The winds of change are blowing through Europe's tourism industry. As the continent emerges from the challenges of the pandemic, a renewed focus on collaboration and innovation is driving a tourism revival. The 70th meeting of the UNWTO Commission for Europe, held in the Albanian capital of Tirana, served as a pivotal platform for European tourism authorities to chart a course for a resilient and sustainable future. Albania Leads the Charge in Tourism Recovery Prior to the official meeting, UNWTO Secretary-General Zurab Pololikashvili met with Albanian Prime Minister Edi Rama. Albania has emerged as a leader in post-pandemic tourism recovery, boasting a staggering 53% increase in international tourist arrivals compared to 2019. This impressive growth serves as a beacon of hope for the entire European tourism sector. Europe's Post-Pandemic Tourism Boom A Shared Vision for Sustainable Tourism Development The discussions between the Secretary-General and the Prime Minister delved deeper than mere statistics. They explored the importance of sustainable tourism practices, harnessing digital innovation, and fostering an inclusive tourism industry that benefits local communities and preserves cultural heritage. This collaborative approach underscores a commitment to a future where tourism growth is balanced with environmental and social responsibility. A Legal Framework for the Agenda for Europe The meeting in Tirana brought together high-level delegations from 40 UNWTO member states. Representatives received updates on the organization's work, strategic objectives, and priorities, with a particular focus on: The political and economic outlook for tourism in Europe The recent rebranding of the World Tourism Organization (UNWTO) The latest data on tourism arrivals and revenue across the continent Upcoming events and initiatives spearheaded by UNWTO Setting Priorities and Building Resilience A key outcome of the meeting was the adoption of crucial documents: Rules of Procedure for the Working Group: This framework establishes guidelines for a dedicated working group that will address tourism challenges and opportunities in Europe. Selection Criteria and Key Performance Indicators (KPIs) for Project Evaluation: These criteria will ensure transparency and effectiveness when awarding support to projects under the Agenda for Europe initiative. The Agenda for Europe: Tailored Solutions for Regional Needs The Agenda for Europe represents a collaborative effort by European UNWTO member states. This program aims to address the specific needs and challenges facing the region's tourism industry in a post-pandemic landscape. It goes beyond a one-size-fits-all approach, offering tailored solutions and fostering regional collaboration. Looking Forward: World Tourism Day and Beyond The Commission meeting also served as a platform for future planning: World Tourism Day 2024: Georgia received the honor of hosting this prestigious event, a global celebration of the importance of tourism. Commission Meeting 2025: Azerbaijan accepted the invitation to host the next annual meeting of the UNWTO Commission for Europe. A Subregional Focus: Southeast Europe in Dialogue The meeting in Tirana extended beyond pan-European discussions. A dedicated session focused on the specific challenges and opportunities faced by Southeast European nations. Representatives from Albania, Bosnia and Herzegovina, Bulgaria, and several other countries shared insights and experiences, with a particular focus on short-term rentals and regional investment strategies. Investment and Economic Development: A Side Conference A traditional side conference on "Tourism Investments and Economic Development in Europe" complemented the official meeting. This event provided a platform for discussing global tourism investment trends, identifying opportunities for positive change, and sharing success stories from Albania and other destinations. A Practical Guide for Tourism Investments The conference also saw the unveiling of a practical guide developed by UNWTO - "Tourism Doing Business: Investing in Albania." This resource aims to equip investors with valuable information and insights for navigating the Albanian tourism market. A Collaborative Future for European Tourism The 70th meeting of the UNWTO Commission for Europe marked a significant step forward for European tourism. By fostering collaboration, exchanging best practices, and prioritizing sustainability, European nations are poised to capitalize on the post-pandemic tourism boom. Albania's leadership, the Agenda for Europe initiative, and the upcoming World Tourism Day celebrations further solidify this commitment to a brighter future for tourism in Europe.
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K. Penderecki's "A Polish Requiem" is a large-scale choral and orchestral work that was first performed in 1984. The work is a setting of the traditional Latin texts of the Requiem Mass, but it also incorporates Polish folk music and other elements of Polish culture.
The work is in six movements, each of which is based on a different text from the Requiem Mass. The first movement, "Introitus," is a somber and reflective introduction. The second movement, "Dies irae," is a powerful and dramatic depiction of the Day of Judgment. The third movement, "Tuba mirum," is a more lyrical and contemplative movement. The fourth movement, "Mors stupebit," is a triumphant celebration of the Resurrection. The fifth movement, "Libera me," is a prayer for deliverance from eternal damnation. The sixth movement, "Pie Jesu," is a tender and moving plea for mercy.
"A Polish Requiem" is a challenging and demanding work, but it is also a deeply moving and powerful expression of grief and hope. The work is a testament to Penderecki's mastery of musical form and his ability to communicate complex emotions through music.
Some specific details about the work:
The work is scored for a large orchestra, including a full complement of brass and percussion, as well as a large choir.
The work is full of dramatic contrasts, from the quiet and reflective passages to the loud and dissonant passages.
The work incorporates elements of Polish folk music, such as the use of bagpipes and other traditional instruments.
The work is dedicated to the victims of the Holocaust and other atrocities.
"A Polish Requiem" is a significant work in the history of 20th-century music. It is a powerful and moving expression of grief and hope that continues to be performed and admired around the world.
Here is a more detailed description of each movement:
Introitus (Introduction)
The "Introitus" is a somber and reflective introduction to the work. The music is slow and quiet, with a simple melody in the choir. The movement is based on the Latin text "Requiem aeternam dona eis, Domine, et lux perpetua luceat eis." ("Grant them eternal rest, O Lord, and let light perpetual shine upon them.")
Dies irae (Day of Judgment)
The "Dies irae" is a powerful and dramatic depiction of the Day of Judgment. The music is loud and dissonant, with a driving rhythm. The movement is based on the Latin text "Dies irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla." ("Day of wrath, that day shall dissolve the world in ashes, as David and the Sibyl foretold.")
Tuba mirum (The wondrous trumpet)
The "Tuba mirum" is a more lyrical and contemplative movement. The music is slow and peaceful, with a simple melody in the choir. The movement is based on the Latin text "Tuba mirum spargens sonum per sepulchra regionum, coget omnes ante thronum." ("The wondrous trumpet, scattering its sound through the tombs of the regions, will summon all before the throne.")
Mors stupebit (Death shall be astonished)
The "Mors stupebit" is a triumphant celebration of the Resurrection. The music is loud and joyful, with a triumphant melody in the choir. The movement is based on the Latin text "Mors stupebit et natura, cum resurget creatura, judicanti responsura." ("Death shall be astonished and nature, when the creature shall rise again, to answer the Judge.")
Libera me (Deliver me)
The "Libera me" is a prayer for deliverance from eternal damnation. The music is slow and pleading, with a simple melody in the choir. The movement is based on the Latin text "Libera me, Domine, de morte aeterna, in die illa tremenda." ("Deliver me, O Lord, from eternal death, on that terrible day.")
Pie Jesu (Pie Jesu)
The "Pie Jesu" is a tender and moving plea for mercy. The music is slow and peaceful, with a simple melody in the choir. The movement is based on the Latin text "Pie Jesu Domine, dona eis requiem sempiternam." ("Merciful Jesus, Lord, grant them eternal rest.")
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#CelebrateLifePodcast EP54 - 24.04.2022.
Сезона 3 - Светлост Дуо.
Дени Омерагиќ и Нинослав Спировски се музичко партнерство повеќе од деценија, најпознати по својата соработка во разноврсни групи како Светлост и Fighting Windmills (меѓу другите).
Во декември 2020, за издавачката куќа ШАРЛА го издаваат својот прв дуо албум „Two Ways East“, на кој се поместени 3 долги композиции за две пијана, електро-акустични композиции за кларинет, саксофон и аналогна електроника.
Како дуо жанровски се скоро па невозможни за дефинирање што е одлично и секогаш неочекувано за слушателите - сместени некаде како еклектичен пост-модернизам, музичката историја на авторите неизбежно сугерира free jazz дискурс. Но, ниту една дискусија за стилски насоки не е доволна за да ја долови емотивната длабочина на овој одвален проект
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Inspiring myself with the Ancient Egypt, of Akhenaton in particular even though I personally prefer polytheistic to monotheistic system or belief system/organization (humans are by implication more complex) it was refreshing to explore the change, the change reflected upon several aspects of life, architecture, etc and then it makes me think how much we awe to the past. All these buildings surrounding us, are they founded with the thoughts that traveled several millennia #history #musing #egyptianhistory #ideasrex #nature #kotoroldtown #oldgate #walledcity #montenegro #kotor #historicsite #ancienthistory #time #philosophy #totd #thinkingaloud #southeasteurope #oldtown #oldcity #stonebuilding (at Stari Grad, Kotor, Montenegro) https://www.instagram.com/p/CSFF8RxM2iS/?utm_medium=tumblr
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Athens is not a cashless city, so make sure to have enough money in your wallet. Of course, nowadays, more and more stores, boutiques, restaurants and other establishments that previously lived only on cash payments are starting to accept credit and debit cards, but try to have a bit of cash with you just in case. You will easily find ATMs around the centre and near tourist attractions and sites....😉 #TravelInfo #TravelTips #Throwback #January2017 #Travel #Vacation #Trip #Wanderlust #GoExplore #WonderfulPlaces #InstaTravel #Winter #Landscape #Architecture #Urban #City #Plaza #OpenSpace #Monastirakiou #MonastirakiSquare #Athens #Greece #Balkan #SoutheastEurope #Europe (at Monastiraki Square) https://www.instagram.com/p/BzQi4QSHD9Q/?igshid=1twrypjx0tf2b
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.@law @laws @harvard_law @ap @reuters @bbc_whys @f rance24 @snowden @rosatomglobal .@pacificsubs @us_stratcom @energy @doescience @sciam @mathematics @all @ world #saves #german #money #for #their #crimes #wheeeeeey #criminal #governance #fringe #quell #kill #ze rsetzung
thiscase was from german minority somewhat aristocracy in southeasteurope classbest andthirdofth at
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.@law @laws @harvard_law @ap @reuters @bbc_whys @france24 @snowden @rosatomglobal .@pacificsubs @us_stratcom @energy @doescience @sciam @mathematics @all @world #saves #german #money #for #their #crimes #wheeeeeey #criminal #governance #fringe #quell #kill #zersetzung
thiscase was from german minority somewhat aristocracy in southeasteurope classbest andthirdofthat
to here somewhat civillian…
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