#Sign he never loved you

[poorly-drawn-mdzs]

Don't Wormy About Me.

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[suja-janee]

(Mostly) Harumi centric doodle page for a friend

[tanjir0se]

Zelda having a secret room for when she "needs to concentrate" carries with it the implication that it's Link that makes it difficult to concentrate, since they pretty clearly lived together between BOTW and TOTK. A lesser zelink shipper would turn this into something romantic but I'm operating on a higher wavelength.

"Zelda Zelda Zelda look at this cool rock I found don't you think it looks like a frog? Hey Zelda do you think I could climb all the way to the ceiling without falling hey hey Zelda listen to this *makes horse noise* doesn't that sound just like Epona I'm really good at horse noises hey Zelda Zelda Ze-

[art-is-kayos]

Everlasting A5

[somegrumpynerd]

Sign that Dream gifts to Nightmare post-truce specifically to annoy him

[impactrueno]

(thread i posted on twitter copypaste)

i think musical bj and lydia have the most interesting dynamic of the three…they go toe to toe, seem to be in perfect sync without even trying, she managed to turn his marriage threat on its head by tricking HIM back, and then a mini redemption arc? we love to see it but this also means it's hard for me to think of interesting things for them, because they already said everything that needed to be said in the musical. perfect closure too. what else is there even to tell?

thinking about this again since i've been rewatching the musical over and over. the emotional resolution and closure they had was so satisfying after offering what is probably the best (subjectively) and most balanced (objectively) dynamic of the three iterations

over at tumblr i've been talking about how cartoon bj and lydia's friendship isn't as perfect as it seems, especially in the later episodes. it's so sad to see but i'm also invested in their potential downfall and how that would go down…it's interesting to think about

but hey at least they're not movie bj and lydia lol. what….a mess of a dynamic those two have now with the sequel. it could've been handled so much better. they obviously wanted us to root for bj a little in this one, but the cool things he does amount to nothing, pretty much.

feels weird sympathizing with THIS beetleguy of all three but wow not even a reluctant "thanks i guess" or anything? idk feels like something was missing there. just one of the many things that feel like they're setting up for a third installment

thinking so hard about this because when i write them i gotta think about their motivations, feelings and why they feel that way, etc and bj saving astrid's life and exposing rory as a fraud and abuser (in an incredibly satisfying way) definitely tipped the scales in his favor.

so i'm still figuring out how lydia would feel about all that. i have this scene stuck in my head of her and astrid talking about bj. and astrid, who's really only seen him do good things, goes "…really mom?" and now i'm going "welp she's kinda got a point, lydia" NOW WHAT.

if i were in her shoes, me personally, that would've won me over or at the VERY least i would've forgiven him since he made up for the bad stuff. and i keep seeing people who feel the same way… then again, the ending does show he's still messing with her so idk. mixed feelings

trying my hardest to work with what canon gave us if you couldn't tell lol. sloppy as it was. i will try to make sense of it so i can do my stupid little comics

i guess at least she let him down easy lmao. as sarcastic her "look i'm sorry things didn't work out between us but the 600 year gap is a little much for me" line was. but he's not gonna give up that easily, is he? of course not. he's beetlejuice. he's gonna be annoying forever.

none of this would be such an issue if they had given them more screentime together to let their dynamic cook a bit and actually see how they get along 😑 hmph

anyway thanks for coming to my ted talk im done now

[laniidae-passerine]

“what if Alice looks like Armand” what if Alice is a skinny pale as paper light eyed girl? what if Daniel chooses a woman who looks like the romantic ideal they painted over Amadeo for? you chase after white men who are fascinated by you for a minute, by how exotic and otherworldly you are, but then suddenly you are nothing but your powers and that too is eventually boring. so they leave you. they will always leave you. in the end, she is white and pretty and lovely. she gets to have Daniel and his pale baby girls. and you get nothing but the pain.

[rorja]

pirate!suguru is a man who easily commands attention.

his name echos on the lips on children, stuffed dangerously close to the edge of searocks, in plein water — risking so just to take a peek of the legendary ship he owns.

the women of the village, even though tired and with fingers all shriveled from washing linen on the shore, try their best of luck. walking amongst the folks on the streets, holding their wicker baskets and their heads low to not meet strangers eyes. their whispering close to themselves with a hand in front of their mouths.

suguru walks, as if the bath of the onlookers on the main square is nothing more than droplets amidst the salty air kissing his skin in the early morning. as if tales about his birthright place amongst the many sons and daughters of the olympus have not been widely spread throughout the small village. and it’s frustrating. infuriating.

you envy the sea. to have birthed such a dutiful son, to be the one who’s solely holding his heart.

because suguru looks like a god — something divine that could only come from the finest of paintings, but he always has been so. from the days he used to sport an haircut perhaps too uneven, gotten from the only pair of scissors that could be found in the third drawer of the kitchen. from the bun he would tie his hair in, on days he would run between the freshly washed linen and big, colorful skirts of many dancers on the main square amidst the village’s main festivities.

you watch him from afar, wondering if the people who now blushed at his mere presence remember the kid he used to be. the one with a tooth missing and some bruises on his knees because of clumsiness.

(the one who always held your hand— guiding you through a labyrinth of salt and sheets hung to dry. scattered kisses from the sea drying somewhere between your small toes and ankles.)

you wonder if he still cling to the memories of sunsets and handmade seashells necklaces— all of what remains of a youth that resurface every time when his name is mentioned, or when the moon hangs lonely in the deep sky.

but he doesn't. in your heart, you can feel this answer growing louder like the sole of his footwear on sand. jewelry tingling, dancing under the warm rays of the sun altogether with the one too many knives hidden in his bizzarre and dirty clothes.

(he chose the sea. he chose the sea, leaving you behind.)

suguru walks, never once turning back to mourn the life he had bargained for his freedom. he belongs to the sea. and it's painfully visible in his stance, in the white crystals among his hair, in his longing eyes.

the grip around the seashell on your necklace tighten. suguru left you behind— and yet, you can't help but fall for the ghost of this stranger once again.

a/n : don't ask me what is this...... i literally have no idea..... i just had a vision and ran with it TT

[moeblob]

I love Chris so much you guys.

[buwheal]

ouhhhh debating whether or not i want to show these but i cant help myself... when im bored i love love love to think up just. poses and activities. for you to interrupt him in. (bottom left excluded this is my doodle page) And i dont think ill do any of these soon anyways. besides the top right one. which you wont see. one million things for him to do..... I can do anything i want.... and i can make /him/ do anything i want.... Is the point of the askbox not just for you to hang around with him during his day? his week?? his year???

[dykedvonte]

I saw your earlier post and you mentioned how people say things like "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" and you're so right cuz it drives me insane the way people want to hate Curly as much as Jimmy so they start saying really concerning stuff. Like is that not just victim blaming? Is saying "Curly is a grown ass man" not just rephrasing "why didn't she fight back?" It feels like the fandom think they can just say vile shit because his abuse wasn't physical (at first, and don't even get me started on anyone saying he deserved to be abused as if any kind of abuse can be justified) and he's a guy. Makes me wonder if people would bother seeing Curly as another victim if he was a woman or if discussion would be equally as insufferable because he's still not the "perfect victim" compared to Anya

It's crazy the way people say "I would've fixed everything unlike Curly" and then continue brushing off a victim and saying they deserved it. Even Curly acknowledged Anya's suffering even if he failed to help her in the end, and yet the fandom acts like this without any self-awareness (sorry for ranting like this but I'm just very tired of the fandom recently)

What worse about those comments and the sentiments is it’s often used when people are discussing him as a victim. Like acknowledging the abuse he also faced with Jimmy and that it shouldn’t matter or have an effect because he needed to “man up” and deal with it due to his position.

He needed to deal with it more effectively yes, but it is really victim blamey in the sense he should’ve just been able to. I talked about if Curly was a girl people would probably still judge her on the basis of being more experienced and accomplished and also needing to know better. The problem is that every is trying to treat what Anya and Curly went through on a comparative level. The game does not try to do that but instead tries to have their abuse parallel each other and be metaphorical, along with show the subtle and explicit ways abusers treat their victims.

People see how Jimmy and Curly parallel each other and create the idea “they deserved each other” in some weird ironic penance stance on both their parts. It’s just so odd because the game clearly shows that not a single person was deserving of their situation and especially the treatment under Jimmy at any point for any reason. The game centers around everyone paying for callous actions he commits and refuses to take responsibility for and yet the conversation center around one of his most tormented victims being questioned on how deserving he was of it/how it shouldn’t have effected him that badly.

I know you can be mad at Curly but making it out that if he was a real good man than he just would’ve had the balls to stand up to what was likely years of emotional and mental degradation still perpetuates the idea if a victim really didn’t like the treatment they would’ve just fought back harder or not put themselves into that position in the first place.

It goes back to the idea that there’s always a way to stop it and it’s on you if it happens. It’s again taking focus off the perpetrator and putting it on other aspects than the ever present source. Idk man but it’s like people are trying to make so many slightly different think pieces on MW that some just loop back to harmful rhetoric we were just moving away from.

[bakudekublogblog]

izuku didn’t just have to see katsuki’s dead body, he also had to see the fucking all might card right next to him. physical proof that katsuki always had a tender spot in his heart for izuku and their childhood together. evidence that katsuki fucking LOVED HIM THIS WHOLE TIME and now it’s TOO LATE. it’s actually so devastatingly romantic and fucking tragic. izuku really only finds out katsuki loved him all along when he thinks he’s lost him forever.

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[spotaus]

Okay! This one is less rendered than the other two, but here's some doodles of Tulpa figuring out how to co-exist! (Aka Fresh not taking training seriously while Dream is trying desperately to get his friends to think he's normal.)

When Dream first returns to the Star Sans', he finds himself in a pickle, because he needs Fresh to move his body. Sure, they made a tentative agreement that Dream trusted Fresh not to break, but Dream hadn't been specific enough with the guidelines.

Fresh pilots Dream's body based on the commands from his soul, but more often than not Fresh simply decides not to listen. Sometimes when they're training, Fresh will suddenly make Dream fumble his bow or send an arrow flying way off-target. Dream is always frustrated by this, unaware that Fresh it doing it for his own good and is forcing the guardian to take a break.

Blue was also made aware of Fresh very early on. One day he was passing the kitchen where Dream was cooking and spotted how Fresh's little form was wiggling out of the hole on Dream's skull. Blue made Eye-contact with Fresh, but said nothing since it seemed like Dream was aware and didn't mind. He waited until Dream told him to acknowledge the parasite directly, but suddenly a bunch of Dream's weird actions made sense to him. Blue regularly makes sure to check in on Dream, before abd after he's aware of Fresh, because he knows Dream works himself into the ground.

Dream (eventually) figures out that Fresh was being clumsy for his sake and nearly cries about it (even his mother and the villagers never did that for him, and Blue was the only other person to ever pull him away from training for his own good) so he gets a bit emotional. He feels bad for how angry he used to get at Fresh for doing that, but Fresh never gave him a proper explanation either, so it was a two-way street.

And while Fresh was lienent around Blue and Ink, he never slipped up around Nightmare's gang. Though, he did fight seriously, which to him might look like goofing off, which is completely separate from Dream's fighting style. (For now Dream uses Arrows and his Bow, but I'm thinking Tulpa has a T-Shirt Canon or a Nerf Gun by the time they make-up.)

Ideally Fresh cannot be seen during combat because he actually pilots from around Dream's soul, but sometimes his parasite form expands to support Dream's weak joints and act like a shock-absorber.

[ironinkpen]

My favorite thing in the world about Rise Leo is that he acts Like That but then at any given moment he's almost always doing something that's like. so fucking clever.

Like in the episode "The Ancient Art of Ninja Hide and Seek," the guys are sneaking around Big Mama's hotel to steal something from her guard dog Gus's collar. Raph's idea of stealth is uhhh holding a frond over his head, and Mikey and Donnie spend most of their time scooting a food cart up the stairs. Gus sniffs them all out and they all have to be rescued by Splinter.

And then Leo does this

And it seems so stupid, but like? it's actually not?? there's a strategy here???

The other guys get caught bc Gus is an incredible tracker w a great sense of hearing and smell—which Leo knows from their last run-in with him. So what does Leo do? He eliminates the problem by purposefully sneaking up on Gus in a crowded, noisy, distracting room so Gus won't be able to hear or smell him. And it WORKS—Gus doesn't notice him even when he's right under his nose! He just gets unlucky that the Evil Sports match ends right when he gets his hands on the collar.

It's just. so endlessly funny to me that Leo's the one who gets the closest to actually completing the mission without needing Splinter to bail him out, and no one notices bc he does so with the air of a court jester. A little clown boy. He truly radiates the vibe of someone constantly flying by the seat of his booty shorts, meaning no one realizes until Shredder that he's secretly the only one on the team who regularly uses ANY problem-solving or planning skills lmao

[hplonesomeart]

Hey. Sorry about the inactivity, but pretty sure no one cared that much anyways lol. Been a looooong time since I kept that distant from Tumblr…at least now I know I’m able to survive without checking posts every day/being chronically online! I’ve got an intense love-hate relationship with this lifestyle I’ve dug myself into. Think I’m getting a little bit better with the balance even if school isn’t really giving me an option. Got a load of work I need to keep catching up on if I don’t want to disappoint my professors. We’ll survive somehow. Here take a quick batch of Puzzle doodles k bye