#Sengoku made them do this

[badly-drawn-doflamingo]

“What Do Pirates Fear?”

[ full comic ]

Rain Rain Go Away ain’t gunna work this time

Haredas [ Rain Wizard ] art by the fantastic @squisheycat & @ceru-fritters !!!!!! ]

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[bmpmp3]

plus i always find it pretty disappointing in my beloved media marketed towards women and girls when a leading man has like. no relationships outside the main character. like cmon, not even a complex but intense homoerotic house-wilson style frenemyship with some buddy of his? thats like the bare minimum

[alexa-fika]

Hi again first you're a teacher?? Me too soon 😂

Anyway I thought of another weird idea

A child that can see dead people 🏃‍♀️ and he sees corazon when he's with law

Or any other character

I will write a lot of ideas sorry if it's annoying 😅

🐼💕~

A/N:I am a teacher! Im a preschool teacher, that is why writing this in that aspect is really easy because I see their behaviors and shenanigans everyday. What grade will you be teaching??

Also, absolutely not! I love your ideas they are incredible, it will never be annoying trust me, receiving these makes me giggle and kick my feet like a little girl

Dividers by @/saradika

Clumsy Ghostly Guardians ( Law x gn!child!reader x Corazon)

“Dad, Dad!” The child could be seen once again running through the hallways of the submarine, their screams bouncing off the walls as they ran towards their father

Law looks up from his reading as the familiar sound of his child's footsteps approaches him. He sighs, returning his attention back to the medical journal in his hands.

“What is it?”

“Dad, who is the tall ghost who always follows you around?”

“Tall ghost who always follows me around?”

Law puts down his book to give his child his full attention

“What do they look like?”

He watches as the child changes their focus from him to next to him, attentively staring at something

“He’s really tall, he has funny lips, he has a big coat, and he falls a lot too.”

Law's brows furrow as he is genuinely confused by his child's words. However, Law gets a strange feeling in his gut that what they are seeing is none other than Corazon

“…Did they tell you their name?”

“He said his name was Rosinante, but he said you call him Corazon.”

Law's jaw hangs open as he stares at his child. Law never told his child about Corazón, and the fact that reader knows his real name and even his alias...

When the child had eaten the yuta-yuta fruit, the possibility was always at the back of his mind, but he had always brushed it off, thinking that Corazon was either following Doflamingo or Sengoku.

“...how long have you seen him?”

“Since I ate yuta-yuta”

“Since you ate the....”

Law's face goes pale with shock. He has a look of disbelief on his face

“...did he talk to you?”

“Mmhm, he said dad was the cutest when small, said you still have a gloomy expression now.”

Law's expression softens, and he sits down next to his child, trying to process everything that has occurred. He puts a hand on their head, ruffling their hair

“...what else did he say?”

“He said he’s glad you’re safe, what does that mean dad?”

Law shakes his head, trying to keep his emotions under control. He did not expect to encounter such profound news today. Law turns his attention back to his child and gives them a tight smile.

“...he means that he is happy we are safe. Did he say anything else?”

Law strokes their hair with his thumb

“He said that he is proud of you

Law's cheeks blush as tears stream down his face.

“Ah! Dad, why are you crying? Corazon, do something! You made Dad cry, meanie!”

Law covers his face with his sleeve; he struggles to regain his composure. Eventually, his heart starts to slow, and the tears stop

“Don’t worry about it; I’m just happy, Reader-ya.”

“Ah, Corazon fell again”

“Seriusly?!” He groans

So I did made this gender neutral but in Japan a Yuta is a female spirit medium and I couldn’t find a word for medium that would fall within that 4 or 3 alliteration format that the fruits have other than with yuta, and even that was stretching it but yeah, just wanted to let you guys know 😂.

Taglist:

@imaginarydreams

[82mitsu]

Previously translated pair names that had been posted to Twitter. However corrections had to be made (misinterpretations & an instance of mistranslation), so this is version 2.

Note: This is the only translated thing I will be posting, I am not off hiatus. I had been meaning to archive this before my hiatus, but I also had to fix some things, which is why there was a delay.

Please consult to this post only regarding pair name translations done by me (82mitsu), any other posts or reposts you might see of this chart is the older version. (Previous version has been deleted, but I'm unaware how far the information had spread.)

If any other corrections need to be made, feel free to contact me and I'll make them as soon as possible.

Below follows an extreme lengthy TL note breaking down some pair names, it's a lot of text, so be warned once you unfold the read more.

A lot of research went into these due to 18TRIPs tendency to mix up words, use Gen-Z slang that hasn’t been picked up by everyone yet (or limited to TikTok) and make up their own words (“Omotenashisto” -> “Hospitalister”). I used dictionaries, searched forum results, looked up how people use these words on social media, went TikTok digging, etc.

I tried my best to localize in a way that should make sense even without added context. I only explained the ones that I thought might needed some more back-up in a cultural sense or because it was a specific JPN thing. Thus, not everything has been explained. However, I hope things are clearer compared to the first version that was posted. For Renga & Yukikaze: For ぽゆぽゆ (poyupoyu) there is no definition or anything for this word, but from context clues and digging through how people used it, I deduced that it means something soft and squishy like a plushie or cheeks, so to say. For Renga & Liguang: かりそめの宿縁 (karisome no shukuen) is a Japanese saying about a fated connection of bond that only lasts for a brief moment, but leaves a deep impact on your life. For Renga & Raito: Party is mispelled in the katakana as “paachii” and not the usual “paatii”. Renga has a tendecy to say English words wrong. While “friends” is spelled the correct way, both words have been “mispelled” to drive the point home. For Renga & Kinari: なぁぜなぁぜ (naaze, naaze) is JPN Gen-Z slang from Tiktok. It’s a statement made as an act for complaining, with a bit of sarcasm and irony thrown in at times. Like, “I said I wanna diet but I ate a big meal anyway! なぁぜなぁぜ” or “I’m an idol but I get more anxious doing improv than performances! なぁぜなぁぜ”. Best way I can describe the usage in this context is Renga is throwing a bit of a self-aware tantrum as to why Kinari would correct him. (As mentioned earlier, he isn’t good at English). I guessed a close equivalent would be “nuh-uh”, since that is a dismissal of someone else’s opinion without actual good reason, even if the other person has a point. For Renga & Netaro: まんまん (manman) means “a lot” but I also believe it’s a reference to meatbuns (nikuman). For Kafka & Yodaka: Hanbei is Takenaka Shigeharu, a Japanese samurai from the Sengoku era. He was known for being Toyotomi Hideyoshi’s strategist. For Liguang & Yodaka: 闘牌伝 (touhaiden) is related to Mahjong stuff. 闘牌伝 seems to be an old timey Mahjong video game with RPG elements. Rekka is a fighting game term, and I will quote the website The Fighting Game Glossary by Infil on this: “A type of special move that has multiple stages, as long as you input more commands to continue the sequence. Not all multi-part specials can be called rekkas though; a rekka tends to have exactly three distinct parts and will move your character forward along the ground with each new input.”  For Akuta & Nanaki: They went to the same kindergarten and were grouped together in the “Oden Class”. Japanese kindergartens, from my understanding from researching, tend to have a name for their class, rather than a number. To give an idea what such names could be, in 2019 the website hyenasclubs hosted a poll of most commonly used names for classes, and the top 3 were “baby chick” (hiyoko), “peach” (momo) and “dandelion” (tanpopo). For Akuta & Muneuji: My take on はっけよい輝矢部屋 (hakkeyoi kaguya heya) is a bit of an elaborate bit joking with Princess Kaguya of the Moon (from Tale of the Bamboo Cutter) because I was wondering why they suddenly opted for Muneuji’s last name instead of first. (I might’ve also just overestimated Kaguya Heya being some joke on Kaguya Hime). Hakkeyoi is what a referee shouts at the start of a sumo wrestling match. For Akuta & Ushio: I think ポジティブに腕押し (positive ni ude oshi) is a take on 暖簾に腕押し (noren ni ude oshi) that means something has no effect or is pointless. Lit. it means “pushing a curtain with one's arm”.    For Akuta & Tao: Akuta Nine is a joke on the baseball movie Gyakkyo Nine which is an adaptation of the manga of the same series, I believe. The movie is referred to as GK9, hence I made it AKT9.  For Akuta & Ryui: The original is OYAxKOBU which comes from 親分子分 (oyabunkobun) meaning “boss and his underlings”. Akuta also calls Ryui by “Oyabun”.

For Kiroku & Nanaki: Weebs who watch highschool anime should be familiar with this, but emergency staircase refers to the hallway stairs in a JPN highschool that are sometimes used as chilling out spots by students. For Kiroku & Chihiro: TuRyStA is the clothing brand they wear. 18TRIP has a various selection of clothing brands, which each character having a preference for one or another. For Kiroku & Yodaka: Zhao Yun, as quoted by Wikipedia, “was a military general who lived during the late Eastern Han dynasty and early Three Kingdoms period of China.” For Ushio & Raito: Some heavy freedom was taken with バスボムしゅわリスト (basubamu shuwaristo). After considering how to approach it in the most sensical way, I decided to translate it as “bubblist” due the other options being “hand sign list” or “bubble list”. I thought リスト might function as in -ist, like dentist, artist, guitarist. しゅわ comes from しゅわしゅわ which means bubbly. Although bubblist isn’t not that common, it is sometimes referred to entertainers that do bubble performances (in English). And I think it made more sense than “hand sign list” or “bubble list” to say the least. This was also taking in consideration how 18TRIP, as explained in the intro, gets very creative with its language usage. For Raito & Nagi: Mandarin ducks symbolize “soulmates” of some kind in China. In other words, Mandarin Duck Touring is more along the lines of “Motorcycle touring soulmates”. However, I find the mandarin duck reference and interesting pull compared to just “soulmates”, so it was kept as is. For Kinari & Ryui: “Super Darling Gap Inspection” is more along the original lines. “Gap” in Japanese is usually used in the context of when someone acts one way, but unexpectedly, can act a different way. Ex. A very shy person shows they can be super vulgar, that can be considered a “gap” of some kind. In English, people are more familiar with “gap moe”, thus gap moe was used. For Tao & Nagi: Might be a reference to Yokohama’s Zo-no-hana (Elephant Nose) Park. For Toi & Yodaka: The original is more along the lines of, in the most literal sense, “going around raisins circle (of friends).” Toi likes raisins, but Yodaka doesn’t, so Yodaka passes them onto Toi. I’ve turned into on a play on “sharing is caring” since that’s a common concept in English.

[kozachenko]

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

[imsosleepyofyourbull]

I talk about it a little in this post and its various comments, but I think that the themes of life, death, and immortality that exist within KNY are genuinely some of the most interesting parts of the series at large. The most prominent and straightforward example of this exists within Muzan’s desperate quest for a perfect eternal life, which directly conflicts with Kagaya’s belief in the longevity of the human will. The former is concrete, physical, and simple where the latter remains abstract and very difficult to define.

It’s obviously displayed in Kagaya’s death scene;

But is also scattered throughout the manga in different moments — Sanemi’s first meeting with Kagaya is one of them, because it’s where Kagaya first mentions how little he thinks his life matters when he has an heir to continue aiding and leading the organization for him. He finds his eternity in the long standing effort his family (both biological and chosen) has made and will continue to make in freeing the world of the demonic blight. Which is a philosophy that he makes sure Muzan knows is followed by everyone who fights and lives or dies for the organization and its cause. The young men and women who didn’t pass Final Selection, the demon slayers on Mt. Natagumo, Rengoku, and so on so forth.

He dies knowing that he has a guaranteed legacy, and that Muzan’s inherent nature as a demon means he will never be allowed to do the same. Why do you think he becomes so angry when Kagaya mentions how his death means the death of all his demons too? He knows just as well as Kagaya does how limited he is. There is no one to avenge him or continue his work if he fails the way Kagaya and the Ubuyashiki have always had the Demon Slayer Corps. And even when the organization disbands, they have the certainty of a peaceful, demon-free future waiting for them. That is what they have all worked for, and the desire for tranquillity will always exist within humanity no matter who the enemy becomes.

Yorichii understood that very well… but his older twin brother, Michikatsu, could not fathom it.

He was utterly befuddled by Yorichii’s smile as he thought of the uncertain future, imagining a generation even stronger and more capable of saving lives than they were. He didn’t help the Sengoku Era demon slayers develop breathing styles or teach them or do anything because he wanted to be remembered — it was because he believed in the cause as earnestly and as fiercely as the old families who had followed it for centuries before him. By his own admission, Michikatsu had become a demon slayer out of insecurity and jealousy. He questions how his younger brother managed to leave so much more of himself behind when he was the one who became immortal, but he did this to himself.

He abandoned his wife and his children alongside his personal honor and his dreams and his cause and that’s why he can’t even begin to fathom Yorichii’s hopes for the future even when its manifestation is standing right in front of him;

Together, Yorichii and Michikatsu act as the second biggest philosophical contrast in KNY. They are the everlasting legacy of a man who could not care to leave one behind and the forgotten samurai who was utterly obsessed with the idea of having one, but didn’t know what that really meant. Tanjiro and Muichiro are also wonderful examples of this, because Tanjiro has absolutely no direct relation to Yorichii, and yet he effectively acts as his heir. On the other hand, Muichiro is explicitly noted to be Michikatu’s descendent by Kokushibo, but he is originally thought to be a Sun Breather’s descendant and rejects Kokushibo altogether. More than that, Kokushibo is the one who ultimately kills him.

Michikatsu literally and metaphorically kills any chance he has at having a legacy with his own hands, while Yorichii aids Tanjiro long after death.

It’s a beautifully painful contrast.

[deathmetalunicorn1]

I’ve seen artwork of Eri dressing as erasure head and Miro. Can you write reactions for each of the Straw Hats, White beard, Shanks, Mihawk, Ryleigh Etc.

-A sense of dread washed over the vast seas, like something dangerous was about to happen, putting many on edge as they tried to find the source of it.

-The answer came in letters delivered to different individuals around the world, the letters themselves seemed to have the aura of death around them, which made several scared to open them, that is until they saw who they were from.

-Garp was your first victim of your newest activity, playing dress up, and he opened the envelope to find a letter from you, telling you that you missed him, along with a crayon drawing, but when a photo fluttered out, landing on the ground…

-Coby and Sengoku were the one to find Garp unresponsive, crying out to him, thinking he was dead before they noticed the photo in his hand, taking it before Coby fell back, clutching his chest, seeing it was a photo of you, dressed up like Garp, like a marine.

-Sengoku couldn’t help but chuckle softly, realizing how ‘dangerous’ you actually were.

-Your next victim was Perona, as the photo of you dressed as Mihawk made her melt with cuteness, gushing on how adorable you were. Mihawk was a bit calmer, but he was gushing just as much inside, unable to handle your cuteness before he smiled almost evilly, “I wonder if Red Hair got one?”

-Benn was exasperated as Shanks was on his side, a puddle of tears surrounding him as he was babbling, unable to form a single coherent word, ugly crying. Your photo reminded him of when he was younger on Roger’s crew, wearing Luffy’s hat and you were wearing a huge smile on your face.

-Whitebeard was admitted to the clinic with heart related issues, overwhelmed with cuteness, after seeing you dressed as him, wearing his giant cloak, as he recognized the surrounding area from when you were in Wano.

-Whitebeard got your photo enlarged and framed, putting it up in the galley so everyone could behold your unbearable cuteness.

-Law didn’t let anyone see the letter or the photo, because the moment he took a peek at the photo, he sprinted to his room so nobody would see him gushing, seeing you with one of Zoro’s swords over your shoulder and hugging a giant polar bear plush.

-Zeff was much like Whitebeard, enlarging your photograph, wearing a little chef outfit and hat, with your hair braided in front of your face, mimicking his mustache, he was proud while the other cooks were all dying from cuteness.

-The Straw Hats were all dying, seeing you dressed up like the each of them, holding, or trying to hold Zoro’s three swords and Usopp’s slingshot, wearing Chopper’s hat and holding cotton candy, wearing one of Sanji’s suit jackets, holding a lollipop in the kitchen, wearing one of Franky’s Hawaiian shirts doing his Super pose, wearing Luffy and Ace’s hats, wearing a child’s sized version of Jinbei’s yukata, holding Brooke’s violin, holding a map in Nami’s grove- each one of them were overwhelmed with emotions, finding you so adorable.\

-Robin was happy to do this, when you came to her, wanting to play dress up, as she got to make a photo album of all your adorable photos.

-You were clever however, as you got to surprise everyone else, as you enlisted Nami’s help with taking a photo of you wearing Robin’s cowboy hat and a pair of glasses, holding one of her books.

-When Robin came into your shared bedroom to put the last photo in the book, she was surprised to see her photo for you sitting on her desk, waiting for her. Tears welled in her eyes as she smiled, overwhelmed with joy that you thought of her as well.

[olinblogin]

Someone requested this but I lost the request so I hope they see this TAT

I also added Mihawk speaking Spanish in this- I’m using google translate so please correct me if I said anything wrong :3

CROCODILE X GN!TIMID/SHY!READER X MIHAWK

Shuffling through your papers, your hands shook and nearly made you drop all of them. It was the first time you’d ever been complicit in a Warlord meeting.

They usually didn’t let you into these kinds of meetings since you were just a lower rank, but still a bit higher than cadets. Only reason you were here is because Sengoku got sick with something and Garp is too busy trying not to choke on rice crackers to deliver this speech.

Sighing, you mumbled words of assurance tk yourself, “it’s fine, I got this. I got this.” you tried and tried, but it only seemed to make you more afraid and aware of you soon being in the presence of the seven deadliest pirates of the sea… well… apart from the four Yonkou’s, that is.

Twisting the knob to the room where they usually held these kinds of things. All seven warlords were sat around a table, some chattering about, some paying zero mind. The babbling consisted of Gecko Moria trying to threaten Bartholomew Kuma… and he wasn’t reacting, only sitting through his Bible he carried at all times.

Thankfully they didn’t seem to pay mind to you… besides two of them. By far some of the most intimidating of the two, Dracule Mihawk, and Crocodile.

Mihawk’s eyes bore into you as you walk past, golden eyes piercing into the back of your head as if he was skimming you with them. Choking back a shudder, you sped-walk towards Garp, who was, of course, eating rice crackers. You two whispered among each other; and thankfully, he had that relationship with you that calmed your severe anxiety. You saw him as a grandfather in a way… even if not blood related..

Letting out a little sigh, you positioned yourself in front of the table, clearing your throat and catching the attention of all seven of the pirates.

“I.. uhm-.. as you all likely know, there’s been a spike in pirate attacks and raiding in the east blue… we’ve tried stationing marine galleons in those areas but there seems to be some that are infiltrated and firing at marine ships that come in. As much as we’d like to limit violence as much as we possibly can and put an end to those pirates reins; we do need your help. We ask you to please, if possible, go into the East blue and search for their marine galleons that have been hijacked. We understand this is likely frustrating we’ve had to call on all of you do many times..-“

Your speech was cut off by Doflamingo, to which you fought back a sneer at his audacity.

“So you want us to go beat around some low-lives, that’s it? Fufufu… and might I ask what you of all people are delivering this speech for. I thought it was supposed to be Sengoku blabbering on. Not a pretty thing such as yourself… such a shame you ended up in the marines, though.” He scoffed. You couldn’t help but recognized the not-so-discreet glares from Mihawk and Crocodile sent his way… they were just oozing with Conquerer’s Haki.

“Please allow me to finish my speech, then we can talk afterwards…” you say meekly.

“But why? I’m just stating how it’s a waste of such a beauty as yourself getting pushed into the Marines like this. Why don’t you come back to my kingdom with me, I promise I’ll treat you right and make you feel bliss you’ve never f—“ with that, Garp had cut him off, “I’d like to ask you to please be quiet as Y/N said; save any questions for after they are done giving their speech.”

You gave a quiet ‘thanks’ to Garp, resuming your speech.

The meeting flew by faster than you thought… and you were thankful for that.

You skittered out of the room… after you have the speech Garp had promised to let you go around town for a bit… you slipped off your uniform and slid yourself into a black tank top and some cargo shorts.

Shuffling out of your room and out of the marine base, you wandered aimlessly around town; not having any goal in mind besides just looking around.

“Hello.”

You nearly jumped out of your skin when you heard a voice behind you.

A smooth, soft voice may you add.

Spinning around you nearly stumbled and fell, catching yourself clumsily.

“My apologies for startling you, cosa bonita.” You recognized the man as Dracule Mihawk. His cold, golden eyes were unblinking, staring into your very soul… it was no wonder he was called ‘Hawk-Eye Mihawk’.

“Oh.. uhm. That’s fine.” You’d mutter.

There was an awkward silence.

“Well, uhm… it was nice talking to you..” you turned to leave, shuddering when you felt his cold, calloused hand grab your wrist. “Wait, cariño, por favor. I have a proposition… one I believe you might be interested in.” His words lingered in your mind.

A deal? What was he about to say…

“Don’t scare the poor thing. They’d be better off with me anyhow, considering how freaky your place is.”

This time, a rougher voice. In a gust of sand whirling around, you covered your eyes with your arm, shielding then from the whipping sand until it formed a person, Crocodile. You could see the curl of Mihawk’s nose; offended by Crocodile’s backhanded insult… you felt meek. You were practically sandwiched between these two warlords.

“I’ll have you know.. the gothic architecture of my home is authentic.” You could hear the sass in Mihawk’s voice…

“Wait..- Wait, What Are you two talking about..? Does this have to do with Mihawk’s.. uh.. proposition?”

“The proposition. Right. How forgetful of me, mi amado.” Mihawk said thoughtfully. “I would like you to come back with me.” Your eyes must’ve been wide as saucers… because Crocodile smirked, flicking ash from his cigar. “Seems there’s a bit of a competition. I was going to ask the same thing. You should come with me; I’d shower you with gifts of gold. You’d be the ruler alongside me.” Crocodile spoke sweetly, soothing and convincing, his hand slithering up your arm until he rested a hand on your hot cheeks.

“I don’t believe they would enjoy waking to the hot desert every day. Besides, that would be quite agitating, the sand in your eyes, si, Mi amada?” Mihawk spoke just as smoothly. “I would cook meals for you every night. We could unwind in my study and drink wine… I have the finest server to you.”

“Tch. That’s nothing.” Crocodile mused.

“That does sound lovely, really but..” you cleared your throat and stepped back. “but I’d prefer to stay here, I think. I don’t really want to leave here because I don’t really want to leave Garp behind-“

“That slag will be fine on his own.” Crocodile interrupts, biting down on the cigar in his mouth.

“I know he’ll be fine.. I mean- yeah, he’s more than capable of taking care of himself. It’s more of an emotional attachment than anything.” The two let out a quiet ‘ah’ as they listened intently, softening their posture when you’d back away. After a moment of awkward silence you scooter away, “it was a pleasure meeting you, goodbye.” Before you scurry along the streets, getting lost in the crowd of people who battered the merchant stalls and haggled.

The stress collapsed when you could smell the familiar scent of spices. Even if the streets were as crowded as they were, you still felt a sense of comfort knowing there were people around.

A horrible fear of being alone, you had.

Through the winding crowd you finally made it to your safe space among the cliff side overlooking the vast ocean, a particularly beautiful glint among the oceans currents that the sun beamed down on.

Taking out your rice cakes you packed for your lunch-break you chowed down like a starving dog.

“It seems they don’t give you proper portions of food in the marines,” you nearly squealed out of fear and choked on your rice cake, whipping around to see Mihawk looming over you.

“N-no.. they feed us proper portions—.. ᴵ ᵗʰᶦⁿᵏ..” you spoke after swallowing a large portion of the rice cake that went down quite painfully.

“Is that so. Hm. If that were the case would you not be in the mess hall, and eating the food they provide, cariño?” He questioned smoothly, standing by you, keeping eye contact with you.

It made a flush creep up your neck.

“I get really anxious when being around people—“

“But you seemed to feel quite comfortable in that crowd not much earlier,”

You pursed your lips shut, unsure what to say. When the words finally came to you, they came out much meeker than you’d wished; “I guess I’m just really anxious at work..?”

Mihawk’s eyes narrowed, royal golden eyes pierced yours. “I see.” He said simply.

You both say in a somewhat comfortable silence as you—as quietly as you could—finished your lunch. “Where’s uhm..- Crocodile?” You asked, cleaning up your area a bit. “I’m not sure where that oaf has gone. There’s no need to worry for someone as he is, Querida.” Mihawk would hum quietly.

Just as if on cue, it was like Crocodile materialized behind you two. “Don’t taint the dear’s mind, you enigmatic man. We both know they need someone with real emotion.” You had no clue what to say after it clicked in your head.

Were they truly fighting for your affection?

A few comments—mainly from Crocodile—were passed, until both turned to you.

“Well, who will you choose?”

[sakumz]

____________________________________________

₊˚ʚ ᗢ₊˚✧ ﾟ. [ i. shu x fem reader ]

a/n : um... I got a shit ton of editing and rewriting to do lmfao, like there's a few shots for bllk and there's still that pending mysta fic. ૮ ⚆ﻌ⚆ა

____________________________________________

" sleepover... at a friend's house? " shu asked once more, hoping what he heard wasn't true.

" yeah. mom said I could go. I'll be leaving tonight, " his sister, motoko answers. rendering the poor man speechless.

" your friend isn't kitahara, right? " he questions, his eyes twitching slightly with what the younger man could do to his sister.

" n-no! it's a girl. her sibling goes to your school anyway. ah! if you're sooo concern, you could come with me. her sibling did say I can invite you... " without a second thought, he said yes.

the walk to your house wasn't as quiet. shu was asking his sister all sorts of questions to what or who you are. his sister doesn't know your name but describing your features wasn't helping them as shu can't recall anyone with said features.

" welcome! oh you really brought your brother along. I thought big sis was joking around when she said that, " shu wanted to scream, upon hearing your sister's words. you are a girl? motoko didn't specify earlier, he only came thinking this "sibling" was a guy and could take advantage of the situation.

" why are you making the guests wait out in the cold? drag them in! " hearing your voice calling from the brightly lit room, snapped him out of his little world.

motoko, being the angel she was, grabbed her brother wrist and dragged him along with her to the house.

" you're not gonna run away now, are you? " motoko whispers as shu gulps and shook his head, assuring her lightly that he won't.

as they got comfortable with your house after a little tour by your younger sister. everyone is seated in the living room by the table. motoko and your sister decided to do some light homework as you and shu sat quietly facing each other. you're on the phone as shu tries to distract himself by studying a little but he can't.

" you can't seriously be studying right, pfft seems a little uncharacteristic. " hearing you directly speak to him, made him jump.

" ne, motoko. let's go to my room! let's study there instead. " motoko agreed with your sister and they quickly pack up and go. leaving you and him alone.

" they say it's not safe to leave a man and a woman alone, you know. " you pout seeing them go.

" I won't do anything, I swear! also, where are your parents? how come, you don't mind me tagging along moto to your place? " he finally asks.

" oh that, parents are out on some sort of wedding anniversary thing overseas. I didn't really expect you to come, hahaha. I gotta tell toru and the others this. " snapping a sudden picture of the man, left him flustered a bit. looking at his face you double take a photo of him. one with his flush faced in.

" I can't believe you. you even know toru, yet I barely remember you besides being the council secretary. you don't hang around sengoku and remi- "

" I can't stand both of them, acting all lovey dovey especially remi! she won't stop running her mouth about dates and love around me. she tells me I should find love but well... its hard so I avoid them, toru and the others are ok to a certain level. hori and miyamura may be together but they're tolerable same with the other pair. "

hearing your outburst, left the man to think for abit before opening his mouth. he shouldn't put up an act and fake his happy bubbly personality infront of you especially right now since he's been quiet at the start.

" it's late and we should sleep, you can take the couch or you can sleep in my bedroom, I'll just take my parents room for the night. "

" oh I'll take the couch just fine, thanks. " just like that the sleepover was over in a blink of an eye.

" hey toru, wanna hit the cafe after school? " shu suggests as his dear friend agrees and they're there, ordering their meals before looking for a seat.

" ne, y/n y/n! you got your eyes set on anyone yet? you seem pretty happy today. " remi starts as you cough and place your drink down.

sakura pats your back as you thank her in between your fit of coughs. the boys decide to settle in the table behind yours, staying quiet as to listen in on the conversation. being your gaming buddy, toru is indeed very curious about the sudden tea remi was stirring.

" was it the sleepover? " sakura questions as remi looks slightly offended dropping her cookie.

" you had a sleepover and you didn't invite me? " she pouts, making you frown.

" it wasn't like that. it was between my sister and her friend... she invited her brother, that's all. "

hearing your words, shu blushes from the embarrassment of what you said as toru stops eating to fully focus on the conversation. remi and sakura are stunned but it doesn't stop them from prying further.

" h-h-her brother was at your house so it was just three girls and a guy? did he do anything, was he harsh- " sakura was interrupted by remis own questions.

" who's the guy? do you know him? " shu can't help but stand from his seat. the sudden noise of the chair screeching, left everyone quiet to look at the source.

" iura? " you called as the girls tilt their heads in confusion.

" he... iura was at your house? " remi clarifies as toru look at his friend that got up to throw his trash.

" yeah but not only that he's here too. that means... toru is here too. " hearing his name he can't help but turn to wave at you, he's been caught red handed. shu stops to greet you before moving back to his seat at toru.

" back to the topic at hand, " sakura brought the two of you back as the boys were still quietly listening.

" I don't even want to talk about it anymore, " you put your head on the table as sakura comforts you by rubbing your back.

" it's fine but I am still very curious, you must have caught some sort of feeling at this point, right? everytime he barges into some sort of space you're in, there's a slight smile that crawls to your face. you don't talk to him much, but hearing others talk is kinda enough for you to figure out what type of person he is. " remi sips her drink after her little statement.

" well maybe I do like y/n-san! " shu confesses as he turn around to look at your side, making the girls shock as well as toru and you.

" dude you're too loud. " toru whispers as shu was quick to cover his face.

toru could see your slightly red face from his seat, he wanted to laugh at how cute your love story was blooming. the girls couldn't help but be stunned with the confession. it wasn't towards them but it was pretty bold and it felt like the words carried too much love to be shared.

" I'm done eating, iura... let's take this elsewhere, " you called for the green haired man as toru gave him the ok to go, he just hopes you're gonna be nice about it and not hit him like what he thinks hori would do because his loud confession got a few stares.

sakura and remi was bursting with excitement as they bid you farewell. you and him walked to a nearby bench before taking a seat.

" you... heard everything did you? " you question as he slightly pray you're not gonna hit him.

" I wasn't the only one who heard... but yes I did I'm sorry, " he looks the other way, trying to avoid all eye contact with you.

" I'm not mad, I won't hit either. um, it is true... maybe I was falling for you but can you say it again? "

" say what? "

" the confession, this time on my phone hehe. it was so adorable how you shouted I like y/n! hahaha. "

" don't remind me, besides a love confession should just be remembered... but whatever makes you happy. ahem, I love you y/n. please be my girlfriend and go out with me. "

" I love you too, shu. I'll gladly be your girlfriend. "

thats when a sweet love story blooms between you two, everyone was shock with the news of the two people they least expected to date was dating. but those don't matter as long as you were both happy.

[daddiel-ish]

hi! ever since you started the pregnant law au (I don’t know what to call it other than that T.T) I was really curious how Garp would find out about the babies and Luffy and Laws relationship. I like thinking Garp finds out through the News coo and kinda laughs it off at first before he finds out that it’s TRUE.

Not worry! I've called it Pregnant Law myself so ahahahahah

For Garp, I imagine a thing like "Garp, it's your family again!". Maybe Sengoku threw him the newspaper where there was an article about Law's first pregnancy on the first page. A thing like "A child from the worst generation" and then a stolen photo of Luffy and Law in Dressrosa caught in a moment of intimacy (maybe Luffy touching Law's baby bump and kissing her). Garp obvs laughed cause c'mon that boy couldn't be Luffy. But the article was followed by a carousel of photos, and the scar under the boy's eye was confirming that the kid was, in fact, his grandson.

Garp went through a vast range of emotions, but in the end, he laughed. Sengoku looked at him like he was crazy and left the room murmuring "Your stupid family".

Then Garp immediately called his grandson ( he always had the number, found it, and kept it secret) to yell at him. "You reckless child!!!!! A SON?!?!? YOU!!!! WITH A PIRATE!!!! YOU'RE GONNA BE THE DEATH OF ME!!". The straw-hats listened to all convo where Garp yelled, and Luffy laughed.

He will never admit that, but he cried a bit... he was a great-grandfather, and he never thought to be granted that title-

For Baby number 2 (he still doesn't have a name), the one telling Garp was Law. She hated Marines but knew the importance of family, especially cause she saw how much Garp looked forward to Primrose. So she called him using a secret snail to tell him about his great-grandson. Garp yelled even this time, "You two need to find other things to do besides children!! Primrose is not even one!!", "WHEN I CAN SEE MY NEPHEWS, TRAFALGAR?!". He cried even this time, Law let him be, and she didn't tell anyone about it.

So, I can say that Garp deeply loves his nephews. He knew that even with them, he would fail all the marine things. Both their parents were pirates, and his grandson was the king of pirates! But this will not stop him from trying or loving them whatever they choose to be. He will not make the same mistakes he made with Luffy and Ace. He learned his lesson the hard way that day in Marineford.

Sorry, I would've liked to draw something, but I was exhausted, this ask was so----- I thought about it all day, and I needed to answer asap!!!!

[room-surprise]

I understand if this is outside your field of expertise, but do you think if the ornamentation of the clothing that (some of) the kobolds drawn by Kui wear is inspired by anything?

Actually this is exactly my field of expertise! I studied costume design for about two years in university before switching to something else :) So clothing is something I love looking at and talking about, and fashion history is one of my favorite elements of history in general!

HOWEVER, though I have some experience with subject, I'm not a fully trained expert in the field, and I know that I may not have all the answers, so please take what I say with a grain of salt. This is only my educated guess.

I'm assuming that you're talking about this page from the Daydream Hour book:

To start with, the caption says: "Kobolds that appear in foreign games and fantasy often have a reptilian appearance, but we chose an appearance that is more familiar in Japan." This doesn't tell us anything about their clothing, but I wanted to translate it to make sure it didn't say anything about their culture.

(You can read more about why the Dungeon Meshi kobolds are dogs in the Half-foot chapter of my Dungeon Meshi research project)

Kobolds likely live all over the world, but their large population centers are all located in the Western Continent, so that is probably the region they consider home.

So those two kobolds on the bottom left of the chart, who appear to be wearing European-inspired clothing, are probably living somewhere in the Eastern hemisphere, where Northern/Western/Central/Eastern European clothing is the norm, while the rest are likely from the West. So we can discard the European-looking clothes, since that's probably not a part of the kobold's traditional culture.

We have very limited information about the Western Continent, but these images plus what we know about Kabru (His name and Utaya's name are both South Asian, the dessert that comes from Utaya is South Asian) and the elves (several of them have South Asian names, some elves wear South Asian clothing and bindis) makes me think there's probably a strong Indian/South Asian influence in the Western Continent. It's a large land mass, so I don't think it's all South Asian, but South Asian culture is the only thing we have conclusive evidence of so far.

The majority of the kobolds are wearing brightly colored tunics with patterns on the hems, or what seems to be dresses/tunics made of draped fabric, also with hem decoration.

It IS worth noting that Kui avoids drawing elaborate patterns, even when it would make sense for her to do so. She does it only a couple of times in the manga and uses screentones instead whenever possible. So the simple hem decoration and single color fabric may just be an artistic choice that doesn't mean anything other than "I didn't want to draw a pattern." However, it's all we have to work with, so I'm going to assume it's intentional.

The repeated over-the-shoulder draped fabric the kobolds are wearing seems like it could only be a Greco-Roman style toga, palla, or cloak, or a South Asian saree. We have seen Western elves wearing garments similar to all of these on occasion, though obviously Kui has made some changes. As I say in my essay, I don't think any of the cultures in Dungeon Meshi is an exact copy of a real-world culture, Kui is remixing things together.

(Except for the Island of Wa, which seems to be entirely based on Sengoku-era Japan.)

Roman togas were just large pieces of cloth that they draped around their bodies, and they were usually white, with brown or black reserved for the lower-classes or for use during mourning, and purple or red reserved for extremely important people. Embroidery and trim, if they had it, was usually either very simple (plain colored stripes) or very elaborate (images of people, animals, or things).

So I think that rules out the toga as a possibility.

On the other hand, the saree and dupatta are also large pieces of cloth draped either around the body and over the shoulder (and sometimes the head), and usually they are either a single plain color, a plain color with a decorative trim, or an all-over pattern. This is a lot closer to what Kui draws the kobolds wearing.

(Pictures and more text after the cut)

Toga:

Saree:

The tunics the kobolds are wearing could be many things, as what's visible is not an uncommon neck shape. They could be something like a kurta, kaftan, or abaya (tunic/robe)... And there's probably a dozen other similar garments that I'm neglecting to name.

There are a million variations on the kurta, but these neck styles looks like what Kui is drawing on a couple of those kobolds.

However, some of the tunics COULD also just be a depiction of what is often called a "Viking tunic" or kyrtill (Nordic name for a kirtle or tunic).

However in Dungeon Meshi, the kyrtill is extensively worn in the Eastern hemisphere, primarily by dwarves, tall-men and half-foots. So I don't think the Western hemisphere kobolds are wearing them, and the style of trim looks different to me than what Kui drew.

Kobold fashion could also be influenced by any culture from North Africa, West Asia, or the Middle East, as these are also cultures that appear to dominate the Western hemisphere of Dungeon Meshi, and that have similar fashion cultures involving patterned textiles and draping cloth/veils/head coverings...

However, because of what seems like a large draping cloth over the shoulder, and the combination of trim with a solid color, I think the primary influence is South Asian rather than these other cultures.

I hope that helps! And keep in mind that Kui loves to remix things, so I'm sure there's elements from other cultures that would fit right in with what she's shown us of the kobolds, if you want to get creative with your fan works!

[prezaki]

Bucchigiri?! and 'being Honki' - a Show about Identity and Human Connection

With Hiroko Utsumi's newest work as a director now completed, I want to take a moment to discuss the thematic through-lines of Bucchigiri?! and explain why I think that the story was very coherent even if it first seemed erratic.

At the heart of the series is the concept of the Honki Person(TM) - and that's where the confusion starts. Leaving the word 'Honki' in Japanese for the subs suggests a lore-heavy emphasis on some kind of supernatural mechanic in-story. It caused many viewers expected a well-defined shounen-typical power system - but that isn't what Honki is nor what it was ever meant to be.

"Honki" is the Japanese word 本気, which means Seriousness, Earnestness (or doing something 'in earnest, for real' if used as an adverb). 'Honki People' literally just means 'Earnest People'

And thus "Honki" is doing double duty as a red herring Lore Concept and a regular word - an intentional ambiguity that is inevitably lost by translation.

In the show, the characters do initially think of the 'Honki Person' as a literal thing to become (a supernaturally powerful master martial artist) rather than as a state of being in which one is earnest - but the thing is that the narrative proves them wrong.

But before we get to that, we need to dig a little bit deeper into what a Honki Person is thought to be in-universe:

"Historically", those thought of as Honki were fighters who participated in conflicts 300 years ago - a bit after the end of the Sengoku Period, the continuously warring states that had defined Japan for two centuries. With the advent of the rigidly structured Edo Period, honorable fighters with no clear systemic alliance were no longer needed and the aspiring Honki People(TM) were mercilessly gunned down. This feels out of left field for an anime like Bucchigiri?! to focus on, so I propose a second more allegorical layer to impose over the literal pseudo-historical read.

Even beyond the historical fact that gun imports changed warfare, the usage of guns here is deliberate to represent something. Guns are associated with authorities, and contrasted against the Honki People(TM) shunning weapons and fighting only with their own bodies.

To be Honki(TM) means to be true to yourself and secure in your own identity - this is something that is a hindrance to a social system that relies on rules and groupthink to sustain itself. Supporting this assumption, the theme of 'death' by weapon/authority is mirrored in the show several times:

On the one hand, we have the NG Boys, a gang set apart from the other gangs in the story by their even more rigid hierarchical structure and their willingness to use weaponry. They all follow one leader, have one uniform look, and appear basically brainwashed into blind obedience.

The association of weapons=structure and authority is made pretty clearly through that alone, but is also enhanced by all the members of the NG Boys living under constant threat of being fed to the real authorities of society: the police. Fear keeps everyone in line.

And further, the idea of society as an oppressive force (especially to the lower class) is put into direct focus through Mitsukuni and Matakara. Poverty is brought up briefly before through Senya (our main Honki Person(TM) was a nameless orphan after all) and brought back with the Asamine brothers:

Mitsukuni wishes to escape his social status in order to offer a better life to his brother - and he's forcibly held down by the oppressive system around him.

The cop that causes Mitsukuni to go to jail is equivalent to the guns that shot Senya and Ichiya.

(Utsumi has explored this underlying socially critical current before. Not for nothing, her previous series SK8 opens with the memorable bridge of the title song reading: "before society can kill us".)

But Bucchigiri?! isn't about overthrowing the system. It's about the individual. Understanding the context about authority just helps setting the real theme into focus.

And that theme is to hold on steadfast to who you are and allow yourself to connect with others, even in various kinds of adversity.

After this long, long preamble, let's get to the actual main characters!!

Matakara and Arajin are people who are ruled by fear and who spend 11 episodes running from others and themselves in two very different ways.

Arajin is pretty hated as a protagonist, which amuses me a little, because nobody hates Arajin more than Arajin hates Arajin.

His past cowardice in failing to protect Matakara has clearly shown him that he is a pathetic person and he's spent his whole life since then trying to avoid being reminded of this. He avoids Matakara, the strongest reminder of his failure, but further than that he avoids connection with anybody that he could see as a peer.

Arajin is solely focused on finding love and romance because he feels inherently inferior to every person he would be invited to contrast himself against. He avoids other guys because he hates himself. He shuns connection and pursues only people (girls) he views as different enough to not invite any comparison.

Matakara meanwhile has major abandonment issues - he's lost his parents, Arajin, and his brother. Everyone important to him keeps vanishing from his life and in order to keep himself from feeling powerless about this he decides to blame himself.

If it's his own fault that people leave him (because he's weak) then there is something in his power that he can do in order to avoid being hurt again (becoming stronger). In order to maintain this state of motivational self-hatred, he puts others on a pedestal.

Matakara needs Arajin to be strong, powerful, honest and admirable... because that is the image he holds himself up by. In Mitsukuni and Arajin, Matakara creates god-like icons to chase after. And by doing so, he also shuns genuine connection.

Being confronted with Arajin as a flawed person gives Matakara a breakdown because it makes it harder to run from his own loneliness by focusing on chasing after Arajin.

Arajin is always running, but Matakara is always chasing... because he can't stand to look behind and face his monster.

In a lot of ways, Arajin and Matakara can't connect because they care about each other. Arajin can't stand what he allowed to happen to Matakara because he cared about Matakara. Matakara clings to Arajin because he loves him.

This theme of love hindering connection is again mirrored in two other characters - Senya and Ichiya, of course.

Ichiya, unwilling to confront his own terminal illness head-on, wishes to avoid it by goading Senya into killing him. By doing this, he can run from his own weakness and put Senya on a pedestal instead.

Meanwhile Senya is attached to their connection as-is and wishes to maintain this master-disciple dynamic forever - going so far as to deny his own strength in order to avoid acknowledging their changing dynamic.

Both of them are denying something about themselves.

It is their self-denial that makes their communication and thus connection break down.

Ichiya can't make Senya go Honki(TM) (which should have definitely been translated as an adverb here, e.g. 'failing to make him get serious') because he is also not HONEST with him or himself.

In the finale, Senya finally admits his motivations (his illness, his perceived weakness) and he is rewarded with the honest fight he'd been craving. They both stopped running.

This theme becomes even clearer through the two leads, of course, but even earlier than that it exists in Mahoro.

Mahoro's scene in episode 6 is the thematic linchpin that carried the whole show on its shoulders. Through Mahoro, everyone in the cast gets their first glimpse at true unrelenting Honki(tm) - and it is something totally unrelated to fighting prowess.

Mahoro is physically powerless against Akutaro, but she won't run. She has a heart that won't run away, the key quality of the Honki Person(TM), because she has an unshakable sense of self-identity.

It would be easy to dismiss her cutesy design as a contrivance to give Arajin a conventional-looking love interest despite going to Delinquent Academy - but it also says something about HER. Mahoro marches to the beat of her own drum. She does not care that she does not fit in, she does not mind being alone - she'll stick right to her own aesthetic and priorities.

So it's easy for her to call out Akutaro - and in doing so, call out the whole cast along with him:

You're empty. You are nothing but a shell, shaped by how you relate to those around you. You have nothing to offer.

And how are you supposed to connect with anybody, when you don't even know who you are?

(Notably, Mahoro is also a character who refuses to compromise on her self even for love - she knows she does not appeal to Marito, but she's not changing herself to be more his type. Her Honki does not budge, even for him.)

And lest you think I am exaggerating by connecting the theme of identity and emptiness back to all of the cast instead of just Akutaro: it does come back with Matakara.

Matakara can't believe anybody would know him and care for him, because he doesn't know himself.

For Matakara, facing himself means acknowledging his fear of abandonment rather than externalizing it as a hallucination of a literal monster.

But facing yourself doesn't just mean facing your demons, it also means facing your own positive qualities. And that is Arajin's story.

Even as Arajin turned into a scummy, evasive and selfish guy, there is a part of him that has a throughline to who he always was. He's someone who can get invested in others with reckless abandon.

Whether as a child with Matakara, or in the present with Mahoro... Arajin wants to connect.

Bucchigiri?! is a show full of innuendo and sexual gags. Merging with a genie gets equated to sex, fighting gets equated to sex... and of course this is for laughs, but it's also thematic.

Because all these things are about connection. About facing someone else with your whole self.

On a literal level, yes, Arajin absolutely wants to get laid. This is his sincere desire, and good for him.

But at the same time, his battle cry of 'I want to lose my virginity!' is him crying out for a real connection, even at a time when he shunned the idea thereof.

In the end, being a Honki Person(TM) has nothing to do with fighting. Fighting is the way a lot of the rough and tumble guys on the show like to connect, but it is not the only way to do so and not the only way to be Honki(TM).

Arajin never learns to love brawling - he did it out of circumstance and necessity, but it's not his hobby. He does not need to discover some hidden love of fighting, because this show fundamentally isn't about how 'fighting is inherently good' or anything.

It's a show about how even when you hate yourself and think you're as low as it can get, acknowledging your own self in full is the first step to finding a real bond with somebody else.

It just also happens to feature a bunch of delinquents who love to punch a lot.

[doumansshrine]

Kokushibo x Wife Reader/Soft Wife Reader

You were his wife that is living a happy life with him in the Sengoku Era after he turned into a demon. You knew he abandoned his previous family to become more stronger and looked for a fresh start to have a new family since he couldn't bear to go back to his previous family, though you were upset at the fact you couldn't have children with him after many attempts to get yourself pregnant with his child you loved him with the pureness in your heart to the point where when he asked if you would want to stay with him forever, you said yes and like the faithful wife you are, drank the blood that he offered to you.

After becoming a demon you were sheltered from the horrible things a demon would commonly see, he loved the fact that you were an innocent thing that hardly ever knew about negative things as you were from a noble family that was loved and cherished and was hidden from this wicked world and escaped due to forced marriage.

Kokushibo kept a close eye on you even after you turned into a demon, he never left your side whether you were sleeping, eating, or just laying on his lap like a cat who loved their owner but he respected the boundaries like when you are taking a bath or changing. You and him fought sometimes but after an argument you would calm yourselves down and try to listen to each other first and solving whatever came in the way of your relationship.

When demon slayers came to trouble the peaceful life, Kokushibo would put your safety first even though you have told him you were fine each time, he had a fear in is heart that someone would slice you while he didn't notice and would lose you forever.

The very reason why he made you into a demon was to preserve your beauty and your personality, though it worked, he felt guilty to see you filled with disgust when you saw raw human flesh he couldn't stand seeing your weak figure as you starved yourself not wanting to eat the flesh that he forces in your mouth, you gave in sometimes but ate very little and at times you would be the one to actually prepare it first and wait for him to come home after a task that as offered to him by Muzan, though you watched him eat the meat you didn't want to even put it inside your mouth resulting in Kokushibo feeding you in unique ways to get your hunger rising.

The Fight of Kokushibo Part:

You were spending time with your husband like the usual as you sat on his lap resting your head on his shoulders and giving each other affection from time to time.

Until.. a fight broke out and disturbed the peace, Hashiras came in the room like hostile creatures preparing to fight, Kokushibo kissed your forehead and left you on the floor panicked and scared as he protected you, he fought and fought until he was gravely injured, you ran to him despite knowing you might get hit, you clung to him for dear life and healed him with all your strength while crying and pleading for him to retreat before he dies in the battle, but he became cocky in his abilities and placed you aside in a hurry and began to battle them once again.

The Hashiras stopped fighting seeing you being laid aside crying and asked if you two wanted to live, Kokushibo barks that he didn't want humans interfering with what he's doing with his wife, even though you were pleading for him to retreat and go somewhere far with you where you two wouldn't be touched.

He didn't care and fought till he turned into his 2nd formed and upon seeing his reflection he was disgusted to see that you still loved him despite himself not being handsome as he used to be when he was human, he looks at you still crying while you ran towards him in a panic as you grabbed him away from the blades and glided to the other side of the room holding him in your arms, you plead for them to stop and hugged your husband tightly as he slowly disintegrated.

You clung tightly to him and healed him to the best of your abilities but nothing worked, as he disintegrated slowly you watch him cup your face and kiss your forehead, telling you to leave him and find safety, you refused and sacrificed yourself infront of Kokushibo, trying to get the Hashiras to land a slice on your head.. Without him you didn't want to be alone where no one would protect you, or tend to your needs but mostly you didn't want him to be alone, burning in hell alone, you'd rather burn with him to keep him company...

"I'll stay with you forever, Michikatsu.. no.. Kokushibo.. it's what I wanted even if I'm a burnden, useless, or failed wife.."

[grandlinedreams]

This is totally calling myself out with (why I’m anon 😭), but would you be comfortable doing unexpected pregnancy trope w/ Law. Or just the pregnancy trope in general. I absolutely adore it, but I do know a lot of people don’t/aren’t comfortable with it

Ough i have a request in my drafts that I'm working on that's got a tad more of an angstier spin on this so I'm gonna use this one to give him the happy ending we all hope he'd get :')

[Heads up!: fluff, married!law makes me wanna gnaw my arm off, afab/fem aligned reader, I think Law'd do his best to be a good dad and I will die on that hill]

Truth be told, Law never thought he'd make it this far. There have been a hundred odds stacked against him, tipped the scales in their favor over his ㅡ and somehow, he's still here.

There are days where he wonders if it's worth it, if he's worth it ㅡ and then he remembers Sengoku's words about Cora's sacrifice for him.

"Don't ever attach a reason to the love you've been given."

He's been loved ㅡ by his parents, by Lami, by Cora. By his crew, his friends ㅡ and you. You, who've been patiently by his side this entire time, fighting for a future that's worth sticking around for.

And now he has it. The metal band around his finger is still new to him sometimes, and he fiddles with it when he's lost in thought, rotating it as the little stones shimmer. It's not anything extravagant ㅡ but neither of you had wanted that.

"Who cares about rocks and the money for them when I have you?" You'd said when he asked, staring at him with such conviction his chest hurt.

"Law?" Your voice brings him out of his thoughts, finding you standing a few feet away from where he'd been zoning out as he stared out the kitchen window over the sink. The house the two of you own is modest, but it suits the two of you and Law still has a tough time accepting the fact that he owns a house now, rather than just a submarine. (For man who's spent most of his life uncertain he'd get a tomorrow, he's settled into domesticity surprisingly well for the most part.)

"You were gone when I woke up," he says by way of greeting, catches the nervous fidget of your arms, tucked behind you as you rock back and forth on your feet. "Where'd you go?"

"Town," you answer and when he frowns, you sigh. "I wasn't there long, and I've never once seen a wanted poster. We're not pirates anymore, you know."

"Can never be too careful," he intones, watches you mouth the words with him in a way that suggests it's far from the first time you've heard him say it. (It's true. He's said it a lot.) "Does it have to do with what you're hiding behind your back?"

"Maybe," you singsong before you bring your arms out from behind you, a neatly wrapped box extended towards him. He blinks, then his brow furrows.

"Did I miss an anniversary?"

"No."

"Is it your birthday?"

"No."

"Is itㅡ"

"Just open it, Law." There's an undercurrent of nerves to your tone as he takes the box from you, watching him as he sits down at the table to unwrap the thin bow of red ribbon around it.

You wait with baited breath as he sets the ribbon aside, pops the lid off of it ㅡ and pulls the contents out. You know exactly what it is, having spent the last few days trying to come up with the perfect way to tell him.

Law stares at the cloth in his hands. It's small, made of soft fabric and little metal buttons at the bottom, spaced between where two legs should go ㅡ oh. Oh.

And all at once, it clicks.

"You're pregnant?" He doesn't mean for it to sound like an accusation, only that he's aware neither of you'd been really trying yet ㅡ content to take one day at a time, together.

You nod. "I'm way late on my cycle, and given how lousy I've felt recently..." You watch him stand, leftover nerves making you ramble as he approaches. "I mean I know we've talked about kids but haven't wanted to really try yetㅡ"

His arms wind around you, holding you to him gently. There are a thousand thoughts that race through his head, of what-ifs concerning your health, the baby's ㅡ the fear that he's somehow passed on the disease he's long since been rid of.

He exhales against the top of your head, pushes the worries and fears back. He can deal with those later. Instead, he focused on what he can handle right now. "How far are you?"

"Not sure," you answer. "If we go by cycle, a month or so? Could be earlier than that."

His grip tightens. "You're pregnant," he mumbles, almost to himself. "We're having a baby."

You nod, letting yourself cling to him the way he is to you. "You're going to be a dad, Law."

The thought of fatherhood both excites and terrifies him ㅡ what if he's a horrible dad? He knows absolutely nothing about babies beyond what he remembers from when Lami was born, which is hardly much of anything.

"It's okay to be scared, Law." Your voice is soft, whispered against his chest. "I am too. But we'll do this together, okay? We'll be fine."

Law holds you to him, presses his lips to the top of your head as he thinks of the future. You, him, and the little piece of you both, growing inside you.

"Yeah," he finally says. "We'll be just fine."

[inukag-archive]

do you know any nsfw stories that are set immediately after kagome comes back after the 3 years? It can be a chaptered story or oneshot

Thank you!!!

superpyku asked:

Hello, I love a good post-canon fanfic where it describes what happened when Kagome came back from the well. Doesn't need to be a long fic about their life thereafter but one about what happened during and immediately after their reunion will be good. Would love to know your fav list of such. Thank you

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We love a good reunion fic! The list below is full of stories that take place right as Kagome returns to the Feudal Era and immediately after, split into NSFW and SFW for whatever mood you're looking for. There are a lot of fics like this out there, but we capped ourselves at 20 to keep the list at a reasonable length. Feel free to add your favorites in the reblogs/replies!

If you're looking for more post-canon goodness, you can also check out our other post canon lists:

Post Canon

Post Canon NSFW

Post Canon / Canon Fluff

Happy reading!

[NSFW]

Dearest by @kitramune (M)

After Kagome returns to the Sengoku Era, Inuyasha and she explore how deep their devotion really goes.

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Linked by Alyxandra (E)

Inuyasha and Kagome experience their first night together three years after the disappearance of Shikon no Tama.

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When She Comes Back by Karaumea (M)

The story of his wait, her return, and their reunion. One-shot lemon that takes place during and after the last chapter of the manga.

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Her Time by @keichanz (M)

All he wanted was some of her time, but as it turned out, so did everybody else. He'd have to make it clear that while they merely borrowed her precious time, he stole and hoarded it for himself, because in the end, she and everything about her belonged to him.

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The Return by Sweet Inu Girl (M)

Kagome has returned to the feudal era after three years. Finally feelings are revealed and a new life begins for our favorite miko and hanyou.

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Coming Home by @ruddcatha (E)

The day Kagome returned to the Feudal Era, Kagome and Inuyasha came out of their long nightmares. When they are finally alone, confessions are made, feelings are revealed, and a decision is made that impacts the rest of their lives.

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After the End: New Beginnings by @splendentgoddess (X)

Welcome to my official post-manga universe! This introductory story takes us through Kagome's return to the past, and her developing relationship with Inuyasha. The first installment of what will be my "After The End" series!

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To Fight For Tomorrow by @sarah-writes-stories (E)

The shard hunt...the battle with Naraku...it was only the beginning.

Their past held a terrible prophecy. Her future, the terrifying result. Kagome had finally been allowed to return through the well...but it wasn't luck that granted her wish.

The red threads of fate had always tied them all together, had always guided them towards each other. Now, as new powers are revealed and souls are healed, their destiny becomes clear.

Theirs is a quest that requires everything they have to give.

Theirs is a battle they cannot afford to lose.

Theirs is a fight to protect tomorrow.

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Come Back To Me by jyvonne13 (M)

After defeating Naraku, Inuyasha and Kagome were separated for three long years after the well closed. What happens on that fateful day when Inuyasha catches her scent after so long? What do the two of them promise each other and how do their lives change from this point on?

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With You by Animetey (E)

“Kagome, did you come back to see me... and to be a priestess? Cause I thought...or, I’d hoped... that you came back to be with me.”

Everyone has their own version of what happened the night Kagome returned, this is mine.

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[SFW]

White Dogs on Blue Cotton by @artistefish (T)

Caught up in the rush following her unexpected return to the past and to the man she loves, Kagome realizes a little late that some of her wardrobe choices aren't quite as private as they used to be. Post-canon, InuKag reunion, super-duper fluffy.

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Hearts Returned by @mrfeenysmustache (M)

A sweet moment alone after a long day of welcome backs.

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Love Language by @shikonstar (T)

When Kagome returns to the past, a love-starved hanyou is hoping for some words of affirmation.

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One Day With You by @hanmajoerin (G)

After spending three years in the world she grew up in, Kagome is able to return home.

A three years later reunion fic.

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Inukag Fluff Week 2022 (Chapter 3: Hot Springs) by @inukagbot (T)

inuyasha is a thoughtful, soft little puppy who missed his girlfriend very much so he decides to do something nice for her like the Good Boyfriend he is. confessions ensue.

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Clashing Emotions by PureKagome (K)

Kagome has finally returned after her three year absence. And what is the first thing Inuyasha does? Screw up.

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Stay By My Side by PotatoButt (G)

Kagome finally gets to return to Inuyasha's time after three years.

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A Not So Modern Convenience by doggieearlover (T)

Post Manga Canon. Kagome is worried about InuYasha's happiness while he has the same concerns about her and tries to do something about it.

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Kagome's Got To Go by @ajoy3fanfics (NR)

The way Yuki and Suki saw it, this Kagome woman needed to go.

From the first day she came, they knew she was trouble. They had been playing a perfectly fun game of 'who can annoy uncle the most' (It was always Suki), when he suddenly stood up, passing them off to Shippo with a distant look in his eyes. Uncle was fast, there was no question about that, but unless there was a reason for him to be on high alert, he was downright lethargic. Still, Uncle Inuyasha needing space wasn't anything new, so it wasn't terribly worrisome that he took off at high speed; It did, however, raise a few red flags when Shippo shook them off and headed in the dog demons direction, screaming "it's her! She's back!"

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Snapshots of Life After the End by ananova (T)

A collection of post-canon after the anime and manga end interconnected drabbles that show bits of Inuyasha and Kagome's life together. Not posted in any particular order.

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Feel free to add your own recs in the comments or reblogs! Check our Masterlist of previous lists to see which topics we've covered.  After reviewing our submission guidelines, send us an ask (here).