#Securicor
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BECAME A CRASS FAN OVERNIGHT AFTER HEARING THIS MAN'S VOICE & BASS LINES.
PIC INFO: Spotlight on my all-time favorite member of the English anarchist punk band CRASS, Pete Wright, a.k.a., "Pete Wrong," bass guitarist and occasional vocalist, performing live at St Phillips Community Centre, Swansea, Wales, UK, on 9/24/1981. đž: Steve Rapport.
"...IÂ think that's where we were so opposite, our backgrounds. Then when you put into the equation, Pete Wright, his background came from FRANK ZAPPA. So you had this real mish-mash that we were all trying to put into that stuff."
-- STEVE IGNORANT on CRASS' mish-mash of influences, "Interviews: The Story of the Crassical Collection," c. March 2013
Sources: www.roilnoise.com/crass.htm & www.punknews.org/amp/50808/interviews-the-story-of-the-crassical-collection.
#CRASS#Pete Wright#Bassist#Anarcho#Second Wave UK punk#UK punk#1980s#Bass guitarist#Bass guitar#Bass player#Pete Wrong#Anarchist punk#You Pay#Securicor#Swansea#80s punk#Bass#Punk rock#DIRT band#CRASS band#CND#Swansea UK#Swansea Wales UK#Photography#DIRT#Punk photography#Wales UK#CRASS 1981#Anarcho punk
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George visiting Liverpool Institute, early 1980s. Photo by Derek Taylor, courtesy of angelcakepics on Twitter.
âAt the end of the year, George and I drove to Liverpool and covered old haunts, Speke, Hale, the Institute, the Cathedral and the Philharmonic Pub. There was a nasty moment in Grafton Park, West Kirby, when a Securicor man drove up to my old house, number 27, where I had spent 25 years planning escape. Putting his camera away, George and I made our escape by fast car, not wishing to go into a long explanation of why one of the former Beatles was taking Instamatic pictures of someone elseâs house.â - Derek Taylor âThe Big School, Liverpool Institute, was a real pain in the neck. [...] It was such a dump [in the 1950s]. It could have looked good. It could have had the paint scraped off the woodwork and been decorated like the Victoriana it was. I took Olivia to see it. Coming from California she couldnât believe it. There was a night-school on so we were able to wander around and look at all the rooms where I had been.â - George Harrison, I Me Mine (x)
#George Harrison#quote#quotes by George#Derek Taylor#Olivia Harrison#George and Olivia#George and Derek Taylor#1950s#1980s#Liverpool Institute#fits queue like a glove
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Tracklist:
Asylum âą Do They Owe Us A Living? âą End Result âą They've Got A Bomb âą Punk Is Dead âą Reject Of Society âą General Bacardi âą Banned From The Roxy âą G's Song âą Fight War Not Wars âą Women âą Securicor âą Sucks âą You Pay âą Angels âą What A Shame âą So What âą Well? ... Do They?
Spotify âȘ YouTube
#hyltta-polls#polls#artist: crass#language: english#decade: 1980s#Anarcho-Punk#Punk Rock#Art Punk#Avant-Garde#Avant-Punk
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Private Sector Good, Public Sector Bad? (2)
This is the second part of a look at former public services and utilities in Britain that have been privatised in the name of neoliberal economics and the mistaken belief that private enterprise is ALWAYS more efficient than publicly run bodies.
Prisons
The first privately run prison in the UK was opened in 1992 under a Conservative government and private sector involvement in Britainâs penal system has grown steadily ever since. The UK is now second only to the USA in the number of privately run prisons.
Premier Custodial Group was formed in 1992 and in 2005 was the largest private company running UK prisons. It was a joint venture between the American private prison operator Wackenhut Corrections Corporation and the British firm Serco PLC. From a turnover of ÂŁ7.52 million in 1994 it had increased its revenues to ÂŁ127.4m, with pre-tax profits of nearly ÂŁ10m, paying out a ÂŁ2m dividend to shareholders. In 2002 Wackenhut was taken over by Group 4 Falck.
In 2003 Serco gained control of Premier, estimating that Premier's
 âincome over the life of its existing contracts for five prisons, one secure training centre, two immigration facilities and court escort custody and electronic monitoring services was ÂŁ2bnâ (Cited in Prison Reform Trust: Private Punishment :Who Profits; January 2005)
Group 4 Securicor (G4S) was a company created in 2004 when Group 4 acquired Securicor. Since these takeovers these companies have gone from strength to strength, with Serco, G4S, and GEO Group branching into immigration and other services.
In 2018, the Guardian reported that the Home Office paid these companies:
 âhundreds of millions of pounds to run the UKâs immigration removal centres, but no one knows for certain just how profitable the industry isâŠCommercial confidentiality agreements mean the Home Office and outsourcing companies are not obliged to publish detailed financial information about immigration detention centres in the UK.â (Guardian: 10/10/22)
In 2022, one of these companies, Sodexo was awarded a ÂŁ264 million UK prison contract over a ten year period. On receiving the contract, Paul Anstey, CEO, Government, Sodexo UK & Ireland stated:
âOur vision is to provide a secure and safe environment which reduces re-offending through education, builds new skills and offers respect, equality and inclusion.â (Facilities Management Magazine: 16/08/22)
If only that were true! As long ago as 2013 Sodexo Justice Services was facing charges of prisoner torture and degradation.
'Cruel, inhumane and degrading': Female prisoner kept segregated in 'squalid' cell for five years.â (Independent: 21/08/2013)
In 2016 a video of naked Prisoners pretending to be dogs led to an investigation into violence and humiliation of prisoners by Sodexo. In September 2017, a female prisoner died under Sodexo care. An inquest into her death concluded:
âserious failures at Sodexo run HMP Peterborough contributed to death of Annabella Landsbergâ (Inquest: 04/04/2019)
Another prison run by Sodexo was accused of residing over a âspiceâ epidemic, which led to the death of a male prisoner. (Manchester Evening News) In 2018 Sodexo was again accused of neglect and systematic failures resulting in the death of yet another inmate. In 2019, a different prison run by Sodexo was accused of âsystemic breaches of inmate human rightsâ.
In February of this year 20 prison staff resigned from the Sodexo run HMP Lowdham Grange, which was deemed so unsafe the government was forced to take it over.
The appalling levels of service cited above are not restricted to Sodexo alone. In her book âProfiting from their misery: Britainâs private prisonsâ, Hatty Nestor reveals that:
âoutsourcing companies like G4S encourage prisoners to work 40-hour weeks, all they are paid (is) as little as ÂŁ2 an hour. Such practices amount to slave labour. Companies are profiting from prison labour, paying fewer well-trained, low staff wages. In private prisons, staff are paid 23% less than public prisons, and they also outsource security, healthcare and cheap food. Private prisons aim for a profit margin of 8-10%, which is met by cutting costs and the increased exploitation of staff and inmates.â
Given that privately run prisons pay their staff less, are more overcrowded, and employ fewer prison officers you would think they would at least be more cost effective yet this isnât the case. The governments own figures for 2022/23 reveal that it cost ÂŁ32,762 per prisoner, per year in publicly run prisons, while the cost for privately run prisons was ÂŁ33,628 per prisoner. (Ministry of Justice: âCosts per place and cost per prisoner by individual prison.", 21/0324)
 What is more, the government gives 23% of its allocated budget to private companies despite the fact their prisons only house 15% of the total prison population. It seems that whichever way you measure private prison success (apart form profits for its shareholders) private prisons do far worse than those still in the public sector.
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17. where it lies
back - next The street running west from the bus depot was a long, drab six-lane road, quiet in the early morning, lined by flat concrete buildings set a way back behind crumbly walls and gravel lots. A deep drainage ditch ran most of the way down between the road and these orphaned businesses, clotted with grass so thick that if it wasnât for a certain floating, swampy appearance to the green here and there it could easily have been mistaken for a very lush verge. It was an easy kind of road to drive, probably, eventless and easy to coast down on the way to somewhere else. It was not really a road meant for pedestrians. With its tiny cracked sidewalk, clearly an afterthought, and breaks every few metres for drive-ins and turnings, it was an awkward sort of road to find yourself walking along at any kind of speed. And Antonio had to walk fast, because Mark was walking faster. Generally, Antonio could have kept up with Mark at any pace, but there wasnât a lot of room on the little strip of broken asphalt, and every time he tried to catch up enough to draw alongside, Mark picked up his pace, like a deliberately aggravating relative of Zenoâs tortoise. Concern that Mark would miss his footing and walk into the swamp, or simply pick the wrong time to step off a kerb and turn himself into road pizza, kept Antonio about five steps behind, more than a little alarmed, trying to make himself heard.
âMark, Iâm sorry about your phone!â he tried, for maybe the fourth time. A white-green semi roared by, throwing up mist and drizzle from its long spooling wall of tyres, and he had to wait until it passed to try again. âIâm sorry, I was only trying to- Mark thatâs not a crossing-â He darted over the little side-road after Mark, picking up his feet to avoid getting clipped by a Toyota waiting to turn. The driver raised his hands at him in a frustrated pantomime behind the windshield. âSee, even this guy gets it,â said Antonio, skirting the carâs front bumper and hurrying to catch up again. âMark, listen, Iâm sorry, I promise I wonât-â âI donât care about the phone,â said Mark. Antonio could only judge the veracity of this statement from his sped-up sort of trudge, the hard rigid set of his shoulders inside the soft blue quilting of his jacket, the way his backpack was drawn too tight against his back by his arms set tight in the pockets, like a thing that had been assembled in store to only pose one way, ready to snap if you tried to make it bend. âWell, okay, but the- that video, Mark, can we-â âI donât want to talk about it,â said Mark. âItâs fine.â âI mean, itâs clearly not fine,â said Antonio, making a sort of wide panicky arm motion that encompassed the whole way theyâd come, the bus depot a tiny grey clam-like lump somewhere in the far distance, the great empty stretch of road under the early sun. âYouâre not fine, youâre- youâre mad! I can tell youâre mad, and- and this wasnât the plan-â âNew plan,â said Mark. â-no, well, just, hold your horses, Mark, could- could you please just slow down and- talk to me? Come on, I- I thought we were over this.â âWe are,â said Mark, to the horizon, or at least the closed-down steakhouse that was in the way of it. To his credit, although he was rather out-of-breath, to most people he would have sounded fairly calm, but Antonio knew him far too well to mix up Mark truly calm and Mark making a cold-blooded, conscious decision not to engage his emotions or his full attention, even if he couldnât see his face. âWeâre over anything we need to be over.â He was still going very fast. The next intersection had a long pothole-studded gravel trap instead of a kerb, and it just so happened that he stumbled and slowed a bit on the runoff when he came to the next turning, and therefore walked neatly behind the large Securicor truck as it thundered across, instead of straight under it. âJiminy Christmas,â jittered Antonio, hopping on the spot as he waited to be able to cross and catch up. When he did, or at least got back to within raised-voice range, he said, âIâm just worried, Mark! I just want you to-â âWhat?â There was an edge to Markâs voice now, something that might have been mockery if it hadnât sounded so flat. âWhat do you want me to do? Smile? Turn that frown upside down?â âYou know thatâs not what I meant, Mark. Sometimes I feel like thatâs the kind of thing you want me to say. Jeez, itâs like- itâs like youâre testing me or something.â Mark did look at him, then. His step faltered as if his legs had temporarily forgotten which order to go in, almost tripping him, and he stared back at Antonio like heâd just casually remarked that the Everglades had finally lost their patience with the planet and flipped back up into space. âIf you were me,â he said, at last, âif you can imagine that.â He paused. âIf you can imagine. If you were me, would you trust you?â Antonio had to unravel the various pieces of the questionâs construction before finding an answer. There were at least less opportunities for Mark to turn himself into a statistic on this block, most of it being a wide fenced-off opening to what had once been a minigolf course. Attempts had been made to catch the attention of passing traffic, the most obvious remaining being a goofy concrete alien about ten feet high. It had probably looked pretty astonishing when the course had been open, when the CRAZY SPACE GOLF sign had been fresh and new, but time and neglect and the Florida heat had not been kind to it. The green-and-pink neon paint was holding on in shreds, and the stained rebar was poking through the concrete in places, giving the lumpy tentacles and clustering eyeballs a grim, zombie-ish look. âI mean... I trust you, Mark.â âI bet,â said Mark, drily. âLast time I checked I canât tear fucking doors in half with my hands, why wouldnât you trust me? What could I do to you?â âThatâs- not really fair.â âI donât have to be fair,â Mark snapped back, so quick he seemed to have been sitting on the response. âBut you tell me, whatâs fair, Antonio? Personally, I feel like fair is not blaming you for everything you did before you- before youâre telling me you âchanged.â See, I donât get to know what that really means,â he said, taking a few incidental steps backwards, describing a vague shape in the air with the hand not wrapped in a death-grip around his backpack strap. âI just have to believe youâre not lying, and Iâm a little short on belief, here. Have you got any idea how much I hated you?â âEeegh,â said Antonio, sucking an unhappy little breath in his teeth. âIs, uh, is that a rhetorical-â âSo, yeah, Iâm being fair, and Iâm testing you. Like how I took you to Dadâs place with me, because I thought watching me dig around and take all that stuff would upset you,â he said, with a clear and vicious emphasis, âif you were still just there to make sure I didnât make trouble for them.â âWhat about the part where your new dad showed up and we pushed him off the balcony?â Mark looked away, across the empty yellow swathe of asphalt. The rain was getting a little harder, speckling the reflection of the road in his glasses with a fine blueish mist. âThat... wasnât part of the test.â âSo- so when do you stop testing me, Mark? Because- because while youâre doing that, letâs just shelve that for a moment,â Antonio made a sort of cubing gesture, defining the limits of an invisible object between his hands, squaring it up neatly like a whole stack of Better Homes, âjust tabling all that for a second here, if we can just have a little olâ chat about all the stuff weâre doing now? I totally get it, and I get why itâs important to you, but- heh- I just- Iâm not sure you know how much they...â It felt as if he was choosing all the wrong words, but the better ones were hiding. Antonio hesitated, swallowing another terminally nervous chuckle, finding himself suddenly way too far in to put on the brakes, with Markâs eyes on him and his tongue withering in his mouth. He gathered his thoughts, or at least as many of them that he could drive into a corner. They kept getting away from him, scrambling everywhere like frightened sheep. The place heâd arrived at felt dangerous, heavy, needling in a way he didnât fully understand. His guts felt tight, the bug drawing close, gripping like it was trying to hold him together. âIâm not sure you- I donât think you understand, they really donât like this kinda thing, Mark. They donât like having their⊠they donât like it when peopleâŠâ He struggled. âIâm worried, if we go too far, I mean, if we donât stop before⊠ifâŠâ âStop what?â asked Mark. âWell, stop making them mad.â Yielding to a burst of nervous energy, Antonio grabbed a bunch of the front of his shirt in both hands and wiped his running nose and eye on it. âStop poking that big olâ bear so much, Mark. Be-â âHow much,â said Mark. âPoking. Am I allowed. To do.â Antonio thought, not for the first time, that a person really should need to apply for some sort of license to use punctuation like Mark did, as if it was a deadly weapon. The next minute, he was too frightened to think anything at all, because Mark started walking backwards again, eyes fixed on him, and now with a sudden deliberate movement he had stuck out his thumb and was holding it out as he walked, aimed towards the road. âWhat are you doing, Mark?â Following again, quite slowly now, Antonio tried to smile, although it felt like the effort nearly tore something, just from the sheer resistance of his throbbing face and everything involved in the mechanism. âIs this another kind of test?â âYeah,â said Mark. A few cars had passed without any signs of stopping, and he glanced to the road and stepped closer to the verge, for better visibility. âSure. Itâs the kind of test where I leave, and you donât get to know where Iâm going.â He kept walking. Antonio watched helplessly, fighting the urge to sprint forwards. It was hard enough for him to hold on to time and place, and his worry for Mark and his panic twisted the world, blurring it until he couldnât be sure whether he was trying to keep pace with Mark on a long road under the rainy morning sky, or in a black twisting hallway where the ceiling gaped like a ruptured chest, if he was chasing after Mark or if Mark was trailing doggedly behind, or if there was no difference and they were trapped, chained to an unstoppable thing beyond both of them, a turning wheel crushing them both. Struggling to escape, going nowhere, dragging each other along or sitting side by side, his right shoulder to Markâs left, meaningless cycles of motion and stillness, over and over and over and- The thought tripped him up, stopped him where nothing physical could have. Somewhere in his head he knew that he did not want to be trapped and he did not want Mark to be trapped, and although when he thought of Mark just picking up and being carried away without him the panic was horrible, that was all it was. The more he thought, the more something else rose under it, hot and lurching, destructive and new. He stuck out his thumb. Mark looked at it, and him, his own thumb still out like heâd forgotten it was there. âWhat- whatâre you doing?â âWell, I guess Iâm helping you get a ride, Mark,â said Antonio, with a kind of cheerful, gritted-teeth mania. The heat was behind his eyes, sending words into his mouth that didnât come from anywhere he recognized, and he had to work hard to keep them out. âTwo thumbs are better than one!â âI donât want your help!â âItâs literally the only thing I can do, Mark!â âThatâs not my problem!â yelped Mark, with a kind of frustrated low-energy flail that nearly sent him into the swamp. âYou- you think anyoneâs gonna stop for you? You know what you look like right now?â âOkay, well, you could be a little less personal!â âYou could fix your fucking face,â said Mark, deliberately and very loudly. His voice carried across the maybe ten feet that separated them. The minigolf alien loomed above, almost exactly between, set back a little from the sidewalk, its mouth a yawning cave studded with goofy tombstone teeth. A dirty sign in one disintegrating feeler proclaimed that Nine Crazy Golf Holes could be played for Nine Dollars, including the Unmissable Gravity Well, and that the prizes were Out of This World. âWow,â said Antonio, because what did you even say to that, honestly, âwow, Mark, you canât just ask someone to-â âDo you think making me look at that little ouchie all day is gonna make me feel- what? Sorry for you? Or bad that I-â Mark made another sharp movement, like he was pushing something sharply away, forcefully sweeping an idea into the stratosphere. Rain glittered off his jacket, sliding across the waterproof quilting in shining beads. His voice was strained and harsh, shivering on the edge of fury.  âI donât feel sorry for you!â âI donât want you to! I just want you to be okay!â âI AM OKAY!â screamed Mark, spit flying, taking a wild kick at a small rock. It spinged across the space between them, smacking into the base of the concrete alien and splashing off into the hidden swamp. âIâm as okay as I need to be to get this DONE!â âSure you are!â yelled Antonio. The heat in his insides burned through the last of the things holding it in place and snapped free, clawing out of him in a violent burst, just as loud as Mark. âGreat, then Iâm okay too! I am so amazingly okay right now! Clearly! Because only people whoâre totally okay and truly happy with where they are in life wind up SCREAMING AT EACH OTHER OUTSIDE THE CRAZY GOLF!â They stared at each other, across the distance. If nothing else, Mark finally looked startled. He glanced up at the alien, as if heâd only just noticed it, but Antonio barely registered his surprise. He had started, and now he couldnât stop. âI canât fix this, Mark! I canât fix my face, I canât fix what happened to you, or what I did to you, I canât fix ME! I would if I could! I donât want to look like this! I didnât ask to be like this! I didnât ask to be made with something all hecked up in me, if thatâs even what happened, I didnât even ask to be MADE!â He struggled for words. Above the sign, the forest of badly-painted concrete eyeballs rose to the cloudy sky like so many grubby grey balloons. Some of them looked horribly like they were looking at him. Mark was definitely looking at him, speechless, like heâd just beamed down from whatever neon-crazy-golf-based planet the alien was supposed to be from. âEverythingâs just hard, and⊠weird, and⊠I donât know what Iâm doing,â said Antonio. He felt tired, leaden like something only half-alive as the heat faded, like half of him was inert stone dragging down at the rest and it was an effort to even keep talking. It didnât even really feel like an admission- could something be an admission if it was so clearly written on your face? It was as if something had popped inside of him, and even the black goop slowly dripping from his chin didnât feel like it mattered enough for him to wipe it away. âI donât want you to feel sorry for me, I donât want you to feel like youâre- stuck with me, but⊠I canât help that while Iâm with you, while I- while I know Iâm helping you- at least I feel like Iâm... doing something right.â There was a distant, bassy rumble, the sky clearing its throat. The hiss and spatter of the rain falling around them picked up into a new gear, and a grey curtain came sweeping across the road and the dull lights of the few passing vehicles, blurring everything, driving the winding rivulets dyed dark from Antonioâs feet to the gutter and plastering Markâs hair down into his face.
*
The overhang of the crazy-golf-alienâs mouth was an okay sort of shelter, damp and stale-smelling and a bit buggy. There was a sort of moulded lump near the floor against the back, a rough low bench flaking with streaks of neon-pink paint, part of some long-gone photo opportunity. Hugging his knees, Antonio watched a mosquito land on his arm, tiptoe its way fussily between hairs and raindrops, legs poised and antenna quivering with dainty care, picking out a place for its delicate proboscis. He watched it dip its head and pierce his skin, pause, twitch, convulse, head and body and legs twisting like a bit of paper curling in a flame, and fall stone dead from his arm. âI just wanted you to understand,â he said. Mark was watching the rain, or at least he presumably was, between the condensation and the strands of wet hair stuck across his glasses it was hard to tell. âI know you know what youâre doing, Mark. Iâm not gonna stop you. Iâm just... worried, about afterwards.â Mark looked down into his own lap, and smiled. Antonio could have put up with a lot more than the difficult scene theyâd just floundered through- any number of additional personal comments about his face, for example- rather than see that smile. There was no surface to it, nothing for anyone outside to see, only a cold inner humour that said plainly it wasnât meant for anyone else except Mark. Mark, appreciating the joke in something nobody else could grasp. Especially Antonio, who was only there, whoâd only said the words. âAfterwards,â he said, like it was the punchline. Antonio sat quietly, knocked numb on the inside by the truth that had just sidled up between the two of them in this musty shelter and hit him smack between the eyes, the truth heâd felt in the heart of him but put aside for days, turned from and stopped his ears against and refused to hear fully, until he couldnât ignore it any longer; that Mark did not want, or mean for there to be, an afterwards. Here, in the calm of the storm, it didnât feel like a revelation, anything to be gasped at or leapt upon; just a sad, simple fact. âI thought Iâd died,â said Mark, in the same neat, matter-of-fact way. âIn there. I knew I was dead, or as close to dead as it was ever... going to let me be. Itâs not really like I was thinking, but itâs like... you know things. I knew it was over, and this was my... afterwards. I knew I was never going to be able to fix anything, or make any of it better or... save anyone else from walking into the same trap. And I knew- thatâs what I deserved.â He paused, his throat jerking as he swallowed. âSo everything since you got me out of there... every day⊠itâs just been one more day to fix my shit. Just a whole bunch of one more days I never thought Iâd get, to- to at least make them pay for everything they did. If I could,â he said, slowly, arming wet hair out of his eyes, âIâd leave everything no worse than it was before I started helping that fucking thing. I- I canât do that, but Iâm sure as fuck going to make them wish they never chose me. And I keep waiting for when the other shoe drops, and Iâm going to lose the chance to fix anything, or itâs going to turn out I never had a chance in the first place. I keep waiting to find out how theyâre still- playing with me.â This, with difficulty, through a clot of hatred in his throat. âBut... what I have, while it lasts... you gave me this. If itâs real⊠itâs because of you.â There was a silence. Antonio sniffed. Mark had given him some napkins from the Waffle House, and he was holding a wad of them to his face. âI canât think about afterwards,â said Mark. His voice was thin, small. âI donât think I⊠even want to think about what thatâd⊠be like. I⊠donât know.â For once, there was no sarcasm, no front. As far as Antonio could tell, he only sounded as weary as Antonio felt, blank, and honest. It was strange to hear Mark speaking to him in this way at all- as if he was another real person, and there was genuinely something he wanted him to understand. âI hoped we could find that out, Mark,â he said, gently.  âIâve just started too, you know.â They sat, quiet, the rain beating on the alienâs hollow shell and trickling through making a hollow, near-musical sound. To Antonio, this silence felt different, on the scale of all the silences heâd known- awkward ones, hating ones, dangerous ones, empty ones. This felt only like tiredness, without the tight restless anxiety that had followed them up until now. Despite the wet, the pouring rain and the smell like an old sneaker forgotten in the bottom of a laundry hamper for a year, it felt curiously comfortable. Mark took off his glasses, pulling a corner of his decrepit grey sweater from under his jacket and drying them off as well as he could on the ravelling wool. âWe get this done,â he said, at last. âThen we talk about afterwards. Okay?â âOkay.â They looked at each other. Antonio kind-of-smiled, in a tentative, barely-there way that didnât pull too much at his face, and Mark, replacing and poking his glasses, which always wanted to lean towards the mended side, as straight as they would go, almost sort-of-smiled back. Squishing the napkins into a wet black ball and tossing them into the rain, Antonio watched Mark pull his phone from his pocket, wipe the rheumy fug from the screen on his sleeve, and start to type. âWeâre not hitching a lift?â âFuck that,â said Mark. âNobody in their right mindâs gonna stop for us. Iâm calling an Uber.ïżœïżœ
#muse arg#dtfm#don't feed the muse#alex bale#mark mayhew#antonio geist#the cynical critic#my writing#this one got long#jiminy christmas
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Crass - Securicor
video for dismorphic henge at polaricly relative
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Ailsa Craig Fishing v Malvern Fishing [1983] 1 WLR 964
Ailsa Craig Fishing v Malvern Fishing [1983] 1 WLR 964
Contract Law â Terms Ailsa Craig Fishing v Malvern Fishing [1983] 1 WLR 964 is an English Contract Law case detailing limited liability clauses. Ailsa Craig Fishing v Malvern Fishing Facts The claimant in this case owned multiple boats and vessels kept in a harbour that was guarded by the firm Securicor. Securicor, as the defendant in this case, was required to guard the vessels kept in theâŠ
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Bristol harbour securicore campsite
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rules: you can usually tell a lot about a person by the music they listen to! put your music on shuffle and list the first 10 songs, then tag 10 people. no skipping!Â
I was kindly tagged by @passionate-reply to do this and it sounds like fun, so here are the 10 my playlist picked for me;
Overall I'd say its a pretty good overview of my taste and listening habits, although there are some favourites missing that I thought may be there but that's the luck of the shuffle after all! Thank you again for tagging me, I would tag others but I'm very new here and wouldn't quite know where to start so I'm gonna just throw this out there for anyone who feels like taking part.
What impression do you get of me purely from my music? I'd be very interested to know!
#10 songs#post punk#no wave#industrial#experimental#punk#80s#goth#new wave#noise#deathrock#clan of xymox#borghesia#the vandals#toy killers#test dept#crass#guyer's connection#the southern death cult#minimal man#bakterielle infektion#Spotify
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If you like research, then I encourage you to look up William Henry Parker and the TV show the Thin Blue Line (this is a phrase that originated from the Crimean War of 1853). Parker was the police chief of the LAPD in the 50s-60s and was responsible for the militarization of the LAPD. Also, he knew that television could be an affective method in promoting police propaganda.
Then I want you to look up a multinational security group called G4S (Groups 4 Securicor) based out of London, England and were formally called Group 4. Angela Davis has mentioned their role in Palestine, and the prison industrial-complex. Itâs a lot of shit theyâre involved in really, and Davis herself expounds upon that in her book Freedom is a Constant Struggle.Â
Happy readings *sarcasm*
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Plastisol ink.. 082242800717 #vendorsablonplastisol #vendorkaos #vendorkaosanak #vendorkaosmurah #vendorkaosbandung #vendorsablon #vendorsablonbandung #vendorsablonmurah #sablonmanual #fullprintkaosanak #konveksikaos #konvekaikaosmurah #konveksikaosbandung #bikinkaos #buatkaos #explorekaosbandung #explorebandung #bandungfashion #screenprinting #depic #g4s #securicor #gas4securicor (di Bandung)
#vendorkaosmurah#vendorsablonbandung#konveksikaosbandung#depic#bandungfashion#bikinkaos#fullprintkaosanak#g4s#gas4securicor#vendorsablon#vendorsablonmurah#konveksikaos#vendorkaos#explorebandung#sablonmanual#konvekaikaosmurah#screenprinting#vendorsablonplastisol#securicor#vendorkaosanak#explorekaosbandung#buatkaos#vendorkaosbandung
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HALF ANDROID HALF ANIMAL RIBBON AROUND A BOMB
Interview and radio takeover by Kamala Lyn Parks of Kamala and the Karnivores, Cringer, Naked Aggression, The Gr'ups, and Plot 66.
Plot 66 plays The Ivy Room April 10. Â Listen to their full Demo on Bandcamp.
Ginny Arnell- Dumb Head Mayo Shono- Ai Ai Ai Kamala and the Karnivores- Love Like Murder Plot 66- Wayward The Grâups- Almond Tree Hers Never Existed- How the West Was One Plot 66- Half Android, Half Animal Naked Aggression- Breaking Away Ten Naked Fish- Securicore Worriers- What Weâre Up Again Hooray for Everything- Killy McGee Witch Knot- Baba Yaga Natacha Atlas- Mich Fadilak Death Valley Girls- More Dead Dark Slash Light- Mockery Oiler- Asphalt Fields Star Fucking Hipsters- Immigrants and Hypocrites Year of the Fist- The Trade Dandelion Massacre- Siren Sigh Vice Squad- High Spirits The Ex- Mother Neighborhood Brats- Misery Parade Decadent Few- The Stirring and Funhausen Kamala and the Karnivores- Cold Hurry Up- Secrets Plot 66- Girl I Never MetÂ
Image: Kamala Lyn Parks (2019)
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Auxiliar Administrativo e Controlador de Acesso
A G4S estå com vagas para Controlador de Acesso e Auxiliar Administrativo, em Santo André e Mauå (SP) #maua #santoandre #grandeabc #vagas #empregos #oportunidade #vagasdeemprego #trabalho #jornalgrandeabc
A G4S estĂĄ com vagas para Controlador de Acesso e Auxiliar Administrativo, em Santo AndrĂ© e MauĂĄ. A G4S Ă© uma empresa multinacional britĂąnica de segurança privada com sede em Londres, Inglaterra. A empresa foi criada em 2004, quando a Securicor, com sede em Londres, se fundiu com a empresa dinamarquesa Group 4 Falck. Quais os requisitos? Auxiliar Administrativo Ensino MĂ©dioConhecimento emâŠ
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#agĂȘncia de emprego sĂŁo paulo#diadema#emprego#grande abc#mauĂĄ#santo andre#sao caetano do sul#sĂŁo bernardo do campo#vagas de trabalho#vagas sĂŁo paulo
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Gá»i hĂ ng Äi má»č táșĄi hĂ ná»i
GỏI HĂNG ÄI MỞ QUA DHL Hakago DHL (viáșżt táșŻt của Dalsey, Hillblom vĂ Lynn) lĂ má»t doanh nghiá»p của Äức chuyĂȘn di chuyá»n hĂ ng hĂła vĂ phĂąn phá»i những giáșŁi phĂĄp vá» logistics quá»c táșż vĂ thá»±c hĂ nh hợp Äá»ng ÄÆĄn vá» váșn trĂč.CĂŽng ty ÄÆ°á»Łc ra Äá»i nÄm 1969 bá»i Adrian Dalsey, Larry Hillblom, vĂ Robert Lynn; vĂ chữ cĂĄi Äáș§u D,H & L của những sĂĄng láșp viĂȘn ÄÆ°á»Łc sá» dỄng Äá» Äáș·t tĂȘn cho cĂŽng ty lĂ DHL Express International. Dá»ch vỄ ban Äáș§u mĂ DHL cĂĄng ÄĂĄng lĂ ÄÆ°a thÆ° giữa lỄc Äá»a Hoa Kỳ vĂ Hawaii,sau áș„y ÄÆ°á»Łc má» rá»ng trĂȘn phá» biáșżn lÄ©nh vá»±c kinh doanh.NÄm 1998, Deutsche Post khá»i Äáș§u mua cá» pháș§n á» DHL vĂ cuá»i cá»ng ÄĂŁ giĂ nh ÄÆ°á»Łc quyá»n sá» hữu Äa sá» vĂ o nÄm 2001 vĂ hoĂ n thĂ nh vỄ chá»n nÄm 2002. á» Anh, Deutsche Post cĆ©ng chá»n ÄÆ°á»Łc Securicor Omega.
Gá»i hĂ ng Äi má»č táșĄi hĂ ná»i Æ°u ÄĂŁi giĂĄ ráș», bĂĄo giĂĄ chi tiáșżt   https://hakago.com/gui-hang-di-my-tai-ha-noi
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Brian Histand fought to get BMX in the Middletown Skatepark. Now that the park is being revamped there is a looming threat that BMX will no longer be allowed. The time has come for the community that Brian loved and fought for, to fight for him. Call the Middletown Township Parks and Rec department and let them know that there is a community of BMX riders that should be allowed equal access to the park, as they always have. âą Middletown Parks and Rec: 215-750-3800 âą You can also make a donation to the park by clicking the link in the @middletownskatepark profile. âą Photo by @securicor âą #ridepabmx #BMX #pennsylvania #PA #middletown #middletownskatepark #yoguy #brianhistand #findhistand #foundhistand #histandforever https://www.instagram.com/p/BrS44Y7nS7f/?utm_source=ig_tumblr_share&igshid=qpytnpa0ecgp
#ridepabmx#bmx#pennsylvania#pa#middletown#middletownskatepark#yoguy#brianhistand#findhistand#foundhistand#histandforever
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