#Shutter Cost

[siennashutters]

Roman blinds are a great way of adding a warm and welcoming look to your home. They are a real design statement that gives an impression of style and elegance. With hundreds of beautiful fabrics to choose from,

[resuri-art]

I fixed the falling fence, the lock of the window, the blind of the velux, and now I just ordered some big screws to fix the broken garden furniture.

What would be left would be changing some pieces for the electric shutter of another velux but.... even if it looks easy to do, I would have to climb on the roof to do that, and with my luck I would end up hurting myself. I'm so frustrated to not be able to do it just because of that!!!! fsklsds

[clarksblindsaustralia]

Plantations shutters Pakenham-wide from Clarks blinds!

In Pakenham, Clarks Blinds is an expert in gorgeous plantation shutters that provide the ideal fusion of design, use, and longevity. Our plantation shutters offer superior light control and privacy in an aesthetically pleasing manner for any space. They are made from premium materials and come in a variety of finishes to match the style of your house. Our energy-efficient plantation shutters are perfect for both traditional and modern interiors, helping to maintain comfortable indoor temperatures all year round. With our gorgeous plantation shutters Pakenham-wide, you can change your living area with professional installation and outstanding service from Clarks Blinds. Upgrade your house right now!

[superdutyblinds]

Discover the Beauty of Plantation Shutters

When it comes to enhancing your home’s aesthetic appeal, window shutters in Vacaville, California offer a timeless charm that’s hard to beat. These window treatments not only provide excellent light control but also add a touch of sophistication to any room. If you’re looking to elevate the style and functionality of your living space, plantation shutters are an excellent choice for both form and function.

Learn More: https://www.superdutyblinds.com/discover-the-beauty-of-plantation-shutters

[travisdavidson2345453]

Get eternal décor with plantation shutters Ballarat-wide!

Transform your home into elegance and functionality with Davidson's stunning Ballarat Plantation Shutters. Our wide range of plantation shutters strike the perfect balance between style and practicality, enhancing the ambiance of any room and providing excellent light control and privacy. With precision and attention to detail, shutters are designed to stand the test of time and bring added value and sophistication to the interior of your home. Choose from a variety of materials, colors and styles to complement your interior design preferences and create a unique look that reflects your unique style. At Davidsons, you can enhance the beauty and functionality of your home with our plantation shutters Ballarat-wide. Experience the difference in quality finishes and transform your home today.

[sydneywideshuttersblog]

Discover the Future of Home Security with Sydney Wide Shutters

Upgrade your home/office with Sydney-wide shutters, where cutting-edge roller shutters blend seamlessly with modern living. Our roller shutters in Sydney are more than just a protective barrier; they offer unparalleled thermal insulation and soundproofing and enhance burglary protection, ensuring peace of mind. 

Engineered for durability and designed for style, our shutters come in various options, including motorised systems for ultimate convenience. With Sydney Wide Shutters, you're investing in quality that pays off by significantly reducing energy costs. Experience the perfect fusion of functionality and elegance with our roller shutters, tailored to suit your unique needs and budget. 

Visit us at https://sydneywideshutters.com.au/roller-shutters/ to know more!

[citrus-writing]

surrender to me

Thinking about how utterly humiliating it'd be to be forced to ride your yandere-

Tw: non-con, dub-con, extreme feelings of guilt and shame, reader is an active participant in their own assault 

--------------------------------------- 

It's bad enough when he pins you down to whatever surface is nearby, taking whatever he wants from you, forcing you to take whatever he gives you. It's bad enough that you're helpless to his advances, that he can so easily overpower you, use you like his own personal toy. It's bad enough that he fucks you so good, hitting that spot that has you nearly screaming, keeping up the relentless pace until your legs shake, and making sure you always cum at least once, though he always always tries for more.

It's worse when he pulls you on top of him. At least when you're underneath him you can say it's not your fault, that you have no hand in what happens to you.

But now, as you straddle his waist, his cock buried deep inside you, he tells you to "ride me, come on, just the way you like it" you feel shame wash over you. He's your kidnapper, he took everything from you, and now he wants you to be an active participant in your torment. Everything in your rebels against the idea, tells you to fight it, to hold onto your pride at any and all costs. But it's not like you have a choice, you know what disobeying him means- you've faced too many punishments to risk another.

Shame eats at you as you begin to move, hesitant and humiliated, but unwilling to disobey. You rock your hips, trying not to shutter with every drag of his length along your walls. You're so wet for him and you know he can tell. You close your eyes, you don't want to see the way he's looking at you, can't bare to see the adoration in his eyes when you fuck yourself on his cock and he can't help but whisper that you're "such a good girl for me".

You hate that it feels good, that even your leisurely pace is making you bite back moans and fight the urge to ride him harder, to make yourself cum, and to feel him cum too. He grabs your hips, guiding you to pick up the pace a little, and you curse that he knows exactly what you like. He knows just how to guide your movements to make you tremble and whimper as he fucks you, he knows exactly what will have you moaning and gushing around him. He knows exactly how to make you his perfect little whore.

It's too much- the absolute misery of the situation is more than you can bear. You're riding your kidnapper, moaning and crying out for him, feeling your orgasm creep up on you too fast. It’s humiliating in a way that nothing else can compare to, nothing he’s ever done to you has been quite so potently horrid. 

You can't tell if he's still forcing your hips into the rhythm or if you've given into it, can't really tell if he's thrusting up into you or if your just bouncing on his cock that hard- but you're so close, and he feels so good inside you, and you want to cum so bad. You should be fighting this, but you’re not. You’re rocking your hips against his and whining his name and begging for more. 

"Gonna cum?" He asks, voice a little bit teasing but mostly breathless at the way you move above him and the way you feel around him. He tells you all the time that he loves you, that you belong to him, that he’d do anything to keep you all to himself. In moments like this, it’s easy to believe that. You nod, desperate for release. "Go on, then,” he encourages, moving his hips against yours to meet you halfway as you move. 

You do- with a desperate cry of his name you feel your orgasm wash over you, crashing down on you and you can think of nothing else but his length filling you up, hitting so deep inside you and stretching you out so wide. It's so dirty; knowing you threw away all your morality and pride for this- you let yourself be used by man you should hate just so you could get off, you practically begged him for it. 

Because no matter how your mind tries to convince itself this isn't what you want, your body knows this is exactly what you want. 

---------------------------

[gaydroidd]

whyyy is the Johnny + V tattoo always disappearing after loading the game and not showing in photomode anymore and why have I not seen anyone talk about this since this started?? Am I one of the few people with this problem or do you all just not care? 😭 ahh I hope this is a bug and it gets patched I miss seeing it on Vs arm and taking pictures of it

[iww-gnv]

Article date: September 30, 2024

NEW YORK -- The union representing U.S. dockworkers has signaled that 45,000 members will walk off the job at midnight, kicking off a massive strike likely to shut down ports across the East and Gulf coasts. The coming work stoppage threatens to significantly snarl the nation's supply chain, potentially leading to higher prices and delays for households and businesses if it drags on for weeks. That's because the strike by members of the International Longshoremen's Association could cause 36 ports — which handle roughly half of the goods shipped into and out of the U.S. — to shutter operations. ILA confirmed over the weekend that its members would hit the picket lines at 12:01 a.m. Tuesday. In a Monday update, the union continued to blame the United States Maritime Alliance, which represents the ports, for continuing to “to block the path” towards an agreement before the contract deadline. “The Ocean Carriers represented by USMX want to enjoy rich billion-dollar profits that they are making in 2024, while they offer ILA Longshore Workers an unacceptable wage package that we reject," ILA said in a prepared statement. “ILA longshore workers deserve to be compensated for the important work they do keeping American commerce moving and growing." ILA also accused shippers of “gouging their customers" with sizeable price increases for containers over recent weeks. The union said that this will result in increased costs for American consumers.

Read the rest here.

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[heritageshutters]

Decorative & Custom Interior Shutters Glendale AZ

https://heritageshutters.com/products/shutters/ - Heritage Shutters offer a wide selection of stunning & decorative shutters to suit your home décor. Our shutters come in a variety of styles, ranging from traditional plantation shutters to modern shutters with slats, louvers, and more. We offer decorative interior shutters in a variety of styles and colors, so you can find the perfect solution for your needs. Our shutters are designed to be low-maintenance and energy-efficient, so you can enjoy the look of your shutters without having to worry about upkeep. With Heritage Shutters, you can create beautiful and timeless window treatments for your home that will make your home look beautiful for years to come.

Contact Us:

Heritage Shutters (623) 546-3500 https://heritageshutters.com/

[mostlysignssomeportents]

The one weird monopoly trick that gave us Walmart and Amazon and killed Main Street

I'm coming to BURNING MAN! On TUESDAY (Aug 27) at 1PM, I'm giving a talk called "DISENSHITTIFY OR DIE!" at PALENQUE NORTE (7&E). On WEDNESDAY (Aug 28) at NOON, I'm doing a "Talking Caterpillar" Q&A at LIMINAL LABS (830&C).

Walmart didn't just happen. The rise of Walmart – and Amazon, its online successor – was the result of a specific policy choice, the decision by the Reagan administration not to enforce a key antitrust law. Walmart may have been founded by Sam Walton, but its success (and the demise of the American Main Street) are down to Reaganomics.

The law that Reagan neutered? The Robinson-Patman Act, a very boring-sounding law that makes it illegal for powerful companies (like Walmart) to demand preferential pricing from their suppliers (farmers, packaged goods makers, meat producers, etc). The idea here is straightforward. A company like Walmart is a powerful buyer (a "monopsonist" – compare with "monopolist," a powerful seller). That means that they can demand deep discounts from suppliers. Smaller stores – the mom and pop store on your Main Street – don't have the clout to demand those discounts. Worse, because those buyers are weak, the sellers – packaged goods companies, agribusiness cartels, Big Meat – can actually charge them more to make up for the losses they're taking in selling below cost to Walmart.

Reagan ordered his antitrust cops to stop enforcing Robinson-Patman, which was a huge giveaway to big business. Of course, that's not how Reagan framed it: He called Robinson-Patman a declaration of "war on low prices," because it prevented big companies from using their buying power to squeeze huge discounts. Reagan's court sorcerers/economists asserted that if Walmart could get goods at lower prices, they would sell goods at lower prices.

Which was true…up to a point. Because preferential discounting (offering better discounts to bigger customers) creates a structural advantage over smaller businesses, it meant that big box stores would eventually eliminate virtually all of their smaller competitors. That's exactly what happened: downtowns withered, suburban big boxes grew. Spending that would have formerly stayed in the community was whisked away to corporate headquarters. These corporate HQs were inevitably located in "onshore-offshore" tax haven states, meaning they were barely taxed at the state level. That left plenty of money in these big companies' coffers to spend on funny accountants who'd help them avoid federal taxes, too. That's another structural advantage the big box stores had over the mom-and-pops: not only did they get their inventory at below-cost discounts, they didn't have to pay tax on the profits, either.

MBA programs actually teach this as a strategy to pursue: they usually refer to Amazon's "flywheel" where lower prices bring in more customers which allows them to demand even lower prices:

https://www.youtube.com/watch?v=BaSwWYemLek

You might have heard about rural and inner-city "food deserts," where all the independent grocery stores have shuttered, leaving behind nothing but dollar stores? These are the direct product of the decision not to enforce Robinson-Patman. Dollar stores target working class neighborhoods with functional, beloved local grocers. They open multiple dollar stores nearby (nearly all the dollar stores you see are owned by one of two conglomerates, no matter what the sign over the door says). They price goods below cost and pay for high levels of staffing, draining business off the community grocery store until it collapses. Then, all the dollar stores except one close and the remaining store fires most of its staff (working at a dollar store is incredibly dangerous, thanks to low staffing levels that make them easy targets for armed robbers). Then, they jack up prices, selling goods in "cheater" sizes that are smaller than the normal retail packaging, and which are only made available to large dollar store conglomerates:

https://pluralistic.net/2023/03/27/walmarts-jackals/#cheater-sizes

Writing in The American Prospect, Max M Miller and Bryce Tuttle1 – a current and a former staffer for FTC Commissioner Alvaro Bedoya – write about the long shadow cast by Reagan's decision to put Robinson-Patman in mothballs:

https://prospect.org/economy/2024-08-13-stopping-excessive-market-power-monopoly/

They tell the story of Robinson-Patman's origins in 1936, when A&P was using preferential discounts to destroy the independent grocery sector and endanger the American food system. A&P didn't just demand preferential discounts from its suppliers; it also charged them a fortune to be displayed on its shelves, an early version of Amazon's $38b/year payola system:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

They point out that Robinson-Patman didn't really need to be enacted; America already had an antitrust law that banned this conduct: section 2 of the the Clayton Act, which was passed in 1914. But for decades, the US courts refused to interpret the Clayton Act according to its plain meaning, with judges tying themselves in knots to insist that the law couldn't possibly mean what it said. Robinson-Patman was one of a series of antitrust laws that Congress passed in a bid to explain in words so small even federal judges could understand them that the purpose of American antitrust law was to keep corporations weak:

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

Both the Clayton Act and Robinson-Patman reject the argument that it's OK to let monopolies form and come to dominate critical sectors of the American economy based on the theoretical possibility that this will lead to lower prices. They reject this idea first as a legal matter. We don't let giant corporations victimize small businesses and their suppliers just because that might help someone else.

Beyond this, there's the realpolitik of monopoly. Yes, companies could pass lower costs on to customers, but will they? Look at Amazon: the company takes $0.45-$0.51 out of every dollar that its sellers earn, and requires them to offer their lowest price on Amazon. No one has a 45-51% margin, so every seller jacks up their prices on Amazon, but you don't notice it, because Amazon forces them to jack up prices everywhere else:

https://pluralistic.net/2024/03/01/managerial-discretion/#junk-fees

The Robinson-Patman Act did important work, and its absence led to many of the horribles we're living through today. This week on his Peoples & Things podcast, Lee Vinsel talked with Benjamin Waterhouse about his new book, One Day I’ll Work for Myself: The Dream and Delusion That Conquered America:

https://athenaeum.vt.domains/peoplesandthings/2024/08/12/78-benjamin-c-waterhouse-on-one-day-ill-work-for-myself-the-dream-and-delusion-that-conquered-america/

Towards the end of the discussion, Vinsel and Waterhouse turn to Robinson-Patman, its author, Wright Patman, and the politics of small business in America. They point out – correctly – that Wright Patman was something of a creep, a "Dixiecrat" (southern Democrat) who was either an ideological segregationist or someone who didn't mind supporting segregation irrespective of his beliefs.

That's a valid critique of Wright Patman, but it's got little bearing on the substance and history of the law that bears his name, the Robinson-Patman Act. Vinsel and Waterhouse get into that as well, and while they made some good points that I wholeheartedly agreed with, I fiercely disagree with the conclusion they drew from these points.

Vinsel and Waterhouse point out (again, correctly) that small businesses have a long history of supporting reactionary causes and attacking workers' rights – associations of small businesses, small women-owned business, and small minority-owned businesses were all in on opposition to minimum wages and other key labor causes.

But while this is all true, that doesn't make Robinson-Patman a reactionary law, or bad for workers. The point of protecting small businesses from the predatory practices of large firms is to maintain an American economy where business can't trump workers or government. Large companies are literally ungovernable: they have gigantic war-chests they can spend lobbying governments and corrupting the political process, and concentrated sectors find it comparatively easy to come together to decide on a single lobbying position and then make it reality.

As Vinsel and Waterhouse discuss, US big business has traditionally hated small business. They recount a notorious and telling anaecdote about the editor of the Chamber of Commerce magazine asking his boss if he could include coverage of small businesses, given the many small business owners who belonged to the Chamber, only to be told, "Over my dead body." Why did – why does – big business hate small business so much? Because small businesses wreck the game. If they are included in hearings, notices of inquiry, or just given a vote on what the Chamber of Commerce will lobby for with their membership dollars, they will ask for things that break with the big business lobbying consensus.

That's why we should like small business. Not because small business owners are incapable of being petty tyrants, but because whatever else, they will be petty. They won't be able to hire million-dollar-a-month union-busting law-firms, they won't be able to bribe Congress to pass favorable laws, they can't capture their regulators with juicy offers of sweet jobs after their government service ends.

Vinsel and Waterhouse point out that many large firms emerged during the era in which Robinson-Patman was in force, but that misunderstands the purpose of Robinson-Patman: it wasn't designed to prevent any large businesses from emerging. There are some capital-intensive sectors (say, chip fabrication) where the minimum size for doing anything is pretty damned big.

As Miller and Tuttle write:

The goal of RPA was not to create a permanent Jeffersonian agrarian republic of exclusively small businesses. It was to preserve a diverse economy of big and small businesses. Congress recognized that the needs of communities and people—whether in their role as consumers, business owners, or workers—are varied and diverse. A handful of large chains would never be able to meet all those needs in every community, especially if they are granted pricing power.

The fight against monopoly is only secondarily a fight between small businesses and giant ones. It's foundationally a fight about whether corporations should have so much power that they are too big to fail, too big to jail, and too big to care.

Community voting for SXSW is live! If you wanna hear RIDA QADRI and me talk about how GIG WORKERS can DISENSHITTIFY their jobs with INTEROPERABILITY, VOTE FOR THIS ONE!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/14/the-price-is-wright/#enforcement-priorities

[jackhalljrs]

Storm Shutters by Jack Hall Jr’s Professional Confident Installation Lakeland, Florida, 863-667-0068 Ask for Jack

Installation Lakeland, Florida, 863-667-0068 Ask for Jack

Why pick jack?

1. Storm Shutters provide security and protect your home,while providing  long-lasting storm protection.

2. Hurricane Panels can do more for your Polk County Florida home.

3. Storm Shutters by Jack Hall Jr’s are Hurricane season ready.

Remodeling your family home,energy efficient windows and doors, a new space for a sunroom, a new Kitchen or Bathroom, many renovation projects inside or out. Jack Hall Jr’s is the best contractor for your remodeling job.

Jack Hall Jr’s Construction a Remodeling Contractor Florida, can help make your vision a reality. A state licensed residential contractor in Florida with 35 years A+ BBB, Accredited Top contractor.Jack Hall Jr’s provides the highest quality vinyl replacement windows in Bartow, Lake Wales Florida. Jack Hall Jr���s also maintains the best customer satisfaction after the sale.

Jack Hall Jr’s installs the best Impact Windows and Doors installs impact windows and doors in Florida. Our professional installers replace your existing windows with very little mess or bother.

Improving energy efficiency with new replacement windows and doors can reduce the cost of your already expensive electric costs but it also protects your home in high wind conditions like Hurricanes and Tornado’s and will lower your homeowners insurance costs.

Your go-to Florida contractor for replacement windows and doors, impact windows, professional installation in Central and South Florida.

We recommend the “King” line of vinyl Impact replacement windows with all the latest technology but with a down to earth price. We sell, Furnish and install only the best because our family has been trusted with Florida homeowners over 40 years.

HIRING QUALIFIED INSTALLERS

Check us out on:

Linkedin: https://www.linkedin.com/pulse/remodeling-contractor-florida-jack-hall-jrs-jack-hall?published=t

Facebook: https://www.facebook.com/jackhalljrs

Craigslist: http://lakeland.craigslist.org/hss/5428365883.html

Google: https://plus.google.com/u/0/b/114537062565350422548/114537062565350422548/posts

Contact Jack: Bartow, Lake Wales Florida 1-800-741-0068 Ask for Jack

Lakeland 863-667-0068

Winter Haven 863-293-5253

Tampa 813-754-7930

Se habla Espanol

www.jackhalljr.com

[p0orbaby]

A Tide of Tender Mercies

summary: oh, no, i think i’m in love with you

warning: SMUT 18+, oral, fingering (alexia receiving), some angst, reader being stubborn af

a/n: thank you to @muffinpink02 for helping navigate the sexy part ! also i’ve deffo repeated some bits but i cannot for the life of me be bothered to sort it out

word count: 7k

part 1

-

The chalet is…well, perfect. It’s the kind of perfect that only comes from meticulous planning, obsessive list-making, and a kind of restrained indulgence that most people would never understand. Set high above a tiny Swiss village known for its fondue and twenty-something millionaires, it sits against a backdrop of mountains sharp enough to slice the clouds. The exterior is severe, almost aggressively minimalistic: crisp white stucco, blackened wood shutters, and glass doors that could double as showroom installations. The effect is daunting, beautiful, and—if you’re being honest—a bit over-the-top. You chose it, naturally, because it’s the type of place where “just a fling” can occur without a single hint of domesticity.

Inside, everything is pristine, hand-selected, curated to within an inch of its life. You were adamant that the linens be Egyptian cotton, but not the gaudy kind; they’re 800-thread count, light enough to seem insubstantial but woven to feel solid, unyielding. They’re arranged in clinical folds on the bed, starched and pressed in a way that suggests they’re almost afraid to be touched. You’ll mess them up later, but for now, they’re an artwork of restraint.

And then there are the wines, selected with the sort of care that would make a sommelier weep. It’s silly, of course—Alexia doesn’t normally drink during the season, so she will hardly glance at the labels, but you’ve assembled an array that hints at depth nonetheless. An entire wall of Swiss Chasselas, a few rare vintages from Bordeaux, and an stupidly expensive pinot noir that tastes like dirt but cost enough to suggest you know what you’re doing. The idea is that if she gives in to something sophisticated, she’ll find it here. If she doesn’t, you’ll find her something else. Something that says you’ve thought of everything. Which, of course, you have.

The whole thing has a sort of perverse charm, really, how every detail has been obsessively pre-arranged to ensure that she knows you’re not in this for anything serious. And yet, here you are, flying her across Europe to the kind of setting people book for anniversaries and life-altering proposals.

There’s a sort of humour in it, if you’re willing to look. You even laugh to yourself, laying out the spa towels in the bathroom—too thick, too plush, a little too “I love you”—knowing full well she won’t notice them. She’ll think of them as “towels,” and if she does notice, it’ll be because she needs a new one. But that’s fine. It’s all part of the performance, all part of the thing you’ve constructed around this chalet, around her arrival, around the notion that this is—what? Casual? Fun? Whatever word fits it neatly enough to deny what you’re feeling.

And then there are the candles. Oh, God, the candles. You tried to keep them simple, restrained, the kind of scents that evoke a distant memory rather than a specific moment. Sandalwood, bergamot, a flicker of pine; nothing too floral, nothing that says “romance,” but hints of something just familiar enough to feel safe. You even toyed with the idea of an unscented option, just in case the pine felt too… suggestive. It’s ridiculous, but you’ve learned to lean into it, to control it, to package it neatly. If it’s planned, then it’s deliberate, and if it’s deliberate, then it’s just for fun.

“Why all this?” you imagine her saying, eyebrows raised, maybe laughing as she notices the excessive stock of Swiss chocolates in the cabinet. You have them lined up in neat rows, the artisan kind—no corner-shop Toblerone here—and each one is individually wrapped in foil that gleams in the dim kitchen light. You picture her rolling her eyes at the small mountain of truffle boxes, asking if you’ve stocked up for a wedding. And you, of course, would shrug it off, offering some deadpan line about Swiss tourism. Or a joke about Swiss efficiency. Or something suitably bland that keeps the tone right where you want it—on the edge of humour, a step away from real. You’ve prepared for every reaction, really. Which is pointless, because she hasn’t even arrived yet.

It’s the first time she’s been here. The place is new, purchased after a very well-timed therapy session that conveniently rebranded “self-indulgence” as “self-care.” The therapist’s exact words were “If you want to be your best self, find the spaces that let you breathe.” And you took that literally, flying up here for private viewings until this place caught your eye. Well, maybe not your eye. But it was one of those rare places that looked exactly like the pictures, maybe better, and it had the kind of aesthetic that screams “I need nothing from you” while begging for a sense of purpose. You bought it almost instantly.

And now, after weeks of fine-tuning, she’ll be here soon. You catch yourself arranging the books on the side table, pausing over which titles to leave out—a mix of philosophy and modern fiction that says “I read but don’t take it too seriously.” You laugh to yourself at the pretension of it, yet you leave the carefully selected titles exactly as they are.

It’s silly, really, because the goal here is detachment, the freedom to keep things light and uncomplicated. You tell yourself that as you straighten the pillows on the sofa for the second time, catching your own eye in the polished mirror that hangs in the foyer.

“You’re being weird,” you say out loud, imagining her walking in, that quick smile flashing, eyebrows raised in a way that says, “Is this all for me?” You picture her laughing, maybe rolling those pretty green eyes of hers. But you have an answer for that too, prepared in advance, a casual shrug.

“Just a little atmosphere,” you’ll say, as if it’s nothing.

You check your watch. Thirty-two minutes until Alexia arrives. Thirty-two minutes to double-check that every single minutely considered, utterly detached detail says, I couldn’t care less—or, more precisely, I care in exactly the right amount of less. Because she needs to know that this is nothing. That this trip to an over-the-top chalet overlooking a town mostly inhabited by 19-year-olds in cashmere is simply an exercise in relaxation, togetherness, a concept you’re fairly sure you’re allergic to.

She doesn’t know it yet, but you bought the place partly to show her. Partly to remind her, subtly, that she could disappear tomorrow and you’d still have this. Because that’s the problem with Alexia, isn’t it? She’s not really yours. She’s something you can enjoy, display even, but never own. The complete opposite of the real estate you’ve added to your collection. You stand there, glass in hand, the Lagavulin you’ve graciously poured yourself warming your fingers through the crystal, staring out at the Alps with the vague thought that an obscene number of people have had their ashes scattered here, somewhere along this ridgeline. It’s an unsettling idea you rather enjoy.

She texts, something about a delay on the tarmac, and you stare at the message for a beat too long, analysing the exact wording like you’re looking for hidden subtext. As if there could be subtext in the word “delayed.”

A casual fling, you remind yourself, should never be complicated by subtext.

To pass the time, you scan the kitchen once again. The coffee is fresh-ground, of course, from a bag that cost as much as an entire year’s supply from anywhere normal. It’s pre-portioned in tiny glass canisters your assistant found online that look like vintage apothecary jars. The labels are printed in Helvetica Neue because you once read that it’s a ‘subtly superior’ font. Ridiculous. But also, it’s perfect. There’s also a miniature mountain of imported Spanish oranges on the counter, carefully arranged in a hammered copper bowl you don’t remember buying. You could make mimosas, you think, if you didn’t know she’ll insist on starting with a protein shake instead.

You put a bottle of Alpine mineral water in the fridge just for her, chilled to the exact 4.4°C she prefers. Yes, it’s an oddly specific temperature preference. No, she didn’t tell you directly. You overheard her mention it once, offhand, to someone else. Which is exactly why you’re bound to a polite indifference if she asks why it’s there. It’s simply what the fridge was set to. Nothing personal.

Just the thought of her walking in has you adjusting your posture as if she’s already watching. Alexia doesn’t miss a single detail. Once, she commented on the way you have a tendency to pull your sleeves over your hands. You haven’t done it since. Now, you check that every piece of clothing you’ve chosen is deliberately, carelessly oversized—but only to the point that still reads as flattering.

Then, at last, you hear the crunch of tyres on gravel. You scurry to watch from the window as she steps out of the car you sent, and she’s immediately caught in that glacial alpine light, her features so stark and defined that it’s almost cinematic. There’s a sharp thrill—one you won’t admit to yourself—in seeing her here, framed against this scene like she’s the final piece in some high-budget film. The coat she’s wearing is slightly too large, lending her a relaxed, indifferent air, as if she’d picked up the first thing she saw on her way out the door. Effortless, in that way that would feel studied on anyone else.

You stand back from the window just before she glances up, retreating into the comfort of shadows. Timing is everything. You’ve thought this through, down to each calculated second. It’s critical, after all, that she finds you not watching, but instead lingering at a perfect remove, preferably with a slight air of distraction. You’re aiming for a kind of aloofness, as if her arrival is the least interesting event of the day.

She’s about to ring the bell when you move, deliberately slow, to the door, letting it swing open just as she raises her hand. There’s a brief, barely perceptible pause as her eyes meet yours, a spark of something unspoken passing between you both before she raises an eyebrow, a look that hovers between amusement and challenge.

“Missed me?” she asks, dryly, though there’s a glint in her eye that suggests she’s perfectly aware of what she’s doing. She’s close now, close enough that you can catch the faintest whiff of her perfume, something dark and woody and just the right side of familiar.

You tilt your head, giving her a slow once-over, and shrug. “Not especially,” you say, voice low, careful to keep the tone perfectly flat. But you let your gaze linger just a second too long on her collarbone, barely visible where her coat has slipped slightly, enough to make her catch it, her mouth curling up at the edge. It’s a deliberate game, one you’ve both played a hundred times, each move rehearsed, practised to the point of art.

She’s barely through the door when you feel it—that unmistakable tension, thickening the air between you. It’s almost tangible, a static hum just beneath the surface of polite conversation, something that pulls at you like gravity. The moment feels precarious, balanced on the edge of something you’re not quite willing to name, because if you wait too long, the feeling will settle into something more familiar. Something too close to comfort, which is the last thing you want.

She doesn’t seem to notice it, of course, her mind likely on dinner plans or the slow crawl of the evening. You, however, are already teetering at the edge of patience, every nerve just slightly too aware of her. She walks in, drops her bag by the door with a casual grace that feels almost too natural, like she’s done this a hundred times, like she could do this forever if you asked her to. And you wonder if you’d even want that—something so predictably domestic, the quiet comfort of a routine. No. You want her in ways that defy that kind of simplicity, in a way that doesn’t ask permission.

You watch her from the corner of your eye as she takes in the room. Her eyes linger on the minimal, curated details you agonised over: the leather-bound books you never plan to read, the art on the walls meant to suggest a taste for something more sophisticated than it is. She’s oblivious, seemingly caught up in the novelty of the place, and that’s exactly what you intended. She can’t know how meticulously you set the scene, how every pillow and chair is positioned with an almost obsessive precision. All she has to do is be here. You’ll take care of the rest.

There’s a slow, unhurried quality to her movements, an ease that’s infuriating because it’s so at odds with the pulse of urgency rising in you. She wanders over to the fireplace, running her hand along the mantel with a soft, idle curiosity. Her fingers trace over the edge of a photograph you don’t remember putting there, something abstract and distant, chosen for the way it says absolutely nothing about you. It’s maddening, really, the way she lingers in the space, claiming it without meaning to, as if her very presence could overwrite the hours you spent constructing it.

“You’ve really outdone yourself,” she says, her voice light, unaware of the way it cuts through the silence with a sharpness that’s almost physical. There’s a half-smile on her face, something unreadable that you can’t quite shake off.

You shrug, adopting an air of disinterest you’ve perfected over the years. “Thought you’d appreciate the change of scenery”

She raises an eyebrow, still oblivious, her focus now on the bust of Venus of Arles by the window. For a second, you want to laugh at the madness of it, how she’s here, right in front of you, while you’re clawing at the edges of your own restraint.

But she’s still gazing around, her fingers brushing the edge of a table as if she has all the time in the world. As if she doesn’t know what you’re holding back. You take a slow breath, exhale, feel the tension coil tighter inside, and think that if you let this linger for even another second, you’ll start to resent the calmness of it, the quiet rhythm that feels too much like waiting. Like settling into something you’re not prepared to face.

“Wine?” You ask in a futile attempt to keep things just this side of civilised. The offer hangs in the air, a thin layer of normalcy that feels like it could snap at any moment, but she only nods, glancing over with a slight smile, one corner of her mouth lifting in that way that’s halfway between polite interest and something more.

“Sure,” she says, her voice smooth, without a hint of awareness. “You pick”

You turn to the wine rack with an exaggerated casualness, scanning bottles you chose with this exact moment in mind. You could explain the notes of every vintage, how each one was picked not because it pairs with any particular food—because let’s face it, dinner’s not exactly on your mind—but because it suggests a kind of sophistication, a subtlety. You choose a bottle of red, something full-bodied and just slightly bitter, almost as if in silent commentary on the situation. You pour, slowly, setting the glass down in front of her with a kind of precision that’s both reverent and clinical. She reaches for it, her fingers grazing the stem, the gesture infuriatingly graceful.

The first sip seems to surprise her. “Good choice,” she murmurs, eyes meeting yours over the rim of the glass.

The silence stretches on just a moment too long, the air thick with something that isn’t quite tension, more like a coiled spring just waiting for one of you to press down. You feel it building as she shifts, glancing around the room, and suddenly, you realise she’s working up to something. There’s a certain deliberateness in the way she moves, a careful consideration in her stare, and you know—know—she didn’t come all this way just to admire the decor.

“Look,” she starts, her voice softer than usual, carrying a weight that tells you she’s not talking about the view. “I’ve been thinking—”

But you can’t—won’t—let her finish. Not when you know exactly what she’s about to say. You cut her off, leaning forward, your tone light, easy, deliberately dismissive. “Please don’t tell me you came all the way here just to talk, Alexia”

She freezes, mid-sentence, and there’s a flash of something in her eyes, a blend of surprise and—annoyance, maybe? But she masks it quickly, her lips pressing into a tight line. “I thought you’d appreciate me being… honest,” she says slowly, as though testing the waters, watching you carefully.

“Honest? That’s what we’re calling it?” You let a smirk tug at the corner of your mouth, a practiced expression, something designed to be just detached enough to hold everything at arm’s length. “Come on, we’re better than that, aren’t we?”

She raises an eyebrow, clearly unimpressed by your deflection, but there’s still a hint of amusement in her eyes. “Better than what? Talking?”

Talking. The word hangs in the air, innocent, innocuous, yet loaded in a way that feels heavier than it has any right to. You shift, taking another sip of wine, letting the liquid burn down, hoping it’ll smother the way her eyes feel like they're peeling away all your practiced layers. It’s one thing to enjoy someone’s company, but the feeling creeping in now is something else, something you’re not used to. It feels inconvenient. Like an itch you can’t reach.

You try to fire back, something witty, something cool, but the words catch in your throat, your mind scraping empty. It’s frustrating, the way she’s caught you off guard, how she’s unraveled your carefully crafted reserve without even trying. You reach for your glass again, swirling the wine, stalling for time, anything to avoid that knowing look in her eyes.

But then it dawns on you, like a spark catching flame—there’s still one thing left to do to regain control. Something you can do that would put you back in charge, bring this uncomfortable vulnerability back into something physical, where you excel. You set your glass down, slowly, purposefully, letting the silence stretch taut between you both.

She watches you with that smirk, that trace of challenge, as if daring you to break this moment of stillness.

“Come here,” you say, low and steady, injecting just enough command to leave no room for debate.

“No”

She says it so simply, so carelessly, that for a moment you’re almost convinced you misheard her. It’s infuriating, really, that one little word has the power to throw you so entirely. Your pulse stumbles, and you feel the ground slipping from under you, just enough to catch you off guard.

“Alexia.” You give her a look that’s intended to be definitive, final, but it lands with all the power of a weak threat. Her smirk widens into a full, infuriating smile, the one that says she’s entirely aware of the effect she’s having on you.

“Just hear me out,” she says, with a kind of softness that’s more unnerving than you’d like. “You’re doing that thing. The thing where you turn everything into—” She pauses, gesturing vaguely with her hand, searching for the right word, “—into some kind of performance”

It’s an odd, unnerving feeling, this loss of footing. Normally, you’d have a witty reply ready, something cutting or clever, but instead, you feel like she’s stripped you bare, left you standing there with nothing but honesty, and you hate it.

“So now you’re the expert?” you reply, finally finding your voice, though it sounds sharper than you meant. “Since when do you—”

“Since I started actually falling for you,” she says, cutting you off, her voice low but clear. It’s not even particularly dramatic, the way she says it, and somehow that’s worse. Like she’s not trying to turn it into anything, not expecting any kind of reaction—just stating it as a fact.

You feel a flush rise to your face, and you mask it with another sip of wine, a hasty attempt to cover up the sudden jolt in your chest. She waits, just watches you with that maddening calm, as if giving you all the time in the world to come up with some kind of response.

The air between you feels thick, heavy with something unsaid and unfamiliar. You feel the urge to laugh, to make light of it, anything to disperse this feeling building between you, something dangerously close to vulnerability.

“You don’t have to make this into… whatever this is,” you say, gesturing between you. “Let’s not get sentimental”

“I’m not,” she says, crossing her arms, looking impossibly patient. “I told you I’m just trying to be honest. I thought that was allowed”

“Honest,” you repeat, as though the word itself is foreign. And maybe it is. Honesty has never been the thing you reach for. Honesty is for people who can afford to look foolish, who don’t mind slipping, stumbling a little. Honesty is… unnecessary. And maybe that’s exactly why it’s got you so rattled now.

You set your glass down, more forcefully than intended, and close the distance between you with a deliberate slowness, a silence that says everything you aren’t willing to say out loud. She watches you, unmoving, waiting, that infuriating patience of hers still intact.

“Fine,” you murmur, leaning in close, your voice barely above a whisper. “If youre falling for me, fucking show me”

Her lips quirk in the barest hint of a smile, a flicker of amusement mixed with something warmer, something that makes you feel like you’re the one being dissected here. It’s maddening, really, how effortlessly she manages to get under your skin, slip past all those careful layers. And yet you’re already reaching for her, pulling her closer, desperate to change the pace, to turn this moment into something you can control.

There’s a split second where neither of you move, holding the charged silence like it might be the only thread of control left. And then it snaps. You reach for her, not gently, fingers curling around her wrist with enough force that she has no choice but to be pulled in. Her smirk flickers, only slightly, and there’s something about the momentary surprise in her eyes that makes your grip tighten further, anchoring yourself as much as her. It’s a flash of vulnerability that vanishes as quickly as it appears, leaving behind nothing but a thin layer of bravado, one you’re keen to shatter.

You pull her toward you, and the air shifts, that faint hint of uncertainty cracking into something far messier. Your hand finds its way to the back of her neck, fingers threading into her hair with a kind of reckless precision, not even aware of how tightly you’re holding on. You don’t waste time; you’re not even sure there’s time to waste. And as soon as you lean in, catching her mouth with a kiss that’s anything but tentative, you feel her resistance melt, her lips parting under yours with a roughness that’s almost defiant.

She meets you with equal force, as if each clash of mouths, each bruising press of skin, is a way to gain back her own control, and you revel in it, the give-and-take that feels as calculated as it is chaotic. Your hand slips to her jaw, holding her there, your thumb brushing over the corner of her mouth with a kind of ferocity that toes the line between possessive and desperate. You know it’s not going to be gentle; there’s a part of you that doesn’t want it to be.

You’re moving backwards, feeling the edge of the marble island press into your spine, but it doesn’t matter. She’s everywhere, her hands gripping the fabric of your shirt, blunt nails scraping against your skin as if she’s staking a claim, as if she’s finally caught on to the pace you’ve been trying to set and decided to match it.

“Is this what you wanted?” Her words slip out like a slow, deliberate knife cutting through the air between you. The tone, sharp, unfamiliar, though has been the soundtrack to your late-night thoughts. It’s almost as if she knows, like she’s caught you in the act of something that’s always been just below the surface. Her breath comes in shallow gasps, eyes darting between your face and the space between you two, as if trying to read the faintest tremor in your expression. It’s always a game with her, always a step too far.

Yes.

“No,” you manage, your voice betraying you—cracked, thin, like a lie too rehearsed. The words come out wrong, but they come out anyway, forced through a tightening chest.

The moment stretches, each second fracturing, bending and folding into itself. It’s like trying to hold a conversation with a shadow—everything slips just out of reach, and the harder you try to grasp it, the more it seems to twist away, leaving nothing but the sensation of your own breath hitching in your throat. You fucking hate this. You hate the way her fingers curl in the fabric of your shirt, as if trying to remind you of your place, of the expectations that have always followed you both like a silent, mocking echo.

No, you don’t hate her.

Fuck. You love her.

The thought is an ugly, dissonant thing, a weight that doesn’t settle easily, like a slow-moving tide pulling you under. The water’s cold. You can’t feel the bottom. You don’t know which way is up, and the only thing you do know is that, somewhere along the line, you’ve let yourself drown.

Your pulse is almost deafening in your ears, hammering in time with your desperate need for air. There’s something about the way she stands before you—still and deliberate, eyes trained on yours—that makes the room feel smaller, closer. You think you can hear her thoughts. Feel them. It’s maddening, how much she seems to know you, how she’s always known the way you bend. How much she’s learned to manipulate that bend, until you almost forget what it’s like to be anything but this: a response.

You swallow. The taste of her is lingering on your lips, sweet and bitter all at once, like a bad memory. How many times has this happened? You don’t know anymore. The last time feels as far away as the first time—when she leaned in, the weight of her body an invisible promise. But tonight, there’s something different. It’s in the way she watches you, cold, calculating, her fingers still gripping the edges of your shirt, the only real connection between you two in the moment.

She inhales slowly, the rhythm deliberate, like she’s listening to a song you can’t hear. The silence is suffocating.

“You’re lying,” she says, low and accusing, with just enough venom to make you flinch. There’s a tiny smile that tugs at the corner of her mouth, something fleeting, something knowing. You want to reach out, to take her in your hands and pull her close, but the distance between you both feels like a universe. The space feels like a reflection of everything that’s wrong with you: the empty conversations, the meaningless gestures, the ache that’s always there, just beneath the skin. It’s maddening, this tension.

And yet…

You want her. Fuck, you need her. You don’t know if it’s because you love her or because she knows how to make you feel more alive than anything else. She’s become your addiction, your fire, the only thing you can’t quit.

Another shift in the air. Another breath from her, shallow and calculated. It’s not a question anymore, not a challenge—it’s an affirmation. She knows, and you know, too.

You close your eyes for a moment, just long enough to lose yourself in the fleeting memory of something that almost felt like peace. The sound of her voice, the taste of her, the way she touched you. It’s all a blur, a disjointed collection of moments tied together by one inescapable truth: you’ll never be able to walk away.

Not this time.

When your eyes open again, she’s still standing there, eyes not leaving yours, studying you. Everything feels slowed down, almost too slow. Like time is bending around her, twisting the seconds into something thick, sticky. Her gaze doesn’t soften, but it holds you in place, an anchor, a force. The room is silent except for the faint hum of the refrigerator in the background, the dull tap of your own pulse in your ears.

You don’t speak. Not yet. You don’t need to.

Her fingers slide along your chest, trailing down in that same slow, infuriating pace, until they settle on the edge of your shirt again, the same place they started. She doesn’t look away, her lips curving upward in a smile that doesn’t reach her eyes.

It’s like she’s trying to decide whether you want to hurt her or fuck her. And the problem is, you’re not sure you can tell the difference anymore.

Your hands curl into fists at your sides, nails digging into your palms like that might keep you steady, like that might stop you from doing the one thing you swore you wouldn’t.

Loving something. Someone. Loving Alexia.

“What are you so afraid of?” she murmurs, her voice low, almost gentle, and it’s the softness of it that makes you unravel completely.

You don’t think—you can’t. One second you’re standing there trying to convince yourself you still have your palms wrapped around this situation, and the next they’re on her, pulling her in with a force that’s almost cruel. Your mouth finds hers, hard and unrelenting, and she gasps into the kiss, her fingers clutching at your shirt, wrinkling the silk, as if you might disappear if she doesn’t hold on.

She tastes like spearmint gum and coffee. You imagine her shivering as she steps off the plane, teeth chattering in the wind, and too polite to mention it. But your driver notices, you pay him to notice, so before her luggage is out of the cargo, a café con leche is being pressed into her gloved hands.

It’s not a kiss. Not really. It’s a collision, hard and unrelenting, her mouth crashing into yours with a force that feels like defiance, like she’s daring you to stop pretending. To stop holding yourself together so tightly you’re liable to snap.

Your hands are already on her, pulling her close, so close it feels claustrophobic, but you can’t stop. You can’t make yourself pull away because then you’d have to look at her, really look at her, and confront the unbearable softness in her eyes. You’d have to hear her voice again, saying the one thing you’ve been trying to ignore since she first murmured it like a needle under your skin:

“What are you so afraid of?”

What you’re afraid of is this. Her. The way she’s stripped you bare with no effort at all, no grand gestures or declarations. She’s unravelling you with the weight of her presence, with the simple fact of her being, and you hate it almost as much as you crave it.

Your teeth scrape against her lower lip, harder than you mean to, and she gasps, but she doesn’t pull away. Her nails dig into your shoulders, gripping onto you while you take your rightful place at the helm of this godforsaken dance.

And she’s letting you. Letting you press her against the edge of the table, her legs bumping into the thick, varnished oak. The table was handmade by some artisan you don’t remember the name of, its surface polished to a high gloss that reflects the warm light overhead. You’d spent weeks agonising over the purchase, debating wood grains and finishes with a level of scrutiny that felt absurd even at the time. It’s the kind of thing people like you do when they’re too scared to focus on what matters.

But now it’s just a table. A thing in the way, a thing that’s caught between you and her.

Her jeans catch on the wood as you push her back, and the sound is sharp, cutting through the fog in your head. You hesitate for half a second, your hands hovering at her hips, fingers brushing the cool metal of her belt buckle.

“You’re thinking too much,” she says, her voice low and breathless. It’s not a reproach—it’s almost amused, like she knows exactly what’s going on in your head, and it’s ridiculous to her that you’re trying to wrestle this into something it’s not.

“I’m not thinking at all,” you say, and it’s true. Or it’s a lie. You don’t know anymore, and you don’t care.

The belt comes undone with a soft clink, the leather sliding through the loops of her jeans in one smooth motion. You let it fall to the floor, the sound of it hitting the tile lost beneath the ragged breaths you’re both taking. Your hands are shaking slightly as you undo the button on her jeans, the metal cold against your fingertips.

She doesn’t help you. Doesn’t lift her hips, doesn’t make it easier. She just watches you, her gaze steady and unwavering, like she’s daring you to keep going.

And you do.

You yank the denim down her thighs, your movements jerky, almost frantic, and it’s not until the fabric crumples on the floor that you realise your hands are still trembling. She notices too, her lips twitching into that infuriating half-smile, the one that makes your stomach twist into knots.

“What are you doing?” she asks, her voice soft but edged with something sharper, something that cuts right through you.

“I don’t know,” you admit, and the honesty of it feels like a blow to the chest.

“Don’t stop,” she whispers, and the words make something inside you snap.

You hook your fingers into the waistband of her underwear, dragging them down her thighs in one swift, unceremonious motion. The damp lace clings for a moment before it slides free, pooling at her knees before hitting the floor. You don’t stop to think. There’s no room for hesitation here, no space for the doubt that’s been clawing at you since this started.

Her scent hits you first, heady and intoxicating, and for a moment you freeze, overwhelmed by the sheer weight of it. But then she moves—just slightly, her hips tilting forward in an unspoken plea—and it’s all the permission you need.

You press your mouth to her, your tongue sliding through her folds with a slow, deliberate pressure that pulls a broken sound from her throat. Her taste is sharp, almost sweet, and it floods your senses in a way that makes you dizzy. Her thighs close around your head instinctively, caging you in, and you let out a low, involuntary groan against her skin.

“Fuck—” Her voice is high and breathy, her fingers digging into your scalp now, hard enough to sting. “Don’t stop. Don’t—”

You don’t. You press deeper, your tongue finding the sensitive bundle of nerves at her centre and circling it with a precision you didn’t know you had. She jerks against you, her body arching off the table, and you use the opportunity to slide your hands up her thighs, holding her steady.

The table creaks beneath her, the sound of the wood groaning under her weight mixing with the wet, obscene noises of your mouth against her. It’s filthy and raw, every sense overwhelmed, and you’re not sure if you’re doing this to prove a point or because you can’t bear to stop. Maybe it’s both.

Her head tilts back, exposing the long, elegant line of her throat, and you want to mark it, to leave evidence of this all over her skin, but you can’t pull away. Not when she’s gasping your name, her voice breaking like she can’t quite believe what’s happening.

You slide a finger into her, slow at first, just enough to make her hips stutter against your mouth. She’s tight, impossibly so, and you feel her clench around you as you add a second finger, curling them just right. Her moan is loud, sharp, and it sends a bolt of heat straight through you.

“God, you—” She doesn’t finish the sentence, doesn’t seem capable of forming words anymore, and it sends a twisted sense of satisfaction through you. You focus on her clit again, your tongue moving in quick, precise circles as your fingers work her open, the slick heat of her making it almost too easy.

Her legs tremble around you, and you can feel her getting closer, her breathing turning shallow and erratic. You don’t let up, don’t give her a second to recover, pressing her higher and higher until she breaks with a cry that sounds like your name.

Her whole body shudders, her thighs clamping tight around your head as she rides out her orgasm, and you keep going, drawing it out as long as you can until she’s pushing weakly at your shoulders.

“Enough,” she gasps, her voice wrecked, and you finally pull back, your lips and chin wet with her.

You look up at her, and she’s a mess—her hair sticking to her damp forehead, her chest heaving with every ragged breath. Her eyes meet yours, dark and unreadable, and for a moment neither of you says anything.

Then, slowly, she reaches for you, her hands shaking as she grabs at your jumper and pulls you up to meet her. Her kiss is rough and desperate, her teeth catching on your lower lip, and you realise she’s not done.

Her hands don’t go for your own clothes like you’d expected. Instead, they move to your thighs, her grip firm and commanding, and before you can comprehend what’s happening, she’s lifting you. The sudden change knocks the air out of your lungs, and you gasp, your legs instinctively wrapping around her waist, locking you against her. The motion is seamless, like she’s done this before—or like she’s always known she could.

You try to tell yourself you hate how easy it feels, but you don’t. You can’t.

Your hands find her shoulders, her jaw, her hair—anything to ground yourself, but nothing works. You’re still dizzy, still untethered, even as her lips crash against yours. There’s nothing gentle about it, nothing controlled. Her teeth scrape your bottom lip, her tongue pushes into your mouth like she’s trying to devour you, and you let her because for once you don’t want to think about what comes next.

She’s walking, you realise belatedly, the steady rhythm of her steps making your body rock against hers. It’s disorienting, the way she carries you so easily, like your weight is nothing, like you’re the fragile thing here.

You kiss her harder to prove you’re not, nipping at her lip until she growls low in her throat, a sound that vibrates through you and pulls a small, involuntary moan from your lips. Her hands tighten on you, her fingers digging into the soft flesh of your thighs, and it sends a sharp thrill up your spine.

The hallway blurs around you, the world narrowing until it’s just her—her mouth on yours, her hands gripping you like she’ll never let go, her body impossibly solid against yours.

When she finally kicks the door open and lays you down on the bed, it feels like surrender. Not hers. Yours.

You don’t realise how tightly you’ve been clinging to her until she pulls back, your fingers still knotted in the collar of her shirt. The fabric wrinkles between your hands, and for a moment you just stare at each other, the room charged with something you don’t have the words to name.

Her eyes are dark, searching, but there’s no smugness, no trace of victory there. Instead, there’s something softer, something that makes your chest ache in a way that has nothing to do with lust.

“I’ve got you,” she murmurs, her voice low and steady, and it undoes you more than anything else she’s done tonight.

It’s too much. The weight of her words, the way she says them like a promise, like she means it. Your chest tightens, and you shake your head, your fingers releasing her collar to press against her shoulders, keeping her at a distance.

But she doesn’t let you push her away completely. Her hands slide up your sides, gentle now, her touch a sharp contrast to the bruising grip she had on you moments ago. She’s watching you, waiting, like she knows exactly what’s going through your head.

You hate her for it. You hate her because she’s right.

“I can’t…” Your voice cracks, barely audible, and you don’t even know what you’re trying to say.

She leans in, her forehead resting against yours, her breath warm against your cheek. “You don’t have to,” she says simply, and the honesty in her tone is unbearable.

You want to argue, to fight, to push her away, but your body doesn’t move. You just lay there, your chest heaving, your hands trembling against her. You feel like you’re teetering on the edge of something vast and unknowable, and for the first time in a long time, you’re not sure if you’ll survive the fall.

Because this isn’t about sex anymore.

It’s about her, and the way she looks at you like you’re something worth holding onto. It’s about the way your body feels like it’s breaking apart under the weight of it, like you’re finally being seen for what you are—what you’ve always been.

A liar. A coward. Someone too afraid to let go, too afraid to feel, too afraid to love.

Her lips brush yours again, soft this time, barely there, and you let out a shaky breath. It’s not enough to drown in. Not yet. But it’s close.

“Let me in,” she whispers, and it’s not a command. It’s an offering.

You close your eyes, and for the first time, you don’t resist.

[trans-axolotl]

"Much ink has already been spilled on Harris’s prosecutorial background. What is significant about the topic of sex work is how recently the vice president–elect’s actions contradicted her alleged views. During her tenure as AG, she led a campaign to shut down Backpage, a classified advertising website frequently used by sex workers, calling it “the world’s top online brothel” in 2016 and claiming that the site made “millions of dollars from trafficking.” While Backpage did make millions off of sex work ads, its “adult services” listings offered a safer and more transparent platform for sex workers and their clients to conduct consensual transactions than had historically been available. Harris’s grandiose mischaracterization led to a Senate investigation, and the shuttering of the site by the FBI in 2018.

“Backpage being gone has devastated our community,” said Andrews. The platform allowed sex workers to work more safely: They were able to vet clients and promote their services online. “It’s very heartbreaking to see the fallout,” said dominatrix Yevgeniya Ivanyutenko. “A lot of people lost their ability to safely make a living. A lot of people were forced to go on the street or do other things that they wouldn’t have otherwise considered.” M.F. Akynos, the founder and executive director of the Black Sex Worker Collective, thinks Harris should “apologize to the community. She needs to admit that she really fucked up with Backpage, and really ruined a lot of people’s lives.”

After Harris became a senator, she cosponsored the now-infamous Stop Enabling Sex Traffickers Act (SESTA), which—along with the House’s Allow States and Victims to Fight Online Sex Trafficking Act (FOSTA)—was signed into law by President Trump in 2018. FOSTA-SESTA created a loophole in Section 230 of the Communications Decency Act, the so-called “safe harbor” provision that allows websites to be free from liability for user-generated content (e.g., Amazon reviews, Craigslist ads). The Electronic Frontier Foundation argues that Section 230 is the backbone of the Internet, calling it “the most important law protecting internet free speech.” Now, website publishers are liable if third parties post sex-work ads on their platforms.

That spelled the end of any number of platforms—mostly famously Craigslist’s “personal encounters” section—that sex workers used to vet prospective clients, leaving an already vulnerable workforce even more exposed. (The Woodhull Freedom Foundation has filed a lawsuit challenging FOSTA on First Amendment grounds; in January 2020, it won an appeal in D.C.’s district court).

“I sent a bunch of stats [to Harris and Senator Diane Feinstein] about decriminalization and how much SESTA-FOSTA would hurt American sex workers and open them up to violence,” said Cara (a pseudonym), who was working as a sex worker in the San Francisco and a member of SWOP when the bill passed. Both senators ignored her.

The bill both demonstrably harmed sex workers and failed to drop sex trafficking. “Within one month of FOSTA’s enactment, 13 sex workers were reported missing, and two were dead from suicide,” wrote Lura Chamberlain in her Fordham Law Review article “FOSTA: A Hostile Law with a Human Cost.” “Sex workers operating independently faced a tremendous and immediate uptick in unwanted solicitation from individuals offering or demanding to traffic them. Numerous others were raped, assaulted, and rendered homeless or unable to feed their children.” A 2020 survey of the effects of FOSTA-SESTA found that “99% of online respondents reported that this law does not make them feel safer” and 80.61 percent “say they are now facing difficulties advertising their services.” "

-What Sex Workers Want Kamala Harris to Know by Hallie Liberman