#Snapshot concept

[alienoutsiderxeno]

Snapshot Concept Remi/Sulk

So my friend inform me about people can make their own snapshot concepts characters as OCS. Yet I honestly want to experiment on a what if scenario when Sulk has complete control over Remi. Having the lead over the body/vessel as a popular metal artist.

Remi in this snapshot variant isn't comfortable with the fame or being extraverted towards strangers. Sulk would be more aggressive than before with Remi holding him back.

[bananonbinary]

im sorry but the idea of a dracula daily print edition is so fucking funny like. that's just the book dracula by bram stoker.

[moe-broey]

Memory Log: 13

[mortellanarts]

There's at least two prompts on zecret santa this year that are kurashiki sibling post-ztd reunion and I have been trying to write that for chapter two for a couple months now but ZTD logistics are so qwq

[maydays-medbay]

After the last poll I made, it was clear that all of you really wanted to see Flamewire! So, here's his concept!

She is not a Decepticon, and she's very adamant about that. Not a Decepticon, no sir. However, his wares are open to anyone who wants the information he has in stock. Deception or otherwise.

Information gathering is his specialty, but her...other services are open as well for an extra fee. Assassination isn't cheap you know! It costs his time, money, skill, and her chassis if things go wrong (not that they will). Better pay up or stop wasting his time.

Flamewire was closest to Dropdash before the war broke out, but now it's pretty safe to say that their meeting would go horribly. Dropdash is incredibly loyal to the Autobots, so knowing that his brother would work for the enemy would enrage him beyond repair. Flamewire would probably have her goons escort him away if they met. He has a reputation to uphold, and she's not going to let her brother get in the way of that.

[thedailyvio]

Day 114

[volchitsa-of-winterfell]

the F1 shipping chart!! original post here by @foo1ishheart554. blank version below the cut for YOU, dear reader, to do!

[mizugucci]

okay I'm all in now y'all!!! this is my fav kpop album I've ever unboxed and also I'm marking today June 11th 2023 the day blitzers became an ult group

[unproduciblesmackdown]

speaking of happening to manage to go away to college ft. a shakespeare theater within walking distance & not just student pricing & pwyw but a freshman course taken at/with the theater / company, fun to think about all the nonzero exposure scattered all around to Theatre that i could be interested in & engaged with & respond to the idea of theatremaking big time but i had no context for this lmao like well i assume everyone adores Rehearsal & Playing A Role & Being Backstage or In The Greenroom just doing your own thing & the Idea of more of this, so that i feel neutral/average really

like on the note of no context, started dance classes as a Thing To Do when i was all of three? four? on the basis of [older sibling doing that] b/c like how else do i choose doing something. also did that w/[older sibling is being taught playing piano] + that i like to know how to do many things, like determined speedrunning of an edutainment learn to read computer program when i was three, except playing the piano never caught on for me (it'd be fine if it got to the point a song was muscle memory but i never got the hang of oh this note written here is [whatever it is without me having to count the steps in the staff] & ah that's here [without me having to look / count the keys]) so that was a miserable half hour weekdayly requirement for years. whereas dance was alright, & for a while the performance angle could be kind of fun for rehearsal, onstage, costuming, but didn't really have Roles, & was yknow everyone doing the same part at the same time & taller people in the back if there's rows, what older students did seemed more fun, plus like an annual nyc trip some did which didn't happen by the time it was relevant to me....but when it finally kind of kicked off like oh boy pointe shoes have panache & Make Noise (i suppose ideally you're quieter with it but ideally to me, Clonk Bonk Tap. & why not) but speaking of why not, that this also involved like oh shows that have Scenes & Roles even if this is all dance w/pantomime, got solos, costumes, more acting adjacent, more rehearsing, plenty of fun to me, unforch one of the most fun shows was ballet but in less Classical form & more character styles & i had the parent who could make anything into an ego issue who decided things Ought to be Classical despite knowing i enjoyed the more character style techniques as much or more lol so that was like, oh boy an adagio claire de lune quartet? pinch me. however a few more wins in there, fun getting to do a Cats inspired facepaint leg/armwarmers character that some absolute random audience member apparently liked so much their dad was like hey your number one fan, can we get a pic. which is in fact a great basis of an interaction to me

had a damper on dance class anyways from like lord the increasing gender "i'd rather not wear fitted dance garments" problems & my left knee getting more sensitive & my just more wearied like i don't see Fun Performances down the line, i was never doing this besides as a hobby, i'm gearing up to go to college where i kind of assume i could fail asap but the idea of keeping up with dance classes too is a bit much so what if we just didn't....meanwhile a drop of Drama(tm) in middle school, but just as like cycle of elective courses four per year so very Brief & i don't think was part of 6th grade's & yknow, middle school. but it was really fun to me still, not sure what all i even learned lol & yet. & like one time it was like uhh write your own scenes / play & Writing Original Stuff has never been a thing for me & is not only unrewarding but yknow difficult like i don't know. writing Vocab Sentences in like first grade i started to get annoyed at how contrived it felt & the teacher complained the sentences were too simple like clearly the context of what the word means is there but i'm sick of making up narrative beats & character arcs that have fuckall to do with me understanding what a bleacher is, but when i decided to Theme them on a computer game i enjoyed then i could rock n roll lol....anyway so Writing Material just became throwing preexisting characters in a bin & just being silly making jokes / stringing some fun plot along w/the acquaintances in the group assigned to be making this, & then Performing it was a high time i was like i love to do fun comedic stuff & be a villain, throwback to fourth grade and doing scenes from julius caesar like yaayyy nongendered casting b/c all the roles are guys anyway & i'm technically a villain which i enjoyyy, but i'm also like i wish anyone told me anything at all about acting techniques, i don't know what i'm doing beyond [talk loud enough]....feedback on the middle school class homemade performance was that nobody really knew what was supposed to be going on while watching it lmao like well that's fine b/c i'm not interested in writing fuckall, could've stood to have feedback that Enjoying Performing Onstage even that goofaroundly wasn't just expriencing the universal baseline lol ah well. my useful personalized feedback from middle school besides that as ever it was great that i got good grades & kept my head down (reading) was the librarian saying nobody checked out rebecca but i might like it, i did have fun & it's like oh nice when there's pleasant nontransactional gestures For No Reason i.e. you didn't even have to "earn" them, i was just getting to hang out reading in the library at the end of the school day. fond memory still like ah being readily handed one of the crushed oreos & gummy worm cups at the end of some early elementary school year Just Because i was there, wasn't that moved by like figurative pats on the head for good grades or what have you when i understood the conditionality of that just fine

in college like Introducing That Shakespeare Theatre like i sure did respond to getting to be up close & personal w/some professional actors & acting & plays, great time attending....kinda was tempted to get involved in the school theatre going on w/classes or productions but at this point it was like, i don't want my parents to be involved in anything at all ideally but especially not something i do suspect i'd genuinely enjoy & care about, plus it was like uh oh there'll be all these ppl older than me with even experience doing plays in high school & stuff :/ but another real damper was being around age peers incl my roommate who still Also had theatre experience & interest much more established & would be telling me like oh you're not a tenor if you're a man or oh you're not doing xyz right that way (based on their own perspective doing a whole other activity) like i love info & tips sure but not people feeling In Charge of me or even giving the awkward biting back genuine feedback wow nice good lmao....knowing some theatre people with theatre knowledge a bit helpful like oh these are some bway shows / cast recordings from like, the '00s & on, i've heard of Some of these, i've seen some macys parade show names....still just lacking context like what the hell Is broadway, just talked about like gonna take a while like it's this location & this technical capacity based venue designation & here's further context yet. still never really Did Theatre but seemed like a fun thing of Course ppl would be interested in, but luckily some Experiencing Performances, saw live stage shows in various mediums at various levels of professionality now & then, in retrospect like oh i think i saw some bway stuff Touring a few times, i just had no idea that was a ting, nobody explained shit lmao. disinterested parents who just kind of expected you to magically Pick Things Up by virtue of existing, but also don't ambiently pick up the things i don't want you to know about, you can bet it all always worked out great....parents at least a Bit interested in theatre / specific shows / recordings was certainly handy like oh okay not everyone would happen to be exposed to some shows even thusly, sure, but again like with no context / further info or really further way to engage with that....also backing off like i ripped off my siblings' pastime when i was three re: dance classes, just b/c their doing lively musical productions in high school seems super fun like i can't Also rip them off on that one (plus even like yeah family / parental proximity & attendance like eugh....)

like that the How Do You Even Get Context like all the time i'd be amazed if stuff i read or watched that i super enjoyed was like Also something i could find in the outside world, other people who liked it, even just the ability to procure it, like wow magical b/c yknow everything is just what i experienced by myself at home w/no significant onlineness yet or way to travel anywhere else. just pouncing on proximate enough things like queer & have to go to church? hell yeah tenor harmonies time & it's always Be Quieter Be Quieter lol well everyone else step it up, there's like 5x as many sopranos with 5x the rehearsal time going over The Melody....but seriously folks. only showing up late for an online breakout popular Current Bway Musical like oh hey btw what Is any of this? & still don't much know what goes on but at least a little more than i did for sure, plus i just don't keep my finger on the pulse of fuckall, i'm not so much more likely to check out musicals for the sake of being musicals so much more than i do movies b/c they're movies, maybe a little more likely though sure lol....& i just have more of that context like ohhh yeah i did super big time like doing live performance & theatremaking stuff the ways i got to / related activities, i just figured like well me & everyone else having the exact same response i'm sure. or same with enjoying taking it in, i suppose

which nowadays it's still like bummer i Never took in any acting technique just b/c it annoys me not to have anything besides idk making it up, also bummer idk how to sing any better than [also making it up] like no technique known barely in the same way, & i just like knowing things, i'd value knowing it just for singing to myself when nobody's around & i like to do a little performing too when pertinent, e.g. more than survive in the kitchen & i'm doing the choreography lol....utterly abstract though like i love to See people acting the crap out of acting & be like oh shit damn wowww, don't Really feel like ah actor au me is just over there....not even sure like ah you can be backstage in other ways, like i do not know how lol plus likewise i just don't think it's gonna come up yknow like we'll cross bridges when we come to them, who knows in this life. but i'm having the highest time ever as Audience, not live & in person but online & lively, like oh fuck yes finally digging into the relatively nicher more specific theatre live performace acting singing musicaling stuff i'd more specifically enjoy like pointing hands to head yelling are you seeing thising getting everything that i want so i do feel like it's worked out well. maybe low level for randos acting / singing instructing just cuz i like to Know & have the Option to wrangle playing around w/effects one can engage with but in the meantime like i Have always cherished proximity & audienceship so. fr Yayyy 💖

[madcat-world]

From AnonBea

Confluence: Snapshots across the Coast Abandoned shrines of forgotten gods being cared for. A newcomer to the Colour dome, deeply nestled in the sea. A scientific research center balanced on floating rocks high above the farmland. The coast is so colourful in hue and experiences. Our Site! Join our newsletter and keep up to date!

[quesocheeso]

Welcome to the Time Traveling Monkey AU Masterpost!

The AU is broken into two major parts:

1) Time Traveling Monkey main line that involves MK’s journey in the past

2) Sunset line which are basically snapshots of MK’s actual timeline, mainly consisting of Shadowpeach progression through time up until present

Time Traveling Monkey

Weak 1: 500+ years ago

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7,

Bonus: Part 8

Week 2:

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7

Week 3:

Week 4:

Week 5:

Week 6:

Week 7:

Sunset

FFM Arc

Scarf, Nest, One Day, Ours(?),

Heavenly War Arc

Heavenly War Part 1, Heavenly War Part 2, Heavenly War Part 3, Heavenly War Part 4, Heavenly War Part Final, Heavenly War Shadowpeach

Proposal Era

Proposal.

Marriage Arc

Insecurities, Let's Talk, Sparring Kiss, Jealousy(I don't think so),

400 years ago - Baby Xiaotian Arc

Joy, One step at a time, Baby Mk, Spiderman Kiss, Teething, Sleepy Flirting

350 years ago - Toddler Arc

Toddler MK, Meeting

Present

Wukong’s routine, Staff Heist, Jail Time, Nezhas dads, Nezha's Hobby

After Story

Customer Service, Prince Xiaotian the part time worker,

Bonus

Pre-concept, Concept 1, Xiaotian Intro, Fambily, Shadowpeach written concept, MK and Macaque Hug, Nezha Intro, Nezha 2,

[thedeadaresilent]

it's a good thing nobody asks me for advice because "let the thing kill you and find peace in the inevitability of dying" is not a useful answer for most of life's problems and I am aware would be actively harmful to anyone but myself.

[grimeishhh]

Neverwas.

This is not the first time I felt

Like I wanted to die — No.

Not die. Melt out of

Existence. Become the

Neverwas. — Where none

Remembered a person like me

Had once walked the earth. Where

Birds don’t fly out of desperation.

There is

A difference between

These two feelings.

[literaryvein-reblogs]

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide. 

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References

[reachartwork]

re: why nightshade/glaze is useless, aka "the chicken is already in the nugget", from the perspective of an Actual Machine Learning Researcher

a bunch of people have privately asked me to answer this aspect of the five points i raised, and i tire of repeating myself, so

the fundamental oversight here is a lack of recognition that these AI models are not dynamic entities constantly absorbing new data; they are more akin to snapshots of the internet at the time they were trained, which, for the most part, was several years ago.

to put it simply, Nightshade's efforts to alter images and introduce them to the AI in hopes of affecting the model's output are based on an outdated concept of how these models function. the belief that the AI is actively scraping the internet and updating its dataset with new images is incorrect. the LAION datasets, which are the foundation of most if not all modern image synthesis models, were compiled and solidified into the AI's 'knowledge base' long ago. The process is not ongoing; it's historical.

i think it's important for people to understand that Nightshade is fighting is against an already concluded war. the datasets have been created, the models have been trained, and the 'internet scraping' phase is not an ongoing process for these AI. the notion that AI is an ever-updating Skynet seeking to cannibalize all your art (or that the companies using it are constantly seeking out new art to add to the pile) is a science fiction myth, not a reality.

(for the many other reasons why it won't work see my other post. really i just wanted an excuse to make and post these two sloppy meme edits).

cheers

[ursulacat]

Happy birthdayyy intruder

Happy birthday no self control

Happy birthday family snapshot

Happy birthday and through the wire

Happy birthday I don’t remember

Happy birthday lead a normal life

Happy birthday not one of us!!!!

44 years of this sexy record today. everyone say happy birthday PG3