATION — Guidance, observation, soul-conservation & procurement, record-keeping’.

A note on Principalities warns ‘Don’t make jokes about how few of them there are’ and ‘This means you, Sandalphon.’

Conversely, regarding Angels, the advice says ‘There are so many of them. Millions. Don’t try to remember every name when you can generally get away with ‘Mumble-iel’.

[yridenergyridenergy]

Burrn! Japan vol. 23 Individual Interview Translation Notes

Kyo's favourite movies are those that leave a really bad aftertaste, which he just can't watch more than once or twice. Besides Holy Mountain, some of his highlights have been Pearl, MEN and Midsommar. Ideally, he'd love to replicate this in a live show: as a fan, you would be so shocked and blinded by tears that you couldn't even see Kyo. He thinks that Dir en grey is more and more working toward this kind of mission. Kyo would also love to perform in Las Vegas' SPHERE venue, with this type of overwhelming shock.

If he had to make a movie, it would also be one that leaves a bad aftertaste and which nobody could sanely watch more than twice, but since he would have to do multiple reviews as the director, it won't happen.

Kyo finally explained the focus on Uroboros more: he feels that Dir en grey was able to build something more from this point onward. The worldview started with Withering to death. too, but the base was set more firmly with Uroboros.

For Kyo, the inclusion of Oboro is what totally changes a setlist. He feels that it's a bottomless pit, like he's cutting deeper and deeper into a wound. For Die, The World of Mercy is the song that can make a whole difference in a setlist, because of the change of tempo in the middle.

Die described that when they try to compose songs, sometimes, after 25 years, they can have the impression that the melody's already been done before. But then, let's say Kyo adds his singing on top of it, and it goes through the filters of the other members too, and in the end, Die feels like: "Wow, it's something totally different now!"

Die doesn't usually work on melodies in his free time. The ideas come to him the most when there is a concrete release decided and deadlines, even if he doesn't like deadlines.

Regarding the upcoming European tour, Die reflects that Withering to death. was the first time that they toured in Europe, and in general they have never done "concept tours" overseas. He feels that the band will be able to do things in 2024 that they weren't able to do back then.

Apparently Dir en grey is thinking of celebrating the 30th anniversary since their formation!! And they are wondering whether to release the next album before that or around the same time.

Kaoru mentioned that at first, only Acro no Oka and Zan were supposed to be recorded with Yoshiki in LA, but when they arrived, it was decided to add Yurameki. About Acro no Oka, Yoshiki commented that it was a concern because of the lack of "collision of sounds", whereas Zan was a problem of collision of sounds.

In Yurameki, apparently they recorded some strings separately and overlapped them in post-production because Yoshiki asked Kaoru to play something in a specific way that was impossible, because the string couldn't be held down simultaneously. They figured: "No one will notice."

This European tour was supposed to happen in 2022 to coincide with the band's 25th anniversary.

Shinya would have preferred to sleep until 4PM on the day of this interview. He also appreciated that the songs of Phalaris were introduced in three segments/tours, because he had trouble memorizing the structure of the songs. It would have been impossible for him to play all of the album's songs at once live.

His favourite kind of ending is when the show doesn't end with a bang, but that it instead leaves a lingering worldview, which was accomplished with Kamuy. His favourite part is when the curtain was lowered in front of the stage as soon as Kamuy started. Ideally, he would always just walk off the stage without throwing drumsticks or anything.

For the first time, the rehearsal for Tour23 Phalaris Final –the scent of a peaceful death- was not just [rhythm section] then [whole band]. At Die's suggestion, they had rhythm first, then the four musicians, and finally the whole band rehearsed together.

Shinya was ecstatic that his composition, Yurameki, was chosen for the major debut and that it was produced with Yoshiki. Ever since then, he felt like he could die happy, and all the way up until now, Shinya has continually felt like he could be content to die at any moment.

For ten years now, Shinya has wished to record simple drum melodies. Also, he thinks that he will struggle to re-learn how to play the Uroboros songs.

Toshiya reveals that the imagery projected on the curtain in the opening (during Otogi) and ending (during Kamuy) of the shows in Tour23 Phalaris Final –the scent of a peaceful death- were generated by AI.

It seems that a lot of people have commented that going to see Dir en grey is more like a spectacle than seeing a rock band's live performance.

Toshiya was initially opposed to the idea of re-recording the three singles of their major debut. He feels that old songs are out of their hands, and some things about them belong to the listeners and their past experiences of it. In other words, he is worried that re-recording could destroy something about the memories associated to the songs. In his view, it's better for the creators to re-imagine the songs, like they have done with their remakes so far. At the same time, in retrospection, Toshiya is glad that they decided to do it, because it made him realize that a lot has changed in 25 years, but a lot also hasn't changed, with the band.

[twilightarc-gm]

Why do you like jiang cheng?

At the risk of liking him for the wrong reasons, let me be verbose and annoying about it.

A short anecdote: I finished the donghua before the novel and I liked JC's aesthetic so I was happy to have that imagery in my head for the novel, but mostly I came out of the donghua like "cool story, the ending was frowny face though" and I came out of the novel like I was lost in the IKEA store "there's stuff here but it's not what I want and it's organized in a way that's hard to navigate through." Bit like giving me a puzzle to solve.

Anyway, imagine a cat bapping at a thing trying to get fandom to show me what to do with MDZS (i.e. reading fanfic) and then I come across anti-Jiang Cheng stuff.

//record scratch

I'm sorry what?

Why?

NO.

I started then on Shuangjie reconciliation fic and quickly evolved into Jiang Cheng "Apologist" ((I actually don't think he has anything to apologize for even if he would do so anyway.))

I've been in the xianxia/wuxia sphere of media consumption for a year or so before trying out MDZS and JC just fits so well as the main character of his own story; destined for a position of power through birth, friends with someone in his life that causes conflict, seemingly betrayed by said friend when needing that friend the most, losing and losing and losing as his trust in said friend proves unfounded because the friend walks a path he can't follow, and then he's left with the tragedy that befell the world because--ultimately he trusted this friend too much.

It's a classic story of love and attachment and how good intentions can have massive consequences. Two men entwined by fate and in the end there's a battle on a hill (off screen in this case) where one is forced to "kill" the other.

MDZS could have ended with the past timeline, and I would have liked it more but at least in the present timeline we get Jiujiu and a-Ling.

Anyway: Excerpts and Commentary Below about WHY I LOVE JIANG CHENG, courtesy WANYIN

Of all the clans to offend, you don’t offend the Jiang Clan, and of all the people to offend, you never offend Jiang Cheng.

We stand by a badass mf in this house. The first thing we learn is that he gets credit for killing a big baddy and the second thing we learn is how fierce the rest of his reputation is. He brooks no shit and leaves no quarter. Amazing 💜

Well, I was done for at "gaze like two streaks of cold lightning" so RIP me, I guess. Reminds me of some antis that are like "you only like him because he's hot" which isn't true but it is a nice plus. He's described as inferior to LWJ so like, if it was only about hotness then wouldn't I like LWJ???

“I am his uncle. Do you have any last words?”

At the sound of that voice, every drop of blood in Wei Wuxian’s body seemed to surge to his head but then immediately drained away again. Thankfully, his face was already a mess of ghastly white, so it didn’t look strange when he went a little paler.

A man in purple attire strode over. He was dressed in a narrow-sleeved light robe, with his hand resting on the hilt of his sword. A silver bell dangled from his waist, yet there was no sound when he walked.

This young man had fine brows and almond eyes, with a chiseled handsomeness to his features. His eyes were deep and intense with a hint of aggression, his gaze like two streaks of cold lightning. He stopped and stood three meters away from Wei Wuxian. His expression was like that of a nocked arrow on a bow, ready to shoot, and even his composure was suffused with arrogant pride.

Jiang Cheng ruled the Jiang Clan of Yunmeng alone, so it could have been said that he was in a state of isolation.

🥺 Alone?? And he could still afford 400 Immortal Binding Nets? Self-sufficient king 🤩 And like, his reputation is so fierce and he's boiling over with anger in that scene, but still he restrains himself because he did the cost-benefit analysis! And then later he takes a huge risk on WWX, like he always does for WWX, and that doesn't work out for him--like it always does.

Seeing that nothing had happened to Jin Ling, Jiang Cheng was greatly relieved. However, that relief soon turned into a furious reprimand:

Parent behavior. Enough said.

He has a twisted smile when encountering a trigger for his PTSD and then he decides to fight it instead of letting it paralyze him. He's such a doer. Like, every other moment of the day he's carefully calculating pluses and minuses to every choice (valid) but when it comes to facing his personal demons he's ready to throw down. Excellent.

A moment later, Jiang Cheng’s lips pulled into a twisted smile. His left hand subconsciously began stroking that ring once more.

He said softly, “Excellent. Back, are you?”

He let go of his left hand, and a long whip dangled from it.

“Oh? Then please enlighten me, what is your type?”

Walking A-Spec flag very concerned about what the man who might be his shixiong thinks about him, more at eleven!

Wei Wuxian waved him off and then hooked his arm around Jiang Cheng’s shoulders. “Who cares? I’ll tease him a bit more before I go. You’ve already collected my corpse so many times. Once more won’t hurt.”

Okay but big lol that JC doesn't get to collect WWX's corpse that final time. //sounds of sobbing

A smile appeared on his face, but then he immediately humphed.

He's so grumpy and adorable! I love him! pre massacre JC is precious and I just want him to have someone to bring out that smile again.

He literally didn't have to do this. He makes all these excuses how he'll be embarrassed if WWX is rolling around 😂 Perfection. Boy, you are still carrying him and he doesn't want you to stop.

Jiang Cheng, walk slower, you’re gonna throw me off.”

Not only did Jiang Cheng want to throw Wei Wuxian off, but he practically wanted to bash his head into the ground to create a human crater. “So fussy even though I’m carrying you!”

“I didn’t tell you to carry me,” Wei Wuxian reasoned.

Jiang Cheng flew into a rage. “If I didn’t carry you, I think you’d hang out at their ancestral hall all day, rolling around on the floor. I can’t afford this embarrassment! Lan Wangji took fifty more strikes than you, but he walked away on his own, and you’re not embarrassed, pretending to be an invalid? I don’t want to carry you anymore. Get the hell off!”

“No, I’m wounded,” Wei Wuxian said.

Alrighty, like I'm just going through the entire book at this point.

Let me see if I can make this more concise:

Sacrifices himself despite his very dutiful nature that would oppose this. He throws away all his responsibilities for WWX, again and again, carrying on a tradition of favoring WWX over his own health and happiness. Citing: JFM favoring WWX to the detriment of his marriage, JYL dying to save WWX, and JC (exhausted and with little or no power) running into danger to save WWX ala distracting the Wen patrol and 2nd Siege.

Can't be honest in his affections and makes up excuses to do nice things for others.

Loves and understands his sister. She wanted JZX so he made it happen when LLJ had absolutely no reason to reinstate the marriage contract between Xuanli. JGS notes in the CR arc that he didn't want the marriage for his son in the first place and that there were better options than YMJ, and that was before the war! JC helped her get to Yiling to show off her wedding dress! Even though she married out he still felt so attached to her son he couldn't not co-parent Jin Ling.

Yes, he has Zidian, but he also has a second horsewhip that he keeps on him which is very exciting to know.

The narrative hates him but he survives. (He survives because the narrative hates him).

Most BAMF entrance in the novel at the temple scene with the busting the temple doors down and coming in from the rain with an umbrella. Like sure the narrative hates him but small blessings that rule of cool still counts for something.

Mama's boy.

Just some dude, shows up late to treasury room nonsense, knows all the gossip, no one has faith in him including himself, but he keeps going and doing what needs to be done even when he's so so tired and his shixiong shows up 3 months late with a ghoul lady and a latte, or disappears to liberate slave property without warning first and now he's called into a midnight meeting after trying to get some much needed rest and now he's got consequences to deal with. Someone help him!

An expert at sneering. Threats as a show of worry and care. This makes all the little and brief smiles so much more endearing.

Sandu Shengshou is an amazing title, get out of here if you don't agree. Holy Hand of the Three Poisons? Brutal, perfect 💜 It gets used like, ONCE. Crime against me personally.

Link to Blorbo Sheet for JC

He loves, he hates, he wants to hate he's not allowed to love. Zero middle ground, he's all in and there's no way out.

//is shot and dragged off stage

But just as the Wei Wuxian of the past who’d extracted his golden core for Jiang Cheng had been unable to tell him the truth, the Jiang Cheng of the present could no longer bring himself to speak up.

[linguisticdiscovery]

7 undeciphered writing systems

(While reading, remember that it’s possible to decipher a script and still not understand the language that the script represents.)

(Each heading links to that script's respective Wikipedia page.)

Byblos Syllabary

The Byblos syllabary is attested in 10 inscriptions found in Byblos, a coastal city in Lebanon. It likely represents a Semitic language, but despite a handful of attempts at decipherment, there still isn’t a consensus as to what sound each character represents.

Cypro-Minoan Syllabary

The Cypro-Minoan syllabary appears on ~250 objects—especially clay balls and cylinders that were used for recording economic transactions—on the island of Cyprus.

The script suddenly disappears in 950 BCE and was replaced by the Cypriot syllabary, which was used to write Greek, and based on Cypro-Minoan. This evolution allows us to infer the sounds of some of the signs in Cypro-Minoan, but we still don’t know what language it represented—probably either Minoan or Eteocypriot.

There are only ~2,500 total instances of signs for Cypro-Minoan, which is significantly less than Linear B when it was deciphered (~30,000).

Indus Valley Script

The Indus Valley script is known from ~4,000 objects with very short inscriptions found in and around the Indus Valley, and represents the Harappan language (the unknown language of the Indus Valley civilization).

It has about 400 distinct signs, which is too many for each sign to represent a single sound or syllable, but too few for each sign to represent a word. Scholars thus think the system is logo-syllabic (basically a mix of the two).

Linear A

Linear A: Everybody’s favorite mysterious undeciphered script. Linear A was used by the Minoans on the island of Crete, and is called “linear” because the script is written by cutting lines into clay, rather than pressing wedges into clay like cuneiform.

Linear A was adapted to write Mycenean Greek and became Linear B (deciphered in the 1950s), and because of this we can infer many of the sound values of symbols in Linear A. However, 80% of Linear A’s signs are unique, not shared with Linear B.

Linear A itself probably developed from the earlier Cretan hieroglyphs, which are also undeciphered.

Phaistos Disk

The Phaistos Disk. Also from the Minoan civilization on Crete, yet seemingly unrelated to Linear A. This disk is the only certain attestation of this (assumed) script, spiraling around both sides. There are 242 tokens comprising 45 distinct signs.

The Phaistos Disk also happens to be an early example of moving type printing, since each character was made by pressing seals into clay.

Proto-Elamite

The Proto-Elamite script developed alongside Proto-Cuneiform, and was used for similar functions and in similar ways until it was replaced by cuneiform. Proto-Elamite, like cuneiform, began as a system of marking tokens and spheres with details of economic transactions.

Rongorongo

Rongorongo is a system of glyphs used on Rapa Nui (Easter Island), found only on about two dozen wooden objects. According to oral history, the tablets were considered sacred, and only a small elite class could read them. Unfortunately, that tradition was wiped out after slaving raids and epidemics caused the collapse of Rapa Nui society.

Though the glyphs, if they are writing, undoubtedly represent the Rapa Nui language, little is known about it because modern Rapa Nui has had heavy influence from Tahitian.

---

Want to learn more about the world’s writing systems and their history? Check out my curated list of books on Writing & Writing Systems!

[correlatedcontents]

the uncle who works for nintendo: ten years on

10 years ago today i released a game called THE UNCLE WHO WORKS FOR NINTENDO. with art by Kim Parker, multiple endings, a metafictional structure, and extensive sound design, it was (and remains) my most ambitious completed solo dev project. initially conceived as the gamergate harassment movement sprawled over social media, and coinciding with the attacks on residents of ferguson, mo following the police killing of michael brown, it's often seemed in retrospect that this was a moment where the loathsome present really crystallized

for my part, the response to the game was beyond all expectation; kotaku linked it and totally obliterated my webhosting, incurring a huge overage charge. i was a poor grad student and people helped crowdfund the cost. that was amazing, but the whole thing kind of scared me, honestly!

that's mainly why my projects from this point scaled back, then ended as i turned my mind toward finishing grad school: i didn't have the time or resources to technically expand in the ways that i wanted, and furthermore i was leery of becoming a guy who was expected to make Statements.

the intervening years have been… well, they've been something. you were there, presumably. one of the people namechecked in the game's author notes, a target of harassment at the time, is now a noted unprincipled political hack, and i'm not talking about zizek. but remember quoting zizek?

the world turns. i recorded my first podcast because of this game. it got onto people's best of the year lists. paste called it "the indie game of the year." it won the xyzzy award for best npc.

and none of the stuff that distressed me so much that i made the game went anywhere.

there was a lot of talk in the early 2010s about the power of games to change people and make them better. and i think that's probably true--all encounters with art can change you, for better and worse--but i've long been skeptical of strong and positive claims for art's "efficacy."

i didn't think my game was going to solve any problems, but it was at least going to index them. and i think it indexed gamergate, though it did nothing to stop that ravening, juvenile nostalgia mindset from wholly subsuming the gamer cultural sphere, to say nothing of spheres beyond it

Liz Ryerson, another influence on UWWFN, recently wrote a long essay about just this.

but one thing the game's reception did show me is that there are in fact people who want to think, ant to interrogate the easy bindings between experience and unreflective thought, and find ways of thinking and feeling contrary to the ever-rising tide of culture's venom. the world is not settled.

the game cemented my friendship with Cameron Kunzelman, and the podcasting work we've since done for Ranged Touch has been (to my mind) more useful in this regard than any game i could make, modeling engagement with the weirdness of both art and the world critically and thoughtfully. and gaming is not kaput! i was fortunate to make connections within the twitter dev scene, and currently work at Half Mermaid on a project that will not make you a better person, but might offer ways for thinking about life in a turbulent world where our ugliness is sold back to us at a premium.

10 years is somehow both a short time and, it turns out, an incredibly long time. a lot happens, and it's never enough, and it's also way too much. and sometimes a decade on, even when you're a guy who doesn't want to make Statements you still feel like there's something worth remarking upon. thanks

[dear-ao3]

Can I ask for a translation on what happened in Vegas?

what didnt happen in vegas!

-carlos sainz ran over a drain cover that was not welded down 9 minutes into the first practice session. it ripped a hole through his car basically (he narrowly avoided getting royally and permanently fucked up by it) and he got a 10 place grid penalty for fixing said car

-toto wolff, the mercedes team principle, said very emphatically that carlos deserved this penalty. carlos did not in fact deserve this penalty because it was not remotely his fault.

-probably out of spite, carlos managed to finish the race above both mercedes cars

-back to practice 1, it was redflagged 9 minutes in after he crashed and it took nearly 7.5 hours for them to fix the track because they had to check all the other drain covers

-practice was already late to begin with and reportedly at 1am ish they kicked all the fans out who had bought tickets because it was "too late"

-tickets btw were over 1k USD

-practice two started sometime around 2am and didnt finish until nearly 4am

-yes, people were driving cars at over 200mph at 2 in the morning, jetlagged to hell and back. idc if you're a professional, that sounds dangerous

-the announcers were descending into madness the whole time and during practice two i think tried to talk about oceans 11 but fucked it up

-there was also the sphere. the sphere was relatively unhinged.

-the drivers didnt get back to their hotels until after the sun rose that day. and they had to race again that night

-oh also it was fucking freezing and when its freezing the cars don't work cause the tires don't warm up and the brakes don't warm up

-tires also warm up best on corners, high speed ones. the vegas track had mostly all low speed corners and really long straights. not ideal

-the pit lane exit was also smack in the middle of a really tight turn. which they would be exiting onto on cold tires with cold brakes.

-also the track looked like an upside down pig

-practice three was normal until the very end when alex albon crashed into the wall. no one was allowed to do practice starts because the session was red flagged and not resumed.

-the most notable thing to happen at qualifying was that both williams cars (which are basically tractors) managed to place p5 and p6 on the grid. especially interesting considering that logan sergeant has placed dead last in qualifying for the last several races.

-also both mclarens were at the bottom. this is not super relevant or particularly interesting but i was upset about it.

-ferrari went p1 (charles leclerc) and p2 (carlos sainz), but sainz had a 10 place grid penalty for fixing his car that had a literal hole through the bottom, so he started p12.

-weirdly, sir lewis hamilton and checo perez also started pretty far down the grid.

-anyway onto the race.

-there were so many safety cars. literally on the first lap the whole back half of the grid rammed into each other.

-then! terrifyingly! lando norris ran over a bump in the track on lap 3 or 4 i don't remember and spun several times before ramming into the wall. he sounded not ok on his radio but he got out of the car. eventually they ended up taking him to the hospital, he is quite fine but it was still a terrible crash

-his teammate, oscar piastri, seemly got possessed by someone or something, possibly lando himself, because he had a very impressive race until mclaren decided to use the worst tire strategy possible (as in, pit him in the last 10 laps to change his tires when this was largely avoidable by all accounts). he could have ended on the podium potentially if they hadn't fucked him up. still, he ended 10th and got the fastest lap and as a result the track record.

-there was also another episode of French Civil War at alpine when they told esteban ocon to stay behind his teammate, pierre gasley, and he said no !! and passed him for funzies

-charles leclerc also got possessed by something, possibly his own bad luck, because he managed to finish p2 after overtaking checo perez on the last lap.

-the same checo perez whos f1 career has been basically dead for half the season

-also lance stroll weirdly slayed

-despite starting high on the grid, both williams managed to finish out of the points

-surprisingly there were only 3 DNFs and 0 red flags

-this is surprising because of all the tire and brake issues that people thought there would be

-unsurprisingly max verstappen won. what was surprising was that he sang viva las vegas over his radio afterwards, especially surprising considering that he spent the whole weekend shitting on the race, saying that the track was terrible, he hated it, and that the fans should burn the place down for getting kicked out on practice 1 day and only getting a voucher in response

-related to that, the fans sued f1 over getting kicked out

-someone thought it was a good idea to put max charles and checo in the back of a rolls and film them driving to the podium. it was incredibly memey.

-there was definitely more that happened but this is all i can remember right now

[junktastic]

I had a drawing months back that went kinda viral I guess, and it getting out of my normal sphere of followers meant that I got to observe how folks far outside of my twitter sphere interact with twitter and others. For reference, I am talking about this image:

The context, besides getting to draw my friend Jenny, was that I saw a picture that was of an anime girl that said "lets be in our early 30s together" and I was like "haha, I will make my own version of this." Part of it was also that I think aging is fine, and we need to stop stressing so much over staying young. "Lets be in our mid-thirties together" is not a joke, I sincerely wanted this image to be warm and inviting, to maybe give people hope that there will be friends and people who love you once you get to that age. I never thought I was going to make it to 30, and I just turned 35 this year, and I'm the happiest I've ever been.

Some responses were obviously teens/early 20s people saying they don't want to get that old, which is whatever. When you're that young the dirty thirty sounds so ugly. No one cool is in their 30s! Well, if you ignore the people who make all the things they like. These responses I waved these off.

I saw the typical twitter experience replies of "this doesn't apply to me?" Ok bitch! Go make your own like I did! And show me when you do, I'd love to see it!

There was a handful of people who were saying "retweet to scare a twink" which I felt was kind of rude. Not to me, but to the twinks out there. Aging doesn't make you less of a twink.

Lots of people were sending it to their significant others or saying they hope to find someone to be in their mid-thirties with, which I love. :3 It makes me happy!

The one kind of response which is what I made this post for and I'm so sorry that I've been rambling, that I found weird was the people who will reply to just you. The OP. As if they are replying to everyone in the thread. I'm not talking about in QRTs, just straight in the replies. "Don't forget how tired she looks in this." Brother I drew the picture. I know. And ever since then I feel like, as someone who loves to read the replies on other people's tweets, I notice this a lot more often. Who are they talking to? Is this what people are referring to when they say "Main Character Syndrome?" Or should I be lumping these together with the "why isn't this about my exact personal life situation" people?

My fiancé says I'm thinking about this too hard (I got engaged last month btw), and he's probably right. I can't help but be curious about how other people choose to interact with the internet and images and people on it. And, I guess, am I supposed to reply? How should I feel about these. I guess I have to decide that on my own.

For the record, you are all very normal/understandable when it comes to what you guys tag my stuff with. That you love the girls (same!), that they're very gender (love this), or wow is this [insert fetish](not my intention but that's the internet). I feel like the slime girls get the "gender" comment the most and you are all so right for that. Every time I see people reblog my ocs I think "Thank you for loving [name]."

That's all! This was a pointless post but I'm unemployed right now so I have too much time to overthink things for no reason. How do YOU feel about how people interact with your posts? Are they weird? Or are they normal about it.

[naomi-the-red]

I have a problem with how people represent Lightweavers and the “strangeness” of their oaths. Lightweavers’ oaths are actually no different functionally than anyone else’s, I just don’t think people understand the point of the oaths as a general.

I’m glad the Say the Words videos exist because I feel they get at this, especially in regards to the Lightweavers, but the whole point of the oaths is to protect people against the worst of that persons nature. What those oaths will shape like and be in phrasing, depends on the order and history of the radiant speaking them, but they all do the same thing—hold them accountable.

Windrunners by their nature can be self-righteous as hell. They have to be reminded that they don’t get to pick and choose who deserves their protection. They protect so long as it is right.

Skybreakers are all about the law and justice, they get reigned in by holding the law as a foundation but that they need to remember that law doesn’t always equal justice; it’s just the best baseline Skybreakers have to start from. That whole “become the law” business of the fifth ideal sounds scary, but it’s their fifth ideal, they aren’t getting there willy nilly. By that point they should well understand why the law exists, and they need to be able to rise above it when the law itself is unjust.

So what about Lightweavers? Why are their oaths so superficially different? Because a Lightweavers nature is to lie to themselves and everyone around them. Both sides of their powers can literally meld illusion and reality. Delusional thinking is an inevitability with that power set, let alone those inclined to it. Lightweavers need to be honest with themselves because if they can’t, they will lose themself to their unrealities.

Why did I say ‘unrealities’ and not lies? Because this is another level people do not respect Lightweavers. They are not liars, they are mythmakers. It is not necessarily about deception but telling truth through lies. They are so close to Truthwatchers for a reason, but where the Truthwatchers find the truth in fact, Lightweavers find the truth in fiction. It’s not a lie, it’s an unreality.

I’ll let PL Travers, author of Mary Poppins, explain through a paraphrasing of her article ‘The World of the Hero’:

“The word myth, for example, is largely accepted and used as something synonymous with lie. 'It's a myth, we say, meaning something that is not to be believed, a tarradiddle, a tall story, an impossibility. Even the Concise Oxford Dictionary describes it as a fictitious idea. I would rather have said 'unverifiable… for whether we know it or not, we all—like the Hero—live in myth.

…We go to the myths not so much for what they mean as for our own meaning. Who am I? Why am I here? How can I live in accordance with reality?

Now, this problem of meaning can literally overwhelm us.

…The myths never have a single meaning, once and for all and finished. They have something greater; they have meaning itself. If you hang a crystal sphere in the window it will give off light from all parts of itself, That is how the myths are; they have meaning for me, for you, and for everyone else. A true symbol has always this multisidedness. It has something to say to all who approach it.

…Take as an instance the story of Galileo.

Galileo is not a myth; he is in all the history books where you will read the undoubted fact that at a time when it was believed that the sun moved round the earth, Galileo dared to assert that the very opposite was true, that the earth moved round the sun. Under pressure, however, and on pain of death, he was forced to deny his truth. Thus he was able to save his life; but as he turned away from recanting he muttered firmly into his beard: 'Eppur si muove'

- Nevertheless, it moves. The story is known to everyone. Galileo is famous for the 'Eppur si muove'; but the recantation of his recantation has nowhere been recorded. How could it have been?

The only people near enough to hear it were his inquisitors, and had they heard it, his fat would have been in the fire. He never said 'Eppur si muove' - except, of course, in his accurate heart.

But in its unconscious shaping of the hero, the folk required that it be said, the story required that it be said; the truth had somehow to be told that Galileo was not a liar. So, mythologically, Galileo was required to say it. It is a truth but it is not a fact.”

It is a truth, but it is not a fact.

That is the realm of the Lightweavers.

[irafuwas]

I went to bed last night fearful of poor Silver learning firsthand that his father wasn’t always the kindhearted and fun loving man that he so admires and adores, that he used to look at humans with apprehension and distrust, that he’d treat people like they were worth less than the scum stuck to the bottom of his boots. But now, I do want him to see all of these things. Because I want it to dawn upon him, finally, for the first time in his short 17 years of life, that he is the reason his father is the person he is today. That every facet and every feature, every perfect aspect of his father’s design that he worships, that he wishes he could trace his fingers over whisper-soft and record into the lines of his own skin, they were all sculpted and carved and molded by him.

Silver it was your love – your love as a baby, as a child, as the young man you’re rapidly growing into - that nearly drowned your father, and every time he broke through the surface and opened his mouth to gasp for air you dragged him back down again. The waves of your love, at times more tender than a mourning dove‘s call, at times fiercer than a thousand storms, sloughed off his skin and tore apart everything that was and would never again be “Lilia Vanrouge”. And at last, when the pale body of your father emerged from those waters and he collapsed onto the achingly warm shores that had all his life been just out of his reach, he had been reborn into something and someone entirely new. He was transformed.

On golden mornings, when you still lay asleep in the small cot next to his, your father would slip into town and pick up fresh bread from the baker for you. He’d choose the kind that would crinkle like the autumn leaves under your careful steps when he split the loaf in half. The sound always made you smile.

When your father had left for town on one of those mornings, he’d still believed in the notion that all the light in the world and that everything good and warm and safe came from the yellow sphere that hung in the sky far above. But when he came back, as you ran out to greet him and you came crashing through the wheat fields near your home and you laughed your iridescent laugh with bits and pieces of flaxen leaves clinging to your lunar hair, your father finally glimpsed the great truth that Nature had been obscuring from him all his life.

[yanchive]

I got permission to expand on this idea, so I'm gunna share my thoughts and what I came up with regarding this cool idea. I got the concept of this from the OP of the previous post, @coveredinsoot , so credits goes to them. I used he/him for the Yan, and they/them for the Darling so all readers can enjoy. I haven't written something like this in ages. Forgive me.

TW: Yandere themes(obv), mentions of drug use(non consentual), minor mentions of sexual themes, not proofread very well I wrote this first thing in the morning. I hadn't even gotten out of bed lmao

-A recap of my tags in the previous post, my idea followed the premise of a yan whose darling is an employee working under the record label/idol agency(whichever one you prefer) he is signed onto. They could have a position working somewhat in the same sphere as their Yan. My first thought was maybe a touring staff, but I felt specifically that they could be a photographer who was hired solely to work under Yans label.

-They do the shooting for promos, they participate in the creation of music videos, go on tours to get photos at concerts, etc. They work alongside Yan, but rarely interact outside of the professional setting. Darling has a job they have to do, and getting personal with the artist they're assigned to work under is a risky thing, so they choose to keep their casual interactions to a minimal to avoid scandals.

-While Darling is putting their attention all into their career, Yan is forced to get his unrequited feelings out via music. Filling notebooks after notebooks with sickingly sweet words, turning them into lyrics that get pumped out to fans, who all imagine themselves as the reciever of such romantic tales of woe.

-Yan constantly sneaks details about his Darling into his music, from mentioning small physical traits on their body like the color of their hair and eyes, to maybe even scars and birthmarks no one would or should know unless they've seen them partially or fully naked. They would constantly bring up traits revolving around the Darlings personality most of the time, but no matter how many details they place in their songs, it just seems to go over Darlings head

-Yan constantly asks Darling what their thoughts are on his new music, hoping to one day see their eyes light up and realize they were the center of all his music and finally return his feelings, but Darling only ever gives vague compliments to him, telling him his music is great but really never delves to deep into the lyrics or sound.

-Yan finally comes to terms, after watching over his Darling for months, maybe even years, the Darling just never gives his music an actual proper chance, and that's why they never pick up on all the lyrics that would eerily describe them to a T. Yan decides to be a bit more risky, and take his lovey dovey songs into more darker territory.

-Its an obvious switch. Going from themed albums that would have him in more colorful attire and poppy beats, to more darker fashion and seductive tones. Clearly the Cloud 9, cutesy romance didn't do the trick, so maybe he could lure his Darling in with a more mature persona.

-Lyrics become much more sexual in nature, singing of long nights underneath the covers, decorating each others skin in marks, all the things that gets the crowds riled up. He isn't afraid to drop hints/details about kinks he picked up that his Darling seemed to be interested in(well at least that's what Darlings search history says).

-His fame skyrockets after the new change, and he sees his Darling has started to pick up a bit of an interest in his music(fucking finally). They notice a little bit of how Yan seems to keep a certain image of someone within his lyrics. Mentions of the same hair color(and if Darlings one to dye their hair, will even mention the change in hair color in the song(s), same eye color, same attributes both physically and personality wise. But despite that, Darling still hadn't gotten deep enough into the music to put the puzzle pieces together. Though they did make a joke about how much they related to this mystery person from the small amount of details they picked up.

-Yan definitely had to bite his tongue and hold his hands behind his back to keep from exploding after hearing that. So damn close, his Darling is right fucking there, the density this Darling had was driving Yan up the wall, but he'd be lying if he said he didn't find a little excitement in it. At this point he done already turned it into a game.

-The music just gets darker from there, and while the crowds of unwavering loyal fans eat up each word like its their last meal, Darling is finally becoming suspicious. Not just from the odd lyrics Yan has been singing, but also behaviors being exhibited behind the curtains. Around the first change in sound, when Yan took his music down a darker route, Yan had begun being more pushy with spending more time with his Darling. Following them around like a lost puppy between photoshoots. Trying his damnest to get Darling to hang out with him outside of work. Throwing parties just in an attempt to get Darling out of their professional persona around him. Constantly buying them things, showing up out of no where to chat with them, it was overwhelming.

-It was only getting worse, especially since Yan was beginning to slip up and say things about Darling that he shouldn't know. Afterall, Darling never told him such things. Coupled that with the fact that his lyrics in his new album sing of kidnapping and basements and a whole bunch of stuff that aren't at all romantic anymore, Darling is getting wary. They can't seem to go anywhere without this nagging feeling they weren't alone and something was wrong. They even begin looking into changing to a different label or becoming an independent photographer just to get away from overwhelming nature of their Yan.

-And Yan picks up on it. He realizes he isn't winning them over like this anymore, and he's now down to his last resort. He's always been a tad sadistic, even in the beginning he had a bit of joy daydreaming about kidnapping Darling and having them caged in his awfully large mansion, only having Darling ever see and hear from him. He's spent many hours in bed imagining ways to condition and brainwash Darling into relying on him, maybe even getting them so reliant on Yan that he'd be able to have them follow him once again on tours just so they could always be together every waking moment of their lives.

-But to get to that point, he was going to have to start at step 1.

1. Throw a party. At this point they had become common, as this was something he used in the past to get Darling to come out and spend time with him. He'd use the same excuse he's used in the past. He wants his favorite photographer to come and take amazing photos of the party so he can put them on his Instagram for bragging rights.

2. Get them chilled out. Darling never drinks alcohol at these parties. They have an expensive camera they need to protect, and taking decent camera shots require a steady hand. So Yan will make his own concoction for Darling. Darling only said they won't drink alcohol, they never mentioned anything else...

3. Take them out of the crowd and into a more quiet... secluded area of the house. They were never big on parties, its so easy to get overwhelmed, and now they're drowzy and stumbling over themselves and their words. Can't even stand up let alone walk. They clearly need some rest. Luckily Yan has everything they need to keep them comfortable. Now that they've finally made it home they can rest easy on their new bed while Yan finishes up closing down the party for the night.

4. Now a new life can be started. One much more suited to Yans taste. A life his amazing music has sung tales of since the day Yan fell in love...

[desertskiespodcast]

How many of the voices/characters you do are unedited? I am floored every episode that you are the only VA/director/creator/editor for this entire podcast (aside from your son doing a handful of guitar!), and I am so genuinely curious how the hell you do so much as one person. Some characters like CASH have a bit of an obvious autotune (lack of a better word, I am incredibly uneducated in this) to their voice, but I am so curious to learn how much of it you are able to do with your unedited voice. Like, what characters? I feel like Tendy and Mac are unedited, but it genuinely astounds me!

Thank you for making this podcast!

Hey, that's a big question because there's so many characters and I'm prone to forget some. But this gives me an opportunity to give a proper response because I get asked it A LOT. So thank you! When we're talking about editing, there's those obvious things that I don't think are worth mentioning such as the reverb used for any minor-deity (Sphere Movers) and projected beings, the siblings, Betty and Greg. The only process that I use to actually change the voice is something called pitching, and it's done in the editing software. Here's a list of who I can remember and what changes I make in terms of pitching. Potential spoilers but only names: C.A.S.H. , Xochitlicue, Francise, Betty, Masonia, Nonny - Only very minor pitching up, and flanger for C.A.S.H. to provide that robotty sound. I could do most of these characters without pitching and you'd likely not notice. Shirley Edwards - Medium pitching up Nico Valerie, Greg - Minor pitching down. Same as the minor ups, I could do these without pitching and it probably wouldn't be noticed. Freddie Pruitt - Medium pitching down Prime Mover - Major pitching down (believe it or not, I record this one with an intentionally high voice and then make that super low) Tendy, Mac, Lawrence Cobb, Michael Partridge, Corson, Doug, Dusek, Olenus, Dale Edwards, Drystan - No pitching changes I'm probably forgetting someone so please forgive me. Hopefully that answers your question!

[leporellian]

as someone who is not really in the know in the opera sphere of things, is there any big drama happening right now? like beef between two producers or a really bad adaptation that's going to happen that everyone hates? i feel like opera drama can be really good but i'm not sure if that's just what i've taken away from media portrayals of opera

ironically enough the early summer is usually the most chill time in the opera world because the big opera houses’ seasons have Just Finished and the summer opera season hasn’t Entirely started yet… that doesn’t mean it doesn’t happen however

THE MAIN THING rn is that it’s GLYNDEBOURNE (Glien-deh-born) SEASON which is when the Glyndebourne Festival gets down to business. Glyndebourne has a track record of great opera productions (or at least if they’re not great they’re memorable) but it Also is known for its front lawn, where you can go have picnics with the roaming herd of sheep that populate the area.

Anyway they are doing Handel Operas. Which means that countertenors are coming out of the woodwork like wasps burrowing out of the remains of autumn leaves in spring. Handel operas feature castrati roles- very high pitched roles for men. Back in the day these roles were played by men who had their balls cut off as boys for the sake of the art, but apparently this is “unethical” and “just kind of a bad look” so now in the current modern day and age we have multiple solutions: Either having a woman do the role in drag, or having a countertenor (men who still have their balls and sing super high pitched just as a like natural thing) do it.

Countertenors are so normal about the idea of women playing these roles, as evidenced by this interview in the New York Times:

Castrati roles were not countertenors. They are two very different things with very different sound quality, and were/are treated very differently. However countertenors seem to think of playing these roles as “taking back the right” which is really just kind of an insane thing to say. They even point this out in the same article

(Also it’s wild seeing David Daniels’s name crop up again given uh. Well he plead guilty to sexual assault charges in a very publicized trial last year.)

Where was I going with this. Anyway countertenors are kind of crazy for the way they see playing roles that have for the last 100-200 years been mostly played by women (or even roles that have always been played by women! like in the case of countertenor cherubinos!) and I’m not a huge fan of that frankly. it’s not “taking back” something, or being more “accurate”- it’s just a matter of casting and production vision. If anything they should get more creative and silly with it. Shoutout to the time I saw a countertenor play Marcellina in a marriage of figaro production once that kind of ruled actually. Also I’m a lesbian

TLDR countertenors like to act like this