#Southern Concert venues
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Legends of the Chitterling Circuit: Birthplace of Icons
The Chitterling Circuit: The Birthplace of Legends The Chitterling Circuit was more than just a collection of venuesâit was a cultural powerhouse that birthed legends, shaped genres, and provided a stage for African American artists to thrive despite the constraints of segregation. Icons like James Brown, Aretha Franklin, B.B. King, Little Richard, Quincy Jones, and Ray Charles emerged from thisâŚ
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#Aretha Franklin#bb king#Black Culture#Black Music#chitterling cir#Chitterling Circuit#civil rights movement#comody#Down South#Etta James#James Brown#jim crow#Little Richard#music#Quincy Jones#Ray Charles#Redd Foxx#segregation#Southern Concert venues#The Apollo theater#the cotton club#the howard#the regal theater
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Momma's Back!
Momma's Bar, located just outside of Downtown Memphis on Kentucky Street and E.H. Crump Boulevard, reopened on August 16, 2023 after having been remodeled. Compared to what it was before, it doesn't seem that different, other than it getting a new coat of paint, figuratively speaking. Although not much has changed with the bar itself, Momma's menu is updated, featuring among other things the smoked pork chop. Smoked to perfection, the pork chop was the best thing that I've had at Momma's, which is saying a lot (please read the review at my main blog).
In addition to serving superb food, Momma's continues to be a great music venue for exciting local artists. In particular, I hope to catch the lady who did a great rendition of Dolly Parton's "Jolene" during one of my previous visits. Regardless of whether that happens again, I'm looking forward to the "new" Momma's.
Website: MommasBar.com
NOTE: In an unrelated topic, on the main blog I updated my review of Cocozza, the new Italian restaurant in Harbor Town. Check it out!
#Memphis#South Memphis#Downtown Memphis#Burgers#Wings#Appetizers#Bar Food#Southern Food#Pork Chops#Music#Concerts#Music Venue#Live Music
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Some of music's biggest stars, including Los Angeles native Billie Eilish and her brother Finneas, will headline the FireAid benefit concert to help Southern California recover from the devastating wildfires.
The Intuit Dome and Kia Forum will host the one-night-only concert at 6 p.m. on Thursday, Jan. 30. Along with Billie Eilish and Finneas, 18 other artists will perform, including Stevie Nicks, Sting, Green Day, Gracie Abrams and Jelly Roll. Dave Matthews and John Mayer will also perform together for the first time.Â
Organizers said more artists and lineups for each venue will be announced within the next few days.
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The US Department of Justice has sued Ticketmaster and its parent company, Live Nation Entertainment, for abusing their alleged monopoly in the ticketing market to trample competitors.
Filed on Thursday in the Southern District of New York, the lawsuit focuses on Ticketmasterâs long-term exclusivity contracts with many of the largest music venues, making it the predominant ticketing service available to concertgoers. The firm secures these deals in part by âthreatening and retaliating against venues that work with rivals,â the DOJ alleges.
In the complaint, the DOJ accuses Ticketmaster and Live Nation, which acts as a promoter for hundreds of high-profile artists, of exploiting their relationship to establish a âself-reinforcing flywheelâ that blocks competitors from gaining a foothold. Live Nation parlays its exclusive promotion deals into exclusive ticketing deals with venues, the DOJ claims, which are left with no practical choice but to go with Ticketmaster, for fear of losing access to sought-after acts represented by its parent company. The DOJ is seeking to break up the joint organization.
âWe allege that Live Nation relies on unlawful, anticompetitive conduct to exercise its monopolistic control over the live events industry in the United States at the cost of fans, artists, smaller promoters, and venue operators,â says attorney general Merrick Garland in a statement. âThe result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services. It is time to break up Live NationâTicketmaster.â
In a lengthy statement provided to WIRED, Live Nation disputes the DOJ's allegation that it and Ticketmaster wield monopoly power. âThe DOJ's lawsuit won't solve the issues fans care about relating to ticket prices, service fees, and access to in-demand shows,â the company says. âCalling Ticketmaster a monopoly may be a PR win for the DOJ in the short term, but it will lose in court because it ignores the basic economics of live entertainment, such as the fact that the bulk of service fees go to venues, and that competition has steadily eroded Ticketmasterâs market share and profit margin.â
The charges brought by the DOJ mirror allegations made previously against Ticketmaster in two ongoing private lawsuits.
In December 2022, Ticketmaster was sued by hundreds of Taylor Swift fans, who brought a case in response to a high-profile ticketing debacle that reportedly left them queuing for hours to pay for tickets that they had been assigned under an early access program, with many ultimately unable to claim their allocations. The incident led to a hearing by the Senate Judiciary Committee on consolidation in the ticketing industry and, reportedly, helped catalyze the investigation into Ticketmaster by the DOJ.
In their lawsuit, the Swift fans accused Ticketmaster of abusing its dominant position to impose âhigher prices in the presale, sale, and resale market for concert tickets.â The company has âeffectuated this anticompetitive scheme by forcing fans of musicians to use Ticketmaster exclusively to buy concert tickets,â the lawsuit alleged.
In the second case, a class action brought in 2022 on behalf of Ticketmaster customers in the US, Live Nation and Ticketmaster were accused of abusing the complementary relationship between their services to overcharge consumers and sustain their monopoly. âLive Nation controls the vast majority of the big national touring acts and, either explicitly or implicitly, coerces concert venues into selecting Ticketmaster as their ticketing service provider on pain of losing high-value acts,â claims Adam Wolfson, a partner at Quinn Emanuel, the law firm representing the plaintiffs.
This type of conduct, known as tying, was explicitly forbidden under the consent decree imposed upon Live Nation and Ticketmaster by the DOJ as a condition of their 2010 merger. âOur allegation is that they did it anyway,â says Wolfson. âTicketmasterâs behavior is an open secretâeveryone talks about it.â
In a corporate blog post published in March, Dan Wall, executive vice president of corporate and regulatory affairs at Live Nation, rejected allegations that Ticketmaster is driving up the price of tickets. The face value of a ticket is decided by the artist, he wrote, while the service chargeâfrom which Ticketmaster draws its cutâis set by the venue.
In a call with reporters, a senior DOJ official described this line of defense as a âred herringâ in the context of the alleged antitrust violations. âOur position is that removing the chokehold that Live Nation has at all levels of the ecosystem will be beneficial with respect to the way prices are set.â
A problem common to antitrust disputes, says Bradley Justus, an antitrust attorney at law firm Axinn, is the difficulty in distinguishing easily between practices that amount to anticompetitive behavior and those that might be considered sensible business strategy. The DOJ will argue that the exclusive deals entered into by Ticketmaster are categorically anticompetitive. âThe antitrust question is: How extensive is the scope of those agreements? Are they truly so broad that another competitor couldnât enter and scale?â says Justus.
The DOJ claims that the terms of the contracts mean that âvenues cannot consider or choose rival ticketers or switch to better or more cost-effective ticketing technology.â The effect, it claims, is both to stifle competitors and minimize the pressure for Ticketmaster to improve its own product, to the detriment of concertgoers.
Although the DOJ has petitioned for Live Nation to be broken up, it has not outlined the specific structural changes it will go after, nor any injunctions it may try to impose with respect to the companyâs exclusive contracts. âA breakup is absolutely on the table, but itâs important not to put the cart before the horse. In antitrust cases, any remedy has to be specifically tailored to the violation found,â a senior DOJ official told the press. âBased on the allegation that Live Nation and Ticketmaster have exerted control at every level of the ecosystem, aspects of the company need to be broken apart in order for competition to flourish in the live music industry.â
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Fire Aid Benefit Concert For California Wildfire Relief
tldr:
When & where: Kia Forum and Intuit Dome on Jan 30 at 6pm PT. Tickets: onsale Jan 22 at noon PT via Ticketmaster. Your ticket is only valid for the venue you select at the time of purchase. Streaming: on several online platforms, movie theaters and radio stations. Line up: see artists listed above. Plus more artists being announced in the coming days.
Two venues. One night. Your favorite artists coming together for music & solidarity. Shows start at 6pm. Tickets go on sale January 22nd at noon. Stay tuned for more artist announcements in the coming days.
Hosted by Live Nation with AEG Presents and the Azoff family, FireAid will raise money for rebuilding communities devastated by wildfires and supporting efforts to prevent future fire disasters throughout Southern California. Music industry mogul Irving Azoff is producing the concert with Live Nation and AEG Presents. The Eagles, Azoffâs longtime management clients, announced on Wednesday that theyâd donated $2.5 million for the concert. American Express, Intuit, and UBS are among the sponsors of the show.
Tickets go on sale Wednesday, Jan. 22 at noon PT via Ticketmaster.
FireAid will be broadcast by select AMC Theatres, Apple Music and the Apple TV app, Max, iHeartRadio, KTLA+, Netflix/Tudum, Paramount+, Prime Video and the Amazon Music Channel on Twitch, SiriusXM, Spotify, SoundCloud, Veeps and YouTube.
The broadcast will motivate viewers across the platforms to submit donations to aid the victims of the wildfires. iHeartRadio will broadcast the show live to more than 860 radio stations across the United States.
FireAid will air days before the Grammy Awards are set to take place at the Crypto.com Arena in Downtown L.A on February 2. The Recording Academy announced Wednesday that it would be shrinking its event lineup for the week leading up to the awards to focus on fundraising efforts. Several other organizations are also hosting smaller benefit concerts to aid wildfire victims.
The FireAid Benefit concert will begin at 6PM PST on January 30th. The concert will be split between the Kia Forum and the Intuit Dome, both starting at the same time. Tickets are only valid for the venue that you selected when you purchased your ticket(s). They are not valid for both venues.
Sources: Deadline, Fireaidla.org, Rolling Stone
#fire aid#the azoffs#unclear who will play each venue#but i assume the left column is the Forum and the right is Intuit#california fires#california wildfires#billie eilish#finneas#dave matthews band#john mayer#earth wind and fire#gracie abrams#green day#gwen stefani#jelly roll#joni mitchell#katy perry#lady gaga#lil baby#pink#p!nk#red hot chili peppers#rod stewart#stephen stills#stevie nicks#sting#tate mcrae
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Ghost and Southern California
i'm from California, so a lot of the locations in the Ghost lore are familiar to me! i wanna use this post to show / explain Ghost being set in the Los Angeles area.
though it hadn't been explicitly stated yet then, there are actually hints that Ghost is based in Southern California as early as Chapter 4: The Accident. when Sister Imperator is driving, you can see palm trees on the hills along the road. of course, lots of places have palm trees, but the specific combination of palm trees with the rocky cliffs and sparse vegetation feels distinctly Californian to me.
the Dance Macabre music video shows Nihil met Sister Imperator at a mansion in LA (as explained by the intro). don't know the exact location, but if i had to guess, i'd place it maybe somewhere in Beverly Hills, which has a lot of mansions like this.
the Kiss The Go-Goat music video again confirms that they're in Los Angeles. it features the Whisky a Go Go, a real music venue in West Hollywood. the Mary On A Cross animated music video accurately places it on a corner along the Sunset Strip.
the Mary On A Cross lyric video shows Sister Imperator walking through the Ministry building before leaving to see the show at the Whisky a Go Go. this is another indicator the Ministry building is in the LA area since it's within driving distance of the venue. scenes in the Ministry building are filmed at a real mausoleum northeast of LA, but i'm not going to name the location because the Ministry is supposed to be a fictional building. interestingly, the lyric video also gives us the exact time of the concert.
after the events of Kiss The Go-Goat, the Mary On A Cross animated music video starts with Sister Imperator driving to her house, which is in the Hollywood Hills neighborhood near the Hollywood Sign. you can see from the road that they're in the hills looking over the city.
then Sister Imperator and Papa Nihil run from their house to the Hollywood Sign. there are hiking trails that go from the surrounding neighborhoods up to the Hollywood Sign. you can go behind it just like they do in the video.
Sister Imperator and Papa Nihil cross a body of water that is most likely the Hollywood Reservoir, although the video places the Hollywood Sign west of the lake instead of east, as in real life.
Sister Imperator and Papa Nihil make out in a cemetery (which i did not attempt to locate) and then end up at a motel. this is not a real motel, though. it's the Bates Motel movie set at Universal Studios Hollywood. i laughed so hard because recognized it instantly in Rite Here Rite now. (i've been on the same tour that the Nameless Ghouls were on.) Universal Studios Hollywood is both a theme park and an actual film studio. there are people filming when Nihil calls Mr. Psaltarian to come pick him up in the The Future Is A Foreign Land music video.
so to summarize some of the locations in those videos: the Whisky a Go Go, Hollywood Sign, and Universal Studios are highlighted in yellow. the red outline on the map shows the boundary of the Hollywood Hills neighborhood. the Hollywood Reservoir is the body of water in the middle of it.
The Future Is A Foreign Land music video and Chapter 13: The Beach Life feature Mr. Psaltarian's beach house, which is on the Pacific Coast Highway in Malibu. though there are beach houses all along the SoCal coast, Malibu is closest to LA, and is pretty much the only place where houses are that close to the water without some kind of barrier. it's a real house and i've driven past it. i know the exact location but i'm not sharing it, for obvious reasons.
here is Malibu on a map relative to Los Angeles:
as a side note, it appears Cardi now drives Mr. Psaltarian's old car, a 1968 Buick LeSabre convertible. it has California license plates, of course, but the plates must have been replaced at some point, since that California license plate design wasn't in use until 1988.
lastly, Rite Here Rite Now is set at The Forum (now called KIA Forum), which is in Inglewood near the LAX airport. Inglewood is technically its own city, but it's completely surrounded by LA.
when Rite Here Rite Now released, TF said in an interview that it's "common knowledge" that Ghost is based in LA. i found it a bit funny because i've read very few Ghost fanfics that are actually set in LA, so i don't know how 'common' that knowledge really is, LOL. but i hope this post helps!
WHAT WAS BEHIND THE DECISION TO SHOOT THE FILM AT THE FORUM IN L.A.? TOBIAS FORGE: [...] Thereâs this common knowledge that the HQ of the band seems to be in L.A. So the Forum is not only a classic venue, but itâs sort of their home turf. Had we placed the story someplace else, we wouldâve had to justify: Why are they there? Why is this show special? Revolver (June 2024)
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bad decisions
1996 serj tankian x fem reader (y/n)
warnings: a little smutty (cockwarming)
notes: all lowercase, first person perspective (I, me, my, etc.)
word count: 2893
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long-time best friends, adrenaline, and freezing temperatures create the perfect recipe for poor decision-making.
thank god his place was only 4 blocks away from the venue.
âi donât believe in global warming anymore.â his trembling voice carried easily in the cold, breezeless air. serj cursed under his breath through gritted and chattering teeth.
i scoffed. âweâre almost there,â i said, equally as trembly. it wasnât this fucking cold when we left, 4 hours ago. now everything was covered in a thin layer of frost, and if we hadnât kept moving, we mightâve been too.
serj didnât have his own car and i didnât have my license, so we were forced to walk a measly 4 blocks to the local niche concert venue, which really doesnât seem like much of a trek. now try walking 4 blocks home in below freezing temperatures. weâd met some friends at the concert and had a pretty good time, but failed to account for the fact that it was past 12 AM by the time it was over, nonetheless in the middle of january. and of course, like the geniuses we were, weâd left before we could catch a ride.
âwhy didnât we get a taxi?â i asked rhetorically, letting go of a heavy sigh that i could see in the form of a thin cloud in front of me as it escaped my lips.
âwe donât have any cash,â he laughed. he paused his steps for a brief moment to dig in his pockets. âright?â
âright,â i shivered. âgenius, arenât we?â
serj smiled at my joke. âgenius enough to decide to walk home instead of getting a ride. remarkable.â
i playfully punched his arm. âseriously though,â he continued. âglobal warming my ass.â
âitâs midnight in mid-january, serj. i donât know what to tell you,â i smiled, now walking backwards in front of him.
âyeah, in southern california. you would think it never gets this cold. my dick is fucking shrinking, y/n.â
i snorted and scrunched up my nose. for some reason, that was always my reaction when he said my name like that. i wasnât sure if it was his tone, his accent, or something else.
we finally landed on his doorstep and i waited patiently behind him as his trembling hands frantically fumbled with the keys while trying to unlock the front door. serj then dropped said keys and i laughed at him.
âyou try unlocking your front door when you canât feel your fingers,â he playfully hissed at me while i picked up his keyring for him.
eventually we made it inside. it was warmer but not very much. the air was calmer though, we were in our safe bubble.
i flopped onto his couch while serj set his keys on the kitchen counter and winced. âmy dick is fucking frozen,â he whined while running his fingers through his long, curly hair. i sat up and smiled at him, watching him pull his hair back into a ponytail.
âwhy donât you grow out a beard, keep your face warm,â i suggested, standing back up and stepping towards him. âyou already have a little bit of pedo stubble.â i laughed as he swatted my hand away from scratching his chin.
âdid you know that thinking about sex can make your facial hair grow faster?â he changed the subject.
âyou must not think about sex very often,â i teased, trying to hide my smirk.
serj rolled his eyes, palming my face and pushing me away. i hated it when he did that and he knew it. ârude,â i scoffed, following him to his bedroom.
âer, excuse me, love. iâll be changing in here now,â he said in a godawful attempt at a british accent, stopping me at the doorway. i flicked his forehead out of revenge and he snorted before closing the door in my face. âyour british accent is proper rubbish.â i yelled, in a much better british accent. âwonât survive the islands with that lump oâ shite up yer sleeve, mate.â i then said in a scottish accent.
he cracked open his door, showing just his face and bare shoulder. serj glared at me as if he had something to say, but i spoke before him, saying, âyou might want to try studying foreign films if you plan to travel around the world in that band of yours,â in a german accent.
he glared for another moment or two before rolling his eyes and chuckling slightly and muttering, âyouâre such a showoff.â he once again slammed the door in my face.
a few minutes later, he came back out in pajamas. flannel pants and a big, grey pullover hoodie. oh, and the star of the show, his signature scooby doo socks.
iâd helped myself to some oreos and was sitting on his sofa before he sat next to me and grabbed the TV remote. i held in a laugh as he shivered again.
âjesus christ IâM STILL FUCKING COLD,â he groaned, throwing his head back.
âdick still frozen?â i asked.
âyes.â he sighed, looking at me with a pouting lip.
i held in a laugh and looked him up and down as his head fell back again. i donât know if it was his clothes, his now exposed neck, his gorgeous hair, or the idea of cockwarming itself, but he looked good. really fucking good.
very few moments went by before i gently took the remote from him and asked, âwant me to warm you up?â
his head snapped up and he stared at me. his eyes were wide and a disbelieving smirk crept up his cheek. âexcuse me?â he laughed sheepishly.
iâd meant it. now i was embarrassed and i felt stupid.
âdo you want me to help you with⌠that?â i asked again, quickly glancing at his crotch to reference his frozen dick.
âwh- i- how?â he stammered.
then i felt really fucking stupid. why did i ask him that? what the fuck was i thinking?
i moved barely an inch closer to him after setting the remote back onto the coffee table and stared him dead in the eyes. my voice shrunk and i said, âi could just sit on you.â
a quiet moment was shared before he broke into a laugh and broke our eye contact. he looked around at seemingly nothing and bit on the tip of his finger, before pinching the bridge of his nose and laughing some more.
âwhy not?â he sighed, opening up the space in his lap for me to sit like a fucking hen on a newly laid egg.
i slid carefully into his lap, every single muscle in my body locked in a tense state. he avoided eye contact as i adjusted my position and rested my hands on his shoulders to stabilize myself.
i then became fully aware of his scent as it flooded my nostrils when i got that close to him. a soft blend of cigarettes, fresh laundry, and whatever cologne-y scented shampoo or body wash he used. my body relaxed and i allowed my weight to settle on his hips.
his hands rested in the pockets of his hoodie and he sat with his head rested back and his eyes closed. his broad chest rose and fell softly but swiftly.
âwhereâd you get this hoodie?â i asked softly, desperately attempting to break the silence. i was ruining our friendship more and more with each passing second.
âŚbut i kind of wanted to ruin it.
i always thought serj was really intelligent and had a great sense of humor, and i could never understand why more girls didnât want him. in the past 7 years of knowing him heâd only been through two real relationships, and barely any smaller, less serious flings. i myself had been in and out of relationships and such, but serj and i worked so well together as friends that it was hard to imagine being anything else with him.
âgoodwill,â he exhaled. â3 bucks.â serj smiled, keeping his eyes closed. i could feel him relax a bit underneath me. i smiled too and let out a soft laugh through my nose.
âdo you feel any warmer?â i asked, even lower than before.
a short few moments passed by before he shook his head and answered ânot really.â
in response, i adjusted my position again, earning an unexpected reaction from him. his breath hitched and he briefly opened his eyes as i seemingly hit a nerve or something. his body tensed up again and his breathing grew deeper.
i soon understood why. i squirmed slightly for the billionth time, but felt a little something poking up against me.
every single ounce of my confidence rushed back into me and a devilish smirk came upon my face.
âwhatâs got you so excited?â i teased.
finally he looked at me again. his cheeks were red and he swallowed hard. we both broke into a blushing laugh and he rubbed his face with his palms.
he threw his hands outward and let his arms fall defeatedly. âyouâre sitting on my dick, y/n, what do you expect? it feels good,â he argued.
my heart leaped. why was i so fucking excited about this? i was making him feel good and that was more fucking empowering than any chic flick iâd ever seen.
âit feels good? want me to grind on ya a little bit? like this?â i teased him, biting my lip. i started gently rolling my hips back and forth against his and held his shoulders to stabilize myself.
âNO! no, no, oh my god, fuck, donât do that,â he whined, covering his face with his hands as he threw his head back again. his breathing was almost rapid and he was forcing himself to inhale and exhale deeply.
i stopped moving, but left my hands on his shoulders. i watched with a contented smile as his breathing became steadier.
âserj~â i said softly, letting my hands fall to his chest so i could feel his heartbeat. it was racing.
he took a deep breath and mustered up enough strength to look at me again. he looked tired, but his eyes were doe-y and somewhat anxious. he was blushing hard and he felt really warm now.
i took a long look at his face, glancing between his eyes, his nose, his lips, his freckles. i bit my lip and leaned in slightly closer.
âi wanna make a bad decisionâŚâ i whispered, fidgeting with the strings of his hoodie and staring at his lips and into his eyes.
âyou already made a bad decision, y/n.â he stated, his voice deeper and softer than it previously had been.
butterflies exploded in my stomach and we stared at each other for another few, long moments. i planted my palm in his sternum and slowly leaned in, laying my lips between his.
both of our hearts were now racing respectively, and i grew lightheaded from holding my breath before we pulled away naturally, slowly.
we looked at each other for a moment, seeing how the other was reacting to what just happened. his eyes danced around my face and his lips slacked open, breathing deeply despite his racing heartrate.
i brought a hand up to softly caress his neck, and we kissed again. his lips were wet and soft and the kiss was a little on the slower side. i could feel each of his breaths cover my face as his nose brushed against my cheek. i could have sworn that i felt him grow harder each second.
every ounce of strength that was left in my body instantly vanished as i felt his hand slide gently up my thigh. i softly whimpered into our kiss and pulled away for a moment. âyour hands are cold,â i giggled, out of breath.
serj smiled at me and looked down. âsorry,â he laughed.
âitâs okay.â i gently tilted his sweet head back up to face mine and kissed him again. my hand caressed his stubbly cheek and i felt his other cold hand gently graze my jaw.
he opened his mouth and licked my lips briefly. i gasped and pulled his head closer to me so i could slide my tongue into his mouth to meet his.
i adjusted my position again and he immediately let go of the kiss, letting out a low, quiet moan against my lips. âcareful~â he warned with a smile as he resumed the kiss.
his hand inched closer to my hips and i let it. his hands were huge and fit perfectly on my bony hips. i felt his entire palm rest against my right hip before his thumb slid under my pants to gently stroke the outside of my underwear.
i whimpered his name and pressed myself harder against his hand and his crotch, deepening the kiss even further. my underwear was beyond soaked but i didnât even care.
i decided to deliver some karma and let my hands sink below his chest and slip up under his shirt. i placed my hands on his warm skin of his abdomen, which immediately tensed up at my touch. his skin was smooth and i could feel a bit of hair in the center of his body moving lower. my thumb brushed over his belly button and my palms were soon met with the elastic waistband of his pants.
before i could get to work on those, he pulled away and stopped me. âwait,â he said.
i looked at him, worry building up inside me.
his hands moved to gently hold my waist and he softly asked, âwhat are we after this, y/n?â
i stared into his eyes, at a loss for words. i pulled my hands out from under his shirt and hoodie and rested them in our laps, fidgeting with my fingers. âi-â i started, not really knowing where i was going to go with it after the fact. âi donât knowâŚâ
now i felt stupid again. i only got the idea as a joke, i didnât expect it to turn into this. but i liked it, and it seems like he did too. but we couldnât go back to what we were, our friendship was ruined.
â...pretend it never happened?â he suggested, sounding just as uncertain as me.
i shook my head, lowering it in shame. it was such a stupid idea.
serj noticed my defeated state and gently held my face. âhey,â he said softly. i looked at him with a shame-ridden face, but quickly moved my eyes away from his. his thumb stroked my cheek and he gave me a small smile. ây/n~â he sang. âlook at me.â
i scoffed and looked at him. he grinned and nudged my nose with his.
âlisten, no matter what we end up being, youâre still my best friend, okay? maybe we can talk about it tomorrow over- well, later today, i guess. over breakfast. i think we should sleep on it, does that sound good?â he said softly.
his little stutter was so fucking adorable, i could barely contain my grin. i nodded and pressed my forehead against his.
âgood,â he whispered. a moment or two passed before he held my face with both hands and softly said, âi love you, y/n. in every way.â
i smiled wide and wrapped my arms around his neck. âi love you too, serj,â i whispered.
he grinned, dear god. his smile had never hit me so hard as it did in that moment. âone more kiss?â he offered, his voice risen in pitch with his eyebrows raised and a sheepish grin.
i nodded, and we leaned in again. it was soft, slow, but not too deep, and a little on the shorter side. it was perfect.
âget some sleep, y/n,â he told me as we pulled away and i stood up from his lap. i nodded again, completely out of words. the only thing i managed to come up with was a simple, but sweet, âgood night, serj.â
he gently grabbed my hands, softly kissing each of my fingers while looking up at me. âgood night, y/n,â he said, before pausing for a brief moment. he then continued and whispered;
âi donât regret anything.â
#serj tankian#system of a down#daron malakian#shavo odadjian#x reader#serj tankian x reader#fluff#smut#fanfic#fanfiction#fem reader#au#1996#soad#nu metal#y/n
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"Men recall seeing Elvis at Lawton, Oklahoma in 1955"
The McMahon Memorial Auditorium is a staple for entertainment in the Lawton community and has been for almost 60 years. Those who call Lawton home can remember attending shows of famous singers, musicians, off-Broadway shows, and of course, performances by multiple community talents. During the 1960s and 70s, Lawton had famous headliners at the auditorium, a so called "heyday." Lawton's touring chapter of the national Community Concerts Inc. would bring in the big acts and sell the tickets. Some acclaimed names that graced Lawton's home stage include Elvis Presley, Paul Revere and the Raiders, Doc Severinsen, Judy Collins, Count Basie, Glen Campbell, Tony Bennett, John Fullbright, John Raitt and many, many more. Lawtonians, Jay Davis and Allen Johnson, recall seeing Presley perform at the auditorium on June 19, 1955, (EIN Note - Elvis was actually at Magnolia Gardens, Houston on this date! Elvis was at Lawton on June 23)  just months before the King of Rock and Roll became The King.
Most likely, June 23 1955 at the McMahon Memorial Auditorium in Lawton, Oklahoma (8:00 PM). Elvis stands in the middle, behind his guitarist, Scotty Moore. Bassist Bill Black in on the far left. Local, Allen Johnson, stands next to Scotty Moore.
It was the summer after Davis graduated from Lawton High School and Johnson had finished his freshman year at the University of Oklahoma. The best friends attended the concert with a group of 12 friends and, Johnson said, "We didn't know who we were seeing." The group sat five rows back from the stage and saw multiple country singers. Davis and Johnson said Presley was the last one to perform. Davis remembered there couldn't have been more than 100 to 150 people in the 1,500-seat auditorium watching the soon-to-be rock star. "I remember he walked out on stage dragging his guitar," Johnson said. "He didn't do much dancing though," Davis replied. "Not like he did later on." Johnson, Davis, their dates and the rest of the group attended an after party at the Southern Club an old country and western dance hall in Lawton on Lee Boulevard. The group was able to snag a photo with Presley and his musicians. Johnson and Davis remembered Presley being more fascinated by their attending college than they were with him being an almost-famous musician. Source: LawtonConstitution via ElvisInfoNet.
FURTHER INFO: Elvis and the Blue Moon Boys performed on the Marty Robbins tour in 1955 at several venues, including at the Keesler Air Force Base, Biloxi, Mississippi, on June 27, 1955 at the Airman's Club (this is where he met June Juanico, who later wrote a book about their relationship) and, prior to that, at the City Auditorium, Beaumont, Texas on June 20, 1955 at 7 PM and 9 PM. Other entertainers at the show included Marty Robbins, The Maddox Brothers & Rose, and Sonny James.
#elvis presley#elvis history#elvis concerts#1955#lawton#oklahoma#scotty moore#bill black#the blue moon boys#elvis#50s elvis#elvis the king
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Oh I wasn't disagreeing with you, but other person, who did send you an ask and disagreeing on part where they said that weather and logistics were not Swift's fault, when she clearly could have made different choices around these issues. The quote that I put in was from their ask, not your answer. And yes, you're right, Swift absolutely prioritizes USA way over anywhere else, especially over Southern Hemisphere, I mean so many Desi Swifties, but concerts only in Singapore, because they have paid more for basically blocking other Southeast Asian countries and she's completly fine with that?
Oh I see I see, I misunderstood, I thought you were talking about the weather.
I totally agree with the logistic being the fault of Taylor Swift- she is the face of her tour company. She is the one who calls the shots- She is the one with twenty years' worth of experience as a touring musician behind her. I don't believe for a second that she "just didn't know what could happen." Please. I don't believe for a second that she is under the control of some management or something. Certainly, she is also beholden to the rules of the venue itself- but that doesn't negate or dimmish her own responsibility to protecting the safety of those who buy tickets to her stupid concerts.
If it's 138 degrees outside- It's too damn hot to invite 60,000 people to listen to you sing for 3+ hours inside, what is essentially, a giant metal dome.
Also- yes! It's so weird that she mentions wanting "move to India forever" yet never would actually tour in India.
She only goes to Singapore for the money.
Also, the way Swift ignored Brazilian Swifties literally dying in front of her- yet is constantly checking in with the crowds in the UK is alarming me.
Suddenly she cares about the safety of her concertgoers? Not in Brazil- just in the UK
Something- real concerning about that.
Her US-centric attitude aside- for a moment- but why the fuck does she ask people if they need water only in Scotland where its SIGNIFICANTLY colder than in Brazil?
Just something fishy about that.
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The Justice Department and 30 states filed a major antitrust lawsuit Thursday seeking the breakup of Ticketmaster owner Live Nation Entertainment over what they allege is the company's unlawful dominance over the concert ticket sales industry.
The lawsuit, filed in federal court in the Southern District of New York, accuses the company of creating a monopoly over the live entertainment market that has harmed music fans, artists and promoters around the United States through higher prices and frustrating consumer experiences.
"The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services," Attorney General Merrick Garland said in a statement announcing the lawsuit. "It is time to break up Live Nation."
"For too long, Live Nation and Ticketmaster have unfairly and illegally run the world of live events, abusing their dominance to overcharge fans, bully venues, and limit artists," New York Attorney General Letitia James said in a statement. "When companies like Live Nation control every aspect of an event, it leads to bad blood -- concertgoers and sports fans suffer and are forced to pay more. Everybody agrees, Live Nation and Ticketmaster are the problem and it's time for a new era. Today, we are taking this important action to protect consumers and force big companies to stop abusing their influence and get in formation."
The sweeping lawsuit is a product of a more than two-year-long investigation into the company that has come under growing public scrutiny since late 2022, following a fiasco over presales for Taylor Swift's Eras Tour.
Ticketmaster, which controls more than 70% of the market for ticketing and live events, crashed during the first day of sales, leaving millions of fans out of luck or seeking higher-priced tickets on the secondary market.
The Justice Department's lawsuit accuses LiveNation of seeking to lock out competitors to protect what the company dubs its "flywheel," described in court documents as "a self-reinforcing business model that captures fees and revenue from concert fans and sponsorship, uses that revenue to lock up artists to exclusive promotion deals, and then uses its powerful cache of live content to sign venues into long-term exclusive ticketing deals, thereby starting the cycle all over again."
Live Nation did not immediately respond to ABC News' request for comment on the lawsuit, though its president, Joe Berchtold, has otherwise defended the company's business practices -- including during a contentious appearance before Congress early last year.
Live Nation released a statement Thursday following the lawsuit, saying, in part, that it's "absurd to claim that Live Nation and Ticketmaster are wielding monopoly power."
The lawsuit "blames concert promoters and ticketing companies -- neither of which control ticket prices -- for high ticket prices," Live Nation said. "It ignores everything that is actually responsible for higher ticket prices, from increasing production costs to artist popularity, to 24/7 online ticket scalping that reveals the publicâs willingness to pay far more than primary tickets cost. It blames Live Nation and Ticketmaster for high service charges, but ignores that Ticketmaster retains only a modest portion of those fees. In fact, primary ticketing is one of the least expensive digital distributions in the economy."
"The defining feature of a monopolist is monopoly profits derived from monopoly pricing. Live Nation in no way fits the profile. Service charges on Ticketmaster are no higher than elsewhere, and frequently lower. And even accounting for sponsorship, an advertising business that helps keep ticket prices down, the companyâs overall net profit margin is at the low end of profitable S&P 500 companies," Live Nation said.
"It is also clear that we are another casualty of this administrationâs decision to turn over antitrust enforcement to a populist urge that simply rejects how antitrust law works," Live Nation later wrote, in part. "Some call this 'anti-monopoly,' but in reality it is just anti-business."
MORE: Justice Department to announce lawsuit against Live Nation over ticket prices: Sources
Among the practices singled out by the DOJ are allegations Live Nation exploited its relationship with the company Oak View Group that the lawsuit says describes itself as a "hammer" for Live Nation and has avoided bidding against the company for exclusive agreements with artists and major venues.
The company, according to the Justice Department, also allegedly carried out a pattern of threatening potential competitors seeking to enter the concert promotions market and creating a climate where venue owners would fear entering into contracts with Live Nation-Ticketmaster's rivals.
Live Nation-Ticketmaster is also accused of using lengthy exclusive contracts with venues that the lawsuit claims prevent them from switching to better or cheaper ticketing systems, and, in certain instances, allegedly blocked venues from even being able to use multiple ticketers for events.
Live Nation was already under a consent decree with the Justice Department after it approved its merger with Ticketmaster during the Obama administration in 2010 -- under conditions that included prohibiting the company from threatening concert venues that opted to use competing ticket firms. That decree was extended in 2019 after the department found the company violated its conditions.
The lawsuit is the latest in a series of aggressive antitrust efforts by the Biden administration, which has brought similar enforcement efforts challenging companies like Apple, Google and Amazon over what it alleges are clear anti-competitive practices that have served to harm American consumers.
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BookXcess stores can be found all across the southern Malay Peninsula, from Penang to Singapore, but itâs no cookie-cutter chain all of whose branches look the same. On the contrary, it aims to make each of the locations feel different and uniqueâa fantastic destination for all book lovers.
The RexKL location that opened in late November 2021 particularly stands out among these. More of a creative art center than a shopping mall, RexKL is housed in a repurposed movie theater originally built in 1947. Once an icon of Kuala Lumpurâs Chinatown, the single-screen cinema with a capacity of 1000 went through numerous fires, first in 1972 and then in 2002, after which the theater went defunct.
A few years later, the former Rex Cinema building was used as a backpackersâ hostel and a karaoke joint until another fire broke out in 2007. It stood all but abandoned for a while, but it was not long before a new project was formed to bring the old Rex Cinema back to life. Reincarnated as a cultural hub, RexKL is home to numerous stores, restaurants, a music venue, and the BookXcess on the second floor, right where the old cinema's seating area once was.
Shelf after shelf of books cover the concrete walls. Graffiti murals decorate what walls aren't stacked with books. As you delve deeper into this bibliophilic labyrinth, you will find a staircase leading to the upper level, which used to be the first-class seating area. From there, you can take a peek at the concert stage below, often delivering vibrant live music through rehearsals, an unusual but stimulating bonus to the book haven.
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As a non American can you explain why are there 3 concerts in Ohio? Is it a really big and populated state? Or else Louis could've done 1 bigger venue.
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Sorry. I had to scream a little in the car because listen đđđ when the dates were announced I wanted a single show in Ohio. We get passed over all. The. Time. So often. So I first saw cuyahoga hills and was likeâŚ. Why there??? Nothing is there??? đ but OHIO! And then I saw Cincinnati and I was like⌠Cincinnati too???? Okay! Hitting the northeast corner and southwest corner of the state! Cool! And then Columbus too??? Like I legit texted @londonfoginacup asking like HOW MUCH DOES LOUIS LOVE US THAT HE IS GIVING US THREE OHIO SHOWS? Like we have to go to all three to show him Ohio loves him and this wasnât a mistake right??? đ
Which we obviously did. But we were just as surprised as you, I PROMISE YOU.
That said, thereâs a lot of reasons why he could have chosen three shows here.
One: Ohio has three major metropolitan areas in the one state, which is pretty rare outside the super large and populous states. Heâs hitting the three major markets and since he seems to be trying to hit even the smaller areas that donât get much attention with this tour, it makes sense for that alone really.
Two: Location. Ohio is a state in an area of the country called the Midwest, but we are located in a pretty central area. This could explain it as well, because heâs not going to Kentucky (the state south of us) and I donât think heâs going to Pittsburgh? (The closest large city east of us, he played there last year on Valentineâs Day hehe) which means theyâll be looking for shows to attend closeby, and Ohio can offer that. So while heâs also hitting Indianapolis (closest large city west of us) and already hit Detroit (another large city in the state north of us), heâs also not playing West Virginia (another state that borders us) and⌠yeah. Lots of people in that space who will be needing a place closeby to see him.
Which brings us to three: Population. We arenât the MOST populous state or anything, thereâs a reason people get us confused with Iowa and Idaho lol but, that said, we are the tenth (or seventh??) most populous according to the google search I just did lol different sites disagree, but when you consider there are fifty states, thatâs still a good showing lol considering we have so many other populous areas surrounding us that the concerts would also draw from, that could have also been a contributing factor.
And lastly four: SCENERY. Listen. Ohio gets shit on a lot for being a âboringâ state or a âflyoverâ state (aka no one comes here as a destination) and it pisses me off lol every single person Iâve ever brought to Ohio has been surprised when they got here because there was so much more here than they thought and parts of the state are GORGEOUS. I mean did you see the flyover view that John Delf did on Instagram of the cuyahoga falls venue??? Thatâs actually in a national park and it is just stunning there with gorgeous hiking and waterfalls and shit in the near vicinity. Itâs amazing. And the venue he played tonight in Cincinnati was literally right on the Ohio river that creates the southern border for our state, and it had a view of one of my favorite bridges Iâve ever seen! PLUS!!! Tonight there was a full moon, and it was right above the bridge and Louis got to look at us AND THE BRIDGE AND MOON THE ENTIRE TIME. How gorgeous is that??? Like look at this shitty photo I took. Incredibly beautiful.
Thatâs from the railing that was only a short distance behind me and the sound guys for the concert so. Not shabby, right?? Now the venue in Columbus is right downtown in what we call the arena district because the arena where our hockey team plays is right across the street and the baseball stadium is next door and the new soccer stadium is in the area now too, so itâs got loads of venues and restaurants and shit right there and Kemba is one of the best indoor/outdoor venues in town now. Iâve seen several shows there over the years, and itâs great every time. Itâs got good sound, a good setup, and the staff is always fantastic so while itâs maybe not the coolest venue, I do love when artists I enjoy come there. Not sure of the appeal on Louisâ end, but ÂŻ\__(ă)__/ÂŻ
So, taking all of these points into consideration, it does make a bit more sense⌠but three does still seem like he just felt like being overindulgent to us and show us extra love đđ as emmu said, I guess Louis loves us best hahaha
We are just kidding, please donât send me hate lol
I honestly also do not know why he chose to do this for us, but it makes travel plans a lot easier for us and Iâm really fucjing thankful haha Iâve mostly been worried we wouldnât be able to fill the venues sufficiently but so far so good so hereâs hoping Columbus shows up too haha Heaven only knows parking and driving in Columbus is a fuck ton easier than doing so in Cincinnati đ
#long answer long#sorry itâs so wordy#but hopefully this does help??#I obviously feel a bit too much pride in my state sorry lok#but also forgive me for choosing to pretend to believe louis put three shows in Ohio bexause of me and emmu#đđđđ#fuck that idea is hysterical to even write out but damn is it a fun thing to joke about lololol#asks#anonymous
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Jack x Mom go to the Beyonce Concert and narrowly escape crazy fans. ***18+ language ***
Please DM to be on or off tag list đđž I write all kinds of Jack Harlow fics clean and unclean â¨
âCome on mom weâre going to be late! Canât keep the Queen B waiting!â Jack called out to his mom.
âHave my wife home by a decent time son.â Jackâs dad said in that smooth southern accent that was stronger than his wifeâs. He rested a hand on his sonâs shoulder to reinforce that his wife was to be taken care of with the utmost concern.
âI will dad, but talk to your wife cuz you know how she gets talking to everyone.â Jack said sharing a knowing look with his father. His mother was a popular figure in Louisville herself and knew virtually everyone there was to know in town.
Jackâs mom bounded down the stairs a full head of curls bouncing like her sonâs. âHunny I am so sorry! Letâs go!!â She said excitedly throwing an extra lipstick into her purse. Itâs not every day youâre introduced to musical royalty and she was bursting with anticipation.
Jackâs dad made his wife pause. He was in awe of how beautiful she looked with her glamorous sequinned black sleeveless top, sleek leggings, and sexy wedge heels showing off her athletic figure. âHold up now little lady, before you run off to meet Queen B I gotta tell you, what do the kids say there Jack? Oh yeah, you look like a whole snack hunny.â He said making her turn around so he could take her in from all sides and planted a kiss on her just lipsticked lips.
âHunny my lipstick!â Jackâs mom said a bit annoyed but always loving her husbandâs attention.
âOk dad donât ever say that again, and I have security tonight so donât worry.â Jack reassured his father.
âSon, this here beauty better not have a scratch on her you here? You know how crazy the fans get.â His dad said sternly, speaking from experience being out with his son.
âAh geez do you guys always have to do that?â Jack said turning away as they kissed goodbye again.
âWhen you get a real one you wonât say nothing.â His dad ribbed. âYâall have fun.â He said as he closed the door
âYou guys are still in love, I get it, but gets a bit much.â Jack said cringing.â
âHow do you think you got here hunny?â His mom said
âOk eww.â Jack said chuckling âYou do look gorgeous mom.â He said kissing her on the cheek. âAfter youâ He said holding the car door open for her. Jack lived for these times when he could spoil particularly his mom. It made him emotional sometimes and he felt his eyes welling up but pushed it down. His mom was a crier and he didnât want her to ruin her makeup but this was a very special moment.
As they got around the venue traffic was bumper to bumper. âOh no hunny! What does all this traffic mean for us?â Jackâs mom said concerned
âDriver, whatâs going on? I thought we had priority entry.â Jack said not liking his mom was getting worried
âMr. Harlow I will try to get around this donât worry.â The driver said confidently as he looked for a way out. Finally he spotted a gap turning the Black SUV around and they were on their way. They pulled up a distance from the actual entrance, but that was far as cars were allowed to go.
âOk Jack, mom, wait for the cart itâs coming to pick us up.â His security guard said
âCart?â Jackâs mom said confused
They waited and waited to get picked up and shuttled to the entrance much to Jackâs dismay. Everything had to be perfect tonight for his mom. âNeelam make a call cuz this shit ainât happening.â Jack said to his manager who was already inside making sure the way was cleared for Jack to enter. As they waited a bit more some fans spotted them and started running over and screaming.
âJack!!! OMG!!!!!! Jack!!!!â They yelled getting closer and closer screaming and crying. People in Louisville gave Jack his space but there were lots of people from out of town to see Beyonce and seeing Jack made them crazy. More people saw Jack as they heard the girls that initially spotted him screaming and joined in heading towards them.
Venue security saw them approaching and prepared to hold them back but that would only work for so long. There were only 2 guards to hold off a crowd. Just then the golf cart finally showed up.
âMom get in!â Jack said hurriedly. Fans rushing him was one thing but not his mom. Just as the fans reached security Jack and his mom took off in the cart. âEveryoneâs so hyped tonightâ Jack said looking back and waving at the fans âThat was close!â He said laughing to his mom.
The cart took off fast to escape the crowd and Jackâs mom wasnât firmly in her seat. âHunny!!â She exclaimed as she tried holding onto to something to not fall off.
âMom!!â Jack said scared and immediately put out his arm across his mom to protect her as her human seat belt. âYo! Slow your roll man!â He said angrily to the driver âMom you good?â Jack said catching his breath. He promised his dad nothing would happen to his wife.
âIâmâŚIâm ok hunny.â His mom said just a bit shaken up from the whole experience. Whenever she did accompany Jack to events he made sure she was shielded from the worst of it. They pulled up to the back entrance and Neelam greeted them along with other friends and family. Jack helped his mom down from the cart and gave her a huge hug.
âHunny Iâm fine. Really.â Jackâs mom said warmly to calm him down. âYou deal with this kind of thing all the time?â His mom said concerned
âNot when Iâm in Louisville. Which is why I like being home. Theyâre from out of town.â He said keeping a hand on her back and guiding her into the venue.
They settled into their exclusive box section overlooking the stage next to his god-daughters, and other friends. âUncle Jackkkk!!!â They squealed wanting to be lifted up for hugs. They used to see him more often but lately Jack had been too busy.
Beyonce and her dancers came out in true dramatic fashion as the lights dimmed and the crowd went insane. As always she put on an incredible show. His goddaughterâs danced away with Urban ribbing Jack that they danced way better than him.
âSuck it famâ Jack shot back chuckling in a whisper into Urbanâs ear so his god-daughters wouldnât hear his language.
âHis Crip walk is coming along.â His friend Ace Pro defended to be supportive âNot a backflip but not bad.â
âItâs ok Uncle Jack not everyone can dance but you rap okâ His little god-daughter said patting him on the back as if to console him as they walked out after the show and he was holding her.
âUm thanks I think?!â Jack said amused with her
They got up to Beyonceâs green room and patiently waited for the star to greet them. It was a known thing that Louisville was Jackâs town and most artists requested to meet him or he them when they passed through. It was becoming tradition to pay homage to the young legend in his city. Before Jackâs team could even reach out, Jay Z called Jack and asked for a moment of his time after the show because his wife was a fan. âA moment of my time?â Jack said in disbelief âI guess I can pencil her in dog like WTF of course!â Jack told his idol. Now the moment had come.
Beyonce emerged and gratefully bent down to take a large bouquet of flowers from Jackâs god-daughter and his mom handed her a gift. âMomâŚ.Mrs. Carter. Mrs. Carter, my mom.â Jack said respectfully
âItâs Beyonce please yâall! Iâm just a Huston girl.â She said humbly giggling at Jacks formality âI see why all the girls be hollering.â She said to Jack and he looked down shyly.
âWow I never need to have nobody say nothing about me again.â He said in awe of her majesty and beauty. In person it was almost overwhelming.
âI love your music.â Was all Jackâs mom could get up to say. She was usually very talkative but this was a moment for her.
âAnd I hear you one of the best momâs in the business on your own girl boss shit.â Beyonce complimented Jackâs mom
âHow did you know I own a business?â Jackâs mom said surprised Beyonce knew anything about her.
âI do my homework.â Beyonce said with a wink. âOk King Jack I have to go but one thing I have to say is keep going. We see you and love what youâre doing. Iâm a big fan. Lovely meeting you.â Beyonce said as she was getting a sign from her team to wrap it up. Jack reached out to shake her hand but she pulled him and his mom in for hugs.
âTell your husband donât be a stranger.â Jack said as they parted
âOh you got a verse for him or what?â Beyonce challenged with a smile
âI always got one for him.â Jack said unable to take the smile off his face. âMom you ok? You didnât say much.â Jack said rubbing his momâs back
âShe was magical hunny. Thank you so much.â Jackâs mom said wiping tears away.
âThatâs King Jack to you.â He said jokingly to his mom but noticed she was really tearing up. âAh donât startâ Jack said as it was triggering his own emotions.
âI love youâ His mom said âAnd not just because I get to do things like this but you protect me and Iâm grateful.â
âAre you kidding mom? Did you hear your husband basically threaten me before we left the house?â Jack teased. âNaw but for real nothing will ever happen to you with me ok?â He said with his arm around her.
âOk hunny because those girls are scary! You really need to be careful sweetheart.â His mom said
âThatâs why I became a rapper remember?â He joked
@spicypiscesthings @itsyagirljaz @angelbae05 @jackmans-poison @jackslilsecrett @jacks-daycare
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AL.com: Legendary R&B singer retiring after 54 years: âItâs been a great ride through the decadesâ
Frankie Beverly, the charismatic frontman of Maze, has announced that heâll retire this year, after a farewell tour with the R&B band that made him famous.
Six shows were announced this week for Beverlyâs âI Wanna Thank You Farewell Tour,â including an April 6 concert at the Mobile Fairgrounds, also known as The Grounds. The dates start on March 22 at the State Farm Arena in Atlanta, and end on May 12 at the Kia Forum in Los Angeles. More tour stops will be announced in the weeks and months to come, according to a press release.
Beverly, 77, is a favorite in Alabama, playing to cheering crowds at concert venues and festivals throughout the state. His signature tunes with Maze range from electric funk to romantic jams to classic R&B, and include âSouthern Girl,â âBack in Stride,â âWe Are One,â âGolden Time of Day,â âCanât Get Over You,â âThe Morning After,â âJoy and Painâ and âHappy Feelinâs.â
Fans neednât worry, however, that the band will be defunct when Beverly makes his exit. He plans to hand the microphone to Tony Lindsay, best known as the lead singer for Santana. The band name will change when Beverly leaves, transitioning from Maze Featuring Frankie Beverly to Maze Honoring Frankie Beverly.
âI want to share with my lifelong fans and associates that Iâll be going out on the road one last time, then retire,â Beverly said in a statement to Billboard magazine. âThank you so much for the support given to me for over 50 years as I pass on the lead vocalist torch to Tony Lindsay. The band will continue on as Maze Honoring Frankie Beverly. Itâs been a great ride through the decades. Let the music of my legacy continue.â
Beverly founded Maze in 1970 in his hometown of Philadelphia, initially calling the group Raw Soul. The band changed its name in the mid-â70s, released several albums, 1977-1993, and developed a loyal following throughout the country. Beverlyâs all-white attire on stage is one of his trademarks, along with his smooth baritone voice and ability to connect with the crowd.
Frankie Beverly performed with Maze on the Coca-Cola Classic Stage at the 2008 City Stages festival in Birmingham.(AL.com file photo/Frank Couch)
Beverly and Maze have performed many times in Birmingham over the years, at venues that range from Boutwell Auditorium to the Alabama Theatre to the former City Stages festival. A concert typically becomes a big olâ dance party when Beverly and Maze take the stage; in fact, some ticketholders have been known to bring maracas and use them for appreciative percussion.
Beverlyâs farewell tour is produced by the Black Promoters Collective. âBeverly is embarking in this farewell tour before slowing down to enjoy life in his California Bay Area home,â a press release says. The artist plans to âcomplete the tour with several major city stops. Heâll then make his way to Philadelphia for a street renaming ceremony in the city where he and his group launched their phenomenal musical legacy.â
Here are the shows announced thus far for the tour:
March 22, State Farm Arena, Atlanta, Georgia.
April 6. Mobile County Fairgrounds, Mobile, Alabama.
April 13, Toyota Arena, Houston, Texas.
April 27, United Center, Chicago, Illinois.
May 12, KIA Forum, Los Angeles, California.
July 6, Dell Music Center, Philadelphia, Pennsylvania.
ENJOY THE MEMORIES -
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#Maze#Frankie Beverly#Legendary R&B singer retiring after 54 years#Black Music Matters#Black Music History#Frankie Beverly and Maze#Frankie Beverly Farewell Tour#Frankie Beverly Retiring#2024#Youtube
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The Justice Department on Thursday sued Live Nation Entertainment, the concert giant that owns Ticketmaster, asking a court to break up the company over claims it illegally maintained a monopoly in the live entertainment industry.
In the lawsuit, which is joined by 29 states and the District of Columbia, the government accuses Live Nation of dominating the industry by locking venues into exclusive ticketing contracts, pressuring artists to use its services and threatening its rivals with financial retribution.
Those tactics, the government argues, have resulted in higher ticket prices for consumers and have stifled innovation and competition throughout the industry.
âIt is time to break up Live Nation-Ticketmaster,â Merrick Garland, the attorney general, said in a statement announcing the suit, which was filed in the U.S. District Court for the Southern District of New York. The suit asks the court to order âthe divestiture of, at minimum, Ticketmaster,â and to prevent Live Nation from engaging in anticompetitive practices.
The lawsuit is a direct challenge to the business of Live Nation, a colossus of the entertainment industry and a force in the lives of musicians and fans alike. The case, filed 14 years after the government approved Live Nationâs merger with Ticketmaster, has the potential to transform the multibillion-dollar concert industry.
Live Nationâs scale and reach far exceed those of any competitor, encompassing concert promotion, ticketing, artist management and the operation of hundreds of venues and festivals around the world.
According to the Justice Department, Live Nation controls around 60 percent of concert promotions at major venues around the United States and roughly 80 percent of primary ticketing at major concert venues.
Lawmakers, fans and competitors have accused the company of engaging in practices that harm rivals and drive up ticket prices and fees. At a congressional hearing early last year, prompted by a Taylor Swift tour presale on Ticketmaster that left millions of people unable to buy tickets, senators from both parties called Live Nation a monopoly.
In its complaint, the Justice Department refers to the many add-on fees as âessentially a âTicketmaster Taxâ that ultimately raise the price fans pay.â
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my roommates are also all southerners and sometimes they look at me like iâve got two heads when i say things đ like wdym youâve never heard of saying ta instead of thank you or having chips cheese and gravy????
southerners are a whole new breedđwe ended up having a whole argument because I mentioned the nosebleeds of a concert venue and they were like wtf??? I donât even think thatâs a scottish thing but they were so unaware
my only saving grace is that one of their mumâs is scottish so she backs me up on everythingđĽ˛
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