#Shinya Tamada

[f1lms4ever]

I Am What I Am 2022 ‘そばかす’ Directed by Shinya Tamada

[antinousamongthereeds]

[ogradyfilm]

Recently Viewed: I Am What I Am

I Am What I Am is the exact sort of pleasant surprise that defines Japan Cuts for me. The synopsis on the festival website led me to believe that it would be a somewhat overwrought melodrama; what I got instead was a delightfully unconventional, subversive romcom that omits the “romance” entirely.

The plot revolves around Kasumi Sobata, an asexual thirty-year-old struggling to navigate the pressures of a society that expects women her age to quit their jobs, get married, and have a bunch of kids. Unfortunately, her family practically epitomizes conformity and traditional gender roles. Her heavily pregnant sister, for example, dutifully ignores the warning signs that her husband might be unfaithful. Her grandmother, meanwhile—fresh off her third divorce—insists that a “proper” wife should accept infidelity as an inevitability. Worst of all, her mother—misconstruing her lack of a love life as evidence of depression—frequently sets her up on impromptu “dates” with “eligible bachelors,” hoping to force the issue of wedded bliss through manipulation, subterfuge, and sheer tenacity.

The conflict ventures far beyond the tropes typically associated with the genre. The primary “obstacle” isn’t the protagonist’s reluctance to abandon her own ambitions (though that is a secondary concern); her very identity is at stake. Whenever she admits that she is incapable of experiencing physical attraction, her feelings are immediately dismissed, invalidated, and trivialized. A male friend, for instance, assumes that she is merely making an excuse to “politely” reject his (abrupt, clumsy) flirtatious advances; he subsequently ends their platonic relationship.

The movie’s visual style is simple, yet elegant. Most scenes unfold from a single camera angle, with only minor adjustments to the frame: a pan here, a lateral dolly move there, the occasional slow push-in. This minimalism prioritizes behavior rather than action, allowing the performances (as opposed to the editing) to guide the rhythm of the narrative—and the actors absolutely deliver in that regard! Toko Miura is particularly compelling as our hapless heroine; whereas the character that she portrayed in Ryusuke Hamaguchi’s Drive My Car was cold, aloof, and taciturn, Kasumi is sensitive, affable, and effortlessly funny—an impressive display of versatility.

Ultimately, I Am What I Am is a triumph of representation. It explicitly assures ace viewers that they are neither defective nor alone, encouraging them to express themselves freely and unapologetically—after all, no human being (queer or otherwise) should have to justify their existence; everybody deserves basic respect and dignity. The message is unsubtle by design—and that thematic transparency significantly deepens the film’s emotional resonance.

[cinemaronin]

[lostinmac]

I Am What I Am (2022)

Dir. Shinya Tamada

[thewailign]

I Am What I Am (2022)

Director: Shinya Tamada

[idleminds]

I Am What I Am (2022) ‘そばかす’ dir. Shinya Tamada

[katoisha11]

"منذ طفولتي وأنا أتخيل أن الروح زرقاء اللون، كنت أريد روحًا واسعة مثل السماء، باردة مثل البحر، هادئة مثل الفجر"

‏I Am What I Am (2022)’ dir. Shinya Tamada

#اقتباس

[invisiblesometimesvisible]

Hi, fellow aspecs! For pride month in case you haven’t heard of other aspec films. Japan has two films in store around the years 2022 to 2023.

Left Photo:

“I Am What I Am” / “Freckles” / “Sobakasu”

- Directed by: Shinya Tamada

- You can watch this from today until June 19th for free on: https://watch.jff.jpf.go.jp/page/jffonline2024/ you just need to sign up and you’re all set (It may not be available to some countries). Those who can’t access that, you can message me for an alternative site! The film is about Kasumi Sobata, an aromantic asexual woman struggling in an amatonormative world.

Right Photo:

“People Who Talk to Plushies are Kind”

- Here we have an asexual character. If you wanna know where you can watch it, feel free to dm me here! || Story: Creating a portrait of sensitive teens and their concerns, Kaneko Yurina’s adaptation of Omae Ao’s novel takes us into the midst of the Plushy Club at a university. It is a place packed with furry and comforting friends whom the club members talk to in order to relay their anxieties and fears. Male student Nanamori and female students Shiraki, and Mugito are the latest club intake, each wrestling with issues such as love, masculinity and femininity, fear of others and sexism in society. (Source: OAFF.jp)

- Based on the Novel:

[shiningwizard]

I Am What I Am (Tamada Shinya, 2022)

Yes, why aren't there more asexual romance movies? A coupling of the self, a defeat of loneliness, meeting cute with people who can bring brightness and allow one to find comfort in oneself. I never expected it, it's cruel, but Maeda Atsuko really has bloomed as an actress. And Ito Marika looks to be rising the same (although it would be good to see her expand her range some). Idol success stories!

[idepict]

“I Am What I Am” (2022) is a Japanese drama about a woman’s journey of self-discovery and independence, challenging societal norms and embracing new values. Starring MIURA Toko, directed by TAMADA Shinya.

[firstagent]

Since it popped up on the Podcast, how would you rank the sibling dynamics from healthy to trainwreck?

This is an innocent-sounding question until you go over the franchise and realize just how many sibling relationships there are in Digimon and that all but like three of them have elements that might raise eyebrows. In the interest of being comprehensive, this includes all named characters in any anime, manga, and game I’m familiar with, treating the reboot separately and including Survive because... (looks at Kaito and Miu’s bios) ...holy crap.

Sibling Relationship Rankings! (Healthy is Higher)

Joe & Shin Kido (Adventure): Shin understands Joe’s hang-ups and offers support to make his own choices without steering him in any specific direction, for or against the family. And Shuu exists too (depending on the language you’re watching in)

Juri & Masahiko Kato (Tamers): For all of the awkwardness and potential points of fracture in the family, Juri and Masahiko are very close. Fun Fact: She started carrying around her iconic hand puppet to amuse and entertain him!

Keito & Nozomi Tamada (Re:Arise): Even with very different personalities, Keito and Nozomi have a lot of respect for each other. Unlike some big brothers, he comes to a mature conclusion when he realizes she’ll be just fine with Pumpmon at her side.

Yamato Ishida & Takeru Takaishi (Adventure 2020): Yamato’s worry over Takeru only affects his reluctance to take on time-consuming side quests when he might be in danger. Far more chill about trusting Takeru with the rest of the team, he’s a motivation rather than a mental handicap.

Masaru & Chika Daimon (Savers): Perhaps a more controversial pick for the healthier side, but Masaru and Chika have a playful relationship that proves that Chika dishes out as much as anyone in the family. Given how much harm DATS and Digimon have done to the family, Masaru risks her love to keep them away from her.

Joe & Shin Kido (Adventure 2020): Shin’s still supportive and still encourages Joe to make choices for himself, but having that bugout bag ready to go raises some serious questions about that family and which side Shin’s really on.

Ai & Makoto (Tamers): Toddlers fight. It’s okay. They come together for Impmon’s sake and the fact that they’re the only duo in the franchise with mutual custody over a digivice has to say something about the strength of their relationship.

Nene & Kotone Amano (Xros Wars Manga): Nene’s tactics are still desperate but not quite as extreme as the anime, and it counts for so much that Kotone fights so hard for Nene once the tables are turned. And good lord that backstory...

Takuya & Shinya Kanbara (Frontier): There’s definitely a sense of Takuya lapsing into thinking Shinya encapsulates everything frustrating about having an older brother, but he gets over it.

Miyako Inoue + Three (Zero Two): Perfectly normal large household. And while wondering what it would be like to be an only child is something every youngest does... top of mind fantasy, Miyako? Really?

Jianliang & Shaochung Lee (Tamers): Speaking of four-packs... there’s no doubting how much they care about each other, but Jian’s occasional short fuse with Shaochung betrays his usual calm demeanor, and we never get a picture of the full family dynamic once Rinchei and Jaarin are included.

Daisuke & Jun Motomiya (Zero Two): Everyone likes to paint Jun and Daisuke as something uglier than it really is. As much as they annoy each other, it’s still a pretty conventional sibling dynamic and they’d still fight hard for the other... even if the feeling’s closer to obligation.

Koji Minamoto & Koichi Kimura (Frontier): There’s no questioning the bond they develop, but there’s no way Koji and Koichi go from “don’t know the other exists” to “ZOMG Twinzies!” without a ton of awkwardness and feeling each other out. They’ll get better, but from our standpoint this is where we start to drift into trainwreck territory.

Tomoki & Yutaka Himi (Frontier): Tomoki can spin it all he wants but Yutaka comes off as a real jerk. Not that some resentment isn’t a little justified given how much Tomoki is coddled, but taking it upon himself to be the bearer of tough love is still not cool.

Taichi & Hikari Yagami (Adventure 2020): Hikari has a blind faith that Taichi can save the day in any circumstance, up to and including international shipping crisis. Meanwhile Taichi sees Hikari lapsing between typical friendly eight year old to brainwashed robot and doesn’t find any problem with it.

Yamato Ishida & Takeru Takaishi (Adventure): Lessons in how not to be an overprotective big brother. Yamato freaks out at the slightest notion that Takeru might be exposed to danger, including his very presence in the Digital World. When you have a complete nervous breakdown realizing that little bro’s actually pretty capable on his own, it’s not about your relationship with him anymore.

Touma & Relena Norstein (Savers): There’s caring about a little sister, making her plight a central cause in your life, and then involving her in a chess match with a madman. There’s a lot to forgive here (they are raised in a family where your kneejerk reaction to Grandma is “I bet she supported the Nazis in World War II”), but everything about their relationship just makes you uncomfortable.

Kaito & Miu Shinonome (Survive): Maybe it’s not fair since their game is the franchise’s unicorn, but their bios have warning flags all over it. He’s overprotective, ready to fight at the slightest hardship, and she repays this attitude by being rebellious and weird and eager to pursue trouble. May end up being worse once the game actually comes out.

Rei & Hajime Katsura (Appmon): Another one where their backstory makes you sympathize with the lengths they go to in order to stay together, but risking the security of actual guardians to go it alone? Jesus. Even with their ride or die attitude, you still sense a bit of friction in their relationship, and so many of their hardships are their own doing. 

Nene & Yuu Amano (Xros Wars): There’s nothing seemingly wrong on the surface between Nene and Yuu, but that’s why their actions are so extreme. Yuu’s more than happy to treat her as an enemy general in his game, while Nene’s aligning herself with dark forces and causing real trouble to get him back. It’s all very loud and intense for a relationship that, without external influences, is just nice and cordial.

Yuuko & Yuugo Kamishiro (Cyber Sleuth): You can be anything you want on the internet! So why not take the identify of your big brother who was stricken with a mystery illness at a young age and lead a legion of hackers? And if you’re Yuugo, use your digital body to take control of that avatar! Nothing weird about any of this!

Ken & Osamu Ichijouji (Zero Two): Like Tomoki, Ken can come up with whatever rationale for Osamu’s abuse he wants, and Osamu at least had some kind moments, but there’s no denying that this family was a mess. And of course Ken’s reaction to Osamu’s death... could have been better.

Taichi & Hikari Yagami (Adventure): Hikari’s introduction to the series was intended to be a little creepy, and that just sets the tone. Her blind loyalty to Taichi is a primary point of emphasis through three series, and Taichi sometimes goes ballistic worrying about her... when not accidentally endangering her life. And that’s before she unleashes a world-destroying abomination at the mere suggestion that Taichi’s dead, and why telling him “what you’re doing is wrong and I kind of hate you for it” is a big moment for her, even though she’s wrong.

Neo & Rei Saiba (V-Tamer): There’s going a little overboard to keep your family together or save a sibling’s life, and then there’s aligning yourself with evil forces to avoid having to deal with your sister’s manageable disability. Call it being jaded or delusional, but when it drives your sister to attempt suicide there are definitely issues you two need to work through.

Erika & Ryuji Mishima (Cyber Sleuth Hackers Memory): Because aligning oneself with Arkadimon is always a fantastic idea. He’s overprotective, she manipulates him because of it, there’s resentment, there’s anger, and basically the entire game is spent watching these two outdo each other in terms of causing wanton destruction throughout the city and cyberspace.

Honorable Mention: Bagramon & DarkKnightmon (Xros Wars): The battle of who can stab the other in the back last.

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[antinousamongthereeds]

[filmstopia]

Share House - Official trailer 2017 - CREi

New Post has been published on https://goo.gl/ULb9H5

Share House - Official trailer 2017 - CREi

In an old house in the suburbs of Tokyo, 6 boys and girls live together in a share house. Murakami in his 40’s is a day worker who loves to gamble. One day, Keiichi and Chie apply to be a new resident and everyone living in the share house gather for a meeting. The French girl Naomi is strict with rules and argues with Murakami. Seeing the argument, the others takes a vague attitude. The part-timer Kato is a playboy who tries to avoid making fusses and agrees with everyone, is quite troublesome. Gradually the secrets of the housemates start to reveal and their true feelings and their outer self start to burst. Keiichi’s secret becomes a bomb…In order to solve the problem, is it better to be like a foreigner and say their true feelings? Or should they take their usual Japanese style and be vague? The small Share House becomes chaotic.   Directed by: Eiji Uchida Cast:　Shunsuke Tanaka, Shinya Tamada, Hiroshi Shinagawa, Taro Yabe

[cinemaronin]

My Favorite Girl (2020)

僕の好きな女の子 My Favorite Girl (2020)  directed by Shinya Tamada

[ridertua]

Yang Hebat Hafizh Syahrin atau Yamaha M1 ?

Yang Hebat Hafizh Syahrin atau Yamaha M1 ?

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