#Sorry if you can't read this

[strzin]

Idk if this is a fictionkin thing or not so I am posting this on main.

I had a dream that I woke up and everything felt a bit off. My vision had a pink tinted color to it and then I looked down at my arm, my arm was an Irken arm then I sit up and I noticed something off about my back. I had a pak there also the pink spots was blinking on and off slowly before I actually woke up. Now I have the funky tingling feeling in my back where the pak was in my dream.

[legallybrunettedotcom]

doing shit alone will have people acting like you're the bravest human being who has ever existed. "omg I could never 😖" I'm eating. I'm going to the cinema. it's not a fucking papal conclave.

[wilsonmybeloved]

ive literally never interacted with the rats smp ever besides like once

but ren and martyn exist. and a lot of my other favorite creators. so we're going headfirst into rat yaoi. raoi, if you will. ratataoi?? ratatouille yaoi? ...ill work on it

[thedykeparade]

I know for a lot of people the relationship between Elphaba and Fiyero feels rushed and underdeveloped, but, I don't know, I happen to like the fact that she had such a strong impact on his life in such a short amount of time... like, yes! of course she altered his brain chemistry and whole philosophy of life after a grand total of 3 encounters, she really is THAT girl (I just realized what I did there as soon as I finished typing it, I swear the pun was not intended).

I think they gravitated towards each other because they were exactly what the other needed in their lives.

In the beginning Fiyero was a person that felt comfortable reducing his entire existence and purpose to just being a "hot prince with a scandalacious reputation". But then he meets Elphaba, and she is different than anyone else he'd ever met in all those schools he went to, in more ways than one. She is Not Impressed by his looks or his title. She challenges him because she's able to look past his "nothing matters" bullshit and see that he's actually a really kind, caring person. She looks at him like she knows that he can do better, be better ("no matter how shallow and self-absorbed you pretend to be..."). She inspired him to become the best version of himself.

Fiyero needed that, someone to push him to take control of his life and act upon his wants and beliefs. Without Elphaba he would've had a content but unfulfilled life.

And Elphaba needed someone to stand by her, to not leave her alone, to not be ashamed of her, to fight for her, to prioritize her, and to love her unapologetically. That person is Fiyero (and yes, Glinda could've been that person too, but ultimately she made her choice, and by the time she realized she chose wrong it was already too late).

Elphaba spent her whole life feeling unwanted. She needed someone that would spend years looking for her!!! Someone that would risk everything for her!!! Fiyero did that!!! That man was devoted!!! And that's exactly what she deserved!!!

She was alone her whole life until Glinda (except for Nessa, I guess, but even in that relationship Elphaba was always the one that had to take care of her sister), and she is so strong, but in the end she didn't have to be alone anymore, and she didn't have to be strong, she could just let herself be held and loved, and I love that for her 😭❤️

In conclusion: fiyeraba they could never make me hate you

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[ruporas]

vw sketches (id in alt)

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[moonstruckdraws]

Wanted to do some art of @circusinarun's swap AU of warrior Penelope (here). I want to do art and so much other stuff for the EPIC musical in general (especially since the last saga is so soon RAH), because it got me back into mythology. But I don't think I'll be doing any until after it's over.

But that doesn't mean I can't do AUs! (Hope you don't mind I used my ver. of Ares for this Kobi; it let me figure out more of his design like changing his helmet)

. . . they are best friends, right? They probably aren't, but Ares isn't that well liked by the other gods, so I think him being best friends with Penelope would be cute! Idk, it's probably me just being a fan of Ares that I don't want him to be friendless lmao.

I'm so curious on how this AU would flow, you know? Like, is Calypso a human in this AU that replaces Antinous in Little Wolf; and if so, who's on Antinous Island (don’t mind this question I can’t read)? Does Calypso trap Penelope there, if she is a goddess (ignore this too I still can’t read)? Who would Ares argue with in place of Aphrodite, or would she be in the challenge of God Games anyway? I'm assuming Eurylochus is replaced by his wife Ctimene, but is Polites in the same role?

It's a lot of questions that aren't that serious, it's just a fun AU, but I'm a curious person who loves details. I especially like thinking about how God Games would go, since no one really likes Ares other than his family, lover, and those who associate with him like Eris. It'd be on hard mode for him and it makes me sad to think about, yet so intrigued on how he'd convince them all; especially Hephaestus and Athena, but I feel like she wouldn't be so hard to convince... just stubborn against her brother to agree.

[milkywayes]

■■■■ Shepard / earthborn / sole survivor / soldier. lovingly annotated.

scar refs (censored nsfw) under the cut >:) since I drew it and all.

[fexjam]

Old married couple on their day off

[0l-unreliable]

made this for my 69th Instagram post. They're all terrible servers btw

Jane very obviously judges your desert order, no one can read Roxy's writing, Jake constantly trips and drops things, and Dirk replaces at least one thing in every order with orange-flavored shit.

(beta kids below)

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[disaster-magician]

Sorry your crush is oblivious Qiu, better luck next time!

(Fake screenshots! These are fan made based on incorrect quotes and not in the game)

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[crimescrimson]

Leon S. Kennedy in Resident Evil 6 (2012)