#Shutter Speed Mode

[filtergrade]

How to Change the Mode on the Nikon D850 [Super Simple Tutorial]

[devnaut]

I agree that phone cameras are usually pretty bad at picking up cool lighting ie sunsets the way it actually looks, but most of the time it's fixed or at least serviceable if you just mess with exposure lol

[folksy]

I hadn’t used my camera in over a year but I’ve been taking so many pictures on vacation… I love images…

[amnotno]

Learn How To Shoot In Manual Mode - ISO, Shutter Speed & Aperture

Learn How To Shoot In Manual Mode – ISO, Shutter Speed & Aperture

[soobnny]

cops and robbers — kim seungmin

trope: kim seungmin x reader | strangers-to-lovers ; use of profanity ; mentions of a one night stand once ; he’s a fuckboy basically summary: fuckboy kim seungmin takes interest in the quiet, photography major who lives just across his dorm. wc: 3.8k words

The first time Kim Seungmin sees you, you have a camera strapped around your neck.

You’re just across his dorm room, hands fiddling on the buttons of your DSLR and eyes shifting where you can get your eyes on, looking.

Probably for something that can be added to your portfolio, he thinks. Not that he cares.

It isn’t all that hard to spot him either. Seungmin is easy to find, with a cigarette lit between his fingers and the smell of smoke vexing your senses. His entire body is leant on the wall, eyebrow slit and all to truly sell the fuckboy character.

You lock eyes when you finally find the source of smoke, and you think for a second to tell him to stop. It’s not what you do. Instead, you shift your attention.

It’s never a good idea to be within distance of boys like him anyway. There are other things to think about, things much more important. Like what you’ll have for dinner, the old pair of shoes you need to replace, your final portfolio.

Sighing, you look down at your camera.

You hope the low ISO 200 can capture whatever the fuck you want to take a photo of tonight—long shutter speeds, white balance on auto, manual mode. You’d be fucked if you didn’t have these settings memorized.

Different for day. Different for night. It’s a hassle, but it’s a hassle you keep up with if you want to graduate.

“You know, it isn’t safe for pretty girls like you to be out this late.”

Raspy. It comes from just behind you, and you have half a mind to turn to face the threat when you’re greeted face to face with a smirking Kim Seungmin. He sounds kitschy, looks kitchsy and it seems like he knows it as well.

You roll your eyes. “I think I’ll be fine.”

He stares at you for a minute.

“Whatever you say, princess.” The bass of his voice is a little terrifying, but not enough for you to shuffle away.

He would’ve been more if you weren’t hellbent on the idea of finishing your portfolio for the semester. Nothing scares you more than a failing class.

Not even Seungmin.

He doesn’t seem to mind your lack of chalant. He doesn’t really care. The boy has never been the type to stick his nose in other people’s business, talking to others only when necessary. Being annoyingly chatty was reserved for his friends.

In hindsight, starting a conversation with you should’ve been the first outlier he noticed on his sudden shift of behavior. But he doesn’t. Instead, he shrugs his shoulders and separates himself from you.

He was only out for a smoke anyway.

+

The next time he sees you is after his one-night-stand-gone-wrong.

It’s still at night, just a week later. And you look exactly like the way you were, camera in your hand and an unbothered look on your face.

Though, when you hear footsteps echoing from just a short distance and spot a speeding figure coming from his room, your face twists in disdain.

You were only out to practice a certain exposure you want to perfect. Not to bear witness to whatever the fuck happens in Seungmin’s dorms.

When he locks eyes with you for the second time that week, you pretend not to notice anything.

“You again?”

He’s shameless. A bit of his overgrown sideburns are sticking to his skin, shirt lazily thrown on, and sweat still glistening on his forehead. You don’t want to think of the connotations of what your observations could possibly mean.

You simply look at him, the way his face morphs in recognition and the way his neck cranes just a little. He looks like he’s in his element, sweat and fucked-out eyes and furrowed eyebrows.

You’re the exact opposite, picking at the buttons of your camera with sleep-riddled eyes and air struck hair.

Sighing, you push yourself off your unflattering position on the ground, brushing off the rubble that might’ve stuck on your pants from sitting there for so long.

You slip back into your dorm room without uttering a single response to the boy.

+

He sees you everywhere after that.

And truthfully, it was starting to get annoying. Especially when the boys started catching on to his staring.

While Changbin was narrating stories of nights Seungmin couldn’t care for the details of, he finds himself scanning the student hall.

He thinks he doesn’t know the reason why, or at least not until he finds you eating with some other girl.

Your eyes are intently glued to the screen of your camera. He wonders what photos could litter the memory of your SD card.

Before he can even shift his attention back to whatever the fuck was happening back with his friends, he’s caught red-handed. Shit-eating grins surround the table, a few howls here and there, and shoves that Seungmin could've gone without.

“Is she your next target, Seungmin?”

He wants to vomit at the word choice.

“Target?” He scoffs. You weren’t a target. “She isn’t even my type.”

Kim Seungmin brushes off their noise, canceling out the ill-intentions they’ve made up for him. He just sits there, unperturbed by everything until his friends finish eating.

He looks at you one last time before leaving. It’s hard not to.

It doesn’t save him from further teasing.

+

“You’re a photography major?”

You’re caught off guard by the sudden voice behind you.

It seems Seungmin has made a habit of surprising you when you least expect to see him.

“...I am.”

You finally reply after letting the question hang in the air for a few seconds longer than necessary. He doesn’t care, only cares that you responded to him.

“You don’t talk much, do you?”

Is he only capable of asking you questions?

“We’re not friends.” You deadpan. His lips pull into a smile.

“I’m just curious why you have a camera with you all the time. Loosen up.”

He doesn’t say anything after that, just lets the silence hang there. He knows he can tick you off even more, but he doesn’t find himself wanting to. He simply walks back to the dorms with you.

When he walks too fast, he stalls—for just enough time for you to catch up with him.

You fail to notice the way he shifts his position, always standing by the busy side of the road.

+

“Are you smoking again?”

It’s the first time you initiate conversation, and he snaps out of the trance he’d been in. He was outside again, similar to when he’d first met you. And you were still you, with your camera, and the way you lift it to fit your eye through the viewfinder.

“Why? Are you starting to care about me, princess?” There’s that same smirk evident, and it seems he took your question as invitation to stand next to where you are.

You want to stomp on his face.

“‘M just asking. I really couldn’t care less.”

You can smell the smoke off of him, warranting you to take a full step away. You’ve always hated its scent, and the second-hand smoke exposure.

In turn, Seungmin runs a hand through his hair. It’s shorter, looks like he got it trimmed recently. When you put your camera away in favor of leaving the site of crime, the boy attempts to stop you.

“Leaving already?”

“It isn’t exactly part of my tuition fee to talk to people like you.”

You sound harsh, and it’s an odd feeling to suddenly feel offended about a simple phrase he’s heard multiple times before.

People like you.

What the hell was that even supposed to mean?

“Spare me a few more minutes, angel.”

You don’t bother arguing any further. Besides, you still needed a few more practice photos of where you were looking. You lift your camera back up to peek through its viewfinder, and you can only hope the noise of your photos is enough to drown him out.

“What are you doing out here so late, anyway? Didn’t I tell you it wasn’t safe?”

“I also remember telling you I’ll be fine.” You grumble, snapping a shot. He moves closer to you when you open your mouth to continue talking. “Practicing helps ease the feeling of dread, like I’d be less likely to fail if I did.”

Seungmin notices the calluses on your hands, rough with hard work, and then his eyes trail to your side profile. The light exposure from the moon makes you look prettier than you already do.

Wait, what?

The boy has never stared at someone’s hands and drawn a conclusion before, never taken the time to admire and talk to someone he wasn’t planning on screwing over either.

There’s a first for everything.

“Smoking helps.”

You snort at his sudden comment. Too much time has passed by for him to suddenly butt back into the conversation. The timing makes you laugh a little.

His heart races at the sound.

“Are there thoughts when you feel dread?” He asks, albeit a little silent, in case you didn’t want to talk about it.

You contemplate whether you should talk about it. It’s an unlikely conversation to have with an unlikely person like Kim Seungmin.

Against your better judgement, you answer.

“I don’t know. It just feels like… it feels like my heart is palpitating. I feel scared for some reason. I guess I just really don’t want to fail. Does that make sense?”

“Yeah. It does.”

“You also feel dread?” You ask.

He hums in response. “All the time. Sometimes I’m not sure if the decisions I’m making are the right ones.”

It makes him sound so human to be able to empathize. You hate to admit you’re surprised.

“Just do what feels right in your heart.”

“How am I supposed to know?”

“You’ll know.” You mumble.

The few minutes you’ve spared him has run out. “Goodbye now, Seungmin.”

“You know who I am?”

“Everybody knows who you are. You and your friends.” You wave him off, finally shutting off your camera and putting the lens hood back. “Bye.”

You’re dismissive, and it’s something that would usually annoy Seungmin because he’s the dismissive one in his friend group.

The sudden challenge should anger him, but it doesn’t. What is it about you, and your playing hard to get, and your dismissiveness that has his attention so much?

He’s usually the one being chased, never chasing.

He’s usually the one being told things, never initiating. Never telling.

You’ve definitely done something to him, but he doesn’t want to think about it.

He really doesn’t want to think about it.

+

It happened without warning.

You only remember how angry Seungmin was. Everything else was a little blurry.

You don’t even know who threw the first punch. Shapes and shadows just seemed to move around you until a fight broke out.

The victim was from the Engineering department, though you don’t find the word victim befitting for someone like him. You don’t even know his name, just that he has a history for picking on people.

And it seemed today, you had fallen prey. You guess it just wasn’t your lucky day.

Though, if you think of the situation in whole, he definitely had worse luck than you.

Seungmin was locked and loaded behind gritted teeth and white knuckles when he threw a punch. And he was unforgiving with his hits.

“Seungmin, stop it.” Your voice comes out in a desperate plea, and as if a switch, he pulls himself off of the nameless Engineering boy.

“Fucking asshole.” Seungmin spits at him.

He surprises you with how cold he can speak. While you’ve always known that boys like him were a little more asshole-coded, you didn’t think he had it in his moral compass to defend you after having only shared not more than four conversations.

“Why would you do that? Seungmin, what the hell?”

You’re exasperated as you peel him away from the crime scene. He’d suffered a few blows you’re sure would bruise later, and his knuckles were bloody from his displays of violence earlier.

He’s speed walking ahead of you, doesn’t think he can look at you.

“Why didn’t you stand up for yourself? He had your camera.” His voice was significantly louder than it had been during your earlier conversations. You think it might be the first time he’s raised his voice at you.

His features, however, deeply contrast with the upset dripping from his voice. His face softens ridiculously fast when he turns back to look at you. And while his intentions send a soft nudge on your heart, you’re still upset at the predicament he’d willingly and intentionally put himself into.

“I didn’t need you to start a fight.” You sigh, tugging him by his arm after he’d stopped walking to direct his line of sight at you.

You continue the fleet-footed walk back to your dorm, dragging him with you.

“A thank you would be appreciated.” He grumbles from behind you, but makes no move to free his arm from your grip. Seungmin simply lets you drag him away.

“Stay there.” You sit him down just in front of your door before slipping into your little room. It takes no longer than two minutes before you’re back outside.

He’s still right where you left him. The only difference is he’s looking at you as if he’d been waiting for you to come out.

You make a move to crouch next to him.

There’s a first aid kit sitting between the two of you, a tub of water, among other things.

“How could you be so reckless?” You offer no warning when you take his hands, soaking them under the water and carefully washing the site of injury.

When you’re sure it’s clean, you turn to look at him. “You barely even know me, and you’re getting into fights.”

You’re clearly stressed, packing ice into a thin cloth while lecturing him under one breath. He doesn’t argue with you. Instead, he hyper fixates on the way you hold his hand—resting it on your thigh, applying light pressure on his bruise.

Your hand is warm, almost too warm against his. And he notices the same callouses he did that night you caught him smoking again. Yours with hard work, his with stubborn lament.

The action makes his face flush an embarrassing color. You don’t seem to notice. You’re too preoccupied being upset to even look him in the face.

“You better not do this again.”

In truth, Seungmin had probably suffered much worse than bruised knuckles. This, in comparison to all the previous fights he’d gotten himself into, was nothing. But it feels more significant than the rest.

His heart folds at how you’re taking care of him.

It was a curiously intimate thing for you to attempt to reduce the swelling with your makeshift cold compress. There’s an unidentifiable feeling in his heart he still doesn’t want to think about, but he knows there’s a subtle change in the air that he needs to address.

“He could’ve smashed years of your hard work.” He suddenly breaks the silence.

It triggers you to glance up, and you lock eyes with Seungmin once more. It looks like he’s rethinking whether he should continue talking.

Against his better judgment, he does. “He had your camera, and all I could think about was how devastated you would feel if he’d broken it.”

You blink a couple of times at his sudden confession. Moreso because he’d been observant enough to know the significance of that single piece of item. And maybe because he was looking at you a certain way.

He does that sometimes.

You don’t really know what to say to him, so you shift your focus back on his wounds. And when you’re sure there wasn’t any more damage, you let him go. “I’m done. You can go.”

A silence falls between you both before the boy climbs back on his feet while holding the cold compress you’d handed him. He takes a few tentative steps away.

“And Seungmin?”

He suddenly turns back at the interjection of your voice, looking at you with that same look from earlier, like you should know he’d do it again for you. It’s almost fond. And Seungmin hovers there, waiting.

You take the brief moment where his attention is on you to finally say the words that’d been brewing in your throat.

“Thank you.”

You’re trying so hard to keep your voice monotone. He’s trying so hard not to smile.

+

Seungmin’s been in front of you for almost ten minutes now.

It’d been almost a week since he’d gotten into a fight, and he has the gall to suddenly appear in front of you. In the student center during dinner, of all places.

“Hi.” It’s his fourth time uttering those words now, but it seems your attention is still on whatever the fuck poison they were serving for dinner.

“Talk to me. Hi.” He persists.

(“He likes her, for sure.” Hyunjin laughs from a few tables away.

There’s amusement in Chan’s eyes.

“Yeah, he definitely does.” The eldest smiles to himself.)

His attempts are fruitless. You are still drinking your soup, and he is still vying for your attention.

“You’re ignoring me.” Seungmin pouts. He actually pouts. “Are you still upset I started a fight?”

You don’t respond. If you were honest with yourself, you don’t know why you’re ignoring him either. Was it because you’d felt the slightest nudge in your feelings the last time you saw each other?

“Pretty girl.”

You stall before asking. “How’s your knuckles?”

He smiles. “Better. Will you stop ignoring me now?”

“I wasn’t ignoring you.”

“If you want me to apologize, I won’t. I don’t feel regret for doing what I did. I’d rather his face smashed than your camera.”

There’s that nudge again. You didn’t want him to apologize either. A few days of mulling it over and the news of quiet in the Engineering department since his fight with Seungmin tells you enough that the benefits had outweighed the risks.

No more stories of students being taunted for doing absolutely nothing.

The boy in front of you clears his throat, trying to get your attention. “But, I’m willing to do anything else for you to stop ignoring me, or apologize for anything else.”

An idea flashes in your head.

“I know how you can make it up to me.” You say in lieu of a real response.

+

When you’d asked him for a favor, he’d gotten a little excited.

He’d thought it was somewhere along the lines of a date, like that crap he sees in movies. He didn’t think he’d have to model for a few shots in your portfolio.

“New piercing?” You ask, gesturing at your own lips to try and mirror the spot he’d gotten it. It’s silver and shiny, and definitely adds to the fuckboy appeal.

You shudder, you know your own parents would never agree to you doing the same.

“Like it?” Seungmin has the audacity to smirk, flaunting the silver on his lower lip. You simply roll your eyes.

(Though, the few seconds you spare to stare at it is enough judgment for him.

You lift your camera back up. “Alright. Just do whatever for now. Actually, maybe a hand in your pocket—yeah. That’s perfect.”

He does whatever the hell he can think of. And while most would’ve been embarrassed by now, he couldn’t find it in himself to care. If it meant you’d stop ignoring him, he’d do this a million times over.

“Stay in that position.”

“Hmm, I like it when you’re being bossy.”

“Shut up.” You snap a shot, looking at the screen of your camera and smiling in contentment. You don’t give him the time to rest before you’re lifting it back up to eye-level.

And it goes on like that for a while. You use him to study lighting, and angles, and shadows, and forms.

Though, it’s a little difficult when he looks so damn attractive in everything. You might have a biased model. You’re afraid if you were to shoot him in shitty lighting, it would still turn out good.

“Alright.” You switch off your camera after flicking through the numerous shots you’d taken. “I think I’m done.”

“So, you’ll stop ignoring me now?”

He looks at you with everything so potently him when he’s with you.

“Uhuh.” You hum, letting your DSLR drop around your neck. He smiles victoriously.

None of you turn to leave.

You lament in the night air just a little longer, and Seungmin spends the time staring at you.

You suddenly turn to him. His gaze is a little too invasive not to notice. “What?”

“Just thinking.”

“About?”

“You.” There’s something about the way he says it that makes you look away. You could swear you saw a tint of red on the tip of his ears.

“Among other girls, I presume.”

He exhales. “No. Just you.”

“Resident fuckboy Kim Seungmin thinking about just one girl?”

“Fuck you.” Though, there’s no spit in the way he says it. His heart warms at the thought of you feeling comfortable enough to joke around with him now, despite you still coining him a fuckboy. He supposes that one’s on him for years of tainted reputation.

Your half laugh at being cursed echoes in his mind, lingering more there than in the air.

“You’re acting strange tonight, Seungmin.”

“You make me act strange.” His voice softens even though he’s essentially putting the blame on you for the way he was acting. And he says it in a way that makes you think he’s waiting for you to say something, or to at least understand the intentions behind his words.

You don’t know how to respond though. He sounds a little too serious to just merely be fucking around with you, like you’ve heard he does.

“The boys are saying I’m getting soft.” Seungmin doesn’t sound like he’s waiting for your response, so you let him continue talking. “Ever since that first night I met you. What the fuck did you do to me?”

He meets your eyes.

“Will you say something?”

You attempt to flat out your nerves at how he’s baring himself vulnerable in front of you all of a sudden. You would be lying if you said you hadn’t grown fond of the boy after his multiple attempts at getting your attention, but you’d also be lying if you said you didn’t think it was just another one of his ploys to get into your pants.

“How do I know you’re not lying?”

“I’m acting like a damn puppy following you around everywhere. And I let you boss me around for pictures when I could be drinking with my friends right now.” He’s still eye-to-eye with you, and it’s scary the way honestly spills from his.

“Then go drink with your friends then. ‘M not forcing you to be here.”

You’re so fucking stubborn, and he tries to search for your eyes but you aren’t looking at him anymore. Yours are downcast somewhere, on the ground, on anywhere but his eyes.

“Look at me.” You don’t know why, but you instantly do. Maybe it was in the way he said it, almost desperate. “I don’t want to drink with my friends. I want to be here with you. Because I like you.”

You crack a slow smile at his words, and at the way he’s stripped himself in genuine softness in front of you. It wasn’t everyday you’d see Kim Seungmin like this.

“So don’t think I’d lie to you about that.” He’s pouting again, and you tease him for it.

You get on your toes, get a good look on his face and the pout that adorns it. “Are you upset I thought you were lying?”

“Fuck off. I’m just—” He can’t help but laugh, pushing you away from him lest he wants to suffer the consequences of kissing you without your permission. He wants you to like him back, and if he has to do it slowly, so be it.

“Just give me a chance.” Almost pleading.

You press your tongue against the inside of your cheek. “Okay.”

“I understand if you—” He suddenly pauses. “Okay?”

“Okay.”

He stares at your lips, at the way it forms around the word, and he’s puzzled at how hot his face feels because he’s never been flustered like this. And he thinks his cheeks will start to burn if he doesn’t stop smiling. But he just can’t bring himself to stop, not when you’ve willingly given him a chance.

On your own autonomy.

“You won’t regret it.”

You don’t think you will.

[libraford]

Sometimes, I forget how good of a photographer I am.

I'm doing sports candids at a high school. School is in the middle of nowhere. There is no cell reception. Its homecoming. Theres a million cameras.

Its middle of the second period and I see a professional looking photographer struggling with her camera. There are two dudes nearby also struggling, same uniform. But I know that look of desperation because I've been there. Guy 1 is fussing with video camera. Guy 2 is on the phone, but like I said- theres no cell service here.

"Are you having trouble?"

"Oh my god, do you know cameras?"

"Take a picture, show me what it looks like."

She takes a picture, shows it to me. Its blown out and blurry.

"It has to be on the sports setting because I'm shooting sports. But I cant get it to work right. This thing is old and busted."

"Shutter speed too low, looks like 1/60."

"What?"

"Can I fiddle with it?"

Mind you, theres a whole football game happening in front of us. The videographer and the guy on the phone are watching me very closely.

It's a different camera than mine, but it's the same brand.

"I'm putting you on manual, but you have to trust me."

"I... dont have a choice. Everything is malfunctioning."

I put it on manual, fast shutter speed, high ISO. Take a shot, dont like it, fiddle with it again. Take a shot, hand it back.

"Try it."

She takes a shot. "Its a little blurry."

"Bump up the shutter speed to 1/300. It will be darker, so the ISO goes up, too."

She does this. "Holy shit, I've never taken photos like this before! These are better than anything I've ever done! Thank you! You just saved all our asses."

"Congrats, you're now shooting in manual- you have full control of how light enters the sensor in your camera. And that makes you a pro."

She starts catching back up with photos. Her dudes come over to me and say "seriously, from the bottom of our hearts, thank you so so much. Our video equipment went down and we can't get ahold if anyone."

"No problem. But out of curiosity, who are yall with?"

They give the name of the news section that covers local sports.

I just taught a photojournalist manual mode in less than a minute.

...I'm pretty sure they just give a camera to whoever is on staff and dont tell them how to work it.

That's frustrating to me.

[sirfrogsworth]

I just bought my first non-phone camera (Canon PowerShot SX70 HS). I travel a lot and want to take great photos of the landscapes I see. What would you recommend for someone who is essentially a novice? So far I've been afraid to change the settings from "auto" but I want to use the full capabilities of this camera!

I'm really tired and I don't have the energy to explain everything, so I'm going to give you the secret recipe to landscape photos. This works 80-90% of the time unless there are challenging variables to account for.

Put camera on tripod or stable surface. Set timer to a delay of 1 second. Put camera in Av or Aperture Priority Mode. Set f-stop to f/11. Set ISO to lowest setting. (Usually 100.) Let the camera decide the shutter speed automatically. Focus 1/3 of the way into your framing. Press the button, stand back, and let the camera take the shot.

Tripods are a pain in the butt to carry around, but they open up a whole new world of possibilities when it comes to landscape shots. You can also try a little bean bag weight, railings/ledges, or those gorillapod things.

If I am feeling better tomorrow, I will reblog this and explain why these settings usually work and add some additional tips along with settings for when you can't use a tripod or stable surface.

But this should give you something to start with.

[enigmatist17]

Absolutely feral over Hashtag and Starscream, like wtf why is this the cutest thing I've ever seen

It's probably something to do with the fact I was up at 3am watching this show for some of the best Starscream content since Prime/Armada

---

"Starscream is observing us. Again." Nightshade hummed as they headed up and out of the barn, face buried in the latest novel Dad had given them.

"Wasn't he here, like, yesterday?" Jawbreaker asked, Thrash and Twitch practicing their sparing while he watched from the sidelines, more than content to focus on the miniature painting he was working on. Whatever answer Nightshade could have given was drowned out by the noise of someone transforming, Hashtag speeding up and into the woods behind the Malto homestead, everyone stopping in place to watch her leave.

"She does know I did not tell her where he's currently residing, yes?" The scientist looked at the tracks left behind, more amused than anything else.

"She'll figure it out." Thrash shrugged before tackling Twitch, earning a squeak of indignation from his sister.

They didn't need to worry, Hashtag had figured out where Starscream liked to observe her homestead after his first visit, but just hadn't had the nerve to approach him. Sure, it was a bit of a silly thing to feel, but Hashtag didn't want to push her...friend? Ally?, too hard, but it had been two months, and enough was enough! The jet seemed to be focused on the horizon when she made the trek uphill, the large rocks serving as an adequate chair for the massive Transformer. They sat silently for a while, Hashtag remaining in her alt form as the various wildlife and rush of a distant stream filled the conversation neither seemed to want to start.

"Soooooo, where have you been?" Patience was not Hashtag's strong suit, and the short venting of air from the seeker beside her almost sounded amused.

"I have been...around." Starscream finally moved for the first time since she'd arrived, glancing down at her alt mode. The radar dish on the top of her vehicle faced up toward Starscream, and she transformed a moment later when he tipped his head, sitting cross-legged on the ground with a grin. "You've improved your blaster accuracy."

"I have!" Hashtag looked quite pleased, tapping her servos against her plating with a grin. "Bumblebee said I just need to keep at it, but I really like it when Arcee drops by, she gives me all sorts of tips. Wait, how did you know? Nightshade only mentioned you a few times, and we train mostly during the day?" Starscream seemed a bit stunned at the torrent of words sent his way, memory packets he'd forgotten about flashing fuzzy images of sparklings that were long dead for a moment before he shoved them back and into deep stasis. He'd never truly been comfortable around children, and even less so after the War began, yet here he was, listening to the young mech beside him ramble on about something called barbeque like it was just another solar-cycle.

" -scream? You listening?" Shuttering his optics, Starscream noted she had moved to stand before him, one hand hovering just above making contact with his knee with her optics staring at his wings. "Hellooo?"

"I...apologize, my mind wandered. What are you staring at?"

"Sorry, it's probably super rude to stare, but I've not really had a chance to look at wings like yours like, ever? Fights happen so fast you know, and the rare videos I find before G.H.O.S.T wipes 'em don't really give me a look either." Once again, it's another torrent of words, and the Decepticon can feel his wings rising slightly in discomfort. "Sorry, did I upset you?"

"N-No, you've done nothing wrong." When was the last time someone asked how he was feeling?

"Oh, okay!" Primus bless her, the little one's eyes lit up as she clasped her servos together. "Sooo, were you always able to fly, or did you have a ground alt once upon a time?"

"No, I have always been a Seeker." Starscream motioned for the smaller bot to sit beside him, shifting to the side so she had plenty of space. "My frame was initially suited for deep-space exploration rather than combat, but that changed quickly enough when the War began. I don't think I could ever enjoy being away from the sky, it is as much a part of me as every inch of my frame."

"Nightshade has said that too. Ever since they took their alt form, they have talked about flying like I do when I hack or manipulate things. There's just no other feeling like it." The Seeker nodded, and Hashtag was relieved to see his wings lower slightly, adding one mental tally mark to her "Operation Get Starscream To Relax" board.

"It is a feeling unlike any other, for every type of Cybertronian. I have seen those who command oceans as if they were assembled by it, others who use the strength of beasts long dead as if they'd been one their entire creation. Had it not been for so many things, you too might have seen the wonders that were our people."

"Well, I wouldn't mind listening to you talk about them." Hashtag hugged her legs to her chassis with a smile, ever the eager youngling waiting for a tale.

"If you're going to talk, you might as well bring this party to the house." The sudden voice behind them made both mechs jump, Starscream pointing his null ray at whatever the threat was as he tucked Hashtag behind him, only to find...Lieutenant Malto.

Ah...frag

"Hi Mom!" Hashtag stood up so she could see from behind Starscream's wings, waving as the null ray was powered back down. "How'd you know where to find us?"

"A mother knows, sweetie." The smile on the human's face was a little forced, which the Decepticon had to give was justified. "You doing alright?"

"Yep! Starscream has been answering some of the questions I've wanted to ask, and we've just been sitting up here and enjoying the view." She fully moved from behind the older mech as she spoke, standing beside the comically shorter woman who refused to break eye contact with Starscream, who just stared right back. "Are you serious about letting him come to the house?"

"Maybe, maybe not. If we're going to have guests, we should be prepared, right? Why don't you go and get some of the nice energon ready, and let your Dad know I'll be down soon."

"Okay! Oh I can't wait to show you around!" With a wave, Hashtag transformed and booked it down the mountain road her mother had used, leaving the two to stare silently at each other.

"What do you want with my daughter?" Ah, there it is.

"Nothing, I was merely...observing." As much as it loathed his inner demons, Starscream knelt down so they were more or less at an even height, both soldiers coiled for a fight that may or may not happen. "I was unaware she knew I've been here."

"I knew they'd catch on sooner or later, you didn't exactly pick the most hidden spot." Starscream rolled his optics, noting the other had relaxed slightly. "What have you been doing, since the big escape?"

"Hiding, mostly. I've no desire to be tortured again." It took her past as a fighter for Dot not to flinch at the angry hissing coming from the mech, face impassive when Starscream had to shake his helm for a moment. "Nor do I wish to see...him."

"...we're getting close to exposing G.H.O.S.T, for what it's worth. All of us are, and I'm sorry you had to suffer at their hands."

"Are you? I'm a Decepticon, surely this must be thrilling to hear, after all we've done?" There's no venom in those words; all Dot can hear is what isn't there as his wings hike up his back, and servos curl into fists. "Getting what we truly deserve, no?"

"All I see before me, is a mech who is tired. A mech who is exhausted, yet took the time to sit with my daughter, protect her from a perceived threat, and stare down her mother despite knowing I could take you down." The hissing is back, a slight red filter sweeping across blue optics before fading just as quick, but Dot holds her ground without batting an eye. "All I see is a Seeker without a trine, and while we may not be one, a little company can't hurt you, can it?" Starscream just....stares, and Dot wishes the bots breathed like humans did, just to offset how unsettling it was when mechs could watch without a single movement. That was one of the things that really got under her skin, and she was grateful that her kids hadn't learned that particular skill yet, full of too much energy and life to sit still like a waiting snare.

"You dare speak of my trine." The sentence nearly made her jump, the tall mech leaning closer with a blank look. "You understand nothing."

"No, I don't." It's a simple response, but it's all she can give. "Now, let's not keep the kids waiting." For the first time, Dot turns her back to Starscream to get into her truck. The Seeker is fully onto his pedes by the time she has the car on, his gaze focused on the home he can see just down the hill. "Don't break the fence, or you'll be the one fixing it."

"As you wish."

So this is how a Decepticon finds himself drinking the first pure energon in too many cycles to count, surrounded by mech younglings and cautious humans as the first mech to believe him waved her servos around, grinning as she told the tale of their first meeting. It is not...entirely how he thought the evening would go, but every time Hashtag smiled at the Seeker, something seemed to unfurl in his Spark, something that should have died off long ago.

So when she asks him to stay, even if it's for one night, Starscream does without hesitation.

[helluvatimes]

Soaring On Wings As Eagles

An immatured sea eagle learning the ropes from its parent on the Marina South coast. Photo credit: Jonathan Chua.

This image didn’t need to be cropped in post as the eagles including a third one were flying quite low at the time.

The given shutter speed of 1/500 second – I was then in Aperture Priority mode – was apparently not fast enough. A little motion blur could be seen at actual size but that wasn’t obvious here at this size.

[jaded-jezz]

Shutter Speed (Part 2)

Jack Champion x Photographer!Reader

Part 2/3

☁︎ Fluff

Summary: y/n is a photographer for the new scream promo and Jack thinks she belongs in front of the camera rather than behind.

(Y/N POV)

"Look who decided to show up!" I hear Jenna say but I am too occupied in taping marks on the floor to turn around. Leah goes over to introduce herself, welcome the late cast to the shoot and explain the plan and rules.

"You must be Y/N?" I hear my name and stand up to correct the voice. "I'm Leah, she's Y/N." Leah turns to me as I appear next to them.

“Woah…I mean Jack, I’m hi.” The boy in front of me stutters. “No! I mean Hi, I am Jack. Sorry for being late.” I hold back a small laugh and smile. “Are you sure you’re Jack? I mean the name ‘hi’ might suit you more.” I jest. “I’m Y/N, did Leah go over all the rules? Are there any questions?” My voice moves back into professional mode as we have a lot of work to do today.

(JACK'S POV)

"You totally played that off man" Mason chuckles behind me, pulling me out of the trance that this Y/N has put me in. I feel my face heating up and I can't tell if its the multitude of lights in here or her stare that burned through my heart. God snap out of it, Jack, you have to do your job today.

I watch Y/N fall into her element and do what, I can tell that, she loves. She is mesmerizing.

"Stop drooling, she may run away" I hear Jenna whisper to me and before I can defend myself, "Umm... next I need Jack Champion over here on the blue mark please" You need me? Ok say less, I joke to myself to calm my nerves. I keep my eyes on the floor to ensure I don't trip but also so that I won't turn into a blushing mess if she looks at me. God, this is the first time I've been glad these lights are this bright.

I follow her instructions, her voice is music to my ears. It's like I am under a spell. A love spell? No lets not get ahead of ourselves. Wait, she's staring at me.

"Jack? Do you wanna see one of the photos?" Leah suggests from the side of the room, trying to break the awkward silence between the two of us. "Oh sure!" I stumble over wires to stand next to her. "No, go over to Y/N, she'll show you how everything works and how the images will be edited after the shoot."

(Y/N POV)

I give Leah a panicked look before Jack turns to walk over. His curls bounce as he hops over the leg of the tripod. "Oh you are tall." I say without thinking. "Oh yeah, but so are you." He answers looking down at me. "It's probably my shoes." I laugh, "Did you wanna see the photos?" I bring up the subject to make sure I don't say anything I may regret.

"Do you enjoy being a photographer?" Jack inquires. That sets me off. I could talk for hours about photography.

"I have loved it since I was 10 and I could not imagine persuading any other career. I am constantly thinking of photo shoots whenever I leave my house. Wall of graffiti? Photo shoot idea. Aesthetic shampoo bottle? Photo shoot idea. I am constantly inspired by everything around me which means my job can be difficult when I am given a strict brief but luckily, whoever hired us, gave us full creative freedom." I wave my arms around for emphasis. But too much emphasism as I almost hit Jack. He swerves and giggles, luckily.

"Oh shit, I am so sorry." I cringe and look back to the camera screen. "It's ok, Y/N" The way he says my name makes a swarm of butterflies flutter in me. I look up into his eyes. Brown eyes used to freak me out because it is more difficult to see the pupil, but maybe I like them a bit more now. Maybe he can help me like other things too. Ew, don't get carried away or you will scare him off.

After our stares last a beat too long, Leah clears her throat and alerts the group that we will now be moving to an outside shoot. She tells them to go back to the changing rooms to get out of their costumes and into the brand we are shooting with for the second part of the day. While they leave, Leah and I start to collect the equipment we are bringing. I grab my notebook for the checklist.

"You are doing great Y/N, especially with a certain someone." Leah raises her eyebrows and winks at me. I roll my eyes and walk over to turn off some of the bigger lights.

(JACK'S POV)

As the group walks to change, I see Jenna and Mason standing by the doors. They are sharing a similar look towards me, it's kinda freaking me out. "He totally does!" "Yep, I can see it in his eyes." I roll my eyes at their odd behavior and attempt to walk past them. "Oh no Mister."

They drag me out of the studio and into the hallway. "Man, when I said charm them with your good looks, I sorta hoped you would also charm her with the rest of you." Mason starts. "Yeah, we knew you were awkward, but not this bad. I wanted to claw my eyes out!" Jenna exclaims rather loudly.

"Could you be any louder? And it wasn't that bad, and I am not flirting!" I shout in a whisper. "No one said you were flirting, except you." Jenna retorts. "We've exposed you without even trying" Mason shouts to annoy me again. "Fine, she's really beautiful and she is really passionate about her job which is kinda cute and-"

"Ok lover boy relax, you don't need to go into detail." Jenna cuts me off with a look of both disgust and happiness, so I know she is just being sarcastic. "We will help you get this girl of your dreams" Mason adds. I can't tell if this is a bad idea but I nod and walk to the changing rooms to make sure I am not late again.

When we are all re-dressed, the cast starts to follow Leah out but I look for Y/N. I see her pacing back and forth, looking rather stressed. I don't know if me going over will make it worse. But I don't have time to decide as two pairs of hands push me towards her.

"Y/N, are you ok? Have you lost something?" "Yes! My notebok. It has all my plans and lists inside. I really need it. Like right now. Is it hot in here? Or is it just me?" She panics. "Ok, you need to sit down before you faint or something goes wrong."

I reach for her hand and gently guide her to sit next to me. I scan the room for a notebook before asking her any questions. She keeps a hold of my hand and I have to pretend not to notice or I might be the one to faint. "Is it that green thing over there?"

(Y/N'S POV)

"Oh my god! Yes it is!" I jump up and grab it. When I turn around, I am again faced with Jack's chest. I look up at him and smile. I feel weirdly calm after that whole anxiety filled fiasco, maybe it's because of Jack?

"Thank you Jack, I think I would've died without this." I try to laugh. "That's ok, I think we need to go now though, I know you have quite a strict schedule for today." He responds.

Jack offers to hold some equipment to make sure I can see where I am going over the pile of objects. When we leave the building I see the other cast members grabbing or putting away stuff in their cars so I take my kit back from Jack to allow him to do the same. I walk over to Leah to let her know I found the notebook.

"I was going to come back to help you but I heard a certain someone calming you down." She says as I stand next to her. "He is definitely your type, isn't he? Tall, lanky-" I cut her off "Yes Leah you don't need to continue. I can't let a silly crush get in the way of today though. It's not even a crush! I've not even known him for five minuets! All I know is his name." I say so fast I almost run out of breath.

"Let's get going while the sun is still out." I shout to the group.

(This is the photoshoot that inspired this series so you can vision this location and photoshoot style)

(TIME SKIP + STILL Y/N POV)

We have been talking photos outside in both groups and alone. It's so sunny outside that no lights are needed, just portable reflectors. Which are big circles of materials that bounce the sun in a chosen direction. Leah and I split up for the last half an hour as we have different ideas due to the location and lighting right now. Some of the cast have moved away to film TikToks and to stand in the shade but some are continuing to model for us if they have less photos than others.

I noticed Jack had finished talking to Mason and Jenna before he started walking over to me.

"Hey Y/N! Is there any last ideas in your notebook?" He asks.

"Oh just this one." I start. "Because of the harsh sun I am are able to play around with different filters on my camera. One of my favorite makes stars in light reflections, would you try out over here?" My hands are shaking as I hand him a small square of mirrored glass.

We mess around for a while, me running back and forth to show him how to pose, how to angle the mirror to reflect light and to show him the results. After a while I am so out of breath that Jack finds it funny.

As the sun starts to go down, the cast all joins up for the last photo including Leah and I for our Instagram. We all start walking back slightly delirious due to the amount of running around some of us had been doing. Jack is walking next to me, at the back of the group, continuing one of our random conversations from earlier.

"You are really talented Y/N, I know you have probably been told that a lot today, but you really are." Jack says in a slight hushed tone. I can't control the big smile on my face. He is such a genuine human being. "Thank you for being a wonderful model." I laugh.

I notice him glance ahead at the group before slowing down and truing to me. "I don't know if i have read this situation wrong but I think you are beautiful and I get feel like we get along so well even though we haven't known each other that long and I am rambling aren't I?" He looks down at his feet and rakes a deep breath.

"I was wondering if you wanted to go out on a date with me?" He finally looks me in the eye as he says this. "Wow Jack, of course I will. I don't think someone has made me laugh this much, apart from myself obviously" I jest. We trade numbers as we catch up with the group.

After the cast all go their separate ways, Leah and I burst out into screams of happiness. "MY BEST FRIEND IS GOING ON A DATE WITH A HOT, FAMOUS PERSON WHOOOOOP" Leah shouts as we skip around the car park, arms linked.

Who wants a Part Three? It will be about pre-date, during and maybe even their reactions with friends after too?

As always, requests are currently open!

Please do not repost this, reblogs are appreciated.

Also some people asked me to Tag them so here you go:

@gwenlore @multi-simp-page @daffodil-darlings @mummatiri

I’m quite new to tagging people so lemme know if you want to be tagged for all my Jack Champion Posts or just this series?

[seabeck]

FAQ + About (for mobile)

About me: My name is Milli (she/her), 25yrs. I love taking photos of nature and my Subaru. I’m a huge nerd about mushrooms, plants, and skulls. I’ve been hiking ever since I was a little kid and at this point I feel at home in the woods.

I have a flock of chickens, a boyfriend, a dog, and waaay too many house plants

Did you take all the photos on this blog?

Yep, every photo posted here was taken by yours truly unless otherwise noted (very rare).

What camera/lenses do you use? 

My crop sensor/work kit is:

Nikon D7100

10-20mm f/4.5-5.6G VR

Dolica ZX600B103 Tripod

My full frame kit is:

Nikon D850

Sigma 150-600mm f5.6-6.3 

50mm f/1.8 G

60mm f/2.8 ED Macro

Nikon 105mm f/2.8 VR G

17-35mm f2.8 

20mm 1.8 ED sold

Sigma 150-500mm f5.6-6.3  sold

Kenko extension tubes

Raynox 250

Vanguard Alta Pro 263AB (works for macro + everything else)

Filters and other gear:

Hoya circular polarizers + Stop down/up kit

Nikon camera backpack (discontinued)/TARION Camera Backpack

Instax Mini 90

Other cameras I’ve owned:

D50

D200

D3000

D7000

Here’s my lens wish list, some are on there for fun and some I actually want.

What camera gear would you recommend for a beginner?

Before you worry too much about getting the best gear, make sure you learn how to use it first. You could go out and buy the fanciest camera and lenses and still not take good photos because you don’t know how to use your camera or how to “see”. There’s also a saying, “you marry your lenses and date your bodies”. Invest in good lenses, preferably full frame compatible ones in case you ever decide to upgrade to full frame, and get a cheaper body to start. With that out of the way…

If you’re just starting out, I’d recommend getting a refurbished or used camera from the D7100+ line. They’ve come down in price as of late and are pretty solid cameras. Just make sure to check the shutter count.

I’d skip anything from the D3000 & D5000 lines. They’re not bad cameras but they do not have built in autofocus meaning they rely on the lens itself having autofocus. This isn’t horrible but it does limit what lenses you can use (and some of the lenses that won’t autofocus with those cameras are good AND cheap) and that can be confusing for a beginner.

As for a lens, a 50mm f/1.8, or 35mm f/1.8 is a great lens. Both lenses are inexpensive, have good quality glass, and can used for nearly everything. The 18-55mm lens that comes with cameras isn’t bad either. 

I don’t shoot Canon/Sony/whatever else so I can’t give any advice there sorry!

How did you learn to take photos?

LOTS of practice, I first picked up a camera back in 2013. In high school and college I took photography classes but ultimately I didn’t really learn much from them, they started at too basic of a level.

I did learn a lot about photography from taking art classes however. They taught me framing, how to use shadows/light, and movement in a photo (where does your eye travel when you view an image/art piece). My mom is also a professional photojournalist so I picked up some knowledge from her and my grandfather who’s also a published photographer.

How can I take better photos?

Again, lots of practice. Learn what every setting and button on your camera does, try different shooting modes, take the same photo at several different apertures and shutter speeds to see what changes. You can learn a lot from reading articles too but the best way to learn, imo, is by doing. Don’t worry about getting the best gear and the best camera, learn how to take photos first.

Study other photographers photos, and even paintings, and see what you like. Pay attention to directional lines and where your eye travels. Learn how to use Photoshop/Lightroom (just pirate it). Take photos in different weather, lighting, and times of day. 

What programs do you use to edit? What presets/filters do you use?

I use Lightroom and Photoshop Classic along with custom presets that I’ve made for different situations (fog, snow, etc) to process most of my images and then I make minor tweaks. A lot of my presets started as VSCO presets and then I kept the things I liked and changed the things I didn’t.

What is your job?

I’m a real estate photographer specializing in short term rentals. I love it.

Are you related to Eddie Vedder?

Yep, we’re very distantly related. Something like 7th cousins twice removed but I’ve never met him.

Can you add a photo to your print shop?

Sure! Just tell me the name of the photo (or link it if possible, I reuse a lot of names) you want added and I’ll get it up there.

May I use one of your photos?

I’m 100% ok with people using my photos as a reference for drawing/painting, I’d even love to see the result. For anything else, just shoot me an ask beforehand and I’ll let you know. Please do not repost my photos on Tumblr or elsewhere without my permission.

[nilolol30]

Mei x reader

"Finally! Todays date day is gonna be the best one yet!" Mei shouts as she parked her motorbike it took your soul to catch up with your body with how much she was speeding "If we don't get arrested..." Mei only giggled as she deactivated both of your helmets and you both hop off the bike.

"Wouldn't be the first time buut anyway let's commence our first arcade date!" Mei pulled you close to take multiple selfies then you both walk Infront of the arcade sign and take a picture Mei posting it on her socials then you both start to actually walk inside "So what games do you wanna play?" She asked shoving her phone back in her pocket.

"Eh why not walk around the place and stop by at whatever we feel like playing? Honestly you and Mk come here more than I have" Mei insisted on paying for both yours and hers passes since shes been a loyal member she gets pretty good discounts.

"True I was gonna bring you with me and him last time but I thought he'd feel bad for third wheeling but thank goodness I didn't since it was a clone and turned all party crazy" Mei shutters thinking back to 'Porty mk.'

You both started wondering the arcade ducking into some games that interested you both there was a motorcycle racing game that Mei immediately dragged you down begging you to race her unfortunately she is well versed in gaming and riding so of course she won but it was still fun then you both jumped into a photo booth taking two photo sessions so you both can keep the photo strips.

"Ooh! A claw machine! Did I tell you I am amazing at claw machines~" Mei strolled over to the machine giving a playful wink "Really? Thought you always tell everyone they're scam" laughing you lean over her shoulder to peak at what kind of prizes are inside it a green bunny caught your eye Mei noticing smirks pulling out some tokens.

"Well I'm infact a champ at scamming scams~ and I'm totally getting you a fluffy friend!" Mei immediately went into ultra claw machine focus mode trying her best to get the right angle obviously doing her best to get the green bunny.

"And just like that ah boom~" with her eyes closed she pushed the button smiling expecting to hear the automated congratulations but unfortunately the claw didn't hold onto the bunny and dropped it causing a game over Mei getting over her shock laughed a bit "Ha obviously just a fluke give me a sec-" and so the cycle of Mei shoving tokens into the machine and her slowly growing annoyance began "You know Mei you don't have to win we can just get a prize from the-" "Never! I'm totally getting you that damn rabbit if it's the last thing I do!" It's almost like you can see a green fire radiating from her.

Finally when it looks like the claw is holding onto the bunny you both watch as it slowly takes it to the flap "I swear if it doesn't get in I'll punch this thing" Mei mumbled her face pressed against the glass "Yeah let's not set off alarms" then the claw let go and the bunny fell through the slot Mei rushed to pull it out and yelled out in victory.

"Yes! I did it! I'm the best girlfriend everrr!!" She held out the stuffed toy to you smiling "Here you go~" it's almost like she didn't want to murder the creator of those machines second ago you take the bunny and kissed her on the cheek.

"Of course you're the best girlfriend the best girlfriend in the world" you can hear Mei let out a small internal squeal pulling you into a hug "okay let's continue this date let playy...Oh oh that game!" You two go off to play nearly all the games the arcade has to offer the both of you agreed to keep away from any more claw machines for a bit.

[evelyn-art-05]

Can I ask how you're taking the photos of the stars? 👉👈 (specifically the most recent one) They all turn out so well!

of course!! :] and thank you!

my phone specifically has a "pro" mode, where I can adjust the camera setting manually. if your phone has something like that, then the setting you want to change are the camera/shutter speed, and the ISO! change the speed to the slowest option (mine is 10 seconds) and the ISO to 400 or up! then, you can either lay on the ground outside in an awkward position so your hands stay still, or you van grab a phone holder/stand of some sort, and take your picture! if there's even the slightest movement the stars will not look good unfortunately

if you don't have that, you might have a "night mode" on your phone! if it does, it's just a matter of making sure your camera is focused on the stars (should look like little dots of light, not fuzzy), and holding your very super still to take the picture! I still suggest using a stand

and it helps to turn off bright lights near you, like garage lights and such :]

[malavoie1]

Pollination in Progress: Bee on Joe-Pye Weed

Capturing the essence of nature’s intricate beauty, this close-up of a bee collecting pollen from vibrant pink Joe-Pye Weed flowers showcases the delicate dance between pollinator and bloom. The bee's black and yellow striped body, dusted with pollen, stands out against the lush green background, emphasizing the vibrant life and color found in the natural world.

On an overcast day, I captured the delicate interplay between a busy bee and the vibrant pink blossoms of Joe-Pye Weed. The soft, even lighting provided by the cloud cover created an ideal backdrop, minimizing shadows and highlighting the intricate details of both the bee and the flowers.

Using an aperture setting of ƒ/10 provided a balanced depth of field, ensuring that the bee was in sharp focus while maintaining enough background blur to isolate the subject from any distractions. A shutter speed of 1/200s was chosen to freeze the motion of the busy bee. Bees are notoriously fast and unpredictable, so a relatively fast shutter speed was essential to capture the fleeting moments of their activity without introducing motion blur. Even then, some motion blur was still present and was partially removed with post processing tools.

The ISO was automatically calculated by the camera's metering system in Aperture & Shutter priority mode, adapting to the available light conditions. On this overcast day, the even, soft lighting helped in achieving a well-exposed shot with minimal shadows. Spot metering was used to ensure that the bee, the main subject, was correctly exposed, rather than the entire scene, which might have led to an underexposed bee due to the bright flowers and background.

Processed with Affinity Photo v2 and Topaz Photo AI.

Camera: Pentax K-3

Lens: smc Pentax DA FA 1:2.8 100mm Macro

100mm / ƒ/10 / 1/200s / ISO 500

Taken: July 16, 2024

[intercal]

I was playing around with an old analog oscilloscope today, I was trying to see if I could at least get it to show tones generated from the computer, and guess what! you can!

I was taking pictures to show a friend and most of them looked like shit, but I realized it probably was because of the shutter speed. I used the pro photo mode on my phone turned the shutter speed down to 1/60th of a second, and it's cool because you can actually see the wave as it's being drawn here, and the artifacts/ghosts of the past 5 or 6 waves that were drawn too. very cool stuff

[sirfrogsworth]

This might sound like a weird question, but have you ever come across a camera with a Bird Watching setting? I have an Olympus SP-800UZ and one of the modes it comes programmed with is literally called that, for taking pictures of birds in the wild.

As someone whose special interest is birds, I love this setting and use it a LOT, but I've never been able to find another camera with a setting like it, and at some point I told myself I didn't want to replace the camera until I could find one with a similar setting.

The reason I ask is because I've been following for a while, and I've come to respect your opinions on photography.

I tried researching your camera and figuring out what exactly the bird watching mode does and even the official manual did not say. If I were to guess, it just sets the camera up with certain parameters that are usually ideal for photographing birds, but I don't think it does anything special that other cameras can't do. You would just have to set a different camera up to those parameters rather than the camera doing it for you.

If I were to guess, it probably enables a certain autofocus mode for small subjects and limits how slow the shutter speed can go so you don't get motion blur when very zoomed in.

However, I know exactly which features are important to get good bird photos, so as long as the camera has the following features, you don't really need a dedicated bird mode. Though if a camera has a "pet mode" it would probably work similarly to the bird mode you are used to.

Most important bird photography features...

Good autofocus

Good zoom range

Image stabilization (Either optical or sensor, not digital)

Autofocus has come a long way in the last few years. It's difficult to assess the autofocus from specifications alone, so you will probably need to rely on reviews to know if the camera locks in on subjects well. Some cameras have pet and wildlife autofocus features that can be very helpful in tracking smaller subjects like birds. So I would look out for any camera that has a pet autofocus mode or a review that says it locks onto smaller subjects well—even if they don't mention birds. If it can lock onto a chihuahua, it can usually do so with a bird too.

Birds and wildlife in general tend to get spooked easily and it is often difficult to get close without them running or flying away. So having a longer zoom range can really help you keep your distance and not startle your subject. I would say the minimum focal length for getting good bird shots is around 300mm (on a full frame camera). Some cameras only quantify their zoom by magnification (20x, 30x, 40x, etc.) and don't really say what that is in relation to. So focal length is a better metric to assess how zoomy a lens is. 10-35mm would be wide angle. 50mm is about like our eyes. 100mm is slightly telephoto. And 300mm and above would be very telephoto.

You may need to google the focal range equivalent to a full frame 35mm camera. So you would search "[camera model] 35mm equivalent focal range" to figure that out. And as long as it goes past 300mm, it might be a good candidate for birding.

When you have a camera that zooms in that far, any movement will be exaggerated—especially if you have naturally shaky hands. Not only can that introduce motion blur into your images, but it can make it very difficult to track your subject. Looking through the viewfinder will result in a wiggly mess and you won't know what you are pointing the camera at.

Image stabilization helps negate that exaggerated movement.

There are 3 kinds of stabilization. First is optical, which is built into the lens with a floating glass element. Then there is sensor stabilization (often called IBIS for "in-body image stabilization") which allows the sensor to shift and move to counteract any motion introduced by your hands. And the last form is digital stabilization which is done using the camera's software.

The first two are physical solutions that can adjust on the fly much like a chicken's head.

The digital solution is mostly just fancy image cropping. It zooms in a tiny bit on your image and then aligns a continuous crop to give the appearance of a stable image.

The lens and the sensor are still a jiggling mess, but this constant cropping allows you to see the illusion of a stable image in your viewfinder and in the videos you take. And while this is very helpful for tracking subjects and capturing video footage, it will not help you negate motion blur—which is why the other two methods are preferred for still photography.

Bigger cameras can often forego stabilization because the zoom lenses are bigger and heavier and don't shake as much and they let in a lot more light so you can raise your shutter speed to freeze motion. It's still nice to have, and if you have IBIS and optical stabilization combined on a big camera you can almost take pictures in the dark without camera shake, but all of those conveniences can get costly.

The camera you have now is called a "bridge" camera or a "superzoom". These are (relatively) inexpensive cameras that use a smaller smartphone-style sensor but with a more classic camera body surrounding it and a non-changeable lens. Small sensors have one big advantage where if you put a zoom lens in front of them, they can see from Alaska to Russia.

For instance, your camera has an 840mm equivalent lens. That is near telescopic.

For reference, this is what an 800mm lens looks like for a full frame professional camera.

It weighs 10 pounds and costs about $13,000.

Granted the image quality of that lens is in another universe compared to your superzoom, but if you are mostly interested in documenting the birds you are encountering, a superzoom is a neat tool to have. It's like digital binoculars.

So I guess the question is, do you just want to document your bird adventures or do you want to delve into artistic bird photography?

You can upgrade to a nicer superzoom and get some improved clarity and ease-of-use features, which is totally valid. You could even get a "premium" superzoom that can do artistic bird photography in ideal lighting conditions.

Or if you go with a more professional interchangeable lens camera system (ILC), you can achieve some stunning artistic photos like these...

Freezing a bird midflight while catching a fish is just not really feasible with a basic superzoom.

Let's talk about the advantages and disadvantages of a superzoom bridge camera as compared to a more professional ILC setup.

Superzoom Pros

No learning curve. These cameras are designed for novice photographers and have very good automatic functions. You can pretty much pull them out of the box and start taking pictures without knowing the fundamentals of photography.

Incredible zoominess. You can get amazing zoom power for a fraction of the price.

Budget friendly. The top of the line superzoom camera is still only about $1500 as compared to the top of the line mirrorless ILC (for wildlife) which is $6500 *without* a lens. And the lower to mid range superzooms are even more affordable, especially if you consider used options.

Superzoom Cons

Noisy images in low light. These cameras are mostly suited for bright sunny days. The small sensors and cheaper lenses do not capture very much light. In more challenging lighting situations you will tend to get very noisy images due to using a high ISO to compensate.

Inconsistent image quality. Under the best of circumstances, you can get some really beautiful photographs. But when you push the camera to its extremes, the image quality can start to deteriorate. Low light causes noise. The more you zoom in, the softer your images will get. Low megapixels limit your options to crop in on far away subjects—which is often an issue with wildlife.

Deep depth of field. A lot of bird photographers like using shallow depth of field to blur the background so the bird really stands out in the photo. Small sensors can have a very hard time blurring the background unless the subject is quite far away and you are zoomed all the way in. But when you are all the way zoomed in, the image can get soft and lack detail. So you trade image quality for a blurry background.

Lack of professional features and accessories. There are many advanced features that can make bird photography much easier. Some cameras have advanced motion tracking that can allow you to capture birds in flight. The latest generation can even track a tiny bird's eye. There are also accessories that are only made for ILCs. Like motion activated shutter triggers that will take a picture of a bird automatically if you set up a camera near a feeder. There are flashes that work at very long distances. You can get camouflage skins for your lenses so the birds can't see you. Stuff like that.

ILC Pros

Lower image noise. With a bigger sensor and better lenses you can shoot with a very low ISO in good light and get incredibly clean noise-less images.

Better high ISO performance. If you are in low light, you can increase the ISO and still get a very good image. The noise on an ILC is much less distracting and easier to deal with—especially with advanced noise reduction software.

Background blur is easy. Due to the much larger sensor and telephoto lenses, almost every telephoto image will have beautiful blurry backgrounds no matter how small the aperture is.

Sharper, faster lenses. The lenses are much sharper and let in a lot more light. The quality of the image does not decrease as you zoom in. And the sharp optics allow a lot of leeway for cropping. So even if a bird was super far away, you can crop the image after the fact and it will still be quite detailed.

More megapixels. A lot of bird photography needs to be cropped in due to subject distance. Having more megapixels allows for more cropping. (I know I keep talking about cropping, but it really is a huge aspect of most bird photography.)

Advanced autofocus. This is the big game changer, especially on the new mirrorless cameras. The latest Canon and Sony cameras have eye detect autofocus for animals. You can literally lock onto a bird's eye while it is in flight and get perfect focus. It's bonkers.

ILC Cons

Steep learning curve. A lot of people think they'll get a big ILC and immediately get better pictures than their smartphone. They are often disappointed when that isn't the case. You really need to learn the fundamentals of photography to get good photos out of an ILC (free course here). They do have automatic modes, but without learning about aperture, shutter speed, and ISO (the exposure triangle) and how to balance them and when to prioritize what, you might end up with *worse* photos than a smartphone.

Wildlife photography can get very expensive. Big lenses with a lot of zoom are some of the priciest available. There are some budget options, but you will have to sacrifice quite a bit of zoom and light-gathering capabilities. The quality of the photos is usually worth it, but you may have to learn how to get closer to birds to photograph them.

Heavy as heck. Superzooms are very light and portable. A wildlife ILC configuration is very unwieldy. The camera is heavier. The lens is long and heavy. Carrying all of that gear into the wilderness can be quite a hassle.

Some camera suggestions...

Superzoom Options

If I'm being honest, in the sub $300 range, I don't think you'll be able to drastically improve over what you already have. All of the cameras in this range are quite similar and while a few might have some features that are helpful, the image quality is going to be roughly the same.

You are probably going to need to spend at least $400-700 to get a meaningful upgrade from what you have.

The top-of-the-line superzoom would be the Sony RX10 Mark IV at $1100 used. You can get the previous model, the Mark III, for about $900 used. It's a wonderful camera and the image quality and features rival or even surpass some ILC options. If you don't have the time to learn an ILC system but want the best possible quality, this might be an option. But an ILC will still give you better results if you are willing to put in the time.

For more mid-tier superzooms, you might look into the Panasonic Lumix models. They use slightly larger sensors than most superzooms and are known for their lens optical quality along with their stabilization.

The FZ1000 is getting very old, but it is still a powerful camera at a good price. The only downside is the focusing system isn't as advanced as newer cameras. But it will be better than what you have and you can find one used for around $400.

The newer FZ1000 II or the FZ2500 would be great options that have more modern autofocus and a lot more bells and whistles. They are fairly similar and can both be found for around $650 used. They do great video as well.

These are not the only options, but they are ones I know of and models I have heard positive things about. If you want to see what else is out there I would google "bridge superzoom cameras" and then maybe add your price range as well. Read reviews and watch YouTube videos to get a sense of the cameras you are interested in. As long as the camera has decent autofocus, I don't think you need a specific bird feature—so I wouldn't limit yourself in that regard.

ILC Options

When trying to come up with a good bird photography setup for interchangeable lens cameras, there is basically an easy, medium, and hard mode depending on how much you spend.

As I mentioned, the top-of-the-line mirrorless cameras have autofocus tracking that can lock onto a bird's eye while in flight. They have both IBIS and lenses with optical stabilization. They have burst modes that let you take 30 photos per second. They have 50 megapixel sensors that allow you to crop to your heart's content and still have megapixels left over.

It's quite dreamy if you have the money.

But I'm guessing if you are coming from an Olympus bridge camera that is probably a bit more of an upgrade than you were thinking.

So if easy mode is not viable, let's talk about medium and hard mode.

If you still want the bird detecting autofocus, in body image stabilization, and a pretty zoomy lens, Canon has some newer mirrorless cameras that would take amazing artistic bird shots. It's still spendy, but not $9000 spendy.

The Canon R7 is a great APS-C mirrorless camera with IBIS that can be found used for about $1300. It has 32 megapixels and due to having a slightly smaller sensor, you even get some bonus zoom out of all your lenses at about 1.6x. It's still a much larger sensor than a superzoom, just not quite the size of the Alpha 1.

Alpha 1 is Full Frame. R7 is APS-C. And Superzooms don't get any bigger than the 1" sensor.

Pair the R7 with the RF 100-400mm lens ($600 used) with optical stabilization, and you would have a stellar bird photography setup for about $1900. (It would be a 160-640mm equivalent lens on the R7 due to the 1.6x crop factor.)

Which is probably still way more than you want to spend.

So we have the hard mode option.

No bird eye autofocus. No stabilization. You have to learn the fundamentals and practice in order to get good shots. However, wildlife photographers have been getting AMAZING photos with the gear I'm about to suggest. In fact, all of these photos were captured with the hard mode ILC combo.

The Canon 7D Mark II has been a beloved camera body for wildlife photography for many years. Many pros still use it to great effect to this day. It doesn't have bird autofocus, but it still has one of the best DSLR autofocus systems that was ever developed. It can even track moving subjects, it just doesn't know it is tracking a bird so it is more prone to error on occasion. It can be found used for $500-600.

The Canon 400mm F/5.6 telephoto lens is one of the most affordable lenses Canon ever made for wildlife. It is an old lens, but it is sharp and takes beautiful images. No stabilization, but it is big and heavy so that isn't a huge deal. You can also carry a monopod rest it on. And on the 7D II, it is the equivalent of a 640mm lens. It costs around $650 used, which is very inexpensive compared to other telephoto lenses.

So you are looking at around $1200 for the combo. But the photos you can achieve with these two items will blow pretty much any superzoom out of the water.

To sum up...

ILC photography is always going to have a steep learning curve and expensive barrier for entry, but you can achieve some truly stunning results.

Superzooms are getting better and some of the newer ones can still take excellent pictures of birds under the right circumstances. They are lightweight and hassle free and allow you to get incredible zooms for a low cost.

If you mostly take photos of stationary birds outside on bright sunny days, you will be fairly happy with a superzoom.

If you want to take photos during darker times like sunrise or sunset or in a dense forest... or if you want to take photos of birds mid-flight, you will probably have to get an ILC.

I hope that was helpful. I know I overdo these answers, but I try to help as many people as I can by giving a broad overview of the topic and the myriad ways to go about things.