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douglashonorscollege · 3 years

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Burn the House Down

essay by Olivia McDougall ⌂

IT WAS 2006 in the heart of New York City. The New York Knicks failed to make the play-offs for the third consecutive year. President George W. Bush’s approval rating had hit at an all-time low. Panic! at the Disco released “I Write Sins Not Tragedies” and Justin Timberlake performed “SexyBack” on the MTV Video Music Awards—hosted by Jack Black—at Radio City Music Hall. For the American people, it was the best of times, it was the worst of times… and three young kids were out pursuing their dream in the streets of Manhattan.

Adam, Ryan, and Jack Metzger were trying their hand at busking in Central Park and Washington Square. The youngest at nine years old, Jack led vocals while his older brothers backed him with instrumentals. The boys played covers of songs old and new, anything to get enough money for new instruments with which to experiment. The brothers spent many years on street corners serenading strangers, earning their 10,000 hours. In the following years, when YouTube started gaining traction, the boys put up videos of their covers: more and more inventive spins on pop songs. Jack and Ryan also started trying their hand at writing, directing, and acting in their own little sketches for video content. At that time, the boys had very few followers, but nonetheless continued to play, to save up, to buy more equipment, to make more music.

As they grew, the boys were exposed to their parents’ old records and the sounds of a very different generation influenced their style. The Beach Boys; the Beatles; Peter, Paul, and Mary among many others inspired them, but more contemporary artists like Kanye West also came into play. Later, while eldest brother Adam pursued his degree at Columbia University, the younger two brothers took note of sampling—the music trend of artists taking sound clips and reusing them in their songs. Jack mentioned to his brotherhow cool it would be if someone sampled Spongebob Squarepants on a track.

“Well, why don’t we do it?” was Ryan’s reply.

In spring of 2013, the brothers, naming themselves AJR after their own initials, released a video of their first single “I’m Ready.” The song sampled the popular Spongebob catchphrase, and became a classic, upbeat, dance-floor pop song. The brothers sent the link to their video to several celebrities over Twitter, until famous singer-songwriter Sia noticed them and passed it along to her manager. The song was then commercially released that summer and began to see regular radio play, and the band was labeled as the next up and comers in the music scene.

After “I’m Ready,” AJR released a five song EP of the same name. Their first song continued to grow, receiving millions of views on YouTube and going platinum in Canada and Australia. The brothers continued to create music (and go to school; the eldest was only in his early twenties at this time), releasing another single and EP titled Infinity in 2014. The majority of the band’s music was pop songs, easy to listen to with familiar rhythms and lyrics of love and youth. Remarkably, the boys chose to mix and record all their own music in their NYC apartment living room, instead of paying for studio time. Paying homage to their workspace and independence, the band released their first album Living Room in 2015. Except for some bouncier, odd-duck tracks like “Big Idea” and “Thirsty,” most of the songs fit the same earlier patterns of the pop genre. However, in 2016, the band experienced the shift that would change their music career forever.

Before the What Everyone’s Thinking EP came out, AJR had little recognition beyond their break-out hit. However, the tracks on the latest EP sounded entirely evolved from the brother’s previous style. The lyrics were brimmed with honesty, abandoning the emptiness of many other pop tunes. The boys sang about missing out on their friends while pursuing their dreams, about being unsure about what love means, about not trying so hard to be cool, about being human. Their style of composition had also matured. The band would release videos on how they made their songs, revealing that they took whatever strange sound they could make and mix it however they could to make it new and interesting. They had people who were not musicians or artists, such as their ever supportive father, come in and sing to add a new dimension to their songs. They used something they called “spokestep,” a technique of recording a someone singing, then cutting it up over a beat in editing. They continued to utilize sampling, taking bits of anything from Fountains of Wayne to yodeling competitions. The EP was well-received with hundreds of messages from fans who deeply related to the music. This was all the push the brothers needed to keep writing freely, and not what they thought would sell.

On June 9th, 2017, the three brothers dropped the album that would unknowingly launch their music career to a unimaginable level. Several songs on the album made it to regular radio play, giving the band more recognition and growing their dedicated fan base. The Click clearly communicated AJR’s desire to get real in their music, with songs about the detached feelings of growing up or distaste toward the typical party scene. One of their most successful songs, “Sober Up,” featured Weezer’s Rivers Cuomo and paved the way for more collaborations with artists such as Steve Aoki and Lil Yachty. The band had been on tours before, playing small venues where the opener drew more fans than they, but now they began to sell out everywhere. The kids who had been playing to no one on street corners now began to sing for thousands.

Shortly after their album The Click debuted, AJR announced that they had been asked to create the theme for Supersize Me 2: Holy Chicken, a documentary attempting to expose the fast food industry’s lax safety regulations. The band had been asked to write for other people before, but never for a movie. The theme song, “Burn the House Down,” would live to surpass its original purpose and become the honest encapsulation of the political attitudes of its time. “Burn the House Down” expresses the band’s indecision to either “keep things light” or to get involved in important issues. The song, with compelling lyrics such as “Or should I march with every stranger from Twitter to get shit done? / Used to hang my head low / Now I hear it loud / Every stranger from Twitter is gonna burn this down” further cemented the band’s dedication to revolution and their abandonment of passivity. The song called out deception plaguing the media cycle and public affairs, and the need to burn it all down in order to expose the truth.

* * *

The election of Donald Trump in 2016 acted as a catalyst for various protest movements around the country. Marches have occurred on the White House doorstep since the signing of the Constitution, but the Trump administration triggered a marked influx. Beyond Washington, protests like the Women’s March and National Pride March were seen nation-wide. People from all over rallied together to advocate for science and evidenced-based policies, for immigrant’s rights and racial justice, for transparency over Russian involvement in elections, and even for the publication of Trump’s tax returns. People, especially those liberal-leaning, felt that their voices weren’t being heard and that the President was not reflective of their values. Change in politics is gradual and incremental, but it felt like everyday a new injustice was being thrown at the American people. Families were being separated at the border, more evidence that Russia swayed the 2016 election came to light, allegations of sexual abuse from the President were revealed, racism, sexism, and hate seem to run rampant and unchecked, and overall many people felt disheartened and disgusted with the state of the nation. So, with the power of social media, users of popular sites such as Facebook and Twitter planned protests. The marches drew thousands of people together, uniting many for a common cause. Today’s youth, often labeled as lazy and entitled, came together in the March for Our Lives, an empowering result from one of many tragic school shootings. High-schoolers fed up with feeling unsafe on their campuses advocated for stricter gun control laws and led the biggest youth rally since the Vietnam War, to the tune of hundreds of thousands of people. Americans refused to take anything sitting down and demonstrated their needs loudly to those in charge.

The effectiveness of these protests is a tricky one to determine, as many perceived different goals for the marches. Some believe getting people out on the streets and building a community of like-minded people is a strong start, but others think success is nothing less than immediate change and tangible evidence that they have been heard. Further, some argue that current protests lack the solid political backing that are required to enact true change, and that the marches will never be as powerful as they mean to be without that factor. However, even though many of the things modern protests have demanded have yet to come to fruition, it does not necessarily mean the marches have been for naught. Many of the marches throughout history that today are viewed as world-shattering did not see the change they were fighting for immediately. Politics take time, and the justice and change in policies the people demand to see might still be a long time coming. However, it is necessary to take up the fight, for the people to demonstrate that enough is enough.

Protest songs in the past like “Fortunate Son” by Credence Clearwater Revival or “The Times They are A-Changin” by Bob Dylan rallied people for their cause, stoking the flames of change in hearts across the nation. Music was a way for artists to contribute to the fight, giving a voice to those silenced and reflecting the opinions of the oppressed or wronged. Protest songs today have the same effect, uniting thousands to sing in one voice and empowering movements. “Burn the House Down” provides a battlecry for a whole new generation of people. It is a warning of accountability for those in the corrupt establishment; the harbingers will burn it down.

Works Cited “Burn the House Down” Music Video: https://www.youtube.com/watch?v=UnyLfqpyi94 AJR Zach Sang Interview: https://www.youtube.com/watch?v=bQnXGsKwaIU&t=1725 Recent Marches Wikipedia: https://en.wikipedia.org/wiki/List_of_rallies_and_protest_marches_in_Washington,_D.C.#2018 Supersize Me 2 Wikipedia: https://en.wikipedia.org/wiki/Super_Size_Me_2:_Holy_Chicken! Article on political protests, bustle.com: https://www.bustle.com/p/do-political-protests-actually-change-anything-29952 2006 NYC Wikipedia: https://en.wikipedia.org/wiki/Category:2006_in_New_York_City AJR Wikipedia: https://en.wikipedia.org/wiki/AJR_(band) One of AJR’s “How We Made THE CLICK” Vidoes: https://www.youtube.com/watch?v=0YWj3DAo6xM ∎

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asagimeta · 6 years

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Oh boy I just know I'm asking for it as I write this but I feel like as a Bi- especially one who leans towards women- I want to say something about "I Wish You Were Gay" or actually several things:

1. I, too, 100% thought this was Billie's coming out song when I first heard it a few weeks ago on YouTube (apparently her livestream version or something? I didn't realize it was even being released as a single until today) and was dissappointed that it wasn't

2. To all my wlw out there who want to use this as an anthem, I don't see a problem with this, just like I don't see it as a problem to ship Johnlock and Destiel even though those are both just as queerbaiting as this song, wlw anthems are in short supply just like queer ships and there's nothing wrong with liking something that isn't "canonical", HOWEVER, please don't forget that there ARE wlw anthems out there by ACTUAL QUEER GIRLS like Halsey and Hayley Kiyoko and those need plenty of support so if you haven't heard their music, give it a shot!

3. Here's the Tea- IWYWG isn't homophobic in the way that alot of people- particularly straight people- understand homophobia to be, because it isn't malicious and it isn't a slur, Billie certainly isn't saying anything bad about gay people and though I don't know alot about her outside of her music, I don't think she would ever do something that's homophobic for the sake of hurting people, I think she's just ill informed, IWYWG is the same brand of homophobic that Katy Perry's "I Kissed A Girl" is, it isn't malicious, it's dismissive, I've seen people compare it to when men see a girl who isn't interested in them and go "You must be a lesbian" and that's exactly the same tone, not only is it dismissive of someone's personal right to be attracted or not attracted to someone (wich is it's own, and in my opinion potentially larger issue) but it also minimizes queerness in a way that I'm not totally sure I can put into words, I still think IWYWG's larger issue is about not being able to accept someone's personal taste but there's definitely a homophobic curve there- one that lies in ignorance, not malice- that needs to be addressed

4. That said, Billie IS seventeen, this is a song she wrote when she was fourteen, and there has GOT to come a time when we stop punishing children for social missteps the same way we punish adults, I'm not saying that she doesn't need to be CORRECTED- she absolutely does, someone needs to explain to her (in a way better than I can, obviously) why this is An Issue, but she's also still not even old enough to vote so can we stop holding her to the same standards that we hold full grown adults to? And can we maybe focus on TEACHING people instead of PUNISHING them? I swear if I see the word "cancelled" one more time I'm going to break out into hives

5. Wich leads me to a much bigger point- The fact that IWYWG has seen the light of day past her initial livestream and CERTAINLY that it's going to be on her album/released as a single is something we need to be getting pissed at the ADULTS for, "When We All Fall Asleep, Where Do We Go?" is being released by Interscope records, wich means there IS an approval process before anything is released, it isn't like she's self-publishing her music, there is an adult out there (likely more than one) who saw this as an opportunity to boost her publicity through some really, really unfortunate means and THAT is who we need to be sending alot of our criticism to, yes Billie wrote it, but the fact that an adult APPROVED of it is where things go from "A seventeen-year-old made a bad choice" to "This is, in fact, malicious", because I will GURANTEE you that the people who decided not only to let it be on the record, but to release it as a single, had the intention of sniping some of the audience that creators like Halsey, Troye Sivan, and others have, because the truth is, Billie is a niche artist, she isn't going to be the next Taylor Swift who's welcome in Every Good Christian Household, she appeals most to a very certain audience.... a large number of who ARE queer, and no doubt the best way the record label saw to handle this was to look at the success people like Halsey and Troye and try to bank in on their audience, queerbaiting exists in TV for a reason and no doubt it's the same idea here, I also wouldn't be surprised if this was a case of "all publicity is good publicity" and they hoped that by getting Billie's name talked about more they would get more people to listen to her and more people to buy her album- if there is malice in this, it's on the adults, not on Billie

My overall opinion is this:

IWYWG was an ignorance-based, cringey mistake made by an outstandingly talented child, made much worse by the adults around her who most definitely know better, there's nothing wrong with liking IWYWG- particularly as a queer woman- just like there's nothing wrong with shipping ships that are clearly queerbaited, there just needs to be an understanding that it IS cringey and why, and similarly, there's nothing wrong with finding the song unlistanable, I can't stand "I Kissed A Girl" because as a bisexual it frustrates me to hear the biggest stereotypes about my sexuality crammed into a song by some straight girl, so trust me, I get it, Billie needs to understand why people are upset and take that seriously, but people also need to be willing to actually teach her things- especially given her age- instead of just screaming "CANCELLED" and clobbering her over the head every single time she steps off the right track

In general, "cancel culture" needs to chill the fuck out, there's definitely a place for it- when people turn out to be monsters like Harvey Weinstein and Bill Cosby- but we can't completely shut down every person who says something mildly offensive or gives their dog the wrong brand of dog food without atleast trying to act like human beings about it and TEACH them first

Let's give Billie an actual full year of being able to see R rated movies without adult supervision before we decide how she's going to act for her entire life ok?

#other #Billie Eilish #I'm still buying WWAFAWDWG

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surveys-at-your-service · 6 years

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Survey #198

“i woke up on the wrong side of my floor.”

What do you get tired of having to explain? It's not something asked frequently at all, but since I had to to new doctors and ER workers etc., I'm not a fan of re-telling the break-up story with Jason. What perk of being “grown up” lived up to your childhood expectations? Independence, though I. Don't act on it much with my dependent ass. Who is your least favorite character in the last show you watched? Shoot me, Sara and Con, but so far Zuko as a villain doesn't impress me. If you weren’t in a relationship with your significant other (or last) and you met them for the first time tonight, would you hook up with them? I wouldn't "hook up" with anyone. Is there a place that makes you sad to return to? It's just better for me to stay away from the place Jason and I took our first prom pictures. I actually returned there last fall to take pictures however; I was fine, but it still felt weird. What is the most morally questionable thing that you’ve done? Idk. Has anyone ever surprised you by changing when you didn’t believe that they could? Dad, 100%. What is the best advice a sibling has given you? Something from Ashley regarding the break-up when I was starting to recover, but I can't remember exactly what. Was there an opportunity that you feel like you missed out on in high school? Hm... thought about this quite a bit, and I actually don't think so? I mean I wish my mental health had been better, but I overall had a fair experience. What was the biggest lie you’ve told a significant other? Idk, it's just about impossible for me to tell an s/o a serious lie; or small ones, for that matter. Maybe that I wasn't mad about something when I was? Idk. Have you ever treated someone badly because someone else treated you badly? I'm sure I have at some point, just not deliberately. What is your favorite lyric from your favorite band? Don't- What is the worst thing you’ve said or done while PMSing? Boy, I've done some dumb shit. Probably self-harm (no, it's not something I do now). Did you have an irrational childhood fear? Oh, I'm sure. None are coming to me now... Well, do you consider serious separation anxiety "irrational?" Do you and your significant other have ‘a song’? What is it? Oh boy, a lot. "Pretty Woman" by Van Halen and Paramore's "The Only Exception" get me the most, though. Do you ever give things away to your friends? Don't really have anyone to do that with. Is there anyone’s friendship or relationship, in particular, that makes you jealous? Nope. Well, it'd be absolutely incredible to have a friendship (so in this case, not counting Sara) like Rhett and Link. I'm not even remotely kidding, they were the ones that made me question my former, humiliating outlook on homosexuality because my heart just yelled at me to ship them & I still do lol. Do you have anyone’s tweets sent directly to your phone? Whose? No. Have you ever caused a lot of noise in a library? No. Do you complain a lot? Eh, depends on the day and subject. Have you ever been to a music festival? Yes, but only to take pictures for a photography class. What was the last thing that completely took your breath away? The blood wolf moon. I stayed up 'til like, 2-3-something to see totality, and it was fucking incredible. I hadn't seen a full lunar eclipse since I was a kid. If your life was a movie, what would it be rated? R, probably... mostly due to excessive cursing lmao. Are you more of a talker or a listener? A listener. Have you ever called in at a radio station & dedicated a song to someone? No. Would you ever go to a protest or be involved in a protest? Sure. When playing rock, paper, scissors which do you usually pick? I think scissors. Have you ever tried to write a book? Yes. Have you ever been hit by a chunk of hail? Maybe a small one? Would you ever try any extreme sports? No. Is it true that if you don’t love yourself, you can’t love another? I've always found that idea as absolute and utter bullshit. Do you ever try making your dream up before falling asleep? I just daydream; I don't like, actively hope it'll transfer into a legitimate dream. Ever been on a golf cart? Yes. Have you ever slapped someone in the face? No. Last person you took a nap with? Sara. Are you embarrassed by anything you have in your bedroom? No. Is your last ex currently in a relationship? Not to my knowledge. Has anyone ever given you roses? Yeah. Would you rather have your parents catch you having sex or smoking weed? asjfpawe quite honestly, smoking weed. The former would probs kill me. Do you owe anybody money? No. How many times have you gotten into a argument with the last person you kissed? Now as adults and not stupid kids, just a handful. Maybe just one or two serious ones. What’s the most positive thing anyone has ever said about you? When I actually had a brain, compliments I got regarding my intelligence meant a lot. Maybe there's something else, but that's just the first that came to mind. What’s the most positive thing you would say about yourself right now? I'm very empathetic and care a lot about cheering people up. Have you ever been to church? What was it like? I grew up going to church, and at no point in my life did I enjoy it. When I was old enough to not be forced to go, I quickly stopped, even when I was still religious. What’s your favorite thing to do on a sunny day? If it's not hot, swim. How many different drugs have you tried? None that weren't prescription. List each drug, and how it made you feel. N/A Which drug do you consider to be your favorite (including alcohol)? Well, I don't even like the taste of alcohol... but I guess that has to be the answer as it's the only one I'll ever indulge in. Who have you had sex with in order from best to worst (you can use initials if you want)? Only done it with one person. What’s your favorite kind of alcoholic beverage? Margaritas. Do you feel like different alcohols have different effects on you? No. Honestly, how good do you think you are in bed? What about oral? Eh, I'm shy, but I don't think I'm bad. It was good enough to get the job done, at least. I fucking hated oral so therefore rarely did it, so idk. What’s your biggest thing you want to accomplish? Overcoming my hard-as-diamonds anxiety. Three favorite candies. Go. Reese's. Sour Punch Straws. Peach rings. What was the last stupid thing someone talked you into believing? Idk. What’s a song that would describe your life at the moment? I legit feel "In The End" by Linkin Park pretty deeply of the late. Man, somehow been a year and still R.I.P. Chester. ;_; What was the last thing that you shared? Idk. Do you ever eat leftover pizza cold? I love cold pizza. Where are you the most ticklish? FEET. When you’re wanting a midnight snack, what do you normally get? I don't have them. Which cartoon character would you want to keep as a pet? Maybe Vulpix. Small and cute and isn't like, actually on fire. Have you ever considered a career in music/acting? No. When was the last time you felt seriously embarrassed? At a VR class when I was talking and completely lost my train of thought and caused like five awkward silences. If your bedroom walls could talk, what would they most likely say? "Bitch u ever move?" Did you ever really believe in Santa Claus? Yes. Have you ever seen a movie that was better than the book it was based on? Maybe? I'm unsure, but I doubt it. Did you like the show Invader Zim? I never really watched it. What’s the greatest/most influential song you’ve ever heard? Ozzy's "Life Won't Wait." Have you ever bought yourself a present at Christmas? I mean, I've been given money to buy something myself. Is there someone that you’re mean to for no good reason? No? I have damn good reason to be unfriendly to Bentley, but not mean. What was the last thing you got out of the freezer? A rat for Venus. How many people signed you latest yearbook? Not too many, but I didn't ask a lot to. How is your mom today? Probably the same as always: Tired and stressed. Do you prefer long or short hair on the opposite sex? Generally, longer hair. But of course it varies on the person. Would you swap your first name for your middle? No, that would sound so weird. Plus I like my name. Would you rather have 10 siblings or be an only? Hm... growing up as an only child would suck, I think. Ten is a hell of a lot, but I'd prefer that over none. What is your favorite soda? Mountain Dew Voltage is my Achilles' heel. Do like country music? No. It's seldom I'll like any. Tim McGraw impresses me most of the time, though, but not to where I'll go look up a song and binge it. Are you afraid of black cats? Not at all. Do you watch the lightning during storms? No, I stay inside. If I'm in a car though, I keep an eye out. Do you like Scentsy stuff? Sure, but I don't buy anything from it. Do you like House? Never seen it. How many tracks were on the last album you listened to? Idr. Which one of your relatives is most likely to embarrass you? Probably Dad. The way he interacts with some people is kinda... weird to where people may feel like he's being rude, when he in no way intends it. You can tell some people don't get him. Are there any songs in your iTunes library that you’ve never listened to? No. Who is the most intelligent person you know? My psychiatrist probably qualifies as a genius. Who was the last female you were introduced to? My personal VR coach. Who was the last male you were introduced to? I have no idea. Who is that last person who harassed and annoyed you? I feel like it was some kid that annoyed me, but idr. Who is the last person who made you feel hurt? Probably Mom. What was the last thing you were worried about? My job future. Are you worried about anyone now? Not really. What time of day feels the most magical to you? Early morning, especially when it's dewy with a light mist and a pink sky as the sun starts to rise... whew. Love it. Who are you jealous of? My sisters and an old friend that's a professional photographer now. What is the last physical ailment you took medication for? Nausea. If you are a YouTuber, are you behind on posting videos? N/A Who is a great YouTuber you have recently discovered? Not really anyone recently. What color is your bathrobe? I don't have one. What is a great pain reliever? Depends on the pain? Are you interested in a guy who has a girlfriend? No. Do you sell any products? If so, what do you sell? No. Are you responsible with money? I believe so, having learned to be very frugal from growing up poor. My weakness is tats, though... I have to make a genuine effort to save for other things. Are you responsible in general? Not very, honestly... but it also depends on what I have responsibility over. Do you use a nightlight? No. Kaiju's and Venus' lights stay on, however, if you wanna count that. Do you have a girl that is strictly a friend that isn’t related to you that you can go to? Not really. Are you “the good guy”, or “the bad guy”, or somewhere in between? I guess the good guy? Have you ever watched the original British Skins? No, nor the American. It disgusted me. Do you like Oreos? Hell yeah. Have you ever had a sex dream about someone you barely know? I don't believe so. Were you a cute baby? I was, dude. Would you ever shoot someone right in the face? If it was in self-defense with someone trying to seriously hurt or kill me, that's right where I'd aim. Have you ever sold drugs? No. Have you ever been shot? No. Are you on good terms with your parents? Yeah. What’s your opinion on border control? It's necessary for the protection of our country. I'm totally for legal immigration, mind you. Have you had any major tragedies in your life? I'd say one event qualifies. What do you think of open casket funerals? No opinion, I think... A part of me feels like the risk of someone disrespecting the body isn't worth it, but simultaneously I firmly feel the actual family and those very close to this person have the right to see them one final time looking at peace. Have you ever had a pet rat? Quite a number. I had two pairs where three died of unknown causes, while one developed cancer and passed. Went through two that died last year; one had to be sick upon adopting her, as she passed very quickly, and her sister immediately followed suit. Adopted Mitsu, later another to try to give her a partner (rats are social and aren't supposed to live alone), but she'd already grown territorial, so the sweetheart had to be returned. Now I just have Mitsu. Could you go a year without sex? It's already been three, and longer wouldn't matter to me. Have you ever wore pajamas a whole straight week? I'm just about always at home in my pj's, and considering I leave like, never... but not the same pair that long. Have you ever waxed your legs? No. Have you ever taught a little kid to flick people off? The fuck, no. Are you more of a taker or giver? Giver. Have you ever itched yourself until your skin was raw? I have permanent scars on both shins from that; my skin becomes unbearably itchy after I shave and then scrub my legs in the shower. Nothing seems to stop it. Do you always clear your history after using the computer? No. Have you ever been chased by a cat? Playing with kittens/juveniles, probably, considering just how many we've had throughout my life. Have you ever had your food stolen by a bird? No. Have you ever dyed your hair light auburn? No. Do you take really good care of your feet? Run now w/ potential TMI: My feet are like. Nothing but thicc calluses from when I would walk like crazy. I haven't been able to get rid of them for nothing, and it's been YEARS. Like, I probably need a professional for this shit lmao. My nails are fine and I keep them clean, it's just the callus ordeal. Is the snow where you live the icey kind or powdery kind? It can be either. Do you get blizzards where you live? I think we've only had one that qualified in my entire life. Can't remember if the wind was bad... What’s the coldest you can remember it ever being? With the wind chill, it was actually around 2 degrees, I think. When was the last time you did something rebellious? Um. Idk. What are your favorite things to create? OCs. What’s an old hobby that you want to pick back up? Reading. :/ Do you ever read books to a pet? No. Which has better craft supplies: Dollar Tree or Dollar General? I have zero clue. Which dollar store do you shop at the most? I think Dollar General? What color is your trash can in your bedroom? I don't have one in here. What was the theme of your childhood bedroom? Baby animals. What color was your nursery as a baby? Idr. What was the last surgery you had? A cyst removal. What’s something you prefer to keep private? Lol yeah, ask that on a survey I'mma share with the Internet. What is something cheesy your high school’s principal has said? Idr. I don't remember much of him other than he was a goddamn ass. Are you more of a rule breaker or rule follower? Depends, but typically, a follower. Are you good at prioritizing? Idk. Which holiday is your favorite to decorate for? HALLOFUCKINWEEN If you’re not religious, were you ever? What made you lose faith? I was raised religious, but just life in general brought me to just theism, which I don't really consider a "real" religion. Is there a particular tradition that you follow from your heritage? No. What are your thoughts on where feminism is today? Yo calm your tits. How would you describe your aesthetic? Likes pastel and soft things but is also gore-crazed and obsessed with dark shit that'll probably lead me to Hell. Are you at all interested in philosophy/theory? If so, what philosopher/theorist caught your attention? If not, would you ever consider reading any? YES; however, as someone with OCD that heavily manifests itself as incredulous ruminations to the point I face breakdowns, I try to avoid philosophical debates. No one in specific has caught my attention, but I mean, I haven't exactly made an effort to learn about anyone. Have you ever played any virtual reality games? What was that like? If not, would you ever like to try? No, but I would LOVE to. Is there anything about technology that scares you? The potential it has to reaching some form of sentience the more and more we advance with it. I ain't about that singularity shit. What’s a song that you know that does a lot of wordplay or anything that you find clever? Shit dude, lots of Otep songs. She can make rhymes and such with the creepiest shit. Bring me back the Otep whose music wasn't just political ranting, please. What do you do before you go to bed? The last thing I usually do is DragonVale. Where did you last go out to eat? Hardee's. Do you have unlimited texting? Yeah. Who of the opposite sex has seen you at your worst? Jason or Girt. Girt came to the ER after my suicide attempt, my lowest of low points, while Jason saw me in absolute hysterics the night of the break-up when I said something suicidal so he came here briefly. I feel each was like... a different kind of "worst," if that makes sense. One was absolute, utter defeat, while the other was seeing a human absolutely shatter. Have you ever won anything from the radio? No. Will you keep your last name when you get married? No. What song are you listening to? Shane Dawson's "Fuck Up" is a Big Mood. Do you know anyone whose name starts with an X? Not that I know personally, I think. When was the last time you took a picture with your pet(s)? Roman like over a month ago, Venus a while before... I rarely take pictures including me because I'm ugly. Who’s your favorite Muppet? I don't know like, any. What’s your favorite monster? (can be Monsters Inc., horror films, stories, or myths, whatever) These are too many options man. I guess probably Pyramid Head. But I'm crazy for cryptids too man, I love me some Jersey Devil and Mothman shit. Have you ever seen a polar bear in person? At zoos. What’s your favorite thing to order from Taco Bell? If you heard me eating cinnabon delights in the next room, you'd have all reason to believe a porno was being filmed. What do you think of off-brand soda? I'm fine with them. Which do you like better – carpet or wood floor? I generally find wood prettier, but carpet is comfier. Getting down on and up off the wooden floor when exercising hurts, though. Buuut wood is also easier to clean... but also louder... why the fuck am I getting this deep into a question jeez idk basically. What embarrasses you the most in front of other people? Being a 23 y/o teenage fangirl lmao. Have you considered running for president? Hell no. If you had to choose one thing you were most passionate about, what would it be and why? Hm... there's a lot. I suppose ending poverty? Or environmental preservation, which I am already extremely passionate about, but I could actually take more action. Where is the most beautiful place on earth and why? I'd imagine the Grand Canyon. It's so vast and ancient and gives you an idea of just how small we truly are. Are ghosts real? Yes. Are aliens real? Probably. Do you know how to play dominoes? No. What food will you absolutely not, under any circumstances, eat? Anything from an endangered animal. Would you ever adopt a child? If I wanted kids, possibly. What is one thing you’re embarrassed to admit you want to try? *shrugs* Is there something you wish you had said sorry for but never did? I wish I'd told Jenna about the Joel thing. Have you been on your first date? If so, how did it go? Yeah, it was fine. Cute really, though unorthodox as he invited my mother along. It actually did make me less nervous tho. What woke you up this morning? My cat meowing his damn brains out. He does this loud, deep meow when he really wants something, and it woke me up. He does that some mornings, and I have no clue why. Your mood? Eh, nervous. I have a short VR class today, and I have to talk to the woman who handles my case, and I don't believe she'll be happy I haven't applied anywhere yet, even though it's been like, five days... I've been working on getting an Office certificate instead. Did you ever watch The Land Before Time when you were younger? I WAS IN LOVE. Do you check your texts right away when you receive them? Usually. What feeling do you have the most difficulty in expressing? Envy. How do you think you would handle yourself in a crisis situation? Have an absolute panic attack and die lmao. But it also depends on if anyone is in the situation with me. Like if someone I seriously loved was endangered, I have a feeling I'd rush to immediately help them. Does any particular season make you happier than others? Why/why not? Autumn. Beautiful and cool. In what circumstances do you feel most at peace? When I'm with Sara and we're both happy and laughing. :') What is the best thing about being a male/female? Female: It's more "socially acceptable" to show emotions. Male: Don't have to worry about menstruation cycles. Do you enjoy hugging people? Do you enjoy receiving hugs? Yeah. Do you think that luck has much to play in your life? No. I don't believe people have premeditated-by-nature good or bad luck. It's all random or related to your own choices. Do you think you are competitive? Do you really dislike losing? In only a few areas; no. What is a talent you wish you possessed? The ability to draw hyperrealistically. When was the last time you went to McDonald’s? It's been quite a while. Maybe around a month. Could you go a whole day without your computer? Definitely not willingly. Have you ever really liked someone to begin with, then changed your mind about them? Yeah, Juan. Who was the last person you spoke to on the phone, for more than half an hour? What did you talk about? Most likely Colleen. It was a personal matter, so not saying. Has your ex fallen in love with anyone else, since the two of you broke up? I'm assuming Jason did with Ashley, maybe not. When was the last time you looked at your significant other/crush’s Facebook profile? Been a while. What was the last thing that one of your parents bought for you? Food for me. The last time you went to the hairdressers, what did you have done? A muuuch-needed trim.

#survey #quiz #questions #random

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homesweetbromo · 6 years

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Sweetener - Thoughts a Month Later

So I’m bored at 1:45 in the morning and instead of going to bed, I thought I’d rate all of the Sweetener songs.

1. raindrops (an angel cried) initial thought: “raindrops is flawless bye i love how it starts the album” 1 month later: still absolutely in love with this. WHY is it only 35 seconds? it could have been a full song dead ass but it’s still perfect rating: 8/10

2. blazed (feat. pharrell williams) initial thought: blazed is aight at best, def not my favorite thus far 1 month later: blazed grew on me. but it took quite a few listens to it before i could finally get into it. definitely a weaker track. i like ariana’s verses though and think those are the best part of the song. rating: 5/10

3. the light is coming (feat. nicki minaj) initial thought: it’s different but i still like it. (3) months later: as the song came out in june, i remember her hyping it up a lot more. and hearing her premiere it at wango tango i was stoked for the rest of the song. unfortunately the rest of the song is underwhelming and repetitive. not that repetitive is bad, but this track is definitely weaker. the man screaming in the background for the ENTIRETY of the song gets very distracting, and had they taken that audio out of the song, the song would be so much better. it’s a catchy song, just not perfect. i need someone to make an edit without the screaming man in the background and i’ll be content. rating: 6.5/10

4. r.e.m. initial thought: r.e.m. is cute; i like it a fair amount 1 month later: i think i had tried to convince myself i like the song just based on the fact that sleep-related things are something i really love. i think the song’s themes and lyrics are cute; however, the beat is really repetitive (again). Also, “excuse me, um....i love you” is super cute. i lost interest in the song originally but i am starting to like it more now. rating: 7/10

5. God is a woman initial thought: pop p e r f e c t i o n 2 months later: this song is still perfect. vocals on point, and the whole idea of the song is great. like damn, the sex is so good you start to believe that god is a woman. ugh her MIND! rating: 10/10

6. sweetener initial thought: “sweetener gives me yours truly vibes and i think it’s cute” 1 month later: i still agree with my initial thought. the song has also definitely grown on me and it’s one of my favorites from the album. i know everyone makes fun of the “hit it hit it hit it” section but it’s catchy and fun. and how life can be down sometimes but there’s that person who makes it not as hard! rating: 8/10

7.successful initial thought: “i liked successful at first but now i’m not entirely sure” 1 month later: again, this song took a lot of listens before it grew on me. it’s different as hell, but gives me some yours truly vibes again.it took me awhile to appreciate this song but it’s so cute that ariana is all about being like “i’m so successful” i mean literally can’t relate but good for you girl make that coin rating: 6.5/10

8.everytime initial thought: “everytime is that song !!! this is my favorite so far” 1 month later: oh god i still love this song. it’s definitely one of the better ones on the album. all about going back to someone who’s probably not good for you, relatable girl!! ugh a true bop. if she does a 4th single after breathin, i truly hope this is it! rating: 10/10

9. breathin initial thought: “breathin is a BOP!!!! O !! OH!! OH MY GOD!” 1 month later: hell yes this is still a bop and it’s literally doing so successfully even not as a single. i know she’s going to do this as a third single and god i hope the merch for this song is cute af. it’s just so catchy. rating: 10/10

10. no tears left to cry initial thought: ...well honestly i don’t remember 5 months later: oh god i still fuckin love this song!! it’s so catchy and fun and i truly stan rating: 10/10

11. borderline initial thought: “borderline is kind of... basic... not a huge fan. Maybe it will grow on me?? And Missy’s verse was ...underwhelming” 1 month later: still accurate. it grew on me a little but altogether still not a huge fan of this song. it’s short af and kind of boring. rating: 5.5/10

12. better off initial thought: “better off was ok at best” 1 month later: i’ll admit i wasn’t a big fan at first, but this ballad truly is good; just not her best ballad. it’s not vocally impressive, but it really doesn’t need to be. rating: 6.5/10

13. goodnight n go initial thought: “ok goodnight n go is v cute i like this one a lot” 1 month later: yep i still love this song. it’s cute and different from the rest of the album in a very good way. i could see this one doing decently well as a single as well. rating: 9/10

14. pete davidson initial thought: “pete davidson was pretty cute” 1 month later: yeah this is def a cute interlude. kinda wish it was longer and think it should be, but whatever; i mean she literally started dating him a few months before the album came out so i guess he can’t have a full length song yet rating: 7.5/10

15. get well soon initial thought: “get well soon gives me like honeymoon avenue / piano vibes and i really like it. it shows off her vocal ability and is really simple instrumentally allowing her to really shine” 1 month later: honestly this song feels like 2 totally separate songs. the beginning section and “this for everybody” part could be a song + then “you can work your way to the top” is a totally different song, like an interlude.i like bits and pieces but it’s a long song (though i know it’s 5:22 to remember the manchester concert). rating: 7/10

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ificouldhelpyouforget · 3 years

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NOEASY TRACKLIST: MY FAVORITES (IN ORDER FROM MOST TO LEAST)

When the NOEASY album came out last month, I posted my initial list of favorites and said that is was subject to change. Well, it's changed pretty drastically, so here I am again to update that list based on how often I actually listen to it, whether or not I skip it or manage to listen to it when doing a task, how often each song gets stuck in my head, and how much I love my bias' part in the song. I know, a totally legit rating system.

1. SSICK: Initially, I had this at the bottom of my list. It didn't catch my attention nearly as well as most of the other songs. I felt it was a little boring until I started to hear it more often. This is the song that some part of it is stuck in my head for days. I'm not talking just a few hours. It could be "me so sick (sick, sick)" or "me so sick and legendary" or the outro, but some part of that song is constantly in my head. And let me tell you, the moment I found out that Felix freaking sings not in his lower register, ya girl put this song at the top. I'm obsessed. His voice sounds so full and round and just so good. I've been dying for more mid-register Felix and he delivered!

2. DOMINO: Surprise, surprise, a song with an incredible part of just Felix singing in his deep voice is at the top. I think this only moved down a rank from the last list I made. The song itself is a bop. I also jam to it hard and act goofy. It gets me hyped and I love that in music. I also just love saying "aye, domino," and letting Jisung go do his thing. It always makes me laugh. I often just get the repeated "domino, domino" part stuck in my head. Sometimes Felix's bit at the end hangs around, but it's my alarm sound (great way to wake up btw) and doesn't get stuck as often. The dance break before it is honestly my favorite part though. Especially now that we have the performances where Hyunjin leads the charge. Ah! It's so great! Oh, and Hyunjin's line where his voice starts high and stair steps down to his normal rap voice is another favorite part.

3. Thunderous: I really thought I was going to get sick of this one with how many performances they did and how it showed up everywhere (and got stuck in my head constantly), but I still love it. It always gets me moving even though I don't know any of the choreo except the ptui part. And the "I'm not sorry I'm dirty" parts from both Felix and Chan are just 💜. I seriously can't get over it.

4. CHEESE: "HA! CHEESE!" is already getting me and then "why'd you say it like that?"... the video at the part is just... my mind blanks. The fact the song is a freaking diss track is the greatest because I've been frustrated as a fan by the craziness and hate sent their way, but they straight up said, "you can't get to us," and I love that. Hate on them or their music, but they are still vibing. It's embarrassing how often I get I.N's 1, 2, 3 stuck in my head AND Felix naming cheeses. Like, someone says "cheese" and I immediately start singing some part in the song.

5. Sorry, I Love You: I can hardly sing a single word in this song not knowing any Korean, but it's so catchy. I try to sing what I hear, but I'm always listening in my car (for now as my ears are still healing from piercings and I don't use earbuds), so I get words wrong often. It's such a beautiful song and all of their voices sound so good. This doesn't get stuck in my head nearly as often as some of the songs ranked lower, but I can't get over this song. I don't even skip it when I'm not in the mood for slower songs and that says a lot.

6. Star Lost: This might have been higher or in the same place (these next few are pretty interchangeable), but it's gotten a lot of love from me. I like the sound, the upbeat feeling to it, and my goodness the cute thing Felix does with his voice at the end of his part (kinda toward the beginning of the song), I can't ignore how much I like this song. It's so adorable. Haha. This gets me driving a little too fast when I'm going places though because it's just another hype song for me. Feels kinda like spring for me. Not quite summer, but definitely a windows down warm day kind of vibe.

7. The View: This shouldn't be this low because I adore this song and I'm constantly singing it, but there are so many others I like a little bit more, so that's why it's here. I also feel like since I don't actually like the view of where I live, it's harder for me to really vibe with it. The music video is so cute, too. I've actually been obsessed with the neon sign that says "dreams come true to those who truly want them" or whatever it is because I think it's a great cover photo for social media, but no one screenshot the scene of just the sign (my internet sucks too much for it to be clear for me). Then Felix posted a photo of it on its own, so we're all good. By the way, did I mention Felix is my bias? 😂

8. Surfin': I rarely get this song stuck in my head only because the only part I ever really sing is, well, Felix's part in the chorus. The other parts I can pick out and sing don't stick in my head as well. I'm not a summer girl, but the vibe of this song is so cute along with the music video. The little lizard on Felix's outfit, the soft moment of Minho singing in front of that sunset sheet, Changbin being cute af... it's a great video (and song).

9. Mixtape: OH: This also should be higher because I love it so much, but alas, here it sits. I do consistently listen to it when I comes on. It's technically my first song with OT8. I wasn't a fan (didn't know of SKZ) when they released their other songs before this one. I mean, I was there for the stuff on Kingdom, but that wasn't OT8. And then this came out and I was so happy they were a complete group again. The story of this song hits so hard for (although different than what they were probably intending) and I totally cried watching it (it definitely wasn't a Felix moment that made me cry). I loved it so much that I bought the song as soon as it came out and did nail art to celebrate.

10. Red Lights: Okay, so this gets stuck in my head just as much as some of the songs at the top of this list BUT I'm so sick of the constant sexualizing of it that it's all the way down here. I get it, that was the vibe Chan and Hyunjin were going for and I respect that, but the way Stays are drooling and acting like, well, horn dogs is turning me off of the song. They did amazing with the lyrics and putting it to the track and the music video is visually striking, albeit more horror-esque to me than sexy. I don't skip it often if at all because the beat is catchy. But as soon as I remember how inappropriate some fans are being about it, I just can't listen. Mind you, we all think that way sometimes (I am no different when Felix does certain things or wears certain things or when another member does something that completely throws me off), but it's a bit much.

11. Silent Cry: I hate to say it because I do enjoy this song, but it's a bit forgettable for me. I skip it a lot because I have 10 other songs I'd rather listen to than this one. It's not at all a bad song and the lyrics are so sad. It just doesn't hit the same as other songs on the album. I honestly can't recall a single part in this song because the other songs are overpowering it. I do think it resonates with a ton of fans and it's much higher on their list, which is awesome, it just isn't the song for me.

12. Secret, Secret: This is another one, as beautiful as it is, that doesn't stick out to me. I'm also not in a slow song mood, so I skip almost every time it comes on. I can remember the intro the song though unlike "Silent Cry" where I can't think of any part of it. Maybe it should go higher because of that... It's just not the mood I'm looking for right now. But again, gorgeous song. I think more people should listen to it than "Red Lights" to be honest.

13. WOLFGANG: Ugh, I didn't want to put this down so low because I've been in love with it since Kingdom and even more so with OT8, but I think I got tired of it too fast because I listened to it so often and played the performance video a ton. It's fun to listen to and I don't skip it as often as the slower songs, but I have skipped it too much to put it much higher on this list. Sorry, y'all. I enjoy it, but I overplayed it. It's on me.

14. Gone Away: I hate that this song is so low because Jisung, Seungmin, and I.N's voices are amazing together in this. They wrote beautiful lyrics and the emotion in the music video is so heartbreaking to see... I just am not into slow songs right now. My friend would definitely disagree with me though. She loves it. Not a single song on this album is bad and it being the last on my list doesn't say that I think it's bad in any sense of the word, it just doesn't hit my vibe right now. But gosh is it beautiful.

#stray kids #skz #noeasy #stray kids noeasy #skz noeasy #noeasy tracklist #noeasy rankings #my rankings #this will most likely change again #my ranking never last long tbh

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donovan-andrews · 3 years

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Nectar

Released 2020

Joji

I don’t think I have ever been more disappointed in an album than I have with Nectar. Throughout 2019 and early 2020 with the few singles he released, I became more and more uneasy, because it sounded almost nothing like BALLADS 1 or his previous works. “Run” was unbelievably off from what he normally does, and while it was still good, I became more worried. “Gimme Love” was a perfect single, and probably my favorite song off all of Nectar. When Nectar released in September of 2020, my initial reaction was good, i thought it proved to be everything I was waiting for. But then I kept listening, and realized how bad it was. The first half was great, the tracks that went up to the singles were quality, and gave me good feelings about the album. However, after “Sanctuary” it went downhill. Fast. “High Hopes” was possibly the most boring song I’ve ever listened to, and I listen to 20 minute Pink Floyd guitar solos everyday. “Pretty Boy” was ruined with the feature of Lil Yachty, and in fact, the only feature on this album that was good was Benee’s “Afterthought.” “Normal People” with Rei Brown was the most disappointing considering the history of those two. Then we come to the two final tracks of the album, “Like You Do” and “Your Man” and I want to know who in gods name thought making “Your Man” finish the album, especially when “Like You Do” is right before. If they cut the needless songs from this album, because we know they wanted a double LP so they could get big bucks, and if 88rising didn’t interfere with their obsession with string based songs, then this would have been great. But it wasn’t. The cover is also horrible, why would you make your face the cover of your first album… and your second as well?

Overall Rating: 4/10

Favorite Tracks: Tick Tock, Upgrade, Gimme Love, Mr. Hollywood

Least Favorite Tracks: High Hopes, 777, Reanimator, Your Man

#Spotify

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audreysmusicaljourney · 4 years

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Album #428: Hüsker Dü “New Day Rising” (1985)

As a Nebraskan, I appreciate the name of this band. I like punk rock music, but I have never listened to this band.

The opening track on this album is bad enough that it made me want to stop listening. I'm glad I made it through it as the sound of the album improved significantly after that track. The song “I Apologize” is actually pretty good. It has solid rock instrumentation with vocals that verge more toward the pop genre than the punk rock genre.

Some of the vocals on these tracks are difficult to discern because they are so low in volume comparison to the volume of the instrumentation. The beginning of “Celebrated Summer” is a good example of this. Speaking of that song, how about the unexpected change in it at the 1:40 mark? It’s like a completely different song for 40 seconds there before it picks back up. I could see a crowd moshing to this song at a concert in the ‘80s. “Perfect Example” is a pretty good song also; it definitely has a mellow vibe for being a punk rock song. “Terms of Psychic Warfare” is a really good punk rock song with solid lead and backing vocals. The guitar playing on that track is fairly impressive also. The track “59 Times the Pain” sounds a bit like David Bowie’s attempt at punk rock. The track “Books About UFOs” features some pretty solid piano playing by the band’s drummer. It’s a catchy tune. The album continues with some solid punk rock tracks, culminating with the steady intensity of the track “Plans I Make.”

Rating: 7.5/10

How I Listened: Spotify

Takeway: Based on the first track “New Day Rising” alone, my initial thought about this album was “Hüsker Dü? More like Hüsker don’t.” Rolling Stone magazine listed "New Day Rising” as #96 on its “100 Greatest Guitar Songs” list. I guess that means I have no idea what I am writing about on this blog. Good to realize that at album #73 on the list, right?

#rs500albums #nowspinning #nowstreaming

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deansmixtape · 7 years

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The Twelve Days of Wincestmas

They had decided to forgo their typical gifts this year on Christmas Eve, instead, challenging each other to the 12 days of Christmas challenge. Each day one would gift the other, using the song’s lyrics as inspiration. They were each thoroughly amused to see what the other could come up with.

On the first day of Christmas, my true love gave to me: A juicy fresh pear pie

Sam had used the last of his precious Harry & David pears, and real butter in the crust. It was flaky, tart and perfect – tender crisp and sweet like apple with a rich salted caramel glaze. Watching Dean take the first mouthful and make a moan of bliss was more than enough satisfaction. But being that he was still a little brother at heart, he waited for the reaction as he turned on the Partridge Family’s Christmas album.

On the second day of Christmas, my true love gave to me: Two chocolate turtles and Dove shampoo

Not exactly healthy chocolates, but the nuts in it earned him a genuine smile from his brother. Dean knew he’d hit a home run when Sam opened the Peach Blast shampoo and closed his eyes though. Sammy loved those fruity, floral, fancy shampoos and Dean figured adding in a week’s worth of scalp massages to their joint shower sessions would help.

On the third day of Christmas, my true love gave to me: Three French Coq au Vin dinners

Well, three Cornish hens anyway. Sam substituted bacon for pancetta because Dean, and used a Burgundy wine paired with fresh cremini mushrooms and an aged Brandy pulled from the library. It wasn’t Julia Child’s – more like Ina Garten and some liberties, but even he enjoyed the meal. Judging by the lack of leftovers and an adoring smile from his brother, they both had.

On the fourth day of Christmas, my true love gave to me: Four tweets (‘calling birds’)

Oh yeah, Dean felt like he’d totally cheated. Well, it was within the spirit of the challenge, so it fully counted. He set up an account for Sam, then sent out four distinct tweets in Sammy’s honor, @’ing the accounts of True Crime All the Time, National Public Radio, Planet Organic and We Rate Dogs. He had created it under the Men of Letters name, so Sam could continue to use it for research and networking, but those initial tweets had Sam grinning, dimples fully on display.

On the fifth day of Christmas, my true love gave to me: Five golden onion rings

The onions were supposed to be home-grown from Sam’s patch of garden, however, they hadn’t bloomed quite as Sam had hoped for. He settled for store bought instead, and set about making home-made onion rings for Dean. The standard buttermilk bath was spiced up with a bit of cayenne and a splash of Tabasco, but the real kick came with the dipping sauce where he used horseradish and nutmeg for a savory taste experience. While Dean grilled burgers outside, Sam made the rings, piling them hot and fresh on a platter. Dean’s thumbs up while stuffing his mouth had Sam chuckling as he set about to start another batch.

On the sixth day of Christmas, my true love gave to me: Six goosedown filled pillows (and comforters)

Dean had counted and double counted. Sammy had six – SIX – pillows on his bed alone. Which was damn peculiar since they tended to both use Dean’s bed with his four pillows. Occasionally Sam would sleep alone – when he was sick (and still Dean came to comfort him), when they were fighting (it happened on occasion) and when he just needed alone time (which Dean took to mean was secret code for no sex tonight.) He had planned on getting them each a complete new comforter and pillow set, of the finest goosedown he could find. They were going to be sleeping in soft, sumptuous heaven, no matter where Sammy’s precious, tousled head touched down.

On the seventh day of Christmas, my true love gave to me: Seven origami swans

Sam spent the better part of the morning learning how to make the swans, cursing under his breath at his long fingers folding tiny bits of paper this way and that until he had perfected seven delicate swans. He then spray painted them all with a clear coat of acrylic spray paint to make them waterproof. After a hearty lunch of tomato rice soup and grilled cheese sandwiches, Sam suggested a relaxing bath for them both before they spent an afternoon of watching Game of Thrones. He ran an extra hot tub, added some silly bubble bath, and set the swans to float. When Dean joined him, Sam was already naked, welcoming him with open arms for a steamy, sexy bath.

On the eighth day of Christmas, my true love gave to me: Eight bottles of chocolate milk

Dean had thought long and hard about including some of their previous holiday traditions into the challenge to preserve them, so he looked to the local gas station for day eight. He’d purchased eight bottles of the official drink of their childhood on the road, chocolate Yoo-hoo. They’d learned to love the stuff as it wouldn’t spoil with lack of refrigeration, and it was easy to grab and go without much fuss for two kids who loved chocolate milk. Dean set the bottles to chill in the fridge, and during their movie marathon of Lord of the Rings, broke them out between DVDs to enjoy with some licorice and popcorn.

On the ninth day of Christmas, my true love gave to me: Nine porn DVDs with dancing ladies

Sam’s cheeks were flushed the brightest pink he thought he could ever imagine. He’d walked into the adult toy store, intent on purchasing the first nine porn DVDs that included dancing of some form, then walking out. Easy peasy. However he found himself being propositioned by the cashier during the slowest checkout imaginable, caught off-guard and completely tongue tied. When he mentioned the movies were for his brother (ok in retrospect maybe not the best answer at the time), the guy had just looked him up and down, smiled the filthiest depraved smile and winked, telling him a threesome with brothers was even hotter. Not that Sam wouldn’t be into it if Dean were, but without Dean by his side, he just stuttered and clumsily made his way out the door.

On the tenth day of Christmas, my true love gave to me: Ten copies of Lord of the Flies (in various media)

It was a stretch – and a bit excessive, but Dean thought Sam would appreciate the effort and ingenuity given it was one of his top five favorite books. He’d managed to track down Lord of the Flies in several different languages for Sam to read and brush up on his more rusty language skills; Georgian, Basque and Catalan. He found three versions of the film on DVD, and a copy of the stage adaptation. There was a CD of music from the innovative ballet created based on the book as well as a BBC airing of a dramatization broadcast, plus one audiobook. Sam’s stunned (and impressed) face was exactly what Dean had been angling for. Truth be told, the lyrics for day ten were a stumper, but a flash of brilliance had saved the day.

On the eleventh day of Christmas, my true love gave to me: Eleven piping hot cups of coffee

Sam had no qualms about purchasing the very pricey Breville Oracle Touch Espresso Machine. The touch screen allowed for choosing from espresso, americano, latte, cappuccino or flat white, and adjusted the coffee strength, milk temperature, and texture automatically based on the drink choice. Of course, it also made plain ordinary coffee as it ground, dosed and tamped the beans fresh. It was an indulgence to be sure, but they had so little in the way of worldly goods that they treasured and he knew Dean would soon worship at the altar of delicious home brewed goodness in short order. Sam had also signed them up for a year’s worth of deliveries from Bean Box, and he was sure they’d find new favorite roasts in no time.

On the twelfth day of Christmas, my true love gave to me: Twelve ice cream drumsticks

There was no way he was buying Sam a set of drums. So therefore no need for personalized drumsticks. And while the idea of a Caribbean vacation to listen to steel drums play sounded terrific, he knew they’d never leave for such a trip. Plus, flying was a no go, if he had his druthers. Dean was close to picking up a bucket of KFC all drumsticks and calling it good when he laughed and thought better of it. After dinner that night, he pulled out the box of Nestle Drumsticks and surprised Sam with a cone. Sweet licks of ice cream turned naughty quickly, as drips left Sammy sticky and Dean decided to clean him up in the best possible way.

After the twelve days challenge, neither brother would concede defeat – or claim victory. Instead they celebrated each other’s creativity and thoughtfulness with a twelve hour kink marathon in bed. They most definitely did not watch anything on TV and the new pillows and comforter got shoved to the floor during one of their more athletic sessions.

(I’ve enjoyed being your anon - I hope you’ve enjoyed your gifts! <3 sammichgirl )

****

Claps excitedly, oh it was you, sammichgirl! Thank you so much for being my wincestmas anon, I enjoyed everything very very much. This 12 days of Winchester Creativity was impressive, I love all the ideas they came up with for each other.

#wincestmas #12 days of wincest #thanks wincestmasanon!#This Was Awesome!#submission

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irhinoceri · 4 years

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An Annotated List of Mine Own Fic - Dragon Age Edition

All stat counts accurate as of 9/24/2020.

Lonesome Dreams - Words: 130,169 Chapters: 15/? Comments: 52 Kudos: 46 Bookmarks: 6 Hits: 1544

My baby, my nightmare, the DA fic that haunts my dreams and makes me question all my life choices.

I originally meant this to be a short story, just exploring the headspace of the Warden in making key decisions as I roleplayed her while going through my first Origins playthrough. I’ve ended up entangled in a post-canon plot with an OC daughter, which is why it’s 130k and Still Not Finished.

I was initially inspired by trying to reconcile the Warden as I thought of her, with BioWare’s decision to send the Warden off the map regardless of player choice. It irked me. I envisioned my Cousland ruling Ferelden as Alistair’s Queen, and the idea that she’d under any circumstances fuck off to the ass end of nowhere for years and miss out on everything that happened during Inquisition did not mesh with the character I had imagined. Particularly because she promised Alistair straight up that she’d help him rule Ferelden and wasn’t just gonna stick him on the throne and abandon him. WHOOPS. But it turned out that my irritation with BioWare made for fertile fanfic material and the Cousland I had roleplayed as confident and certain of her choices (I had FUN, y’all) turned into an angsty mess of a human being, burdened by heroism, filled with insecurity and regret, haunted by her many manipulations, ashamed of that super high coercion stat. Just Imposter Syndrome, the person, all around.

Also, she’s a certified tortured bisexual(tm) who ends up in a polyamorous triad with Alistair and Morrigan, since I was like “I should be able to romance Morrigan as a female warden” and instead of writing a separate fic for that, I grafted it onto my Cousland/Alistair playthrough, Frankensteinesque. I’m also a dirty Alistair/Morrigan shipper even though I know many people find that ship distasteful and problematic, since they’re so awful to each other in the game. Look, I know the “they pretend to hate each other because they secretly like each other” trope is overdone and painful. The fic gets very meta in that regard as Cousland is always going “Please get along I know you secretly love each other” and Alistair and Morrigan are constantly going, “We will never admit that to you or to each other but we will have sex and talk about how much we love our son just please shut up about it already will you.” So, uh, me to me:

Anyway all this messiness has resulted in my ONLY Explicit rated fanfic as it depicts the Dark Ritual as a threesome and let me tell you how much I hate writing sex scenes, I hate it so much, that I wrote several more even more explicit than the last. It’s still all pretty tame by Ao3 standards and only accounts for a tiny fraction of the overall wordcount, but it’s the smuttiest smut I’ll ever write and I hate every word of it.

Above All Else.... this is Lord Huron songfic. My muse is every song off their Lonesome Dreams album as well as some of their EPs and that one song off the A Walk In The Woods soundtrack...... a’yep. I’m an incurable songfic’er and I cannot lie.

The Torture of Small Talk (with someone you used to love) - Words: 12,590 Chapters: 3/3 Kudos: 3 Hits: 30

No one will ever read this fic and it’s probably just as well. I wrote it in a feverish state while listening to Fall Out Boy, hence the title. I don’t know what’s more embarrassing, writing FOB songfic, or, looking back over the last 4 years of fic writing, and knowing that I could easily say “I’m sorry every fic is about you” to my ex but let’s stop there.

This is my angsty post-breakup Alistair/Amell fic based on player-choices I would never actually make in game. I would never chose the option that results in Alistair abandoning the Warden and becoming a bitter drunk in Kirkwall and I’d never sacrifice a Good Friend Purple Hawke to the Fade but here we are, this terrible fic exists, thanks to watching YouTube videos depicting terrible worldstates I hate. Also has the distinction of being the only fic on Ao3 with a friendship tag for Alistair and Bethany. Their friendship is implied and exists off screen but still, it exists, and I imagine being buddies with the guy who cruelly broke your cousin’s heart is awkward for Bethany. Fuck, I’m Facebook friends with someone who cruelly broke my cousin’s heart and it’s awkward. Social media was a mistake.

With Lindiranae Fell the Dales - Words: 2,859 Chapters: 1/1 Comments: 2 Kudos: 11 Hits: 49

Angsty Dalish Inquisitor fanfic with the lightest touch of Solavellan written as a precursor to a Solavellan hellfic that I may or may not write depending on if I actually play Trespasser before I die. Inspired directly by the fact that I said “Fuck The Chantry” out loud periodically while grinding my way through Exalted Plains fetch quests on my way to do Solas’ personal quest. That area really hits differently when you’re playing Lavellan.

Fucked Up in Firewater Garden - Words: 680 Chapters: 1/1 Comments: 2 Kudos: 2 Hits: 29

A comedy one shot? Can it be? Who wrote this? (Me.)

Extremely meta take on one part of the Emerald Graves map, and my inability to stealth my way around giants while being a crazed completionist who needs to throw a flag down on every landmark even if I have to endure several total party kills to do it.

The Ballad of Loyal Betyar - Words: 732 Chapters: 1/1 Kudos: 5 Hits: 32

Does it ever make you sad that you don’t have a mabari companion in DAI? Or that when you visit the Hissing Wastes you find a dog abandoned by its master, doomed to endlessly fight off giant spiders? Yes? Me too, hence this fic.

#my fic #writing #dragon age

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northcountryprimitive · 5 years

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“Solo Acoustic Guitar Stands Outside of Time.” An Interview With Dylan Golden Aycock

This interview originally appeared at North Country Primitive on 5th May 2015

Scissor Tail Editions of Tulsa Oklahoma is one of the most consistently interesting record labels around at the moment, with a series of excellent releases from amongst others, Sarah Louise, Scott Tuma, Nick Castell and, of course, the label’s founder and head honcho, Dylan Golden Aycock. His tune, Red Bud Valley, is featured on Tompkins Square’s recently released seventh volume of the ever-dependable Imaginational Anthems series and he continues to release new work in his various guises at an almost unreasonably prolific rate. North Country Primitive caught up with Dylan as he puts the finishing touches on the forthcoming solo follow up to Rise & Shine and as Scissor Tail gears up to put out new albums by Dibson T. Hoffweiler and Chuck Johnson.

Can you tell me a bit about your musical journey? What has brought you to a place where playing solo acoustic guitar seemed like a good idea? Living in Oklahoma as a kid in the pre-internet 90s, the only access to music I had was the radio and skate videos. I got really into hip hop through skate videos and also discovered groups like Tortoise, which I probably never would have encountered any other way. My dad and brother both play folk music and I guess hip hop was an involuntary rebellion on my part. My first instrument I saved up for was a turntable set up - I got way into turntablism and this competitive turntable stuff called beat juggling. It’s still probably the instrument I’m most comfortable on, but I haven’t turned them on in years. I picked up the guitar pretty late in the game, about the age of 24. Five years ago I bought my first guitar, a 12-string Alvarez. I got really obsessed with it, just as I did with turntablism and electronic music in my teens and early 20s. At that time I was just yearning for something simple and satisfying that I could play if the power grid ever went out. I also didn’t like the mental image of a 60-plus year old me behind a set of turntables. Hip hop and beat music is a young man’s game, and I didn’t really like keeping up with all the new shit coming out. If you want to be a professional DJ you have to be up on all the new stuff and I just really didn’t care about all that. I also quit around the time that CD turntables became the new standard and vinyl DJing was on its way out. What would you say are your main influences, musically or otherwise? Do you see yourself as part of the American Primitive tradition of solo guitar? I was really influenced by my older brother Jesse and some of the music he was listening to in his room when we lived together after high school. He turned me onto Bill Frisell and Daniel Lanois, which was a big influence on my interest in pedal steel guitar. My dad introduced me to some of my other favorite artists - Tom Waits, Bob Dylan, The Innocence Mission… I can’t downplay the role that discovering Peter Walker, Suni McGrath and Robbie Basho played in me taking the guitar seriously. At that time in my life it really spoke to me and was an acceptable way for a white kid from Oklahoma to sort of lean into Eastern Raga music. As far as the American Primitive thing goes, everyone wants to shun the title, because no one wants to be pigeonholed and I understand that, but there’s no avoiding it if you play instrumental acoustic guitar in open tunings, unless you’re Michael Hedges. You can’t be upset if listeners are drawing comparisons to Fahey, Basho and so on. I say just accept it and further the genre: it’s not like there’s a ton of people carrying the torch anyways. Norberto Lobo is one of my favorite guys playing acoustic guitar, and he’s one of the hardest to label. Same with Blackshaw, They’d both be a stretch to label as American Primitive. I think some of the stuff I record could definitely fit in that genre, but I also get pretty bored hearing just acoustic guitar compositions - a lot of it starts to blend together. Most of my recordings employ some kind of accompanying instrumentation, whether it be pedal steel, synth or some kind of bowed classical instruments. I’ll even take cues from my days making electronic music or hip hop and add samples to some of the guitar stuff. You seem to have been involved in about half-a-dozen different groups and collaborations, including Talk West who appear to have released about four albums in the past year or so! Do you see yourself as a collaborator who also makes solo recordings, vice-versa or neither of the above? Do the different approaches satisfy different musical urges for you or are they all part of a continuum? Living in Tulsa, there’s a limited number of collaborators that I can record with live who are into the same stuff as me. I’m definitely really happy with the recordings I’ve made here with friends, but I find myself recording alone way more often than in group setting. The Talk West project is a solo project, and I have a hard time calling those recorded moments songs, since such little thought goes into each one. It’s a real thoughtless and meditative project for me. It’s also nice to hide behind an alias where anything goes. Everything I’ve released as Talk West have been improvised, usually recorded to tape as one track, one take. I’ll sometimes edit or add sounds in post if I really like the initial recording, but the base is always improvisation. It’s definitely the most enjoyable project for me. Anything involving improvisation is going to be really satisfying. I did a couple of albums with Brad Rose that were really fun (Angel Food, Mohawk Park) - sort of drone projects - and I’ve contributed pedal steel to a handful of projects over the years (Mar, Robin Allender, M. Mucci). There’s some plans to collaborate on an album with James Toth of Wooden Wand and I’m doing a split with Tashi Dorji later this year that I’m really excited about. You released Rise & Shine on Scissor Tail, but your subsequent solo albums have been released by different labels. Is this part of a conscious effort to separate yourself as a musician from yourself as a label owner? Or are you more prolific than you can afford to be? Or do you just like spreading it around a bit? I like to spread it around. It’s validating to release on other labels with artists you respect and helps build connections and sense of community. Rise & Shine was a really personal album, recorded over a couple of weeks while my dad was in the hospital for a heart attack he had on Valentines Day 2011.The initial release was lathe cut on the 14 chest X-Rays from the surgery. The personal aspect of that album was my reasoning for self releasing. I never wanted Scissor Tail to become a vanity label, though I don’t judge anyone who self-releases on their own imprint, since in a lot of circumstances it’s the only way to make any money on an album unless you tour a lot or release on larger labels like Drag City or Thrill Jockey, who press in larger quantities and split the the profits generously with the artists. One of my favorite artists is a guy named Zach Hay, who has self released three LPs, each one under a different name. He turned me down on releasing his stuff and I also tried to see if he had any interest in being on that Imaginational Anthems compilation this year and he turned that down as well. I highly recommend checking out his albums: Bronze Horse, The Dove Azima, and Green Glass, which came out last year and I got to do the album artwork for the release. I really respect his artistic integrity and vision for each release, which is apparent on each album.

What made you decide to start your own label? Was it originally simply as a vehicle for your own releases or had you always intended to release stuff by other artists? The label started as a way to release various recordings my friends were making that they were sitting on or didn’t think were good enough to share. In Tulsa, I feel like a lot of the musicians in town hold themselves up to really high standards. Most the musicians around here take influence from the rock gods like Clapton and JJ Cale and overlook or just don’t know about all the folks who are making careers doing more original or experimental music. It’s a consequence of growing up cut off from any kind of underground scene and living in the radio bubble. My brother and some of our friends growing up would mess around with instruments and electronics for fun and the recordings would just end up buried on a hard drive somewhere. I felt they were really good and wanted to share them with people, so that was the initial motivation for starting the label. I have to give credit to Brad Rose, who runs Digitalis Recordings, for letting me hang out at his apartment and bug him with questions. Is there any particular label ethos or principle you work to? Not really, I just think labels should be transparent with where their funds go. The cost of production and so on. When it comes to tapes, I run Scissor Tail the same as every other tape label, where 20% of the stock goes to the artist. With vinyl, I’ve been doing 60/40 split with the artist - 60 to the artist, 40 to the label. I think the indie-industry standard is 50/50 profit split, which is what I’ve done with a couple of the more recent artists, who were kind enough to suggest that to me. Immune Records has a great ethos - as well as the labels I mentioned earlier, Drag City and Thrill Jockey. Am I right in thinking you proactively seek out the music you want to put out rather than responding to demos? It’s about half and half. Most of the tapes I put out came to me as demos, but a few of them were open invitations. The LPs on the label were mostly sought out. The only one that came in as a demo was this new album by Chuck Johnson that should be out in June. What are you looking for in an artist when you’re deciding what release? You’re building up an impressive body of work. Are there any releases you are particularly proud of? I’m interested in music that has a timeless feel, which is why a lot of the releases on Scissor Tail are guitar or drone related. Solo acoustic guitar, in my opinion, stands outside of time to a certain degree. If you were unfamiliar with Fahey, you could hear one of his albums and not know what decade within the last 60 years it was recorded. The same parameters don’t necessarily apply to drone music, because it’s generally electronic and that sort of limits the time frame when it could have been recorded, but it still has the same effect on the listener because of how minimal drone music tends to be. Gavin Bryars’ Sinking of the Titanic sounds as amazing today as it did in 1970 and will sound amazing when the sun burns out. Could you tell us a bit more about the Bruce Langhorne reissue? That release certainly put the label on the map. I just got lucky and wrote to him at the right time and offered him a really good deal. He’d been approached by a few labels to release it over the years, but I think it was just a timing thing or possibly the previous offers weren’t to his liking. The attention to packaging and presentation is consistently high, which for me at least, is an important aspect to running a label that puts out physical releases. Could you tell us a bit about your approach to this? Packaging and designing is my favorite part of running a label. If all I was doing were financially backing albums, I would have quit a long time ago. I really enjoy playing a creative role in each release, whether it be designing the artwork, doing the letterpress printing in my garage or seeking out other visual artists that fit the music. It’s really satisfying when it all clicks. There’s a lot of creative decision making that comes with running a label that keeps me constantly inspired. What’s the deal with cassettes? Do you just like the format or is it about cost and convenience for short-run releases? Is there anything consciously retro about using them? I love tapes! Everything about them. I love the nostalgia, the size, the sound, the fact that they make ripping music a pain in the ass. If you don’t offer downloads, someone has to spend a lot of time recording a tape to digital, separating the tracks, then bouncing them down and uploading them to the internet. It’s a whole process, and I just like the idea of manufacturing rarity, which I know is a bit controversial among the music community, but I’m all about it. Tapes are definitely also about cost: there are so many tapes I would have loved to put out on vinyl, but just didn’t have the funds. Also If you’ve ever been to a festival or music convention, people hand out CDs like business cards. In my opinion, it completely devalues the listening experience, where with tapes and vinyl, you have to sit down and take time to listen to. Can you tell us what you’re listening to at the moment? Any hot tips or recommendations? I’m listening to Kurt Vile a lot. I think he’s one of the best songwriters around. I also really love this album by Stephen Steinbrink that came out in 2013 called Arranged Waves. I’ve really been trying to seek out happier, less melancholy music lately. It seems to be hard to find outside of gospel, reggae, and traditional African music. I do listen to a lot of celtic music - Nic Jones, Andy M. Stewart, Dick Gaughan, Andy Irvine, Kevin Burke… I’m also pretty obsessed with anything Madlib puts out and another hip hop producer on Stones Throw, by the name of Knxwledge. Can I be a guitar nerd and ask you what you play and what you like about them? I lucked out three times via Craigslist and was able to acquire a 1949 Gibson LG2 in damn near mint condition for $350. I also play a 1921 Weissenborn Style 1 that I found on Craigslist in Florida. The guy who had it bought a storage unit on auction and there was a guitar inside that he knew very little about and so I snagged it from him for pretty much dirt cheap. My electric is a low end Mexican Tele. My pedal steel was a steal - haha - got it for $800 off a meth head in Tulsa who played in a cover band called Whisky Stills and Mash. It’s a 60s double neck Sho-Bud. I’m also fond of those lawsuit Suzuki guitars. What’s in store for you next - both in terms of your own music and Scissor Tail? I’m finishing a follow up to my first LP, Rise & Shine. It’s been in the works for the last two or three years. I also have those collaborations I mentioned earlier with Wooden Wand and Tashi Dorji. And then a lathe release with a bunch of other guitarists, Daniel Bachman, Tash and some other folks. That’ll be out on a really great label called Cabin Floor Esoterica probably later this year. A Talk West tape with Sic Sic out of Berlin in a couple weeks. As far as Scissor Tail goes, there’s quite a few things coming out this year. Chuck Johnson’s new LP called Blood Moon Boulder, which I’ve been busy letter pressing all the jackets for this last month. An album by another Oakland based guitarist and friend of Chuck - Dibson T Hoffweiler - that will be out May 7th. There’s a handful of tapes about to drop and an LP by Willamette that should be out in the Fall or Winter depending on how quickly we figure out the album art. Lotsa stuff brewin. Anything I should have asked you but didn’t? Nope, all bases covered. Thanks!

https://scissortail.bandcamp.com/

#dylan golden aycock #scissor tail #american primitive #cosmic american

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buttonholedlife · 5 years

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A Chat With Grounded Concept Resident Pablo Mateo About His Adventure With Techno-- Telekom Electronic Hammers

Unless you stay in Berlin, there is actually a possibility that you have not yet been aware of Pablo Mateo, but that's very soon to transform. The Berlin-based selector and developer, that is actually a citizen of the urban area's approved Ground Concept techno celebrations, has actually just released, his debut album on Len Faki's Amount trace.

It is actually a praiseworthy job that, after his previous launches on Marcel Dettmann Records, LACKREC, Dred Records as well as Perish Orakel, features an especially atmospherical, experimental-edged approach to techno. Once the release is out, TEB senior editor Sven von Thülen met with him to locate out additional concerning his creation methods and the tests that he is actually looked at on his long route to global recognition.

You have it minor comfortable below. Are you the sort of manufacturer that is actually a lot more efficient when you can fall out of the bed as well as land in the studio? I enjoy the concept of having my own musician workshop, certainly not only a studio space. Specifying my studio up in your home was a real game changer for me. Prior to that I was actually always in a studio complex. For some time, I truly treasured having the capacity to bang it out as noisally as I really wanted, whatever time of the day it was. Ultimately, I recognized that I required a various setup to actually be actually able to produce songs in the method I yearned for to. I need to have an informal atmosphere. I can easily nerd out and also issue on my own along with tiny audio information and after that recoil and most likely to yet another space, rest, checked out a publication as well as widen my focus once more. That is actually definitely essential to me.

Just how did that relocation influence your way of generating as well as your audio? I learned a load concerning sound once I was compelled to create on a reduced loudness level. Also because of the speakers I bought when I relocated, which are actually very crystal clear and also permit a very spatial paying attention experience. Developing a man-made space is actually one of my greatest objectives as well as passions. Bodily modelling is actually absolutely interesting. I think you can hear that in my songs, particularly on my launching cd. My rational hearing capabilities and also my audio design and also post development chops have actually developed a whole lot over the final 2 years. I definitely immersed myself in the entire process and in every parts of audio. Consequently, I began to perform a considerable amount of engineering and also mixdown help others, too.

Somehow, I constantly assumed of you as a developer who strolls the great pipes in between dubby house as well as techno; tech-house if you will. Your debut album, Odd Reflections Beyond The Skies, now completely welcomes techno. I constantly thought about on my own as a techno producer. If you pay attention to my album, you may listen to that, for me, beat is actually certainly not the defining character of a keep track of being a techno monitor or even not. For me, the way you create your music describes it. If you inevitably function along with devices, you are bring in techno. I could possibly simplify enjoy this: If you can not recreate your popular music and also its own feel with a heart band, then you are bring in techno. Technology goes to the center of it. I am actually a synthesis nerd. That's what's intriguing to me.

I expect that my expectation that your outcome had an emphasis on home was a misconception. I obtain where you're coming from. I examine my old reports as studies. They were actually all stepping rocks to lastly manage to produce my noise; my own music voice. 2 of my largest impacts are Basic Stations and also Omar S, as well as up until recently you could really hear that.

Prior to your cd, you 'd only discharged on a crack EP with Juxta Role on Body. It's type of uncommon to discharge an album just before a solo EP, isn't it? I fulfilled Philipp Welzenberg, the tag supervisor, in a comical instant. His cars and truck had just been actually towed due to the police, as well as he was pretty pissed off. I was actually trying to make tiny talk, yet he had not been possessing it in any way. He really did not mince phrases when he informed me that he is actually means as well pissed off at the moment for check chat. That actually amazed me. The way he handled his aggravation. It was true. The next opportunity we satisfied, our team performed talk, as well as I discovered that he was working with Figure, and also he knew some of my launches. From there it was actually a quite all-natural advancement. Ultimately, I gave Philipp a demo along with six tracks as well as, after paying attention, he and also Len were like, "Let's create an album!"

That have to possess believed great to hear. Were you amazed? It was actually terrific. They were actually the initial individuals to ever before inform me, "Do what you prefer. Our team enjoy to possess you, you embody our more experimental edge. Permit's do this!" They really did not wish to rename shit, they didn't also prefer me to edit or even change just about anything. After whatever that had happened in the past, this was actually therefore recovery.

What perform you suggest? A number of years back, I possessed the provide to offer a cd for a major techno label. I was on seventh heaven. I began to purchase tools, as well as for an even though, I truly thought I am only an in far from my huge break. When all of it dropped through, also after being reassured for one-and-a-half years that it wouldn't, I was actually really wrecked. Yet the fallout of this entire mess, which wasn't merely a company trait however also meant the edge of great friendships, possessed a break in the clouds.

Positive side, as in you took it as a course you had to discover? Absolutely. It was a reality examination. And I needed that. This whole instructed me to trust myself more. I asked myself, "Why am I making songs? What perform I yearn for avoid it?" Currently I know what I prefer, and also what kind of surrounding I would like to be actually component of. Enjoying my goals smash produced me a lot more devoted to my songs-- to finding out much more concerning the devices I use. One of the traits that still gets me often is that I had actually entirely approved this tip, this misconception that somebody will happen and offer me my major advancement. Often I ponder what would've occurred if I possessed only self-released all the keep tracks of that were actually blocked out for that album.

I think it's completely easy to understand that you will begin to hope a bit in the illumination of a provide that thought that a prospective activity changer. Yeah, possibly. I fell target to my own narcissism. All of it sounded therefore remarkable, to become part of this large point, that I shed on my own in a fantasy. I distributed whatever I had-- all my tracks. I went all-in without hesitating. Remembering, this is the a single thing that truly frustrates me.

What was actually different when you began to work with Physique? They offered me carte blanche. Coming from the first day, they have actually offered me the sensation that they are actually 110% supporting of my musical eyesight. I rated right into the staff, as well as our team complied with at eye degree. That is actually really significant to me at presents.

This content was originally published here.

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theteenagetrickster · 5 years

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The 50 Best R&B Albums of The Decade (2010s) - Rated R&B

If there’s one genre that has experienced the most sweeping changes in the 2010s, it’s R&B.

From the survival of the EDM phenomenon to the decline in music sales to more artists taking the independent route, this decade seemed to prevent more challenges for established and emerging artists.

And let’s not forget about the ongoing debates about “the state of R&B” and critics declaring R&B a “dead genre” on more than occasion.

Still, with all the harsh talk about R&B, what remained consistent throughout this decade was the generous amount of extraordinary music from the artists we always adored to the ones we grew to love.

After many internal debates and sleepless nights, Rated R&B’s editorial team has compiled an unranked list of the 50 Best R&B Albums from the 2010s. The albums are listed in alphabetical order.

1. 4 — Beyoncé (2011)

Before the digital drop, before she got in formation, and before she renamed Coachella ‘Beychella,’ Beyoncé was laying the foundations of legendary status with 4. Riding high on the success of I Am… Sasha Fierce in the previous decade, Beyoncé took a much-needed hiatus from music to rediscover the world and herself. What came out of that year-long break, however, was the need to produce a timeless R&B record. “I really focused on songs being classics, songs that would last, songs that I could sing when I’m 40 and when I’m 60,” Beyoncé said in 2011.

With 4, Beyoncé grabbed pieces from all eras of music, from ‘80s and ‘90s R&B on tracks like “Party” and “I Care” to ‘70s funk and Afrobeat on songs like “End of Time” and “Run The World (Girls)”, to create a sound that was bolder than anything she had ever done. Released in 2011 with moderate initial success — reaching number one on the Billboard 200 chart and winning the Grammy award for Best Traditional R&B Performance at the 55th annual ceremony for “Love on Top”— 4 set the precedent for what was to come in the 2010s, while slowly being embraced as Beyoncé’s bravest, most soulful record to date. — ANDERS HARE (A.H.)

2. A Seat at the Table — Solange (2016)

To encapsulate a significant portion of what it means to be Black in America is a difficult task. Not many have been called to it, yet Solange willingly hit the nail with much accuracy on A Seat at the Table. Inviting the general public to her spread, she expressed the pain, anguish, resilience and pride one can feel on a daily basis. Solange covers as many necessary bases as possible including wanting a piece of something to call your own in a covetous space (“F.U.B.U.”) to establishing boundaries, while demanding respect (“Don’t Touch My Hair”). The glimmer of hope in the beautifully melancholy number arrives towards the end with “Junie,” inspired by Ohio Players member Junie Morrison. In a little under an hour, the multidisciplinary artist gives way to an intricate experience in a manner that is complex and poetic. — DANIELLE BRISSETT (D.B.)

3. Another Round — Jaheim (2010)

As the title suggests, Jaheim returned for Another Round of passion-fueled belts and beloved street poetry on his fifth album. Serving as the solid follow-up to The Makings of a Man, the 2011 Best R&B Album contender is essentially an album that conveys thoughtful lyrics and tender ballads and midtempos with familiar and fresh sounding instrumentals. For the pre-album single, “Finding Your Way Back,” Jaheim works hard to retrace his last steps to rekindle a favorable romance. He expresses excitement to be a first-time dad on “II Pink Lines.” On the piano-laced “Bed is Listening,” Jaheim asks his talkative lover to keep their relationship troubles and joys only between them. A deserving listen to Another Round is highly recommended. – ANTWANE FOLK (A.F.)

4. Anti — Rihanna (2016)

Barbadian-born singer Rihanna has long been described as “anti”— going against the grain in fashion, music and lifestyle choices, and doing everything an icon shouldn’t. While her first seven albums detail her narrative of a “good girl gone bad,” none of them really tell Rihanna’s true story. When in the early stages of her eighth studio album, Rihanna ensured she played a major role in its inception, serving as executive producer. She sought to create a timeless album with replay value she could perform years after its release. The final product was Anti, an album nearly four years in the making that truthfully recounted Rihanna as a human being better than any album she previously released. Sonically, the album is a soulful adventure of self-exploration and a footprint of the culmination of every sound in Rihanna’s catalog. Anti earned Rihanna five nominations at the 59th Annual Grammy Awards, however, did not win a single one. This defeat is symbolized as a body of work that is ahead of its time. Still, Anti remains one of the most progressive, personal, and touching albums of the 2010s. — A.H.

5. Anybody Wanna Buy a Heart? — K. Michelle (2014)

K. Michelle’s 2013 debut, Rebellious Soul, officially introduced her as one of the most unfiltered R&B storytellers, but her follow-up LP is the moment her undeniable talent couldn’t go unnoticed – even by her Love and Hip-Hop naysayers. That said, Anybody Wanna Buy a Heart has it all for a second album: a strengthen concept, sharper lyrics, and improved quality in production. Throughout AWBAH, K’s expressive vocals are equally as emotional as the love drama she belts. At the center of many of the complicated lyrics is acclaimed English actor Idris Elba, who she had an alleged fling with sometime before (or during) this album recording. K isn’t modest about the effect he’s had on her heart at the least on songs like “How Do You Know?” and “Maybe I Should Cry.” But, regardless of the heartache he caused K. Michelle, she mustered up enough strength to put out a body of work that doesn’t sound like anyone but herself. – A.F.

6. Art Official Age — Prince (2014)

Prince’s Art Official Age is a concept album that takes listeners on a futuristic journey. Prince is placed in a suspended animation and awakens 45 years in the future to a whole new world. British singer Lianne La Havas makes a few appearances on the album as she plays the role of a therapist who helps guides him back into consciousness and gives him an overview of what to expect. On Art Official Age, Prince showcases the highly influential funk-pop-rock-soul sound he innovated in the ‘80s. “Clouds” serves up the kind of bass-heavy, guitar-accented groove diehard Prince fans know and love. A celebration of affection and intimacy, this standout brilliantly decries the impersonal aspects of modern, technology-reliant communication and a lack of sincerity in human interaction in a world of “reality”-show posing.

“Breakfast Can Wait” is an ode to morning sex. Prince is in stellar form on “Breakdown,” a heartfelt lament of a relationship gone wrong. He puts his falsetto to great use over a stirring track that transitions multiple times between sparse, vocal-and-keyboard-only verses and a chorus with those elements effectively joined by drums and a gripping bass line. He closes the album with “Affirmation III,” where Havas helps spread encouragement with some words of wisdom. “Remember, there is really only one destination, and that place is you. All of it, everything, is you,” she says. — KEITHAN SAMUELS (K.S.)

7. Back to Love — Anthony Hamilton (2011)

It’s hard to resist the raspy-voice charm of Anthony Hamilton. On Back to Love, the veteran continues to showcase his strong admiration for old-school soul music found on most of his previous albums. This time, rather than wallow in “the sad cat” persona, Hamilton puts his emotional outbursts in check and delivers the shimmering danceable number “Sucka For You” and the reassuring duet “Never Let Go” featuring Keri Hilson. Despite the bright lights, big city production influences, Hamilton isn’t out of touch with his Southern roots. On “Pray For Me,” the hit single, he gets on bended knees to plead with the Most High for his ex-lover to return to him. And like a home-cooked meal, richly flavored tracks “Best of Me” and “I’m Ready” are like food to the soul. — A.F.

8. Back to Me — Fantasia (2010)

Fantasia’s third studio album, Back to Me, was released four years after her self-titled sophomore LP. Taking a more daring direction with the previous project, Fantasia returned to her core elements with an elevated sound. The American Idol winner’s growth was evident on this album, from the lyrical material to the vocal performance. She collaborates with accomplished songwriter/producer duo Claude Kelly and Chuck Harmony for the first time on the initial single “Bittersweet” and the opening track, “I’m Doin’ Me.” Coming out swinging, track one sets the tone for what’s to come throughout the rest of the album. While the striking piano is a key piece, it’s Fantasia’s ad-libs and backgrounds that truly elevate and amplify the song’s magic. A few retro-leaning numbers (“Trust Him”, “Collard Greens & Cornbread”) make an appearance on the tracklist but Fantasia’s soulful grit produces a piercing comfort, connecting a seasoned energy to a contemporary feel. — D.B.

9. BEYONCÉ — Beyoncé (2013)

The world stopped momentarily when Beyoncé released her fifth studio album without any warning. Two years after 4, her eponymous album was in a league of its own from the rollout to its musical landscape. Fans got an authentic peek into Beyoncé’s personal life through the music for the first time; bringing us into her high profile marriage, motherhood and her views on success. Beyoncé experimented with a variety of different musical elements, including electronic and pop. It leaned towards an alternative R&B feel, straying from the traditional R&B sound that was prevalent in her previous body of work. Even though eccentricity flowed throughout the album, “Rocket” was R&B at its core. Honoring “Untitled (How Does It Feel) by D’Angelo, the soulfully funky slow jam oozes seduction as Beyoncé slides across the yearning electric guitar and thumping bass. The self-titled project contained an assortment of flavors that were unexpectedly satisfying in a way only Beyoncé can serve. — D.B.

10. Black Messiah — D’Angelo and The Vanguard (2014)

D’Angelo is a legend among men. As one of the pioneers of neo-soul, his weighted contribution to the movement would be inadequate without him. He made his long-awaited return to music 14 years after his sophomore album Voodoo with the politically-charged Black Messiah. It was slated for a 2015 release but he was inspired to push the date up due to the verdicts of the Eric Garner and Ferguson cases. Capturing the Black American experience during a tense time, D’Angelo and The Vanguard responded with an eccentric, yet spiritual album. Musically, Messiah is a rebellion from structural norms, with nearly inaudible lyrics that are intended to be felt and not necessarily understood word for word. Intertwining funk, soul, gospel and blues, there’s a wide range from societal issues (“1000 Deaths,” “The Charade”), to romance (“Really Love,” “Another Life”) and all the imaginable feelings in between. The intricately beautiful body of work rightfully earned the award for Best R&B Album at the 58th Grammy Awards. — D.B.

11. blackSUMMERS’night — Maxwell (2016)

“It’s an album about trying to find love,” Maxwell told Mic on the overall theme of blackSUMMERS’night. “It’s sonically grittier than usual and I’d say that this album is much more poetic.” Complied with well-written songs that weren’t crafted from any rushed recording sessions, this second album of a romantic trilogy covers a lot of ground on discovering true romance like on the splashing groove “Lake By the Ocean” and captive solo “Hostage.” In a vulnerable fashion, Maxwell opens his heart and mind to a hopeful lover on the mood-setting “Listen Hear.” His distinctive voice extracts intense pain on “Lost,” the darkest and finest moment. Now while blackSUMMERS’night doesn’t entirely follow the bluesy formula of BLACKsummers’night, his commercial breakthrough, it’s most definitely an R&B collector’s item. – A.F.

12. Calling All Lovers — Tamar Braxton (2015)

There’s something to be said for not trying to reinvent the wheel. Despite a strong sophomore album and a hit single (“Love and War”), Tamar Braxton didn’t go after the charts for her third studio LP. Instead, the R&B star upped the ante on Calling All Lovers by delivering fervent vocals to yearn downhearted and joyous love tunes like the vintage-soul ditty “Simple Things” and summery throwback “Must Be Good to You.” Braxton is at her best when she sharply focuses on her vocal powers, as she does on the sorrowful “Broken Record” and the eminently romantic “Raise the Bar.” So while Calling All Lovers is written off by many as a disappointing follow-up because it didn’t receive a proper commercial rollout as its parent album, it is an incomparable gem that’s proved a hit after one fair spin. – A.F.

13. Caution — Mariah Carey (2018)

A music legend cannot release an album without high expectations from fans and critics. Throughout her career, Mariah Carey has always set and exceeded the bar of musical excellence with her impeccable vocal range and her mesmerizing lyrics. Caution, Carey’s 15th studio album, proved why she has been able to sell over 200 million records throughout her career. Whether she’s singing tender ballads like “With You” and “Portrait” or showing off her playful side on “A No No” and “GTFO,” Caution pleasantly reminds the world that there are levels to Carey’s talent. — K.S.

14. Ctrl — SZA (2017)

The first lady of Top Dawg Entertainment crafted a playbook on self-awareness, boldness and reflection on Ctrl. SZA, along with her mom and granny, narrates the ebbs of flows of self-discovery in numerous aspects. Along the interestingly insightful journey, the alt & B singer stops at sensuality (“Doves In The Wind”), insecurity (“Drew Barrymore”) and acceptance (“Normal Girl”) with an ever-changing destination in sight. She takes flight on “Pretty Little Birds” featuring label-mate Isaiah Rashad. The lucid lyrics about soaring high with her lover are stretched across palpitating production with fluttering jazz horns and synths. SZA quaintly captures the nuances of growth in a way that was widely and immensely felt upon her release. Her full-length debut is a comforting coming of age album for young women in their 20-somethings, stepping into their own. — D.B.

15. Doubleback: Evolution of R&B — Joe (2013)

It doesn’t get more soulful than Joe. The Grammy-nominated veteran, who debuted in 1993 with the album Everything, effortlessly proves that he’s untouchable in the romance department. By merging elements of well-rendered vocals, convincingly tender lyrics, and classic and modern R&B feels, Doubleback: Evolution of R&B is a stroke of pure genius. Never sounding too dated, Joe reaches back to give his male listeners lessons on the beauty of settling down like on “I’d Rather Have a Love,” the yearning lead single. He breaks down the pleasurable difference between “Love & Sex” with Fantasia and indulges in the sweet company of “Mary Jane.” Doubleback is another reminder to bachelors that there’s nothing wrong with turning in your player cards, once and for all. – A.F.

16. Ego Death — The Internet (2015)

The Internet’s third studio album was a wake-up call to anyone who slept on the eclectically soulful band. While their sophomore effort floated in the lo-fi realm, Ego Death took the tempo up a notch. Building on their neo-soul adjacent sound, they pulled from alternative, jazz and lounge music elements to create a body of work that is expansive, yet focused. A common thread for Ego Death is the relaxing, easygoing tone, appropriately displayed in “For The World” featuring James Fauntleroy — a track that shares a similar groove to “Butterflies” by Michael Jackson. The Internet’s melodic palate transformed from a mystic vibe to a soul knocking sound on their third album; proof they’ve grown from being the adolescent band next door to a musically inclined group who’s pushing their sound further. — D.B.

17. ELDORADO — Ro James (2016)

Ro James summons an authentic essence of soul. With a husky and smoldering timbre, his ability to bridge the musicality of his forefathers and his personal influences enhance the listening experience. James pulls from rock, soul and gospel to create a rich and fortifying sound. His trilogy EP Coke, Jack and Cadillacs was released in 2013, simmering a carefully crafted energy that steadily lured fans in.

Three years later, his debut album ELDORADO solidified a lane solely reserved for James to cruise along. His Willie Hutch-sampled track “Permission” took over urban adult contemporary radio and promptly aided his growing success. ELDORADO would be incomplete without hazy and seductive tracks like “Burn Slow” and “GA$” but “Holy Water” contributes a contrasting but necessary element. Swelled with sonorous organs, James belts about becoming better and not losing himself with choir-adjacent backgrounds for full support. For his first major-label release, James leaves an undeniably lasting impression. — D.B.

18. Feel The Real — Musiq Soulchild (2017)

When it comes to love, Musiq Soulchild has a lot to say. Released as a double album, Feel The Real is a 100-minute expedition through the different stages of a relationship. “I kinda wanted to do the whole Feel the Real thing because this love thing, this romance thing, this relationship thing, this interpersonal intimate thing we deal with it’s all about how you feel,” he told HipHollywood. “You can’t think your way through it.” The title track, which features Marsha Ambrosius, hears Soulchild shooting his shot at a woman he is interested in pursuing.

On the same token, he isn’t looking to settle too quickly. He gets very candid on “Benefits,” where he only wants to be friends with benefits. He admits his wrongdoings on the Willie Hyn-assisted “My Bad” and asks his partner to do the same on “Humble Pie.” “Let Go” is about knowing when it is time for both partners to move on from a relationship. With everything he experienced in his previous relationship, Soulchild wants to make sure he is ready to make his heart open for the next person. “Test Drive” is about testing the waters before settling down. “We could both crash and burn or we could fly high / Couldn’t hurt to take a test drive,” he sings. Soulchild expresses his gratitude on the album’s closer “Simple Things.” Although the album is a lot longer than traditional releases, Soulchild makes the experience enjoyable with his velvety vocals laced over live instrumentation. — K.S.

19. Freudian — Daniel Caesar (2017)

The early 2010s consisted of R&B artists trying to keep up with what was contemporary, with many gravitating toward pop, alternative and EDM. On the contrary, Ontario-born singer-songwriter Daniel Caesar spent much of the early 2010s being recognized as a budding voice in classic R&B stylings with the release of several scattered EPs such as 2014’s Praise Break and 2015’s Pilgrim’s Paradise. However, Caesar’s debut album Freudian became a constant revisit for casual listeners of the genre after its release in 2017. The obvious nods to gospel music on tracks such as “Hold Me Down” and “We Find Love” adds a natural anointing to Caesar’s smooth sound. However, it is songs such as “Blessed” and the H.E.R.-assisted “Best Part” that elevate Caesar to timeless status, as both became radio and wedding mainstays, respectively. While everyone else was making moody, aesthetically-pleasing sounds, Caesar created a timeless record that offered a little something for everyone.— A.H.

20. Greater Than One — Dwele (2012)

Dwele is arguably one of the most underrated neo-soul singers. The Detroit native’s fifth studio album, Greater Than One, is proof in the pudding. Drawing inspiration from ‘80s R&B, Greater Than One highlights various topics surrounding a relationship. From missing out on love (“Going Leaving”) to knowing how to keep his woman happy (“What Profit”) to avoiding temptation (“Frankly My Dear”), the subject matter is relatable for anyone who has ever experienced a relationship. A standout moment on the album is the eargasmic “Obey,” an alluring tune where Dwele takes complete control in the bedroom as he instructs his woman to submit to his orders. Looking back, Dwele stepped outside of his traditional sound for Greater Than One, all while staying true to his artistry. — K.S.

21. Gumbo — PJ Morton (2017)

There is no place like home. PJ Morton returned to his New Orleans roots for his fourth studio album, Gumbo. With just nine tracks, the introspective LP is seasoned with intense topics that are most personal to him. On “Claustrophobic” featuring Pell, Morton vents about his frustrations in the music industry, making it clear that he is not interested in chasing trends. He offers hope to the marginalized on “Everything’s Gonna Be Alright” featuring BJ the Chicago Kid and The HamilTones. “Religion” hears Morton calling out people who use religion to justify their bad behavior, singing, “But you blame your God when it’s your own fault / Where is the love that your God spoke of?” He celebrates lifelong love on “First Began,” which was nominated for Best R&B Song at the 2018 Grammy Awards. The album also received a nomination for Best R&B Album. — K.S.

22. H.E.R. — H.E.R. (2017)

Before she was the ominous, multitalented music virtuoso known as H.E.R., California native Gabi Wilson first appeared on a radio talent competition Next Big Thing in 2009, ultimately losing. However, it was not until she put on a pair of massive sunglasses to cover her face, changed her name to the acronym Having Everything Revealed, and released an eponymous debut EP that H.E.R. became a slow-burning sensation everyone wanted to know. A compilation of her first two EPs released in 2016 and 2017, respectively, H.E.R. is the diamond that emerged from the coal that came with the introduction of alternative R&B in the mid-2010s: a purely R&B album that is true to its roots, yet can easily compete with the fiercest competitors. H.E.R. received several nods from critics and contemporaries alike, including a co-sign of the album’s second single “Focus” from Rihanna.

With just one feature on the entire project, H.E.R. puts her messages of love, regret, pain, and pleasure at the forefront of the album on songs such as “Rather Be,” “2,” and “Losing.” Although not a radio-heavy project, the resonance of H.E.R. made it all the way to the Grammy stage, earning the singer-songwriter Best R&B Album, and Best R&B Performance for her duet “Best Part” with Daniel Caesar. While she still has yet to put out a proper debut LP, H.E.R. remains a staple of the 2010s as the world waits to see what she will do next. — A.H.

23. Honestly — Lalah Hathaway (2018)

Lalah Hathaway’s first studio album on her independent imprint followed her pair of Grammys won for her 2015 live album. All-around musician Tiffany Gouché is involved with each song on Honestly, pushing Hathaway into a more free-spirited and adventurous territory sonically than her previous albums. Fortunately, this bold play works to the polyphonic-voiced singer’s advantage. Everything from Honestly is a mood. “I Can’t Wait” beams with feel-good vibes to get any party started. The Lecrae-assisted anthem “Don’t Give Up” is a large dose of reassurance, while “Won’t Let Go” ducks and dodges an obsessed ex. And while her rich, warm overtones are attached to nostalgic video game noise, it doesn’t seem scattered or muddled. It’s actually a positive step in the next direction of Hathaway’s elevated artistry. – A.F.

24. In My Mind — BJ the Chicago Kid (2016)

With the many directions R&B has taken, only a few have been able to elevate the genre while staying true to its core elements. When BJ the Chicago Kid independently released his debut album Pineapple Now-Laters in 2012, he garnered attention with his soulfully robust voice, suggestive of prominent hometown soul singers like Sam Cooke and Curtis Mayfield. Six months later, he signed a deal with the famed Motown Records where he released his major-label debut, In My Mind.

By injecting the quintessence of his forefathers into his resonating sound, BJ evidently distinguished himself from his peers. He makes use of his storytelling skills on a tale of infidelity on “Wait Til the Morning” featuring Isa. On the sensual track “The Resume” featuring Big K.R.I.T., BJ channels the computerized ’90s energy by way of Jodeci. He closes the album with “Turnin’ Me Up,” a soothing and irresistible acoustic number with the impromptu spirit of a jam session. BJ presents a modern take on soul music with In My Mind, while keeping the spirit of the music form alive. — D.B.

25. Kaleidoscope Dream — Miguel (2012)

Miguel had a lot to prove with his sophomore album, Kaleidoscope Dream. His debut All I Want Is You was the spacey and rhythmic introduction to his genre-melding talents, yet it wasn’t well-received upon its release. Taking significant creative control this time, Miguel returned to the drawing board to create an imaginative fusion of psychedelic soul, rock and R&B. The album begins with “Adorn,” the feel-good throwback-adjacent single that matured into a classic over time. As the ear-bending journey continues, the title track is more than fitting of its name, navigating a chromatically rippling number that’ll take listeners to another plane. The daringly neoteric direction Miguel took resulted in him becoming a regarded voice among male R&B. — D.B.

26. Late Nights & Early Mornings — Marsha Ambrosius (2011)

As half of the neo-soul duo Floetry, Marsha Ambrosius is one of the pillars that fused rap, soul, and jazz to create the genre nearly 20 years ago. It was these elements and a sultry, operatic voice that are the driving force behind her debut solo album Late Nights & Early Mornings. However, pushing the envelope even further, Ambrosius brought her unique form of storytelling into a new era and rewrote the book of grown and sexy for a new decade. She included clever scenarios in songs like “I Hope She Cheats On You (With a Basketball Player)” and “Far Away,” a tearjerking narrative that you feel just as hard as the sensual slow jams. The album debuted at number two on the Billboard 200 chart, and “Far Away” earned two Grammy nominations at the 54th Annual Grammy Awards in 2012. Late Nights & Early Mornings became less of a single project for one moment in time, but a mood for the right time of night, anytime. Whether those listening were feeling kinky, sad or just lying awake thinking about life, Ambrosius’ pen was there to get them through it. — A.H.

27. Love Life — Tamia (2015)

It’s hard to believe Tamia recorded her very solid sixth studio album, Love Life, in just 10 days. Taking an edgier approach than her previous works, Love Life is grown and sexy at its finest. “It’s not as deep and dark as some of my past albums; it’s in a better place,” she said in a past interview. The Canadian singer worked with a diverse group of songwriters and producers including The-Dream, Tricky Stewart, Pop & Oak, Chuck Harmony, Claude Kelly, Polow Da Don and The Stereotypes. The romantic album highlights the best moments of being in love — and could even serve as a guide on how to add a little spice to a longterm relationship. Tamia describes the feeling of falling in love with the opener “Love Falls Over Me.” On the album’s lead single “Sandwich and a Soda,” she gets submissive as she sings about taking care of her man in and outside of the bedroom. Speaking of the bedroom, Tamia doesn’t hold back on songs about making love (“Chaise Lounge,” “Lipstick” and “No Lie”). The album’s standout track is definitely “Stuck With Me,” which peaked at No. 14 on Billboard’s US Adult R&B Songs chart. Love Life is another example of how an artist can be intimate while leaving something to the imagination. — K.S.

28. Love, Marriage & Divorce — Toni Braxton and Babyface (2014)

Toni Braxton and Babyface’s Grammy-winning joint album Love, Marriage & Divorce is a quite satisfying collection of gorgeous selections that profile the romantic confessions of their lives. Working closely alongside heavyweight musician Daryl Simmons and Antonio Dixon, the two R&B greats cover past, present, and future love stories and share important experiences to provide healing for one’s relationship and heart. Passionately-sung numbers like “Where Did We Go Wrong?” minister on the power of listening, while “Reunited” supports mutual reconciliation. Other standouts include the remorse hit “Hurt You,” the love-drenched makeup tune “Sweat” and “I’d Rather Be Broke,” the bittersweet solo by Braxton. Needless to say, Braxton and Edmonds are a fine duo, and it’s a serious crime when they’re apart for too long. – A.F.

Stream: Apple Music / Spotify

29. New Amerykah Part Two: Return of the Ankh — Erykah Badu (2010)

Two years after releasing New Amerykah, Pt. 1 (4th World War), Erykah Badu followed up with the album’s sequel, New Amerykah, Pt. 2 (Return of the Ankh). While part one centered around politically-charged topics, part two is more personal as Badu focused more on her love life. Sonically, the album pulls inspiration from Badu’s early works like Baduizm. “The album is more emotional and flowy and talks about feelings,” Badu explained at a listening party in 2010. The obvious standout is her liberating single “Window Seat.” The controversial video, which shows Badu walking around nude in Dealy Plaza, ultimately led to her getting charged for disorderly conduct. Other highlights on the album include the funk-infused “Turn Me Away (Get Munny),” the cautionary “Fall in Love (Your Funeral)” and the buttery “Umm Hmm.” — K.S.

30. No Boys Allowed — Keri Hilson (2011)

Some fans and critics had to learn not to judge an album by its title when Keri Hilson announced her sophomore effort, No Boys Allowed. She explained the meaning behind the album in a press release, “It’s not about excluding men. It’s more about women understanding that there comes a time in your life when you want a man. A real man. A grown up. Not a boy. And that’s not a bad thing.” While Hilson’s debut album In A Perfect World was more on the safe side, No Boys Allowed saw the singer-songwriter more confident and open. Kicking off the album with her J.Cole-assisted banger “Buyou,” Hilson made is clear that she wasn’t about the shits. “You want a ride or die chick, baby / But you ain’t got a whip, baby / It ain’t gon’ happen / You don’t got shit, you need a walk or die chick, baby,” she sings in the second verse. After setting the record straight, she showed love to the ladies with her empowering anthem “Pretty Girl Rock,” which was co-penned by Ne-Yo.

Some of the best moments on the album are Hilson’s most vulnerable tracks. “Breaking Point” is about being fed up with a lover’s shenanigans. The bittersweet “Beautiful Mistake” is about regretting a past relationship. The John Legend-penned “All the Boys” hears Hilson reminiscing about relationships from her teenage years. At the time, she thought she was in love but later realized what true love is. “After all the boys that I thought I loved before I didn’t know what love was / Til you knocked on my door,” she sings. Hilson balances the emotional feels with flirty numbers like “The Way You Love Me” featuring Rick Ross, “Gimmie What I Want,” and the reggae-tinged “Bahm Bahm.” No Boys Allowed is a nearly flawless genre-blending album that can be played from start to finish without skipping a track. The hidden interludes make the listening experience even more enjoyable — even during some of the darkest moments on the album. — K.S.

31. Now or Never — Tank (2010)

Three years after releasing his Grammy-nominated album Sex, Love & Pain, Tank returned with more bedroom vibes on Now or Never. It was his first album to release under Atlantic Records, following his departure from Blackground Records where he released his first three albums. Now or Never is a coherent body of work that is filled with tender R&B tunes. With enticing titles like “Sex Music,” “Scream” and the Chris Brown-assisted “Foreplay,” the R&B General was on a mission to please his listeners in every way. Sonically, Now or Never is a lot lighter than its predecessor, which was done intentionally. “It’s a happier album, I’m appreciating more, I’m celebrating more,” he told The Boombox. Speaking of “Celebration,” his Drake-assisted track is among the standout tunes on the LP. “Emergency” is probably the most recognized song on the album. Borrowing the same melody as Pleasure P’s “Under,” which he also co-wrote and co-produced, “Emergency” sees Tank coming to the rescue to satisfy a woman’s needs in the bedroom. “When I got there, put her on the floor / She leakin’ but she still breathin’,” he sings. While Tank ended up releasing six albums this decade, Now or Never remains a staple in his discography. — K.S.

32. Passion, Pain & Pleasure — Trey Songz (2010)

By the end of the 2000s, Virginia native Trey Songz was a full-fledged R&B sex symbol. On his fourth studio album, Passion, Pain, & Pleasure, Songz builds on the slow jam catalog he’s become notorious for. Moreover, he expands his seductive pallet to include more than just sex, but more mature emotions like lust on songs like “Can’t Be Friends,” a rarity in the genre at the time. Also, the album spawned hits such as the Nicki Minaj-assisted “Bottoms Up,” which is certified four times platinum in the United States and reached number six on the Billboard Hot 100, becoming his highest-charting song to date. Outside of being a great album, Passion, Pain, & Pleasure was one of the only albums that remain consistently R&B through and through. While his contemporaries were switching it up to keep up with the times, Songz carried the genre into the next decade by starting off strong. Not only that, he inspired several future baby-making hitmakers in the genre. Passion, Pain, & Pleasure earned Songz several nods, including Favorite Soul/R&B Male Artist at the 39th Annual American Music Awards, and will forever be remembered as the album that paved the way for R&B in the 2010s. — A.H.

33. Perfectly Imperfect — Elle Varner (2012)

As the daughter of two published songwriters, it is no surprise why Elle Varner has a knack for storytelling. Her debut album Perfectly Imperfect via RCA Records is a compilation of relatable stories centered around love and self-acceptance. Varner worked closely with production duo Pop&Oak and her father Jimmy to craft one of the most noteworthy debut R&B albums this decade. Although her Grammy-nominated single “Refill” gets all the attention, there are quite a few gems on the album. With a sample from Kool & The Gang’s “Little Children,” “I Don’t Care” finds Varner going “into the deep end” with a guy and having no regrets about it. Over a funky bass, she tells her lover what she can bring to the table on “Leaf.” The closing track, “So Fly,” is probably one of the most important songs on the album. The uplifting tune is about accepting yourself — flaws and all. “So, I decided I’m the definition of fly / And if you want to know why / I know what money can’t buy,” she sings. — K.S.

34. Pieces of Me — Ledisi (2011)

First and foremost – Ledisi is one of the best R&B/soul vocalists of the last 20 years. The New Orleans native has made a name for herself as an artist who renders lovely, traditional R&B-styled compositions with thrilling jazz crescendos. For her third major-label outing and fifth overall, Ledisi doesn’t miss a chance to continue enticing R&B fans with more sensational vocal takes. Pieces of Me satisfies those deeply in love on joyous tunes like the tender “I Gotta Get to You” and everlasting ode “Stay Together” featuring Jaheim. Like the winning titular track, this remarkable set gives Ledisi a platform to be delightfully inspirational on empowering jams like the bluesy “BGTY” and the self-advocating anthem “Raise Up.” – A.F.

35. Raymond v. Raymond — Usher (2010)

Usher was undoubtedly a bonafide superstar in the 2000s. However, all of that changed with his marriage to Tameka Foster in 2007, and the Atlanta-native began to focus on themes of love and marriage. This caused a dip in sales for 2008’s Here I Stand, an album almost entirely inspired by his marriage to Foster. When the two unexpectedly divorced in 2009, it inspired Usher to create an album based on the situation as well as where he expected to go from there. Thus, Raymond v. Raymond was born. Seen as sort of a return to the sensual, yet pain-stricken Confessions of 2004, Raymond v. Raymond features some of Usher’s finest uptempo hits of the decade, including “OMG,” “Hey Daddy (Daddy’s Home)” and “Lil Freak.”

However, Usher’s sixth album saw him utilize the emerging sound of EDM for songs such as “DJ Got Us Falling In Love” and “Somebody to Love.” This new-found sound extended into Usher’s hit love song “There Goes By Baby,” a wedding song for the ages. Raymond v. Raymond won Usher two Grammy Awards in 2011, including Best Contemporary R&B Album and Best Male R&B Vocal Performance. An album with features from Nicki Minaj, JAY-Z, will.i.am, and more, Raymond v. Raymond is Usher’s return to form for a new generation of R&B fans to discover. — A.H.

36. Reality Show — Jazmine Sullivan (2015)

When Jazmine Sullivan cleaned out her music industry cubicle in early 2011 to discover her true purpose in life, she left the world in complete shock. But, after nearly five years, the Philadelphia native had music admirers tuned into Reality Show, her third album. Ordering 12 songs, featuring studio input from the likes of SaLaAM ReMi, Key Wane, and Chuck Harmony, this phenomenal LP plays out overtly personal situations associated that are often a common narrative of many young Black women.

As a songsmith, with a knack for vivid imagery, Sullivan loads Reality Show with originals that seamlessly exalt her contemporary spirit like the trapsoul “Brand New” and down-chick anthem “#Hoodlove.” Some cuts sound like old favorites like the After 7-inspired hit “Let It Burn” and “Forever Don’t Last.” Other attention-holders stand in a league of their own like the introspective art “Masterpiece (Mona Lisa).” At the end of the day, Reality Show finds Sullivan singing with new conviction and versatility that makes her triumphant return to music more notable than other R&B comebacks. – A.F.

37. Souled Out — Jhené Aiko (2014)

Being off-brand isn’t Jhené Aiko’s motive. Resurfacing on the scene with her 2011 mixtape Sailing Soul(s), she introduced her newly-crafted sound that was more authentic to her artistry than her earlier work. Garnering recognition with her Sail Out EP in 2013, the debut album Souled Out concluded her motif. Aiko has remained steady on her music journey, refusing to let the industry steer her off course. Against an ambiently rhythmic background, her soothing voice lulls the sting of her realer-than-life lyrics. Aiko pulls from personal experiences and sets them in her songs, mirroring her reality with yours. With “Lyin King,” Aiko floats across the aquatic-like synths with a conviction that her lover will never know when a good thing is in his face. Souled Out is littered with philosophical gems, while providing a guide through the commensurating stages of heartbreak and enlightenment. — D.B.

38. Still Standing — Monica (2010)

The title says it all. Monica was Still Standing after a 15-year career of ups and downs. In the seasoned vocalist’s first album in four years, Monica capitalizes on the strength of her sincere duet with Keyshia Cole (“Trust”) and makes a triumphant return with age-appropriate uptempo and downtempo R&B tunes. The iron-solid hit “Everything to Me,” which marks her first-ever solo Grammy nod, takes its cue from Deniece Williams’ soulful single “Silly.” Monica keeps on the nostalgic path on “If You Were My Man,” while she lays her head on the chest of “Superman,” a soulful ode to her the man in the red cap. Other solid selections include the in-need banger “Here I Am” and the sappy ballad “Love All Over Me.” While Monica reflects mostly on love, she masterfully fuses songs about perseverance and self-importance on cuts like “Mirror,” “Believing in Me” and the survival title track. – A.F.

39. SweetSexySavage — Kehlani (2017)

There is a captivating nature about Kehlani. It could be her transparency, her charm or her confidence but all those aspects and more attribute to her debut LP SweetSexySavage. The Bay Area native signed a partnership with Atlantic Records, following the success of her 2015 mixtape, You Should Be Here. Her follow-up presented a refined body of work that remained honest to Kehlani’s discography. Tracks like “Too Much” and “Personal” lift melodies and song structures from the ‘90s and early 2000s without relying on obvious samples. She beams on “Piece of Mind”; her flawless harmonies perfectly compliment the consonantly layered production, reaching peak vocals by the 2:42 mark. Kehlani exhibits a vibrant synergy of her inspirations with her artistry on her debut, successfully providing songs for the sweet, sexy and savage sides in all of us. — D.B.

40. The Electric Lady — Janelle Monáe (2013)

Janelle Monae’s imagination is aptly cinematic. From her debut EP Metropolis: The Chase Suite, Monae showcased her well-rounded vision by introducing the story of her alter-ego, android Cindi Mayweather. As the prequel to The ArchAndroid, the afro-futuristic dystopian tale of The Electric Lady directs with a livelier soundtrack. Pulling inspiration from the early eras of soul music on tracks like “Dance Apocalyptic,” Monae shows she is a true student of those who came before her. She creates a sonic time chamber of sorts and lingers in the ‘70s on “It’s Code” and “Can’t Live Without You,” which takes a page out of Stevie Wonder’s book. Skillfully bridging the past, present and future of R&B, Monae brings Prince, Solange and Erykah Badu along as co-pilots for the electrifying ride to the world of Metropolis. — D.B.

41. The Lady Killer — CeeLo Green (2010)

CeeLo Green had the world shouting “Fuck You” at the start of the decade. The tell-off anthem was the lead single to his third solo album, The Lady Killer, and earned Green a Grammy for Best Urban/Alternative Performance in 2012. Sure, we can talk about how a song about a failed relationship with a gold digger was one of the biggest records at the time, but there is much more to be said about The Lady Killer. Best known as a member of the hip hop group Goodie Mob, Green steered clear from rapping this time around on his soul-infused project. “I thought The Lady Killer sounded edgy and elegant at the same time. So I wanted something like James Bond, but like Barry White would do it,” he told Billboard in an interview. Green introduces his “Lady Killer” persona on the opening track, before living his best life on the catchy “Bright Lights Bigger City,” which has a looping bassline similar to Michael Jackson’s “Billie Jean.” Green keeps his listeners engaged with his dynamic vocal performance throughout the rest of the album. Some of his best vocal moments can be heard on “Love Gun” featuring Lauren Bennett, “Fool for You” featuring Earth Wind & Fire’s Philip Bailey and the classic Motown-tinged “Old Fashion.” — K.S.

42. The Light of the Sun — Jill Scott (2011)

After laying down the bricks of neo-soul with her epic The Real Thing: Words and Sounds trilogy in the 2000s, Philadelphia native Jill Scott ventured into acting, making her cinematic debut in the films Hounddog and Tyler Perry’s Why Did I Get Married? in 2007. Scott released The Light of the Sun, a dramatic sonic change from her previous work. As Scott’s first three albums dealt with self-discovery and maturation through mellow grooves and heavy jazz influence, The Light of the Sun had a brighter sound than anything Scott had ever released. Having given birth to her son Jett in 2009, the album reflected Scott’s happiness at the time as she celebrated life and love on songs such as “Blessed” and “So In Love” featuring Anthony Hamilton as well as her proudful womanhood on tracks such as “Womanmanifesto.” The Light of the Sun debuted atop the Billboard 200 and Top Hip-Hop/R&B Albums charts and earned Scott two Soul Train awards for Best Female Artist and Best R&B/Soul Album. Scott’s fourth album represents her transition from a young woman trying to find her way to a grown woman who knows exactly what she needs. — A.H.

43. The London Sessions — Mary J. Blige (2014)

As the only accomplished force in mainstream music to take home Grammys in four different genres, Mary J. Blige has earned the right to experiment with new sounds and depart from the musical style she’s responsible for pioneering. For her 12th studio effort, The London Sessions, the Queen of Hip-Hop Soul left the states and jetted across the pond to draw recording inspiration from the UK’s brightest stars, including Sam Smith, Disclosure, and Emeli Sandé. The deep house tracks “Nobody But You” and “My Loving” thrive on blissful lyrical material. Meanwhile, The London Sessions features acoustic, therapeutic ballads (“Not Loving You,” “Therapy”) that speak for themselves. Overall, this noteworthy disc sends an important wake-up call to the music industry: Mary J. Blige isn’t afraid of change if it means she doesn’t have to be boxed in. – A.F.

44. The Love and War MasterPeace — Raheem DeVaughn (2010)

There comes a time when an artist wants to create a body of music to help heal the world. For Raheem DeVaughn, the time came for his third studio album, The Love and War MasterPeace. “I named the album The Love and War MasterPeace because I feel that where I am as a person and where we are as a people, we are all trying to master that internal peace and happiness in a very strange time,” DeVaughn said in a past press statement.

Pulling inspiration from fellow Washington, D.C. native Marvin Gaye’s critically-acclaimed album What’s Going On, The Love and War MasterPeace tackles issues affecting our society. Gaye’s influence can clearly be heard on the album’s lead single “Bulletproof” featuring Ludacris, which is a call to action for everyone to open their eyes on what’s really happening in the world around them. “You betta’ pray to the most high or whoever you praise / ‘Cause politicians can’t help you, they puppets to slaves,” warns DeVaughn. He empowers women on songs like “The Greatness” featuring Wale and reminds them of their worth on “Black & Blue,” which brings awareness to domestic violence. It wouldn’t be a Raheem DeVaughn album without his babymaking music. He brings the seductive vibes on velvety tunes like “Fragile” featuring Malik Yusef, “B.O.B,” “Microphone” and “Garden of Love.” — K.S.

45. The MF Life — Melanie Fiona (2012)

Melanie Fiona cemented herself as a retro-soul singer with her debut album, The Bridge. The sound of her Grammy-nominated single “It Kills Me” would serve as the blueprint for her next album, The MF Life. Released on Universal Records, The MF Life explored the highs and lows of love. With an emphasis on low moments, the 14-track offering is filled with punch-you-in-the-gut emotion and vivid storytelling. “I wanted it to be a collection of music and songs that make people think about the things that we actually go through and feel,” Fiona told NPR. Heartbreak and sorrow are reoccurring themes on The MF Life. “Wrong Side of a Love Song” is Fiona’s desperate attempt to get her man back after he broke up with her. “This is what it feels to be the one that’s standing left behind,” she sings.

Fiona also deals with loss on the album. “Gone (La Dada Di)” featuring Snoop Dogg is probably the most depressing song on the set. The Soundz-produced cut finds Fiona trying to process the death of her lover and regretting the argument they had. “Guess I’m thinking bout the last conversation we had / And the mean things that we’ve said / Wishing I could take the whole thing back / As I’m standing at his doorway, covered in red,” she sings. Fiona’s raspy vocals shine on records like “Bones” and “Running.” There are some lighter moments on the album such as the uplifting tunes “Change the Record” featuring B.o.B and “Watch Me Work.” The MF Life is a testament that our lives are not perfect and we will all go through some painful and traumatic experiences at some point. And when we do, we can always revisit Fiona’s stellar body of work. — K.S.

46. Three Kings — TGT (2013)

At a time where male singing groups were scarce, Tyrese, Ginuwine and Tank filled a necessary void. Following in the steps of their predecessors LSG (Gerald Levert, Keith Sweat and Johnny Gill), the solo R&B singers who are actual friends formed their supergroup TGT and released their only album Three Kings in 2013. They include all of the quintessential R&B album checkpoints: a song with a rap feature (“No Fun”), a few ballads and slow jams (“I Need,” “Lessons In Love”) with a few interludes in between. Among the tracks, “Burn Out” is the standout sleeper from their debut. Each gentleman performs ostentatiously on the intricate production that consists of multiple sonic and vocal peaks. The finished product creates an aural rush that’ll drive listeners into melodic bliss. Their distinct voices combined created harmonies that offered a unique texture and technique that has been absent from current R&B music. The trio’s undeniable formula lead them to a Grammy nomination for Best R&B Album in 2014. — D.B.

47. Two Eleven — Brandy (2012)

Four years in the making, Brandy’s sixth album is her blood, sweat and tears. Drawing ultrasonic magic from familiar names like Sean “The Pen” Garrett, Bangladesh, Frank Ocean, Rico Love, and Mike WiLL Made-It, Two Eleven is an almost hour-long masterpiece that is home to singular vocal runs, adventurous, high-quality production, and broad songwriting. Though Two Eleven lacked a true conceptual vision, at least it had strong songs with potential hit value. “Put It Down” featuring Chris Brown is rhythmic radio gold. Advanced-sounding tracks “So Sick” and “Slower” had what it took to be embraced by urban as prized singles. Elsewhere, Brandy flawlessly adds in gem-worthy solos like “Wish Your Love Away” and “Without You.” In a few words, Two Eleven is just that album – period. – A.F.

48. VII — Teyana Taylor (2014)

Before Teyana Taylor became a household name from her iconic performance in Kanye West’s “Fade” video, she released an album that many people slept on. Taylor has always been open about her musical influences. On VII, her debut album, the Harlem native takes a few pages from the ‘90s R&B playbook to create a timeless masterpiece. She draws inspiration from some of her idols like Aaliyah, Brandy, Janet Jackson and Lauryn Hill. Co-writing every track on the album, Taylor enlisted help from hitmakers like James Fauntleroy, Eric Bellinger, Harmony Samuels, Boi-1da and Stacy Barthe to create songs that will be played from decades to come. “I want that album you can clean up to, the album you can make love to, the album you can just relax to,” she told Fuse TV.

Taylor opens VII with “Outta My League,” which sounds like an outtake from The Miseducation of Lauryn Hill. The calming production helps set the mood for the rest of the album. Most of the album sounds like it was made for the bedroom, especially on “Request,” “Do Not Disturb” featuring Chris Brown and the booming lead single “Maybe” featuring Pusha T and Yo Gotti. She looks for a no-strings-attached affair on the Fabolous-assisted “Broken Hearted Girl” (don’t let the title fool you.) The album isn’t completely sex-driven, though. She reflects on a failed relationship on the piano-driven ballad “Sorry,” before finally dismissing her no-good man on “In the Air.” With VII, Taylor successfully positioned herself as an R&B singer who cared more about making meaningful music than keeping up with trends. — K.S.

49. Woman to Woman — Keyshia Cole (2012)

Put some respect on Keyshia Cole’s name. For the most part, this Oakland native has a solid catalog, even though there was a disconnect with fans and critics on her fourth LP Calling All Hearts. Taking serious note, the R&B vocalist regained her early career glory on Woman to Woman. This essential comeback album perfectly mixes Cole’s trademark soul-baring touch to tuneful radio melodies and forward-minded arrangements. Album highlights include the whimsical duet “Wonderland” featuring Elijah Blake; the beans-spilling title track with Ashanti; the grand ballads “I Choose You” and “Trust and Believe;” and everything else in between. Woman to Woman is indeed a strong return for a promising R&B legend with more fire in her belly. – A.F.

50. X — Chris Brown (2014)

Like many artists in the early 2010s, Chris Brown merged his sound with that of contemporary genres such as Dubstep and EDM on 2012’s Fortune, and with innovation came criticism from critics and fans alike. However, in 2014, the Grammy-winning artist proved he was still all in for R&B with his sixth album, X. Combining old and new sounds, X is anchored by radio-ready singles Brown fans were accustomed to such as “Love More,” “New Flame,” and the massive summer hit “Loyal.” The latter went on to peak at number nine of the on the Billboard Hot 100 chart and is now certified four times platinum in the United States. With this project, Brown also became one of the few artists to reconnect with the late songstress Aaliyah on “Don’t Think They Know.” An LP for the ages, X is stacked with features from some of the biggest stars of the time such as Nicki Minaj, Lil Wayne, Kendrick Lamar, Trey Songz, Usher, Rick Ross, Brandy and more. Plus, it features production from some of the brightest talents including Diplo, DJ Mustard, and Jean Baptiste. X was nominated for Best Urban Contemporary Album at the 57th Annual Grammy Awards, and ultimately is a representation of Brown’s hit-making ability in R&B and beyond. — A.H.

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girl4music · 7 years

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The 6th studio album from Demi Lovato is here and it’s ‘Tell Me You Love Me’. I made sure to give this a good listen a couple of times through so I could get all the details down of what I wanted to say about it in my review. I heard it on a rushed initial listen and I disliked near to every song on it because of the musical production. I didn’t like how dead and dull the beats sounded. But later I found out that the production did not actually sound that bad, I was just listening to it through earphones that had a broken right ear and I did not realize it. Musical and vocal production is most important to me when it comes to the music. If you have not got that right, then you haven’t got anything right. If the musical production is bad, then it’s all going to sound bad. If the vocal production is bad, then the singer is going to sound bad, no matter how well they performed in the studio. Clarity is key when it comes to both kinds of production. I need to be able to hear everything that’s going on in that track. All the detailed nuances and dynamics in instrumentation. Of course how it’s mixed and mastered plays a huge role into how it sounds on the final cut but it’s mainly the producer that has the job of making sure the track sounds clear so that everything is equalized. These days though the producer also mixes and masters the tracks, so they are pivitol to the finished release. When it comes to the vocal production, that is also extremely important. Especially how the vocalist phonates the lyrics. How they convey their thoughts, feelings and emotions to the listener so you can better understand the story or concept behind the music. Demi is very good at that in general, and on ‘Tell Me You Love Me’, it’s truly what sells it.

This is a track by track review where I talk about the specifics of what I personally picked up both negatively and positively about each track and how I rate it based on those opinions. I’m not your average reviewer. Those of you who read my reviews already know that I am a subjective one. I only draw from my own perception. Everything I see, hear, feel and know about the music is what I talk about. I do not talk about sales, charts and awards. I don’t talk about numbers at all. So if that’s what you’re expecting, you should move along because I never do that. I do not consider it a necessary thing to talk about. But what I do consider necessary to talk about is the music itself and how the artist/band has grown from their previous efforts. What has improved and what has decreased. This shows their development as an artist and that has more benefit to them than me just praising them for the success they’ve already achieved. I attempt to give them critical acclaim through constructive and unbiased criticism. So I will do the very same with this review. Here we go…

1. Sorry Not Sorry

The debut single to ‘Tell Me You Love Me’. This song is a great summer song. She released it at the right time and makes her market. In several interviews Demi talks about how she was the only one that wanted this track to be the first single and that nobody else on her team agreed with her and would of much rather chosen the title track ‘Tell Me You Love Me’ instead. Until she went to seek out the advice of Jay Z at Roc Nation and he told her that she was right. That it should be the debut single. That was what made the debate settle and they went with ‘Sorry Not Sorry’ as the first single of a whole new era for Demi’s music.

I think they made the right decision. It’s a great song. It has it’s pop vibe for radio to latch on to but it also showcases the soulful side the album is offering. It features a choir as many tracks on this album do. It’s sort of an intentional set theme Demi wanted to go for with it’s soulful/gospel style. It’s got a very catchy chorus, something you will sing along to, if you can. Demi’s songs are always difficult for even a classically trained singer like myself to sing to, let alone just anyone. I want to point out how interesting I find the techno bass vocal effect that’s in the track. She uses this effect quite a bit in this album and it’s interesting to me because usually I don’t like this kind of thing in music. Modulated/pitch-shifted vocals usually puts me off. But I actually quite like it in this album. It gives it edge and attitude and it contrasts well with the gospel choir, making it compliment the track overall rather than destroy it. There is too many songs out there where even small things like that can make or break the song. It was a risky decision and it payed off for Demi.

9/10

2. Tell Me You Love Me

‘Tell Me You Love Me’ is the title track of the album and as previously mentioned earlier, was supposed to be the debut single for it. It’s a great song that really shows just how soulful Demi wanted to go with this album and I think that’s why her marketing team were fighting for it so hard against Demi. But she argued that people know her too much for this kinda thing when it comes to her music, so she wanted to prove to the public that she can also be a party girl. She’s versatile and I absolutely LOVE that about her. It’s a big reason why I am a fan.

This track brings in a Jazz band. Horns and brass instruments are heard sounding out in the intro and they have a prominent existence all throughout the entire song. It makes it sound sophisticated and mature musically and sonically and that’s something Demi definetly wants to have if she’s trying to get The Grammy’s attention. The drums that make their way into the track at the chorus are real drums. Big deal for me. I’m tired of hearing drum machine beats. I love the sound of a real drum kit. Demi’s vocals go for the goals with hitting those high upper-belts that she’s known so well for. Upper-belts are her trademark. You know it’s Demi when she’s hit about 5 F#5′s consecutively in the same breath without even so much as a stagger in vocal control. Yeah, to say I’m jealous is an understatement. She said she’d give us an album that showcases other sides to her massive vocal capacity, and she does, but you just come to expect the powerhousing alongside it and think nothing of it. It’s just what she does and she does it very well. For musical production and vocal production as well as vocal performance this makes it one of the best songs on the entire album for me. It scores as high as her voice.

10/10

3. Sexy Dirty Love

Initially I did not like this song but it’s grown on me with every listen to it. It’s a grower track. It’s an infectious disco tune. Like something you’d get from Donna Summer back in the 70′s but with more modernized musical and vocal production. Using the techno bass vocal effect gives it that updated pop production as well as the electronic bass and drum beats. Demi’s proved she can do fast-tempo music with her cover of Gloria Gaynor’s ‘I Will Survive’ for the soundtrack to The Angry Birds Movie. She’s never really done disco for her own music though. It’s very different for her, but as usual, she smashes it because she’s just that vocally versatile. Although, not a favourite from this album or really anywhere close, it gets respect and praise from me for her experimenting and trying something new which furthers her development as an artist.

4/10

4. You Don’t Do It For Me Anymore

Now we get on to our big power ballad. ‘You Don’t Do It For Me Anymore’ is gorgeous vocally. Demi finally uses her falsetto register to a degree where it’s clear and consistent and her voice is not wavering around. She has good control of it, proving that she is fully capable of singing in head voice whether recording in the studio or live in performance. She just needs more practice with it. The tonal quality and brightness of her head notes are stunning. A beautiful and light timbre that’s perfect for singing R&B/soul music. Because in soul more than just the modal/belting registers are needed. R&B is about the vocals being used as an instrument. Everything is about vocal capability. It requires flexibility and dexterity. It requires a mixing technique where you can go from head to chest voice easily and fluidly. If you haven’t got that or you can’t execute your vocals to do that consistently, then R&B is not right for you. This is the only reason I was skeptical of Demi going R&B. Not that I doubted that she could do it. I had all the faith in her. I just wanted her to prove to me that she was ready to. This track is what cemented it for me that she can and she will succeed as an R&B/soul artist. I 100% believe that all she needs is more vocal training. I want to see her perform this one live without changing her voice to chest when she has to do the falsetto parts or avoiding the notes completely. Whatever weakness she believes she has is all in her mind. She is capable of it physically, she’s just doubting herself and hesitating when it comes to actually executing it in performance. If she can do it in the studio, she can do it live. No excuses.

As for the musical production, it’s old-school style instrumentation. Lots of violin and cello. It’s got big strong kick drum beats that give it a really dramatic feel. It’s very reminiscent of ‘Stone Cold’ from her last album ‘Confident’. The lyrics, and I don’t often talk about lyrics, are very interesting. Demi has confirmed that while the song sounds like it’s about a breakup song with a lover, personally for her, it is not. It’s about her breaking up with her old self and saying that the alcohol and the drugs don’t do it for her anymore. Of course you can interpret it any way you like, but I think this is a very interesting take on the song. Self-reflective lyrics are something I would resonate with or relate to more than if it was just about a relationship going down in flames, which Demi leads you to believe it is about when she refers to what she’s singing about as a “who” instead of an it. Clever multi-perspective lyrics. I am very impressed with her songwriting on this. The fact it is so brillaint musically, vocally and lyrically make this song the epitome of the album. The highlight of the entire body of work that she’s created and put together.

10/10

5. Daddy Issues

This is my least favourite track on ‘Tell Me You Love Me’ because of it’s messy electronic production. Her vocals sound great but the electronics are so punchy, in your face and distorted that nothing sounds clear at all apart from her vocals. But even they sometimes at some points in the track get lost in the mix of the mess it is. It all just kind of clumps together and isn’t very well arranged. The distorted electronic drum and bass beats, the weird video game-like sound effects, the techno rhythms and melodies don’t make it a very appealing song to listen to. You might feel differently, but it just doesn’t work for me. The only part of the song I like is the dance break bit and with her singing “daddy issues, huh”. Otherwise this song is just disappointing to say the least. I wish she would stay away from DJ’s and EDM-style so-called producers because they cannot provide for her the musical quality her voice needs to be surrounded by to really just exemplify how fantastic of a vocalist she is. I want for her material to be just as strong as her voice is so that she’s taken seriously as a vocalist and an artist. This electro-pop stuff just isn’t right for her at all.

Also, does anyone know why they censored out the word ‘fuck’ in the first verse? If you do, let me know. I thought I had downloaded the clean version until I realized it’s like that on the explicit version too.

1/10

6. Ruin The Friendship

This bluesy little number captured me eventually. I skipped passed it on the initial listen because my earphones were just making it sound just as bad as everything else sounded. Dull and dead. But no, the track doesn’t actually sound like that. I just need better listening gear. I love the drum beat and bassline on this track as well as the sensual Jazzy instrumentation. Those trumpets sound so sexy. I feel like it was missing a saxophone solo, but you can’t have everything. I’m just such a big fan of real and orchestral instrumentation. Demi’s vocals here are also very sensual and sexy. Using a softer and lower vocalization in the main vocal track but also doing the backing vocals in a high and light falsetto. Gives it a confident and yet vulnerable contrast. She’s almost whispering when she gets to the bridge. It’s really arousing. She gets louder and more forceful towards the end of the song. That gets your attention and pulls you out of that foggy haze her sensual vocals have put on you. So very emotive.

I am not gonna go into the lyrics. We all know who it’s about as she doesn’t exactly keep it illusive. I think it’s a really good track. Not as good as some of the others though so it’s not a personal favourite. You might feel differently and that’s perfectly fine.

7/10

7. Only Forever

Another ballad. A much needed departure from the faster tempo we’ve had for the passed few tracks. Demi has mentioned that this song is sort of like a part two from the last track ‘Ruin The Friendship’, so clearly it’s about the same thing and the same person. I won’t get into that. Although, I am very intrigued, I’m keeping it strictly about the music.

So the track opens with the sound of out-of-tune piano notes. Like they’re being played on an old, dusty, hasn’t been touched for years piano that’s so out of tune it just doesn’t function properly anymore and sounds awful. I’m sure there is an artistic reasoning behind this so I’m not gonna point it out as a fault. It’s probably got something to do with the story of the song. Connecting the musical production and the lyrics together to tell the story. I love songs that do that. The techno bass vocal effect makes it’s way into the album once again. She seems to really like that effect. It must provide or mean something specific for her. Not sure what that could be but it’s interesting enough to make me peruse my thoughts about it. And I love thought-provoking music and art of any kind. I love interpretating and coming up with theories and headcanons on that art. I always say we never look for the meaning in a piece of art. We create it for ourselves. It’s very synthy. Got lots of atmospheric synthesizers. Could almost pass for a dream-pop song. I find it a bit boring to be honest. However, it does make it more entertaining when she picks up power and tempo in vocals.

6/10

8. Lonely (feat. Lil Wayne)

Demi’s one and only collaboration for the album. There was supposed to be two but one fell through apparently. A midtempo borderline ballad I would call ‘Lonely’. It’s just basic percussion and bass. I think I hear an organ but I’m not sure. Any instrumentation in it isn’t very prominent. What makes it worth listening to at all is Demi’s emotive vocals. They sell the song. Like no question about it. Those creaky, raspy, husky vocals, emoting all the pain and grief and conveying them to the listener’s ears. You can hear everything she does without all the distracting instrumentation and you feel it. You feel how upset and pained she is. You literally feel how lonely she is. Or maybe it’s just me because I have the ability to feel what she feels anyway. Long story…

Her emotive vocals communicate everything there is to care about in the song because Lil Wayne’s feature is terrible. I mean, it’s really bad. 1. It’s covered in autotune. 2. Because it’s covered in autotune, you cannot make out a damn thing he is saying. 3. It just sounds like he is underwater for the whole thing. Maybe it’s a conscious artistic choice though, I don’t know. I thought he would be a good collaboration but nah… he might as well not even be there for all the good his rapping contributes to this track. It just doesn’t. It’s all Demi. Absolutely from start to finish, it’s all Demi. ‘Lonely’ would actually be a better track with just Demi solo. Lil Wayne is just that useless and pointless to it that you could edit him out and have Demi doing the rap and the song would actually be better. Maybe something to think about when she performs it on tour. If she performs it on tour…

5/10

9. Cry Baby

“I’m no crybaby, but you make me cry lately. I’m no crybaby, but you make me cry baby. Crybaby”.

This song if you can’t tell from the lyrics alone is just an absolute masterpiece. The musical and vocal production, the vocal performance, the rhythm of the verses, the guitar solo, the lyrics. Everything. Absolutely everything about this track is incredible. The chorus hits hard. The chorus is so fucking good! Let’s just talk about the intro to start with though before I get ahead of myself. When I heard the lone electric guitar echoing through my ears like it was being played in an empty arena, I immediately thought of ‘Bang Bang (My Baby Shot Me Down)’. But not Cher’s version. The Nancy Sinatra version from the Quentin Tarantino film Kill Bill: Volume 1. It’s actually one of my favourite films in history. Obviously not the same melody because that would be copyright. But I mean just the aesthetic of it. I fell for this track straight away. Hopelessly and helplessly fell in love with it. I’ve repeated it God knows how many times since it came out.

The musical production reminds me a lot of ‘Mistake’ from ‘Unbroken’ album. A very underrated track. But hopefully this won’t recieve the same treatment. Tayla Parx wrote this song along with another song called ‘The Beauty’ that unfortunately didn’t make it on the album. I’m dying to hear that one if ‘Cry Baby’ is this damn good! No guesses which song is my favourite song on the album.

10/10!

10. Games

This one has weird electronic sounds and effects like ‘Daddy Issues’ but I find them more tolerable than in that track. Again, it’s just an electro-pop track. Doesn’t sound very R&B or soulful at all. But maybe that’s just me. I don’t have much more to say about it than that. It’s not the worst on the album but it’s not much better than that. Not for me. It could have easily been replaced with a much more worthy track such as ‘Smoke And Mirrors’ from the exclusive Target version of the album.

2/10

11. Concentrate

‘Concentrate’ starts off as an acoustic/stripped down ballad at first. Snaps, claps and acoustic guitar. A little bit of reverb on Demi’s voice as she sings the lyrics in the verses. Then an electric guitar melody, her gospel choir and a drum beat comes in at the chorus and there’s definetly an organ that joins in too. It’s a very laidback track but it builds up to a climax, so it’s quite progressive and Demi sounds really great on it. Emotive vocals full of soul and attitude really lift the song into the stratosphere. When the heavier instrumentation comes in, it does not overtake her vocals. The vocal production remains clear and it’s easy to make out how she sounds and what she’s saying. It’s a good song but not a standout.

4/10

12. Hitchhiker

Bassline sounds off in the intro and brings us into another bluesy little number from the album. I especially love the backing vocals in this song. The gospel choir was a great addition to this era and this album. This song will sound amazing live with them. This is another song I’m really looking forward to hearing live. I love the musical production too. The driving guitars sound awesome. I wish there could of been a blues guitar solo. It would of really added the cherry on the cake to end off the standard version of the album.

8/10

This is my most favourite to least favourite tracks:

Cry Baby

Tell Me You Love Me

You Don’t Do It For Me Anymore

Sorry Not Sorry

Hitchhiker

Ruin The Friendship

Only Forever

Lonely

Concentrate

Sexy Dirty Love

Games

Daddy Issues

This is my track by track review of the standard version of Demi’s 6th studio album ‘Tell Me You Love Me’. I would of done the deluxe tracks but I don’t like ‘Instruction’ at all and there’s nothing really much to say. The ‘Sorry Not Sorry’ acoustic version with the choir sounds great though. You should definetly check that out if you haven’t heard it yet. She’ll probably post the video of them performing it eventually. There is an exclusive Target version with 2 tracks on it called ‘Smoke And Mirrors’ and ‘Ready For Ya’ but since I don’t class them as part of the album itself, I’m not gonna review them either. But I do think ‘Smoke And Mirrors’ should of replaced either ‘Daddy Issues’ or ‘Games’ as I don’t like those tracks much but I do love that one. Thanks for reading. Give feedback.

- Girl4Music

#w #demi lovato #tell me you love me #track by track #fan review

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