#Sketchbook Drawings(Stella edits)

[dolcestilenova]

Catherine, Princess of Wales in Stella McCartney Salmon Pink Bow Pleated Pencil Dress in Satin & Crepe

[oathofpromises]

𝕐𝕠𝕦 𝕔𝕒𝕝𝕝 𝕞𝕖 𝕠𝕦𝕥 𝕦𝕡𝕠𝕟 𝕥𝕙𝕖 𝕨𝕒𝕥𝕖𝕣𝕤 

𝕋𝕙𝕖 𝕘𝕣𝕖𝕒𝕥 𝕦𝕟𝕜𝕟𝕠𝕨𝕟 𝕨𝕙𝕖𝕣𝕖 𝕗𝕖𝕖𝕥 𝕞𝕒𝕪 𝕗𝕒𝕚𝕝 

𝔸𝕟𝕕 𝕥𝕙𝕖𝕣𝕖 𝕀 𝕗𝕚𝕟𝕕 𝕐𝕠𝕦 𝕚𝕟 𝕥𝕙𝕖 𝕞𝕪𝕤𝕥𝕖𝕣𝕪 

𝕀𝕟 𝕠𝕔𝕖𝕒𝕟𝕤 𝕕𝕖𝕖𝕡 𝕞𝕪 𝕗𝕒𝕚𝕥𝕙 𝕨𝕚𝕝𝕝 𝕤𝕥𝕒𝕟𝕕

𝔸𝕟𝕕 𝕀 𝕨𝕚𝕝𝕝 𝕔𝕒𝕝𝕝 𝕦𝕡𝕠𝕟 𝕐𝕠𝕦𝕣 ℕ𝕒𝕞𝕖 

𝔸𝕟𝕕 𝕜𝕖𝕖𝕡 𝕞𝕪 𝕖𝕪𝕖𝕤 𝕒𝕓𝕠𝕧𝕖 𝕥𝕙𝕖 𝕨𝕒𝕧𝕖𝕤 

𝕎𝕙𝕖𝕟 𝕠𝕔𝕖𝕒𝕟𝕤 𝕣𝕚𝕤𝕖

[winx-canons]

Random Headcanons: Specialist/Wizard Edition

Helia can sing really well, but it’s nearly impossible to get him to

When they had caught him singing, it was from freaking Adventure time because bet 

They don’t talk about the nail-polish incident, except for Brandon. He won’t let them live it down

Can’t give too many parent headcanons away because spoilers but Brandon’s parents have decided to adopt Riven -Non-officially- because look at this angry little emotionally challenged boy- 

Riven is learning how to deal with his emotions, and is slowly becoming better at it. Every little effort counts for something

Nabu has braided flowers into his hair multiple times after he nearly died because he realized how much he missed living

The guys have made sure to spend loads of time with him after he came back because they realized how much they missed him

Bestfriend headcanons in the specialists? Here you go!

Sky and Brandon because these two have known eachother since children. this is literally canon

Riven and Nabu, because Nabu helps clear things out between him and Musa. 

After the misunderstanding in season three, the two grow to get to know eachother

I want to say Helia and Timmy, but really? The two are more to themselves. However, when either of the two have spent too much time alone (Timmy on his tech and Helia with drawing/writing), they will check up on the other and make them take a break

On many occasions will you see Helia have taken Timmy’s laptop/Timmy hiding Helia’s sketchbook

Timmy is an expert an hiding due to being one of the main planners of the team, and Helia’s a really good secret agent. Thus, if you were to put these two at opposite teams for strategy/planning games, it gets really intense 

Think of the water-gun fight from Free!

Riven actually really cares for the guys. talk smack about them? Two days later, bet the person is missing.

All of the guys really care about eachother, though it takes time/may not always be seen

Once, they decided to try out Earth things and a bayblade fight went down

Timmy made some enhancements and dominated them

Brandon was at second because he would scream “Let it RIIIP” obnoxiously loud, startling his components 

Helia can’t dance. He just can’t. Think confused, white grandpa thrown in the middle of a bar and told to dance

Riven, on the other hand, is a surprisingly good dancer and catches on quick

 Nabu is questioned to be a cryptid due to the fact that he sometimes just... appears 

 Also, he made it back from the dead? This man is a legend

Sky was considering growing his hair out once, and they were fully on board with this until they weren’t 

Brandon had an Emo phase. MCR and all. 

The only remnant of this is his fringe

Because of this though, he knows how to do eyeliner really well

He has done Stella’s more than once

Once, Sky was questioned for being a mary sue and so he spent a week trying not to be

He only succeeded when they found out that  they should not trust this boy around a baseball bat. 

“How did you manage to break the baseball-” Timmy questioned, looking confused and scared all the same. Sky shrugged, smugly grinning.    

Nabu took his hair down once and this was a rare sighting. It was glorious

“Look into your eyes and the Sky’s the limit” Brandon whispers, reaching to Sky’s arm. Said man looks to a wall as if he were on the office. 

They’re all more dramatic then they let on

But in reality, they’re just one, big happy but dysfunctional family 

They wouldn’t have it any other way.

[caveartfair]

The 10 Best Booths at Art Basel in Hong Kong

The sixth edition of Art Basel in Hong Kong opened on Tuesday with 248 galleries setting up shop for the week in the massive Hong Kong Convention and Exhibition Centre, which overlooks Victoria Harbour. With each passing year, as the market in Asia and the sophistication of the audiences are both on the rise, the quality of work dealers bring to this fair increases, as does the number of curated, single-artist presentations outside of the fair’s designated sections for solo booths.

From the cutting edge of virtual reality to historical works that command historically high sums, here are the 10 booths not to miss.

Project Native Informant

Discoveries Section, Booth 1C43

With works by Sophia Al-Maria

Installation view of Project Native Informant’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

Mirrors line the entirety of Project Native Informant’s booth, where a vanity table and chair sit against its rear wall. A film playing above the vanity features Chinese-american actress Bai Ling, while a tiny photograph, perhaps of Bai as a child, sits on the table. Titled Mirror Cookie (2018), Sophia Al-Maria’s mixed-media installation takes aim at the endemic racism, homophobia, and sexism within the film industry that has come to the forefront of popular attention in the past six months, as the #MeToo movement has radically changed the dialogue around sexual harassment and assault.  

Bai, who has played roles in Entourage and Wild Wild West, among other movies, suffered a series of hits to her public image in the late 2000s. Al-Maria’s film—in which Bai is dressed in a white gown, directly addressing the camera, with the image sometimes going out of focus or glitching—serves as a form of redemption for that downfall. In it, she mixes phrases of inspiration (“Do not doubt yourself”; “When you have love in your heart, nothing can go wrong”) with esoteric lines (“I am an infinity. I am you. You are I.”) and hashtags (“#power”; “#magic”; “trust”). Many of these lines, which the actress calls “cookies,” were pulled directly from Bai’s blog, which Al-Maria then asked her to deliver as if engaging in the self-help ritual called mirror work.

Sabrina Amrani

Kabinett Section, Booth 3C38

With works by Chant Avedissian

Installation view of Sabrina Amrani’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

Chant Avedissian’s figurative works are well known in the art market—his 120-part work Icons of the Nile (1991–2010) set a record for a living Arab artist at a 2013 Sotheby’s sale in Doha when it sold for $1.5 million. Relatively less known are the artist’s geometric works, which feature in this solo booth. The gallery has hung works on cardboard from 2016 and textiles from the 1980s on top of a wallpaper made from scans of the Egyptian-Armenian artist’s sketchbooks from the latter period. “He’s always been interested in the history and identity of his country and trying to rebuild that identity using symbols of ancient Egypt,” gallerist Amrani said.

She described the works as “a kind of propaganda for the greater East,” meant to recall the millennia of cultural traditions present in the Middle East and Asia that often receive short shrift compared to the much more recent cultural production of the West. The artist doesn’t see this refocusing of attention on the cultural heritage of the East as a move to spread that culture through globalized systems, she said, but rather wants to highlight it as a collective good—something that, regardless of our origins, we can all share.

Sakshi Gallery

Insights Section, Booth 3D28

With works by Vivek Vilasini

Installation view of Sakshi Gallery’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

31 pieces of transparent rice paper by Vivek Vilasini, each one slightly browner than the one before it, hang in a grid on one wall of Mumbai-based Sakshi Gallery’s otherwise bare booth. Each represents a different day in May 2017, their ever-darker colors resulting from the accumulation of pollution on the paper’s surface. The work, titled City - Fifth Investigation (2017), marks a stark departure for Vilasini, better known for tongue-in-cheek photographs, like his recreations of The Last Supper and other iconic religious artworks. “His work has always had political undertones, but this is the first time he has moved away from photography entirely,” said the gallery’s curator Sanyogita Deo.

Inspired by Washington governor Jay Inslee’s statement that “we are the first generation to feel the impact of climate change, and we are the last generation that can actually do something about it,” Vilasini placed the sheets of paper on a roof in New Delhi (the world’s second most polluted city) and took one sheet inside each day. The result is poetic, wonderfully simple, and yet remarkably effective at getting across Vilasini’s message.

Lévy Gorvy

Galleries Section, Booth 1C14

With works by Zao Wou-Ki, Pierre Soulages, Rudolf Stingel, Frank Stella, Carol Rama, Andy Warhol, and Yayoi Kusama, Pat Steir, Willem de Kooning

Installation view of Lévy Gorvy’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

If you want to see what’s almost certainly the most expensive work sold at a Hong Kong fair to date, head to Lévy Gorvy’s booth, where Willem de Kooning’s Untitled XII (1975) was purchased for an asking price of $35 million less than two hours into Tuesday’s opening. The work was consigned by Microsoft co-founder Paul Allen’s collection and is from the same series of large paintings as Untitled XXV (1977), which set the artist’s auction record of $66.3 million at Christie’s in November 2016—just before Brett Gorvy departed the house to team up with Dominique Lévy. But it’s far from the only draw for the booth.

The gallery’s small room of works by Pat Steir is particularly worth a look. “It’s nice to have a moment to pause like this in a fair,” said Lévy, surveying paintings from her new series, “For Hong Kong” (2017–18)—which, as the title suggests, were made specially for the fair. They continue Steir’s engagement with Sung Dynasty thought, but employ a new color palette, which Lévy said “took courage” for the artist to explore.

Mazzoleni

Galleries and Kabinett Sections, Booth 3E04

With works by Giacomo Balla, Agostino Bonalumi, Alberto Burri, Enrico Castellani, Giorgio de Chirico, Lucio Fontana, Piero Manzoni, Fausto Melotti, Gianfranco Zappettini

Installation view of Mazzoleni’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

Art Basel in Hong Kong is chock full of trophies this year—many of them in the Modern section, where collectors seeking to add big names with historical weight to their holdings will have no trouble. But, just off to the left side of their main booth, Mazzoleni’s presentation for the fair’s Kabinett sector (which features solo shows and curated presentations) is more treasure than trophy.

Eight works in brass, steel, and bronze from the 1960s to the ’80s by the late artist Fausto Melotti feature here, with prices ranging from $300,000 to $800,000. Melotti, who studied with Lucio Fontana in Milan, also trained as an engineer and a musician, experiences he translates into the delicate metal sculptures that jitter ever-so-slightly as passing viewers disturb the air around them. “He wanted to translate the music into a sculptural form,” said Virginie Puertolas-Syn, an art consultant working with the gallery at the Hong Kong fair.

Société

Discoveries Section, Booth 1C29

With works by Timur Si-Qin

Installation view of Société’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

Timur Si-Qin’s 12-minute VR work Campaign for a New Protocol, Part II (2018) is well worth waiting for in the inevitable line at Société’s booth in the fair’s Discoveries sector for young galleries. The installation in Hong Kong is part two of a three-part exhibition cycle. (The first part opened at the gallery in Berlin last week; the third will open at publisher Kaleidescope Media’s new space on April 18th.) It consists of three Oculus Rift headsets placed on rust-colored rock sculptures, each of which sits in front of a lightbox depicting a mountainous desert-like landscape and sporting the logo of Si-Qin’s conceptual brand, New Peace. (The full installation is available for purchase from $85,000 to $100,000, and each lightbox can also be purchased for $15,000 to $22,000.)

Don the Oculus headset and you’re shot into the lightbox, suddenly sitting near a campfire. You begin to float upwards and across the landscape as a pseudo-robotic female voice narrates a manifesto of sorts, titled “A New Protocol v0.60.” “Life on this planet stands at the cusp of a great threshold,” she says. “As we awaken for the first time to the full scale of the territory of space and time—something any living thing has only known for a century—we awaken also to our own capacities for altering our planet and ourselves.” As the sun slowly rises pink over the mountains, her voice continues outlining the birth of human religion and belief, and the discontinuity between contemporary religious practice and contemporary life. She goes on to put forward a new framework (or “secular faith”) that better suits a time where dualism and doctrine have no place. The full text is well worth a read, even if you can’t make it to Hong Kong.

Carlos/Ishikawa

Galleries Section, Booth 3C25

With works by Korakrit Arunanondchai

Installation view of Carlos/Ishikawa’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

Shells embedded in a resin-covered soil crunch underfoot when sitting down on a “stage for extinction” to watch Korakrit Arunanondchai’s latest film in an ongoing series, this one titled With history in a room filled with people with funny names 4 (with stage for extinction) (2018). As in Si-Qin’s VR work, belief is central to a film that flashes between post-apocalyptic-looking footage and newsreel-style clips of the 2017 Women’s March on Washington. A French-speaking narrator explains that belief unites the human species and constitutes “the joy of being human.” At another point, a paper mask of U.S. President Donald Trump appears between the silhouettes of two figures; the narrator says that “a decaying body can sometimes be turned into poetry.” The work is typical of Arunanondchai’s practice in the way that it integrates footage from his past films, uses a wide spectrum of cultural references in its found footage, and employs a stream-of-consciousness narration. But it also feels much darker, more somber and serious than many of his works. Art often reflects the times in which it is created.

Metro Pictures

Galleries Section, Booth 3D07

With works by Cindy Sherman, Robert Longo

Installation view of Metro Pictures’s booth at Art Basel in Hong Kong, 2018. © Art Basel. Courtesy of Art Basel.

Metro Pictures has mounted something of a mini-retrospective of Cindy Sherman’s work for Art Basel in Hong Kong, painting the entire booth pink and hanging photographs spanning from 1976 to this year. The earliest work, Untitled (Murder Mystery People) (1976/2000), pulls from photographs Sherman took during college, featuring 17 characters from an imagined Hollywood film. At the time they were shot, she would cut them up to create collages; she later returned to the original negatives and printed them as they were shot.

Key pieces from many of Sherman’s seminal series feature here. Among them are “Film Stills” from the 1970s; “Centerfolds” and “History Portraits” from the ’80s and ’90s; “Clowns,” “Fashion,” and “Society Portraits” from the 2000s; and her most recent series of works inspired by the Golden Age of Hollywood. “She hasn’t really had a big show in Asia, so we decided to hold some things back,” said the gallery’s Tom Heman. “For many people here, this will be the most comprehensive group of works they’ve seen.”

Lehmann Maupin, Thaddaeus Ropac, and König Galerie

Encounters Section, Booth 1E02

With works by Erwin Wurm

Idiot II, 2010. Erwin Wurm Lehmann Maupin

Idiot III, 2010. Erwin Wurm Lehmann Maupin

Art Basel in Hong Kong is known for the “Do Not Touch” signs hanging next to the many works in its halls that beg for a quick swipe of the finger. But in Erwin Wurm’s presentation, part of the fair’s set of large-scale installations called “Encounters” and curated by the executive director of Artspace, Sydney’s Alexie Glass-Kantor, viewers can not only touch the art—they can become the art. Wurm’s One Minute Sculptures (2000–18) were as immediate a hit in Hong Kong as they were at Lehmann Maupin last March and in the Austrian Pavilion at the Venice Biennale last May. Minutes into the opening, fairgoers were lining up to hold a Birkin bag or try to see their eye in a mirrored plinth through a hole in a pair of tennis balls.  

Taka Ishii Gallery

Galleries Section, Booth 1D03

With works by Hitoshi Tsukiji, Hiroshi Hamaya, Kiyoshi Suzuki, Tokyo Rumando, Yutaka Takanashi, Daido Moriyama, Ed van der Elsken, Nobuyoshi Araki, Shomei Tomatsu, Ikkō Narahara, Ryuji Miyamoto, Eikoh Hosoe, Noguchi Rika, Wim Wenders, Yoshitomo Nara

Don’t miss this gem of a presentation, tucked around the corner of Taka Ishii’s primely located booth just inside entrance 1D. Titled “Tokyo Story,” it comprises the work of 15 photographers who have shot in the Japanese capital over the past 88 years. Hiroshi Hamaya’s photos from the 1930s begin the story with fireworks exploding over Tokyo Bay and street life in Ginza when the luxury shopping mecca of today was beginning a renaissance, following the Kantō earthquake of 1923 and the economic collapse of 1929. You can glimpse a fashion show from 1968 in Yutaka Takanashi’s Towards the City; the hiply dressed youngsters of Japan’s booming ’80s in Ed van der Elsken’s Kabuki-chi, Tokyo (1984) and Tokyo (1987); a hazy aerial view of Shinjuku during the lost decade that followed in Noguchi Rika’s 1997 Shinjuku #3 (1997); and a romantically tinged view of a couple on a street corner in Nobuyoshi Araki’s Blue Period (2005).  

from Artsy News

[oathofpromises]

𝔹𝕖𝕚𝕟𝕘 𝕙𝕠𝕟𝕖𝕤𝕥 𝕗𝕖𝕖𝕝𝕤 𝕝𝕚𝕜𝕖 𝕀'𝕧𝕖 𝕓𝕖𝕖𝕟 𝕤𝕥𝕣𝕦𝕘𝕘𝕝𝕚𝕟𝕘 𝕥𝕠 𝕜𝕖𝕖𝕡 𝕚𝕥 𝕦𝕡

[oathofpromises]

𝕋𝕙𝕖 𝕙𝕖𝕒𝕣𝕥𝕤 𝕀 𝕙𝕒𝕧𝕖 𝕥𝕠𝕦𝕔𝕙𝕖𝕕, 𝕨𝕚𝕝𝕝 𝕓𝕖 𝕥𝕙𝕖 𝕡𝕣𝕠𝕠𝕗 𝕥𝕙𝕒𝕥 𝕀 𝕝𝕖𝕒𝕧𝕖 𝕋𝕙𝕒𝕥 𝕀 𝕞𝕒𝕕𝕖 𝕒 𝕕𝕚𝕗𝕗𝕖𝕣𝕖𝕟𝕔𝕖 𝕒𝕟𝕕 𝕥𝕙𝕚𝕤 𝕨𝕠𝕣𝕝𝕕 𝕨𝕚𝕝𝕝 𝕤𝕖𝕖..

[oathofpromises]

𝕀 𝕕𝕠𝕟'𝕥 𝕨𝕒𝕟𝕥 𝕥𝕙𝕖 𝕗𝕦𝕥𝕦𝕣𝕖. 𝕀 𝕨𝕒𝕟𝕥 𝕥𝕙𝕖 𝕡𝕣𝕖𝕤𝕖𝕟𝕥 𝕥𝕠 𝕤𝕥𝕒𝕟𝕕 𝕤𝕥𝕚𝕝𝕝. 𝕀 𝕛𝕦𝕤𝕥 𝕨𝕒𝕟𝕥 𝕥𝕠 𝕤𝕥𝕒𝕪 𝕙𝕖𝕣𝕖 𝕨𝕚𝕥𝕙 𝕪𝕠𝕦...

Independent, Semi Selective and Multi-Muse blog run by Stella. Includes muses from Kingdom Hearts,Resident Evil,Fatal Frame and many more. Some Mature themes will be present, but only in regard to some of my Resident Evil muses. Please read all my  rules before interacting.

  Carrd  Graphic Commissions Editing Blog Memes   Credits  Promos Rinoa Wings 

[oathofpromises]

𝔻𝕖𝕖𝕡 𝕚𝕟 𝕞𝕪 𝕙𝕖𝕒𝕣𝕥, 𝕥𝕙𝕖 𝕥𝕣𝕦𝕥𝕙 𝕤𝕥𝕚𝕝𝕝 𝕘𝕝𝕚𝕟𝕥𝕖𝕕 𝕝𝕚𝕜𝕖 𝕒 𝕣𝕒𝕫𝕠𝕣. 𝕋𝕙𝕚𝕤 𝕨𝕒𝕤𝕟'𝕥 𝕣𝕖𝕒𝕝. 𝕀𝕥 𝕨𝕒𝕤 𝕒 𝕕𝕣𝕖𝕒𝕞. 𝕀𝕗 𝕀 𝕒𝕔𝕔𝕖𝕡𝕥𝕖𝕕 𝕚𝕥, 𝕞𝕪 𝕛𝕠𝕦𝕣𝕟𝕖𝕪 𝕥𝕙𝕣𝕠𝕦𝕘𝕙 𝕥𝕚𝕞𝕖 𝕨𝕠𝕦𝕝𝕕 𝕖𝕟𝕕.

Independent, Semi Selective and Multi-Muse blog run by Stella. Includes muses from Kingdom Hearts,Resident Evil,Fatal Frame and many more. Some Mature themes will be present, but only in regard to some of my Resident Evil muses. Please read all my  rules before interacting.

  Carrd  Graphic Commissions  Editing Blog Memes    Credits  Promos

[oathofpromises]

                  '𝕎𝕖'𝕝𝕝 𝕄𝕖𝕖𝕥 𝔸𝕘𝕒𝕚𝕟.' 𝕀𝕥'𝕤 𝔸 𝕊𝕪𝕞𝕓𝕠𝕝 𝕆𝕗 ℝ𝕖𝕦𝕟𝕚𝕠𝕟.

Independent, Semi Selective and Multi-Muse blog run by Stella. Includes muses from Kingdom Hearts,Resident Evil,Fatal Frame and many more. Some Mature themes will be present, but only in regard to some of my Resident Evil muses. Please read all my  rules before interacting.

  Carrd  Graphic Commissions Editing Blog Memes   Credits  Promos Template Credit

[oathofpromises]

𝕄𝕪 𝕝𝕠𝕧𝕖 𝕓𝕪𝕥𝕖, 𝕪𝕠𝕦 𝕙𝕒𝕧𝕖 𝕒𝕝𝕨𝕒𝕪𝕤 𝕓𝕖𝕖𝕟 𝕞𝕪 𝕖𝕟𝕥𝕚𝕣𝕖 𝕦𝕟𝕚𝕧𝕖𝕣𝕤𝕖, 𝕒𝕟𝕕 𝕖𝕧𝕖𝕟 𝕥𝕙𝕒𝕥 𝕚𝕟 𝕚𝕥𝕤𝕖𝕝𝕗 𝕕𝕠𝕖𝕤𝕟’𝕥 𝕔𝕠𝕟𝕧𝕖𝕪 𝕛𝕦𝕤𝕥 𝕙𝕠𝕨 𝕚𝕞𝕡𝕠𝕣𝕥𝕒𝕟𝕥 𝕪𝕠𝕦 𝕒𝕣𝕖. 𝕋𝕙𝕖𝕣𝕖 𝕒𝕣𝕖 𝕨𝕠𝕣𝕝𝕕𝕤 𝕚𝕟𝕤𝕚𝕕𝕖 𝕪𝕠𝕦,𝕓𝕖𝕔𝕒𝕦𝕤𝕖 𝕪𝕠𝕦 𝕒𝕣𝕖 𝕒 𝕨𝕚𝕝𝕕𝕗𝕝𝕠𝕨𝕖𝕣.

[oathofpromises]

𝕀’𝕝𝕝 𝕓𝕖 𝕥𝕙𝕖 𝕤𝕥𝕒𝕣𝕝𝕚𝕘𝕙𝕥 𝕚𝕟 𝕪𝕠𝕦𝕣 𝕔𝕠𝕣𝕟𝕖𝕣 𝕥𝕠 𝕘𝕦𝕚𝕕𝕖 𝕪𝕠𝕦 𝕠𝕦𝕥 𝕠𝕗 𝕪𝕠𝕦𝕣 𝕕𝕒𝕣𝕜𝕖𝕤𝕥 𝕟𝕚𝕘𝕙𝕥𝕤. 𝔽𝕠𝕣 𝕪𝕠𝕦, 𝕀 𝕖𝕩𝕡𝕝𝕠𝕕𝕖— 𝕒 𝕤𝕦𝕡𝕖𝕣𝕟𝕠𝕧𝕒, 𝕗𝕚𝕝𝕝𝕚𝕟𝕘 𝕪𝕠𝕦𝕣 𝕤𝕜𝕪 𝕨𝕚𝕥𝕙 𝕓𝕚𝕝𝕝𝕚𝕠𝕟𝕤 𝕠𝕗 𝕤𝕥𝕒𝕣𝕤.

                                                                 ©

[oathofpromises]

𝕀 𝕟𝕖𝕖𝕕 𝕥𝕠 𝕓𝕖𝕔𝕠𝕞𝕖 𝕤𝕥𝕣𝕠𝕟𝕘𝕖𝕣. 𝔸𝕟𝕕 𝕨𝕙𝕖𝕟 𝕀 𝕕𝕠, 𝕀'𝕝𝕝 𝕓𝕖 𝕣𝕚𝕘𝕙𝕥 𝕥𝕙𝕖𝕣𝕖 𝕟𝕖𝕩𝕥 𝕥𝕠 𝕪𝕠𝕦 𝕒𝕟𝕕 𝕊𝕠𝕣𝕒.

[oathofpromises]

𝕀 𝕞𝕚𝕤𝕤 𝕨𝕙𝕖𝕟 𝕪𝕠𝕦 𝕨𝕖𝕣𝕖 𝕙𝕖𝕣𝕖 𝕓𝕪 𝕞𝕪 𝕤𝕚𝕕𝕖

[oathofpromises]

𝕋𝕙𝕖𝕪 𝕤𝕪𝕞𝕓𝕠𝕝𝕚𝕫𝕖 𝕣𝕖𝕦𝕟𝕚𝕠𝕟, 𝕓𝕖𝕝𝕚𝕖𝕧𝕖 𝕚𝕥 𝕠𝕣 𝕟𝕠𝕥. 𝕀 𝕨𝕒𝕤 𝕔𝕦𝕣𝕚𝕠𝕦𝕤, 𝕤𝕠 𝕀 𝕝𝕠𝕠𝕜𝕖𝕕 𝕚𝕥 𝕦𝕡. 𝕀 𝕥𝕣𝕚𝕖𝕕 𝕥𝕠 𝕜𝕖𝕖𝕡𝕚𝕟𝕘 𝕚𝕥 𝕒𝕝𝕚𝕧𝕖 𝕒𝕤 𝕝𝕠𝕟𝕘 𝕒𝕤 𝕀 𝕔𝕠𝕦𝕝𝕕. 𝔹𝕦𝕥 𝕟𝕠𝕨… 𝕚𝕥’𝕤 𝕕𝕖𝕒𝕕 𝕒𝕟𝕕 𝕓𝕦𝕣𝕚𝕖𝕕. 𝕃𝕚𝕜𝕖 𝕥𝕙𝕖 𝕓𝕒𝕣… 𝕠𝕦𝕣 𝕙𝕠𝕞𝕖… 𝕒𝕟𝕕 𝕖𝕧𝕖𝕣𝕪𝕥𝕙𝕚𝕟𝕘 𝕖𝕝𝕤𝕖.

[oathofpromises]

𝕋𝕙𝕚𝕤 𝔻𝕒𝕪 𝕎𝕚𝕝𝕝 ℕ𝕖𝕧𝕖𝕣 ℂ𝕠𝕞𝕖 𝔸𝕘𝕒𝕚𝕟... 𝕊𝕠 𝕃𝕖𝕥 𝕄𝕖 ℍ𝕒𝕧𝕖 𝕋𝕙𝕚𝕤 𝕄𝕠𝕞𝕖𝕟𝕥.

Independent, Semi Selective and  Multi-Muse blog run by Stella. Includes muses from Kingdom Hearts,Resident Evil,Fatal Frame and many more. Some Mature themes will be present, but only in regard to some of my Resident Evil muses. Please read all my rules before interacting.

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[oathofpromises]

𝕋𝕙𝕖 𝕙𝕒𝕣𝕕𝕖𝕤𝕥 𝕡𝕒𝕣𝕥 𝕚𝕤 𝕙𝕖𝕒𝕧𝕪 𝕠𝕟 𝕞𝕪 𝕞𝕚𝕟𝕕

 𝕋𝕙𝕖 𝕪𝕖𝕒𝕣𝕤 𝕒𝕣𝕖 𝕘𝕠𝕟𝕖 𝕓𝕦𝕥 𝕞𝕪 𝕞𝕚𝕟𝕕 𝕤𝕥𝕚𝕝𝕝 𝕣𝕖𝕨𝕚𝕟𝕕𝕤

𝕀 𝕕𝕠𝕟'𝕥 𝕨𝕒𝕟𝕟𝕒 𝕘𝕠 

𝔾𝕠, 𝕘𝕠, 𝕘𝕠 𝕔𝕦𝕫 𝕚𝕥'𝕝𝕝 𝕜𝕚𝕝𝕝 𝕞𝕖

 𝕀'𝕞 𝕝𝕠𝕤𝕚𝕟𝕘 𝕨𝕙𝕒𝕥 𝕀 𝕜𝕟𝕠𝕨