#Short term employment

[jhsharman]

"At Your Service"

[bitchesgetriches]

NEW POST!

Short-Term Disability Insurance Is a Waste of Money… With Two Very Specific Exceptions

Here's an excerpt:

"In preparation for this article, I read a lot of stories from people who filed short-term disability insurance claims. I was dismayed but not surprised to see just how many people experience claim rejections.

As this ProPublica report explains, the claims rejection process is so murky it could easily be mistaken for a Rainbow Brite villain. On average, 20% of claims are rejected. But it’s often wildly erratic. One company rejected 66% of claims in one year, and 7% the next. And the sole arbiter of the claim is, of course, the insurance company itself. You know: the entity that has vast resources and a compelling financial interest in denying those claims?

HI, I DON’T LIKE THIS."

Keep reading.

[new-berry]

And another contender (this is not the whole article!

[raylangivins]

Are you a video editor or smth? Did you have to get a degree for this or?

Yeah I’m a video editor or smth.

You don’t need a degree to be an editor, all you technically need is edit skills and a competent reel. However, employers like it when you do have a degree (especially if you’ve never worked in editing before), because it demonstrates that you’ve had experience working with deadlines, and with the constraints a brief. A lot of jobs will ask if you have a degree, and if not, for at least 2 years of relevant work experience.

In terms of actually learning editing though, you can just do an informal short course (which I recommend over learning through YouTube tutorials if you’re actually looking to work towards a career). They’re usually taught by freelancers who work in the industry, and can guide you on what specifically you will need to know for a job. They’ll give you more useful workflow best practises that companies like, which isn’t information you’ll necessarily find in YouTube tutorials. You will get to work with a brief and come out of it with something to put on a reel. And they are good networking opportunities! Students and tutors share job opportunities they find all the time. Same benefits of a degree, but much cheaper and less time consuming.

Short courses are also handy because they usually specify on certain softwares so you can learn for the type of job you want. Bear in mind it’s been about 4 years since I’ve had to look for a job, but at least when I was looking, the industry standard for traditional media (film/journalism/network programming) was Avid, although even back then you’d have to do a proper post production course to learn it cause no one else was arsed using it. New media companies usually go for Adobe softwares or Final Cut (but that one’s rarer). DaVinci’s editing software was fairly new when I was last job hunting, but people swear by it, so I imagine that’s a more common one now too. (It’s handy to know too bc it’s the industry standard for colour grading).

I would say the one thing a degree is useful for is that a lot of editing jobs are unfortunately not solely editing jobs. You might get lucky and find a company willing to hire you on your editing skill and train you up themselves on anything else they want you to know, but a lot of places are specifically looking for an editor/videographer, or an editor/graphic designer. More generalised media degrees are good to have for these jobs, because a lot of media courses encompass a lot of media elements besides editing, so you can say you have some experience in a number of things, even if it’s very little. Sometimes, knowing the basics is enough, and they’d be much happier taking you on and training you if they know you’re not starting from scratch. At the very least, I would always recommend anyone who wants to work in editing to learn how to operate some sort video camera manually, even if it’s just a shitty old DSLR.

[coyotejaw]

After a 5 minute interview they had me clock in and start immediately lmao. being a pretty great barista with zero standards is working out perfectly for me !!!

[strategiadvizo]

Elevating Employability: Short-Term Course Suggestions for College Students

Empower your future with our latest blog on short-term courses for college students! 🚀 Enhance your employability and unlock new opportunities. Dive in to discover courses that fit your passion and career goals. #EmpowermentThroughEducation #SkillUp

“विद्या ददाति विनयं, विनयाद् याति पात्रताम्।” “Education bestows humility, humility leads to worthiness.” In a world that’s constantly evolving, the importance of education—especially for students from lesser-known colleges in India—cannot be overstated. Education not only paves the way for personal growth but also significantly boosts employability in today’s competitive job market. Here are…

[colorfuloddity]

Every step of dealing with disability benefits is hell

[bitchesgetriches]

Short-Term Disability Insurance Is a Waste of Money… With Two Very Specific Exceptions

Short-term disability insurance is an income insurance benefit you might get from your employer, your state, or a private insurance company. If you become too ill or injured to work, and your condition is covered, the insurance company will pay you a portion of your paycheck while you’re laid up.

Each policy is different. To give you an idea of what’s normal, an okay short-term disability insurance plan might pay out 50-60% of your former paycheck for a maximum period of 3-6 months. The most generous policy I’ve seen reimburses a full 100% of paychecks for 12 months. Some have a hard upper limit across all policies; I’ve seen $750 and $1,000 per week.

The only thing short-term disability insurance protects is your current income. Not your job, nor your future earnings, nor the actual health of your body. Understanding this is crucial to evaluating its worth.

Keep reading.

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[ana-bananya]

Help Raghad's Relatives with Housing Costs – $4,000 in needed in the next week!

Current progress: $20,124/23,966 CAD (short term goal)

With the help of the funds raised through the campaign, Raghad has been able to evacuate several of her family members. Those family members are now trying to find employment, but they have lost the paperwork they need to apply for jobs and must go through the costly and time consuming process of becoming recertifed. Without a stable income, Raghad's relatives have had remain reliant on her for support with their living expenses.

Those family members currently need help with rent. This includes Raghad's aunts, cousins, and elderly relatives. She is trying to raise $4,000 by the end of February to help them with housing expenses. The update announcing this was posted to the gfm on Feb 14th. Since then, only $158 has been raised.

I was extremely late in seeing the update and I am trying to help amplify it. Please share so that this can reach more people who can donate. If you yourselves are capable of giving monetary support, please give what you can.

I am unaware of any official vetting for Raghad's campaign. However, @/transmutationisms has been in contact with a family friend of Raghad's and has expressed they are confident in the campaign's legitimacy. Additional information can be found in transmutationisms' original post about Raghad's family.

[racefortheironthrone]

Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

[yeah-thats-probably-it]

Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.

I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.

Would Jeeves and Wooster survive Castle Dracula?

Jeeves

Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.

On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.

Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.

There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.

He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?

He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.

Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.

He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.

There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.

Bertie

Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.

In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.

He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.

I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).

I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.

When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.

[labelleizzy]

Reposting from Morgana Alba on Facebook.

It's a reality check for white US Americans that there's WORK involved in emigration or asylum.

One comment on the original post was, "we're not leaving, my husband would never, he's too attached to his family" and the reply "if that's so, you could be the point person looking after /helping manage things for someone else who's got to flee.

Another point: the assumption that folks have $$ wherewithal and physical health enough to do the process as described. I understand that's not true for all of us, but there's a few items in this list that are good for anyone to try and accomplish:

Get a passport

Get all your important documents in a safe, grabbable space

Set up power of attorney for legal matters (your home, your pets if you have to leave them behind, etc)

Research and network for a possible safe landing person or location.

Otherwise, read the list, have a good think about what might apply to your situation, and start doing your research.

....

Morgana Alba:

You need to have a plan - Actually, you need 3.

(TL/DR - get a passport, a foreign one if you qualify, and start with anything in plan B to take actionable steps today to set yourself up for success)

Just in case you should ever need to uproot your life and move out of a country, for any reason, nothing in particular: you should have 3 plans. Not options. Not ideas. Plans. And I realize not everyone as raised like I was so I’m going to tell you how to make them. (And Step 1 is to have a passport. Do that immediately)

First of all, to be a plan it needs a clear objective, identified required steps, and a trigger point. A trigger point is the deciding factor or event that will automatically activate that plan. You must decide what your lines in the sand are in advance. Historic events rarely feel historic when you’re in them and if you don’t decide what you will not accommodate before you’re in it, incrementalism will paralyze you.

For the best coverage, start with plan C and work backwards.

*****

Plan A: Leaving under the best possible circumstances.

This is where a lot of you get stuck. Leaving under the best possible circumstances is a privilege but it’s not the only way out. This takes a lot of time and research and honestly you should have started this plan a year ago if it was what you wanted. To leave via plan A you should:

1. Research what countries you can live in long term and make a living in. This could mean countries you could transfer to with your current employer, countries that are expat friendly, or countries where you qualify for a work visa. If you have living grandparents or aunts that are citizens of and living in a foreign country you may even qualify for a foreign passport. Start that process now.

2. Start learning the language

3. Apply for jobs in that country

4. Find temporary or long term housing

5. Once you have residency and financial support/employment you can sell anything you aren’t moving and leave.

Trigger point for plan A is typically finding employment for most people.

*****

Plan B: Creating the flexibility for short or long term, potentially temporary, absence

This plan is about restructuring your life so that you could leave quickly even if you don’t have the security of Plan A.

1. Determine where you could go, short term. With a U.S. passport you could stay in most countries up to 3 months as a tourist but wouldn’t be allowed to work locally. Call up friends who live abroad and see who would be ok with a long visit if need be.

2. Start selling things you don’t necessarily love. Do a clothing and items purge. If you do have to leave without plan A there may not be the time for storage and sales so start reducing possessions now while you have the time to be mindful.

3. If you own a place, consider getting a roommate or having family move in so that you may not necessarily have to sell if you have to leave. Having someone else to look after the place and the added financial cushion of rent takes a lot of the pressure off during the departure. You’d have someone back home to ship or store your stuff or sell your car if you aren’t returning but you don’t have to make that call at the time.

4. Plan your financial support. Build up savings as you sell things. Look up what jobs will qualify for a digital nomad visa in the countries you’re considering visiting friends in, and very seriously start applying for remote work that fits those restrictions. Open a non-US based bank account to hold your savings. Get a credit card for this and only this. Stick it in the back of your wallet and forget about it.

5. Hoard Medication. Build up a 3-6 month supply of any required daily medications so that you have a cushion to hold you over between leaving and finding new medical care.

6. Digitize all your vital docs, including deeds and medical files. Store them in the cloud and email them to a friend who lives abroad

7. Have a plan for pets. With plan B you may be leaving them behind if you don’t know how long you’ll be gone or where you might settle. Talk to friends and family now about who would be willing to take them in in this situation.

Plan B is about giving you the most flexibility and options. You make big changes now so that you can be prepared to react to changes around you down the road. Trigger Point for plan B is often unique to the individual and involves law changes like access to medical support or the safety of their finances/job/marriage.

*****

Plan C: Run.

This plan is a last resort. It’s easier and less scary than most people think. But you absolutely need to be ready, and you need to know, firmly, what your trigger point is. This plan is for leaving in an emergency, potentially under scrutiny and persecution, with absolutely no plan to return. You should do as much of Plan B as you can, but you can still do plan C without that prep.

1. Have a go-bag. Your go bag is a waterproof, fireproof, personal-item sized piece of luggage that lives pre-packed with your vital documents (passport, medical records, SSN card, birth certificate, marriage certificate, name change docs, any extra photo IDs etc), your medications, around $1000 in non-sequential twenties, your emergency CC, addresses, phone numbers, and info written down for who you could go visit, proof of ownership docs for your house and/or car, and a single change of utilitarian clothing. Keep a pair of sturdy boots next to it if they don’t fit in it.

2. Pack your carry on. In this bag pack your jewelry, photo albums, grandma’s ashes, etc: whatever bits of precious you couldn’t possibly abandon. You need to make those decisions now, not in the moment. This suitcase must meet the SMALLEST restrictions on carryons for international flights (often smaller than what we’re used to in the U.S., typically 22" x 14" x 9") fill any extra space with toiletries or clothing as they reduce suspicion, but don’t prioritize packing clothing or comfort items. You can get that wherever you’re going.

3. These bags live packed in a safe place near the back door of your house; or in your car.

4. Decide where to run to and have a conversation about cover. In this scenario, if your trigger point is a certain executive order, your goal is to get to airport before enforcement goes into place. You need to know where you’re going and “why” your ticket is last minute in advance. Call up whoever is the safe person you’re running to and build the story. “Someone died suddenly” is a good one. This person needs to be ok with you showing up with 0 warning, and automatically going to the cover story if they one-day randomly get a call from a customs agent asking them to confirm why you’re traveling. If you have kids, have go bags for them as well, and only tell them the cover story.

5. Plan for your pet. Once you decide where you will run to look up what you would need to bring your pet and have those things ready to go (carrier, shot record, etc). Also plan for a situation where you have to leave your pet behind. Discuss with friends and family and get a commitment on who would take then in

6. Have a point person that is remaining behind that you trust to handle your affairs. If you have to run with no notice like this, you need someone here to sell your car, ship any possessions you need, cancel your lease, etc. Find your person and have the conversation about that now.

7. If you need to run you grab your go bags and maybe your pet carrier and you get on a plane. Use your normal bank accounts if you can, and your cash and emergency credit card if you can’t. Buy the ticket online if possible. If it has to be in person look for a visible minority ticket agent and if you’re questioned about the last-minute travel lean on the “my mother just died while visiting my aunt in France (or wherever you’re running). I have to go, I’m so distraught, taking my emotional support cat and kid cause idk when I’ll be back, there’s just so much to figure out. My Aunt has dementia. I have to get there before she does something crazy”

8. Try not to worry about what comes next. Humans have cut and run for thousands of years. You can do it. Immediate defense of life comes first. Everything else can be figured out after you’re safe. Don’t let worry over the logistics keep you in a dangerous situation.

Those are three plans you should have. But keep in mind there’s a lot of middle ground. Do as much of B as you can, and if you have to leave without a job, you can figure it out there. The place you run to doesn’t have to be where you’ll settle. You’l have more time to plan after you’re safe.

Americans have this warped idea of immigration. We believe other countries are as insanely draconian about it as we are but that’s not the case. Do your research. Make your plans. And don’t let fear of the unknown or a lack of planning keep you in danger. You can always just pack your bags and get on a plane to a friend’s place or a Sikh temple, and figure the rest of it out when you get there.

But definitely get your passport

[thanergetic-hyperlinks]

Tamsyn Muir's writing beyond The Locked Tomb

Y'all, turns out there's lots of imagery and themes in TLT that Muir was already playing with in her earlier fiction. A lot of it is easily available online, in which case I'll link to it. (The short stories that aren't can also be easily read if googled, to be quite honest—that's how I read The Deepwater Bride and Why the Mermaids Left Boralus). • The House That Made the Sixteen Loops of Time (2011)

5K. Short sort-of-cozy romance (?) with (you guessed it) a time travel loop. Explores a very queer potential relationship. CamPal enjoyers might find a similar sweetness.

• The Magician's Apprentice (2012, Lightspeed Magazine)

5K. This is the one that stopped me dead on my tracks. It features an older, male mentor figure called John (a “very ordinary man” with “dark eyes”) who introduces the young, female main character to magic that has a terrible cost—and to literature such as Lolita. This excellent post by @familyabolisher does an incredible job of analyzing the very deliberate intertextual links between TLT and Lolita.

• The Woman in the Hill (2015, Lightspeed Magazine, originally for Dreams From the Witch House anthology of Lovecraftian horror by women)

4K. Possibly my favorite! It's a straightforward Lovecraftian horror, centered on the image of the woman (is it human though?) trapped in an unnatural pool inside a cursed cave. Chain imagery too. It does something different from Alecto, mind, but you can see links, ways of playing with facets of a strong central image. It's fun to consider how reliable the two narrators are. Here's an analysis and afterthought from Reactor Mag.

• Chew (2013) 4K. Zombie abuse and cannibalistic revenge story ft. an uncanny woman revenant, told from the eyes of a traumatized German boy. I was strongly reminded of Harrow's conversations with the Body. Tamsyn gave an interview on the themes and her intentions. Interesting to read in light of Alecto, I think, although I don't think she's going the same route in TLT: “the idea of post-war rebuilding connecting to rebuilding the body of the zombie; a Frankenstein who once rebuilt doesn’t act as planned or desired. […] I love cannibalism […] it’s innately spiritual […] any afterlife she goes to, he’s going too.”

• Apothecia (2014, published on Tumblr and tapas.io)

Short webcomic where an alien monster tries to corrupt the ruthless human girl who holds it captive. Musings on responsibility and murder, mention of child abuse. The alien's speech patterns remind me of a Resurrection Beast. You get wonderful dialogue like “Murder is a profession. Job. Employment, you tiny leg dog. There you are, walking along. Walk walk walk. Now you are a walker. Good job. Special child. Murder is like this.” Art by Shelby Cragg.

• The Deepwater Bride (2015, Fantasy & Science Fiction Magazine)

The opening line is: “In the time of our crawling Night Lord's ascendancy, foretold by exodus of starlight into his sucking astral wounds, I turned sixteen and received Barbie's Dream Car.” Need I say more? Extremely fun. A novelette where a young queer girl from a clairvoyant family struggles with an apocalyptic event while being annoyed by another very plucky girl. Lots of descriptions with nerdy marine zoology terms. Close in tone to Gideon. In the background, someone dies EXACTLY like that one death at the end of Gideon, which makes me wonder what happened to make Tamsyn interested in this particular image. I also liked that Tamsyn is aware of Nightwish. No link, but you'll get a PDF immediately if you Google.

• Union (2015, Clarkesworld Magazine)

5.5K. Very weird, extremely Kiwi story about a town that gets sent lab-grown wives by the government, but they're not made the usual way so they're Weird and people have feelings about it. Fascinating and eerie description of non-human (in some people's eyes, sub-human) women (?) who cannot be observed to have recognizable feelings or thoughts, yet have some sort of inner life. Quite touching, very uncanny.

• Princess Floralinda and the Forty-Flight Tower (2020)

Short novel (~200 pages). Very funny. I was reminded of Coronabeth because the whole plot is “princess finds herself branching out into decidedly non-princess-like activities”, but other than that—this is a fairytale for adults about people who make eachother worse. No particular links to TLT but a very fun read with some gut punches. Extremely Tamsyn through and through, what with the dubious morality and all.

• Why the Mermaids Left Boralus (2021, in Folk & Fairy Tales of Azeroth by Blizzard Entertainment)

Set in the World of Warcraft universe. Haven't read this one yet, will report back lmao. As with The Deepwater Bride, no link but I easily found a PDF of the entire compilation. It's illustrated!

• Undercover (2022, from Into Shadow, Amazon Original Collection)

Haven't read it either. Will edit once I do.

[pikslasrce]

this is what palestinians have to resort to for donations

my friend malak @malak4ayman is relentlessly trying to find new ways to spread their family's campaign. publicizing their suffering, knowing that people will just scroll past or reblog and move on.

what does it take for you people to stop and look? to keep sharing and donating? yes, the story is always the same, and it just gets worse for these families, you cannot stop caring!

how do i get you to care that the price for a bag of contaminated, bug infested flour is €500? how do i get you to care about a family of ten trying not to starve to death??

if 10 people donated €50, malak's family could have enough flour to stay fed for a week

€9,279/€60,000 raised

SHORT TERM GOAL: €500

GOFUNDME [vetted]

tagging for reach:

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[dduane]

Okay, now I'm cranky

Not that I even do more than glance at LinkedIn every few weeks or so, as I have friends there. But THIS is beyond the pale. (Or even the Pale, which is another story. Is this actually a real person based in Limerick?? [I have my doubts.) But if so, they should be ashamed.)

(transcription:)

Hi [(theoretical) person whose name I've obscured],

I'm not at all sure why material from your employer is winding up on my feed.

I am a NY Times bestselling novelist and screenwriter with pushing fifty years' experience in traditional publishing and other media created by actual living, breathing beings out of genuine human experience. AI-based prompt "writing" is utterly antithetical to everything I do in my work... especially as it is founded on machine-based excreta derived from routines trained using material illicitly sourced, without our permission, from myself and thousands of my colleagues.

Assuming that you actually exist except as a prompt-based construct yourself (which is by no means certain), please do us both a kindness and remove me immediately from whatever list caused the system to recommend me to you—as if there is a worse possible fit for our two schools of thought anywhere in this solar system, I can't imagine where that might be. (Somewhere in the Oort Cloud, possibly. No other possibilities immediately suggest themselves.)

Meanwhile, I wish you well in your further endeavours (doing you the possibly unwarranted courtesy of assuming that you're real). ANY possible further endeavours that have nothing to do with this horrific and deeply unethical area of employment, which cannot conceivably do anything in even the short term but damage your (theoretically) immortal soul... not to mention the ecology of our (theoretically) shared planet. 

With the best possible regards under the circumstances, and hopes for your eventual (if not swift) rehabilitation,

Diane Duane

PS: Please try to find an avatar that looks less like it was created by AI.

And also: please say to your heartless and conscienceless employers, on my behalf, "FUCK YOU AND THE HORSE YOU RODE IN ON."

[hahaifolded]

141 x POC!GN Intelligence Operative - The Contract (Long Drabble) Author's Notes: Once again playing with something new. Not gonna lie, hated this because this was more work than I had expected. Next one will be more narrative for my sake Warnings: MDNI, Angst (ALSO PUT YOUR AGE IN YOUR BIO CAUSE I DO BLOCK)

Contract of Employment - Intelligence Operative Name: [Retracted] Address: [Retracted] The basic terms and conditions of your employment are outlined in this Contract of Employment and the Employee's policies. Duration of Contract: Your employment with the Employer under this Contract started on [Retracted] and will end after 12 months after the initial date. Contract can be renewed after the Employee ends in good standing with the Employer after the 12 months and the Employee deems it a good fit.

Job Title and Hours 3.1: You are employed as INTELLIGENCE OPERATIVE for [Retracted] reporting to "the Captain." 3.2: You are expected to perform all duties outlined below starting at 0800 (8:00am) to 1700 (5pm) Monday through Friday. 3.3: You must be available for any extenuating circumstances past these hours. All emergencies will be informed by "the Captain" and "the Captain" only.

Price: Need you to review the plan for the next mission before the meeting tomorrow.

Ghost groans after reading the message. Price just had to ruin his Sunday night. Realizing that his plan to sleep in was just ruined, he decides to text you. Seeing that you normally got in around that hour, maybe you could join him?

Did he deserve that? God no. But, he missed you. So he sends the text and waits... and waits... and waits...

Next thing he knew, his alarm was ringing, signaling the new day. He checks his phone and sees there are no new messages. It didn't matter. He'll see you around soon enough.

But soon enough comes around and you're nowhere to be seen. Were you running late? Shit, your car. Maybe you were walking again? He sends you a text, but again, no response. He's so worried that he can't even focus when looking over the plans. It's not until he sees you walk in for the meeting exactly at 0800 that his mind eases. Surprised to see you walk in late, he decided to check up on you after the meeting.

Knock, knock

You glance up from your monitor. "Lieutenant?"

Lieutenant? Sure, that was his title, but you always called him Ghost. Something didn't feel right.

"Sorry, I just wanted to check up on you."

You stop typing and completely turn towards him. "Why?" Your tone is accusatory.

He stumbles a bit. You were never short with him. "C-cause you came in late toda--"

"I did not come in late. If you look over my contract, you would see that my start time is 0800, exactly the time I clocked in today." You turn back to your monitor and continue to work.

Ghost takes a big gulp. "Oh. I- uh... I sent you message last night and this morning."

You let out a heavy sigh and stop typing. "Was it an emergency?"

"No, but--"

"Good. I can't waste any time here, have to make sure I put all of my energy in my work. So if you don't have anything else of importance, you can leave." And with that you continue to type.

Ghost walks out of your office and closes the door. Why did it feel like it wasn't just your door that was closed here?

Job Responsibilities 4.1: You are responsible for all work that requires intelligence which includes analysis, gathering of intel, and presentation of said intel. 4.2: You will not participate in work that falls outside your jurisdiction.

After today's meeting, Gaz was weary of the plan. Despite being checked by Ghost, he couldn't help but feel like it needed to be discussed further. He kept in his thoughts during the meeting as he wanted to process them further.

Now after thinking about it all morning, he realizes he needs one more brain to help finalize his thoughts. Not just any brain, however, yours. If he wasn't so caught up in his thoughts, he would have realized that he no longer had any entitlement to your help. But alas without a second thought, he rushes to your office.

He knocks on your door and walks in before you have a chance to say anything. "Hello, hello!" he chirps. And, instead of being greeted by your warm smile, he is greeted by nothing. You don't even bother to glance at him.

Without removing your eyes on the screen, you say with no emotion, "Sergeant Garrick, what do you need?"

Sergeant Garrick? Ewe, that sounded so wrong coming out of your mouth. You always called him Kyle... Gaz if you felt cheeky. Feeling nervous now, Gaz hesitates to speak.

"Sergeant, I really don't have time for your shenanigans. Do you need something?" You quickly glance up and shoot him a sharp look.

That look brings Kyle to the present. "Sorry, yes. I was hoping you would..." You finally look at him, but instead of easing his nerves, it only exacerbated them as you looked at him with annoyance. "If you can, obviously, help me go over the plans for the next mission. Something about them just seem off and I could really--"

You interrupt him. "I have to stop you there. No." And just like that, you turn back to your monitor.

"Why?" he asks without thinking. He catches the way you took in a sharp breath.

Without looking at him, you respond, "I have never been in the field so what use do I have for you? Besides my job is in intelligence and in intelligence only."

He cringes at his own words. He tries to get another word in, but you're clearly not listening. Feeling defeated, he walks out your door.

"Sergeant?" you call after him. He quickly whips around. Maybe you changed your mind?

"Close my door."

Job Responsibilities 5.1: You have jurisdiction over all work that deals with intelligence. 5.2: You have complete authority to discipline officers of lower ranking or similar rank if their actions interfere with your responsibilities.

Soap doesn't know how it happened. He has been in his office all day, working. Sure, maybe he spent more time than he should have thinking about you, but everyone else does it. Now he was scrambling, trying to finalize the schematics for the explosives needed for the next mission.

Low on time, he rushes to your office to beg for your help. He knew he was in deep water with you, but he really had no choice. He hoped your caring heart would pity him this one last time.

He barges into your office, calling your name out. You immediately shoot up from your seat, worry apparent in your face. You hurry to the front of your desk to reach the panting Scotsman.

"Sergeant MacTavish, is everything okay?" Johnny can hear the worry in your voice. Good, you still might care.

"It's an emergency. I need to finish these blueprints by today or Price will kill me! Help your favorite Scotsman out?" he begs. Soap nearly whines when you take a step back from him.

You scoff. "Are you being serious right now?" Okay, maybe you don't care.

"I know, I know. But I wouldn't ask if I wasn't desperate," he cries. His entire body shudders when you scoff at him once more. You shake your head in disbelief and return to your seat.

"Please, get out."

"Please, it's not even a lot. Just go over--"

"No, Sergeant. I have my own work to do."

"It won't take a lot of time, just--"

"NO!" you stand up again, slamming your desk. "Sergeant MacTavish, it is not in my contract to babysit fools like you." He winces. "If you cannot handle the work that comes with being in Special Forces, I recommend you to consider other careers. So leave my office before I write you up for insubordination," you hiss.

Soap quickly apologizes and leaves your office. He bumps into Price on his way back, but it doesn't phase him. Your utter disappointment in him plays back in his head over and over and over again.

Breach of Contract 8.1: If Employer deems the work of the Employee as unsatisfactory, contract will immediately be terminated. 8.2: If Employee deems the Employer is breaching any of the parts outlined above, Employee has the right to terminate the contract without any repercussions

John didn't take Soap crashing into him personal. It was clear his sergeant was lost in his thoughts. What did pique his interest was where he walked out of. It seemed like every member on his team had a chance to pop in your office today, but him. Refusing to let any of those muppets get in your good graces before he does, he decided to pop in.

Since Johnny left you door open, he just knocks on the doorway before letting himself in. "Hopefully, I'm not disturbing?" he jokes. The clacking of your keyboard stops and you slowly turn to look at him. You take in a deep breath, almost as if you're trying to contain yourself.

"Captain Price," you announce plainly, "do you need something? I'm almost done with today's report."

"No, not at all. Just wanted to check up on you. See how you're doing?" He doesn't quite catch what you mumbled under your breath. "Sorry?"

You roll your eyes. "Nothing," you pause. "I'm fine. Just trying to get my work done before 5pm."

"5pm? Have an appointment or something?"

You stare at him for a bit and remind him of your contracted hours.

Assuming that you were worried about not finishing on time, John assures you that you can always stay in late or pick up again tomorrow. "It happens to the best of us."

Your eyes go cold. "It wouldn't have happened to me if your men and yourself weren't adamant in harassing me with matters that frankly do not pertain to me." You readjust yourself in your seat. "I advise all of you to go over my contract to avoid further misunderstandings. I would hate to leave mid-mission."

John goes cold. You... leaving. He looks in your eyes to see if there was any hesitation. There’s none.

Employer Signature: [Retracted] Employee Signature: [Retracted] Date: [Retracted]

After that day, the 141 realized what they had done. They had completely crushed your spirit and pushed you to be the epitome of professionalism. You were still a phenomenal Intelligence Officer, but you were just that. You were no longer their team mate... their friend.

But you're still here so that's fine... right?

Word Count: 1732

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