#Slow Fashion vs Fast Fashion

[differentgardenerobject]

Comparing Slow Fashion and Fast Fashion: An In-depth Analysis

In today's fast-paced world of fashion, two major paradigms are competing for the spotlight: Slow Fashion and Fast Fashion. These two approaches represent not only different ways of creating and consuming clothing but also distinct philosophies that shape our relationship with fashion, the environment, and our wallets. In this blog, we'll conduct a comprehensive analysis of Slow Fashion vs Fast Fashion to better understand their implications and why this comparison is more important than ever.

What Is Slow Fashion?

Slow Fashion is a movement that emphasizes quality, sustainability, and ethical practices. It encourages consumers to make more deliberate choices, invest in high-quality, durable pieces, and support brands that prioritize eco-friendly materials and fair labor conditions. Slow Fashion rejects the breakneck speed of trends, opting for timeless designs that stand the test of time.

The Pros of Slow Fashion:

Sustainability: Slow Fashion brands focus on reducing their environmental footprint through responsible sourcing, production, and minimizing waste.

Ethical Practices: Workers in Slow Fashion companies are often paid fair wages and operate in safe, humane conditions.

Quality and Durability: Slow Fashion garments are typically made to last, reducing the need for constant replacements.

The Cons of Slow Fashion:

Higher Price Tag: Quality and ethical practices come at a cost, making Slow Fashion items more expensive for consumers.

Limited Variety: Slow Fashion may not always offer the diversity and rapid style changes that some shoppers desire.

What Is Fast Fashion?

Fast Fashion, on the other hand, revolves around rapid production and quick turnover of trends. It's about providing consumers with affordable, on-trend clothing, often at a fraction of the price of high-end brands. The downside is that Fast Fashion often relies on exploitative labor practices and materials that are not eco-friendly.

The Pros of Fast Fashion:

Affordability: Fast Fashion allows consumers to stay current with trends without breaking the bank.

Variety: Constantly changing collections offer a wide range of options for consumers to choose from.

The Cons of Fast Fashion:

Environmental Impact: The industry's rapid pace contributes to significant waste and pollution.

Ethical Concerns: Many Fast Fashion brands have been criticized for poor labor conditions and low wages in their supply chains.

Comparative Analysis: Slow Fashion vs. Fast Fashion

Environmental Impact: Slow Fashion is the clear winner here. It prioritizes sustainability, responsible sourcing, and reduced waste, while Fast Fashion often harms the environment through overproduction and cheap, non-biodegradable materials.

Ethical Practices: Slow Fashion takes the lead again. It's committed to fair wages and humane working conditions, in contrast to the questionable labor practices associated with some Fast Fashion brands.

Quality and Durability: Slow Fashion shines in this aspect, as its emphasis on well-crafted, timeless pieces ensures that they last longer. Fast Fashion items often lack the same level of durability.

Price: Fast Fashion offers more affordable options, making trendy clothing accessible to a broader audience. Slow Fashion may be costlier, but the investment in quality pays off in the long run.

Variety and Trends: Fast Fashion provides a wider variety and keeps up with rapidly changing trends. Slow Fashion, with its focus on timeless designs, offers fewer choices in this regard.

In conclusion, Slow Fashion vs Fast Fashion are two very different approaches to clothing, and consumers must weigh the pros and cons of each. The rise of Slow Fashion signals a growing awareness of the need for sustainability and ethical practices in the industry. Ultimately, the choice between Slow Fashion and Fast Fashion comes down to personal values and priorities. Consider your budget, style preferences, and commitment to sustainability and ethical practices when making your decision.

[serendipityscribbles1402]

Week 7: Slow Fashion Case Study

As a counterculture against rapid fashion and throwaway culture, slow fashion is becoming more popular (Future 2022). Slow fashion is a way of regulating the life cycle of clothing that places an emphasis on quality rather than quantity. It promotes ethical corporate practices, emphasizes the value of long-lasting products, and highlights the significance of mindful consumption (Future 2022). The origins of "slow fashion," how it relates to "digital citizenship," the environmental impact it seeks to mitigate, some of the most well-known Malaysian companies that have adopted "slow fashion," the principles of sustainable fashion labels, the accessibility of "slow fashion," and some novel ways to consider the movement's transformative potential are all covered in this blog post.

Originally posted by Country Living Magazine

The promotion and awareness-building of slow fashion strongly depends on responsible digital citizenship. Social media platforms can be used to discuss, share, and highlight the environmental and social issues related to rapid fashion (Zhen et al. 2017). Influencers, bloggers, and online communities encourage slow fashion by highlighting the value of moderation in consumption and highlighting environmentally sustainable solutions. Digital citizenship creates a venue for conversation by encouraging people to become more ethical consumers and building a worldwide community dedicated to developing sustainable practices in the fashion industry (Zhen et al. 2017).

Slow fashion is motivated by a desire to lessen the fashion industry's environmental impact. It attempts to address problems like overuse of water resources, pollution, and textile waste (Batista 2022). Slow fashion strives to reduce environmental harm by advocating methods like upcycling, recycling, and using eco-friendly materials (Batista 2022). It encourages buyers to adopt a circular economy by making investments in enduring pieces and extending the life of clothing via care and upkeep. Slow fashion promotes a more sustainable future where environmental responsibility and fashion go hand in hand through these initiatives.

Originally posted by Trendy Attire

A leader in the slow fashion movement in Malaysia is 'The Modest Brand', among other Malaysian businesses (Selvanayagam 2022). This modest athleisurewear firm is dedicated to provide cozy clothes for ladies of every size and shape. It was founded on two basic values: diversity and sustainability (Selvanayagam 2022). The company ensures a sustainable approach to fashion by using eco-friendly materials in its designs, such as recycled cotton, polyester, and nylon (Selvanayagam 2022). These businesses encourage their clients to make more ethical fashion choices by emphasizing transparency and encouraging two-way communication through digital media. The Modest Brand supports women's active lifestyles, whether they are exercising, relaxing at home, or doing errands, by placing a priority on comfort and functionality. The Modest Brand is an example of slow fashion's potential and encourages other national and international firms to include sustainability into their products and business processes through their commitment to both environmental awareness and inclusivity.

Originally posted by The Modest Brand

Fashion brands must adhere to a set of standards in order to be entirely sustainable. Making ensuring that no children are being forced to labor in any aspect of their supply chains is the first thing they do (Misman 2023). Second, they emphasize the use of sustainable materials to decrease their influence on the environment, such as recycled or repurposed fabrics (Misman 2023). Thirdly, they hire locals and offer them a living wage so they can produce clothing in a moral and charitable way (Misman 2023). Last but not least, sustainable fashion manufacturers seek to establish long-lasting relationships with retailers, suppliers, and other industry participants in order to promote open price negotiations and the expansion of a network that supports the manufacturing of ethical clothes (Misman 2023).

Slow fashion is frequently misunderstood to be more expensive than quick fashion. Slow fashion clothing may cost more since high-quality materials and ethical production methods are used, but they are worth the money in the long run (Future 2022). Slow fashion encourages buyers to spend money on classic, long-lasting items that go beyond trends, lessening the need for frequent purchases. Supporting slow fashion can also encourage a change in consumer demand, which will eventually result in more availability and affordability.

Slow fashion encourages sustainability, moral behavior, and deliberate consumption, and it marks a paradigm shift in the fashion business. It makes use of the potential of digital citizenship to promote dialogue, spark debate, and ignite change. The nation supports businesses like The Modest Brand in Malaysia and the worldwide slow fashion movement by tackling the negative environmental effects of the fashion industry. Sustainable fashion brands follow guiding principles that guarantee ethical manufacture, fair labor, and environmentally friendly materials. Although it could need a small initial investment, slow fashion eventually results in a more sustainable and accountable fashion business. The slow fashion movement demonstrates that there are other approaches to producing and consuming clothing that have a positive influence on society, the environment, and the economy. We can all help to improve the world by practicing ethical consumer behavior and embracing slow fashion.

References

Batista, C 2022, 'What Is Slow Fashion & Why You Should Join The Movement?', The Eco Hub, viewed 12 May 2023, <https://theecohub.com/what-is-slow-fashion/#:~:text=It%20can%20help%20the%20environment,up%20in%20landfills%20and%20minimizing>.



Future 2022, 'What is Slow Fashion?', Future Green, viewed 12 May 2023, <https://www.future.green/futureblog/what-is-slow-fashion>.

Henninger, C.E., Ryding, D, Alevizou, P.J., & Goworek, H 2017, Sustainability in Fashion: A Cradle to Upcycle Approach, Springer International Publishing, New York City.

Misman, N 2023, 'MDA 20009 Week Six Digital Citizenship and Slow Fashion 2022.pptx', MDA20009 Digital Communities, Modules via Canvas, Swinburne University of Technology, 4 May, viewed 12 May 2023.

Selvanayagam, V 2022, 'The Modest Brand Introduces Modest Athleisure Pieces That Everyone Can Wear', Sense Scoop, viewed 12 May 2023, <https://scoop.sense.my/blog/the-modest-brand-introduces-modest-athleisure-pieces-that-everyone-can-wear>.

Trendy Attire 2021, Fast Fashion vs Sustainable Fashion, 2 June, viewed 12 May 2023, <https://www.youtube.com/watch?v=UbIodeCEUMU>.

[lordofdestructionm]

While many things are better in the modern world, can't we all agree that the style and quality in most cases when it comes to clothing is much worse?

Fast/Disposable fashion is one of the scourges of the modern world. Unlike the old days of "slow fashion" when you could buy a well made garment, that may have been relatively more expensive upfront but would last a lifetime if you looked after it, we now go through piles of cheap items that we burn through quickly and then often end up in landfill, with the long term cost of replacing them constantly usually being much higher

Love of traditional clothing, its style and construction methods, is not and should not be about snobbery, but about quality, sustainability and value for money.

The fact it also looks much better is a nice bonus too.

Why is 1920s and 1940s fashion so similar at least for men, like nothing changed in 20 years

Clothing didn't disintegrate nearly as quickly as today, so you could just wear whatever suit you got when you were a kid. And pass that on to your kid.

Thrift shopping for grandpa clothes is legit. You can find a lot of good pieces of clothing some 60 year old guy decided to pawn off, and it still looks great.

[bonefall]

Bones Bones Bonesss wc Star full book spoilers already out in the wild (forums)......... Looking forward to your thoughts when it officially comes out (or whenever!) cause. I will not say. But ohhhhhh it sure was a book............ :33

You know I'll also be doing a full read when I get my grubby paws on a copy, but I do have some strong feelings assuming that the leaks are totally accurate!

The no-spoiler version of my opinion; BOY this ending is a stinker. This arc truly was a blundering mess of lost potential and wasted time. As someone who still feels the first few books were STRONG setups, from 3 onwards I feel like I've been watching a train run out of track and derail in a slow, pitiful fashion.

It's not even a FAST trainwreck. The ending was predictable insofar as they clearly had no good climax or message in mind. Infact it's kind of a marvel how utterly bloodless this arc was, and how any violence they DID show came out of left field because they failed to build up to it.

HOWEVER. I am not just a reader, I'm a scavenger. This stuff is GREAT for BB. The ending gave me the most important pieces I need, and now I know how BB!ASC is going to rework it.

But I'll not get ahead of myself; quickly, I'll just talk raw first impressions of the spoilers.

(As always, take this with a grain of salt and the knowledge that the spoilers may be incorrect. Opinions may change once I read the book myself.)

Splashstar is a garbage villain. He is absolutely bottom-tier for me.

His "amorality" comes out of nowhere and quite frankly he reads like a Chick Tract Evil Atheist.

I don't get how people can accept the way the characters call him "manipulative" when his plots are utterly brainless.

He is the type of naunceless evil that makes me want to hurl. Splash reads like a writer trying to "repeat" the evil of Tigerstar without any of the intelligence of early TPB.

Tigerstar was a RESPECTED warrior. He leveraged his standing in the Clan to secretly carry out his assassinations and forge alliances. He was established strong to begin with.

Splash is like cat-18 and able to kill-no-miss strong warriors with his Evil Jump, and then keeps the Clan in line by holding his siblings hostage.

It makes me not understand how he has ANY followers, because he has no consistent ideology or rhetoric.

Anything they did use (like claiming he'd make the Clans strong and saying tigerheartstar wanted to take over the whole forest or whatever) isn't consistent because they failed to establish these over the SIX BOOKS THEY HAD.

It feels like he was only a legitimate threat for like 2 out of 6 books

And then he's dead in chapter 13. Halfway through the story. Incredibly lame.

I want to reserve my judgement on the Frostpaw vs Splashstar battle, but it's absurd on its face. Harelight went down in 1 hit but Frostpaw musters all her strength to use his move and overcome him?

I have to see it first before I conclude if it's something I want to salvage though. Sometimes fights just come across better when you're reading them.

But on the note of battles, it's frustrating how bloodless this arc was. We started off with tigerHeartstar invading and occupying RiverClan-- yet we're looking at a total body count of 5, with one heart attack and one illness.

And speaking of deaths.

Whoever decided to give Berryheart a redemption death should get offscreen greencough.

UTTER shite. You have this whole arc with radicalization as a major theme, show Berryheart trying to brutally murder her in-law with a snake, grabbing at power desperately to the point where she CHANGED CLANS to be Splash's deputy, and decide that her ideal ending is "she would die for her baby :(((("???

Ffffuuuuuck yoouuuuuuuuuuuu

This is why we can't have good, nuanced villains, these writers trip over themselves the MINUTE they have a sad parent. It could never actually STAY about power or politics, they cant allow a parent to truly be willing to sacrifice their child for their own ends.

No matter how badly or violently they treated you, They're Still Your Parent. Hogwash. I'm sick to death of this thought-terminating cliche.

Being a parent does NOT automatically mean they'd die for you. They already did this earlier with Curlfeather, and the absolute insult it is to the theme of radicalization aside, having Berryheart repeat that sacrifical death cheapens hers.

Now it's not that CURLFEATHER is the one who would never go so far as to allow her daughter to die for her own ends, contrasting Berryheart. It's Just What Moms Do.

And furthermore if they were going to do a "redemption death," it REALLY sucks that they decided to have Berryheart refuse to kill Yarrowleaf and not FRINGEWHISKER.

It's not even indicative of GROWTH or RECONSIDERING HER BELIEFS or anything. She won't kill her SISTER.

It might have meant something to have a chance for revenge and refuse it, but nooooo. Yarrowleaf. My god. Yarrowleaf.

and don't @ me about Yarrow being ex-kin, they both joined and rejected it at different times.

All that said...

There are some things I like here!

Frostdawn and Whistlebreeze getting their names at the same time was really sweet. I like them a lot.

Sometimes a predictable choice is the right one. Icewing becoming leader is a good move. Icestar my beloved.

I'm personally excited to get to Icey's leadership ceremony in my own rewrite, the canon one was as fanservice-wanky as you'd expect of modern arcs but I LOVE rewriting those.

Though I would have preferred Froststar, I'm ok with this.

The fracturing of RiverClan is a great move. I love the idea of there being a mass exodus following these events. It's wild we haven't gotten that before.

While I bemoan the awful politics and lack of setup, I do LIKE the idea on paper of there being "ex-Splash Supporters" to cause problems in future arcs. Not that these writers know what setup and payoff is, but hey, more for me.

I liked the sort of desperate feel of Frostpaw being exhausted in StarClan and deciding if she wants to go back or not. Im a little iffy on how much other cats PRESSURE her, though.

I need to read the chapters myself but I fear that it might not read like her own choice, but another thing that she's being forced into.

Shut UP Tree why are you HEREEE

The part where they all point out that without her, RiverClan wont have a holy messenger and that's bad, fits the consistent way the writers try to portray StarClan as a good thing when they're really not... but.

I think it would have made a fascinating moment for Frosty to realize that SHE is the one who really holds the power in this situation. What spirituality is going to look like in the future of her Clan is in HER paws now.

They are absolutely going to toss this potential away, but I guess the things I like most about the ending are the ways it kinda softly threatens the status quo.

The fracture of RC and the exodus of cats, Frostpaw deciding she will return and fix RiverClan, Icestar accepting help from the other Clans to fix the camp...

It's not ALL bad, it's just that the negatives outweigh the positives and this is exactly the kind of ending I feared. I hope that this isn't just a tease of a change to the status quo, but I've learned to not get my hopes up.

And, lastly, Owlnose deputy and Nightheart's ending chapter are just straight up beyond parody. I can't even be mad, they're such bad moves they're funny to me at this point.

[elains]

HoFaS cements to me that Sarah struggles with conclusions of her epic story arcs, picking up patterns we saw way back in ACOWAR.

She's not good at balancing stakes VS pay off. The former due to how she's always raising them to astronomical levels, quite literally with the Asteri. They're so absurdly ancient, powerful, and knowledgeable; so unimaginably powerful, with a system that has been in place for fifteen thousand years... and it all crumbles so quickly.

It takes less of a month for Bryce to take them down. Hypaxia develops a cure for the parasite in what, three days? Four of the Asteri die in the most anticlimactic fashion possible, including our main antagonist, Rigelus (and really, why have so many Asteri if you aren't going to do shit with them? Three/Four was ENOUGH).

It ends too fast, too quickly. Fifteen thousand years of oppression, ended like that? Come on.

And the pay off is not enough. Did anyone doubt even for a moment that Bryce would stay dead?

Death is cheap in CCity Land. We see that with thr necromancer plotline, even if it can go wrong. It was clear as day that she would be brought back somehow, just as it was clear as day Rhys would not stay dead in ACOWAR. The surprise in that one was Amren returning too (which Jesiba didn't and CCity's ending is better for it).

And if death is cheap and the reader knows it won't stick, it just becomes a bad plot device to give the ending some emotional way. Some pay off: oh look, they defeated the evil, but there were consequences which won't last more than one chapter!

I'm not arguing against happy endings. I'm arguing that if you are going to pull this off, better not kill these character are all. There are other ways to achieve this emotional impact on the reader, death is not the only way to do it; have the journey matter. Have them be changed and impacted by it, transformed. The person they weren't at the start are not who they are in the end. Along the way, things changed, and some of it are never getting back.

If you are going to have this epic storyline against monsters of legend, conquerors of worlds, powerful enough that time slows when they die, then the resolution has to be coherent with the stakes. You are dealing with the fate of worlds, yet everyone is fine and it moves so fast and the emotional side is left to the wayside... I don't know, maybe don't raise the stakes so sky high?

[gattnk]

Arkan and Temptel embody everything a guardian should be.

Here they are, everyone's favorite teachers! Hands down the most iconic and beloved adults in both the comic and series, and with good reason: this pair is perfectly balanced in terms of design and personality, so I had to do them justice with my redesigns. I'm super proud of how they came out :D

My first step was comparing the comic designs to their show counterparts. The biggest difference for Arkan was his age: he was visibly older in the series, and I'd argue this decision was made so his character design would reflect his wisdom and authority better, and I'd focus on reflecting this notion. Meanwhile, Temptel saw little to no change, and I couldn't agree more with this decision made by the show staff: don't fix what ain't broke!

Teaching is all about theory and practice: knowing the rules and testing them out. I wanted Arkan to embody theory, and in turn Temptel would represent practice; it aligns with the role of angels and devils perfectly (who in turn represent "thinking slow" VS "thinking fast", respectively). As such, I decided Arkan would look more austere and grounded compared to Temptel's impeccably chaotic fashion.

Arkan's new outfit is based on pilot uniforms to evoke authority and discipline. The trench coat, foulard ascot and Oxford dress shoes override the military coding and turn it into classy and elegant. The reading glasses convey he's prepared to observe and learn. I wanted to convey experience, wisdom and authority without incurring on the old mentor trope. In character design, there's many ways of relying the same message!

"Spooky chic" came back with a vengeance! I love me some "spooky chic", which is definitely a staple of devil fashion at this point. I synthetized the shapes and details as much as I could for the sake of serialization: if this character had to be drawn over and over again in a comic or cartoon, a simpler but iconic design would make a big difference on the long run. I know I'd be grateful ;P

Arkan's color palette is a more desaturated version of Raf's, sans the red. I added warm brown tones and a bright orange (same color as Temptel's eyes!) to contrast all the blueish grey. I chose to make his cardigan a very muted color so it would complement the lighter tones much better.

Temptel's colors are a mix of her two palettes: her skin, hair and physical features take after the comic, while her wings, horns and dress are more purple like in the show. Her silver jewelry is a callback to Sulfus as well. Lastly, Temptel's makeup is the same blue as Arkan's eyes, but with the saturation value cranked up to the max.

Random tidbits that went into the design process: despite being younger than his show version, I wanted to keep Arkan's hair color light to complement Temptel's more saturated and darker colors. While I don't think he counts as an accurate representation of real albinism/achromia, I definitely coded him that way. As for Temptel, I thought sneaking in a little treat for her was appropriate, since she's the type of teacher who mixes work with fun: it's also a nod to her sweet tooth in the comics.

I believe this will be my last redesign duo this year since I want to focus on commissions and the holidays, but I'll definitely continue working on the rest of the Golden School staff. Wish me luck and let's see what the future brings :D

I'll Fly With You (rewrite fic) Art masterpost

[couturetrendsblog]

Fast Fashion vs. Slow Fashion: A Comparative Analysis-

In the last two decades, the world of fashion has been witnessing an important shift by really underlining the huge chasm between fast and slow fashion. Such styles define not only how clothes are produced and consumed but have deep implications on our environment and society.

Fast Fashion

The Quick Turnaround

Fast fashion actually means rapid production of inexpensive clothes that reflect the latest trends from the runway. Brands like Zara and H&M benefit from the speed in which they put out new collections every few weeks. Of course, the model does make fashionable items available to a much greater public, but at an enormous cost. All of this waste from fast fashion creates issues like using much water, chemical pollution from dyeing and bleaching processes, and insane textile waste. But the business model that supports cheap wages in foreign countries always generates several ethical concerns about labor rights, and not to mention working conditions.

Slow fashion advocates sustainable and ethical production. It delivers quality over quantity from timeless designs made with more eco-friendly materials, with brands maintaining fair wages, ethical labor practices, and environmentally friendly processes. Thus, the final encouragement to fast move toward this mindset is to buy less and choose wisely - that also helps to make less waste and smaller carbon footprint.

The Consumer Role

Indeed, as consumers, we will hold considerable power in the future of fashion. Selecting to support the slow fashion brands increases the demand for better practice and makes fast fashion retailers rethink their ways of doing things. Instant gratification offers fast fashion stores, but slow fashion promises a more sustainable future.

Conclusion

Is fast fashion or slow fashion better? Ultimately, it comes down to our consumer values. Knowing what our purchases mean can bring us closer to a sustainable fashion industry that promotes ethics and responsibility on Earth. When we embrace slow fashion, not only is the planet better off, but so are we-thoughtful, intentional consumption brings more richness to our lives.

[shadowmaat]

No ethical consumption, etc.

I've been noticing more articles and commentary about clothing. There's all the high-minded "fast fashion" vs. "slow fashion" thinkpieces as well as contempt for "fake" materials that are toxic to the environment.

Look, I want the environment to be salvageable just as much as the next person, but the idea of trying to put ALL of the onus on individuals instead of corporations or "how the world works" has already been proven as wrong and only gets more irritating the more people hammer on the dead horse.

Are there things you can do to help? Absolutely. But there are also limits, and it'd be nice if we stopped acting as if everything was easy to do for everyone.

I've taken a look at some of the "slow fashion" sites where clothes are sustainably sourced and designed to last for years and there's just no goddamn way I can afford it. Same goes for clothing materials in general: the "evil" synthetic stuff is FAR cheaper and more readily available than natural fibers and "eco" materials. While I'd love to have a complete wardrobe made of environmentally friendly cloth, it just isn't going to happen. And that isn't my fault. Keep the blame on the corporations who've decided it's far cheaper and easier for them to mass produce synthetic materials than to find more sustainable sources. Blame economic systems who refuse to pay workers fair value for their labor so people can't afford to house themselves or eat, let alone wear the "right" kind of clothing.

There's no shame in wearing synthetic fibers. Even if it's for the simple reason that the synthetic stuff looks pretty/sparks joy, there's no reason to feel guilty about it. And there's no reason to shame people for choosing synthetics, either. Condemn the megacorps, not the shoppers.

[switch]

I'm trying to figure out Vlad's speech pattern, do you have any tips on writing his dialogue?

ohh yeah that's tough. i struggled with that for a while and i'm still not 100% sure how exactly i'd put it to words since i kinda just started feeling it out...

uh i think one thing that especially helped with vlad for me was really listening a lot to his voice acting and then just sort of... imagining how his particular deep and kind of slow-spoken and kingly cadence would translate to and sound in written dialogue... does that make sense...

i mean one, uh, 'nice' thing about vlad is that he doesn't have a lot of written dialogue. between his gameplay/my room lines, his interlude, the gray collar event, vegas, valentine, and halloween revival, plus his relatively sparse dialogue in apoc, you can basically look at... everything he's ever said in, like, a day for reference (heck i've got like a 10 minute video of every single line he says in the apoc anime). i will say that some of his early my room lines do have a bit of an odd feel to them, though...

uh, anyway, as for more specific tips... uhhh.... he tends to use more refined or formal or even old-fashioned-sounding language, but critically without sounding excessively flowery, either, as he's often also pretty direct and conveys authority in the way he talks at the same time. especially if he's giving some kind of speech, or talking about something before battle, or scolding someone (apoc and vegas). he says stuff like "fool," "unsightly," "end yourself", "i thank you/you have my gratitude" etc... when he does get more poetic or indirect is in higher bond levels where he starts alluding to things more than outright stating them (bond 5, bond 10, ascension 4), so that's also situational.

it's also sort of shown/implied that he lightens up a bit more when dealing with kids or teenagers in chaldea, and obviously the protagonist, but he really never feels casual even at his most relatively casual or happy state. when writing him i'd definitely recommend veering towards more formal language than you might think is necessary vs risking making it sound too casual, as i would say it sounds out a lot weirder fast when a vlad is accidentally written even a bit too casual than it does when he's written maybe a little excessively formal. he also doesn't seem to laugh a lot outside of brief "heh"s or "hehe"s or even the occasional "oho". he seems to go "hm" or "hmph" sometimes if he's contemplating things or not happy about something... maybe it was sort of a weird translation, but the end of his interlude 1 where he just outright says "sorry for forcing you to accompany me" instead of anything more... noble-sounding feels like kind of a rare big deal thing, for him.

a lot of fan translations outright write him into using "thee"s and "thou"s and "canst"s and such, or at least having him switch to talking like that in certain situations, which i do definitely think works contextually for him. he doesn't use contractions a lot of the time ("there is" "i am" "it is" "i shall", etc) but he does still use them sometimes, (there's multiple instances of "i've" and "i'll" peppered around at the least), so it's not a hard and fast rule- it seems to just be more dependent on who he's talking to and whether or not it works with the flow of that particular line of dialogue. he tends to address other people by titles of some kind rather than by name.

actually i do remember one time the way vlad talks was described to me as something like the way some kind of dark anime villain would talk. he talks like an anime villain who isn't actually a villain...

ugh does any of this make sense, i don't know, so much of this is situational.......

[rose4pup]

Fun facts about me

I'm a m!n0r but anyone can interact just don't be weird

I'm new to tumblr (I came from tiktok 4n4 community its very different on here.)

My whole family is 0bese SOOO

I'm a f00d addict despite trying so overwhelming hard to res

I first image is what I dress and look like vs what I want to look like is second image.

I want to be a game developer for horror games

I love Fnaf, Anime, Creepyspasta,Little pet shops, Welcome home, drawing even though i suck, despite wanting to make horror games i am easily scared.

My whole life i have been 0bese except for when I was 8 and had to move to a different Country City??? I was very close to d!abetic and had to be put on a vegan diet with my sister. we got very th!n and I still thought i was f@t even then. then when we moved out with our dad because he thought they weren't taking care of us when he figured out the conditions. we gained a ton of weight, both me and my sister. i forgot to mention since like 3rd grade I refused to eat lunch, then in 5th grade (184 lbs) i started p*rging and skipping bre@kfast and lunch then b!ng!ng at home. I stopped doing that during summer and gained back so much weight.in 6th grade I would redo the not e@ting,b!nging, and p()rging cycle all over again. during that summer I gained to 194. I then starting locking in, first time I got a calorie counter and steps tracker. but i Iwas more wannarex!c, I'm pretty sure I'm a 4n0rex!c or at least junk0rex!c but whatever. then I moved with my dad again and bought a scale and got more in control. I lost to 175 lbs. and then I had to move with my mom because of financial issues. so, I moved back to my birthplace. then I gained back so much, like I mentioned majority of my family is obese or at least overweight so with all the unhealthy eating, lack of a scale, no self-control, constant fast food and my granny's cooking I got to a disgusting 225. Now I'm trying to lose back all that shit and keep failing. as of writing this i have only had liquids except for my f@t@ss eating four mini reeses from my uncle.

I was really slow in k-2 grade then in 3-7 i got a random boost of intelligence but i wasn't really smart just have good memory and I'm always reading cause I've been a gacha kid since 2018. (if your reading this I promise this isn't my best grammar)

I like danganronpa but i am broke so i watch kubz scouts and biju mike play it. I'm watching the playthroughs in the wrong order no spoilers please. I love fnaf, butI enjoyed the movie despite hating the lore changes.

I liked wonyoungism and in the beginning of 7th grade i had a huge kpop phase but thats gone now.

In 5th grade I thought a was bisexual andIi was a feminist, 6th grade I was a man h@ter and a lesbian despite me being obsessed with male gay romance but whatever. now I'm realizing I was straight and in denial(plus i started hearing stories about crimes commited by men on women and how common it is but now i'm realizing anyone can be evil so i no longer hate me i hate everyone. true EQUALITY) I only had two crushes on girls, and they were just my close friends and I had misread feelings, i was jealous of my best friend(5-now) thinness, beauty, curly hair, fashion, and personality i literally wanted to be her and i was obsessed but i misread it as a crush. then my other friend who treated me like shit despite me being her first real friend. in the past i wanted her validation but now I don't and that makes her mad. Idk but her treating me unfairly and always mocking me for my weight despite being overweight herself manifested in me craving her validation and believing it was a crush.

I've been a gacha tuber for 4 out of the 5 years i've been a youtuber and I only have 1,500 subs i feel like i should give up but i genuinely like my story telling but i never make the videos because i hate nearly everything i make so i never try anymore.

I like minecraft,roblox,gacha,pinterest,wattpad,AO3, and idk what else to add currently.

when i say i'm an anime fan i mean i know a few popular ones, jjk,beaststars,demonslayer,black butler,made in a abyss,danganronpa, ajin demi human,tokyo ghoul,hunter x hunter, Komi can't communicate, blue exorcist, attack on titan,chainsaw man,my hero,helluva a boss if that counts.

I like melanie martinez,aesteria,6 rarely human,ketseki,mitski,ayesha erotica,lumi athena,odetari,rebyzx,thats a few most songs i listen to i only like that one song by the artist and not the rest.

I litterally have no life and sit in bed all day with dreams and hopes but never getting up to do them but the funny part is i can get up to eat like bro thats the one thing i don't want to do but for some reason i was end up eating while thinking i'm never g0nna e@t again, promising to fast tomorrow just to b!nge.

I know its cringe and common but my favorite animals are wolves, A+ for loyalty an family team work. I also love cheatahs.

I love animal facts and documentaries.

I didn't grow up in jamaica,i'm only half jamaican.

Since I was only skinny for 2 years i ate the fact, I have barely any pictures plus the fact in most pictures I do have I realized its very unlikely I will have a thigh gap as skinny me looked skeletal up top like literally dead but for some reason my thighs were still muscly. but ! have grown alot since then.

I love lavender,rose pink and black.

If you want to know (sukuna 1,gojo 2,toji 3, choso 4,I know none of yall like mahito but he 5, geto/kenjaku 6. smk.)

Bye now and I hope i'm not sharing to much.

block don't report ig

[differentgardenerobject]

Comparing Slow Fashion and Fast Fashion: An In-depth Analysis

In the world of fashion, there are two distinct approaches that dominate the industry: Slow Fashion vs Fast Fashion. This comparative analysis delves deep into these contrasting methodologies, examining their impact on consumers, the environment, and the fashion landscape as a whole. We explore the key differences between Slow Fashion, which prioritizes sustainable, ethical, and durable clothing, and Fast Fashion, known for its rapid production and constant trend turnover. By examining the pros and cons of each approach, we provide valuable insights into the choices consumers make and the broader implications of these fashion paradigms on society and the planet.

[gardenianoire]

and another thing I hate about the "plus size people need fast fashion because no one else makes our sizes" is that yeah it's true that a lot of brands onlt cater to thin people the solution shouldn't be fat people should only wear cheaply made ugly sacks that fall apart after a year. I'm almost 30 I don't wear forever 21 anymore. what about the office workers, church clothes, evening gowns, going out clothes that aren't something I would have worn to club when I was 19. we deserve designer brands that are well constructed, stylish, and will actually allow us a sense of style instead of the the fashion fast industry's brand of crapping overly trendy disposable rags and trying to pass them off as clothes. and it has the nerve to be waaaaaay more expensive than thin people's fast fashion like look at the cost of charlotte russe vs torrid. I love vintage looks but it dawned on me 3 years ago that I only wear so much vintage reproduction because the women owned indy brands actually make slow fashion in my size. and the gag is I'm the biggest size in every brand that I frequent. what about bigger plus size people. they gotta wear leggings and tshirts their whole lives. I want some variety. I want a pair of jeans that my thighs won't split open in six months and like nice staple pieces I can have for years at a time and wide foot genuine leather shoes. the average size in this country is a 16 it makes no sense that 00 is always available from high end brands but 10 is as high as they go if you're lucky. and these ethically made brands ain't shit either. y'all complain no one wants to invest in sustainable clothing and that your businesses are failing but no one can fit into it learn to design for bigger peoplr s m l is children's sizes children do not have moneh children shop at the mall with their allowances

[honor-among-thieves]

32 and 37 for Calcifer, 3 and 15 for Theo, and 21 and 38 for Connor? 👀👀

I had to readmore this because it became long and I don't want to irritate the people following me for shitposts.

fdlksjklajfdsk HELLS YEAH Calcifur ask, this is literally my favorite Blorbo

Calcifur

32. What do they dress like? What sorta shops do they buy clothes from? Do they wear the fashion that they like? What do they wear to sleep? Do they wear makeup? What’s their hair like?

He likes to read plays, but he was never much of a voracious reader outside of that. Fiction vs. non-fiction did not matter to him, though in a way plays are always a little fictional; historical plays were common in his culture though.

Both ostentatious and slutty. He ended the game in Glammerweave, which I always imagined as a hanfu style that resembled ever-shifting ocean waves. Calcifur was established as a silk-robe sleepwear type friend. Yes, he wears make-up, mostly red or gold under the eye, eyeliner, whatever he would need to cover blemishes on his non-standard issue tiefling hues; he was an actor though, so he's good with makeup. He was growing his hair out at the end of the campaign but it was a nice, coiffed undercut.

37. Do they like to read? Are they a fast or slow reader? Do they like poetry? Fictional or non fiction?

Theodosius

3. Did they have a good childhood? What are fond memories they have of it? What’s a bad memory?

Cooking was not a part of his temple duties and he likely has only basic skills; meals were humble. He knows enough to make passable "poor folk" food, but nothing overly impressive. His skills were mostly Temple related and in medicine specifically.

Theo had an...interesting childhood. He doesn't remember much of it, but he was raised in the Temple of Sarenrae and taught everything he would need to know as one of her devout (I assume it was a monk-like situation for him). Unlike other priests-in-training, he was restricted in a lot of ways he will never understand, due to his nature as a divine construct (his temple created him and he is their property), like not being able to really bond with people outside the temple the way he can now. He misses the people he grew up with though, misses his temple, regardless of some of the questionable day-to-day treatment. He is left to trust in Sarenrae's divine plan for them all in the knowledge that he persists while his creators are long-gone.

15. Are they good at cooking? Do they enjoy it? What do others think of their cooking?

Connor

21. Do they have a temper? Are they patient? What are they like when they do lose their temper?

He mostly doesn't have the energy to get into fights with people in...interpersonal situations and ghosts when he's uncomfortable, HOWEVER, he doesn't like being pushed around and he has a quiet, intense anger when he does get stirred up. Also this is a guy who has decided to be a supervillain and do punching, as the fiction demands, so I would say having a bit of a temper comes with the territory at times.

38. What do they admire in others? What talents do they wish they had?

Confidence. Other people being able to move through life without second-guessing themselves, without being trapped in their own minds. He wishes he could be as laissez-faire as Charge, maybe mimics it in his Apotheosis persona. Does not want to acknowledge that or have anyone else do so either and would probably be upset if he saw it in the mirror.

[textiles-now24]

Starting a Fashion Brand: Fast Fashion vs. Slow Fashion

[kelseynguyn]

Slow Fashion: Quality Over Quantity

Can Slow Fashion Defeat Fast Fashion?

In recent years, the slow fashion movement has gained significant momentum as more people become aware of the negative impact fast fashion has on the environment and society. Fast fashion refers to the mass production of trendy, low-cost clothing that is often discarded after only a few wears. It has contributed to pollution, unethical labor practices, and enormous amounts of textile waste. But can slow fashion truly defeat fast fashion?

Understanding Slow Fashion's Strengths

The slow fashion movement places a strong emphasis on ethics, quality, and sustainability. Slow fashion emphasizes making clothing that is made to last, in contrast to rapid fashion, which places a higher priority on speed and cost effectiveness. Eco-friendly materials are frequently used in the creation of clothing, and ethical labor methods are highly valued. This trend pushes people to buy fewer things, pick better products, and make long-lasting, well-considered purchases. The emphasis that slow fashion has on transparency is one of its main advantages. Companies that adhere to the concepts of slow fashion frequently offer comprehensive details regarding their labor conditions, materials, and supplier chains. Customers may shop with confidence knowing that their purchases promote ethical business practices and fair salaries. Additionally, slow fashion brands, such as Reformation and Patagonia, have built strong reputations for ethical production and quality craftsmanship, attracting consumers who care about sustainability.

The Challenges Ahead

Because it is more accessible and affordable, fast fashion continues to rule the runway despite the rising popularity of slow fashion. Fast fashion retailers with lower price points and rapidly evolving trends, including Zara, H&M, and Shein, target a mass clientele. Many shoppers, especially those on a tight budget, find it hard to resist the appeal of affordable, contemporary apparel. It is difficult for slow fashion to compete at the scale that rapid fashion operates at. Due to their vast worldwide supply chains, fast fashion companies are able to quickly release new collections and satisfy the ever-increasing desire for novelty from their customers. In contrast, slow fashion is typically more expensive because it is produced on a smaller scale and uses ethical sourcing, which makes it less affordable for the typical consumer.

Can Slow Fashion Win?

To truly challenge fast fashion, slow fashion needs wider adoption. Education about the environmental and social costs of fast fashion is crucial. Consumers are increasingly becoming aware of these issues, and movements like #whomademyclothes from Fashion Revolution encourage greater transparency and demand for ethical production.

In the near future, it appears unlikely that rapid fashion will be totally defeated. Nonetheless, by influencing consumer behavior and industry standards, slow fashion might keep expanding. The dominance of fast fashion may eventually be challenged if consumers begin to prioritize quality over quantity and if companies begin to use more sustainable practices. In conclusion, slow fashion has the ability to change the direction of fashion through ethical and aware consumerism, even though it might not totally vanquish rapid fashion overnight.

Reference list

Christopher 2024, ‘Style Sustainability: Fast Fashion vs Slow Fashion’, Uphance, viewed <https://www.uphance.com/blog/fast-fashion-vs-slow-fashion/>.

Loewe, E 2024, ‘mindbodygreen’, Mindbodygreen.com, viewed 19 October 2024, <https://www.mindbodygreen.com/articles/what-does-slow-fashion-mean>.

Morgan, L 2022, ‘Slow Fashion vs Fast Fashion: What Are the Main Differences?’, Cleo Madison, viewed <https://www.cleomadison.com/slow-fashion-vs-fast-fashion/>.

[b2bbusiness]

The U.S. Apparel Market: Trends, Growth, and Key Insights

The U.S. apparel market is one of the largest and most dynamic sectors in the global fashion industry. Valued at over $368 billion in 2022, this market continues to grow, driven by evolving consumer preferences, technological advancements, and an increasing focus on sustainability. This article delves into the key factors shaping the U.S. apparel market, from changing fashion trends to the rise of e-commerce.

1. Market Overview

The U.S. apparel industry is characterized by a diverse range of products, from everyday wear and activewear to luxury brands. Major players in the market include multinational retailers like Nike, Adidas, and Under Armour, as well as fast fashion giants such as H&M and Zara. In recent years, there has been a shift towards more casual, comfortable clothing as remote work and hybrid work models became the norm during and after the pandemic.

2. E-Commerce: The Game Changer

One of the most significant trends in the U.S. apparel market is the rise of online shopping. E-commerce sales now account for more than 30% of all apparel purchases in the U.S. Consumers are increasingly turning to online platforms for convenience, a wider selection of products, and personalized shopping experiences.

Brands are leveraging technology to offer enhanced customer experiences online. Virtual fitting rooms, AI-driven recommendations, and augmented reality (AR) tools have transformed how consumers interact with apparel brands. Retailers who have adopted these technologies have seen increased engagement and conversion rates.

3. Sustainability and Ethical Fashion

Sustainability has become a critical focus for both consumers and companies in the U.S. apparel market. As awareness of environmental issues grows, shoppers are demanding more eco-friendly and ethically produced clothing. This has led to a surge in demand for sustainable fabrics, second-hand clothing, and brands committed to reducing their carbon footprint.

Some companies are integrating sustainability into their business models by adopting circular fashion practices, which involve recycling and reusing materials. Brands such as Patagonia and Everlane are well-known for their commitment to ethical production and transparency in their supply chains, gaining popularity among eco-conscious consumers.

4. Athleisure: The Casual Revolution

The athleisure trend, which blurs the line between athletic wear and casual fashion, continues to dominate the U.S. market. What started as a niche category has now become mainstream, with consumers favoring versatile clothing that offers both comfort and style. The COVID-19 pandemic accelerated this shift, as people sought comfortable clothing for working from home and exercising outdoors.

Brands like Lululemon, Nike, and Adidas have capitalized on this trend, introducing collections that combine performance and fashion. The popularity of athleisure is expected to remain strong, particularly as consumers prioritize health, wellness, and comfort.

5. Fast Fashion vs. Slow Fashion

Fast fashion, which emphasizes low-cost, trendy clothing, remains a significant part of the U.S. apparel market. Retailers like Forever 21, Shein, and Fashion Nova are known for quickly bringing runway-inspired designs to consumers at affordable prices. However, fast fashion faces increasing criticism for its environmental impact and labor practices.

In response, the slow fashion movement is gaining momentum. Slow fashion promotes quality over quantity, encouraging consumers to invest in timeless, durable pieces rather than frequently buying disposable clothing. This shift reflects a broader change in consumer behavior, where shoppers are becoming more mindful of the impact their purchases have on the environment and society.

6. Luxury Fashion: Resilience Amid Challenges

Despite economic uncertainties, the luxury apparel segment in the U.S. has shown resilience. High-end brands like Gucci, Louis Vuitton, and Chanel continue to see strong demand, particularly among younger, affluent consumers. The rise of luxury resale platforms, such as The RealReal and Vestiaire Collective, has also boosted this segment, as consumers increasingly view second-hand luxury as a sustainable and cost-effective way to shop.

Moreover, digital innovation in the luxury sector has opened new avenues for growth. Virtual fashion shows, direct-to-consumer sales, and exclusive online collections have allowed luxury brands to maintain their allure while adapting to the digital age.

7. Consumer Behavior: The Rise of Personalization

Personalization is becoming a crucial factor in the success of apparel brands in the U.S. market. Consumers now expect brands to cater to their individual tastes and preferences. From personalized shopping recommendations to custom clothing options, brands are using data-driven insights to offer tailored experiences. This shift is particularly evident in the growth of direct-to-consumer (DTC) brands, which can offer unique, personalized products and build stronger relationships with their customers.

8. Challenges in the U.S. Apparel Market

While the U.S. apparel market presents many opportunities, it also faces significant challenges. Supply chain disruptions, rising production costs, and inflation have impacted both manufacturers and retailers. Additionally, the shift towards sustainability, while necessary, requires significant investment in new materials, production processes, and technologies.

Moreover, the highly competitive nature of the market means that brands must continuously innovate to stand out. With consumers having more choices than ever, maintaining brand loyalty is an ongoing challenge.

9. Future Outlook

The U.S. apparel market is poised for continued growth, driven by the increasing role of technology, sustainability, and changing consumer preferences. Brands that can successfully adapt to these trends, while offering personalized and eco-friendly products, are likely to thrive in this competitive landscape.