#Snow White And The Seven Dwarfs

[avayarising]

Snow White: *is lonely*

Snow White: *constructs imaginary friend out of cleaning materials*

Florian: *sees opportunity for fantastic prank, slips head into bucket while she’s not looking*

Florian: I’n enchanted! (Did you see what I did there?)

Snow White: Prince Buckethead!

Florian: Maybe this wasn’t such a good idea.

The Original Meeting for The Prince and Snow White, from the original 1937 Snow White and the Seven Dwarfs comic strip, released weekly, beginning December 14, a week before the film’s premiere.

[floridianfireflyfaith]

Spot the difference.

[m00nb04rd5]

Can I have a moodboard for Vil Schoenheit from Twisted Wonderland?

https://twisted-wonderland.fandom.com/wiki/Vil_Schoenheit

Vil Schoenheit (Twisted Wonderland)

[whencartoonsruletheworld]

one side of this post is the costume design from a big-budget theatrical film meant to live up to the hype of the first animated film ever made for wide-release and another side of this post is the costume design from an abc soap opera where dwarves hatch from eggs and i think you guys will kill me if i tell you which is which

[schmergo]

Ever since I was little, I’ve had this theory that Dopey from Snow White is actually just a human baby that the dwarfs took in thinking he was simply a “dopey” adult dwarf. Like, he doesn’t have a beard (or hair), he doesn’t have teeth, he doesn’t talk, his dwarven clothes are too big for him, and he has no idea what he’s doing.

One or two of those could make sense, but the only thing he has in common with the dwarfs is his small stature, and even then, his proportions seem different from theirs! That’s no dwarf! That guy is a baby! It’s “Elf” all over again with this dude!

[ayo-edebiri]

Agatha All Along + iconic witches (insp)

Agatha Harkness as The Wicked Witch of the West from The Wizard Of Oz (1939) Lilia Calderu as The Good Witch of the North from The Wizard of Oz (1939) Jennifer Kale as The Evil Queen from Snow White and The Seven Dwarfs (1937) Billy Maximoff as Maleficent from Sleeping Beauty (1959)

[scurviesdisneyblog]

Visual development for Snow White and the Seven Dwarfs by Gustaf Tenggren

[fictionadventurer]

One major mistake people make when looking at Snow White is assuming that they were trying to create a Disney Princess role model for little girls to emulate, when actually they were just trying their darndest to create an animated character that audiences would care about.

When we see pure and innocent Snow White being mistreated by her stepmother and later driven into exile, it's supposed to activate parental instincts that make us want to protect her. It shouldn't matter if she doesn't do anything to save herself, because she shouldn't have to. We're supposed to feel the injustice of it, feel sad and angry that she's treated this way, fear that she's going to come to harm. We're not supposed to want to be her, we're supposed to love her, and want to see her get the love she deserves, so we remain invested for the entire runtime of this 80-minute cartoon that they're afraid audiences won't sit through. That's what mattered to the story while they were making it, so applying Disney Princess expectations is ridiculous.

[fabuloustrash05]

Rachel Zeglar: I’m gonna be the first Snow White who is not going to be a damsel in distress dreaming about true love and instead she’ll learn to become a fighter and a great leader for her kingdom! No one’s ever done an independent Snow White before!

Me:

[romancemedia]

Inside Look into the Disney Princess Castles

[selenaigomez]

Snow White and the Seven Dwarfs (1937) dir. David Hand.  

[capturingdisney]

Art by Gustaf Tenggren

[summertimenoir]

Snow White and the Seven Dwarfs (1937)

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

[disney-is-mylife]

5-year-old me: *could watch Hunchback of Notre Dame, The Black Cauldron, The Great Mouse Detective without flinching or hiding*

Also 5-year-old me: *freaked the fuck out over Hercules nearly dying*

This is a very specific poll lol, but I'm curious if any of my Traumatized Scenes is shared by anyone else on Tumblr. Happy voting! ❤

[luxmoogle]

The End~! ❀༉‧₊˚.

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