#Soviet era animation
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ratchildmcgee · 2 months ago
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Girls don't want flowers, girls want Soviet era animation and Jan Svankmajer films
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xxxecuted · 3 months ago
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1970s estonian oilcloth inflatable toys
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oneinathousand · 2 years ago
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I read the Treasure Island book to see how accurate the 1988 animated version is to it, and to my surprise, despite the slapstick and exaggeration going on for the characters, it gets quite a few details right that you wouldn’t expect from something like this. At the same time, it’s also interesting to see how the characters in particular were interpreted in their own unique way.
The cartoon is practically a case study for how adaptations can use the same material as the original, but by changing the context is becomes totally different. So, here’s my scattered observations below in no order:
I didn’t expect how much dialogue for Dr. Livesey comes straight from the book or at least is interpreted very similarly, including his famous “the words ‘rum’ and ‘death’ mean the same to you”, so the anti-alcohol message of the movie was not pulled out of the filmmakers’ asses. And in general, while book Livesey is a lot more stoic than the cartoon, he’s still very cheeky when dealing with sick or injured patients, it’s just that cartoon Livesey combines the sarcasm with constant giggling. Book Livesey also straight-up slashes a dude across the face with a sword!
Poor Jim Hawkins really went through the wringer in the book that the movie didn’t touch on since it would be a damper on the slapstick and exercising message they have going on for him. His dad dies of an illness right around the same time as Billy Bones’ death, his mom is greedy, he got stabbed through the shoulder and pinned to the mast by Israel Hands during their confrontation and at the same time Jim had to kill him in self-defense, Silver cruelly tells him after he gets ambushed by the pirates that Dr. Livesey and the rest of the gang hate him for running away from the fort which Jim believes enough for him to weep the next time he sees Livesey and think he deserves to die, and the very last lines of the book are Jim saying that he has nightmares over the whole ordeal.
Captain Smollett is probably the most different to his book counterpart for one key reason besides his more arrogant and bumbling personality: cartoon Smollett brushes off all of the punishment he receives like it’s nothing, but in the book, he’s wounded during the stockade battle and gets shunted off to the side for the rest of the story.
I used to wonder why Squire Trelawney had no more dialogue once the characters got on the island, but really, he didn’t have much to do in the book after the stockade battle, either, except to babysit Smollett while he recovers from his injury, though before that he was said to be the best shot of the whole group. Hilariously, it’s said in the book that both Trelawney and Smollett are over six feet tall, while Livesey, who was the POV character for the chapter where it’s said, is definitely shorter than both of them, but of course, this was switched around for the cartoon.
Long John Silver is definitely the best example of having many of the same lines as the book, but by a simple change in vocal delivery, it shifts your view of the character. Book Silver is boisterous, gregarious when he chooses to be, and able to lose his temper. Animated Silver is always calm, always collected, and only slips up when he’s releasing a chuckle while threatening violence. This guy is as cold as the depths of the seven seas, and doesn’t seem to have any genuine affection for Jim. You would expect that for this more comedic adaptation, the more affable aspects of the book version’s personality would have been put to the forefront, but instead they chose to emphasize his ruthless, pragmatic side to show that there was still a threat, and I commend the animators for that.
Tangent about Book-Silver: I was aware before reading that while he’s explicitly unmarried in the cartoon, he did originally have a wife who is mentioned but never shown. What I didn’t know was that his wife is actually a black woman (no I haven’t seen the show Black Sails), and Silver tells the pirates at one point that after he gets the treasure, he plans to meet back up with her and retire in the Caribbean, which is what Jim believes he did at the very end after he escapes capture with some of the treasure. That detail really puts Silver’s motivations in the book under a whole new light. Being a disabled man in an interracial marriage in the 18th century would be even more difficult than it would be now, maybe he did try to go straight for a few years until he felt like he had to get the treasure and run, no matter what, but I guess his true character is left up to the readers’ interpretation. We don’t really know anything about the wife, but considering Silver left her to take care of business while he was out at sea, she must be pretty tough herself. Can you imagine what she would be like in the cartoon?
The one line from the cartoon I thought would be in the book, Silver saying “In one hour, those of you who are still alive will envy the dead” is technically original. What Silver says in the book basically means the same thing, it just takes him a lot longer to say it rather than one line. I consider the animated one an improvement, as it’s far more intimidating in how straight-to-the-point it is.
Pew is probably the closest to the book in terms of personality, appearance, and actions, the comedic Bobby song notwithstanding, though in the book he dies from getting trampled by horses. Billy Bones is also fairly close, just with a nasty cold and not being quite so rude when he’s drunk.
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ajjoojja · 1 year ago
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Межпланетная революция, 1924
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venacoeurva · 1 year ago
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Well good to know that using weed while on Zoloft works for me, just a little more sensitive to it, but the dreams are SURREAL compared to more random and weird ones I used to get while high
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justsweethoney · 5 months ago
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tweedlebean · 1 year ago
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It's wild how much cool shit is just on the internet. Look at this entire Czech mixed media adaptation of Baron Munchausen just on youtube. Anyone could watch it at anytime for free. Wild.
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read-marx-and-lenin · 4 months ago
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heyo- a friend is trying to get me to read 1984 because 'it'll totally change your worldview on government and anarchism', but i've heard some bad things about the book itself/george orwell. should i read it? is there anything similar/more theorylike i could read instead?
thank you! your blog rocks <3 <3
Go ahead and read it if you want. It's a classic entry into the genre of dystopian science fiction and it has spawned many imitators since its publication. However, if you're looking for actual theory or history, you won't find it there. I would recommend Pat Sloan's "Soviet Democracy" or Anna Louise Strong's "The Soviets Expected It" and "The Stalin Era" if you want real accounts of the Soviet Union under Stalin.
Orwell never actually visited the Soviet Union, and 1984 is based not on his own personal experience with the country but instead on Western propagandistic views of the country and his own displeasure towards the fact that during World War II, when the UK and the USSR were allies, the British press was much less keen to publish anti-Soviet works right at the same time he was trying to get Animal Farm published. You must also understand that his wife worked for the UK's Ministry of Information as a censor and Orwell himself worked at the BBC producing wartime propaganda. It is not a coincidence then that the main character of 1984, Winston Smith, is a censor and propaganda official working with the fictional "Ministry of Truth" and eventually finding himself battling against state control of information.
Ironically, after stylizing himself so much as a defender of liberty and freedom against the "totalitarianism" of the time, Orwell would write up a list of alleged subversive writers for the British Information Research Department, a secret department tasked with publishing anti-communist propaganda during the Cold War. Some of this propaganda would end up being a comic strip version of Orwell's Animal Farm. There is a significant throughline in both Animal Farm and 1984 that clearly betrays Orwell's political views. In both works, the proletariat are depicted as nothing more than idiots and sheep who follow the orders of anyone willing to give them work and are easily duped by intellectuals. In 1984, he phrases it as the proletariat being more "free" simply because they're so insignificant as to warrant no government surveillance.
In 1984, the fictional society of "Oceania" is a far cry from a dictatorship of the proletariat. The proletariat have no political power, they all live in slums and are mollified by bread and circuses. How is the building of the slums organized? Where does the money go when one buys their bread? We are not told anything about this except that the process is slow and inefficient. The story isn't interested in material concerns. The "proles" do their work, we are told, but we are never shown much more than informal labor. We don't know who is telling them to work or how they are getting paid. The "Outer Party" is supposedly the white collar "middle" class of Oceanic society, but despite the amount of focus the story has on this class, we are never shown a single Party member managing a workplace or poring over receipts. We are to believe that the proletariat are simultaneously left to their own devices and unmolested by the state, while also completely under the control of the state through invisible mechanisms that are never elaborated upon. While Winston will complain endlessly about his own quality of life, not once does a single prole gripe about their job. The cost and quality of goods come up sporadically and only to illustrate the deterioration of English society under Party rule, never to illustrate any material basis of said rule.
Even more at the periphery are the colonized peoples (although never described as such) within the war-torn areas never under the permanent control of any world power. All three of the global superpowers are said to be in a constant struggle over the control and enslavement of these super-exploited workers and the resources of their nations, which are said to make up a significant proportion of the material resources of each superpower, however at the same time they are not considered to be part of the proletariat and are dismissed as entirely disposable and unnecessary for the maintenance of any of these superpowers. To Orwell, it seems, colonialism is simply a thing the colonizers do out of habit and not a phenomenon with an actual material basis or actual material effects. In turn, the colonized are not actual people who might take umbrage with the constant conflict imposed upon them, but rather chattel that is perfectly content to be traded back and forth among the colonizers.
The importance of the middle class in society is a recurring theme in 1984. For example, the Trotsky-esque political treatise Winston reads within the story, "The Theory and Practice of Oligarchical Collectivism", begins with a twist on Marxist historical materialism - while it recognizes the role of class conflict in human history, it asserts a transhistorical narrative of the eternal existence of three separate classes within society since "Neolithic times": the upper, middle, and lower classes. It is then asserted that it is the middle and only the middle class that is ever revolutionary, and that when it appeals to the lower classes it does so only to use them as a cudgel against the upper classes and never out of a genuine concern for their wellbeing. The treatise, idealistic as it is, provides little definition of these classes. The lower classes are described as "crushed by drudgery" and in a constant state of servitude that places them incapable of achieving political consciousness, something reserved solely for the upper and middle classes. The upper class is defined simply as the "directing" class, and the middle as the "executive" class. The identity of the middle class within Oceania is made clear: they are the "Outer Party", the white collar intelligentsia and managerial class which Winston and Julia belong to. One must assume Orwell viewed himself as a member of the middle class as well. If this section of the book is at all reflective of Orwell's own views (and to be clear no part of the book refutes this outlook,) then Orwell's rejection of Marxism-Leninism is rooted in his view of the vanguard party as simply a mechanism for the intelligentsia and bureaucrats to trick the stupid proles into overthrowing the bourgeoisie, rather than as a genuine means of proletarian liberation.
The politics of the Party are entirely idealistic in nature. "Big Brother" dominates through control of ideology and speech. The goal of Ingsoc, the ruling ideology of Oceania, is to make dissent impossible through the thorough alteration of language and the removal of words which could represent ideas that are not in line with Ingsoc, a process called "Newspeak". It is explicitly stated, however, that none of this ideological control is directed towards the proletariat, which is said to make up 85% of Oceania's population. The proles are not expected to learn Newspeak, they are not monitored by the telescreens, because as is stated quite frankly in the book, "the masses never revolt of their own accord, and they never revolt merely because they are oppressed." That this line is given by the villain of the story is unimportant, because the story never refutes it.
While Winston routinely repeats his belief that "hope lies in the proles", he is consistently met with scenes that challenge his faith whenever he winds up interacting with the proletariat. His conversations with proles reveal their total lack of concern with politics or history. He hears a crowd erupt into chaos and briefly hopes it's the proletarian uprising he is waiting for, only to find it's simply a riot over consumer goods. They are more than once compared to animals. While it is said in exposition that intelligent members of the proletariat who might end up fomenting dissent are eliminated, this is never actually depicted. We don't see Winston meeting with a single intelligent and politically conscious prole. The most intelligent prole he meets turns out to be a secret member of the "Thought Police". And so, the concept remains theoretical.
Winston is depicted as an ardent materialist, desperately defending the notion of external reality against deranged idealists who believe that through control of thought, control of reality becomes possible. But the world he lives in is not material. It is fictional, of course, but more than that, the fictional world described operates on idealistic principles even from Winston's own perspective. Winston's worldview is a faith based one, appealing not to any material basis for liberation but purely to emotion. It is love and the spirit of humanity that is the basis of freedom, and material freedom springs forth from it. Anyone who thinks otherwise is merely a trickster trying to control the masses.
Orwell rejected the material basis of history because he rejected the idea of a revolution on a material basis. To him, the revolution must be an ideological one, and the problem lie not in how society and the economy are organized but in the existence of hateful "authoritarian" ideologies governing the world. He believed the material basis was already here, that industry alone was the solution to material inequality, and so we must concern ourselves now only with the idea of equality and freedom, and from an abstract and universal viewpoint to boot. It is intolerable to him that a revolution be fought against an actual enemy in the real world. The problem is not that the capitalists are in control of the means of production, the problem is that the workers are too stupid to disobey them. A real revolutionary class would spontaneously throw off its own shackles through thought alone. It doesn't matter that Orwell was a lackey and a snitch, because in his mind he was freer and smarter than everyone else.
The bravery of Winston Smith was in recognizing the existence of a material reality that lies and propaganda could never destroy even while being tortured into believing such absurd notions as "two plus two equals five". But Orwell was never tortured into any of his incorrect beliefs. His incorrect beliefs stem purely from accepting the official narrative that he was fed and refusing to investigate its veracity for himself. Orwell's writing was used as propaganda against the designated enemy of the UK throughout the Cold War, adapted countless times in the forms of radio plays, TV shows, movies, and comic books. He never made an effort to actually travel to the Soviet Union to find out if what he was told about the country was true. All the other upper middle class "left-wing" intellectuals he hung out with seemed to be just as concerned as he was with the rising tide of "totalitarianism" and the supposed excesses of the Soviet Union, so why shouldn't he agree? He was in this regard no different than the Western "socialists" of the modern day who have no shortage of vitriol towards China or North Korea. Yes, he might performatively rail against chauvinism and nationalism, but only enough to ensure that he wouldn't be seen as a conservative. He still knew in his heart that his country was surely better than those barbarous communists in the East.
Yes Orwell was sexist and homophobic, and despite his best efforts he remained plagued by racist and antisemitic attitudes, but in addition to all that his books promulgated a view of the world entirely in line with British bourgeois values, which is why they were so eagerly used as propaganda by the British government. The Nazis were bad and the Soviets were bad because they were both authoritarian, and the differences between them were negligible and unworthy of mention. The references 1984 makes to the shifting alliances in Oceania, "we are at war with Eurasia" becoming "we are at war with Eastasia" and vice-versa, are most likely allegories for the shifting alliances of Britain at the time, how they viewed the Soviets as an enemy before the war, as an ally during the war, and as an enemy again once the war was over. Orwell viewed himself as above all of this simply because his view of the Soviets never changed at any point throughout this.
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typewritingyip · 26 days ago
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The Arcturus Missions
Part Twenty - Missions
Part Nineteen
———
Initially from an outside perspective, one might think that every country was rapidly ready to work together after the initial invasion of Earth. Those early days of 1984 certainly felt like the start of something changing. Dozens of events happened before September 4th that year. 
83 people were killed in a mine explosion in Japan, the Los Angeles Raiders won the Super Bowl, Apple launch the Macintosh computer, the first untethered spacewalk happens from the space shuttle, US troops pull out of Beirut, a national drinking age is set in the United States, the Olympic Games open in Los Angeles while the Soviet Union boycotts, multiple booms are set off in multiple airports during the year, and NASA space shuttle Discovery takes its maiden flight. 
Even the days after the initial sightings the world still turns; Australia abolishes the death penalty on September 5th, genetic fingerprinting is developed on September 10th, Prince Harry is born September 15th, the US Embassy in Beirut is bombed September 20th, and October 12th has an assassination attempt on British Prime Minister Margret Thatcher. 
Just because the world was under attack by an entirely foreign enemy didn’t mean that everyone was ready to work together. 
Japan, the United States, the USSR, Ireland, and China were the first five countries to have mech suits ready for deployment and they all were entirely different. Japan had redesigned theirs from the base suit under production to resemble familiar animation from the country's entertainment industry, very colorful and reassuring to their public. The United States initially had very militaristic designs, using majority military contractors to build the suits but painted similarly to war planes of different eras. In the USSR, they also were very militaristic but unlike the US kept coloring to a minimum, they used the citizens of the outer parts of the USSR to build the suits. Ireland wanted to quickly join the game, they quickly started to repurpose the disrepaired oil rigs from the North Sea. Lastly, China effectively was able to contract certain works from other countries to assist them in their manufacturing of suits, mostly from the USSR. 
The world kept spinning even while under attack, but for most of the first attacks it was remaining in either country sanctioned waters or off the coasts of major cities. With the Cold War going on, each country was on its own unless it had a major ally with suits. 
Sunstreaker sat at the window, frowning out at the glowing city, fidgeting with his hands. Breakdown and Sideswipe were asleep but Jazz was pacing nearby, “Do you think the meeting would be this long?” Already shaking his head, Jazz sighed, “Not for Hound and a few others. Command will still be in the meeting but not one Hound could hear.” Sunny’s fist hit the window and he stood, “Then where the hell is he? Do you think he could have crashed already?” Jazz winced and absently rubbed at his implants, “I don’t think the crash would happen this soon, no.”
The Crash (verb): the overtaxing and overuse of a mech suit to the point of biological deterioration.
He looked back out the window, “Then where the hell is he?” Jazz sighed a bit, finally sitting down, “He’s probably talking with other mechs from the meeting. If half the people I know were there then it’s entirely possible the poor man is stuck in a conversation with Tracks.” The look Sunstreaker gave Jazz had the man lifting his hands, “We’d have gotten an alert if anything really bad happened. Sunny, Hound is fine. You don’t have to worry.” Raking his hands through his hair, the curls stand on ends and Sunstreaker shakes his head, “He’s the only one with experience commanding a group like us, I mean Jazz, if something were to happen to him it would either be you leading us or Breakdown and he’s down for two weeks with a concussion.” Nodding slowly, Jazz sighs, “I’m sure he’s just at command asking far to many questions, look, once Prowler gets back we’ll have an idea of what’s going on.” Sunstreaker turned back to the window, lightly scratching at his implants, Jazz scowled, “Don’t mess with your hardware so much, we don’t have a medic out here and it’s a pain to try and salvage.” Jazz’s own tech was older than Sunstreakers’ and betting integrated.
That was one thing about Sunstreaker, his tech matched his brothers exactly but it had taken him longer to integrate it, and the skin around the hardware was always a little red. Even after passing compatibility testing, the body preferred to reject the hardware whenever it could, a person who didn’t have the strongest bond with their tech would deal with a lot more of the compatability side-effects, such as nightmares. If it wasn’t for Sideswipe, Sunstreaker would have never been a pilot and would currently be sitting in a jail cell back on Earth probably still awaiting trial. 
Jazz moves over and rests a hand on his shoulder, “Hound wont have crashed if he is just starting to experience overuse symptoms. And even if he did, the mechs here in Iacon wouldn’t have just left him on the street.” The door pinged behind them and Sunstreaker looked over, deflating at the sight of Prowl whose face was staring intently at a data-pad, but another mech came in behind him, staring around in bewilderment, “Wow,” Bluestreak’s hand reached out to touch one of the suits just as Prowl’s hand smacked his, “Don’t touch their suits, the humans are probably asleep.” He glances up and pauses, staring at Jazz and Sunstreaker, “Or not.” Jazz was grinning, but Sunstreaker dove for his helmet, cringing at the smell as he pulled it on and started to adjust settings. Waving an arm, Jazz is able to speak up first, “Hey, welcome home!” Bluestreak was grinning, walking over as Sunstreaker finally gets his helmet to pipe in the translations, sighing as they feed him both audio and captions on the visor. 
Mecha are able to cross the room in only a few strides, generally Cybertronians’ are slightly smaller than the average suit but they move just as quickly, next thing Sunstreaker knew was he was back in Bluestreak’s palm stumbling against it, “Damnit!” Sunstreaker desperately grabs at one of Bluestreak’s servos before Prowl moves over just as quickly, “Bluestreak, do not pick up any humans.” Sunstreaker just manages to get the microphone in his helmet on, a small speaker opening up on the side, “Bluestreak, this isn’t funny!” It was as if the room stopped for a moment, Bluestreak was frowning at Sunstreaker and looked to Prowl, “But he is so small and hard to see from far away.” Jazz was struggling not to laugh as Sunstreaker flips him off, “I can understand you now, asshole.” The room shook slightly as Prowl walked over, resting a hand on Bluestreak’s shoulder, “I’d recommend putting the human down before he starts to pull at your plating.” The result was Sunstreaker hitting the window sill surface from a few feet up and groaning, rolling onto his side briefly. 
Prowl sighed deeply, “And they are fragile without their armor, like if we were to walk around without our plating, having exposed protoform.” Bluestreak winced and tried to reach out again but stopped, “I, I…” Sunstreaker slowly got back up, rubbing his arm painfully, “I’m alright Blue, but fuck, please be careful.” Jazz had already climbed for the window to Prowl’s open palm, then up his arm to his shoulder, “These guys don’t have the magnets that I do Blue, especially Sunny and Sides, their suits are too new and didn’t need those parts.” He leans back against Prowl, smiling as the mech moves to sit, already pulling out a tablet, “The humans will have to sleep soon, so whatever you wish to talk about I’d recommend doing so now.” They stare a glance before Bluestreak turns to Sunstreaker, offering his hand, “I’ll be careful.” Slowly and carefully, Sunstreaker climbed onto Bluestreak’s palm, sparing a glance towards the window before looking at Blue. 
They didn’t go anywhere, Bluestreak just held Sunstreaker a bit closer, “I can hardly see you down there, without your suit.” Sunstreaker rolls his eyes, “That is such bullshit Blue and you know it, you just want to be able to hold an organic.” “Maybe.” They shared a smile, but Bluestreak shook his head, “No, I just, I want to say I was sorry for what happened. I didn’t realize.” Nodding, Sunstreaker fixed his helmet slightly, “That is kind of the point. We know there are some of your kind that don’t particularly like organics like us and even only part organics are seemingly shunned.” He sighed slowly, rubbing at his implants briefly, “Us pilots are very much leaning towards that inbetween.” Bluestreak nodded, keeping his hand still, “Well, I’m glad you’re on our side in this fight, Sunny.” It almost made him feel better, almost.
Looking back out the window, Sunstreaker sighed, “Do you know how the meeting with Hound went?” Bluestreak shrugged and josulted Sunstreaker a bit, “No, not really. I wasn’t in the meeting, why? Has he not come back yet?” Shaking his head, Sunstreaker rubbed at his face, “No and now I’m starting to worry, Hound is the kind of guy to push himself to the limit to protect people, and those people probably would be us.” With a bit of a nod, Bluestreak slowly sets Sunstreaker down, “Why else are you worried?” Glancing back, Sunstreaker stared at Bluestreak, “Cause he’s the only one who can actually lead us, keep us alive, and on mission.” He pauses for a moment, glancing towards the other room, “If he’s not okay and we fail, then I’ll have doomed my own brother to death.” Sideswipe might have made sure Sunstreaker got a place in the pilot program, but Sunstreaker got them on Arcturus One, “Oh.” Blue nodded and crouched to be at eye level with Sunny, “You’ll have to explain that to me at some point, I, I know organics age faster than we do. Sure, we die but not as quickly as organics.” Smiling sadly, Sunny turns back to the window, “I’m a young pilot Blue, I’ve got at least another twenty years in me.” And that made Bluestreak’s spark clench painfully.
Everyone was asleep when Hound returned, headache back to a painful degree that even the dimmed visor and diminished audio could no longer help. Mirage had been nice enough to help him back to the building but Hound had insisted on going up himself so as to not disturb the others. The door was even painfully loud when he went in.
The living room was empty, the door to the bedroom shut and the door to their makeshift garden also closed, meaning everyone should be either in bed or at least asleep. Everyone had a preference for where their suit would sit through the night and Hound shuffled as quietly as he could over to his designated space, easing himself to the floor before turning off his assistance suit and visual feed, sighing as he removed the pieces attached to his implants. The areas of his implants throbbed painfully. It took a lot longer than normal to get out of the mobility suit, wincing at every pinched connection, Hound knew this was the signs of overuse but hadn’t expected them yet. Though to be fair with himself, he’d never piloted a mech this long and consistently, ever. 
Easing himself out of the piloting chair, he doesn’t even bother with opening the suit, instead shuffling over to the cot he has for missions, pulling off the barrier clothes pilots wear with the assistance suit. It was sticking to his skin both from sweat and blood. It takes another long few minutes to pull on the clothes laid out on the cot before falling onto it face first, trying to relieve the stress on his implants, pressing his face into his pillow Hound moaned painfully. Headaches, body aches, implant irritation; were all the first stage of overuse symptoms and they’d only get worse until the body adapted to the amount of use. Adapt or die. 
Hound was laying face first on the cot, hands resting over the implants on the back of his head and sighed slowly, it was dark and comfortably warm. His head was pounding and it felt like his body had been hit by a bus, he was stiff and just wanted to sleep. Thankfully, it didn’t take long to get to sleep.
Staying asleep however was not in the cards for him, as only a few hours later something was hitting the chest of his suit. Hound groaned and dragged his hands over his head before getting up, moving over to the suit release and opening the front of the suit. Squinting against the flood of light, Hound kept a hand on his head, “Morning,” his voice was gruff with sleep and Sunstreaker was glaring, “What the hell.” Sighing deeply, he comes out of the suit and nearly falls, “God, damnit..” he sighs and looks back to Sunstreaker, “Yes?” “Where were you? What the hell happened at that meeting? Prowl wouldn’t say anything.” Sighing deeply, Hound rubs his face, “There is a bar in Iacon that plays music from earth.” That quickly dropped Sunstreaker’s sour expression, shifting to one of shock, “What?” Nodding, Hound rubs at his implants next, his hands came away with dried blood and he scowled, “There is a bar somewhere in Iacon that picked up on radio signals from Earth, they put them through some sort of mechanism to clear up the audio.” Stepping around Sunstreaker, Hound starts towards the bathroom, rubbing his hands on his pants, “It’s from thirty years ago, but still.” Sunstreaker shakes his head a bit, “So it’s the best hits of the eighties?” Giving a so-so gesture, Hound shrugs, “Sort of.” He goes into the bathroom, the door closing and locking behind him. 
Sunstreaker scowled again, “That doesn’t explain what happened at the meeting!” His fist collides with the door before he turns away, heading over to where Sideswipe was setting up breakfast, he glances up as his brother approaches, “That sounded like a fun conversation.” Huffing, Sunstreaker walked over and picked up one of the bowls, scowling down at the fluorescent contents, “What is this?” Sideswipe was heating the fluorescent noodle like substance and shrugs a bit, “Not a clue, but Jazz made it for me before the last mission and it’s pretty decent. Just kinda tastes like potatoes.” Nodding a bit, Sunstreaker sits and starts to eat, shaking his head a bit, “I can’t believe him, the guy looks half dead.” Sideswipe hums, “Let the old men be old men, come on Sunny, just relax about it.” Scowling, he starts to shake his head, “I can’t relax about it cause you don’t give a fuck.” Sideswipe was fast, but Sunstreaker was faster, just dodging the bowl full of hot food.
Hound came back out of the bathroom to chaos, which he didn’t appreciate. Sunstreaker and Sideswipe were on the floor, shoving at each others faces, Prowl was standing to the side with Jazz perched on his shoulder like a pirate, Breakdown was frowning down at the twins from the table and Bluestreak had appeared from god knows where. Rubbing his face for a moment, Hound takes a breath, “What the hell are the two of you doing!” Both twins shot up and pointed at each other, “he started it!” They shouted in chorus and Hound started towards them, “I don’t care who the hell started it, it’s over now. Get your helmets on, we aren’t leaving anyone out of this conversation.” His head went back to pounding, the shower having relieved it for hardly a moment. Glancing towards Breakdown, he nodded slightly as he too was giving signs of a headache. It took a moment for them all to get to their suits and get their helmets on, Hound wincing as it connects and Breakdown doing the same.
It was likely that his signs of overuse would be exacerbated with the concussion, Hound hoped silently that he’d follow the two weeks of rest order.
“So, do you all need those helmets to understand us?” Bluestreak bends down towards Sunstreaker, offering a hand carefully even as Sideswipe kicked at his wrist, “Don’t fucking touch him.” “Stop arguing, now!” Hound’s voice was loud but slightly strained, climbing up to the table. Everyone fell silent, Bluestreak helping Sunstreaker to the table, Prowl lowering Jazz to the surface and helping Breakdown up before Sideswipe, stepping back slightly to take a seat. Sighing, Hound rubbed his face a bit, swearing, “Fuck, my head is killing me and your arguing is not helping.” Everyone stayed quiet as he slowly sat down, “Firstly, as I briefly mentioned to Sunstreaker earlier this morning. Yesterday, Mirage saw that I was struggling with a migraine and brought me somewhere quiet and dark to rest for a little while. After that, I found out that the specific bar he took me to clears up intergalactic radio waves for entertainment.” he sighs a bit, smiling some, “They were playing music from Earth.” The reaction all happened at the same time, Jazz shouted, Sunstreaker grins, Sideswipe practically jumped for joy and Breakdown smiled, “From when?” Breakdown’s voice was quiet but distinct, “From about thirty years ago, they were playing a radio station out of Los Angeles.” Sunstreaker paused and nodded slowly, “We really are thirty lightyears from home.” There was a weight that settled over them, Jazz nodded slowly, “But we're alive.” 
Hound nodded, adjusting his visor for a second, “We are and were out here for a reason, so that does bring up what was discussed in my meeting with command yesterday.” Jazz shifted a bit, “Hound, are you sure now is the best time to discuss this?” Nodding a bit, he pushes off the ground, “You all deserve to know what plans have been made.” Sunstreaker reaches out and holds his arm a bit, “It can wait till after you’ve eaten and taken something for your headache.” Shaking his head, Hound holds up a hand, “We’ve all got new assignments, separate from each other.” The silence would have been welcoming were it not so compressing, “What?” Sideswipe was slack-jawed, “The hell do you mean?” “I mean, we all are getting new assignments with different commanders for our safety and for the sake of Cybertron.” Sighing slowly, Sunstreaker let go of Hound, “Is this the cause of the overuse or cause of me being caught?” Hound shook his head, “It’s neither, we need to be at our best and the five of us fighting together is not it.” “That’s such bullshit, you’re having us separated because of Sunny.” Sideswipe moves over and shoves Hound, who shoves his back, “This isn’t about that! This is about keeping all of us alive and from killing each other, damnit!” Hound almost tore off his helmet just to throw it.
Instead he kicked one of their empty bowls across the room before turning on Sideswipe, “We aren’t made for following one pilot's orders and I sure as hell wasn’t made to be a commander 24/7, yet that is where we were currently standing.” He spreads his arms wide, “It’s only for three months, to see which works better. Sides, you and Sunny won’t be far from each other, your commanders are deployed together.” He holds up a hand, turning, “Jazz, you will be returning to your previous post under Prowl, it was recommended.” Jazz glanced back to Prowl with a smirk, “I’m sure it was.” Hound’s face almost burned, that look was certainly more than just a friendly one before he turned to Breakdown, “You’re still on rest for two weeks, but once that’s done, you will be under Megatron’s command with me, technically but we won’t be stationed together.” The twins were both glaring and Breakdown nodded a bit, Jazz almost looked lost in thought, “It’s only three months. If this doesn’t work out then we return to what we’ve been doing.” Sideswipe scoffs, “Oh yeah, like that’s been so great. Bluestreak trying to kill Sunny, you suffering from overuse, and Breakdown down and out with a concussion. Face it, you're in over your head.” Hound looked at him, clenching his jaw before looking at Sunstreaker, “You will be working under Ironhide with Bluestreak and a few people from the Primesgaurd. I hope while you’re there you learn to be more intelligent than your brother.” Sunstreaker winced as Sideswipe turned to gawk at Hound and started towards him, “Hound,” “Sideswipe, you’ll be working under Elita-One, it’s about time you came to understand the chain of command cause this shit ain’t cute.” He steps forward, pointing at him, “If this doesn’t cool your head, then you’ll be grounded and your mech will join the Odyssey in storage. Am I clear?” Sides mouth open and closed silent before Hound nodded and turned away, heading for the ladder, “I am going to take the rest of the day off to get rest, I suggest you all do the same, overuse is coming for us all and it’s coming fast.” He slides down the ladder easily.
“What the hell did I do to deserve that?” Sideswipe was pouting, scowling towards Hound’s mech which had been closed off for hours now. Jazz had left to go into Iacon with Bluestreak and Prowl, Breakdown had returned to rest as well, leaving the twins sat together on the window sill, staring out at the shining city, “I don’t know Sides, what could you have done to deserve that? Be serious, you shoved and insulted our commander.” Sunstreaker sighed, eating a protein bar and frowning down at it, “Of course he’s not going to put a lot of trust into you now.” Sideswipe scoffed and went back to repainting his assistance suit, “Who asked you?” Sunstreaker gave him a look and leaned back, “I don’t know and honestly, you’re being a bit of a dick right now.” He moves over and starts down the ladder, “I’m going to get some rest, I’d suggest you do the same. It helps with the side effects of overuse.” “I’m not suffering from overuse. I’m not the old man.” Sunstreaker stared at Sideswipe, at his twin, “Sides, we all are showing symptoms, you might want to check your implants, your bleeding again.” His feet hit the floor and he starts walking towards the bedroom, “That and being a bigger asshole than after the Bermuda mission.” “Fuck you.” Shrugging slightly, Sunstreaker went into the bedroom to get some rest.
Sideswipe reached up and touched at his implants, which were sticky with fresh blood and he sighed deeply, heightening irritability and aggression, one of the many stages of overuse. It really was coming for them all and now they’d be spread thin at best, separated from each other. Sideswipe through the sealed paint can across the room. He needed a drink but the first batch wouldn’t be ready for ages. He swore and laid back, staring out at Iacon.
———
A/N
Wow, that took a while for me to actually be able to sit down and write this. I probably won’t post another part till the New Year but we will see.
I want to thank you all for all your support and love, it has meant a lot to me. I can’t believe that we’re 20 parts into this crazy journey and it’s only just starting.
Tags!
@lunarlei68 @whirlywhirlygig @loop-hole-319 @pixillandjester @alek-the-witch @not-a-moose-in-disguise @goddessofwind8water @neurologicalglitch @dersereblogger @pixel-transformers @mrcrayonofdoom @wireplaces @twilightfreefaller @original-blog-name-2 @devilangel657 @robbin-u @childofprimus @miniartistme @starwold @tea-enthusiasm @valeexpris606 @celticdoggo @bird599 @agentsquirrelsgotrobots @aquaioart @dimencreasatlas @thatwandercat @artdagz @seisha974 @starscreamloverfr @halenhusky309 @leethepiper @cat-cassette @blue-wrens @sirassban @astridkolch @cosmique-oddity @garbageenthusiast @osqindaxend @xervias @azulabutterfly @fryseem @spring-mc
And once again thank you to @keferon for this amazing AU! 💜
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oftlunarialmoon · 7 months ago
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MOVIES ON YOUTUBE
Cats Don't Dance
The Borrowers
Osmosis Jones
Bratz Live Action Movie
Judy Moody and the Not Bummer Summer
Ugly Dolls
Old/B Horror Movies (scary warning)
Maya the Bee Movie
Sailor Moon S the Movie
Sailor Moon SuperS the Movie
Alpha & Omega: Journey to Bear Kingdom
Anastasia
Snow White
A Stork's Journey
The Ant Bully
Quackerz
Uncle P
I Am T-Rex
The Clique
Hoot
Pixies
Dan Vs. - The Wolf-Man
The Breadwinner
Just My Luck
Penelope
Twilight Zone: The Movie
Daisies (1966) (one of my favourite art films from Czechoslovakia in the pre-soviet era)
Into the Woods (2014)
Fantastic Mr. Fox
Sailor Moon (Original Japanese)
The Carol Burnett Show
Popeye Cartoon
Naruto (English Subtitled) (Subbed)
H2O: Just Add Water
The Dick Van Dyke Show
Hunter x Hunter (Subbed) (Subbed)
Ghostbusters
The Neverending Story
It Takes Two
Peanuts: Race for Your Life Charlie Brown
Thunder And The House Of Magic
Quest for Camelot
Adventures Of Shark Boy And Lava Girl
Arthur's Missing Pal
Ghost Hunters International
The Big Comfy Couch
Me, Eloise!
Kitchen Nightmares
Wow! Wow! Wubbzy
Death Note (Subbed) (Subbed)
Candid Camera
Flash Gordon
Street Fighter - The Animated Series
Hell's Kitchen
Captain Simian & the Space Monkeys
Hello Kitty
The Storyteller
The Weird Al Show
Treehouse Masters
Inuyasha (Subbed) (Subbed)
Care Bears: Grizzle-ly Adventures
Wow, I Never Knew That!
Are You Smarter Than A Fifth Grader
Bruno & The Banana Bunch
Care Bears: Welcome to Care-A-Lot
Beyond Belief: Fact or Fiction
Patchwork Pals
ALF
Storm Chasers
Little Rascals Shorts
The Lone Ranger
All Dogs Go To Heaven
Baby Einstein Classics
Baby Einstein: The Sandbox
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spectrumspace · 9 months ago
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soviet era animation loves to have sounds and noises
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50cal-fullauto-astarion · 2 years ago
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☈ your bones singing into mine ii
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one - two
nikto x gen!bio-weapons engineer reader (no use of y/n) 3.4k words cw: honestly just the relationship being dysfunctional, also like warlord sugar daddy overtones, but that's just how this cookie is gonna crumble Nikto has swept you out of the darkness, and into an intact world burning full of ugly lights. He meets your every need as you work to create weapons to supply him an armory of shock and awe. He buys for you a place in Bruges, a rowhouse right on the water, and your only desire is a romantic dinner with him. He does not have it within himself to deny you.
Nikto brings you out into a world that is bright and burning, but mostly whole. He tells you that things are tied on a shoestring of balance, that any strong enough blow of breeze could tip the whole house of cards, and he has a look in his eyes that names himself typhoon. 
He is one of the most complex and deeply locked men you have ever met in your life, and you have met a great many men with secrets that could turn cities into subatomic particles in a blinding flash of a second. He wants to father a new world, a savage paradise, and, yet, he holds you in the palm of his velvet-covered iron fist as his finest treasure.
Penthouses are cleared out for you–places high in the sky, in any number of cities, so far away from the ground and the dark. He pours money into your comfort like hemorrhaging, and he cares not that his funds bleed, because he can always dump more into the wound. 
It’s a wound he wants to sustain, because he likes to see you clean, and comfortable, and sparking electricity as you work. He provides makeshift, mobile labs for you. Thousands upon thousands of dollars for computers, and programs, and security. Though he lifts you into the light, he makes you a small space of darkness, allowing you to run and return to your work.
He begins to call you Spider, or Pauk, depending on whether his English is dropping your name like a threat, or if his Russian is soft and trying to entreat you.
There is a place in Bruges, right on the water, that he pulls together for you. It is smaller than your other hideaways, cozier. Bulb-lit with warm wooden flooring and tall walls. He walks stiffly through the halls, watching for your reaction, and his shoulders relax when you turn from the window watching boats on the water to give him your cracked grin. 
“It’s out of a book,” you say, “the buildings are such bright colors. How is this real?”
“It’s always been this way here,” he tells you. He shuffles a moment, bringing his clasped hands from his back to his front, before he adds quietly, “We’re glad that you…find it acceptable here.”
Surely he is remembering the blocs he grew up on, all the colorless brutalist construction from the Soviet era. Houses for workers, starvation in the streets. You wonder if his place had heriz rugs all over the floors, to insulate sound and cushion steps and provide color. 
You press your fingertips into the cool glass, looking at him, wondering about him. You’d like to see his face, though he’s told you that it is a nightmare. You’d like to kiss him. You know he loves you, just as you love him.
“It’s perfect. I’m going to like it here,” you tell him, and your heart swells and patters when his shoulders raise a little bit, proud of himself for his pick. With his hidden face, you’ve become an expert in his body language. All his little tells become clear to you, the more time you spend with him.
He is slow with you, cautious. Not as if approaching a wild animal, he would never treat you with such base suspicion and wariness, but as if he is the animal, well-aware of exactly how powerful his bite is. He treasures you too much to damage you. 
Such brutality is held within this many-faceted man, vast and damning. He is a gentleman though, through accident or practice, and he puts that hardwork into effect with you.
It causes you to make the first move most of the time. 
“I want you to have dinner with me tonight,” you say, tapping your fingers against the glass, feeling the condensation cling to your fingerprints. 
He shakes his head. “Your value is too high for us to allow you out of the flat, Pauk,” he says gently, misunderstanding, as if reminding you. There are so many beautiful homes he has carved out for you, but you’ve never stepped foot outside of them. 
He thinks you want to, but that couldn’t be farther from the truth. The reality is that you are brimming with hatred at the fact it still stands. That your suffering was for nothing, and the apocalypse still lies dormant but rumbling, a stalled birth. You love your closed spaces and your blackout curtains that hide the world and your tall walls and bright lights.
“We can have something ordered and brought to you,” he continues, trying to soothe the blow that never landed.
A grunt of annoyance snaps out of your throat, hand pressing flat to the glass. “Nooo,” you draw out, turning to face him in full. “I want you all to eat here, with me. Only us, none of the guards making all that fucking noise with their heavy boots. And I want to pretend that we’re all just having a nice night. And there are no contagions or stadiums or belt-fed guns.”
In shame, his head drops a degree, arms tightening in front of him. The supple leather of his gloves creak. “Apologies, Pauk.” His head remains that one slice lower, but his eyes flicker up like a bird’s from beneath his rippy lashes. “We…” he pauses, trying to formulate the words, “we will put that together. For you. What do you want to eat?”
Your hand comes away from the glass, and you press your palms together like a prayer, holding the sides of your hands to your lips. “I want something bloody and buttery. Something good made by someone that doesn’t love me.”
A small noise like a laugh sounds behind his heavy mask, and his neck relaxes. It puts together a picture of thought: it’s a good thing we do not cook for you, then. “We will find something.”
+
Neither of you cook. It’s a sad reality. You were too built up for epidemiology and plague-practitioning to have the room or time to learn the skill, and Nikto readily admits that he’d long ago lost his sense of smell. “Nova gas,” he explained, funnily enough. “That was your grandfather’s work, yes?” It was. He and his team. You are a legacy leper-making, just like God and all of his followers.
The sun has settled fully in the city of Bruges, and the light of street lamps, the running lights of boats on the water, and fairy lights around shopfronts make the water glitter. It is warm here, with all the brick and cobblestone soaking up the yellow light, and for once you are fine with the curtains open.
Nikto has spoiled you rotten with clothing, all of it fine and soft and rich. You dress comfortably, beautifully, and wander the flat, looking over things leftover from past tenants, waiting on his return. He always leaves you with a guard when he is gone, and tonight it is a short but sturdy woman from Montenegro who does not speak. She sits on the small leather couch in the living room, reading a book with horses on the cover, rifle across her lap. You do not bother her, but you cannot wait for her to leave.
When Nikto arrives, it’s with yet another guard, this one in plainclothes, carrying two large paper bags in their arms. It’s always seemed funny to you that he just goes out in the mask, nightmare beneath it or not, and that people must have reactions in public. But, you don’t think Nikto travels anywhere that people would dare comment on it. He has lackeys for embarrassing, mundane duties. 
He takes the bags from the second guard, and dismisses the woman on the couch, letting you approach to lock the deadbolts on the back of the door when they’re out. It is your comfort and your right, he will not interfere with it.
Meeting his eyes, you grin a cracked grin at him. “Smells good. What is it? What was the restaurant called?”
He makes another laugh-noise, looking skin-close to bashful. “We do not know. We sent Dejanović to get it, he knows the city.” He peers into the bag. “He said foreign dignitaries enjoyed the place. We don’t feel like that always speaks well to quality.”
You try to take the bag into your hands, but his arm tightens. He does not like you doing menial tasks. He likes it only when you are free to tend to your work and whims. It is much preferable to him that your needs are met, and he is glad to tend to those tasks when he is with you.
“If it’s all rot and garbage, we can make zakuski instead, and wash it down with vodka,” you tell him, swaying a little, hoping the promise pleases him. “Tahumi brought me a can of caviar, and even found a mother-of-pearl spoon for it.”
His eyes grow hard at the mention of Tahumi giving you a gift. That is another thing that heckles him. He does not like others knowing about you, much less providing for you. That is his honor, and an honor he thinks it is.
Your mouth starts to curl. “Don’t eat yourself with knots,” you instruct him, but his eyes only grow harder, his posture stiffer. “I wanted it, and Tahumi saw it, and he bought it. He did it to please you, because you are so here-and-there with your underlings. Your favor can’t be curried because it doesn’t exist.”
“They are warm, walking corpses, and nothing more,” he says, stone-solid, cold. “We don’t need them for anything more than catching bullets and carrying out orders. You are not a tool to buy their way into security. There is none, and you–you’re–” 
He turns his head and breathes out hard. His body is held so tightly it paints pain on the walls behind him. His molars squeak as they grind together, trying to collect himself, but he is upset.
“Andryu,” you say, pulling his diminutives, trying to pluck the chords that will bring him back to you. You bend your body to swerve, attempting to capture his eyes. “Andryusha.”
There is a little break in the armor, a crack where you can push your fingers in, to find contact with him. There is a little light in his eyes. “We cannot allow you to be taken advantage of. Your wholeness is…” he trails off, struggling, and you provide him the territory to prowl, find his words. He turns and meets your eyes, and there is his passion. “Our last shred of warmth is you. If you are pained, or used, or discarded–it is a blow that would destroy the last human thing in us.”
And, here, your scant humanity answers his. You fold, slope, ease. You nod in agreement. “I know, Andryu, I do. But all of you know where my loyalties lie. You know I wouldn’t hesitate to find you if I felt targeted.” You want so horrendously to reach out and touch him, but you don’t. You have to allow him to initiate, otherwise he cannot handle it. “My lot is in your lot. I go where you go. Everyone else is a corpse that forgot to lie down and die.”
Using his language in ways that he understands it unlocks him to you. His gloved hand comes up, hovering just to the side of your jaw. But he doesn’t touch, he only traces the air in a line down the bone structure. 
+
He allows—or, rather, you give him no in allowing you to stand in the kitchen as he unpacks your meals to plate. It could be call an awkward affair, if either of you had the social graces to register that feeling in your minds. 
He’s taken his gloves off and swatted at your hand trying to take the paper bag for recycling, giving you a sharp look borne of the love he holds. Again, not allowed to lift a finger. 
There are faded Cyrillic characters tattooed across his knuckles, the black ink bloated and faded to blue. SOS across three fingers: either spasi, otets, syna or Suki Otnyali Svobodu. Save me, father, your son. Bitches robbed my freedom. 
He’s never told you which in specific, though he’s offered both as options. Tattoos are carved into so much of his skin, and he’s given you brief walking tours of them when he’s stripped down enough for them to appear. A warping on Russian prison tattoos, repurposed for the Spetsnaz. 
Epaulets on his shoulders—horses die from work. Devils just below those, oskals, hatred of authority. ‘I Fuck Poverty and Misfortune’ in Cyrillic, riding his Adonis belt. A lighthouse on his forearm, yearning for freedom. His skin tells his story, hard-lived, a language known to few. 
His plating skills are what cause him minor self-consciousness. He’s not an artistic man, and he has no eye for aesthetics. The blood-rare ribeyes are just placed and pushed to one side of the plate, crumbled blue cheese dumped artlessly on top. Creamed potatoes end up slopping over roasted asparagus, and he growls in his throat, frustrated. He is trying incredibly hard to make it pleasing. The more he moves it around, trying to be careful, the worse it looks. 
He wouldn’t care if it was solely for him. His frustration is because you will not be eating something pretty. In his mind, the only things you deserve are pretty and perfect. 
His hands stop fussing, resting on the edge of the counter, glaring down at the plates. “It looks like shit,” he renders his verdict. It sounds like he is considering throwing it away and ordering something else.
“Pelmeni look like shit. So does poutine. But it all tastes good, so we still eat it,” you push back. “No one eats shiny plastic or tinsel.”
He grunts again. “People eat shiny plastic and tinsel all the time, because they are fucking stupid.”
“If any of you are insinuating that any of us are fucking stupid, you’re being a fucking child.” Despite the content of your words, it is not said with heat. It is an olive branch, trying to reach him across the expanse of his dissatisfaction. You’re not sure you’ve made contact until his fingers start tapping on the counter, and he hums Krokodil Gena’s Birthday Song deep in his chest. He is calming, rectifying reality with himself. 
After a few, long moments, he picks up the plates, nodding at you, and carries them to the dining table outside the kitchen. It is situated in front of a set of big picture windows that he honestly does not like you standing near, ever, but it is for the sake of the evening. He sets your plate down, and pulls out your chair for you, before he seats himself. There are already sets of silverware and water on the table. A bottle of vodka, and two small glasses to drink from. 
You start by pouring two sips of vodka, offering him one. A toast falls out of your mouth, unthinking, and he clinks your glasses together in agreement. When you put your shot back, he hands you his glass, and you shoot that, as well. He has not removed his mask. He will not. But he overturns his glass next to yours.
It’s an odd affair, how the meal goes. Conversation picks up, on plans and your work, on the state of the world as it stands. That will run out, and you will both turn to other topics. Books, movies, cars. Oh, Nikto has such a soft spot for cars–he could talk about them from dusk until dawn. Luxury cars, supercars, performance and rally cars, working vehicles, even an astonishing breadth of consumer cars. He has opinions that stretch the globe, and you soak it up like a dry sponge. 
The oddest thing is that you eat, and he does not. He keeps his hands resting on either side of his plate, guarding it as if he was a prisoner, but he does not once touch his silverware. He won’t eat in front of anyone. He can’t, not without taking the mask off. It’s something he didn’t have to explain to you, you just understood it by studying his patterns. It’s something that made him even softer toward you. 
You finish, part of your steak left–you intend to slice it up and put it on some grilled crusty bread with piles of caramelized onions later–resting your fork and your knife on the edge of your plate. “That was good. Despite the dignitaries and dog shit. I want a copy of their menu, to tear up and eat bit by bit. I want all of you to have more dates with me, this one dripped romantic. All the seams were splitting up, and it went drop by drop by drop.”
“Date?” he queries, looking at you across the table as he reaches for your plate.
“Date.” You nod once, emphatically.
He shudders, smothering something that sounds like a sigh, averting his eyes. “We…will make sure there is a menu for you, next time,” he starts, unphased by your request. “Roses, if you like.”
You shake your head. “No use for roses, they wilt and die. Flowers all-wilted smell like the dark parts of the bunker, and my stomach eats and eats away at me because of that smell.”  You send an apologetic look across the table, thinking. “I’ll take tokens in trinkets. Whenever you bring me jewelry, I don’t take it off.”
As if in example, you pull up your sleeves, showing him the bracelets he’s brought you, left for your discovery on desktops and dressers. Next, you tug at your collar, showing him a pile of necklaces. 
His fingers twitch, looking at you helplessly. Not even he can prevent the swallow that goes down his throat, when he sees that you hoard the fine things he brings back for you.
Another long moment passes, and he is hoarse when he agrees, “Jewelry. We will bring you jewelry, then.”
In as much of a rush as you’ve ever seen him, he collects your dishes, and the bottle of vodka, storming back through the kitchen door. It doesn’t latch behind him, and you know he will be a while. It feels dirty, destructive and found and deceitful, but you sneak up to the crack, wanting to watch him.
His back is turned, his mask removed. Hair so deep in darkness it shines white under lights sticks up from his head at all angles, some of it missing from the side of his skull, along with an ear. He eats quickly, in clipped bites, gorging himself, stopping only to tip back the vodka bottle. It’s almost an ugly display, brutal necessity, and you know as well as you know the own pounding of your heart that he is uncomfortable, that he hates this. He hates to be bare.
You cannot see his face, and you would not try to see it. You want to see it someday, and that will only happen when he is ready to show you. You will not steal that freedom from him. You will not sneak looks when he is unawares. It is the same courtesy he has afforded you, and you are hellbent to pay it back in kind.
With that prickling your skin, you back away from the door, allowing him his needs. 
When he returns, sitting next to you on the couch, he is warmed-through and softened by the alcohol and food. He takes hold of your ankle, pulling it into his lap, rubbing the knob of your bone with his bare fingers. His masked head tips back, resting against the back of the couch, and he heaves a heavy sigh.
Your stomach clenches, and your heart races. There is so much love between the two of you, so impossibly massive that it cannot ever be feasibly dealt with, and that is something you are fine with when his eyes meet yours in a crinkled smile. 
Perhaps your union will kill the world as it stands, but you don’t particularly mind. His hands are warm against your bones, reaching deeper than any other human possibly could, and he looks at you as if you are his only purpose in life, even if that is not true.
“Andryusha,” you greet him quietly, turning your leg in his touch so he can have more skin.
Another small noise, pleasure, and he rubs deeper, followed by a soft, heartsick request, “Say it again, Paukya.”
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xxxecuted · 3 months ago
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70s estonian inflatable toy deer
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umahumahumah · 10 months ago
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teehee. uzbekistan 🥺❓️
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uzbekistan took a while to complete but he's done! couldn't decide between having a braid or having no braid, so i just did both. i had a hard time with him because i knew next to nothing about uzbekistan before this, but it was a fun research trip! i loosely based his design off of the turkestan sand cat, since that seems like something hima would do, knowing his love for cats and all. hes also been adding animal motifs to some of his most recent designs sooo i think that uzbekistan would have had a grandparent during the silk road era that he greatly admires, especially after leaving the soviet union. maybe for comedic effect his admiration could be an obsession all his neighbours are freaked out by lol
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apas-95 · 10 months ago
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Have you seen For All Mankind
i have tried to watch it and was simply unable to bear how hilariously propagandistic and badly-written it was. its like if a Heinlein fan were given a billion dollars and twelve seconds to think of a pitch.
the opening episode is a bunch of people in a small-town US bar depressedly watching the soviet moon landing and zooming in on how this is the Bad Timeline when the cosmonaut starts talking about 'the Marxist-Leninist way of life'. our plucky heroine's mentor figure is Wernher 'nice jacket, human skin I presume' von Braun.
they send actual vietnam-era US marines to the moon to ride sidesaddle on a modified LEM like it's a huey. they make EVA suits entirely out of duct tape. all their references to space-race era tech proposals are just done as material for a surface-level pastiche of Casette Futurism type wanking over stereotypes about Soviet Engineering XD and, increasingly, orientalist ideas of Chinese and DPR-Korean communist fanaticism.
it's as if the spirit of reddit became animate through the medium of Apple TV.
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eldar-of-zemlya · 4 months ago
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A few days ago, I realized that I’ve spent my last three birthdays in three different countries—each one a temporary home, but never quite the real home. And since today is my birthday, it feels like the right moment to share my story—a story about growing up queer in Russia, navigating an absurd system, escaping it, and constantly being on the run. It’s a long journey, but one that I hope will offer some insight as I reflect on where life has taken me so far.
Illustrated by yours truly.
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I was born in Russia, in a small countryside town that sits right on the border between Russia, Ukraine, and Belarus. Like many families in this region, mine is a chaotic blend of Slavic identities, plus a bit of Tatar heritage on my father’s side.
We come from a long line of Orthodox priests who were repressed and executed by the KGB during Stalin’s regime. The only branch of our family that survived had to be constantly on the run, changing towns and professions to avoid persecution as the children of “enemies of the nation.” I guess that’s the family curse I’ve never been able to escape—always searching for a homeland and always running away from it.
My father was an artist and my mother a university professor. My father was so absent from my life that when my parents separated when I was five, it took me two weeks to notice he was gone. My first question wasn’t even about him—it was about our dog. “Mom, where is Julie?… And where is Dad?” After that, my mother had to return to work to provide for me, so I spent most of my early years at my grandmother’s house, left to my own devices.
In pre-school, I was obsessed with Michael Jackson, rewinding the same VHS of his music videos until it barely played anymore. In primary school, I had a bunch of Tokio Hotel’s songs burned onto a floppy disk by my mother’s colleague, who had access to the new wonder of the time—the World Wide Web. I’d wait eagerly for their music video to play on some random music channel, glued to the screen in our cramped, Soviet-era Khrushchyovka apartment. That’s when I stumbled upon something that started a chain reaction that, in hindsight, brought me to where I am now.
The lower third of the screen briefly flashed a title: “LM.C — Ghost†Heart (Japan).” At first, there was nothing particularly strange about the music video, except maybe that it was from Japan. But when the two “girls” began singing with a voice that was unmistakably male, I realized they weren’t girls at all. There was something captivating about how they embodied both masculinity and femininity so beautifully at the same time. I didn’t even know the word “androgynous” back then, but I instinctively recognized that the same thing that had drawn me to my previous interests was now pulling me toward them.
As soon as we finally got our first slow dial-up connection, I searched for LM.C. That’s when an entirely new world opened up to me—J-rock, Visual Kei, a genre of Japanese music that focused on extravagant stage costumes where musicians often wore dresses and makeup. I was immediately hooked.
And I wasn’t alone. There was a small but growing community of J-rock fans across Russia, even a few in my small town. Some were teens, others pre-teens like me, and even a few adults. We would gather on Lenin Square—the heart of our little town—dreaming and talking about Japan, anime, and J-rock. My mom often came with me to our local meet-ups—not just to show support, but for safety. We were what others called “non-formals”—subculture kids. Our high platform boots, chains, band shirts, and unconventional looks made us stand out in our post-Soviet town, often attracting unwanted attention. People would make snide comments, and the police would sometimes chase us off. Once, one of the guys in our group got ambushed by gopniks, and they ripped chunks of his long hair out of his scalp. Being different was dangerous in the Russian countryside.
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I was always open about the bands I listened to, which earned me the label “the weird kid who listens to Japanese transvestites and watches cartoons for kids.” (Honestly, I was ahead of my time. Nowadays, kids get bullied if they don’t watch anime.) Through all of this, my mom was incredibly supportive. I would sew Visual Kei-inspired outfits from fabric scraps and even dyed my hair red once. That might seem normal now, but back then it made me the laughingstock of the whole school. Even the teachers thought I was strange and probably wished they could get me in trouble. But there was nothing they could do aside from making the occasional snarky comment about my looks. Our country didn’t enforce a school dress code, and I was at the top of my class, so they had no grounds to discipline me.
Naturally, discovering anime led me to yaoi and slash fanfiction. At the time, our country was still relatively free, and LGBT stories weren’t illegal yet—considered strange, disgusting, and perverted by some, but not illegal. Somehow, I could relate to the characters, even though I was a straight teenage girl, which was incredibly confusing. I wanted to be a man, have a male body, and yet I was also attracted to men. My confusion with gender and sexuality was overwhelming, and I was stuck in a linguistic bubble, trying to make sense of myself with whatever scraps of information I could find in Russian. I read about “tomboy,” “butch,” “femboy,” and even “fag hag,” but none of it quite fit. Then, one night, I stumbled across the Wikipedia entry for “trans man.” I’d heard of trans women from scandalous Russian talk shows and the occasional foreign film, but trans men? At that time, the Russian Wikipedia article on “trans man” was just a single, pathetic paragraph. I could hardly believe it was a real thing, but deep down, I knew this was the answer I’d been searching for.
People often ask trans individuals, “When did you realize?” But for me, there was no single moment. It was a process of piecing together feelings I’d never had the words for—kind of like that scene in The Man From Earth when John Oldman, a man who’s lived for 45,000 years, is asked by a therapist, “When did you realize you were a caveman?” and he responds, “When I heard the word ‘caveman.’”
As always, I turned to movies to understand myself better. I found a clunky Russian website called KinoPoisk (Film Search), typed “LGBT” into the search bar, and watched every movie that came up. That’s how I discovered Hedwig and the Angry Inch, Breakfast on Pluto, The Rocky Horror Picture Show, Priscilla, Queen of the Desert, and many more. Seeing LGBT characters on screen—characters who felt what I felt—was everything to a lost, confused teenager in the Russian countryside.
Over time, my obsession shifted to TV series fandoms like Doctor Who, Torchwood, and Star Trek. And when Sherlock BBC came out, my mom joined me, and we both dove headfirst into fandom life. She also started reading fanfiction, and before long, she was writing it herself. After all, who better to write fanfiction than a middle-aged Russian literature professor who knew everything about storytelling?
Gradually, my fixation shifted from Japan to Great Britain, and my mom was right there with me. Despite not knowing a word of English, we watched everything we could find featuring our favorite British actors. It became our shared dream to visit England someday, but we didn’t have the money. My mom’s salary was $250 a month, and she was supporting me and our elderly grandmother, who had a pension of $80. But that didn’t stop us. I remember surviving on instant noodles and cheap yogurt for an entire year just to save up enough to travel to the West and see it for the first time.
In 2012, we finally made it happen. We signed up for a cheap bus tour that went through Europe—Poland, the Czech Republic, Germany, Belgium, France, and the UK. It was life-changing. We saw a completely different world, cozy old towns that Russian cities had lost in WWII bombings, and we saw freedom. The first time we flew to London on our own, we bought tickets to a theater play featuring Mark Gatiss. Who would’ve guessed that on that very day, David Tennant, Steven Moffat, and his wife, Sue Vertue, would also be there! I awkwardly approached David Tennant and, in broken English, told him, “You are my lovely Doctor” (I meant to say “favorite” but didn’t know the word back then).
We ended up returning to London every year, going to theater plays with Benedict Cumberbatch, Tom Hiddleston, Andrew Scott, Rupert Grint, and others. We stayed in cheap hostels and survived on McDonald’s, but we were living the dream.
As time went on, LGBT rights in Russia only got worse. Books, movies, and TV shows that even mentioned LGBT topics started getting blocked under the guise of protecting children from “LGBT propaganda.” But what these government suits failed to understand was that if I hadn’t discovered all those things as a confused teenager, I might have ended my life. When the repression began affecting fanfiction writers, we had to be cautious. One girl in our town was sentenced under the new law simply for having a photo of two guys kissing in her VK (Russian Facebook) photo album. My mom was a university professor and the sole provider for me, an underage kid. If it was discovered that she wrote slash, she could’ve lost her job, gone to prison, and I could’ve been taken away. It was terrifying. I watched our vibrant community being slowly choked out, and I knew it was now or never. I had to transition while it was still legally possible, and I could only do that if I moved to Moscow, where the only trans center in the country was located.
After graduating, I deliberately skipped one of the mandatory exams, which made it essentially impossible for me to get into any university in Russia. My mom, always understanding, accepted my decision, but the rest of the family was devastated. I was one of the best students in class, scoring 100/100 on my Russian and English final exams—something that seemed like science fiction (well, I learned my English from science fiction, so…). And here I was, with these grades, choosing not to apply to any university but instead to work in a shop.
Transitioning was expensive—around $1,500 for all the tests and evaluations—but I knew that if I stayed in the countryside, I’d be tempted to give up, settle down, and try to “fix” myself. As Dr. Frank-N-Furter taught me, “Don’t dream it, be it.”
As soon as I turned 18, I moved from the countryside to Moscow. To receive the official F64.0 diagnosis—“transsexualism”—I had to endure a grueling year-long process of psychiatric evaluations and tests, just so I could change my documents and flee the country. By then, I was already passing as a guy, which made job hunting infinitely more difficult. I tried toy stores, cosmetic stores, hotel cleaning… but no one wanted to risk being prosecuted for “LGBT propaganda” by hiring someone as gender-ambiguous as me. After endless rejections, I finally found a place that didn’t care whether you were gay, straight, or trans. That’s how I ended up working at a sex shop.
I could write a whole TV show based on that year of my life—armed robberies, kidnapping attempts, constant workplace drama, and a psychotic manager who was stealing from our salaries. None of us were even officially registered as employees. I’d work 24-hour shifts back-to-back, sometimes spending more than 48 hours at the shop, sleeping on the floor during the three-hour break we got at night. There were zero regulations, but despite everything, I made good money, and most importantly, I finally felt like I belonged.
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Our team was a ragtag group of rebels—kids fresh out of high school or from poverty, who had come from all over Russia to the Capital, searching for a better life. What united us was a shared desire for freedom in a country that was becoming more and more totalitarian.
While working, I was constantly attending the “Center of Personalized Psychiatry,” where I felt like a guinea pig for doctors who knew nothing about gender identity issues. It seemed they had simply found a vacant spot to make money off devastated and depressed trans people. At the time, there wasn’t even an official document format that could be submitted to the government to allow a legal sex change. So, I had to jump through every hoop they put in front of me—filling out ridiculous questionnaires that asked whether I preferred pink or blue as a kid or if I played with dolls or cars. They explicitly told me to answer “how I thought they wanted me to answer” if I wanted to get approved for hormone therapy. So, for them, I liked blue, played with cars, and watched football and boxing.
When I finally got approved for hormone therapy, I ran into another obstacle: the financial burden of getting a prescription from the center for every testosterone shot. The prescription itself cost almost as much as the medication. Desperate, I turned to sketchy websites from “pharmacies” that constantly changed their URLs. That’s how I started getting testosterone through drop-offs, which we called “bookmarks.” I’d pay for someone to leave it under a bench or behind a tree. It was risky but much cheaper.
After enduring the year of evaluations, I finally received the long-awaited free-form paper from the center stating my diagnosis and the basis for changing my documents. But just as I was preparing to submit it, the government decided to overhaul the process. They introduced an official format for the document—good in theory but disastrous for my timing. Worse still, they added a new requirement: you had to have had top surgery before you could legally change your gender.
I was devastated. Top surgery had always been a dream of mine, but I was sure it would take years to save enough money—it cost $1,200. That’s when my mom stepped in and offered to cover it with her savings. I cried so much. I wanted the surgery, but I knew we didn’t have the money to spare.
At that time, my mom said something that has stuck with me ever since: “We never have money, but at least we have the life we want.”
So, I did it. But my happiness was overshadowed by guilt. I felt guilty for spending so much money, for leaving my job, and for being incapacitated during my recovery—unable to even help my mother around the house. By then, my mother had already started working at a university in Moscow, and after being able to provide for myself at 18, I suddenly felt like a burden. My mother, however, never saw me that way; she was incredibly happy for me. We agreed not to tell the rest of the family about my transition just yet.
Returning to my hometown in the countryside to change my documents was an experience in itself. I fully expected to be treated with hostility, but to my surprise, the civil workers made no comments. I later learned that I was the second person to transition in my town—the first female-to-male—but they acted professionally. The only comment came when I visited the citizen registry center, where old women, who had probably worked there since Soviet times, were running the show. My mother went with me for support. When I silently handed the new-format document to the elderly woman at the desk, she studied it carefully, then looked up at my mother and, smiling, said, “You have a boy now? Congratulations!”
This all happened during the summer. I was jobless, with new documents, and the next step in my plan was to flee to the West. Around that time, a friend sent me a random ad for a filmmaking program at Tallinn University in Estonia. I had never even heard of this tiny Baltic country before, but it was part of the EU, and the tuition was surprisingly affordable. I never pictured myself making films, but I knew I wanted to do something creative, so I applied the day before the deadline, not expecting much. To my shock, I soon received an invitation letter.
But there was still one more step—changing my foreign passport. In Russia, we have a national passport (in Cyrillic) and an international passport (in English), which allows travel abroad. To change the international passport, I needed a paper from the military conscription office, stating that I, as a newly-registered male, didn’t have to serve in the army and was free to leave for studies. Of course, I didn’t have such a paper, since I had never been registered for conscription in the first place.
This led me to our local conscription office. As soon as I explained the situation to the lady at the desk, she told me to stay quiet and led me to her boss. The military commander, sitting in his shabby countryside office under a portrait of Putin hung on a wall with peeling paint, was utterly confused.
“But I can’t issue him this paper because he was never registered as a conscript, which should’ve happened when he turned 15!”
“But he was a she when he was 15, sir…” his young secretary chimed in, causing the commander to spit in frustration and slam his fist on the table.
They were in a real bind. If I had transitioned from male to female, it would’ve been easy—they’d just throw my case out of the archive. But there were no regulations for how to handle female-to-male trans people.
“Okay, I think I have an idea of what we can do. When can you come back to my office?” asked the commander.
“Um, maybe tomorrow…” I hesitated.
“No ‘maybe’!” the commander shot me a stern look. “You’re a man now, so be specific.”
Suddenly feeling like James Bond, the commander deemed my case his secret mission. The next day, I returned to his office and was briefed on his plan: he was going to falsify my conscription record, making it look as if I had been a biological male my entire life, complete with medical exams and military training. He assigned one of his lackeys to follow me through the necessary medical evaluations, ensuring no one asked me to undress. The doctors, who were in on the plan, discreetly noted what they were supposed to.
Eventually, I was invited back to the commander’s office for the final round of evaluations. With the blinds pulled down and the door locked, I stood in the center of the room, surrounded by a circle of white-coated doctors—urologists, proctologists, allergists, you name it.
“Take off all your clothes,” the commander ordered.
“Well, I’ve seen a film or two that started like this…” I thought to myself.
“Now, spin around—slowly,” he continued.
And there I was, with my ass naked, turning in a circle like some Frankenstein’s monster as the doctors scribbled notes in their notebooks.
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“Did everybody see everything?” the commander asked, and the doctors nodded quickly. “Okay, dismissed.”
In the end, I was issued a military ticket marking me as category “B”—not suitable for mandatory military service (probably due to having a cunt, according to their reports), but eligible for drafting in case of war or a military operation.
With that, I received my new international passport and was off to Estonia.
I was incredibly happy. Every day, I would go to the old town square just to sit there, gazing at the medieval towers and thinking, “I made it… I finally made it!” It was everything I had dreamed of and more. No one cared how anyone looked, LGBT people had no restrictions, and I saw same-sex couples walking hand in hand on the streets. This was the “Western dream” I had been chasing my whole life. Yet, something seemed off…
Over time, I started to notice a certain level of hostility from the locals when they found out I was Russian. That surprised me, especially given that Estonia had been part of the Soviet Union and still had a population that was about 30% Russian. Slowly, I came to realize the harsh reality—in the history books I studied at school, there was only one mention of Estonia: “1940—Estonia, Lithuania, and Latvia join the USSR.” One sentence in a history book, which meant nothing to me at the time, encapsulated this entire country’s national tragedy. They tolerated the remaining Russian population, but the deep-seated resentment was clear. However, they failed to understand one important thing—most of those Russians were also victims of the regime, just like the Estonians, Latvians, Lithuanians, Tatars, and countless others.
I vividly remember a moment when I was having a meeting with my new coworkers. After learning I was from Russia, one Estonian girl said, “My grandfather was repressed by Russians during Soviet times.”
“Mine too,” I replied, dumbfounded. She seemed confused. As I later found out, while our governments had their own agendas, their government had theirs. She was never taught that millions of ethnic Russians were also arrested alongside millions of national minorities.
This was something I had never anticipated. For the first time in my life, I wasn’t discriminated against because of my LGBT status, but because of my nationality.
I learned to live with it. I tried to adapt, not speaking Russian in public. Fortunately, my studies were in English, and my course was international, filled with people from all over the world—the U.S., Egypt, Germany, Nigeria, Latvia, Turkey… Honestly, the three years I spent studying film there were the best years of my life. Our professors were amazing, outgoing, incredibly creative, and they became our friends.
Yet, no one in my course, not even my closest friends, with whom I spent every day, knew that I was trans or the real reason I left Russia. They simply thought I was a biological male. After what I had been through in my own country, I still hesitated to share this part of myself, unsure of how they would react. It took a toll on my mental health, constantly coming up with stories to fill gaps in my history. Eventually, it became too much, and three years into our studies, I told everything to my four closest friends. They were surprised, to say the least, but endlessly supportive. I can’t even begin to describe how much I love them for that.
For my graduation film, I made a documentary—something I never imagined I would be interested in. Initially, I had ambitions to become a fiction director, but once I discovered that documentaries weren’t all just talking heads and British-accented voiceovers, I became captivated by them.
My graduation documentary was about my family—specifically, about my grandmother. My family, aside from my mother, still didn’t know I had transitioned. It had been four years at that point. I had a beard, a deep voice, and yet they still didn’t know. Every time I called them, I would try to make my voice sound more feminine (the story was that I got sick, lost my voice, and it permanently damaged my vocal cords). I love my family, and it’s precisely because I love them that I do this. I don’t want them to be ashamed or ostracized from their community. They live simple, rural lives. When my grandmother was born, Stalin was still alive. She had survived famine, unemployment, and disease, so she would never be able to understand this whole “transgender thing.”
The documentary did really good, with this idea, I got to attend pitching with BBC, Al Jazeera, CBC, Vice and many more industry giants. There were so many promises from big film festivals, so many opportunities. By the time I had graduated and was working a well-paid job, I was hoping to settle down in Estonia after four years of living there. Despite the country’s mixed reception towards me, I loved the place. It finally felt like home. A small, cozy home where I knew everything and everyone, with both personal and professional connections. I was learning Estonian, aiming to get citizenship, and dreaming of the future—the entire European Union would be open to me.
And then, on the 24th of February 2022, the war started. I can’t begin to describe what I felt—fear, grief, confusion. It’s too dark of a topic to delve into.
While I was scared and cried every day for my friends in Ukraine and my family on the Russian border, the war began to affect me directly, as a Russian living in the West. Deals I had with film festivals fell through because they didn’t want to seem like "Russia sympathizers" by screening a documentary directed by a Russian. The fact that my film was about the struggles of LGBT people in Russia, and clearly anti-regime, didn’t matter.
One of my friends was spat on while on the tram for speaking Russian to her mother on the phone. Another was refused entry to a thrift store because she was Russian. A close friend of mine, a well-known Russian-Estonian actor, was assaulted in a café while speaking Russian with his girlfriend. A man approached him, demanding that he kneel and beg for forgiveness for “starting the war in Ukraine.” When my friend, in perfect Estonian (he came from a mixed family with an Estonian father and Russian mother), reminded him of the Estonian constitution and its protection of freedoms, the man scoffed and said, “All Russians should have been deported from the very beginning.”
And it seemed like the government shared his beliefs. First, my residence permit was terminated due to my Russian citizenship. When I applied for a worker visa instead, I was handed a notice saying, “You are denied an Estonian visa for the reason of posing a danger to international relations, inner security, and the health of the Estonian population.” It felt like they thought I was carrying some sort of “Putin virus.” And this happened right after my documentary had been featured in the national competition at a local film festival, where I was representing Estonia...
It was the 27th of December 2022. I was given three days to leave the country—to sort out everything from the past four years, my entire life there.
It was then that I fully realized how fragile safety and belonging can be when they rest on the whims of politics and nationality. The dream I had spent years building crumbled in days. I was lost. I had no idea what to do. I couldn’t return to Russia—especially not after making such a personal documentary. The new laws there equated "LGBT movement" with extremist organizations. It wasn’t even safe for me to visit a doctor as a trans person. If they supported the regime, they could easily report me to the police, and I’d be arrested simply for having the body I have. Worse, I could be sent to the war—ironically, I was still marked as a biological male in Russian military records.
With no options left, I packed a tiny suitcase with essential items, left the rest of my belongings with friends, and bought a one-way ticket to Serbia—one of the few countries that still had visa-free entry for Russians. After the war began and the regime tightened its grip, Serbia had become a haven for hundreds of thousands of young Russians fleeing.
I met the new year of 2023 alone, in a strange country, watching fireworks from the balcony of a tractor driver named Stefan, who had rented me his Airbnb in the Belgrade suburbs.
Serbia turned out to be a completely different world compared to my experience in Estonia. I was still hesitant to reveal that I was Russian, but to my surprise, when I did, people mostly hugged me and invited me for a glass of rakija. Serbia has a long history with Russia—we were “brother nations,” and the Russian Empire had helped Serbia a lot in the past. That sentiment carried into how the locals saw Russians. Now, with so many of us in trouble and seeking refuge, they welcomed us with open arms.
The country itself wasn’t prosperous; it reminded me of the Russia of my childhood—shabby, torn apart, politically charged. I loved the people, and they seemed to love me back, but I knew I couldn’t stay. There were still many conservatives, and when I asked a bartender at a local underground gay bar about the situation for LGBT people, he laughed and said in broken English, “Like Russia, but small better.”
My plan was to apply for a German freelancer visa—I was making some money from video editing and color grading on the side, and I had a solid portfolio. I knew political asylum wasn’t an option. When the war began, I had tried to apply for asylum in Estonia, only to be told, “Have you been stabbed for being trans in Russia? No? Then call us back when you are.”
In Serbia, Russians were allowed a 30-day visa-free entry, so I joined what fellow expats called a “visa-run.” Every 30 days, someone would drive a packed minivan to the Bosnian border. We’d cross, stay in Bosnia for 15 minutes, smoke, and listen to stories of fellow Russians who had escaped. Then we’d return to Serbia, and our stay would reset. The local police knew about it and didn’t care—nothing illegal about it. I remember one time when we arrived during the border patrol’s lunch break. A young lady leaned out of the control booth, sandwich in hand, and asked, “Visa run?” When we nodded, she smiled and said she’d finish her tea before stamping our passports.
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I lived like this for a year and a half in Serbia. It was nearly impossible to find a job without knowing Serbian, so I picked up small freelance editing gigs. Meanwhile, I was on a long waiting list for a German visa. Serbia had become a temporary stop for many Russians, especially LGBT people, trying to find a way into the EU.
However, after what I experienced in Estonia, my rose-colored glasses were off. I no longer viewed the West as a utopia. Every country has its problems, and there’s no true freedom anywhere in the world. Sadly, I had to learn this the hard way.
Throughout that year in Serbia, not much happened. I was extremely depressed and isolated, unsure of where my life was headed. So, I turned to what comforted me most—movies. I fell back into Star Trek. There’s something about its retro-futurism that helped me cope—I could lose myself either in the future or the past and forget about the present. I also started drawing again. I used to draw when I was a teenager and active in fandoms, but it had never really worked out for me. I still remember the first time I posted my art online—the first comment I got was a bunch of crying-laughing emojis.
Drawing helped me escape. Even while I was posting K/S smut, there were times when I had no money for food and was late on rent, all while my hometown was being bombed almost daily by Ukrainian forces. Immersing myself in the fandom helped me cope with the harshness of reality.
I had almost resigned myself to the idea that I would never be able to enter the West again. But then, one fateful day, I received the email I’d been waiting for—I was asked to pick up my visa. I cried and laughed; I couldn’t believe it.
The move to Germany was difficult. It’s a huge bureaucratic country, but I made it. My story isn’t finished yet—I’m still waiting for my residence permit, and God, I hope I get it. I know a bit of German, and I feel safe here, so I hope to settle down for good. For now, I work on my small business and draw K/S fan art on the side, finding solace in the creative space I’ve carved for myself. I’ve spent years running, surviving, and rebuilding. Where fate will take me next—I can’t be sure. But I know that whatever comes, I’ll face it as I always have—one step ahead, always moving forward.
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