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jisokai · 2 days ago

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You always thought the circus was where you yearned to be. At least, until it finally let you in—and introduced you to Hanta Sero.

[circus AU where seamstress!reader and acrobat!sero realize that their lives have been running parallel for a long time, and it’s up to you to weave them together]

part 6: & yet i’ll always choose you.

sero hanta x reader ch 6/6 | 15.8k words | masterlist | ao3 cw: violence between family members (a singular slap) notes: ready to run by one direction, shelter by porter robinson & madeon, all the stars by kendrick & sza (this is not a songfic; i forgot that song existed when i chose the title and then when i properly listened to the lyrics i realized it fit LOL)

you make a decision.

✰.

"How do you help a family miracle? You hug your sister."

- Bruno, in Encanto

Looking back, your life has primarily moved forward through a mixture of obligation and chance. There was never any sort of choosing or clinging, just an acceptance of what needed to be done. Things worked out on their own, oftentimes with you as the stagnant one and the events happening around you—through you. You lived as if life was predetermined, as if a wide length of silk has been wrapped around your chest and tugging you through life.

So it’s hard, when something—someone appears, and you want to choose him.

Silk is slippery. It’s woven water that slides against every surface including itself. With unpracticed hands, every knot will come undone, unraveling before you until it’s a puddle on the floor. You only ever learned how to sew and stitch, to bind fabric with a needle and thread. You’re the opposite of Hanta, who knows the raw silk itself—hanging for him to play an endless game of tangling and escaping. He knows the knots intricately, how to bind or set himself free in an instant.

Hanta is sad when he has to leave. You see it in his watery eyes and hear it in the crack of his voice. But he has some sort of unfathomable trust that things will work out in the end. You should too, given how your life has led so far, but you can’t.

You want him. You want him and Momo and Kendou. You want the circus and the costumes and to see the world together. You want to make beautiful things, impossible things, things that can only be forged in a place where everyone believes in magic with their full being. You want it all.

You don’t know how to chase it.

Maybe it was purposeful—choosing a dream you always thought was out of reach, one you never considered a real possibility. It’s safe here, where the choices are made for you, or never presented in the first place. But now that you finally want something… how do you start?

When the week passes and the circus is gone, in some ways it feels like it was never there. How could something that’s everything to you, everything you want, fizzle into nothing but faded memories in an instant? You cry and you hurt and you long for something that’s gone.

It feels like grieving.

Grieving, you realize, is another thing you haven’t done before.

Abuela is steeped into every detail of your life—her wrinkled hands the ones you always reached for first. She’s the one who taught you to sew, the one who called you her tucán. Abuela is the reason you and Hanta crossed paths for the first time in Quito, the reason you found yourself in Milan and by Midoriya, and ultimately Hoshi no Sākasu.

When you think about it, abuela is the thread that has been pulling you forwards.

But she’s gone—a fact you haven’t come to terms with.

The grief rolls through like a tsunami, a high wall of powerful water that roars forward with the intent to destroy and submerge. Maybe it should have been predictable, the week with the circus your earthquake, the shifting of plates radiating seismic energy through your foundation. But the water comes by surprise and at full force, knocking you off your feet and the breath from your lungs.

You packed your schedule ahead of time with work, the following weeks filled with costumes and gowns and dresses. It distracts you, like you knew it would, your hands and your head focused on nothing but the bounce of a needle stitching fabrics. It keeps you from thinking about the circus in Switzerland, three hours away by train. Life has shifted with the absence of the circus, and you’ve found yourself back into the stagnant routine that existed before.

Except, now you cry while you work.

It happens unknowingly at first, only noticing when dark blotches appear on the fabric between your hands. You pause, lifting the pad of your finger to trace the tears collecting on your waterline, the wetness taking you by surprise. But when it rains it pours, and you have to take a break to let the clouds of your irises clear before forcing yourself to resume sewing.

Normally there's a ghosted feeling of abuela’s hands hovering over yours. They're familiar and faint, kept at a distance and bringing just the twitch of a somber smile to your lips. But now they're firm and dense, like real skin and flesh and blood. The sensation makes you cry harder. Your crying makes them feel more real. Your hurt and your grief brings her closer, brings her to life.

You don't do anything but work and cry the first few days following Hoshi no Sakasu’s departure. You complete one dress through hours of tears.

Your friends find you this way, sobbing with bunches of chiffon in your hands, wiping your eyes and nose with the sleeve of your shirt.

“Oh,” Chiara coos, immediately running a hand through your hair before holding your cheeks.

Davide grimaces behind her as his eyes sweep over you and your desk. “Nuh uh, we are not letting this continue.”

You clutch the fabric tightly when he tries to pry it from you. “I have orders to finish.”

Chiara scoffs. “They can wait.”

But they can't. You busied yourself strategically, so you wouldn't have time to do things like cry.

“You always manage somehow. You can take an hour break.”

It's a struggle, but you end up on your couch cocooned by a blanket and flanked by your friends. You grip the tea they made for you spitefully, the heat of the mug burning your palms. You bite your tongue, too annoyed to respond to their gentle questions, but they're Chia and Davide—eventually you cave.

You speak quietly and nonsensically, unsure how to explain everything that happened in the past couple weeks. Maybe they'll think you're crazy and chalk it up to delusions.

But they're Chia and Davide, so they don't.

“Dammit,” the latter answers. “This guy is stealing you away!”

“Davide,” the other scolds. “Be fair. From what Tucano says, he is not just a guy.”

“Neither of you are helpful,” you grumble.

“We're processing,” Chiara quips.

Davide nods. “Poorly.”

They sigh in unison, but with different tones. Davide's is whiny and tired. Chiara’s is thoughtful.

“Why didn't you say anything?” Davide eventually asks. “It's been days since they left.”

You groan, turning your head to bury into the blanket over your shoulders. Chiara watches you pitifully.

“She's been dead for months,” you eventually spit. You have to separate the words from their meanings to keep a sob at bay. Your eyes water. “I figured it was some weird delayed grief that would go away after a few days.”

Davide looks at you pitifully too now, though on his face it's more akin to disgust. “Babe…”

You avert your eyes.

“You know that's not how this works.”

All you manage is a grunt. You don't care if you're being stupid. You know you are, deep down, but it's easier to play into the ignorance.

Chiara sighs again and leans back against the couch, and then onto you. Her shoulder bumps yours, head tilting to rest in the crook of your padded neck. She speaks softly, “Haven't seen you cry since she first died.”

They're simple words, nothing incredibly deep or metaphorical, but they make your chest hurt. You purse your lips as fresh saltwater pools in your lashes, cascading down your cheeks. Your sob is a broken sound, jolting your body so harshly that Davide takes the mug from your hands at the near spill. Chiara scoots closer to you, body turning to face yours as her arm comes around your waist.

Davide keeps his distance, never the most physically affectionate, but he slides a hand up and down your arm, a soothing assurance that he's here too.

“I miss her,” you choke suddenly. The words spill out. “I think about her every day.”

Chiara hums affirmingly. “We know.”

“I—” you hiccup. “I loved her more than anyone else.”

And it's true. Abuela was your everything, the one you looked up to the most, the one you always wanted to be. You loved her more than you loved anyone. You loved her more than you loved yourself. You loved her… more than anyone else loved her.

The thought sits bitterly in your stomach, like a weight that keeps sinking and sinking and sinking.

“What's that face for?” Davide interjects.

You blink, neutralizing your expression when you realize you were scowling. You groan again. It's an ugly thought, no matter how true it is to you. Ugly thoughts are meant to be kept inside, not spread where they could hurt others or… be disproven.

He pats your leg quickly, a sign he won't let you escape answering. You wince at the thought of vocalizing that part of you: raw and possessive and self entitled. The part of you that justifies never going home, to keep abuela's remains to yourself. Here, in Italy—where she died in your care.

“Nobody else cared about her like I did,” you nearly whisper.

“Oh.”

“Tucano…” Chiara trails off hesitantly. “You don’t know that.”

But you do. You’ve known it for years, eyes always taking in the room and the dynamics between your family members. You think of mamá when she raised her voice, speaking in an uncharacteristic irritation at abuela’s deteriorating mental state. Your sister was the avoidant type, feigning ignorance when she noticed something wrong or conveniently busy when help was needed. Tíos and primeros would chip in, but also hurried to pass abuela to the next person.

They cared when she was in Italy, when she was finally gone and they didn’t have to be the ones looking after her.

They didn’t deserve her, you concluded.

You don’t answer, and your friends don’t press. Chiara stays leaning against your side while Davide rubs your arm. You know the skepticism sitting in their throats. You know Davide wants to ask why you’re only looking through a small lens, through your limited perspective. You know that Chiara wants to ask why they don’t even deserve to see her. You know that you want to ask yourself why you have the right to keep abuela from going home.

Nobody says a word. Instead you all sit there quietly, together.

“You’re going on holiday,” Chiara demands when you try to return to the studio an hour later.

“What? I was just on holiday for a week.”

Davide’s eyebrows nearly fly off his forehead. “You were literally working for the circus and you were in the studio while they were here.”

You try another angle. “I have deadlines! I can’t take time off—it’s unfair to my clients.”

“You always give them longer estimates than it actually takes. Just say you had a death in the family.”

“That happened months ago!”

“Then say you had some suppressed trauma come up in your grief counseling and you need to work through it!”

You stare blankly at Davide. He widens his eyes and flips his palms as if he’s waiting for you to accept the obvious answers he’s offering.

“I can’t do that Davide, they already paid.”

“Then it’s PTO?”

You rub your eyes in annoyance. You’re tempted to claw them out entirely.

Chiara pats your back. “We’ll figure something out. But you need a break, and you can’t deny that.”

Your stomach aches like you might be sick. Maybe you do need a break, for your mind and your heart and to finally get to the grief you’ve been ignoring for months. But you can feel your lips tightening at the thought, your stomach twisting in fear. The sewing helps take you from the real world, to give you something else to focus on.

You’re worried that if you take a break, you won’t be able to start again.

The next weekend you’re hugging Davide and Chiara at the train station. Their arms awkwardly come around the giant backpack latched around your hips.

“Let us know when you get to your hostel,” Chiara demands.

“And when you’re back in range,” Davide adds.

You nod.

The pink line takes you an hour closer to your destination, whizzing north along the industrial and suburban outskirts of the city. Fields and farmlands start to populate along your route, parallel roads of green. Eventually you’re humming along the beginnings of mountains, the forests close enough that you can make out the edges of individual trees. They’re brown trunks and naked branches, fans of grey poking from the earth. But between them are clusters of green—evergreen bunches. The further you go, the taller the peaks rise, dusted with white.

You exit the train in a city situated by a lake, a large pool of blue that lays calm—still. You only see flashes of the water before you’re parked in the station, scanning your ticket and walking out onto black tile streets. The buildings are smaller here than Milan, with more space between their exteriors. A looming mountain pokes through the alleyways, a slab of white limestone erupting from the ground, topped with sparse green and heavy snow. Your heart races at the sight while you speed walk towards the bus stop.

Soon.

It takes the bus an hour to drop you off at your destination, despite covering less than a fourth of the train's mileage. You don’t mind. Instead you sit comfortably with your bag on your lap, staring out the window as the clunky vehicle winds through the mountains. You grin the entire time, already imagining the hot cocoa you’ll make yourself tonight, huddled by the window of your hostel with a scarf around your neck.

It’s exactly what you do, peering up the edge of the mountain the building resides on. You send a message to your friends to let them know you’re fine, a selfie with your drink. Just as your thumb hits send, your phone flashes with a call.

It’s from your sister.

For the first time since abuela died, you hesitate, before eventually turning off your ringer and setting it down to go to voicemail.

You spend one night in the hostel and five in the mountains. You hike up and down summits during the day and tend to fires in the warmth of small cabins at night. The peaks are jagged rocks, granite teeth wedged in the gums of the earth, at first overlooking the northern cities and lakes before you lose the buildings behind shrouds of rocks and trees and snow.

You don’t speak to anyone for three days—in the thick of your hiking. Your only companions are the swifts that fly ahead and the occasional owl in the trees. You curse when one takes flight, spreading glorious spotted wings. You wish you knew more of the birds here. The only other animal you catch is an ibex standing precariously on a cliffside—suspended only by mere chips in the wall. It looks unfazed by the height and the minimal footing, instead at peace, giant horns proud atop its head and sure steps carrying it upwards. You wish you could call out and ask for advice: to ask how you can do the same.

In contrast, you spend your day treading through white crystals up to your knees. It’s exhausting, your body moving slowly and through the entire day to reach your next bed. But it’s good for you; it’s what you need.

Crying comes as natural as walking, tears clumping as ice in your lashes. You huddle your body further under layers of wool and down, face burying into the cloth of your scarf. Every few kilometers you pause, catching your breath and blinking through the sun to see where you stand: high above the rest of the world. The brown of wintery grass rolls beneath you with those spiky leafless trees and clumps of evergreen. The balds are tinted yellow with harsh edges of silver from scattered boulders. You breathe in crisp, cold air—the kind that burns your lungs.

When you turn to continue walking ahead, the snow around you glistens. Sunlight strikes the frozen dust, light refracting in a pile of white sparkles. Millions of sparkles, like every star in the sky was plucked and tossed atop this mountain range—for you to shuffle your boots through and sob while you wander through thoughts and memories of abuela. You’re walking north, in the direction of Switzerland. But by now it’s been over two weeks since Hoshi no Sākasu left. They must be in Austria now. East.

The nights are cold, infinitely colder than the city. The air bites at any exposed skin, rubbing it raw to bloom splotches of red. Even so, you leave the warmth of cabin fires for extended periods of time to stare above you, into that other world in the sky. Stars twinkle in response, shining and winking and falling. They’re abundant, like every grain of sand and every snowflake on earth was scattered into the night.

Your eyes trace the constellations you know: simple ones like Ursa Major and Orion. When you run out, your mind starts to connect the stars on its own, searching for patterns from your life. You see Santi and you see Marco. You see your sister and your mother. You see abuela.

You see Hanta.

In this moment, in all the moments from these days in the mountains, you realize again that you are a speck. You are nothingness and everything, something painfully unknown while entirely familiar. The mountains and lakes and vastness of blue atmosphere remind you that everything you don’t know is waiting for you, patiently, sitting outside of your blood and flesh for you to start heading towards it. The tiny snowflakes and speckled sky and clumps of morning ashes remind you that everything you ever need to know has been within you all along.

By the time you’re back in a hostel, showering and running laundry and packing your bag to take a bus and then the train home, there’s a resolve in your chest. You don’t know what it is quite yet or what it’s pointed towards, but you are determined to do something.

Your phone charges overnight, but you don’t turn it on until you board the bus. Rows of notifications populate your screen when it flickers to life. You clear them all and open your messages.

The most recent one is from Hanta.

You haven’t spoken since he left, not sure what to say or if you want your relationship to unfurl over text. He must feel the same uncertainty, if it’s taken this long to reach out. His message is straightforward—a quick pleasantry followed by a check in, since apparently Momo tried to reach you just after you started your hike. You can sense his apprehension through the little grey bubbles.

You respond with a photo from your third day on the mountain, the endless layers of ridges settled beneath the sky, bluer and bluer as they get further away. There’s a moment of hesitation before you send another, this one a silly selfie you took the day before—sporting icy eyelashes and red cheeks. You quickly add a third message, a brief explanation that you were on holiday without service.

After replying to the other crucial messages you turn your phone off and stare out the window, watching as forests become farmland and farmlands become cities.

Settling back into your work routine comes naturally. Your hands glide through thread and fabric, not without hiccups, but with confidence and security. There’s an ease to your movements, an embodiment of patience and distance from your craft. Navigating the shift of deadlines and compromising with your clients was awkward, but it happened.

Hanta responds to you, a little message that says your trip looks fun—and cold. You give him a short reply, a simple It was. The phone is heavy in your hand as you stare at the screen. Eventually you cave and ask him how Switzerland was, and what he thinks about Austria.

Something opens between you two after the initial hurdle is cleared. You don’t message every day, but you talk often. Hanta sends photos of him at different restaurants and landmarks—mostly with Shouto—and you respond with pictures of your sewing projects. Seeing his face brings an urgency to your chest, one that makes you want to run to the station and board the first train North.

You send a picture of your most recent gown, sheer black fabric that twinkles, sewn with pearls and metal discs. This time you take the photo in your mirror, awkwardly giving the headless mannequin bunny ears with your free hand. You stare at the picture with a furrowed brow, retaking it a couple times before you get one that you look less stupid in. After sending it you grimace.

Your phone pings nearly immediately, several times with messages from Hanta. He says ‘SO PRETTY’ followed by a string of heart emojis. You bite your lip, trying to suppress the idiotic grin you know you’re wearing.

The phone blares your ringtone, nearly making you drop it from surprise. Your heart races, thinking it’s Hanta, so you almost answer it before you check the contact. You freeze when it’s your sister’s name on the screen.

You don’t turn off your ringer and ignore it this time. Instead you stare at it, thumb hovering over the answer button until it eventually goes to voicemail.

You call her three days later.

It doesn’t go through, since you do it in the morning. Back home it must be the middle of the night. That choice may have been purposeful—easier, if you know she won’t pick up.

In the afternoon you get an assault of messages from her: all caps, swearing, littered with typos. She calls you again and again, but you don’t pick up.

You pick up for Hanta.

He calls when you’re settling into bed for the evening. You answer while yawning, drawing out the words of your greeting.

“Sorry,” his voice murmurs through your speaker. “Is this not a good time?”

He sounds tired, the softness of his tone filling you with warmth. You could fall asleep like this, easily.

“It’s perfect,” you reply. A twinge of guilt runs through your stomach. You don’t pick up for your sister like this.

You talk until you fall asleep, mostly hushed conversation about what you two have been up to in the past weeks. He tells you stories about Switzerland and Austria and preparation for Germany. You talk about your current projects and your time in the mountains.

The turmoil you’ve faced regarding abuela and your sister remains unspoken.

You don’t remember falling asleep, but in the morning you find that the call has ended, a morning greeting from Hanta in its place.

You call your sister again. This time it’s at a reasonable hour, but still during her workday. After three rings you think she won’t answer. But she picks up.

“Dio, quiero estrangularte,” she immediately bites through the speaker. The sound of her voice makes your breath catch, her threat completely going over your head.

“Te extraño,” you answer. I miss you.

She yells at you through the phone while you sit and listen. Or, partially listen, mostly basking in the fact that she’s speaking to you at all. The words don’t fully process, but you assume they’re threats and complaints and demands that you come back with abuela and an explanation. The berating lasts several minutes, you biting the inside of your cheeks to keep from smiling the entire time. Her voice cracks towards the end, choked noises separating her words. She’s nearly panting when she finally finishes.

“Lo siento,” you manage to whisper.

“Just—” her breath hitches. “Just shut up.”

You nod, waiting for her to continue.

She doesn’t. It’s silent for minutes. You can imagine her face, her lips parting as if to speak before they close in apprehension, the mix of a pout and glare she wears when she doesn’t know what to say. Normally you would ask her questions to get her started, intuiting what she wants to talk about. You don’t know if that’s something you can still do anymore.

You know she wants answers from you: to ask why you did what you did, how you could stomach making such a decision. But you also know that she knows why you did it. She knows you, knows how you feel towards abuela and towards the rest of your family. She knows how you are, running away when things get hard—running away, but always caving and coming back. There’s no point in asking; you both know this.

“Tía abuela is so mad at you.”

Tía abuela—abuela’s sister and your great aunt. You nod, lips pursed. “I can imagine.”

The huff of your sister’s amusement crackles through the speaker and you feel a confidence that everything will be okay.

You call frequently, every few days at the minimum. It’s awkward for the first few minutes of every call, until someone breaks the ice and eventually you’re laughing and gossiping like you used to. One of your tías is getting a divorce, your primero is newly engaged but his mamá doesn’t like the girl, and a family friend just lost an absurd amount of money in recent investments. You listen intently, eagerly taking in everything you’ve missed these past months.

“You kidnapping abuela is the hottest drama though,” your sister states blankly. “Mamá can’t escape it. People still bring it up every chance they get.”

Your stomach twists with guilt. Mamá’s always been soft to you, a stark contrast to abuela’s quips. “How is she faring?”

“Fine.” You can visualize the roll of her eyes on the other end. “She was sweet on you, but you know she’s ruthless to the others. Tía abuela is giving her a lot of shit, but she’s still the new head of the family.”

There’s a pause. You know what she’s going to say.

“I told her we’ve been calling. You should talk to her.”

You exhale. You should, to at least apologize for stealing her mother and her child all at once.

“Maybe,” you hum, and that’s the end of it.

“I’m moving to Japan,” you blurt the next time you call. It takes you by surprise, not the words you meant to say. You almost drop your phone. Why did you say that? You never came to a decision about whether or not to work for Hoshi no Sākasu.

“What!?” your sister screeches on the other end.

“What?”

She whines, “Ay, Dios mío.” You nod. After a few minutes of silence she asks why.

“I got a job offer,” you explain quietly.

“For…?”

“… A circus.”

You hold your breath during the silence that follows. She laughs. The sound brings a wave of relief through you. You aren’t sure why you were anxious to tell her—why you assumed she wouldn’t understand what it means to you.

She understands; she always does. “How’d you land that?”

You smile. “A miracle.”

The miracles being Hanta and Midoriya. Kendou and Momo. Abuela.

“You taking her with you?”

It’s a jab and you know it—feel it. It’s your sister pleading, Come home.

Later when you hang up, you sit quietly with yourself, phone tucked in your palms. The little rectangle is heavy with the weight of your conversations. It should be heavier, also holding your messages with Hanta and Chiara and Davide, stored with photos of abuela and mamá.

It takes several calls with Kendou before you give her the official acceptance of the position. Despite your confident claims to your sister, a piece of you was anxious the opportunity was no longer available, even with Kendou’s assurance that they could wait. When you finally breathe the words out over the phone, they don’t feel real. You ask her to keep it a secret for a little while, at least until the news settles in your own heart. Right now it’s a riptide, a violent storm within you as you sift through the emails of contracts and information.

You let her tell Momo, so long as she keeps it to herself, and you’re greeted by a warm message welcoming you to the team. Your eyes water while you respond. Your time with Momo isn’t up—there’s no longer a maybe lingering around the thoughts of being able to work together again.

It takes two weeks to tell Hanta.

He’s brushing his teeth while you mumble about your day, his phone propped up against the sink. The circus just landed in France, this being his first night in Paris. You’re on the couch, swaddled in blankets while your eyes linger around the interior on his end—marble walls, white towels, a random photo in a black frame.

“Are you rooming alone?” you ask when you finish your debrief.

He shakes his head, leaning to rinse his mouth before he wipes the residue on the back of his hand. He reaches for you and your heart races, thinking he’ll touch your face—only to jostle the screen while he leads you out of the bathroom. It’s a funny angle, the underside of his chin. It reminds you of looking up towards his face while laying on his chest.

“Nah I’m with ‘Roki. That’s how it usually is,” he answers. The next second the camera falls as if he dropped it, shaking violently with smears of creamy white and black splotches before he bounces into frame, beaming as he lays on his stomach on one of the hotel beds. His grin blooms an ache in your chest. You wish you were there with him.

You hum, saying, “That’s too bad,” before you can stop yourself.

“Huh?”

You pause, realizing where your mind was going. Heat creeps up your cheeks while Hanta stares at you through the camera. “Just—” you stop yourself, not wanting to tell him this way.

But he’s looking at you so curiously.

“I… I was hoping we could room together.”

It’s silent.

Hanta blinks at you, face and body frozen otherwise. You try to read what he’s thinking, if he’s putting it together, but he looks scarily neutral.

Then his head shifts abruptly to look at you dead on. His hand comes to his mouth, fingertips lightly pressing his lips. His expression doesn’t change except the slight widening of his eyes. He speaks quietly. “Are you… Does that mean what I think it does?”

You nod, face carefully neutral to assess his reaction.

He yelps. The camera shakes before falling and going black, but you can hear him scrambling and the bumping of the phone as he tries to pick it back up. You can’t help your smile—the fondness stretching across your face when he finally comes back into view looking like a puppy.

“Is this real?” he asks meekly. It’s almost a whisper. You wish you could hold his face and kiss him.

“Yeah,” you whisper back. “It’s real.”

It’s a precious gift to watch Hanta take in the information, face shifting between emotions rapidly before finally landing on something like a pout. He’s tearing up, eyes like giant marbles as they shine with joy.

“You… you chose—” he pauses. Me, you think he wants to say. “You chose us? The circus?”

Your own eyes are glassy, you can see them glistening in the tiny square in the top corner of the screen. Your lips twitch as you nod. Yes, you’re about to say—that you chose Hoshi no Sākasu. That you chose everyone. But you pause. You’ve been scared to make decisions and declarations, scared to admit to yourself why you make the choices you do, why you pretend they aren’t choices so much as obligations you just fell into. That you had to.

You feel that way with Hanta right now. But choosing to follow what feels like a duty or obligation is still a choice. You smile.“I chose you, Hanta.”

For the next two months, you work and you pack and you say goodbye, your own life rapidly shifting as the weather warms. You decide your time in Italy will come to an end at the start of June, after all your orders are finished. You’ll spend the break period in Costa Rica, tending to the wounds long left behind. Momo offers to hire a moving service that can move your things to her house (or estate, she calls it), to give you peace of mind until it’s time to settle in Japan.

Your stomach twists in knots every time you think about it—about going home.

The moving process starts early with you purging yourself of furniture and decor and clothes you don’t want anymore. Every time you say goodbye to something, your heart feels a little lighter. You sell those costumes you know you’ll never wear again and you argue hotly with the landlady to wiggle out of the lease you signed for the next year. She caves with a scowl when you pull the dead nonna card.

Chiara and Davide assist you, preventing you from taking the decluttering too far.

(“Babe, you still have another month,” Davide protests when you take pictures of your dining table to post online for sale. “Are you planning to eat off the floor?”)

(“Tucano—” Chiara groans when she steps into your studio, feet disappearing under bundles of fabric. “How do you work in this mess?”)

You spend as much time as you can with them, soaking in the final days with your throuple—as Davide puts it. The three of you have weekly gatherings at your place, filled with pastries and fruit and wine. Some days your conversations are a time of laughter. Others, tears.

“I can’t believe I was right after all,” Davide sighs, nursing his third glass of a purplish cabernet.

You make a face. “When you said I would fall in love with one of the performers but then break up and have awkward tension?”

Chiara gasps loudly, nearly a cackle. “What?”

Davide scoffs. “When I said you would leave me for a man.”

You roll your eyes, but Chiara comes to your defense first. “They’re leaving us, first of all. And Italy, and opera dresses. Second, they’re leaving for the circus.”

Teeth scrape against the inside of your cheek as you consider her words. You recall what you told Hanta over the phone, when he asked if you chose Hoshi no Sākasu. Maybe the wine is loosening your tongue, but you find it easier to admit tonight.

“I’m leaving for the circus, but Hanta was a big part of that.”

Davide screeches an, “I knew it!” while Chiara’s face morphs into a frown.

“Hanta,” she repeats back in a mimicking voice. You slap her arm. Her head comes to rest on your shoulder. “You can’t forget about us, okay?”

“Of course I won’t.”

“We should visit! I’ve always wanted to go to Japan.”

Chiara nods quickly, hair brushing your neck. “We should go in the spring. I wanna see the sakura bloom.”

They escalate into making plans to visit, now entirely independent of whether or not you’re in Japan in the spring. You smile to yourself. Chiara was your first friend, who later introduced you to Davide as a client. A couple years passed and now they’re the people in Milan you hold closest. They were friends without you, but became more intertwined when you arrived. You hope they’ll be good friends even after you leave.

Watching and listening to them now tells you that you have nothing to worry about.

They help you load boxes in the van at the end of June. Your last order is finished and the lease comes to its end. The remainder of your things go into a large suitcase and backpack for you to live out of at Chiara’s. You stay with her for one week, idling in your favorite places around Milan in her clothes. It’s a stretched out goodbye, one that has been happening in fragments since you first declared your departure. These days don’t feel real. You can’t fathom that you’ll soon be across the world, walking through familiar streets—ones that have certainly changed in your absence.

You and Hanta talk less as your move gets closer, primarily because the circus has landed in the Americas, the time change an increasing obstacle. Knowing that you’re following their footsteps, soon to be on the same land again, feels special. It feels like a confirmation that you’re making the right choice.

You start listening to basic Japanese lessons and download an app to memorize hiragana. Your finger hesitantly draws the characters, lip jutting in a pout when you get one wrong. When you and Hanta do find pockets of time to talk, he gently corrects your pronunciation of basic phrases.

Chiara has to work the day that you leave, so you have a tearful goodbye at her front door before Davide drives you to the airport later in the afternoon. You wonder if this is the last time you’ll sit in his car, legs against dark leather. The thought triggers other sentimental musings, questions of the next time you’ll sleep over at Chiara’s, or the next time you’ll have a real Italian pasta.

Davide holds you at the terminal, one of the few hugs he’s ever offered. He cries easily—still reading you down, just with red-rimmed eyes and a runny nose. You’re forced to promise that you won’t forget him. When you finally leave him to roll your bag to the check in line and then to security, you turn back once and catch him scowling.

You land in Spain before boarding the eleven hour flight to San José. Floating above the ocean—separated from your friends and soaring to your family—strikes something deep in your heart. It’s a mix of aches and pains and fears swirling together, making your body feel so heavy you think you might start plummeting into the Atlantic. Your feet shuffle to cradle your bag between them, tucked under the seat in front of you. You itch to pull it out and open it, to check that abuela is still resting in her wooden box.

San José is just as you remember. Stepping outside hits you full force with an assault of hot, humid air. Your skin begins to glisten, clothes already clinging to you in the few minutes it takes to walk to the buses. The next one comes in half an hour, so you park yourself on a bench and lean against the backrest. Palm trees tower over you, their grassy leaves fanning between the ground and the sky. A cluster of sparrows floats under their canopies, entering your vision only to leave moments later.

By the time you pull your bag along the sidewalk of your childhood street, the sun has sunk beneath the horizon. You slow your steps as you reach the driveway of your home. The house isn’t in view quiet yet, shrouded behind the trees that gate you from the neighbor. You pause at the corner of the fence, fighting the knots in your stomach and the thrumming in your hands. It should just be your sister and mamá inside. You can handle them.

Despite your incessant self-assurances, several minutes pass before you step down the sidewalk. They’re slow and hesitant. Your head tilts upwards, taking in the canopies of cecropia above. The street lamp illuminates the leaves from below, displaying faded green against the black of the sky. Their shapes are round but segmented, the webbed fingers of a frog. You catch scarring on the thin branches, knots and welts in the wood that take the shape of spiraled eyes, watching you. You can hear the rustling of palm trees, the scrape of leafy hairs as they blow above you—

In front of you.

You bring your chin down, looking ahead to the lemon tree in the yard. You nearly yelp in surprise at the sight of your sister. She blinks while you flinch, hand holding one of the branches so she can clip the fruit with her other.

No greeting passes between you. You demand, “Since when do you take care of the garden?” She’s the type to complain about dirtying her shoes while walking to the car. The dresses feel like a weight in your suitcase. Would she even like them?

She scowls at the accusation in your voice. “Ever since you kidnapped the person who used to.”

You don’t have an answer, still too stunned. Her eyes similarly trace over your form, mouth twisting when she takes in your clothes.

“And you still dress like that?”

You can’t hold back your laugh. You missed her.

You missed home.

Seeing mamá is harder. She’s quiet and soft, always a subdued presence, but now with a new touch of somberness. She looks sad—and easily shattered.

You meet her at the door unexpectedly. She’s waiting when you enter, immediately standing from the sofa to reach for you. Her touch is firm over your arm, hands turning white from the intensity of her grip, like she thinks you might disappear at any moment. Tears spring without warning. You try to blink them away, to keep your face from twisting in a sob, but you cry easily.

“I’m sorry,” is all you can think to say. You don’t add more, not sure how to eloquently apologize for stealing her own mother, for leaving, for making life at home and with the family excruciating.

Her dark eyes shine back at you, slightly curved from the twitch of her smile. She looks happy, though a quiet sort of happiness. Not one for words, her reassurance comes from how she reaches for you, pulling you into a hug. Your wet eyes land against her shoulder, steeping into the fabric of her shirt. One of her hands comes to your head, smoothing over your hair as she hums—a content sound, one she makes when things are finally coming together.

You take the box of ashes out shortly and offer them to mamá. Her face tightens when the realization strikes her, and you feel more guilt and regret swirling in your stomach. Should you have waited?

Delicate hands take the box, thumb tracing a band of dark brown towards the bottom of the lid. Her eyes soften before she stretches it back to you.

“Keep her with you,” she nearly whispers. “Until we have the ceremony.”

You swallow. Do you deserve that? To keep holding onto her after all this time? After all that you’ve deprived your family of? Mamá’s eyes don’t waver, holding a command you have never been able to disobey. You take the box.

Your mother fusses over you, helping you carry your bags to your room. She starts fluffing your pillows before offering to bring you some water, and you have to grab her by the arm to get her to stop and listen while you tell her I’m fine and Thank you. She leaves with an anxious expression, you think out of fear that you’ll vanish in the middle of the night. A quiet, “Buenas noches,” filters through just before the door shuts.

You flop onto the bed with a sigh. One of your newly fluffed pillows bounces off and lands on the ground. You sigh again.

Despite the exhaustion deep in your body, you can’t fall asleep. You lay in your childhood bed and stare at the ceiling, your vision no different than if you closed your eyes instead. Even though you’re blind to your surroundings, you can feel the relics of an earlier person littered on bookshelves and tucked into drawers—someone who had their grandmother.

You’re certain that hours pass, but you can’t bring yourself to check the time. An idea comes to mind and you act before thinking it through. You turn so you’re sitting upright on the bed, hand gently waving towards your bedside table until it lands on the wooden box you placed earlier. Once it’s safe in your hold, you rise and leave the room.

You know this journey through the hall to abuela’s room. As a toddler you walked this route nearly every night. You were frequented by nightmares, ones that disappeared as soon as you took refuge with your grandmother.

The floorboards creak under your weight, reminding you to keep to the left to minimize the noise. You take your time, hugging abuela to your chest while your other arm extends to feel for the doorknob. It makes contact immediately. You twist slowly so the latch opens quietly, then push through with your shoulder quickly so the squeak of the hinges aren’t drawn out.

Your feet shuffle forwards, soon pressing your shins against the mattress. There’s the faintest smell of lemons—a scent that tightens your chest. You crawl forwards, bringing the box to rest between the two pillows at the headboard. A wave of exhaustion rolls through you immediately. You don’t bother settling under the covers; as soon as your head touches the pillow, you’re asleep.

Closing your eyes transports you to another world, an older world that you are young within. You’re speaking a language you don’t recognize, but one you understand every word of, conversing back and forth with a boy you’ve never met. He has kind eyes and a soft voice that you want to always say yes to. He has rough hands, but they cradle yours gently. In the next moment you are both older, adults, and he is watching you sadly. You don’t have words to explain his expression, what it invokes in you, but you can tell that he is leaving—not by his own choice.

You are alone and angry and in constant fear, conjuring images in your head of what has happened to him. If you’ll ever see him again. You don’t know this man, but he is everything to you. He has left everything to you, too: a daughter. You look at her face until it becomes your own, staring at a man who is your father by name but not by blood.

The story repeats, this time with a man who gives you meaningful glances. His eyes aren’t as kind but they are entirely on you. He says he’ll give you everything. He takes it back when you learn you’re pregnant, with twins. He leaves without a word.

You’re woken by an assault of light flashing your vision. You squeeze your eyelids shut, trying to block out the blooms of painful red and white static. Turning your head offers some relief, angling yourself from the sun and instead pushing your face into a pillow.

“Get up,” a voice barks. Your sister, you realize, pulling back the curtains.

You groan, drawing it out as if asking a question.

“I’m not letting you sleep past noon,” she continues. “Come help me with the garden.”

You roll over to face her, eyes sticky while you work to hold them open. Your head has the heaviness of a stone. The warmth of the bed lulls your body back under, to whatever lives you were living in your subconscious.

“Kay,” you eventually mumble.

She looks at you skeptically before nodding and leaving, with a promise to return in a few minutes if you don’t appear downstairs.

In the fresh silence of the morning, you turn to lay on your back. Your head brushes something hard. You frown, tilting it back and forth. It scrapes against something with sharp edges. When you turn, you see abuela, her box of ashes still tucked between the pillows. You blink in surprise before going still. The dreams from last night run through your mind. You’ve never had one like that before. You stare at the box, attempting to recall the faces that passed by.

The garden work doesn’t last longer than a couple hours. You pull weeds and harvest the ripened crops—mostly peppers and bananas. The midday sun burns hot and bright and you immediately begin to sweat through the sleeves of your shirt. Your sister doesn’t let you complain, quipping back that it’s your fault for sleeping in.

When you bring the harvest inside, your mother graciously receives it in the kitchen. For the first time today you get a proper look at her face: it’s the older, wrinkled, and saddened features of that first baby in your dream. She looks like a young version of abuela. You halt while several fragmented thoughts abruptly click into place.

Your dream, your abuela and mamá, your sister…

You.

Tears well in your eyes without warning, immediately sliding down your cheeks. Mamá doesn’t question it. She embraces you, rubbing your back carefully.

When you calm she switches topics, not probing what brought on your outburst. Instead she sifts through the vegetables carefully, picking ones to set on the counter for lunch.

“Hopefully we get a lot tomorrow, or else I’ll have to run to the store.”

You hum in question.

She stops rummaging, eyes lifting to you carefully. “Did your sister not tell you?”

You blink. “Tell me what?”

“We're having a big dinner tomorrow.”

You inhale sharply, heart racing. Big dinner is a synonym for family dinner. Tíos and primeros and amigos de la familia. Tía abuela. It was going to happen eventually, an event you can’t avoid. You knew this, you know this. But you didn’t expect it’d be this soon.

You aren’t ready, aren’t sure you’ll ever be ready. You could throw up.

“Who—” your voice cracks as you manage through the words. “Who’s coming?”

Mamá doesn’t answer.

“So everyone,” you respond to her silence. She doesn’t offer any confirmation or denial. You leave the room.

When you enter your bedroom you curl up beside the bed, shielding you from the door. Shaky hands reach for your phone, calling Hanta by instinct. You don’t know what he’s doing today, if he’ll pick up.

It only takes two rings before you hear him greeting you with a dramatic, “Konnichiwa!” before switching to Spanish. “How’s life back home?”

“Hanta,” you say flatly, urgently. He hums, the sound much lower and with a twinge of surprise. “My family’s coming over tomorrow and I only learned five minutes ago.”

There’s a drawn out sigh on the other end while he conjures a response. “How’s that feeling?”

You nearly laugh. “Like I’m going to throw up and then run away.”

He giggles on the other end. The sound makes your heart pang, but your stomach lightens with a sort of relief. “No way,” he insists. “You’ve come too far to run. And there’s no way I’m letting you put this off if it was your main hesitation for joining us.”

You smile, lips pulling tight against your teeth. “I can make my own choices,” you retort.

“Too bad, I know you already signed the contract.”

You sigh, nodding your head solemnly. You did.

He doesn’t say anything more, letting you take your time.

“I’m just…” you start, trying to find the words. You aren’t ready. You’re still processing being back home, in your old bedroom, with mamá and your sister. You’re—

“Scared,” Hanta fills in for you.

You fight the urge to scowl. You fail.

“Yeah,” you huff.

He giggles again, and you know it’s from the tone of your voice. “I’m afraid for you,” he admits. “But you have to do it, yeah? And you’ve already done the hard part of coming home, seeing your mom and sister. And you’re still alive and well after that, right?”

You nod at his words and hum in agreement.

“Was everything okay with them?” he asks.

You explain what happened when you came home: finding your sister by the lemons and your mom waiting by the door, how neither of them properly yelled or expressed being upset with you.

“Woah… That’s incredible,” he says. “Maybe the rest of your family will move on once they see you too.”

“There’s no way. That was mamá and hermana. Tía abuela is an entirely different character, and I’ve already heard that she’s pissed.”

He huffs. “Sounds like my abuelo. Those people love the strongest though.”

Your call continues, you two catching up on the past few days. He speaks excitedly, but his voice lulls you to a calmer state. By the time you hang up, a piece of you thinks everything will be okay. The two of you exchange goodbyes, and then you’re left in the quiet solitude of your room. It only lasts for a minute, before the door slams open.

It’s your sister, standing with a giant grin across her face as she excitedly demands, “Who was that?”

Tía abuela slaps you the moment she enters the room.

Your cheek stings from the contact, a sharp pain that tingles across your skin. It dulls quickly, but you wonder if there will be a bruise. The coppery taste of blood blooms against the side of your tongue. You must have cut the inside of your mouth against your teeth.

These thoughts distract you from the accompanying verbal assault: a string of insults and accusations that you’ve heard before, from yourself. You take it quietly and with a stoic expression. Your eyes trail to the floor, not wanting to meet hers as she berates you in front of your relatives. Nobody speaks when she finishes. The only remaining sound is her ragged breath.

A long pause follows. You don’t raise your eyes, too embarrassed to meet anyone’s gaze.

The silence is eventually broken by your nephew. He cries, yanking his hand from his mother in attempt to run out the door. The room unpauses, relatives rushing after him while loud commotion fills the space. A gentle touch on your cheek brings your attention to your mother. There’s a shine in her eyes, a quirk to her lips. Maybe she finds this funny. You think you would too.

Nobody speaks to you, not willing to take on any part of tía abuela’s wrath. You don’t mind, standing awkwardly to yourself in the corner, and shunning yourself in the kitchen when the others take their plates to the dining and living rooms to eat. Nobody invites you over.

Later there’s another commotion, in the living room with your nephew again. Tía abuela tries to feed him a spoonful of rice, but he refuses. She insists, and he slaps the fork from her hand. Gasps release throughout the room, your cousins immediately going to scold him, but he screams and runs. You can hear his footsteps approach the kitchen. You freeze, not sure what you should do.

He barrels straight for you, short arms coming around your hips while his face buries into your stomach. You grunt at the impact, but stand frozen and wide-eyed. His parents enter—your older cousin and her husband—with tía abuela trailing behind them. Your hands fly to your nephew’s to pull him from you and hand him over. He’s too young to understand, too young to get in trouble. But he fists your shirt tightly and yells, “No!”

You tug him again.

“She hurt you!” he wails. The sentence is partially muffled by your shirt, wetting with his tears and snot, but everyone hears it. Your heart drops. All the adults in the doorway freeze.

You cast one careful glance to them before you make up your mind and grip your nephew by his underarms, hoisting him to your hip. His face is red, with teary eyes and black curls clinging to his temples. You watch him glance at you and then the door, laying his chest against yours as if to offer himself as a shield. Your eyes well with tears.

“I hurt her too,” you say quietly, running a hand over his hair. Your voice is firm, and loud enough that you know the others will hear.

He hiccups, head turning to look at you in shock. “You hit tía abuela?”

“No,” you say with a huff of laughter. “But something worse.”

His eyes widen impossibly, full moons against a dark night. Brown irises drift to your cheek. There must be a mark, still flared and angry. A small hand comes to touch it gently, a tingling sting radiating from the contact. You’re certain there will be a bruise tomorrow.

Tía abuela doesn’t speak to you, but others finally do. Your nephew’s outburst broke the invisible boundary, opening a gap for others to greet you. They don’t say much, eyes still cautiously flitting to tía abuela, but it’s a start. Nobody chides you, but nobody looks excited either.

Everyone but the kids. You watch your nephew whisper with his cousins, giggling as they look towards you and then dart their eyes away when you meet them. One of them approaches you during the goodbyes, gently tugging at your shirt to get your attention. He’s another nephew, this one from a family friend.

“Did you really punch tía abuela?” he asks, eyes wide with wonder.

Yours nearly pop out of your head. A stifled laugh sounds from behind you—your sister’s voice.

“Not…” you don’t know how to respond, what the appropriate explanation is for a seven year old. “Not exactly.”

His eyes stay glued to your face. You feel cornered here, wondering if you said the wrong thing. A voice calls his name. He grins wide before running off. You exhale in relief.

You get small waves and head nods from everyone else. Only when tía abuela is out the door does someone finally pull you for a clumsy, messy hug—your tía, the second eldest of abuela’s children after mamá. She holds you tightly, with the quiet promise that you’ll talk more soon. You feel her sincerity in the hand clutching your wrist.

When the door finally closes, your sister releases the longest breath you’ve ever heard. Mamá appears with an ice pack covered in cloth, motioning to hold it against your cheek. It’s long overdue, but you accept it graciously.

“That went better than I expected,” she says quietly. You agree.

“You totally could have dodged it,” your sister adds.

You agree. You could have, if you wanted to.

The bruise fades after a week, in time for the ceremony to scatter abuela’s ashes. Family members have come and gone by the house, warmed to catching up with you. You see tía abuela again, this time without the slapping and screaming. She ignores you, except for a fair amount of side eyes while conversing with mamá. When she says goodbye, her eyes meet yours for a moment right before slamming the door.

The ceremony takes place on the beach. The sight makes you think of Hanta and that beautiful tent—black sand glitters like the dust of diamonds under moonlight. No words are spoken; the only sounds being the lapping waves trying to reach your family on the shore. Tía abuela lights the candles of the vigil while mamá opens the ashes and pours them into the hands of your relatives. Tía abuela’s sharp eyes watch closely, lingering on you when mamá finally makes her way around.

Abuela’s remains are soft and light—grey ash spotted with clumps of black residue. Her body is the feathery weight of dry sand, and yet you feel like you are cupping the entire world and universe. This is not the dust that sweeps through the air after a fire; you are holding the dust of stars and planets and moons. You are holding the weight of your lineage, the connecting point between the bloodline that lives, and the blood that has passed. If you squint, you can make out shapes and images in abuela’s remains. They’re vague. Dreamlike.

One of your younger tíos begins the music with his Quijongo, the stick thumping steadily against the bowstring. You close your eyes at the sound, akin to the whistling of wind through trees. The airy notes of your cousin on the Ocarina join shortly, and then the gentle shake of Maracas. Their performance draws on for a few moments before tía abuela starts to hum. It fills your body with warmth, a feeling so intense you almost shiver in the summer heat. Her notes are clear and bodied, like her entire soul is unraveling into the air—settling above you like the salty humidity.

She falls into a repeated chorus, the sign for everyone to join. You open your eyes when you begin to hum with her—with everyone. The sound sweeps through the circle around you, tía abuela illuminated in the center by candlelight, orange haze gently fanning to reveal the faces surrounding her in a warm glow. The humming changes when your mother shifts her intonation. Others follow her lead, adding their own twists and slides and delays to the song, pulling a deeper and richer sound through layers of complexity. You try to channel abuela’s energy with your own voice, sharpening the ends of each note and adding a roughness to your tone.

You close your eyes again, letting a warm buzz sweep over you entirely. A charged energy has bloomed within, taken you completely, as if your body has more spirit than it can contain. Your arms burn.

When abuela has been scattered over the sands of your home, everyone falls silent. Your eyes again drift around the circle, taking in the many praying faces of your family, slowly dimming as the flaming wicks reach their end. You lift your gaze to the sky, soaking in the faint moon and sprinkled stars.

A figure flies above, the shape of a large bird. Your heart skips a beat before it races, catching the familiar outline of a macaw. They’re daytime birds, ones that sleep when the sun does.

You wonder what brought this one here, now.

The following month brings new grief. The grief of old relationships as they change and fizzle, the grief of your previous self, the grief of your pride when you say your apologies over and over—understanding the multitudes of ways you hurt your family. You grieve your anger and your spite, coming to terms with the detriments of your self righteous attitude.

There’s a special grief in the pain of being forgiven, too.

There’s a beauty in this sadness and this ache: the beauty of memory. Abuela begins to appear everywhere, and in all of those people you once thought weren’t deserving of her. It hits you the hardest with mamá, a face you see daily and with each moment growing more and more similarities between her and the deceased.

You’re envious that abuela lives in her features, in the slope of her nose and lips. Some were passed down to you and your sister, in matching smiles but otherwise your relationship isn’t apparent. Even you and your sister look nothing alike, only sharing the eyes of a man you don’t know. A man you saw in a dream now weeks ago, one who promised you everything for one brief moment.

He appears one day.

You’re freshly showered from a morning in the garden, heading toward the stairs to meet mamá in the kitchen, passing the square window on the second floor. She stands in the opening, a frame capturing a moment in time: her in the driveway with someone. He’s tall with tanned skin and curly hair—an aged version of the second man from your dream. You watch him smirk at mamá, a sharp sliver of teeth. You can’t hear her, but she waves her arms and her lips move rapidly. Her chest heaves and you think for the first time in your life you’re watching her yell at someone.

The man takes one step closer. Your mom shoves him at the shoulder. He stares at her openly before finally turning away.

His head tilts towards the window, gaze immediately locking onto you. Despite the distance, the shape of his eyes is clear: they’re sharp, intense. For a brief moment you think you’re looking at your sister. You break the stare, turning your head sharply before moving away from the glass.

You stand still for a minute, back against the wall. Your heart pounds in your chest and ears, crawling uncomfortably up your throat.

“I think I saw my dad,” you say abruptly the following day.

You watch Hanta’s face go still. “Huh?”

“He was in the driveway with mamá. I’ve never met him, or seen pictures. But I have his eyes.”

“He must be hot.” You deadpan at his response and he laughs. “Sorry. Did you get to talk to him? Or ask your mamá about it?”

You shake your head. She didn’t say anything when you came downstairs; she’s never said anything before. You’ve never felt a reason to ask, always happy enough with the family you have. If that dream from last month had any indication of the kind of man he is, you’d rather keep things the way they are.

You don’t see him again.

Your second month at home is busier now that you’ve reintegrated with your relatives. You go from spending most days at mamá’s to getting pulled along excursions to other houses and local spots. You’re put on impromptu babysitting duty for your nieces and nephews, shaken awake early in the morning to hike with your cousin, abruptly shoved into a car during the afternoon for a trip to the beach. You find yourself in markets and on the sand and in the jungle. It’s exhausting, but you love it. You missed it.

You still maintain the garden with your sister and call your friends regularly. They ground you into the soil of your home, even across the ocean. Your joint chat with Chiara and Davide populates with pictures, frequently including ones of them smiling together at your usual places. Swiping through them fills you with warmth, and a distant ache.

Hanta is equally diligent with his communication. His responses to your own photos always result in grins that pique the interest of your family members. You learn to wait until you’re alone to read his messages.

(He sends a video one evening, of a recent training session. The phone is still, likely propped on a table or chair, while he moves through an unpracticed routine—a freestyle. It could be mistaken for casual stretching. Even so, every motion is smooth, every transition is seamless. At one point he anchors his legs before leaning back in a bundle of fabric. The camera is close enough to pick up the steady rise and fall of his chest.

You save the video with warm cheeks, watching it again several times throughout the day. He’s so captivating.)

One rare morning when you rise before your sister, you tend to the garden alone. The work is minimal: watering some sections and picking ripened tomatoes. Less than an hour later you step inside with a heavy basket of sweet red, heaving it on the counter. The consecutive thump of footsteps sound down the stairs—your sister must have woken.

You turn to greet her and freeze.

In her arms are dresses, the dresses you made her. Dresses you haven’t shown her. Her eyebrows are arched high into her forehead as she asks, “So tell me why these are exactly my size and style?”

Heat flares up your neck. Instead of explaining, you demand, “Why were you in my room?”

“Why is this my size?”

Several moments of silent glaring pass. You still refuse to answer. She laughs.

“You sap! You are so fake.” The grin on her face stretches wide. Her arm bends to press the garments to her chest while her other one points at you. “This is embarrassing for you.”

You nod, absolutely humiliated. Your plan was to hang the dresses in the back of her closet the day you leave for Japan. At the very least you could avoid her reaction over the phone. But now that she’s found them, more than anything, you’re just relieved that her eyes are shining with glee.

She likes them.

Towards the end of August you’re in regular conversation with Kendou and Momo about moving to Japan. Kendou assists your preparation for work while Momo helps with housing. The latter recommends you visit in person before committing to a lease, and insists you stay with her until you get situated. You attempt to refuse, but she doesn’t relent. When you try suggesting you at least pay her something, she laughs.

“I’ll quit,” you threaten.

She grins, nearly singing, “Too late. Besides, I have your things hostage at my estate.”

You sigh, defeated.

The next day you get a call from Hanta in the evening. His pouting face is the first thing you see when you accept it.

“What?” you ask in amusement.

“Why’d you ask to stay with Momo? Why not me?”

Your jaw nearly drops. Can’t they let you share your own news? And why is he acting like you begged her to host you?

“Hanta, I tried to refuse but she has my stuff already.”

“You should move it to my place.”

You laugh. “You’re crazy.”

He pouts harder, puppy eyes sparkling. “Why not?”

“Hanta—” you sigh. “I thought you wanted to take your time?”

He groans, flopping his head onto a pillow. You grin.

“Yeah,” he exhales. “I just miss you a lot right now.”

The confession strikes your heart, claws an ache through your chest. He’s straightforward with his feelings and his words, sending shivers of giddiness through you.

“I miss you too,” you admit. The busy days with your family have been effective distractions, but that longing always reappears—in the quiet of the nights and mornings, or during these calls when you can hear his voice so clearly. So close. “We have less than two months left.”

He groans again. “That’s so long.”

You agree, and ask him what he plans to do when the tour finishes mid-September. The circus cast has a month break before training in Tokyo resumes.

“Last time I went to Ecuador to see mamá’s family.”

You hum. Maybe you could meet him there and catch the same plane to Japan. Neither of you say anything, but you can tell he’s thinking something similar.

By the time September sweeps in you live everyday with a buzz thrumming beneath your skin. It’s a constant energy, restless anxiety knowing that you’ll be moving soon. You and Hanta have started working out the details of meeting in Ecuador. He tells you that he’ll know his plans in a few days.

You keep yourself busy to ease your agitation, more beaches and mountains and markets. The full days have you exhausted at night, enough to sleep instead of letting your mind race in excitement.

Today you wake early, finishing the garden tasks before the sun arches overhead. You have plans to spend the day in the city with your sister. You already know where you want to eat lunch, and you can guess which bakery she’ll demand you visit afterwards. While you make your way downstairs quickly, she takes her time. The water from her shower stops running just as you reach the living room. You sigh.

After several minutes of listening to pattering footsteps above you, the chime of the doorbell rings. You frown. It deepens when your sister calls, “Can you get that? I invited someone to join.”

You were looking forward to a day of just the two of you, not prepared to have a third presence. Knowing your sister, the guest is your older cousin—who you love, but is usually overwhelming to be around for longer than an hour.

You open the door with a huff, ready to greet her with the most enthusiasm you can muster—

But Hanta is standing at the doorstep.

Your eyes fly open at the sight. Immediately they trace his face—his dark hair and eyes. He’s disheveled, sporting stubble along his lip and jawline. His hair is longer than it was half a year ago, bunched in a knot at the base of his neck. Long wisps fall at the sides of his face, framing him. He’s in warm weather clothes—an unbuttoned tropical shirt with loose shorts and sandals, and a big backpack.

You swallow. He looks good.

He grins immediately, reaching for your hand as he says your name. You’re too stunned to hear it, focused trying to process the fact that he’s here.

“Hanta…?” you eventually ask. Your eyes burn and your nose stings. Tears surface.

His face softens, smile turning gentle. He tugs your arm, encouraging you to step closer. Your heart thumps quickly and loudly in your ears. You think your chest is going to explode.

“Yeah,” he nearly whispers. “Can I hug you now?”

You nod fervently and let him pull you by the waist. His bag prevents you from wrapping your arms around his torso, so instead you loop them over his shoulders. He buries his face into your neck with a sigh, his breath sending shivers down your spine. Your cheek presses into his hair while you inhale the scent of him: sweet oranges. There’s a thrumming against your chest, but you can’t differentiate your heartbeat from his.

“Missed you,” you mumble quietly.

“Yeah.”

Your mind races with questions. How did your sister manage to contact him? Everyone told you the circus still had a few more days before the tour officially ended—did they finish early? Did Hanta leave early?

You don’t ask any, instead squeezing your arms to clutch him harder. His grip tightens in response and a rush of euphoria runs through you—to be held like this, by him.

The shutter of a camera breaks your moment of bliss, immediately prompting you to jerk away. Hanta’s grip doesn’t let you go far, keeping your chests pressed together while you lean your head back to turn to the sound. Mamá fumbles with her phone, grumbling that the ringer was supposed to be off. Your sister stands beside her with a giant smirk. You want to cower away in embarrassment. Hanta doesn’t let you escape him, so you resort to burying your head into his shoulder.

He laughs, a symphony of glee. You peek at his face and see no traces of fluster. He looks happy.

His grip loosens enough to let him step aside and introduce himself, but his hand holds yours tightly. The greeting he offers feels dutifully Japanese—bowing as he states his full name, thanking mamá for the care—but the words come out in Spanish. You blink at his formality and its out of place nature in your family, on him.

Mamá ushers the two of you inside, insisting it’s her pleasure and for him to make himself at home. It occurs to you that she also knew he was coming, already expecting to let him stay. You look at your sister with wide eyes, hoping for an answer, but she continues to grin smugly, widening as she deliberately looks at your intertwined hands.

She interjects before mamá and Hanta can get invested in their conversation. “You should go soon.”

You frown. “Huh?”

“I did invite someone over—for me to hang out with.” The look she gives you says all you need to know: it is your older cousin. “Unless you want everyone to know about your boyfriend today, you should leave before she comes.”

You can feel the headache forming at the thought of your extended family finding out. So you nod, hurrying him to your room to drop off his bag.

“Maybe we should go to the beach,” you tell him quickly. “This city is small and I would really like to wait a couple days before anyone finds out you’re here. The beach will be fine, and we can visit the next city over—”

Hanta leans to press his lips against your own, effectively halting your speech and thoughts. The words die in your throat as you immediately kiss him back, mind melting as his hand cradles your neck. He takes a slow step forward, backing you up to the door. He’s radiant with warmth, his front entirely flush to you, removing any distance.

The kiss is passionate—that searing heat you’ve missed for too long. He smiles against you, softly scraping his stubble against your cheek. An embarrassing noise slips from your throat, originating from somewhere deep inside you.

He hums before pulling away, only long enough to breathe before he’s on you again.

“I missed you,” he whispers after a proper pause.

You swallow. “Yeah.”

He glues himself to you for the entire day. His arms are firm over your waist while he sits on the back of your moped, you speeding along the road to the beach. He pulls you by the hand when you park, grinning wide as his feet sift through the sand. The air and ground are warm, Hanta a thousand times warmer as he holds you on the shore. You lay on your back, him on his side so he can throw an arm over your stomach and stare right into your eyes.

You speak in quiet voices about everything you can. He kisses you often, stealing them between every pause of your words. When you jokingly chide him for it, insisting you need to speak, he settles for grazing his lips over your neck and collarbone, shifting to your knuckle when he wants to see your face.

Sometimes the conversation lulls, and all you do is watch each other with soft smiles and glistening eyes.

In the water, his gaze becomes stronger, too strong for you to handle. When you surface from a wave, he’s the first thing you see, crooked grin and wet hair. You immediately dip back under. There’s a certain weight in his eyes that you can’t handle.

The next time you break for air, he’s out of sight. Before you can turn to look for him, a hand tugs you from behind. It’s Hanta, pulling your back to slot against his chest. His head dips to your shoulder, lips running over the skin, arms snaking around your waist so you can’t disappear again.

You close your eyes at the feeling—his heat and his honest affection. You’re embarrassed by the tender displays in public, susceptible to the gazes and opinions of others. But maybe you deserve to have this moment, to be the annoying couple at the beach.

Couple? you wonder. You shake the thought away. Whatever this… thing you have with Hanta is, you don’t know how to name it. Neither of you have spoken about labels or exclusivity, but… couple feels almost derogatory.

The two of you stay out until the evening, not sure when your home is safe to return to. When hunger settles in you drive with Hanta into the city.

This is his first time in Costa Rica, but he's in a different element in Latin America. Speaking Español brings out facets of his personality that are less noticeable in English or Japanese—a more playful but direct version of him. You wonder what you might learn about him as you continue to study Japanese.

He hugs you tightly on the ride home, arms back around your waist. He tries to tuck his head in the crook of your neck and shoulder, but the clunky helmets enforce a distance. You ride slowly through the night, careful of the winding roads, slow enough to catch the rustle of monkeys darting along the powerline. Every time you come to a stop, your ears flood with the ringing of insects and the soft, steady tone of night birds.

The house is quiet at night. Mamá is the only one present, greeting you with a quiet smile. She offers you dinner, and then some fruit when you decline. Hanta’s lip pouts at the mention of fried plantains, puppy eyes forcing you to agree.

“You can stay in my room,” you tell him afterwards while climbing the stairs. “I just need to grab a couple things.”

He trails curiously when you skip your door to go further down the hall.

“I’ve been sleeping in abuela’s room,” you explain.

He doesn’t follow you into the space, instead waiting by the doorway. You swipe your charger and book from the bedside table before smoothing out the covers and leaving.

Hanta doesn’t ask any questions, and you don’t offer any details. You wonder what he’s thinking, what he wants to know. His eyes linger over you, watching you closely. You wish you knew him better, wish you could take one look at his face and know immediately what’s turning through his heart and mind. Maybe he feels this way towards you, too.

This time when he enters your room, his eyes drift through your shelves and desk. They brighten when he catches a picture frame, nestled with a younger version of you and your sister standing in front of mamá and your grandparents. You don’t remember your abuelo well, only having fragments of memories. The only pieces of him you recall are the ones captured in photos; maybe they aren’t even real memories, just scenes you conjured from your imagination to pretend.

“You look like your abuelo in this one,” Hanta says.

Is this too much? For him to be here, looking through your artifacts of life and smiling fondly over old pictures? Part of you still feels like you’ve only known each other for a week, still chasing him through tents and trying to discover their makers. The other part thinks you’ve been in each other’s arms through your months of separation.

A seed inside you says, He’s been with you before the circus, too.

Hanta’s still smiling when he looks at you again. You swallow, catching that joyful glint in his eyes. For him, this is long overdue.

(This being the intimacy and the affection and the opportunity to learn everything he can—to find his way into every opening of your being and make a home for himself. For both of you.)

In this stillness and quiet of the night, you search your heart for how you really feel—untampered by fears of what’s right or what others may think, what the standard for relationships is supposed to be.

You want him—like this. Forever.

Under soft covers and cocooned in Hanta’s warmth, you manage to fall asleep in your own bed. You enter a dreamless sleep and rise naturally with the sun. Your sister doesn’t barge into your room to wake you, but you still dress for the garden and get to work. She’s there already, clipping the last round of tomatoes.

She gives you a pointed look that you return with your own. Neither of you speak, instead trading glances through the morning as you join her tending. She’s nosy and wants to know the details of how you met, what your relationship is like. You communicate that it’s not her business. You know you’ll fold and tell her eventually.

When you re-enter the house, you’re ambushed by the sight of Hanta in the kitchen helping mamá with breakfast. He wears her floral apron, diligently cutting onions while answering her questions—about his work and how it led you two to meet. His voice stops when he sees you, immediately grinning. He asks if you’re hungry.

After breakfast he insists on washing dishes. Your sister volunteers to dry, so you and mamá clean the table together. You can hear your sister grilling him from the kitchen, Hanta answering every question with ease.

“He’s a good man,” mamá says softly.

You nod.

When you two wiggle into your bed a second time, he asks you to wake him if you rise first. You frown. “Don’t you need your sleep?”

He yawns, punctuating your point. “Maybe,” he slurs. “But I didn’t like waking up alone.”

Your heart pauses while you nod slowly. He hums with satisfaction and promptly falls asleep. You kiss his forehead. His hand tightens over yours.

On the third day, one of your tía’s and multiple cousins show up unexpectedly. You’re showing Hanta the garden, explaining how to hold the clippers, when a car pulls in and you sigh, knowing this will be the end of your peace. Hanta takes the chaos happily. He says he’s excited to meet everyone, albeit nervous.

Your extended family loves him. Everyone does, you start to realize—with his calm but lively energy, his honesty, his charm. Seeing him meet your relatives strikes you with awe, and a new wave of gratitude.

Even tía abuela can’t dislike him. You’re anxious for their introductions, but then you watch Hanta softly bow his head—that Japanese filial piety overtaking him—while he politely says, “Mucho gusto, tía abuela.”

You catch the purse of her lips, the glint in her eye as she takes him in, and you know that he’s won her over already. Her eyes flit to you with the undertones of approval and you want to hug everyone in the room from your relief.

Things don’t fully mend by the time you leave with him for Ecuador. Tía abuela still won’t hold an extended conversation with you, some cousins mention abuela offhandedly to stir tension, and occasionally one of your tíos stare at you with anything but forgiveness. But you came home; you brought abuela home with you. This time when you leave, you’re leaving her behind—scattered along dark sand and blue water.

Mamá weeps when she says goodbye, holding you long in her arms. She says that she’ll miss you, that she loves you, and that she’s happy for you. She just hopes you’ll come back. You promise that you will.

Your sister is sharper with her words, insulting you through tears as she jabs, “You better not die.”

You nod vigorously.

Quito is different than you remember; too many years have passed since your first and last visit. It’s still beautiful and lively, with long markets and silver buses stretched down the roads. You board one, eventually winding your way along jungles and mountains, passing squares of shrimp farms by the coast. Hanta lets you take the window seat, happily holding your hand while you stare outside.

Ecuador is another sort of beast, with more chaotic roads and a harsher sun than Costa Rica. As you approach Hanta’s city along the sea, crumbling concrete buildings make a repeated appearance. The work of earthquakes, he tells you, an unwinnable battle for the poorly constructed towers—salt water and sea sand hiding in their walls, ready to surrender in an instant.

The edge of the shore appears. The sand is white, almost grey like ash. Like your abuela, now scattered along the Pacific. Did she make it down here after the past few months? Will she spread to the shores of Japan—to Musutafu?

When you arrive at the front of his house, you are struck by the familiarity. It takes a moment to remember that you’ve been here before, when Hanta ran with you across the ocean and led you through his home from the back porch. But that was a home from over a decade ago. Now parts are faded and parts are changed, but you still recognize it as if it were your own.

Hanta’s family is lively. His parents aren’t home—still working in Japan—but he opens the door to greet grandparents and avunculi and cousins. You watch his abuela’s face shine as she pulls him into a hug. His slender frame towers over her, awkwardly hunching to average their heights. The sight blooms a pang of something in your chest, the sting of an injury, and you swallow to avoid bursting into tears.

After surviving the introductions he leads you to his room. As soon as the door shuts and you have a moment of quiet, the tears resurface.

“Woah, hey,” Hanta says gently when he notices. His attention immediately fixes on you, hands abandoning his bag half unpacked to cradle your face. “Are you okay? Was that too much? Was someone out of line?”

You nod and then shake your head, trying to answer yes and then no respectively. It must be unconvincing, your face still twisted from holding back sobs.

“I’m okay,” you croak. You’re just overwhelmed, and maybe envious, from watching Hanta with his grandmother. From seeing loving touches and crinkled eyes. Curly white hair and wrinkled hands.

Hanta makes a complicated face. You gauge that he’s unconvinced and worried.

“We can go somewhere else,” he bargains. “Or you can rest here until you’re ready. Or a third option I don’t know right now.”

You nod, trying to agree with the second one. You’re fully crying by now, sniffling and blinking through tears. “I promise I’m okay,” you try to convince him. “I just need to cry, I think.”

He doesn’t question you, instead nodding and gesturing for you to sit on his bed. He lowers with you, carefully hugging you into his side. It’s a mourning cry, a weeping to express a hollowness in your heart, a loss that still hasn’t filled itself. Hanta remains a silent support, rubbing your back soothingly even after your sounds shift to sniffles. You press your face into his chest, tears smearing against his shirt.

He’s warm. He’s always so warm.

You wonder how long you’ll live like this, still crying at random as if abuela’s death was a recent one—not a year in the past. Something tells you it’ll be often.

Maybe you should apologize to Hanta in advance.

But his hold on you—firm while gentle—reminds you of his patience. He would tell you not to be sorry.

The week you have in Ecuador together is a busy one, spent meeting more family and getting yanked to Hanta’s favorite places. This time you’re the one on the back of the moped, leaning into his warmth as he winds up and down the roads. He lives on a small peninsula in the northern coast, where you can watch the sunrise from one beach, and then cross the city to catch the sunset on a different shore.

The water turns red in the evening as the sun dips down, the ocean reflecting the brilliant rosiness of the sky. You and Hanta bob on surfboards in the water—yours long and wide and foam, his narrow and made of resin-coated wood. You soak in the remaining light, that fiery ball of light tucking under the horizon. There’s a tug at your heart when you remember the tent of floating oranges. When you glance at Hanta, he’s already staring at you. He grins.

You only get to see the coast of Ecuador during your stay, not touching mountains or jungle.

“Next time,” Hanta promises.

Next time.

Life doesn’t feel quite real when you board the plane together. Your goodbye to Hanta’s family felt more dramatic than your own, mostly because everyone was weeping and offering hugs all around. Tears pricked your eyes when his abuela pulled you for a hug, asking that you take good care of him. You promised you will.

You slide into the window seat, immediately pulling up the shade to look outside. You’re at the front of the wing, still parked on a giant slab of foundation and surrounded by the tunnels of the airport. Hanta plops down next, immediately snaking his arm around your waist and leaning into your side.

“Excited?” he asks.

Terrified is a more accurate description. “Yeah.”

He hums like he wants to ask more, but he keeps his questions to himself. You turn to look at him, his gentle eyes. They’re dark, dark like the night sky and shimmering with the sparkle of a thousand stars, ready to be plucked and pulled and woven into a timeless tale of love.

He has his abuela’s eyes.

(Is this how it’s going to be—you always searching for meaning and connection to the dead, never able to let them rest entirely, finding ways to make them alive time and time again? Is this who you are—someone who rereads the same book since childhood, clutching it close like a holy scripture that guides you forward?

But they are all you know, all you’ve ever chased, a child watching a display of magic and wanting nothing more than to be part of it.)

The voice of the flight attendant sounds through the speakers. Her voice crackles through the intercom as she reads from the safety brief.

Your eyes drift to Hanta’s skin. It’s darkened considerably since returning to Latin America. His cheeks and nose are splattered with an array of freckles. They’re constellations against his skin, a map of everything you’ve wanted. He leans to press his face against yours, like he can transfer those markings if you touch for long enough.

You turn to the window when the plane starts to roll forwards. Hanta’s chest presses against your shoulder while he leans to watch with you. His hand comes over yours, holding your fingers gently before raising them for a tender kiss.

There’s a jumble of knots in your stomach, like one thread tossed and turned until it became impossible to unravel. You’ve never been to Japan. You’ve never been contracted for a circus company. You don’t know Japanese and you don’t even have your own housing. All you have is a visa and the promise of a job awaiting your arrival. This is different from moving to Italy, fueled by nothing but the hunger for money. This time it’s a hunger for life, a hunger to find something—or, to follow what you’ve already found.

This time when you leave this part of the world, the part with your home, there is no obligation to do anything but what you want. A total freedom, the freedom to chase whimsical childhood dreams. Dreams of stars—The Circus of the Stars—and outrageous costumes and people you love.

The plane starts to dart down the runway, picking up speed to eventually lift and soar into the sky—a white aluminum bird against cerulean blue. Hanta’s lips press into your temple, hand squeezing yours. You grin while staring at the city of Quito below, clusters of buildings fading away with each passing second. The vessel of the plane chugs onwards and upwards, brushing through a mist of clouds—through the clouds, until they’re an ocean below you.

You squeeze Hanta’s hand back, interlocking your fingers like threads on a loom. Despite your fears, you feel ready.

Ready to stretch out your lives like the billions of stars in the sky, and to weave them together in a continuous, unbreakable fabric.

✰.

The circus is coming. And this time, you’re coming with it.

just a note about aerial silks: aerial silks for performance are not made of real silk, they're typically made of like some sort of synthetic fiber like nylon or lycra for safety purposes but i'm pretending like that isn't the case for the ~metaphors~

my sappy afterword can be found here

#jiso.fics #All these stars - bnha circus AU #sero x reader #sero hanta #bnha #bnha x reader

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sultrysparkles · 6 months ago

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MHA BOYS NSFW HEADCANNONS

[•~featuring- AGED UP!! Izuku Midoryia, Katsuki Bakugo, Eijiro Kirishima, Denki Kaminari, Hanta Sero, Hitoshi Shinsou~•]

[•~a/n- haven't written in months!! excuse my writing but im getting back into it!! send requests!!, TY FOR 1K FOLLOWS 🙏🏼~•]

₊˚⊹♡ Izuku Midoryia

-Definitely a closeted pervert. have you seen the way he reacts around other girls?? you can't tell me that he hasn't watched a whole bunch of porn. his mind is definitely filthy and has no limits, very imaginative.

- but he tries his best to hide it, of course. he gets really embarrassed knowing that he's fantasizing about such sexual ideas and how it isn't right, but he can't help it when you wear those low cut shirts that expose your cleavage so well, or whenever your skirt rides up your thighs, showing off so much skin he doesn't even know what to do.

-100% a tits guy. any size is perfect to him, because to him it's not about the size. as long as he can grope and squish them or even seeing your hardened nipples poke through the thin fabric of your shirts. It's just enough to get him going.

-he gets super shy the first couple times you two do fuck. I'm talking constant rambling, the cherry red blushed cheeks and all those whimpers. he really doesn't know how to act. he's been waiting for the moment your soft delicate hands wrap around the base of his cock, or when he could feel your slick walls tighten around his shaft. he's been dreaming of this night for so long, he can't believe it's actually happening.

-he gets fucked out so so quickly. it's already so hard to not just cum as soon as he enter your tight wet walls. so after a couple thrusts he's mumbling about how good you feel and how much he loves you. when he gets closer, his hips buck into yours in an unsteady pace. his thrusts are more shaky and harder as he's whispering both quiet praises and curse. shutting his eyes tightly as he reaches his high, mouth slightly agape too.

-he loves eating. he prefers giving rather than receiving, simply because he'd rather please you. hearing your soft angelic sounds and watching as your face reacts with every little thing he does is already enough to make him cum. like I said, he has watched so much porn, he has analyzed them for moments like this. and he's analyzing you too. taking mini mental notes of what makes your hips shuffle, or what makes your cries go a pitch higher. he's so good at giving head, it makes you question if he even is a virgin anymore.

₊˚⊹♡ Katsuki Bakugo

-a throat fucker. you could start off going slow and taking him in little by little, but every time you end up with mascara smeared all over your eyes, spit mixed with precum dripping down your chin. and your mouth full of his cum. bakugo gets impatient, and needs to feel your throat around his cock. he's thrusting into your mouth like he doesn't care that your sobbing, gagging on his cock so hard your stomach aches, because he knows you like it when he's rough with you.

-he's an ass guy. and back shots with him are like no other. he bends you over his work desk, arms pinned to the middle of your back as hers leading his leaky tip to your entrance, ramming it in. a hand sneaks over to the fat of your ass, grabbing a handful as he waits for you to adjust to his size. after all he isn't that mean to make you feel pain. once you give him the green light, he instantly starts pounding into you, watching the as your plush ass ripples with every thrust. even spanking it a couple times.

-prefers to cum on you. don't get him wrong he loves to cum inside, his ego only grows as he watches his cum drips out your hole. but seeing your face, your gorgeous face decorated with the opaque ribbons of his cum, it feeds the possessive side of him. knowing that you're only his. but cumming on your ass? it's just enough to get fully hard again and ready for round two.

-imagine katsuki having you on your stomach, your upper half being shoved into the mattress by one hand. the other hand gripping onto your mouth. he didn't tell you to be quiet, because he doesn't want you to be. he loves hearing your pleas and mewls but he knows how loud you are. the neighbors would be pissed if they heard you two all night. but you enjoy this moment ever more. the angle he's holding you at makes his angry tip ram into that spongey spot repeatedly. making his attempts to silence you go to waste.

-he gets jealous super easily. especially if he notices you're hanging out with Midoryia more than him. you're his. and only his so why should he have to share someone like you with anybody else? he needs you to understand who you belong to, so jealousy sex is a common thing for you two. he's a lot rougher with you, doesn't show you any mercy. he'll keep edging until he gets tired of it, bring you so close to your high only to pull out last second. he needs to let out his frustration some how.

-his favorite position is definitely doggystyle. like I mentioned he's a big ass guy, but he likes the position mainly because you're at his mercy. he controls the speed, going painfully slow or brain numbingly fast. he craves power and control. a big hair puller too, the position allows him to yank on your hair whenever he wishes too. mainly to make you moan louder, or to bring make you listen to all the humiliating things he has to say about you.

₊˚⊹♡ Eijiro Kirishima

-definitely talks you through it. he is big. and he knows it. so the first time he slides himself in, he's peppering you with many kisses to your forehead. holding your hand and telling you about how well you're taking him. he pushes himself in, slowly snd gently do he doesn't hurt you two much. he would hate to see you cry. just reminding you there's only a little bit more to go, snd when you do take all of him in. he tells you how proud of you he is. he's such a sweet gentleman<3

"c'mon just a couple more, I know you can do it princess..."

"you did it baby, took me so well, you feelin' alright?"

-he loves hand holding. mainly because of the size difference. your hand is so much smaller than his. your palms are gentle and soft, contrasting his own. he fingers curl around yours perfectly, almost like they were meant to be together. but his favorite part is whenever you squeeze his hand. it makes him feel so strong. like you're telling him you feel safe with him, he just loves all the intimacy.

-he's a decent eater, he can get the job done of course. but nothing will ever compare to his fingers. they're long and wide, and at the perfect size to make you see stars. his digits curl just right while they thrust repeatedly. and his thumb is focused on your clit, rubbing smooth tiny circles on the bud. making your back arch and pelvis shake from the pleasure.

-hes such a gentleman, and he prioritizes your pleasure of his. one way he shows you this is by always making sure you cum before him. no matter what the situation is. he could pissed at you, but he'd still make sure that you cream all over his wide fingers before focusing on his own throbbing erection.

-is super big on consent. he does not play around about that. he would never EVER want to hurt you in any way, so he always triple checks to make sure you're okay with everything. always asking before he slips your panties of you, or reminding you that you don't need to force yourself for him. he also does not play about that mumbling stuff. he needs to hear an audible answer from you're lips before he can continue.

"you know better than that baby, c'mon use your words"

₊˚⊹♡ Hanta Sero

-he's such a tease. always leading you on, whether that be the heated make out sessions, or the way he whispers dirty things into your ear in public. he'll even pretend that he didn't just tell you how much he wants to bend you over the restaurant table and fuck you dumb Infront of all the people here. he doesn't actually mean it, it's all just to rile you up for later.

-has a big humiliation kink. it's so selfish but he can't help it. hanta lives to see your cheeks flush a baby pink as you hide your face away from him. he find it's so cute, knowing how easily he can break apart your attitude so quickly. he's always reminding you of how dirty you sound moaning for him like this, or how pathetic you look struggling to take all of him in your mouth.

-a big wrist holder. type of guy to always pin your wrists above your head as his hips buck into you swiftly. you're at his grace and he has all the control right now, which he tease you about of course. you look so desperate and downright helpless being held like this that's he can't help but remind you of it.

-this ties in with humiliation, but he also has a really bad dumbification kink. he wants to fuck you so dumb you won't even be able to straight for the rest of the night. whenever he's thrusting up into you as you run your mouth babbling about how good he's making you feel, hanta just wears the most shit eating grin ever. because everything you're saying doesn't make sense, not even in the slightest but his ego boosts exponentially knowing he can get you in a state like this.

-he loves THIGHS. especially if they have stretch marks or cellulite on them. he finds them so appealing. your thighs looks so soft and plushy, he can't help but just want to lay on them. but his favorite thing about them is whenever he's eating you out and you squeeze them around his head just right. gosh it feels like he's about to suffocate to death, but he wouldn't even be mad about it. he'd let you crush him with your thighs any day of the week.

-if you had one complaint about hanta, it would be about how many hickeys he would leave on you. after every night you'd wake up to finding hickeys all over your body. you see it as mainly annoying yet a little cute, but hanta does it just for both his own pleasure and for his possessiveness. seeing you marked up because of him just turns him on so much especially seeing your inner thighs decorated in the purplish red bruises. everyone knows who gave you all them too, giving him the greedy satisfaction he craves.

₊˚⊹♡ Denki Kaminari

-he is such a pervert. and he doesn't even hide it. now he's not like mineta, he's not going to go around and flirt with every girl he sees and harass them. no, his eyes are only focused on you. and just you. and whatever he does, he always makes sure that you're okay with it of course but that's not stopping him from whispering dirty things in your ears when you're in public. the worst part is, whenever you confront him about it he'll play dumb, acting like nothing ever happened.

-both an ass and tits guy. denki can't just pick one, they're both so hot to him. lowcut and tight shirts have him in a chokehold. he loves the way your boobs are somewhat exposed in low cut shirts, and tight shirts that show you're figure make him feel all mushy. but on top of that, he's a sucker for short miniskirts and short shorts. anything which just reveals your shape just makes him want to act up.

-the biggest tease you'll ever meet. he will mes with you about everything. did you just squirt on him? yeah he's never letting you forget that. oh did you want him to go faster? he'll make sure to go extra slow for you. he does it all just to make you angry (he finds it oddly hot seeing you annoyed) but his favorite part is teasing the tip of his cock into your entrance. no matter how much you beg for him, he'll repeat his painfully annoying little actions. only stopping whenever he feels like you've waited enough. overall he's just so unserious.

-D1 eater. that man knows what he's doing. well scratch that, no he doesn't. he doesn't know what he's doing to be real with you, he's eating mainly for his own selfish pleasure. drool and arousal is all over his chin but he doesn't care, he hasn't had enough yet. his tongue is thrusting into your hold viciously as a finger is rubbing desperate circles on your bud, even sending a couple light zaps to help him stimulate you.

-his favorite position is definitely cowgirl. it's the way you're on full display for him, tits bouncing as you grind yourself on him. he also likes the position because it allows you to have control. denki is a big switch and wouldn't mind you taking the lead for once, and if he needs to he won't hesitate to lift you up by the hips and thrust up into you.

-BIG dumbification kink. for both himself and you. seeing you so cock-drunk turns him on so much, because you look so good. your hair sticking to your sweaty forehead as your eyes are half lidded and hazy. but on the other side, he wants you to the same to him. denki secretly wants you to ride him so well that he short circuits and can't think straight. the effect your wet clammy pussy has on him puts him in a trance.

₊˚⊹♡ Hitoshi Shinsou

-LOVES THIGHS. he is 100% a thigh guy. he doesn't care what you do to him. you could try to crush his head and he'd thank you for it. his favorite part though, is whenever you sit down and your skirt rides up your thighs, exposing so much more. just seeing your bare exposed thighs only makes his thoughts even worse than normal.

-headboard grabber!! he definitely is rough with his thrusts and grips the headboard to steady himself. and he looks so good doing it. imagine hitoshi, all sweaty and looking back down at you with his natural sleepy eyes as you both lose yourself to the overwhelming pleasure. he looks absolutely majestic.

-hes definitely into somno. of course he'd only act on it if he had your consent. but once you gave him the okay, the stars aligned for hitoshi. we all know he's an insomniac and that he usually has trouble sleeping, so it's not unusual to wake up, feeling his girth stretching you out in the middle of the night. he'd try to be super gentle and soft at first so you didn't wake up. but he gets impatient quickly and ends up risking it, usually always waking you up.

-A BIG HAIR PULLER. loves to pull your hair, mainly to force you to keep eye contact with him and so he can you're fucked out expression. and the mewl you let out whenever he tugs on your hair extra harshly makes him want to let loose right there. but he's also a big sucker for getting his own hair pulled too. your soft delicate fingers getting entangled in his dark lavender locks,the sensation is merely indescribable.

-he loves it whenever you praise him. he'll act like he doesn't care about it much, but deep down his heart is pounding rapidly. just hearing how good he's making you feel, especially with your shaky voice. it's such a turn on for him. whenever you praise him about anything he melts, feeling so confident in himself. which only lead him to be even more determined to make each time unforgettable

-face sitting with hitoshi is such an experience. imagine this, you've begged him to let you try it, just so you could understand the hype behind it. and hitoshi agrees, pretending to not be just as excited as you. (he's been dreaming of his head being squished with your thighs). but once you lay your cunt over his face, he gets to work. now im not going to lie, yes not the best eater but this position makes up for everything. this man is eating like he's been starved for months. and don't you dare try to live yourself off him, he's only going to pull you back down.

DO NOT COPY/REPOST MY WORK, I will find u lil bro

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