#Shiretoko National

[laurastudarus]

Japan’s golden tourism triangle of Tokyo, Kyoto, and Osaka—all on the main island of Honshu—gets plenty of love from 31 million tourists who visit every year. But what locals know is that Japan’s other islands hold incredible natural treasures—especially the northernmost island of Hokkaido. With only about 32,000 square miles, Hokkaido has six national parks. Six! That’s more national parks than in Utah, at just one third the size of the US state.

(via Guide to Shiretoko and Other National Parks in Hokkaido - Thrillist)

[moaan]

Yezo Deer by Katsuaki Shoda

[summary-trivia-jp]

日本のトリビアまとめ #0029

[postcards-and-postcrossing]

Japan National Parks Stamps

Japan – 1962 Nikko National Park Japan – Saikai National Park and Shiretoko National Park. Japan – 1966 Murot-Anan National Park “Senba Cliffs”

[osharenippon]

70s Japan Trends Through the Music Charts (Part 2)

During the 1970s, the Japanese music industry was in the process of forming its identity. In addition to mirroring the musical preferences of the nation, the charts also served as a reflection of the prevailing societal trends and ambitions of that era. In this series, we chronicle the most significant musical trends of the decade.

70s Japan Trend Through the Music Charts (Part 1)

Trend #4: The Impact of Discover Japan

In 1970, Osaka hosted the World Expo, marking a significant milestone for post-war Japan following the 1964 Tokyo Olympics. To accommodate the influx of visitors, the government expanded the rail network, enabling over 60 million people—half of the nation's population—to journey to the World's Fair. However, as the Expo drew to a close after six months, concerns arose about the railways becoming obsolete. So, with the help of the ad agency Dentsu, they devised a campaign to stimulate domestic tourism by rail. The result was "DISCOVER JAPAN," one of the most iconic campaigns of the decade (which, curiously, was partially inspired by Ivy Fashion brand VAN).

"DISCOVER JAPAN" profoundly impacted Japanese society by popularizing solo travel and igniting domestic tourism, particularly among young women who ventured out on their own. This trend was further fueled by the launch of the first female fashion magazines, AnAn and Non-no, both of which regularly featured articles on charming touristic cities across the country. Cities known as "Little Kyoto," which retained their Edo Period architecture and charm, were particularly attractive to these travelers.

Influenced by fashion magazines, these trend-conscious women journeyed to towns throughout Japan, earning them the moniker "AnNon" (a fusion of AnAn and Non-no). Their impact during the 1970s was significant enough to be mentioned in a song by Sada Masashi, one of the decade's prominent folk singers.

"DISCOVER JAPAN," the print and TV campaign devised by Dentsu, is one of Japan's most successful and era-defining marketing campaigns.

Sada Masashi rose to fame in the early 1970s as part of the folk duo Grape before launching a successful solo career. In 1977, his song "Ehagakizaka," which paid tribute to his hometown of Nagasaki, mentioned identically dressed stylish young girls in denim, clutching AnAn and Non-no magazines while photographing their surroundings. This song vividly captured the aspirational girl culture of the 1970s, characterized by "healing" domestic trips in pursuit of tranquility and small pleasures, hippie and boho-inspired fashion, and folk music as the soundtrack.

Masashi Sada's song and the AnNon-zoku tribe aside, "DISCOVER JAPAN" had an immense impact on different layers of Japanese society. And that included the music charts. In 1971, the two best-selling singles, "Watashi no joka-machi" by Rumiko Koyanagi and "Shiretoko ryojou" by Tokiko Kato, surpassed 1 million copies sold. Both perfectly embodied the campaign's spirit in highlighting the hidden beauties of Japan.

"Watashi no jokamachi," or "My Castle Town," marked Koyanagi's explosive debut, selling over 1.3 million copies. This enka-infused kayokyoku ballad paid homage to cities with Edo-like architecture, often centered around a feudal lord's castle, evoking a peaceful, melancholic atmosphere in its lyrics. Rumiko continued to sing about regional Japan's charms the following year with another hit, "Seto no Hanayome" (The Bride of Seto). Meanwhile, the folk-inspired "Shiretoko ryoujou" (Shiretoko Journey) celebrates the unique beauty and culture of the Shiretoko peninsula on Hokkaido Island.

In the same year, other artists also succeeded by spotlighting provincial Japan. Enka superstar Shinichi Mori delved into this theme with "Boukyou" (Nostalgia). At the same time, Yuuko Nagisa found success with a Japanese rendition of The Ventures' "Kyoto Doll," titled "Kyoto no Koi" (Love in Kyoto). She would go on to have another top-selling single with her version of another Ventures song, "Reflection in Palace Lake," transformed into "Kyoto Bojo" (Kyoto Longing).

Trend #5: The Legend of Momoe Yamaguchi

"Aidoru" or "idols" are cute girl/boy-next-door types who sing, dance, act, host TV shows, and star in countless commercials. They stand as one of the cornerstones of the thriving multi-billion yen Japanese entertainment industry. The 70s was an essential era for consolidating this type of star. And one idol, in particular, shone the brightest: Momoe Yamaguchi.

Momoe is a legendary star and an example of an "aidoru" who excelled at everything, exuding sophistication, talent, and sex appeal. The fact she retired from public life at the height of her fame cemented her mythical status.

Momoe Yamaguchi in her prime, the idol industry's gold standard.

In 1972, at the tender age of 13, Yamaguchi auditioned for the talent search TV show "Star Tanjou!" (A Star is Born). Her crisp singing voice and mature beauty immediately captured the industry's attention. Hori Production, the entertainment agency, and Sony CBS label swiftly recognized her potential and signed her. In May 1973, five months after her televised audition, she made her official debut with the single "Toshigoro" (Adolescence). Although Sony had a history of immediate success with newcomers, Momoe's first single received a tepid response, so her label decided to court a bit of controversy for her sophomore outing. "Aoi kajitsu" (Ripe Fruit) had the innocent-looking 14-year-old girl singing, "you can do whatever you want to me, even if they say I'm a bad girl." The racy lyrics worked, and the single was a success. 

A few months later, Yamaguchi's backers repeated this formula with "Hito natsu no keiken" (One Summer Experience). The song began with a suggestive promise: "I'll give you the most precious thing a girl has." The lyrics were laden with double entendres, describing a "sweet trap of temptation" that can only be experienced once. She sang, "if the person I love is pleased, then I'm happy. I don't mind if you break it," which could be understood as a reference to a girl's heart or hymen.

The single was an explosive hit, propelling 15-year-old Yamaguchi into the A-list. For the remainder of her career, she was frequently asked about the "most precious thing a girl has," to which she'd always offer a stern-looking reply: "Her devotion."

The young, mature-looking girl singing thinly veiled songs about sexual awakening with a dark, serious-looking image set her apart from the prevalent happy-go-lucky idol aesthetic. However, it wasn't merely reliance on gimmicks that transformed her into a legend. In 1976, after firmly establishing herself as a star, she parted ways with her frequent collaborators, lyricist Kazuya Senke and composer Shunichi Tokura. Beginning with the single "Yokosuka Story," she partnered with the husband-and-wife duo Yoko Aki and Ryudo Uzaki.

Ryudo Uzaki, the frontman of the popular enka rock band DOWNTOWN BOOGIE WOOGIE BAND, infused her kayokyoku tunes with a rock edge. Through her lyrics, Yoko Aki redefined Momoe's image as a confident, clear-eyed girl transitioning into womanhood. Sony initially opposed Momoe's desire to collaborate with Aki and Uzaki, but the partnership ultimately helped her reach her commercial peak.

"Yokosuka Story" was Momoe's first single to reach the number 1 spot on the weekly charts. The Aki-Uzaki duo penned several other hits for her, including "Playback Part 2" and "Sayonara no mukougawa" (The Other Side of Goodbye), and opened doors for her to collaborate with other luminaries of Japanese music. Two of her most memorable hits, "Cosmos" and "Ii hi tabidaichi" (Beautiful Day Departure), both released in 1978, were penned by folk superstars Masashi Sada and Shinji Tanimura of Arisu, respectively. The latter became the theme song for the iconic DISCOVER JAPAN TV commercials.

Speaking of commercials, idols worth their salt can't limit themselves to music. Momoe earned millions as the face of Toyota cars, Fujifilm photographic films, Casio watches, and Glico confectionary products, among others. She also starred in highly rated TV dramas and ventured into the world of film.

Starting in 1974, she appeared in two romantic films per year, always paired with Tomokaza Miura as her co-star. While Momoe pursued various ventures, Miura's acting career primarily revolved around being her on-screen romantic partner. Their undeniable chemistry and the box-office success of their films led to them being known as the "golden combination."

In a concert at the end of 1979, Momoe stunned her audience by revealing that her on-screen partner, Miura, was her real-life boyfriend. In a subsequent press conference in March of the following year, she confirmed her intention to marry him and retire officially. In September, she released her autobiography, which sold over 1 million copies in a month. In October, she bid farewell through a series of TV specials and a concert at Nippon Budokan. Her farewell concert reportedly earned Hori Productions over 20 million dollars, according to figures provided by the agency to Billboard magazine at the time. Momoe's success allowed HoriPro to become one of the best-established entertainment agencies in Japan, a position it still holds today. Her final performance took place at HoriPro's 20th-anniversary event, where she sang "Ii hi tabidaichi." In November, she married Miura and disappeared from the media.

The Japanese public obsession with her never waned. Paparazzi tried to capture her at her son's kindergarten graduation ceremony and doing classes at a local driving school. Many speculated she'd eventually come out of retirement. She never did, which only helped feed the obsession around her.

During the 1970s, Yamaguchi enjoyed immense success, but she was one of many popular female idols. The narrative created by her retirement elevated her to the status of a larger-than-life legend. She became the gifted, beautiful young woman who succeeded as a singer, a TV actress, and a movie star before choosing the ultimate happy ending: marriage. By choosing love, Momoe Yamaguchi, the legendary idol, transformed into an ordinary woman—a real-life fairy tale that resonated deeply with Japanese society.

Her decision was driven by profound motivations. Momoe revealed in her autobiography that she was raised by a single mother, the product of an extramarital affair. Her challenging upbringing and her father's late appearance to capitalize on her fame instilled a deep desire for a traditional, happy family life. She also grew weary of the relentless demands of stardom and the repetitiveness of performing the same songs. Thus, she made a heartfelt choice to relinquish fame and public life to give her husband the most important thing a girl has: her devotion.

Trend #6: Idols' Rise

The term "idol" in the Japanese entertainment industry finds its origins in the French film "Cherchez l'idole" (1963), which enjoyed immense popularity in Japan. Initially, "Aidoru" was used to describe the film's star, Sylvie Vartan, before it evolved into a general term to describe youthful-looking triple-threat domestic stars.

Before the coining of the term, "idol-like" stars had already existed. In the 1930s, Machiko Ashita attracted crowds to the Moulin Rouge Shinjuku and served as the face of several brands. In the 1950s, rockabilly stars enjoyed massive popularity among the youth, and the 1960s saw the rise of manufactured "group sound" bands and the female duo The Peanuts, comprised of twin sisters. Legendary stars such as Hibari Misora, Sayuri Yoshinaga, Teruhiko Saigo, Yukio Hashi, and Kazuo Funaki thrived as both movie stars and successful singers.

However, the 70s marked the consolidation of the "idol" aesthetic and career path, paving the way for the "golden era of idols" in the next decade. Essential for it to happen was the widespread adoption of the medium where idols shine the brightest: television.

TV allowed entertainment agencies to aggressively push their young, fresh-faced talents in front of a broad audience. They populated music and variety shows, commercials, and dramas. They were immaculate, life-sized stars ready to play the part of the nation's sweethearts.

Although history has crowned Momoe Yamaguchi as the ultimate 70s idol, she was just one among many during most of that decade. A closer examination of the numbers reveals that, among female idols, Mari Amachi had the most significant short-term impact during that time.

Amachi was first introduced on the popular TBS TV drama "Jikan desu yo" (It's Time) in 1971, playing "Tonari no Mari-chan" (Next Door Mari-chan). She played the minor role of a cute girl who lived close to the show's primary setting, a family-run public bathhouse, and often appeared by her window, playing guitar and singing. By October, with the backing of the biggest entertainment agency of the era, Watanabe Production, and Sony CBS, 19-year-old Mari Amachi officially debuted with the single "Mizuiro no Koi" (Light Blue Love). It was a hit—the first of many. Mari would be 1972's best-selling act, achieving high sales with four albums and five singles.

Mari's image, characterized by an innocent aura, a happy-go-lucky personality, and frilly dresses as stage outfits, became the prototype for female idols. Her short hair and chiseled smile earned her the nickname "Sony's Snow White," evoking the image of a fairytale princess. Unsurprisingly, she was particularly popular with children, leading Watanabe Pro to license her likeness for various goods, including the coveted "Do-Re-Mi Mari-chan" Bridgestone Cycle bicycle, highly sought after by young girls in the early 70s.

Despite her rapid rise to fame, Mari's time at the top was short-lived. By 1974, another Watanabe Pro idol, Agnes Chan, was already surpassing her in sales. In 1977, Mari's health deteriorated, and she took a lengthy hiatus, officially attributed to thyroid issues but later revealed to be depression triggered by her waning popularity. In 1979, she attempted a comeback, even bagging an endorsement deal for an ultrasonic facial device, one of the year's hit items for women. But her time had passed, and she didn't find much success. Eventually, Mari's career took unconventional turns, including involvement in a softcore porn movie, the release of nude photobooks, and a transition to becoming a "fat" talento (TV personality), followed by a weight-loss book.

In 2015, in her last public interview, she revealed that, at 63, she was living in a retirement home in the Tokyo suburbs. Her fan club covered her expenses, while her daughter provided a modest weekly allowance. This marked a stark contrast to her glamorous peak years and serves as a reminder of the challenges idols face in the Japanese entertainment industry, particularly women, and how easily discardable idols can be. It also shows how wise Momoe Yamaguchi was, bowing out gracefully at the right time.

However, Momoe Yamaguchi and Mari Amachi represent two extremes within the realm of idols. While Mari achieved record profits for two years before facing decline and eventual obscurity, Momoe maintained relevance for nearly a decade before choosing to marry her on-screen partner, retire, and become a living legend. Most other 70s idols did not experience such remarkable destinies.

In 1971, two other young idols, Rumiko Koyanagi and Saori Minami, made their debut alongside Mari Amachi. The trio was collectively known as the "shin sannin musume," or the "three new girls." Their joint concert at the Budokan on Christmas of 1972 solidified their shared nickname.

The Shin San-nin Musume. Clockwise: Rumiko Koyanagi, Mari Amachi, and Saori Minami.

Rumiko Koyanagi had her skills honed at the Takarazuka Music School. Takarazuka is a very traditional, all-female theater group, and their training academy is known to be highly rigorous and selective. Koyanagi graduated top of her class but wanted something other than a musical theater career. Instead, her goal was to debut as a solo singer. So she left the Takarazuka Revue and signed with Watanabe Pro and Warner Pioneer label to fulfill her dream. Her first song, "Watashi no joka-machi" (My Castle Town), buoyed by the "Discover Japan" boom, surpassed 1 million copies sold, becoming the best-selling single of 1971.

Rumiko's repertoire predominantly featured enka-influenced kayokyoku. Her classical sound may not have been as appealing to the youth as some of her peers' slightly more modern tunes, but it ensured her stable sales throughout the decade. In her sixties, Rumiko has reinvented herself as a passionate soccer fan and a glamorous senior lady, sharing lifestyle tips and her love for Chanel and Lionel Messi on Instagram. She also conducts dinner shows, a lucrative type of intimate concert usually held at luxury hotels, where fans pay hefty prices to enjoy a multi-course dinner while listening to nostalgic hits.

The third "shin sanin musume" is Saori Minami. Minami didn't have a million-selling debut like Rumiko, nor did she become an instant sales behemoth like Mari. That didn't mean she was less impactful. Quite the opposite. Hailing from Okinawa, still under US occupation during her debut, Saori impressed Japan with her exotic beauty. In 1971 and 1972, she outsold every other female idol in bromide sales. Bromide is the local terminology for photographic portraits of celebrities, and historically, its sales are the best way to gauge how popular an idol is.

Her first single, "17-sai" (17 years old), became a classic and enjoyed enduring popularity, with several artists covering it over the decades. After retiring in 1978 upon her marriage to legendary photographer Kishin Shinoyama (known globally for his portraits of John Lennon and Yoko Ono), Saori made a comeback in 1991 but has made only sporadic public appearances since then.

Two years after the emergence of the "shin sannin musume," a new trio of newcomers known as the "Hana no Chuusan Trio" or the "Chuusan's Flower Trio" (a reference to the fact all of them were in Chuusan, the third year of middle school) came into the spotlight. Masako Mori, Junko Sakurada, and Momoe Yamaguchi were all revealed in the talent search TV show "Star Tanjou" (A Star is Born). In 1975, by the time they were in their second year of high school (kou 2), they co-starred in the successful film "Hana no Kou 2 Trio."

The Hana no Chuushan Trio: Momoe Yamaguchi, Junko Sakurada and Masako Mori.

At 13 years old, Masako Mori secured her place as the inaugural "Star Tanjo" grand champion in 1971. The following year, she debuted under Hori Production and swiftly soared to success. Mori's music was deeply influenced by enka, and by the end of the decade, she had solidified her status as a fully-fledged enka star. In 1986, she tied the knot with enka superstar Shinichi Mori, leading her to retire from the entertainment scene. However, in 2005, following her divorce, the former idol made a comeback, embarking on tours and participating in TV dramas for a few years before ultimately deciding to bid farewell to her career once more on her 60th birthday in 2019. Notably, she shares three children with Shinichi Mori, including TAKA, the lead vocalist of the famous rock band ONE OK ROCK.

Junko Sakurada clinched victory at "Star Tanjo" in 1972 at 14. Subsequently, she signed with Sun Music agency and Victor Music, marking her official debut in February 1973 with the release of "Tenshi mo yumemiru" (Angels Also Have Dreams). Given their similar age, niche, and close debut dates, the industry and some fans pitted her against Momoe Yamaguchi despite their behind-the-scenes friendship. Both idols enjoyed substantial popularity, with Yamaguchi usually holding an edge in sales. The exception was in 1975 when Junpei, as fans affectionately knew her, dominated as the best-selling female idol in music and bromide sales.

In addition to her music career, Junko excelled as an actress. In 1983, she opted to conclude her singing career to dedicate herself solely to acting. A decade later, in 1993, the former idol shocked Japan by announcing her participation in a mass wedding ceremony organized by the controversial South Korean Unification Church at the Olympic Stadium in Seoul. Her husband had been chosen for her by the church.

Her association with the cult brought her career to a halt. With her image becoming closely linked to the church, TV networks and advertisers distanced themselves from her. Consequently, Junko relocated from Tokyo, devoting herself entirely to her faith and family. Since then, she has made a few comebacks. In 2006, she published a highly-publicized essay book, and in 2013, she celebrated the 40th anniversary of her debut with a special concert. In 2017 and 2018, she returned to the stage, coinciding with her musical comeback and the release of a new album, "My Ideology."

After this project, Junko has remained out of the spotlight, with an official return unlikely unless she completely renounces her ties with the United Church. The cult's controversial image became even more repellent following the murder of former Prime Minister Shinzo Abe in July, committed by a young man who attributed his family's financial and psychological turmoil to the church. Consequently, the cult's unethical financial practices and ties to the ruling Liberal Democratic Party have become widely discussed topics in the country. For Junko Sakurada, her affiliation with the cult has overshadowed her otherwise successful decades-long career.

Completing the trio alongside Junko and Masako was Momoe Yamaguchi. Although Yamaguchi's career has eclipsed that of almost every other idol of the 1970s, she initially experienced the least success among the three young girls. Unlike her peers, both of whom had claimed grand champion titles at "Star Tanjou!," Momoe secured second place at her final showcase. Moreover, her debut single was the poorest-selling among the trio. However, she would ultimately emerge as the definitive idol, and her retirement would serve as the perfect conclusion to an epoch-making career.

While Momoe, Junko, Masako, Mari, Agnes, Rumiko, and Saori, among others, collectively set an impressive precedent for future female idols, male idols also played a significant role in the era. In terms of profitability, male idols reigned supreme, thanks to the unwavering loyalty of their female fanbase.

Johnny Kitagawa, the late founder of Johnny's Jimusho, eventually became the most influential figure in the entertainment industry. He monopolized this niche for decades with his boybands. However, during the 1970s, Kitagawa was not among the most powerful. Although his agency achieved considerable success with the boyband Four Leaves, it was soloist Hiromi Go who briefly held the nation under his sway between 1973 and 1974. Unfortunately for Kitagawa, this period of dominance proved fleeting, as Go departed for another agency in 1976, signaling that Johnny Kitagawa still had much to accomplish to solidify his authority.

With Johnny's domination still on the horizon, Hideki Saijo emerged as the most influential male idol of the 1970s. Saijo enjoyed success with several hit singles, including the ballad "Chigireta Ai," released in 1973, and 1979's "Young Man," a cover of Village People's "Y.M.C.A." Demonstrating the power of devoted fangirls, Saijo became the first domestic solo artist to perform a concert at Nippon Budokan. His popularity quickly transcended the Budokan, propelling him to the status of a stadium headliner and solidifying his position as the decade's top concert ticket seller.

The loyalty of fangirls meant that male idols consistently outperformed any act in ticket sales. In the 1960s, The Tigers, considered one of the pioneers of the "group sound" movement and regarded by many as Japan's first idol group, became the first domestic act to hold a stadium concert. By the following decade, the "group sound" era had ended, but some former band members successfully transitioned into solo careers.

Kenji Sawada and Hideki Saijo, the two stadium-selling male idol superstars from the 80s.

Kenji Sawada, the former lead vocalist of The Tigers, remained a constant presence on the charts throughout the 1970s. Under the guidance of the influential Watanabe Pro agency, Sawada succeeded as a singer and actor. He brought a rockstar aura to his performances, incorporating impactful and extravagant visual elements and pioneering the use of makeup, drawing inspiration from David Bowie and glam rockers. In doing so, Sawada laid the groundwork for visual kei, a movement that would revolutionize Japanese rock in the late 1980s and early 1990s. Nicknamed "Julie" since his early days in the 1960s due to his admiration for Julie Andrews, Sawada continues to thrive as a prominent music figure in Japan, one of the few stars from that era still capable of selling out stadiums.

While girls' adoration often paves the way for male idols to enjoy lengthy careers, there are exceptions to this rule. In 1974, Finger 5 became one of the best-selling idol groups in the country. Comprising five young brothers from Okinawa, they were marketed as Japan's response to the Jackson 5 and consistently churned out hit singles. However, just two years later, their popularity took a nosedive. Several factors contributed to this decline, notably their heavy reliance on the two youngest members, aged only 10 and 12. These youngsters not only grappled with exhaustion from relentless work schedules but also faced the challenges of puberty, causing their voices to change and preventing them from hitting the right notes in their songs. Consequently, Finger 5 lost its appeal.

Finger 5's brief career underscores a crucial aspect of the idol industry: the importance of youthfulness. In Japan's gender-biased society, some male idols from the 1970s were granted the opportunity to age gracefully, evidenced by a few who maintained success well into their 60s and 70s. In contrast, female idols invariably confronted the pressures and inevitable decline associated with aging.

This brings us back to the quintessential idol of that era, Momoe Yamaguchi. By choosing to retire and steadfastly resisting any temptation to reenter the public eye, Yamaguchi effectively became frozen in time at 21 years old, her age at the moment she bid farewell to both showbiz and the public. This solidified her status as a legendary and unattainable icon—an idol who never aged.

70s Japan Trends Through the Music Charts (Part 3)

[moriwanderer]

You might ask, why?

Why this blog? Why these images? Why Japan?

I recently began attending Antioch College in Yellow Springs for a variety of reasons, but prime among them was the ability to go places and do things. They call it cooperative education. I call it the ability to experience life. This is the reflections from my first co-op trip, in which I've finally managed to get to Japan. The Land of the Rising Sun. The derivation not only of my favorite anime and video games, but also a place with a spirituality that resonates with my own. This blog, beyond being something that I already want to do, also serves as a record and journal of my experiences.

I am currently at Yamasa in Okazaki, working on learning some amount of Japanese to become more fluent and able to speak in it... somewhat. I'm only there for three weeks, and honestly I don't think it's going to take me to the fluency level that I'd like. Thankfully, we live in a world with Google Translate! After that, there's a WorkAway that I will be doing just south of Tokyo in Yokosuka involving assisting with a house renovation that is currently in the plans. After? I don't exactly know.

While in Yokosuka, I'm hoping to spend at least a day (if not more!) in Akihabara, being the global cultural center for all things otaku. Later, I would like to spend a couple weeks in Nara to learn more about the early history of Japan, then head to Kyoto for a week to visit the famous Kyoto Imperial Palace among countless other famous sites and shrines; later I would like to spend a weekend in Shirakawa which is both a UNESCO World Heritage Site as well as the setting for Higurashi no Naku Koro ni (which happens to be one of my favorite anime). If time and money permits, I have a bucket list of other places that I would love to check out - including, but not limited to, Shiretoko National Park, Ikeshima & Gunkanjima, Aokigahara, the Ise Grand Shrine... That said, the lack of a JR Rail pass puts a damper on those plans... for now, anyway. I'm hoping, once the next round of student loan money comes in, that I'll be able to afford one (or at least a trip on a shinkansen!)

One of my goals that will definitely require more work on my part is to become fluent enough in Japanese to work as a translator. For whom and on what is still to be decided, but I adore all things anime, manga, video games, and so on from here so the possibilities are pretty wide open.

I'm hoping that the collection of entries in this journal will suffice for my "Signature Assignment" for the course side of this expedition. If not, I'll update you soon on whatever plans may change!

Until next time~

[infinitelycomplexpuzzles]

@historias-multorum "Well this is interesting." Ino commented by the campfire. Dionysus had invited her out to the Shiretoko National Park in Hokkaido. She had never been camping before so the idea perked her interest enough to tag along. At the moment they had set up camp by a small lake, the view was truly beautiful. She was close by the fire with a mug of hot coco. "So, got any ghost stories to share?" She asked.

"Oh, I have quite a few, yes. I'm a god of stories; it would be strange if I couldn't tell at least one good horror story. Though the question always comes down to what sort of horror you enjoy." He smiles over his own glass of wine; it was never far from him, really.

"After all, horror is primarily tragedy; it's intentions are different, but ultimately similar. The question is, do you enjoy such things?"

[stumbleimg]

Stunning winter wonderland, Shiretoko National Park, Hokkaido, Japan [OC] [3755x2223]

[voyagehokkaido2023]

Nous allons dans le parc national Shiretoko avec l’espoir de voir des ours…Nous prenons une petite collation avant.

[pretty-toastie]

Cassandra

[ok so i kinda maybe lied when i said "Flowers" was coming soon,, it's finished but idk i'm hesitant to post it. in the meantime tho have this little short story / mood piece!!!]

Things that are tangled: The loop of red string I keep in my pocket, rub absently between my fingers, twist into tiny shapes. The boughs and vines and briars of Central Park. The feelings inside people, the friendship that skirts the edge of love and the hatred that hides behind eyelashes wet with loss. The scream of crows perched high in hemlocks, in birches, in oaks and aspens and yews, raspy and joyful and defiant. The thatched roof of a home on the rocky shore of Ireland and the carpeted floor of an arcade strewn with neon geometry, both rough on my hands in the same way.

The prophecies that hang in the air, the knowledge that suffuses the atmosphere and drips, blackened, over the heads of people, invisible to all but me.

Time.

A pair of young girls—was I ever that young?—stumbled across me once, in the woods of northern France or in an alley in Rio de Janeiro. Their gaze fell on me, wrapped in a battered bomber jacket, the patches torn away long ago or long after, and I exhaled a cloud of cigarette smoke and stared back at them. They stood frozen, side by side, their eyes wide. I watched one girl shift closer to the other, whisper something in French or Portuguese, grab the other’s hand, her fingers trembling slightly.

I wanted to put them at ease. I knew what it felt like to be a deer in the headlights of an unexpected encounter. Your children are beautiful, I told them. You raised them so well. And they are, and they did—I can see them, all bright smiles and bubbling laugher and round cheeks, all dirty hands and strong arms and herbs tucked into leather pouches, all grey hair and wrinkled skin and wisdom.

The girls couldn’t see, though. They couldn’t know yet. Of course.

It’s so easy to forget what you should and shouldn’t know yet. The years blend together, and it’s hard to know when you are, where you are. Sometimes it makes me feel insane.

A young man, maybe 19 or 20, found me once. He was out of breath, anxious, spoke in rapid Old English. They say you’re a witch, he said. Can you change me? Can you fix my body? They don’t see who I am. They refuse to see who I am. It broke my heart to have to tell him no, tell him that all I can do is see, that the only way I can change anything is to warn people.

I cannot bring myself to tell him that no one will ever heed my warnings.

Once, an old couple—will I ever be that old?—greeted me with a nod in Shiretoko National Park. They smiled at me, smiled at each other, smiled at the view. For a long time, they did not speak to me. When they did, finally, their words were slow, calm. Thank you, they said. You told us we would find happiness. We didn’t believe you, but we did. We have. Thank you. I didn’t remember having met them before. Maybe it hadn’t happened yet.

Things that are tangled: The pieces of soft, soft cloth I keep in my pocket, rub absently between my fingers, worried and worn and frayed. The wrought iron fence gates of a manor in northern Vermont. The calls of screech owls and foxes, hunting at night, earsplitting, beautiful. The smell of woodsmoke, the taste of basil and rosemary and lemongrass and mint. My feelings. How can I love someone if I can see the day she will die in vivid detail, know that I will long outlast her? How can I love someone when I know that she would do anything for me, that for me to love her would destroy her? How can I love someone when I can see her wife’s face in my mind, always, always, and it isn’t mine?

But then, how could I not? She makes me water with basil and rosemary and lemongrass and mint. She takes me to an arcade, laughs when I need to stop to run my fingers over the carpet of neon geometry but waits patiently all the same, listens when I tell stories about places I’ve been and things I’ve seen and people I’ve met. She walks with me through Central Park, smiles excitedly at me when the foxes and the crows and the screech owls scream.

Her face in the moonlight is the most beautiful thing I’ve ever seen, and I have seen everything. She never asks me about her future.

And then her future arrives. It always had happened, always would happen, but I can only live through that time once. I wasn’t there. I left her. I was lost in the tangled weave of time and space and future and past, hunched over in the rain on the edge of a street in the middle of somewhere, terrified by the swirling mass of certainty that hung in front of the faces of everyone who passed me. I was broken, I was lost. I knew everything. I could not remember my name. I watched the end of the world against the inside of my eyelids, again and again and again, and I could not tell where I was, when I was. I did not know how to get back to her.

I left her, and I was gone for so long, and she fell in love. Really, truly, deeply. She and her wife were so happy, are so happy, will be so happy. I breathe in, breathe out. I have always known. I could see our ending from the moment I met her. I am so, so happy for her, but—

I still didn’t expect it to hurt so much.

Things that are tangled: the lines of fate that bind people together, tear them apart. The red strings, the dark shapes, the ever-changing and always static line of history, stretching away in all directions. The sound of raindrops on asphalt. The taste of loss, bitter in my mouth—I only lived it once but I know it always, again and again and again. I feel insane. I know that I am not. No one ever heeds my warnings, everyone always wants to hear them.

I blow a cloud of cigarette smoke into the damp night air, pull my worn jacket closer around me.

Time keeps on. It always has. It always will. And I will bear witness to it all.

[travelworldwithtravelarii]

Explore Japan Like a Pro: Best Places for First-Time Visitors!

Japan, a land of ancient traditions harmoniously blended with cutting-edge modernity, offers a plethora of unforgettable experiences for travelers. For those embarking on their inaugural journey to this captivating country, knowing the best places to visit in Japan can help create an itinerary that highlights the nation's diverse cultural tapestry, stunning landscapes, and iconic landmarks.

Tokyo: The Pulsating Heart of Japan

Begin your Japanese adventure in Tokyo, the bustling capital city that seamlessly merges the ultramodern with the traditional. Marvel at the towering skyscrapers in Shinjuku, shop till you drop in the trendy district of Shibuya, and find peace in the serene gardens of the Meiji Shrine. For a glimpse into the future, visit Odaiba, an artificial island featuring futuristic attractions and cutting-edge technology.

Kyoto: The Timeless Cultural Capital

Kyoto, once the imperial capital of Japan, is a treasure trove of historical and cultural wonders. Wander through the enchanting bamboo groves of Arashiyama, visit the iconic Kinkaku-ji (Golden Pavilion), and immerse yourself in the tranquil ambiance of the Zen rock gardens at Ryoan-ji. Don't miss the chance to experience a traditional tea ceremony and stroll through the picturesque streets of Gion, Kyoto's famous geisha district.

Hiroshima: A City of Resilience and Peace

Hiroshima, a city known for its tragic past, has risen from the ashes to become a symbol of peace and resilience. Visit the Peace Memorial Park and Museum to learn about the impact of the atomic bomb and the city's remarkable recovery. Just a short ferry ride away lies Miyajima Island, home to the stunning Itsukushima Shrine, with its iconic "floating" torii gate.

Osaka: The Kitchen of Japan

Osaka, Japan's third-largest city, is a culinary paradise. Indulge in street food delights at Dotonbori, explore the historic Osaka Castle, and enjoy a fun-filled day at Universal Studios Japan. The vibrant nightlife and friendly locals make Osaka a must-visit destination for those seeking a lively and dynamic experience.

Hokkaido: The Untamed Wilderness

For nature enthusiasts, Hokkaido offers a breathtaking escape into the wild. Discover the pristine beauty of national parks like Shiretoko and Daisetsuzan, soak in the rejuvenating hot springs of Noboribetsu, and savor fresh seafood in Sapporo. Hokkaido's stunning landscapes are perfect for outdoor adventures, from skiing in Niseko to hiking in the summer months.

Nara: The Birthplace of Japanese Tradition

Nara, a city steeped in history, is home to some of Japan's oldest and most significant cultural sites. Visit Todai-ji, housing the world's largest bronze Buddha statue, and feed the friendly deer that roam freely in Nara Park. The tranquil atmosphere and well-preserved temples make Nara a serene and enriching destination.

Conclusion

Japan's allure lies in its ability to offer something for every traveler. From the neon-lit streets of Tokyo to the ancient temples of Kyoto, the best places to visit in Japan promise an unforgettable journey filled with discovery and wonder. Whether you're drawn to the country's rich cultural heritage, its natural beauty, or its modern marvels, Japan will leave you with memories to cherish for a lifetime. So pack your bags and get ready to explore the Land of the Rising Sun!

[sarvodayaholiday]

Dreaming of Japan?

Top Places to Visit in Japan

Apply your Japan Visa Today!!! https://sarvodayaholiday.com/visa-services/ Japan is a land of contrasts, blending ancient traditions with cutting-edge technology and bustling cities with serene natural landscapes. Whether you're a history buff, a nature lover, or a foodie, Japan has something to offer. Here are some of the top places you must visit on your trip to Japan.

1. Tokyo

Highlights:

Shibuya Crossing: The world's busiest pedestrian crossing.

Senso-ji Temple: Tokyo's oldest temple.

Tokyo Tower: Offers stunning views of the city.

Akihabara: The hub of otaku culture and electronics.

Description: Tokyo, Japan's bustling capital, is a vibrant metropolis known for its towering skyscrapers, historic temples, and unique districts. From the serene gardens and shrines to the neon-lit streets of Shibuya and Shinjuku, Tokyo offers an endless array of experiences.

2. Kyoto

Highlights:

Fushimi Inari Shrine: Famous for its thousands of red torii gates.

Kinkaku-ji (Golden Pavilion): A stunning Zen temple covered in gold leaf.

Arashiyama Bamboo Grove: A serene, picturesque forest of towering bamboo.

Gion District: The famous geisha district with traditional wooden machiya houses.

Description: Kyoto, the cultural heart of Japan, is home to countless temples, shrines, and gardens. This city offers a glimpse into Japan's rich history and traditions. Visitors can experience traditional tea ceremonies, stroll through historic streets, and witness the beauty of seasonal foliage.

3. Osaka

Highlights:

Osaka Castle: A historic landmark with beautiful grounds.

Dotonbori: A vibrant entertainment district known for its neon lights and street food.

Universal Studios Japan: A major theme park with attractions based on popular movies.

Shinsekai: An old neighborhood with a retro vibe.

Description: Osaka, known for its modern architecture and delicious street food, is a dynamic city that never sleeps. It offers a blend of historical landmarks and contemporary attractions. Foodies will especially love Osaka for its takoyaki and okonomiyaki.

4. Hiroshima

Highlights:

Hiroshima Peace Memorial Park: Dedicated to the victims of the atomic bomb.

Miyajima Island: Known for its iconic floating torii gate at Itsukushima Shrine.

Hiroshima Castle: A historic castle rebuilt after World War II.

Description: Hiroshima is a city with a poignant history and a resilient spirit. The Peace Memorial Park serves as a reminder of the past and a symbol of hope for the future. Nearby Miyajima Island is a serene escape with its famous floating shrine and beautiful hiking trails.

5. Hokkaido

Highlights:

Sapporo Snow Festival: A famous winter event featuring ice sculptures.

Furano: Known for its lavender fields and stunning seasonal flowers.

Niseko: One of Japan's top ski resorts.

Shiretoko National Park: A UNESCO World Heritage site known for its untouched wilderness.

Description: Hokkaido, Japan's northernmost island, is renowned for its natural beauty and outdoor activities. From skiing and snowboarding in the winter to hiking and flower viewing in the summer, Hokkaido offers a diverse range of experiences for nature enthusiasts.

6. Nara

Highlights:

Todaiji Temple: Home to the Great Buddha statue, one of Japan's largest bronze Buddha statues.

Nara Park: Famous for its free-roaming deer that bow to visitors.

Kasuga Taisha: A historic Shinto shrine with hundreds of lanterns.

Description: Nara, once the capital of Japan, is a treasure trove of historic and cultural sites. The city's tranquil parks and ancient temples make it a perfect destination for those looking to explore Japan's rich heritage.

7. Okinawa

Highlights:

Shuri Castle: A UNESCO World Heritage site and former royal palace of the Ryukyu Kingdom.

Churaumi Aquarium: One of the largest aquariums in the world.

Okinawa World: A cultural theme park showcasing Okinawan traditions and crafts.

Kerama Islands: Known for their stunning beaches and clear blue waters.

Description: Okinawa, Japan's tropical paradise, boasts beautiful beaches, vibrant coral reefs, and a unique culture distinct from the mainland. It's an ideal destination for those looking to relax, dive, and explore the rich history of the Ryukyu Kingdom.

Conclusion

Japan's diverse regions offer an array of experiences, from the futuristic cityscapes of Tokyo to the serene temples of Kyoto and the natural beauty of Hokkaido. Each destination has its own unique charm, making Japan a must-visit for any traveler.

Whether exploring ancient temples, indulging in delicious street food, or marveling at natural wonders, Japan promises an unforgettable adventure.

[bestentours11]

Explore 10 unique Places in Japan Tour Packages From India

We'll delve into 10 unique places included in Japan tour packages from India, each offering its own distinctive charm and allure. Whether you're a history buff, a nature enthusiast, or a foodie, Japan has something to captivate every traveler's heart. 1. Tokyo: Explore iconic landmarks such as the Senso-ji Temple and the Tokyo Skytree, wander through the bustling streets of Shibuya and Shinjuku, and indulge in delicious street food at Tsukiji Outer Market in our Japan tour packages from India. 2. Kyoto: Explore historic sites such as Kinkaku-ji (Golden Pavilion) and Fushimi Inari Shrine, stroll through the picturesque streets of Gion, and experience a traditional tea ceremony in a serene tea house in our Japan tour packages from India. 3. Hiroshima: Pay your respects at the Hiroshima Peace Memorial Park and Museum, explore the picturesque island of Miyajima with its iconic floating torii gate, and savor Hiroshima's famous okonomiyaki (savory pancake) dish in our Japan tour packages from India. 4. Nara: Visit Todai-ji Temple, home to the Great Buddha statue, wander through Nara Park and feed the friendly deer that roam freely, and explore the tranquil Kasuga Taisha Shrine with its thousands of lanterns. 5. Osaka: Osaka is known as Japan's "Kitchen of the Nation" and is famous for its vibrant food scene and lively atmosphere. Sample delicious street food at Dotonbori, explore historic landmarks such as Osaka Castle, and enjoy panoramic views from the Umeda Sky Building. 6. Hokkaido: Explore the vibrant city of Sapporo, soak in natural hot springs in Noboribetsu, and marvel at the breathtaking scenery of Furano's lavender fields and Shiretoko's rugged coastline. 7. Kanazawa: Visit Kenrokuen Garden, one of Japan's three most beautiful gardens, explore the historic Nagamachi Samurai District, and experience a traditional tea ceremony in a tranquil teahouse. 8. Takayama: Wander through the quaint streets of Sanmachi Suji, visit the Takayama Jinya historic government house, and sample the region's famous Hida beef. 9. Okinawa: Relax on the beautiful beaches of Ishigaki and Miyako Islands, explore the historic Shuri Castle in Naha, and snorkel or dive in the vibrant coral reefs in our Japan tour packages from India. 10. Nikko: Visit the ornate Toshogu Shrine, nestled amidst a lush forest, explore the tranquil Lake Chuzenji and Kegon Falls, and soak in the therapeutic waters of the Yumoto Onsen hot springs with our Japan tour packages from India. Conclusion: Whether you're exploring the bustling streets of Tokyo, wandering through the serene temples of Kyoto, or marveling at the natural wonders of Hokkaido, Japan offers a wealth of unique places waiting to be explored. With our Japan tour packages from India, you can embark on a journey of a lifetime and create memories that will last forever.

[gokitetour]

The 8 national parks in japan

Japan, a mesmerizing blend of ancient tradition and cutting-edge modernity, captivates with its vibrant culture, stunning landscapes, and technological innovation. From the serene temples of Kyoto to the bustling streets of Tokyo, it's a land where history meets the future, offering visitors a rich tapestry of experiences, from serene tea ceremonies to neon-lit skyscrapers.

Here are 8 of the most well-known national parks in Japan:

1. Fuji-Hakone-Izu National Park:

Famous for Mount Fuji, Japan's highest peak, this park offers stunning views of the iconic volcano, hot springs, and beautiful lakes. Also Read: Germany visa

2. Shiretoko National Park:

Located on the Shiretoko Peninsula in Hokkaido, this park is known for its diverse wildlife, including brown bears and deer, as well as its picturesque landscapes, including cliffs, waterfalls, and hot springs. Also Read: Canada visa

3. Aso-Kuju National Park:

Situated in Kyushu, this park is home to Mount Aso, one of the world's largest volcanic calderas, as well as scenic landscapes, grasslands, and hiking trails. Also Read: Singapore visa

4. Daisetsuzan National Park:

Also located in Hokkaido, this park is known for its rugged mountains, deep valleys, and alpine scenery, as well as its diverse flora and fauna. Also Read: Vietnam visa

5. Ogasawara National Park:

A UNESCO World Heritage Site, this park encompasses the Ogasawara Islands, a remote archipelago located south of Tokyo, known for their unique ecosystems and marine biodiversity. Also Read: Azerbaijan visa

6. Setonaikai National Park:

Spanning several islands and coastal areas in the Seto Inland Sea, this park offers scenic views, historic sites, and opportunities for outdoor activities such as hiking, diving, and island hopping. Also Read: south korea visa

7. Towada-Hachimantai National Park:

Located in the northern Tohoku region, this park includes Lake Towada, one of Japan's most beautiful lakes, as well as volcanic landscapes, forests, and hot springs. Also Read: Egypt visa

8. Chichibu-Tama-Kai National Park:

Close to Tokyo, this park offers a retreat into nature with mountains, forests, rivers, and waterfalls, as well as cultural sites such as temples and shrines. Also Read: Bangladesh visa

Conclusion

In conclusion, Japan's 8 national parks offer a stunning array of natural wonders, from majestic mountains to pristine coastlines. Exploring these parks provides a deep dive into Japan's rich cultural and ecological heritage. While planning your visit, remember to check japan visa requirements, ensuring a smooth and enjoyable journey into Japan's breathtaking landscapes.

[stumbleimg]

Furepe Falls, Shiretoko National Park, Japan [OC] [2268 x 3381]

[jcmarchi]

Brown bears digging up artificial forests - Technology Org

New Post has been published on https://thedigitalinsider.com/brown-bears-digging-up-artificial-forests-technology-org/

Brown bears digging up artificial forests - Technology Org

According to a new study, brown bears foraging for food in the Shiretoko Peninsula of Hokkaido, Japan, have disrupted tree growth in artificial conifer forests. Researchers compared soil and tree samples from human-forested plots with samples from natural forests. They found that the bears’ digging for cicada nymphs damaged tree roots and altered the soil’s nitrogen content, limiting tree diameter growth. The phenomenon of bears digging for cicadas, an unusual food source, appears to be restricted to human-planted conifer forests; the diversely vegetated natural forests was unaffected. Bears in Hokkaido sometimes suffer from sparse food supplies, but it is not known if this is the reason for their cicada search. These results are important for animal conservation and efforts to return used land to a wild state, highlighting the value of recreating diverse local ecosystems which can support natural wildlife behavior.

Bear-dug human-made conifer forest. The Japanese larch is a conifer tree native to central Japan and often used in forestry in the northern part of Japan, especially in Hokkaido. It is popular for construction, making pulp and for Japanese bonsai. The human-made forests in Shiretoko lack an underlying layer of other diverse plant life, notably dwarf bamboo, which seemed to deter the bears. Image credit: Tomita and Hiura

On the northeastern tip of Hokkaido, Japan’s northernmost main island, sits the Shiretoko Peninsula, and within it the Shiretoko National Park. Designated a World Nature Heritage site, thanks to its thriving ecosystem and diverse wildlife, the peninsula is home to Japan’s largest land animal, the brown bear. It is estimated that almost 500 bears live within the 70-kilometer-long and 25-km-wide strip, making it one of the highest densities of brown-bear populations in the world. Bear numbers in Hokkaido have been gradually recovering since the 1990s, when conservation efforts began in earnest after decades of unchecked culling.

Rather than being an isolated wilderness, thousands of people live and work in the Shiretoko Peninsula, and it is also a popular tourist destination. Since the 1970s, residents and local government have been planting conifers, such as larch and spruce, on abandoned farmland as a way to help return the area to its original forested state. However, this effort has led to some unusual behavior from the other larger inhabitants. Assistant Professor Kanji Tomita from Kochi University and Professor Tsutom Hiura from the University of Tokyo have been studying how brown bears interact with these human-made forests and found that the bears behave differently than when in their natural woodland.

“In our latest study, we found that brown bears have been negatively impacting the growth of replanted larch conifer trees. They come to the new forests to dig for cicada nymphs, a behavior we haven’t seen in natural woodland or heard reported elsewhere in the world,” said Hiura from the Graduate School of Agricultural and Life Sciences. “While mammalian digging behavior in natural ecosystems has typically been seen as having a positive influence, our research shows that the outcome is different in anthropogenic (human-made) landscapes.”

This latest research is a follow-up to a previous study by Tomita and Hiura, in which they first discovered the bears’ penchant for cicada nymphs. The pair were surprised that the bears dug for the cicadas exclusively in human-made conifer forest, not in natural woodland, and noticed the damage being done to the roots of the trees in the process. So, they decided to assess the impact of the bears’ behavior on the artificial forest’s ecosystem.

The researchers compared soil samples, tree needles and tree core samples from dug and undug larch conifer forests in Shiretoko. Finding undug plantations was a challenge, so they had to collect samples from conifer forests which had an underlying layer of bamboo, which the bears avoided. They found that digging activity decreased the biomass of fine roots, soil water content and nitrogen availability. This resulted in the width, or radial growth, of the trees being less in dug forests than in the untouched forests.

“Previous studies have not considered the human impacts of forestation efforts because data were collected from natural ecosystems. So, this study is important for wildlife conservation and understanding the roles of large mammals in anthropogenic landscapes,” explained Tomita. “Referring to knowledge from only pristine ecosystems is not sufficient. To develop more appropriate management strategies for large carnivores, we need to understand their ecosystem roles in human-made landscapes further.”

Shiretoko World Nature Heritage site. The name Shiretoko comes from an Ainu phrase meaning “End of the Earth.” The indigenous Ainu people of northern Japan have long had a close relationship with bears, which in local religion were seen as being a mountain deity in disguise and considered sacred. Image credit: Kanji Tomita

“Rather than rely on artificial afforestation (converting land into forest) methods, this research highlights the necessity of introducing natural regeneration methods by seed dispersal from the surrounding area,” said Hiura. “This will not only restore ecosystems with high species diversity and rich interactions among animals and plants, but it will also be beneficial to human society in the long term.”

Bears in Shiretoko and other parts of Japan have recently struggled to find enough of their staple foods, such as salmon and nuts, to survive. Increased human development and portioning off of land, along with variable harvests due to climate change, have exacerbated their situation. This increases the risk of potentially dangerous encounters, for both people and bears, as they wander into more populated towns, campsites and fishing areas. Enriching the bears’ natural habitat and planning new forests based on ecological research will hopefully help bears and humans to coexist safely and thrive in this beautiful environment.

Source: University of Tokyo

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