#Shelly Sony

[deepestconnoisseurmoon]

Jumanji: Welcome to the Jungle (2017)

[skypekittie]

Hii I’m Kimmora/Berry!

안녕하세요 킴모라입니다

(She/her /Kit/Kitself)

그녀

———————————————————————

Im matching with.. https://jcl0wn8281.tumblr.com/ !!! ☺️🎀

I have a boyfriend!!!!!!!!

나에겐 남편이 있어요

Unprof Artist + mama of 2 cats !!!🤍

예술가이자 고양이 엄마

I listen to K-pop, Hyperpop, or any kind of pop music!

나는 팝을 즐겨요

I kin..

Dva and Juno from ow

Shouko from a silent voice

Shelly and Cosmo from Dandys world

Pilby,poob,and Split from regretevator

Kawaii chan /Nana from my street

And Super sonico from Soni ani

Fandoms!!

Dandysworld

Regretevator

Overwatch / ow2

mylittlepony / mlp

fivenightsatfreddys / fnaf

totaldramaisland / Tdi

Creepypasta

Sprunki

And much much more.. those r the ones that come to mind

My personaaaaa!!!!

Also.. current fave song :3

[angelloverde]

"Mo Soul" Player Playlist 22 October

Von Mondo - The Art Room

Groove Messengers & Dinah York - You and I

George White Group - Come Go With Me

Ituana - He's The Greatest Dancer

Glambeats Corp. - Paradise

Sarah Menescal - Don't Speak (Positive Vibes Instrumental Mix)

Krister, Dalbani & Lee Avril - Holiday

Groovy Waters - No War (Funky Net Cut)

Les Crossaders & Adelle - People Say

Abril D'Sola - Melting Edge

Golden Smirk - 2Night

Shelly Sony - All Right

Lalann - Jazz Boutique

David Forest - No Noise

Dualbox - Projections

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[ptbf2002]

Happy Belated 59th Birthday To Tabitha St. Germain

Jimmy Two-Shoes Belongs To Sean Scott, Edward Kay, Alex Galatis, Kevin Gillis, Mark Evastaff, Mercury Filmworks, Elliott Animation Inc. TELETOON Original Production TELETOON Canada Inc. Corus Entertainment Inc. Corus Entertainment Inc. Jetix Europe N.V. Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company

Krypto the Superdog Belongs To Otto Binder, Curt Swan, Alan Burnett, Paul Dini, DongWoo Animation Co. Ltd. Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, Starburst Animation Studios Co., Ltd. Top Draw Animation Inc. Mercury Filmworks, DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. Kids' WB, The WB Television Network, The WB Television Network, Inc. Tribune Broadcasting Company, LLC, Tribune Media Company, Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Astérix: The Mansions of the Gods Belongs To René Goscinny, Albert Uderzo, Alexandre Astier, Mikros Animation, Mikros Image, Belvision, Grid Animation, M6 Films, M6 Studio, Société Nouvelle de Cinématographie, M6, W9, Metropole Télévision S.A. And Groupe M6

Packages from Planet X Belongs to Jeff Harter, Cyberchicken Animation, American Greetings Corporation, DHX Media Vancouver, WildBrain Studios, WildBrain Ltd. TELETOON, TELETOON Canada Inc. Corus Entertainment Inc. Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, And The Walt Disney Company

Dorg Van Dango Belongs To Fabian Erlinghäuser, Nora Twomey, Nick V. Murphy, Cartoon Saloon, WildBrain Studios, Family Channel, WildBrain Ltd. RTÉjr, TRTÉ, RTÉ2, Raidió Teilifís Éireann, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Ed, Edd, N Eddy Belongs To Danny Antonucci, Yeson Animation Studios, Funbag Animation Studios, A.K.A. Cartoon Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Angry Birds: Summer Madness Belongs To Rob Doherty, Scott Sonneborn, Yowza! Animation, Kickstart Entertainment, CAKE Entertainment Ltd. Rovio Animation, Ltd. Rovio Entertainment Corporation, SEGA Corporation, SEGA Sammy Holdings Inc. Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

The Adventures of Super Mario Bros. 3 Belongs To Reed Shelly, Bruce Shelly, Hong Ying Animation Co., Ltd. Sei Young Animation Co., Ltd. Nintendo of America, Nintendo Co., Ltd. DIC Animation City, Inc. DIC Entertainment Corporation, Cookie Jar Entertainment Inc. DHX Media, Ltd. WildBrain Ltd. Italia 1, Mediaset S.P.A. MediaForEurope N.V. NBC, NBC Entertainment, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, And Comcast Corporation

Pucca (TV Series) (2006-2008) Belongs To Boo Kyoung Kim, Calvin Kim, VOOZ Co., Ltd. Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, DHX Media, Ltd. WildBrain Ltd. MBC TV (South Korean TV channel), Munhwa Broadcasting Corporation, Toon Disney, Jetix, Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

[tim-hoe-wan]

Speaking of Harry, what do you think of the allegations against Shelli Azoff?

I had to google, like I said I haven’t been keeping up. But if people find this unbelievable or surprising…… never read the Sony leaks or about the live snake?

[the-hindu-times]

CINDERELLA - ALBAN ARENA, ST ALBANS

Beating the cold January blues, and keeping the Christmas spirit alive, the Alban Arena continue the festive fun with their Evolution Productions Pantomime until January 12th! Seeing 'Cinderella', written by ex-Wheel Of Fortune Presenter, Paul Hendy, in the first month of 2025, rather than the last of 2024, had the benefits of a quieter audiance with more space and earlier show times that would actually be preferable to many.

With excellent stage designs, effects and live band, the show was full of fun and inclusive jokes for all; perfectly mixing traditional gags with some brilliant new ideas, whilst still paying homage to the original artform, along with the bonus of some impressive 'Strictly...' style dance offs; in recognistion to all the show's former professionals who grace this stage on their tours.

Of course, a Panto wouldn't be complete without a well known, famous face on the poster, who wouldn't necessarily be the best person for the role but the household name help fill the seats. In this case, Samantha Womack was billed as the star of 'Eastenders'. Still remembered as Ronnie, it's almost irrelevant that it has been over 7 years since last appearing in the soap. Even more known to my age group as Mandy from BBC 2 sitcom 'Game On', the niece of one of the world's most famous footballers of all time, George Best, was brilliant when I saw her serious acting part in 'Girl On The Train' at Richmond Theatre 6 years ago but despite being signed to Sony and representing the UK in 1991's Eurovision Song Contest, before playing the part of Sandy in Greace in the West End 2 years later, it's suprising she didn't show off any singing ability or slapstick stylings.

Possibly needing a straight man amongst the constant comedy, an equally wooden performance from Union J (The X Factor) band member and 'I'm A Celebrity...' runner up, George Shelly, equalled the monotone dialogue of Samantha's. The Prince, and/or whoever the TV personality may happen to portray, often share similar characteristics in these productions; which can offer a more dynamic ensemble, whilst coming across as detached from the rest of the cast.

Luckily, St Albans legends Bob Golding (Milo & Max [CBeebies' 'Tweenies']) and Ian Kirkby (Harry Batt ['Dick & Dom In Da Bungalow']) were always naturally fantasticly funny; reminiscent of other comedy duo characters seen in 'Little Britain' and 'The Mighty Boosh'.

Husband of the show's director, Dorcas Wood, Buttons brought the whole audience together through the family friendly comedy stylings of Oliver Scott.

Nephew to the Chuckle Brothers (Barry and Paul Elliot) and son to TV actor parents (Rachel Elliot and Jimmy Patton), Damon Patton shared more in common with the energetic theatricals of Jim Carey, as his hilariously hyper dramatics was a hit with the kids.

From a West End lead's understudy to the centre stage, Bessy Ewa acted as a very capable and calm comedic foil in Cinderella, amongst all the madness, giving this offering all the ingredients for a perfect Pantomime for all the family.

Nic Bennett

[usagirotten]

Movie Review: The Crow tries hard to be and is not

Cinematically speaking, the comic book character adaptation genre has been very complicated. Not everything is about superheroes saving the world. Having a good representation must be as close to the vignettes as possible, which, along with its story, is something that lives up to the expectations of the creators. Films like Sin City (2005) and 300 (2006) have been the best that have been presented to date. We see moving vignettes that, along with their plot, have taken this subgenre to a level that very few have been able to reach. The creation and first adaptation of the work done by James O. Barr in 1994 surprised everyone. The Crow was perhaps one of the most complicated films in the history of cinema. The sudden death of its protagonist Brandon Lee in the middle of everything made its director Alex Proyas use a different filming technique to finish it. The Crow is already a classic and cult film that perfectly represents O. Barr's material on film, surpassing or matching this was a difficult challenge that unfortunately did not have the best results. Four independent sequels and a television series were not enough to tell the story of this character. In 2024, it is director Rupert Sanders' turn to bring a new adaptation to the big screen and tell this supernatural love story.

What is The Crow 2024 about?

The love that Eric (Skarsgård) and Shelly (FKA twigs) have for each other is interrupted when they are brutally murdered and the demons of their past become present. When one of them has the opportunity to save his true love, Eric returns from the dead and takes merciless revenge on his murderers, crossing the barrier between the world of the living and the dead. For several years there were rumors of a reboot of this franchise, given what happened in its first adaptation to the cinema things were not easy at all, the studios as well as the directors did not have a clear idea of ​​how to do it without having the inevitable comparisons with its predecessor, the director Rupert Sanders and the scriptwriter Zach Baylin and Will Schneider were chosen by Lionsgate together with Sony Pictures to bring back this character telling and modernizing his controversial story. Here we can ask ourselves: was it necessary to make a new adaptation? How good or how bad is it to do it in these times? The answers to these questions have caused controversy among friends and strangers, while some say no, others are in favor and defend the final product, the truth is that these divided opinions have made this film not exempt from comparisons. You don't need to be a film expert to know that good films always have the same integrity that makes them a cult classic and the same goes for those that aren't. The Crow may seem to have a simple plot, a man who is murdered along with his girlfriend who is the love of his life, and returns from the dead to exact revenge, modernizing it includes having more scenes and sequences of even more explicit violence which makes it difficult to narrate something timeless that they want to forcefully modernize.

This work has many elements that don't work, including those recurring flashbacks loaded with symbolism about a childhood trauma that led the protagonist to a mental institution, and as viewers, we simply have to accept the fact that the love story that is the axis of everything is more important than its action simply because the film needs it and because the characters were created to tell it. In these times and giving a name to all this that is now known as a remake, it is much more likely that its correct name is a well-made reboot, but here even that is not taken into account, it desperately tries to adapt the original work using completely new methods, so far things are going fairly well, what it intends is to have its personality and style breaking with everything that came before and starting from scratch. Saying this sounds and reads very easy to do, the base material is already in cartoons and it only needs to be made up so that it seems like something new with its current problems and a moral discourse that tells us once again that love can do everything, even bringing a man back from the dead to take revenge on his murderers, what could be something that is compared to a gothic love with supernatural overtones must be treated as it should be if you want the results to be good and even more so to be to the liking and taste of the public. To understand this story even more, we must know that all this happens in a world where dark fantasy exists, where everything is possible from deep love to the most extraordinary things, every detail and everything is made to help the plot to be credible, to transport us to another place where we are made to believe that dreams and impossible things can happen, that the desire for revenge is as valid as love and that in the name of the latter anything that is done is justified. In this new adaptation, that previous dystopian world of dark gothic fantasy is replaced by a realistic atmosphere, this time the antagonists have also been modernized, they do not kill just for fun but have a fixed objective that is based on the actions and conduct of current mafia gangs, we understand from the first moment that Eric deeply loves his girlfriend Shelly and that he has to face his murderers, turning this into personal revenge in which his girlfriend will now play a very important role, a decision that is not entirely good. The result of all of the above is due to a series of difficult decisions that lead to this not fulfilling either what was promised or expectations, the question we now ask ourselves can be very divisive: is this a film that advocates a lot for nostalgia and relies on its predecessor to be in the taste of the new generations? The answer can be a resounding no, some things should no longer be re-adapted and modernized for such a weak generation that does not care about anything at all, but this is not the case, violence sells and it is believed to sell very well.

It is very difficult to continue to see the positive side of all this, anything that can be even slightly highlighted is accompanied by a but... this whole visual world that the film has would have been beautiful if they had also respected its timelessness and its dark and gothic tone, modernizing this environment and this line is one of its biggest flaws, at times what we see does not become depressing as it should be and it is not because we want it that way, it is because it is already established as an important part of its story, another of its flaws is the poor handling of CGI throughout the entire film, unfortunately, everything that should look spectacular and credible looks very poor and very clumsy. The pretentious violent scenes are very well done, with good choreography, good camera handling, good shots, and good work with the masks, and here too there is a but... it would have been much better if the filmmakers had committed themselves more and had prolonged the violent and explicit episodes more, and then we would justify a little better that this revenge took up more time in the film, which at times goes from love to supernatural to action and then to violence but then to love and then it does not have an effective narrative line that unites all this symmetrically instead of guessing whether it is or is not. Another flaw is undoubtedly its script, written by Zach Baylin, which never manages to have the necessary strength to make us, as an audience, believe that everything we see is strategically thought out to work, that this revenge becomes the central axis of everything, that everything happens and is resolved by chance and in favor of the same, that its poorly stated and even more so, terribly executed moral discourse tells us that true love must be avenged however it may be and against whomever it may be because love is love and everything else doesn't matter simply because it is love. We won't get them out of this bullshit. The structure of its characters is not the best either and it is another of its flaws, for example, the antagonist, villain, and bad guy of this movie, Roeg (Danny Huston) is not just a common human criminal oh no no no, he is a vile and powerful creature that according to his description has existed for a long time and can corrupt mortals and their souls, that is, a twisted version of the devil, the demon, Lucifer or something similar, unlike what we know and saw before this work goes completely to the supernatural side beyond resurrecting a dead protagonist to take revenge, it is rather a poorly made horror movie about devils, demons, monsters, and stolen souls, here evil is portrayed as a power that can very easily be turned into a weapon, transforming and stripping others of their goodness and this "Crow" spends most of its metaphysical development scenes in an intermediate space between the living and the dead or simply a purgatory. Despite all its errors and flaws, including of course the lack of originality in its imaginative compositions, the film has something, perhaps a good intention that should inoculate it against all those claims that say this is a remake to make money, it is not a film that cares about having a detailed and concrete cosmology that puts the motivations of the characters in a correct context and lets the film build a plot that goes beyond the bad guys killing the hero's girl and the hero returning to kill the bad guys, it pretends to be deep and fails and falls into absurd laughter. Proyas' version is infinitely better than what we see here, we see the clumsiness of his script that tries at every moment to be convincing, they probably thought that all this was going to end up being an example of a film in which style is a fundamental part of all its substance and that adopts that aesthetic with much more force to justify all the violence, which can be seen separately and absolutely nothing would happen. The cast is made up of Bill Skarsgård, FKA twigs, Danny Huston, Isabella Wei, Laura Birn, Sami Bouajila, and Jordan Bolger who do what they can with what they have, in the case of Skarsgård his performance feels like very apart from everything and everyone, an actor who has outgrown the character and who could give much more and be more authentic. The music composed by Volker Bertelmann has good moments and at times reminds us of what Graeme Revell did but in a more subtle and modern metallic tone, if anything it helped its predecessor, and being the 90s, the music was also something important, bands like The Cure, Stone Temple Pilots, Nine Inch Nails, Pantera and Medicine are far above Joy Division, Traitrs, Cascadeur and Enya herself. In conclusion, The Crow 2024 is a failed reboot that tries hard to be and isn't, a clear example that there are things that shouldn't be touched simply because they are already classics and not for studios to try to make money, an opportunity that is more than wasted in wanting to modernize and attract new generations, a job that could have been somewhat better and the filler for some streaming platform but that didn't work. The Crow is now in theaters in our country. https://www.youtube.com/watch?v=djSKp_pwmOA Read the full article

[cdbrainrecords]

André Previn / Herb Ellis / Shelly Manne / Ray Brown - 4 To Go! (LP, Album, RE)

Vinyl(VG+) Sleeve(VG+) Insert(VG+) Obi(VG+) / with Obi 帯つき / Sleeve shows minor foxing. ジャケット軽いシミ / コンディション　盤 : Very Good Plus (VG+) コンディション　ジャケット : Very Good Plus (VG+) コンディションの表記について　  [ M > M- > VG+ > VG > G+ > G > F > P ] レーベル : CBS/Sony – 20AP 1435 フォーマット : Vinyl, LP, Album, Reissue, Stereo 生産国 : Japan 発売年 : 21 May 1979 Recorded 1953/12/18 ジャンル : Jazz スタイル : Cool Jazz   収録曲 :  A1. No Moon At…

[astrophysicist-guitar-god]

Open in Spotify.

Dreamer’s Ball, written by Brian May.

[pettypennyeet]

It's the three AMIGOS!

Clothes idea for Shelly and Colt by: @despinarri69666

Clothes idea for Poco by: @lucishet

[wellthatwasaletdown]

A producer most likely from his own studio Amazon probably gave that quote. How else would they know? And the people at the screening were quite literally Harries, of course they'd be standing up and cheering. Remember when his fans were making claps and cheers and noises during his MCU appearance? And all the talk from the Harries in the attendance? But that this is a Daily Mail article says it all. Wait for the real critics to give reviews.

They hold advanced screenings for members of the Academy.

Also there's this story where Shelli Azoff threw a fit because Sony Studios refused to give a movie before it was released. She threatened that "the studio could forget about licensing future music from Azoff acts or including them in movies."

Do you think she stopped doing that just because that e-mail leaked?

[angelloverde]

"Mo Soul" Player Playlist 6 July

Von Mondo - The Art Room

Groove Messengers & Dinah York - You and I

George White Group - Come Go With Me

Ituana - He's The Greatest Dancer

Glambeats Corp. - Paradise

Sarah Menescal - Don't Speak (Positive Vibes Instrumental Mix)

Krister, Dalbani & Lee Avril - Holiday

Groovy Waters - No War (Funky Net Cut)

Les Crossaders & Adelle - People Say

Abril D'Sola - Melting Edge

Golden Smirk - 2Night

Shelly Sony - All Right

Lalann - Jazz Boutique

David Forest - No Noise

Dualbox - Projections

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[fallingsunflower]

"H took a big risk imo by getting into bed with the Azoffs, as a figure of speech!!! Especially senior is very very powerful in the industry which is great for H as long as they’re good friends. But if it goes bad for some reason, it’ll really really go bad! "

Oh definitely! That whole family is scary:

https://pagesix.com/2015/04/24/irving-azoffs-wife-threatened-sony-after-movie-snub/

"Shelli Azoff — the wife of music mogul Irving Azoff, who once sent a live snake to a rival — threatened Sony Pictures brass last summer after the studio refused to let the Azoffs screen the film “Sex Tape” on their yacht."

Background: Shelli was mad because she was feuding with the wife of Michael Lippman. He was throwing a party and invited Irving, but told him not to bring Shelli. When she found out, she shipped a live snake to Lippman’s front door step with the words, “Now you’ve got two snakes.”

https://nypost.com/2014/09/30/how-a-snake-introduced-jim-dolan-to-business-partner-irvin-azoff/amp/

Link 1

Link 2

[serpentinesheldonserpentine]

7. earbuds or headphones?

Headphones always. I have a pair of BlueTooth Sony headphones and while they are too darn complicated and expensive, earbuds are for adolescents. Which I ain't. 

Thanks for asking.

Shelly K. 

[babycherryhslt]

Hola love,que paso es dia?

OMG AKSGAKHSKS NO ME ACORDABA DE ESTO.

La verdad no recuerdo mucho de ese día más de que fue un absoluto desastre xddd

Esto fue en las épocas donde harry se teletransportaba por el mundo y viajaba en el tiempo, cuando salió esta foto harry se suponía que estaba en Francia haciendo unas cosas y de repente sale esta foto de harry EN LONDRES cuando el día anterior estaba en Francia like WTF después alguien unió dos neuronas y se dio cuenta que la foto era vieja porque ese no era el clima de londres en ese momento.

Ahora, se dieron cuenta que los lentes estaban borrosos, like que alguien los había editado, por que? no se o no me acuerdo ahre

Ahora supongo que lo que te importa es la camisa.

La camisa dice:

Who is jeff azoff and why is he saying those terrible things about Rob stringer

Quien es Jeff Azoff y por que esta diciendo esas cosas terribles sobre Rob stringer

Y al parecer fue muy loud porque hace referencia a uno usado por Joe Walsh de The Eagles cuando Irving Azoff (el padre de Jeff) estaba en una batalla con el ex manager de la banda, David Geffen

Harry ya había usado anteriormente una camisa que decía lo mismo pero sobre jeff hablando mal sobre su madre Shelli y esa foto del año pasado es sobre Jeff hablando mal sobre el CEO de Sony music, Rob.

Realmente no se que significado haya tenido mayor a ese ni nada por el estilo, ese tiempo tuvimos mucho contenido de harry en varios países y con fans. No lo considero muy relevante mas que un shade doble cara hacia Sony y a Jeff y fue muy loud la verdad KAHDKDHD no recuerdo mucho mas, si alguien tiene un aporte, bienvenido sea

💚💚

[harryfashionarchive]

Harry in Music Week Magazine | December 9, 2019

‘WHO IS JEFF AZOFF AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ROB STRINGER’ T-Shirt

How many of these does he have? Harry’s t-shirt is a parody/reference to one worn by Joe Walsh of The Eagles, when Irving Azoff was in a dispute with the band’s former manager, David Geffen. Harry previously wore one backstage at The Forum in July 2018, with Jeff Azoff saying terrible things about his mom, Shelli. Now we have Jeff again saying terrible things about Sony Music CEO, Rob Stringer. Context suggests this photo was also taken at The Forum last year.