#Section 8 (2022)

[polarsirens]

happy new year of the rabbit 🐰

according to their historical birth years both Bridgens and Goodsir are rabbits so here we are somehow―Goodsir explaining Jorunna Parva (or sea bunny) to Bridgens which is expanding into a full lecture

[artykyn]

Not me crying because I had a really bad beginning of 2023 and signed up for a program that would proceed to make the rest of my 2023 rough and I spent the whole first three months of 2023 trying to pick myself up and motivate myself like "I'm gonna make it through this year if it kills me" and well look at that I made it

[redgoldsparks]

My very last comic for The Nib! End of an era! Transcription below the cut. instagram / patreon / portfolio / etsy / my book / redbubble

The first event I went to with GENDER QUEER was in NYC in 2019 at the Javits Center.

So many of the people who came to my signing were librarians, and so many of them said the same thing: "I know exactly who I want to give this to!" Maia: "Thank you for helping readers find my book!" While working on the book, I was genuinely unsure if anyone outside of my family and close friends would read it. But the early support of librarians and two American Library Association awards helped sell two print runs in first year.

Since then, GENDER QUEER been published in 8 languages, with more on the way: Spanish, Czech, Polish, French, Italian, Norwegian, Portugese and Dutch.

It has also been the most banned book in the United States for the past two years. The American Library Association has tracked an astronomical increase in book challenges over the past few years. Most of these challenges are to books with diverse characters and LGBTQ themes. These challenges are coming unevenly across the US, in a pattern that mirrors the legislative attacks on LGBTQ people. The Brooklyn Public Library offered free eCards to anyone in the US aged 13-21, in an effort to make banned books more available to young readers. A teacher in Norman, Oklahoma gave her students the QR code for the free eCard and lost her job. Summer Boismeir is now working for the Brooklyn Public Library. Hoopla and Libby/Overdrive, apps used to access digital library books, are now banned in Mississippi to anyone under 18. Some libraries won’t allow anyone under 18 to get any kind of library card without parental permission. When librarians in Jamestown, Michigan refused to remove GENDER QUEER and several other books, the citizens of the town voted down the library’s funding in the fall 2022 election. Without funding, the library is due to close in mid-2024. My first event since covid hit was the American Library Association conference in June 2022 in Washington, DC. Once again, the librarians in my signing line all had similar stories for me: “Your book was challenged in our district" "It was returned to the shelf!" "It was removed from the shelf..." "It was moved to the adult section."

Over and over I said: "Thank you. Thank you for working so hard to keep my book in your library. I’m sorry you had to defend it, but thank you for trying, even if it didn't work." We are at a crossroads of freedom of speech and censorship. The future of libraries, both publicly funded and in schools, are at stake. This is massively impacting the daily lives of librarians, teachers, students, booksellers, and authors around the country. In May 2023, I read an article from the Washington Post analyzing nearly 1000 of the book challenges from the 2021-2022 school year. I was literally on route to a festival to talk about book bans when I read a startling statistic. 60% of the 1000 book challenges were submitted by just 11 people. One man alone was responsible for 92 challenges. These 11 people seem to have made submitting copy-cat book challenges their full-time hobby and their opinions are having an outsized ripple effect across the nation. WE NEED TO MAKE THE VOICES SUPPORTING DIVERSE BOOKS AND OPPOSING BOOK BANS EVEN LOUDER. If you are able too, show up for your library and school board meetings when book challenges are debated. Send supportive comments and emails about the Pride book display and Drag Queen story hours. If you see a display you like– for Banned Book Week, AAPI Month, Black History Month, Disability Awareness Month, Jewish holidays, Trans Day of Remembrance– compliment a librarian! Make sure they feel the love stronger than the hate <3

Maia Kobabe, 2023

The Nib

[yourupdatez]

Section 8 (2022)

Download Section 8 (2022) They make a killer team. After avenging the murder of his family, a former soldier is sprung from prison and recruited by a shadowy government agency. Section 8 (2022) // Section Eight Genre: Action, Thriller Release Date: Sep 23, 2022 (United States) Stars: Ryan Kwanten, Dolph Lundgren, Dermot Mulroney, Scott…

[fishenjoyer1]

Fish of the Day

The fish of the day today is the devils hole pupfish!

The devils hole pupfish, scientific name Cyprinodon diabolis, is an endangered fish known to live in exactly one spot, Devils hole. Devils hole is a limestone cavern with a geothermal pool found in Nye county of Nevada, and a disconnected section of Death Valley National Park. The geothermal pool keeps the water at a consistent 33 degrees Celsius all seasons, and has low dissolved oxygen amounts. The surface of water at the cave is only 72ft by 12ft, but below that the cave descends deep into the earth. Below the surface pool there is a larger cavern descending to 150 meters at its deepest before branching into a smaller tube at the bottom, the depth of which is currently unknown.1965 two teenagers went diving in the hole with scuba gear, and were never seen again,  rescue divers sent after them found a dropped flashlight, and other scuba gear but the bodies were never found. One rescue diver dropped a weighted plate that fell a full 932ft without contacting a bottom to the chamber, describing the water below him as an "infinity chamber". Later scans of the cave revealed it is at least as deep as 1,247ft, although to this day the depth is still unknown. Another well known aspect of the cave is that it can be used to determine when there are earthquakes all over the world. The water surges and has displayed unique patterns during the 2022 Mexico 7.6 magnitude earthquake, along with other strong earthquakes further from the hole. Such as: the 2012 6.2 magnitude earthquake in Papua New Guinea, or the 2018 7.4 magnitude earthquake in Indonesia. Devils hole pupfish are known to live only in the first 80ft of the cave.

Devils hole pupfish are unique in appearance, getting only as large as an inch, and being one of few species that have no pelvic fins, however when raised in colder conditions these pupfish will regrow these appendages. As juveniles these fish are an off white color, and females retain some of this coloring in adulthood. This species has only ever been recorded with as many as 500 wild fish at its highest, hitting an all time low point of 42 fish in 2007. The more recent numbers are looking up however, and there were 263 pupfish observed in spring of 2022. The survival from egg to adulthood is small, but the likelihood with human effort that this fish will survive the test of time is high. Described as possibly the most isolated wild vertebrate species in the world. These fish live only 10-14 months, reaching sexual maturity at 8-10 weeks old and spawn year round with peaks in mid February-May, and a smaller peak in July-September. Due to the unique oxygen levels of devils hole, these fish have adapted to enter a state of tupor, similar to hibernation, where they can live anaerobically. This allows them to go without breathing for up to 2 hours, however they produce ethanol as a byproduct.

Most of the devils hole pupfish life is on the rocky outcrops of the surface waters of the cave system. Breeding, egg laying, diet, resting, and schedules surrounding the placement of the sun all depend on these rocky outcroppings of stone near the surface of the water. The diet of these fish is dependent on the rock outcroppings of the cave, as they eat anything they can find in the cave system. This includes: small freshwater crustaceans, beetles, flatworms, freshwater snails, inorganic matter made of small sections of the caves limestone, along with spirogyra and diatom algae, which grows on the rocks themselves and makes up most of the pupfish's diet. Due to their diet being mostly algae types, pupfish are incredibly susceptible to the seismic activity in the devils' hole, as it creates small tsunamis along surface water and washes away algae on the rocks, leaving them without a majority of their food source until it regrows. When these earthquakes happen the pupfish are known to flee into the deer waters of the cave until the water has stilled, and are thought to perhaps feel earthquakes before they happen, although not much research has been done on this yet.

Have a good Wednesday, everyone!

[catnipster69]

Quilt Portrait Process

This may be of no interest to most of you, but with all the comments I got on my Impala portraits, I thought this would be of interest to some of you.

Original Photo

This is the original photo I used--it's of a fan car ("Night Moves") that was at Denver con 2022. What a great photo!

Posterize

In Photoshop, I posterize the photo to get chunkier blocks of color. I just play with the number of levels until I get a good representation.

Draw Lines

I place the posterized image in Illustrator (reversed) and then go to town drawing lines. The rule for pieced quilting is that every line you draw must go all the way until it hits another line. So for the first couple of lines, they go all the way from one end of the photo to the other.

I just keep drawing until I get something like this.

Paint the Pieces with Color

I bring the outlines into Photoshop so I can paint each individual piece with a solid color that will match the (future) fabric. Sometimes posterizing can result in dark colors, so you have some creative liberty to make changes. Note that these are still just screen colors; the actual fabric will differ again.

Outlines:

Colored:

Number the Sewing Order

Paper piecing means that you sew through the paper and fabric. That way, you can be sure to place your seam perfectly.

Generally, in quilting, you want to sew a seam from one end to the other without running into any already sewn seams. For a traditional patchwork, this means you would sew 10 blocks, then sew a row of 5 blocks, and then sew another row of 5 blocks onto the first row.

Paper piecing is the same, but because no "block" is repeated, it's an exercise to determine the sewing order of each block, and then the sewing order of the blocks to each other.

A quilt like the Impala has a few hundred blocks of 1-15 pieces of fabric each. Within each block, the sewn size is near perfect. But sewing the blocks to each other introduces a lot of variability: the seams can be wider or narrower, or the alignment can be off. That's why the actual quilt looks "wonky" compared to the pattern. It's just not possible--for me--to get it perfect. If I didn't work so small, it would be easier.

Back in Illustrator:

You can see that the black lines are pieces within a block. The red lines are blocks. And the green lines are sections of blocks. It all needs to be sewn in order. I will make small changes to the sewing lines at this stage to "make it sewable."

Printing

Because printers aren't the best at replicating onscreen colors exactly (good luck telling the difference between black and dark purple), I have to recolor it to "printable" colors and then do a swatch concordance.

The bright green on the left actually represents lavender.

I print the pattern out on vellum, which is more durable than paper. Since this is 17" x 17", I will print out overlapping 8 1/2" x 11" sheets. Illustrator has a good printing function, so you can print the exact area you want.

Pick Fabric

I have collected a ridiculous amount of fabric. These want solids for the most part, and I looooove Cherrywood solid fabrics. Sometimes it's a challenge getting 5 shades of blue, or 6 beiges for their faces, so sometimes, I make color errors that I don't discover until later. Painful mistake. The above pattern uses 25 colors, but some of the faces use around 40.

Sew

This is a really challenging project. It would be easier if it were bigger! The pieces are so small, and when you start sewing blocks together, the layers get to be ridiculously thick with all the seam allowances. It's a true challenge to feed through the machine. Use a small stitch length; use a good machine with dual feed (Bernina!!! or maybe Pfaff).

Check out the back side of the previous Impala quilt.

I pull out the paper as I go, otherwise it will get accidentally sewn in.

Finishing

I don't do complicated quilting here. The piecing is what's on show! I embroidered the Chevrolet and the license plate lettering. Some things are really too small to piece.

Original Photo Again:

Conclusion

I think anyone could do this, in theory. It takes a lot of patience. And your sewing machine needs to be quality. And it helps to know how to use Photoshop and Illustrator. And you need to "get it" when numbering the pattern, in a mathematical way. And it's helpful owning all the fabric.

If you do try it, make a larger quilt; this size with this level of detail is crazy making.

Check out all my supernatural quilts on Instagram! https://www.instagram.com/catnipster69/

[kink-tomato]

Our friend Erin was recently kicked out by her landlord and is facing homelessness with her 3 cats. She is currently receiving inpatient treatment for a severe mental health crisis after an incident with her abusive boyfriend. We are trying to raise $2200 to pay the deposit/fees on a rental apartment. This would enable to her and her cats to have a safe place to live and receive the healthcare they need.

Since Erin is currently in hospital, we her friends are writing this post at her request. You can find her original twitter thread about this here. https://x.com/stiffening/status/1811568349798683052

You can donate via ko-fi https://ko-fi.com/erinshelley YouPay https://youpay.me/sinew/fund/moving-costs or direct via PayPal https://www.paypal.com/ at faunlet[at]live[dot]com.

You can also donate Amazon gift cards https://www.amazon.com/gp/product/B07PCMWTSG/ref=s9_bw_cg_GCLPFFST_1a1_w?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=merchandised-search-4&pf_rd_r=R69487D956H3FAWX0GYR&pf_rd_t=101&pf_rd_p=eedfdcee-0cec-4508-9a95-96b34e0d6ea4&pf_rd_i=117059571011 to faunlet[at]live[dot]com. Gift cards will be used to buy household necessities once she has moved. All these methods go directly to Erin and her cats. If you are not able to donate, please reblog this post to increase its visibility. For more information on Erin and her situation, please see below. Thank you for reading and for your donations.

Erin formerly lived with her violently abusive father but was finally able to leave in 2022. She moved to a new state which meant she no longer had her license, therapist, doctors etc. which exacerbated her disabilities. Unfortunately, the new living situation turned sour as her landlord became neglectful in his property upkeep which resulted in Erin receiving several injuries. He also became abusive and forbid her 3 cats from leaving her bedroom, as well as stealing food and toiletries from Erin. During this time, her cats developed health issues that require regular medication and monitoring (diabetes, urinary issues) and her own disabilities worsened due to lack of medical care.

The landlord announced his intention to kick her out in May 2024. Erin had applied for Section 8 housing and was attempting to move into a new place, but this fell through due to lack of funds. She had to move into her boyfriend’s apartment to avoid homelessness, however her boyfriend is abusive and neither she nor her cats are safe there.

Due to a severe mental health crisis in mid-July which resulted in a suicide attempt, Erin has now sought inpatient treatment at a local hospital. She has found another potential apartment to rent, however the deposit and fees are not covered by the Section 8 assistance and must be paid upfront. We are desperately hoping to raise this money so that she can secure this apartment and have a safe place to live. She cannot remain at her boyfriend’s because aside from his abuse, his landlord will not allow her and her cats to remain in the unit. She is unfortunately not able to live with any of us because we are internet friends spread worldwide.

Please donate if you can; if not, please reblog this post to increase its visibility. We are frantically trying to secure Erin a safe place to live so that she can be free from abuse and violence and can begin to recover. We really want to keep her and her cats together because we fear that, due to their age and health issues, they will be euthanised if surrendered to a shelter.

Any updates will be added to this post. Thank you for reading and donating.

[zedecksiew]

THE BLOGGIES 2023: FINALISTS

(If you just want to skip to the list of BLOGGIE finalists, scroll to the "Who Are The BLOGGIES?" section below.)

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WHAT ARE THE BLOGGIES?

Awards for some of the best tabletop roleplaying game (TTRPG) blog posts to come out in 2022. There will be five awards: Best Theory Blogpost, Best Gameable Blogpost, Best Advice Blogpost, Best Review Blogpost, and, the biggest one, Best Blogpost.

I won Best Blogpost, last year. So I am hosting the BLOGGIES, this year.

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WHY ARE THE BLOGGIES?

Blogs are worth celebrating. Barring the actual playing of actual games, they are our most fertile field, our most volatile laboratory. Longform, text-based, and informal---they are a place to jot down our most outre design ideas. Free and publicly available---they are a vector for open debate and serendipitous discourse. Perhaps most importantly: relatively free of algorithmic social-media pressures---they are the best chance we have at a cultural memory.

I got into TTRPGs because of blogs.

The BLOGGIES are, at best, an affirmation of the above. At least, they are a way to celebrate 64 excellent blog posts from the last year, and maybe get them in front of people who did not read them the first time.

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HOW ARE THE BLOGGIES?

Nominations: I put an open call for blog-post nominations on Christmas 2023; I also canvassed the TTRPG communities I am part of. Nominated posts had to be from between 1 December 2022 to 31 December 2023.

I closed the nomination period on 1 Jan 2024 with 149 blog posts for consideration. I read / re-read them all.

I chose a slate of 64 finalists, according to the following metrics, in order:

Enthusiasm---a post got multiple nominations;

Diversity---no one blog was allowed to be a finalist more than once in a category (except the Reviews category, where this rule was tied to individual writers, due to shared review blogs);

Notability---a post was extraordinary in presenting a novel idea, addressing an important subject, or reflecting a community current.

Obviously, that last metric is highly subjective, and limited to my knowledge and perspective in the scene. I did my best.

I will not have final final say. Finalists will go head to head, vying for to be anointed best of the best by ballot. The bracket was seeded in order of number of nominations received. The BLOGGIES await your vote, o TTRPG folx.

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WHEN ARE THE BLOGGIES?

Throughout January 2024! Voting is >>>NOW OPEN<<< on Google Forms according to the following schedule (I will link to the forms and result threads as I post them):

First Week January - THEORY

3 January: Round of 16

4 January: Round of 8

5 January: Round of 4

6 January: Quarterfinals (winners in category) - Results

Second Week January - GAMEABLE

10 January: Round of 16

11 January: Round of 8

12 January: Round of 4

13 January: Quarterfinals (winners in category) - Results

Third Week January - ADVICE

17 January: Round of 16

18 January: Round of 8

19 January: Round of 4

20 January: Quarterfinals (winners in category) - Results

Fourth Week January - REVIEW

24 January: Round of 16

25 January: Round of 8

26 January: Round of 4

27 January: Quarterfinals (winners in category) - Results

31 January - FINALS

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WHO ARE THE BLOGGIES?

Your BLOGGIES 2023 FINALISTS are (presented in bracket order):

(High-res version here)

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THEORY

🥉 (1) being a problem - playable orcs at the limits of humanity, from Majestic Fly Whisk Some deep thinking about the racialisation of the orc in elfgames, why mainstream fixes fall short, and ways to move beyond.

vs

(16) #132: Axes of Game Design, from The Indie RPG Newsletter An exploration of the design axes / spectrums on which every TTRPG may fall.

(8) The Genres the OSR Can't Do, from A Knight At The Opera Sketching the limits of the OSR playstyle by looking at genres which are too differently-bound for it to emulate.

vs

(9) RPG Transcript Analysis: Critical Role, from Trilemma Adventures Examining a style of play through transcript analysis (looking at what is actually being said during a session), with Critical Role as case study.

🥈 (5) Critical GLOG: Base Resolution Mechanics, from Goblin Punch A deep dive into dice and resolution mechanics, and what they do in practice.

vs

(12) My favorite problems, from Failure Tolerated A list of design problems in TTRPGs, and a case for game design and theory to be driven by problem-solving.

(4) Roleplay Is Folk Art, from Wizard Thief Fighter An impassioned call to consider TTRPGs as folk art as opposed to corpocratic walled-garden IPs.

vs

(13) ART, PRODUCT, BOARD GAMES AND MAUSRITTER, from Fail Forward Critique of reviews that accuse TTRPGs for being too slick; interrogating the assumptions behind the label “commercial”.

(6) Toolbox Design, from The Dododecahedron Considering the principles of designing TTRPGs like toolboxes, through the lens of Cairn RPG and similar.

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(11) Mario vs ActRaiser vs Final Fantasy vs Zelda - Types of Advancement in RPGs, from Rise Up Comus Identifying some general types of advancement in TTRPGs, using videogames as a comparative lens.

(3) Posters, Posers and POSR(s), from Prismatic Wasteland Relitigating whether the OSR is dead, and defining its successor, the Post-OSR.

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(14) psychosis is badly written in tabletop games, from paper cult “Attempting to mechanize something so intensely personal, different, and mutable as mental illness is complicated. I think that makes these depictions bad!”

(7) “Rules Elide” and Its Consequences, from Jared Considering the implications of the maxim that "a game is about X when you have rules for everything but X".

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(10) Models of High-Level Play, from Benign Brown Beast Loose but useful classifications for types of high-level play: domains; god-like play; etc.

🥇 (2) OSR Rules Families, from Traverse Fantasy Sketching the landscape of the OSR, how various systems function, and how their attributes cluster and trend together.

vs

(15) Moralising and manipulation in tabletop roleplaying games, from Playful Void The importance of having design preferences without tying these preferences to moral judgments.

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GAMEABLE

🥉 (1) Flux Space, from Papers & Pencils A point-crawl procedure specifically designed for labyrinths / dungeons that are architecturally confusing / samey.

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(16) Generating Elevation in a Hexcrawl, from Traveler's Rest Procedures and advice on how to generate a mountain-crawl: hiking-focused adventure geography.

(8) The Autumn of Summers, from False Machine God-monsters born of summer, the hunting culture around such beasts, and random tables to generate their attributes.

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(9) MIMICS, from Vaults Of Vaarn A spread of novel pretender-creatures, with ecological and social implications.

(5) Another take on demihumans as social constructs, from Cavegirl's Game Stuff What if we consider fantasy races not as separate species, but as differing social roles?

vs

(12) The Apocalypse Archive, from Bearded Devil An unfinished by exemplary #dungeon23 attempt that includes wonderful maps and soundtrack notes.

🥈 (4) Pointcrawling Character Creation, from Rise Up Comus A framework for tying character generation to a geography, generating history and familiarity with campaign locales.

vs

(13) how to be erased, from Straits Of Anian Procedures for getting lost and getting led astray, and the kith and spirits one meets in those places.

(6) Dungeon Skirmishing, from All Dead Generations Feature-complete skirmish combat mechanics for OD&D, and the design rationales thereof.

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(11) Zelda-Style NPC Personalities, from To Distant Lands A system of generating quick and punchy NPCs, inspired by the way Zelda videogames present NPCs.

(3) GULCH, from Mindstorm A starter town specifically designed for contemporary (horror, urban fantasy, non-fantasy) campaigns.

vs

(14) Down the Road: Local Situation Design, from Deeper In The Game A procedure for quickly generating a powderkeg situation in a local geography of play.

🥇 (7) Laws of the Land: meaningful terrain via in-fiction limits and conditions, from Was It Likely? A method to generate meaningful diegetic terrain and tone in an adventuring region.

vs

(10) False Equivalent Exchange, from The Graverobber's Guide A novel magic system, done in natural language, with discussion on how it could be used in play.

(2) Deeper Catacombs, from Benign Brown Beast Iteration notes and a presentation of a comprehensive dungeon tracking procedure.

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(15) Inadvisable Decisions (GLΔG), from The Nothic's Eye An evocative alienist character class, based on drawing the attention of alter-describable things from beyond.

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ADVICE

🥈 (1) How to Handle Parley as an OSR DM, from Goblin Punch Comprehensive notes on how to run non-combat encounters without resorting to boring rolls.

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(16) GM Pointers: Live-Text Games, from Shadow & Fae Good reminders on how to run live-text games better, so they are better coordinated and don't take forever.

(8) ONLY Roll Initiative, from Bastionland Considerations on how to adjudicate combats, if initiative were the only dice roll in a combat system.

vs

(9) Action Mysteries, from A Knight At The Opera Asserting that good TTRPGs mysteries involve action---not just figuring out the truth but opposing the antagonist's goals.

(5) Modular Ecology, from The Graverobber's Guide A practical approach to including gameable ecology in TTRPGs, by tying materials to specific locations and conditions of the world.

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(12) ULTIMATE ANIMIST MECHANIC: EVERYTHING IS A REACTION, from Alone In The Labyrinth How to run a game where all actions are resolved by reaction roll: everything in the world responds by how much they like you.

(4) Game Mastering Like A Park Ranger, from SILVERARM Advice about GM-ing, based on the real-world work experience of being a park ranger.

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(13) An OSR approach to Spotlight, from Permanent Cranial Damage The suggestion that intentionally spotlighting characters solves the real-life problem of spotlighting players nicely.

(6) #Dungeon23, from Win Conditions The idea that spawned a thousand notebook dungeons, plus salient advice on how to start / keep going.

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(11) The Storyteller Technique, from Possum Creek Games When writing TTRPGs, imagine your game text as a diegetic artefact in the world of the game.

🥉 (3) RANSACKING THE ROOM, from Mindstorm A simple and powerful three-step method to handle room-searching in games: inspect, search, and ransack.

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(14) Cairn Crash Course, from Widdershins Wanderings A masterclass example on how to write player guides to a game, for Cairn RPG.

(7) AN EXAMPLE OF FKR (NEAR-)DICELESS COMBAT (WITH COSMIC ORRERY!), from Underground Adventures Describing combat in a Free Kriegsspiel Roleplaying (FKR) game, useful in understanding that playstyle.

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🥇 (10) Re-inventing the Wilderness: Part 1 - Introduction, from sachagoat Figuring out problems with wilderness exploration, and applying a mental-map framework from urban-theory academia.

(2) Dungeon Design, Process and Keys, from All Dead Generations A detailed process to designing and keying a traditional dungeon adventure.

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(15) THE D&D IN MY HEAD: In Only 6 Load-Bearing Numbers, from I Cast Light! Identifying the essential and minimum rules you need to remember, to run D&D.

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REVIEW

🥇 (1) An Empty Africa - PF2E's The Mwangi Expanse and the strange career of Black Atlanticism, from Majestic Fly Whisk A review of Pathfinder’s "The Mwangi Expanse", and a discussion of Black Atlanticism's fraught relationship with its sourcelands.

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(16) What Hull Breach Teaches Us, from Mazirian's Garden An assessment of the Mothership RPG third-party "Hull Breach" anthology as a "new standard for anthology companions".

(8) Grave Trespass - Jim Henson's Labyrinth: The Adventure Game, from Bones Of Contention A review of the Labyrinth RPG. It’s got all these things which are "bad" in RPGs, so why does it work?

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(9) The First Rumor Tables, Part 2: Caverns of Thracia or Caverns of Quasqueton?, from Tom Van Winkle's Return To Gaming An investigation into the origins of rumour tables in TTRPGs. Did TSR plagiarise Jaquays?

(5) Standing up for D&D's Gen X: 2e (Part 1), from Mythlands Of Erce A full-throated defense of D&D2E, viewing it in the context of its time and as a refinement over 1E.

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(12) Systemcrawl: Break!! RPG, from Widdershins Wanderings A review and system analysis of Break!! RPG, which marries JRPG and OSR inspirations.

(4) Dungeon Crawls in Cinema, from Directsun Games Evaluating several films on the basis of how well they function as dungeon crawls.

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(13) Reasonable Reviews, from Rise Up Comus A general overview of TTRPG reviews, and what may or may not make them useful.

(6) Deep Dive: A|STATE, from The Indie Game Reading Club A review of a|state, and how it builds on and departs from the Blades In The Dark formula.

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(11) I Read Cloud Empress, from Playful Void A review of Cloud Empress, the first descendant of the Mothership RPG ruleset.

🥈 (3) Plagiarism in Unconquered (2022), from Traverse Fantasy A forensic analysis of how Unconquered plagiarised Ultraviolet Grasslands and Vaults Of Vaarn.

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(14) Rod, Reel, & Fist (Review), from Benign Brown Beast A substantial review of Rod, Reel, & Fist, a "system-forward fishing simulation RPG".

(7) Pedantic Wasteland - Vampire Cruise, from Bones Of Contention A review of Vampire Cruise, a largely system-neutral horror-comedy adventure set at sea.

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(10) Dragon Magazine: Player Advice Collection Overview, from Attronarch Athenaeum A comprehensive read-through and rating of 143 Dragon Magazine advice articles.

(2) Spire: The Monstrosity of Empire, the Necessity of Violence, from A A Voigt A comparative-literature analysis of Spire RPG through R F Kuang’s spec-fic novel "Babel, or the Necessity of Violence".

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🥉 (15) MICROBLOG: CHILDREN'S BOOKS AND TABLETOP GAMES, from Fail Forward Considering the influence of children’s books on TTRPG designers and works like "Barkeep on the Borderlands".

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It is difficult to describe how hard it was for me to whittle down the list of nominees to these finalists. I consider each of these 64 a landmark in 2023's TTRPG thinkings, and the folks from which they issue essential reading, going forward. They already deserve a prize.

So here it is, dear bloggers: a hand-carved linocut "finalist's pin" graphic you are free to use on your sites / posts, should you wish:

(High-res downloadable version HERE)

Thank you for writing! And good luck in the coming rounds of voting!

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CORRECTION: A blog post from 2021 (Not All Crunch Is the Same, from A Knight At The Opera), was included in the soft-launch posting of this list. An error on the part of its nominator, compounded by a data-entry error on my part. It has since been replaced by a post from the same blog with the actual most nominations (The Genres the OSR Can't Do). I have also double-checked my lists and all finalists. Apologies for my error!

[dodgebolts]

Can Dream keep his status as the undisputed king of Parkour Warrior?

As promised, with Dream's newfound vigor for beating the Parkour Warrior record, an updated analysis of his best possible time given the splits shown on his most recent (11/3/23) stream!

With new course run optimizations courtesy of fruitberries and SandwichLord, Dream has improved on his previous time massively, cutting his optimized best time down nearly 30 seconds from the last time I did this. In fact, though he posited it may be possible to get a 4:20.00 last year, he's absolutely blown that prediction (and the optimized time in my previous analysis) out of the water this fall. If he manages to match this optimized time, he'll be cutting down another 22.49 seconds from his current time, which is not only an insane merit on his own, but also more than 4 seconds under the time that SandwichLord has put forward as the world record.

More details under the cut!

For those curious, this is the side-by-side, as well as the differences from the last analysis I did (from his May 29, 2022 stream) to this most recent one!

As we can see, he's improved, even if slightly, on every single level of the course. Additionally, it's an interesting trend to see that he's made the most progress/cuts on the latter half of the course, most dramatically level 5-3, The Wall Clinger, where he cut on ladder climbing time, as well as level 8-2, The Chain Pipes.

Also of note are the improvements in time on 5-1 (The Fish Bones) and 6-3 (The Bending Barrys), both sections where Dream has identified massive time sinks in the past!

As a note: the change in "One-Run Bests" just means the difference between his previous long-standing best time and the record he just set this evening.

And for those who are really interested in the raw data, here is a screenshot of the raw data taken straight from his stream and processed minimally :)

[ageless-aislynn]

Title: “15 Minutes” (9/?) Author:  @ageless-aislynn​ Characters/fandom: Master Chief John-117/Reader, Halo the series Summary: You're in peril but don't be afraid, help is near. Series: How to date a Spartan (without even trying) Rating:  T (PG13) Length: 2,568 (this chapter, 22,261 total so far) Spoilers: Set in the Silver Timeline of Halo the series, not the games or novels. Though we began with the events of Halo 1x06, there will be no more show spoilers. We are still firmly seated in the AU Warthog, merrily driving out to places where there’s only a passing nod to canon. 😉 Trigger warning: claustrophobia Disclaimer: Definitely not mine but I do enjoy borrowing them just for a bit! 😉 A/N:  Text is both here in this post or available at AO3, however you like to read. Halo season 2 has finally arrived! However, this fic continues to zip along in the AU Party Warthog, so, while we began with season 1 way back when (and you’ll see a few more things from s1 along the way 😉), we’ll not be venturing into s2 territory at all. Unless s2 is going to take some verrrrry interesting twists, lol! Chapter 10 is in progress by hand but I hope to have it ready soon. 🤞😣🤞 The tags have been updated for hurt/comfort starting with this chapter. If you read, I hope you enjoy! ⭐💖⭐

Taglist: @pinheadbanger​ @mysardencut​ @laurenstacy610​ @sporadicbelievernightmare​ @ultrablackwidower​ @bxmxtx​ @jellotherelol

If you would like to be tagged in my John/Reader fics, just let me know! I also write John/Kai, John/Cortana and Kai/male Reader, so I’m glad to tag you for whatever you’d like. If you would like to be removed from the taglist, also feel free to let me know, no harm, no foul. 😉 💖

Halo fic masterlist ⭐

Chapter 1 - Chapter 2 - Chapter 3 - Chapter 4 - Chapter 5 - Chapter 6 - Chapter 7 - Chapter 8

Trigger warning again: claustrophobia If you need to avoid the actual scene, skip the entire first section but there will be a lot of mentions of it again through the rest of the chapter, just so you're aware. I don't want to cause any distress to anyone so if you'd like a recap of what happens in this chapter, feel free to contact me here and I'm happy to oblige so you can stay in-the-know without reading something that could trigger a bad reaction. Stay safe, my friends! 🤗

You tried to gasp in a breath but there was a weight pinning you down. Smoke burned your lungs and your eyes. Your left arm couldn't move but you were able to bring your right hand up to wipe your face, trying to clear your vision. The only light in the rubble came from a shower of sparks a few feet away, emitting from a panel half-ripped from the wall. There was very little to orientate yourself by.

"Hello?" you tried to call but you couldn't take a deep enough breath to yell. The muffled ring in your ears told you that at least one of your eardrums had ruptured.

Evaluate, you thought in the tone you used when triaging patients, shoving down a wave of panic. You tried to squeeze out from under whatever was pressed across your back. No good, too much weight.

There wasn't a tremendous amount of pain but you worried at the numbness from your waist down, behind whatever was restraining you.

Evaluate.

You tested moving your legs, your feet, your toes. It felt strange but yes, you had movement.

Spinal cord potentially compromised but not severed, you diagnosed as clinically as possible.

Something overhead gave an alarming groan.

Alert help. Report your position.

"Hello? I'm by the crane operator booth. Can anyone hear me?"

You couldn't get the volume you wanted and you automatically tried to inhale deeper. You couldn't and had to fight another wave of panic. The animal part of your brain wanted to claw the twisted metal of the deck, trying to squirm free, but when you twitched, something above you groaned again.

You had no way to know how perilous the collapsed structure was. A wrong move could bring it all down.

A fresh wave of smoke irritated your nose and you coughed weakly. From far away, you heard the muffled sound of a woman saying your rank and last name.

"Here," you choked out. "I'm here."

A blue light shimmered a few feet away, the lower half of a blue-tinted woman, her upper body phased through the rubble. Then she shrank until she fit the space, adjusting like a camera lens. A hologram.

She repeated your rank and last name. "We have your location," she said, your damaged hearing distorting her voice. "Sit tight, a rescue crew is on their way."

You tried to respond but the smoke triggered more coughing, so you nodded.

"I'll stay with you for as long as the holo-emiter holds," she said, gesturing towards the ruined wall panel that continued to spark.

"Thank you," you managed to say. "Casualties?"

She glanced up and away as if receiving new information. "Reports coming in of injuries but no fatalities. Your alert gave enough time for almost everyone to get clear."

"Good." You made yourself slow your breathing down, taking shallow breaths since you couldn't take deeper ones. For a moment, your head swam and it felt like the floor tipped. Your fingers scratched for a hold on the crumpled metal.

The sound of your rank and name cut through the terror. "You're all right," the woman assured you. "You're not falling. Try to stay still. Silver Team will be back on site in a few more minutes. John will be here soon."

It gave you something to focus on other than bring trapped. The way she knew that the mention of John would comfort you, that she didn't call him Master Chief like most people did, even the mannerism of how she'd looked away, like someone was speaking in her ear...

"Your name wouldn't be Ms. Classified, would it?" you asked haltingly and tried to smile.

"That's... not inaccurate," she said and maybe it was your blurry vision but you could've sworn she gave you a fond smile, like she knew you. "I'm not supposed to tell my name."

You tried to say it was all right but couldn't draw enough breath.

"Ah, screw it," she said. "What are they going to do, fire me? My name is Cortana."

You must've blacked out because the next thing you knew, she was kneeling next to you, her small holographic hand resting atop your outstretched arm as she repeated your rank and name.

If you could get a breath, you needed a good, solid breath. Your chest instinctively fought to expand but couldn't beneath the pressure bearing down on your back. Something above you slid and the pressure abruptly worsened. You clawed, you fought, you struggled to breathe. To live.

"John, get here now! The support beam is failing!"

"Not his fault," you tried to say. "Tell him. Not his--"

Metal screamed and everything went dark.

You woke, grasping at nothing. You still couldn't get a deep breath but this time you were on your back and it felt like someone had laced a corset brutally tight around you.

"Easy there. You're all right," said a deep voice.

Your vision swam and then Spartan Vannak-134 appeared out from the dim lighting. You were still clawing at the air, trying to sit up, and he caught your hand a little awkwardly in his much larger ones.

"Where?" you gasped.

"You're back on Reach, in medical."

Once he said it, details emerged like a black and white picture filling in with color: the beeps of the monitors, the distinctive antiseptic smell. Your hearing was still deadened but not as much as before, meaning they had already begun healing therapies on your eardrums.

Anything you might've wanted to say dissolved like sugar on your tongue before the words could be spoken. Your head seemed too full. I'm drugged, you thought and that was the last thing you knew for a while.

Voices drew you from the murky depths and you tried to open your eyes but couldn't.

"Hold her hand," Vannak said in a quiet rumble. "She likes that."

A new hand gently folded around yours and your fingers instinctively gripped hold.

You woke, feeling the phantom press of metal bearing down on you, forcing the air from your lungs. You tried to sit up, your limbs flailed, uncoordinated and leaden. A second hand closed around yours and a feminine voice began to softly sing, a lullaby in a language you didn't recognize.

The room was blurry but you caught a glimpse of red hair -- Spartan Riz-028. You went under once more, dreaming of music that soothed your fears.

Later, there was a new voice to lure you up from the sticky darkness.

"Poor little thing. She looks so small."

"She'll heal. Hold her hand, it helps."

At some point, you jolted awake to find your hand cradled carefully within Kai's.

"Hey," she said, sitting up straighter in the chair next to the bed. "You need anything?"

Your head felt less stuffed with cotton than before but now that cotton seemed to have been transferred to your mouth. "Water?" you croaked.

She jumped up and returned shortly, carrying a cup with a straw in it. You intended to sit up but a searing pain in your ribs immediately convinced you that was a bad idea and you let her help you by holding the straw to your lips.

"Slowly," she advised.

Once you'd taken a couple of sips, you mumbled your thanks then promptly passed out.

You thought you'd closed your eyes for a brief moment but when they fluttered open, it wasn't Kai sitting in the chair, holding your hand.

As soon as John knew you were awake, he was on his feet, carefully brushing the fingertips of his free hand along the curve of your cheek.

You mouthed his name.

"Rest," he said. "I'm here. You're safe."

For the first time in what seemed like forever, you truly felt as if you were. Your mind let go.

"And how's our favorite mech, the Hero of the Pit?"

"That's not a very heroic name," you confessed, smiling as Maria and then Jamie entered medical.

You were sitting on the side of the bed in generic gray scrubs, waiting for Dr. Savannah to give you final instructions before your release. It had been two days since the explosion. Your hearing had, thankfully, returned to normal. The rest of you... not so much but you were on the mend.

They both gave you careful hugs.

"You look a lot less like you were squashed by a building," Jamie said sincerely and Maria punched his arm. "Hey, that was a compliment!"

"Don't make me laugh," you begged, holding your left side. They'd fused your broken ribs back together but the tissue damage would take longer to resolve. Still, aches, pains, limited motion and all, you knew you were very lucky.

"I hope they're giving you a nice vacation, at least," Maria went on.

"I should be ready for light duty in a week."

"Technically, I said we'd evaluate you for light duty in a week," Dr. Savannah corrected as she entered. "Afraid your friends will have to catch up with you later."

They said their goodbyes and, as they left, you started to stand. The doctor quickly said, "No, you don't. I don't want you walking on that leg."

"It's not broken," you argued.

"Not anymore," she countered. "Stay put. I got you a ride."

"I don't need to be wheeled back to the barracks." You tried to keep your tone confident but the truth was even that little bit of exertion had left you feeling twinges all along your left leg. Your left shoulder throbbed with each heartbeat.

"Well, good thing you're wrong on both counts," she said, winking. "And here he is now."

John came through the door, dressed in his undersuit as if either about to head to the Brokkr stations to have his Mjolnir mounted up or returning from having it removed. You didn't even realize you'd moved to rise again until Dr. Savannah put a practiced hand on your good shoulder to keep you down.

"I'll be sending PT to you twice a day, starting tomorrow," she said. "They'll help you to get your strength and mobility back. Around that, rest. Catch up on your reading, watch some thoroughly trashy movies, and keep your feet up. Not too far up, though. Nothing too strenuous. Make him do all of the work."

That got you to look at her and she waggled her eyebrows.

John cleared his throat slightly, a faint but definite flush creeping up from his collar. "Yes, ma'am."

"All right, see you back in a few days, sooner if anything else develops. You know what to watch for."

It wasn't until she stepped back and John approached that it clicked.

"You're going to carry me?"

"Yes, ma'am," he repeated in a murmur that shivered straight down your spine.

Since your left side had taken the brunt of the damage, he put your right to his chest and cautiously picked you up in a bridal carry. Despite the care, being moved set a thousand things to hurting and your breath hitched as he straightened.

"You okay?"

"Yeah," you said, your tone tighter than you would've liked. You thought, I hope nobody sees me being toted around like this, but, as soon as you left medical, you realized that no one was actually looking at you.

I think if Master Chief offered to drop me and pick up any marine, ODST or officer in this hall, they'd be hopping into his arms before I even hit the floor!

At the first turn he made, you realized the rest of it. "This isn't the way to the barracks."

"Nope," he said and you knew him well enough now to see the hint of a smile in his eyes.

You didn't have to wait for further clues, there was only one place, then, that he could be taking you. "How many strings did you have to pull for this?"

"Not as many as you might think," he demurred. "Your actions saved lives."

And they could've blamed you for failing to make sure a bomb hadn't been sent to the Pit in the first place. The curly tailed Warthog had been your responsibility, after all. You'd been curtly informed of all that when they'd debriefed you the first day you'd had your eyes open for more than 15 minutes.

You doubted they'd told that to John, though.

When you reached his room, he maneuvered so to get his thumb on the panel without jostling you too much. The lights came on as he took you through the doorway and then he paused.

"Kai," he rumbled, shaking his head. "She said studies show people heal better with color. I should've known she'd overdo it. Say the word and I'll have her in here clearing this out."

"It's your room," you said, "but personally, I love it."

The duvet on the bed and the pillows on the couch were now a rainbow of jewel tones. A tapestry with a field of sunflowers dominated the wall at the foot of the bed and you could've sworn there was a dusting of diamond glitter shimmering on every wall, sending tiny holographic rainbows through the air in all directions. But the main thing that caught your attention was overhead.

"She put up stars," you said, brightening.

"Ah, that one was actually me," he confessed. "You seemed to really like those in her room so I thought..."

You stretched up in his arms, inhaling a little sharply at the stab of pain in your left side, and pressed a kiss to his cheek. "I love them, John. Thank you."

A short time later, you found yourself lying on the bed in the darkened room, looking up at those stars. John had profusely apologized for not being able to stay after getting you settled in. He'd turned down the bed so you wouldn't have to, had put your padd close at hand on the nightstand to the right along with a bottle of water and a couple of emergency ration packs in case you got hungry before someone bought you a meal. He'd even procured you a set of unthinkably soft civvies to change into, exactly your size and in your favorite color.

You couldn't imagine that a Spartan had ever taken care of a sick or wounded person before, other than in a battlefield triage situation, so he'd probably found a checklist from somewhere to guide him. His earnestness to make sure he'd done everything right sent warmth flooding through you.

Before he left, he'd paused to kiss the top of your head.

"You know," you said, lifting your chin, "my lips aren't broken."

He hesitated. "The last time I did that, an entire base fell on you."

"Only the warehouse part," you said dismissively, "and there was absolutely no correlation, I promise."

He tried to smile at that but his eyes still showed concern.

"I promise," you repeated more seriously and he exhaled as if about to make a tremendous leap. His kiss was so soft and gentle, it was barely more than a whisper against your mouth.

Once he had left, you'd considered taking Dr. Savannah's advice and watching a holo, reading something on your padd, or doing any number of things to pass the time but ultimately, you'd wanted to appreciate his handiwork.

After all, it wasn't just anybody who could say a Spartan had literally hung the stars for them.

[ausetkmt]

Lynching victim Rubin Stacy’s story being told by his family in film screening at NSU

Anne Naves knew something bad had happened to her uncle when her male relatives came home from fishing, each wearing a pall of silence. Dad wasn’t cracking jokes like usual. Grandfather looked grave. And her uncle, Rubin Stacy, hadn’t come back. The next day, someone from the funeral home said a body had been dropped off.

Naves, 8 years old at the time, only discovered the full gruesome truth about her uncle years later. On July 19, 1935, acting on an unproven accusation from a white woman, a masked lynch mob strung up Stacy under a Fort Lauderdale tree, hanged him and shot him 17 times as spectators gawked and children laughed.

The brutality and silence of Stacy’s lynching is revisited in the new documentary, “Rubin,” which will screen on Tuesday, Oct. 3, at Nova Southeastern University. In the hourlong film, the farmhand’s death is recounted through the eyes of his surviving descendants, but mainly through Naves, who was the last living eyewitness to the trauma — and to the secrecy — that followed.

The film, the first to be made by relatives of Stacy’s family, also chronicles the history of lynchings in America, used as a tool of punishment and to foster silence.

“I think (my family) knew that, without telling us (kids) what really happened, they would save us a lot of trauma,” Naves says in the documentary. “The neighbors and our church members respected our silence, too, because they knew that if it could happen to our family, it could happen to theirs.”

For “Rubin” director Tenille Brown, who is a cousin of Rubin Stacy, the film has in recent weeks also morphed into something else: a posthumous tribute to Naves. After filming her interviews for the documentary, she died on Sept. 18 at age 96, leaving behind a strong legacy: She was a Broward County educator for 25 years, teaching at Pines Middle and other schools.

“The biggest piece of the film was Anne,” Brown says in an interview with the South Florida Sun Sentinel. “Without her, there’s no story. She’s the driving force. She was ready to talk. She told me to record her. She really pushed me when I didn’t feel confident and said, ‘Record me anyway. Just go.’ ”

The rest of America witnessed the cruelty of Stacy’s lynching long before Naves did. A series of photos immortalize the moment when a white crowd gathered around Stacy’s body hanging from a tree. These images ran in newspapers nationwide, were published by the NAACP, Life magazine and National Geographic, and are now archived in the Library of Congress.

It was a tale of Jim Crow-era racism that Fort Lauderdale would’ve rather forgotten — the brother of a corrupt Broward County sheriff participated in the lynching — but city officials have made strides in recent years to acknowledge the tragedy by placing memorial markers around Fort Lauderdale. One is on Davie Boulevard and Southwest 31st Avenue, also known as Martin Luther King Jr. Avenue, near where Stacy took his last breath. There’s another on the 800 block of Northwest Second Street, where he lived, and a third at Woodlawn Cemetery, his final resting place. In February 2022, a section of Davie Boulevard was renamed Rubin Stacy Memorial Boulevard.

“I’m glad they acknowledged it,” says Brown, of Pompano Beach. “These stories make some people in the state uncomfortable, but if they are based on fact, we need to tell the truth. You can’t turn your head. These are things you can’t ignore.”

For Brown, it was these memorials — and Naves’ willingness to break her silence — that motivated her to reconstruct Stacy’s story. To do so, she also interviewed Ken Cutler, Parkland commissioner and historian, and Tameka Bradley Hobbs, library regional manager of Fort Lauderdale’s African American Research Library and Cultural Center.

“My family didn’t want to talk about it out of fear for years,” Brown says. “There was shame. There’s an element of hurt, and you can hear that emotion in Anne’s voice. Now it feels freeing. This is a story that was suppressed for years and by sharing it, this is how we overcome.”

Michael Anderson, a producer for “Rubin,” says the film also tackles what too many school textbooks don’t stress enough: the history of Black lynchings.

“For Black youth to know their stories, they have to know the history of lynchings,” Anderson says. “They still don’t know how lynchings were used as a weapon to keep a community quiet. That’s exactly what it did to Rubin Stacy’s family.”

IF YOU GO

WHAT: “Rubin”

WHEN: 7 p.m. Tuesday, Oct. 3

WHERE: NSU’s Rose & Alfred Miniaci Performing Arts Center, 3100 Ray Ferrero Jr. Blvd., Davie

COST: Free, but tickets must be presented for entry

INFORMATION: 954-462-0222; MiniaciPAC.com

[ultimatepinkgirl]

Comparisons

I feel like this is important bc uhhh um I wanted to make it. And also show their similarities bc I thought it was interesting!

Barbie and Miss Piggy started off quite different from what we now know, neither one pink! In 1959, Barbie debuted in a black and white swimsuit, based off of adult gag gift toys. Eventually the doll line turned from its origins and began marketing to children. The Muppets: Sex and Violence showed an unnamed pig who began appearing in more and more episodes until she became the character we know and love today. I've also seen mentions that Miss Piggy originally appeared on a talk show or ABC special as Piggy Lee, but I couldn't find anything concrete about it.

Both characters ran for president, though Barbie tried 8 times! Barbie could have defeated Clinton, Bush, and/or Obama, but Miss Piggy could have defeated Regan.

Currently there are 41 Barbie movies with a new live action starring Margot Robbie coming out this year! On the other hand, the Muppets have 13 movies (12 depending on how you count.) While I'm not sure if Miss Piggy is in 2 of them, she always takes iconic roles when she's on screen.

Each of them are black belts in karate, with their own custom karate gis. But while Barbie is usually seen working in a professional setting, Miss Piggy does not hesitate to chop one her fellow Muppets or celebrities (see Acts of Violence section in the Miss Piggy's karate chops page of the Muppets Wiki.)

What Barbie is arguable most known for (outside of her extremely long resume) is her iconic color, Barbie Pink! 2022 was named the year of the color with Valentino and a number of celebrities wearing the vibrant color. While Miss Piggy doesn't have her own color, the flower Miss Piggy Pigsqueak (Bergenia cordifolia) is named after her.

[summerlinenss]

out of curiosity, if Max doesn’t release its metrics, then what metrics are you actually using to make these statements about the show’s popularity? what does “it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s.” even mean? How are you measuring what’s “in demand” - by who? Where? It’s bold to claim that this show was wildly popular (despite the fact that I never hear about it outside of tumblr, tho that’s a personal anecdote) but cancelled just for being queer, so I would be really interested to know where you’re getting all these numbers from. Thanks!

hey anon! first of all i am so sorry for the delayed response. i started typing something up and then i got distracted with something else and totally forgot about this in my drafts.

sure, i have no problem citing sources. i probably should’ve linked some in my original post, that’s absolutely fair.

this ended up way longer than i planned so bear with me, but a quick overview of what i’ll be going over:

1) what are the stats/where did they come from?

2) how is the show so popular?

3) was it really cancelled for being queer?

(also just a disclaimer that this will contain spoilers for the show)

1) first, the numbers

you’re right that hbo doesn’t release metrics to the public. in fact, ceo casey bloys tried to justify the cancellation to the hollywood reporter by saying “the numbers weren’t there,” despite refusing to say what exactly those numbers were or where they came from.

however, there are websites dedicated to researching/analyzing the data of different media. one of those is parrot analytics, who focus on industry insights like audience demand, competitive analysis, and content valuations. they’re trusted as a reliable source by forbes, the new york times, reuters, the wall street journal, and more.

this is what we can learn from them about our flag means death from a basic google search (note that all of this data is relevant to the last 30 days as of january 26 2024):

audience demand for our flag means death is now 33.6x greater than the average tv series in the united states. as explained in the “about demand distribution” section, this means it’s one of only 0.2% of all u.s. shows to fall in the “exceptional” performance range compared to the “average” demand benchmark of 64.1%.

the change in demand for ofmd in the u.s. has increased by 7.5% compared to the average tv series.

ofmd now actually ranks at the 99.8th percentile in the comedy genre in the u.s. i’m not a math person, but in basic terms, this is like a scale of measuring and comparing performances to create an average score. essentially, ofmd is performing at the very top of all comedy series in the u.s.

ofmd has 100% home market travelability. as it says above, the market of origin is always 100%, so in fairness i included the graph of international markets for comparison. some of these aren't super high, however (as explained by parrot analytics themselves) one of the key issues with the international market is accessibility to content, which has been an ongoing struggle for international fans. many people (i guess fittingly) have resorted to pirating ofmd because they don’t have access to max or affiliate streaming services in their country.

there are more stats i could have and wanted to go more in-depth into but it would make this even longer than it already is, so i’ll just leave some links you can check out if you’re interested and move on:

• comparison of ofmd's success to shows like ted lasso, euphoria, and peacemaker

• ofmd's placement as #1 most in-demand breakout series in the u.s. for 8 weeks

• ofmd's impressive 94% critics score and 95% audience score on rotten tomatoes

• how ofmd evolved from sleeper hit to a flagship series at max

• a list of ofmd's past and present award nominations/wins

• praise and recognition from news/entertainment sites: the atlantic (2022); the new york times (2023); tv guide (2023); vulture (2023); forbes (2023); the los angeles times (2022); vanity fair (2023)

2) so why haven’t you (or others) really heard of the show outside of tumblr despite all this success? likely because max did a terrible job marketing it.

ofmd first aired on hbo max (pre-merger before it was “max”) in march 2022. the entire season aired over one month, every thursday at 12am pst. season 2 followed a similar release schedule in october 2023.

season 1’s marketing was almost non-existent, pretty much relying on taika waititi’s name being attached. there was one teaser and one full-length trailer, as well as a few clips on youtube of taika and rhys darby answering pirate-themed trivia, all painting the show as a “silly pirate workplace/buddy comedy.” but hbo max didn’t put any real effort in because they didn’t care. david zaslav and the other higher-ups had no faith in the show and expected it to fail.

most people weren’t aware it was actually a romance due to the poor marketing, and although there were many romantically charged scenes between them, many were still wary to believe it wasn’t queerbaiting until ed & stede confessed their feelings and kissed.

showrunner david jenkins has said in interviews that he had no idea how deeply queerbaiting had hurt audiences and impacted their ability to trust what’s on screen without feeling like they’re being ridiculed, despite the fact that he was calling it a love story the whole time. it wasn’t until people realized they weren’t being queerbaited and that it was a funny, sincere show with a compelling plot that word-of-mouth began to spread. by the time the season 1 finale aired, there was a decent-sized fandom that continued to grow as it received more praise.

it was a fight to even get the show renewed for season 2, and david jenkins and the cast have majorly credited that renewal to the unexpected and massive fan response to the show, which basically forced hbo’s hand.

max didn’t bother trying to properly promote the series until season 2, when they begrudgingly accepted that it was one of their most profitable and successful shows. ofmd had huge billboards in times square, downtown los angeles, and on the side of hbo headquarters. they started accurately marketing the show as not just a workplace comedy at sea, but a heartfelt romcom. max began selling long-demanded merch (which became best sellers) and spent money on an FYC campaign.

i will emphasize, whether they liked it or not, they knew ofmd was their new moneymaker (especially with the recent end of succession, which was obviously a cash cow for hbo).

photo credit: @/bookishtheo

3) now if it was that successful, was it really cancelled just for being queer?

i mean, i can’t say that definitively. no one can. there are several potential factors at play that we may never know, and there have been a lot of rumours and speculation (many of which i don’t feel comfortable discussing in case they aren’t true) since the cancellation.

but do i believe the fact that it’s a queer romcom was one of those factors, especially since max has a history of cancelling and scrapping its most diverse projects? absolutely.

first and foremost, i can’t stress enough that this isn’t just a show with a few characters thrown in for token representation. ofmd is built on a diverse, intersectional cast and narratives, including:

• lgbtq+ representation: 5 main couples are explicitly queer (including mlm, wlw, nblm, and nblw relationships). multiple characters are implied to be poly, and there’s a polycule forming in season 2 that was hinted to be developed more in season 3. beyond relationships, it’s confirmed that (similarly to the way wwdits depicts all vampires as being pansexual) all of the pirates are somewhere on the queer spectrum.

• bipoc representation: the majority of the main cast are people of colour. this includes david fane, joel fry, leslie jones, samson kayo, vico ortiz, anapela polataivao, madeleine sami, samba schutte, ruibo qian, and taika waititi, as well as many guest actors (like rachel house, simone kessell, and maaka pohatu) and extras.

• disability representation: multiple characters have physical disabilities, most notably amputated/prosthetic limbs and visual impairment. a lot (actually most) of the characters also deal with mental health issues, particularly coping with severe trauma and suicidal ideation/behaviour.

• the show has been praised for addressing difficult and serious themes like toxic masculinity, colonialism, and self-discovery, all while still managing to be a witty comedy and not come across as “preachy.”

• the diversity also extends off-screen, with a team of directors, writers, and additional crew comprised of numerous bipoc, women, queer people, and trans/non-binary people.

my point isn’t just the quantity of representation, but the quality. they take great care and respect into every marginalized group depicted on-screen. the actors would often be consulted about their characters’ costumes, hair, tattoos, and the kind of language they use. it’s not a world where discrimination magically doesn’t exist, they just have zero tolerance for it. if a character does something homophobic or racist, you can guarantee they’ll quickly (and often violently) be punished.

so okay, sure, it’s got great representation. what does that have to do max cancelling it?

because they’ve been interfering with production from the start.

i already mentioned the marketing issues so i won’t get into that. it was also revealed in interviews with david jenkins after season 2 that hbo cut their budget by 40%, which is why they had to do everything they could to save money. this included letting go of some of the original cast (and even still having episodes where some of them don’t appear at all) and moving the entire production to AoNZ. the budget cuts also meant two less episodes, so they had to rush to fit an entire season’s worth of plot into eight half-hour long episodes.

but one of the biggest frustrations is hbo’s (alleged) censorship of the show. samba schutte revealed that the entire plot of episode 2x06 was completely different in the original script. before it was rewritten as “calypso’s birthday,” the episode took place during lucius & pete’s wedding and focused on the crew getting sick of the sexual tension between ed & stede and trying to get them to hook up (this aligned with lucius & pete getting engaged and ed & stede deciding to take things slow in the previous episode).

vico ortiz and writer jes tom have also commented that many scenes between jim, oluwande, and archie establishing them as a polycule were cut, including one of the three of them emerging from a bedroom in their underwear. jes has mentioned other elements of season 2 that had to be cut out or rewritten, like the implication of other poly dynamics between the crew and more sexually explicit scenarios and jokes.

considering that ofmd is an extremely sex-positive show that isn’t afraid to be raunchy or taboo, it’s clear that either higher-ups at hbo forced them to cut these things out or they had no choice but to cut them out due to tight budget/time restraints.

in addition to this, a recent article citing an “anonymous insider” has alleged that hbo was uncomfortable with and was unsure how to market the “shock violence” in the show (the same network that aired game of thrones), which david jenkins outright called out as being bullshit. ofmd is rated TV-MA and the posters and trailers all show the audience that it contains violent content. there is literally nothing more graphic in ofmd than any other pirate show — it’s probably a lot tamer than most of them, actually.

violence on the show is most frequently used in a comedic context, in the sense that it’s not meant to be seen as scary or taken seriously. the few instances of serious graphic imagery on the show are meant to invoke a mood shift, like ed’s transformation into the kraken or ned low’s murder. it should also be noted that some of the most graphic deaths are reserved for bigots, like ed snapping the neck of a colonizer who was ridiculing stede’s love letter.

it’s also most often used in a sexual context — not sexual violence, but violence as a sexual metaphor. more specifically the act of stabbing as a metaphor for penetration, as seen with both ed & stede and anne & mary. bearing all this in mind, it seems like the real issue here isn’t executives struggling to market explicit violence to a mainstream audience, but rather explicit gay content.

as much as we joke and affectionately call it the “gay pirate show,” ofmd has always been nothing more than an opportunity for rainbow capitalism for hbo (e.g. the fact that they waited three months to announce season 2 just so they could do it on the first day of pride month). like other cancelled queer media, ofmd was a way for hbo executives to show how “inclusive” and “accepting” they are when it was convenient (aka profitable) for them, but they never actually respected the show or us as a community.

it’s impossible to be certain of what the exact reasoning for cancellation was, especially when they won’t give us a clear answer themselves. and maybe it had nothing to do with ofmd being a queer romcom at all. maybe that’s all a horrible coincidence. but for hbo/max to axe a critically acclaimed and beautifully inclusive show that’s successful by every metric, with an extremely devoted fanbase, especially after casey bloys just had the nerve to ask “gay twitter” to hype up the gilded age? it doesn’t exactly put them in the best light regardless.

in summary, i’ll leave you with this editorial, which details how the campaign to save ofmd isn’t just about one show, but a fight to save the future of all queer art.

[stargirlie25]

This is the first and hopefully the last time i talk about the Elainweek drama.

Ima just cut straight to the point

People who ship Tamlain are not evil people! If they want to participate in Elainweek that means they generally love Elain.

Considering Elain Archeron´s character was not even created by you guys but you still get to decide on whom she can or can´t be shipped with?

got this image from @positivelyruined

Tamlains are fans of Elain! If we all just worked together to be more open minded we would realise it! This characters are not real so it is really about whether the pro elain community enjoys it.

Of course you can still do an Elainweek i'm saying you can't just create an event about a character that isn't yours and not include everyone. That is just messed up! Some Elain fans believe that this topic is unnecessary drama which is false!

A lot of people were looking forward to Elainweek only to be cast away because someone said so.

Im sorry @elainarcheronweek but you guys are basically casting away multiple people who love Elain.

Elain week should be about people who love and appreciate Elain.

Also to me it does not seem like your account is inclusive to everybody. I mean obviously but you even seem to lean into elriel more anyways. They literally have 8 elriel submissions and 1 elucien submission from 2022. It makes me feel that your account was not very welcoming to other shippers including Elucien. Maybe people did want to participate but did you promote elriel more often than other ships?

Even feycien was aloud in Feyreweek! It is really all about us as a community and what we do to make this fandom a fun loving space.

Bottom line: Elain Archeron does not even belong to you and still you guys somehow get to choose who is aloud and not. If you want to make a week be inclusive and diverse so that we all can have a great time. Many people (including me) were so excited for Elainweek only to be turned down. Keep in mind i am an Elucien and i have actually expressed my distaste for tamlain like i have for elriel. That does not mean i want those shippers to feel unwelcome in this event. It upsets me that you claim all fans are aloud to join but still divide us into sections. Even Eluciens (including me) are opting out because we believe in community.

Note-This is not an attack on Elriels or Elriel whatsoever! This post is not anti any ship just that we should all be included! When it comes to a character's week i am open to see all ships as long as the main focus is the character!

ANYWAYS if anybody is trying to make a real Elain Archeron week i will definitely participate and i hope that all elain stans and all the shippers participate to celebrate our Lovely bright Quiet dreamer.

[sprnklersplashes]

I'm bored so here's my ranking of some if not all of the Veronica outfits in Heathers.

I am just going to be talking general costumes, so I won't be doing a new post for each alteration, but I'll talk about them if I can.

2014 Off-Broadway (worn by Barrett Wilbert Weed/Charissa Hogeland/Cait Fairbanks)

honestly.... 10/10. I love this costume. I love the dark blue. I love that while blue is the dominant colour the grey skirt and white shirt stop it being all-encompassing. I love the subtle pattern on the skirt. I love the square buttons and I don't care if they are impractical because she just rips that bad boy open in Dead Girl Walking anyway. I love the little sparkly thing at her collar and I love the dark outline on her collar. And I love her watch! She accessorises!

Most of all... I love those shoes. So much that I saw a similar pair in a charity shop window and got them and sometimes consider painting a section blue. They are adorable.

(Also, fun rumour; apparently they had considered having Ronnie wear heels in the Off-Broadway version but they scrapped it because Barrett Weed is 5'9" and when she had heels it meant Veronica was taller than JD. Which would've been amazing but we got these shoes in the end. And it also made me notice that Veronica is the only one of the Heathers not wearing heels and she is still the tallest)

(also the original line in Beautiful was "ask me how it feels wearing these badass heels")

Overall, I feel like this costume just feels very real. I didn't live in the 80s, but I look at this and I don't see A Costume. I see something a real girl would wear in this fictionalised version of the 1980s.

2021 West End (worn by Christina Bennington)

Solid 9/10. My favourite detail is the blue plaid miniskirt, I just think it's a cool little unique detail. And yes I said above that I liked that the Off Bway one wasn't all blue, but I think the variation in shades makes up for it and also I'm not consistent in anything. I also love the oversized blazer, it's so cool and I think it fits Veronica's character as a messy misfit who doesn't fit in and is essentially trying to be something she's not. Also I love the navy shoes.

2023 Off West End/Tour (worn by Miracle Chance and Lizzy Emery)

8/10. I love overall that it's a fun change from the standard Veronica outfit. I love the almost military-style jacket, it's a cool silhouette and it makes the outfit a bit more interesting. As does the black and white skirt. I swear there used to be a darker version of the jacket somewhere which would bump it to an 8.5, but overall I love this outfit.

Also, you can't see them in this picture but the brown and blue shoes are a plus, I love them. I love splashes of blue on Veronica's shoes in case you can't tell.

West End 2018/UK Tour 2021/Off West End 2021-2022 (worn by Carrie Hope Fletcher, Olivia Moore, Becca Wickes, May Tether, Ailsa Davidson, Kaleigh McKnight and probably some more)

6/10

sigh.... Listen I don't hate this outfit. I just think it's quite basic. I mean the shoes are cute and overall it's nice. The bow is a nice touch I do like the bow. The bow is nice. I'd prefer a darker shade of blue. Up close you can see some details on the skirt but at a distance it looks quite plain. Kudos to Carrie for accessorising with skull earrings though.

There are some variations. I like Becca Wickes' blue skirt, as we know I'm a sucker for a blue skirt.

Also the little necktie.... on its own it's fine, but I'm not a fan of Veronica and the Heathers all having matching neckties. I like the Off Broadway version gave them some variation.

Argentina (Julia Tozzi)

A whole 10/10. I love this look so much. I love the waistcoat, always put Veronica in a waistcoat. I love the tights and the boots? Holy shit I love the boots. I am so in favour of giving Veronica a tie. This outfit has so much character in it and I am in love with it. Does it look a bit too modern? Maybe. Do I care? Hell no. This outfit eats, no wonder JD was in love with her.

[agentchimendez]

Sorry for the delay! It's because y'all didn't just write down a single character's name for the written sections like I so desperately asked!

Introducing the results of the 2023 Bittersweet Candy Poll! This was polled back in November-December of 2023, and here are the results of people's favorites, least favorites, most controversial/mixed opinions, and the one with the least opinions!

Click here for 2022's results and here for 2021's. Click the read more to see the total results for this year's poll beyond the top 10s.

Now color coded so you know if they've ranked higher (green) lower (blue) or were a new addition (orange)! Characters who stayed in the same place are listed as normal.

BELOVED

Lucy - 560

Paulo - 559

Augustus - 486

Rachel - 452

Amaya - 442

Daisy - 435

David - 382

Sue - 355

Mike & James - 345

Matt - 342

Molly - 336

Janet - 330

Paulo's Dad - 306

Abbey - 298

Tess - 282

Lucy's Mom - 269

Jessica - 251

Jasmine - 239

Daisy's Dad - 237

Kevin - 224

Zachary - 218

Charlotte - 214

Chris & Catherine - 206

Jordan - 190

Haley - 189

Lily - 185

Daisy's Mom - 181

McCain - 180

Madison - 168

Stacy & Mr. Noodles - 160

Justin - 156

Mike's Mom - 154

Lucy's Dad - 153

Principal - 152

Felix - 150

Amaya's Dad - 147

Chirpy & Lucas - 141

Sam & Finn - 139

Flower Girl - 132

Yashy & Lani - 121

Mina - 119

Darwin - 114

Sandy - 113

Gym Teacher - 102

Blur - 97

Max - 93

Courtney & Melanie - 92

Katie - 88

Sex-Ed Teacher (SET) & Aaron (Rachel's brother) - 85

Cassidy - 60

Tiff - 47

Dylan - 30

Alejandro - 26

Toby & Sandy's Mom - 12

Craig & Abraham - 11

BELOATHED

Alejandro - 721

Abraham - 599

Sandy's Mom - 307

Sandy - 301

Toby - 256

Craig - 216

Yashy - 181

Mike - 175

Katie - 149

Tiff - 145

Paulo - 101

David - 99

Lily - 97

Melanie - 92

Lucy - 91

Dylan - 74

Sex-Ed Teacher (SET) - 66

Abbey - 64

Madison - 57

Sam - 47

Chirpy - 46

Stacy - 44

Gym Teacher - 43

McCain - 42

Daisy - 40

Blur - 38

James - 34

Zachary - 30

Jasmine - 24

Augustus - 22

Tess & Jessica - 21

Darwin & Justin - 19

Mina - 16

Mr. Noodles & Finn - 14

Jordan - 13

Matt, Chris, Principal & Lucy's Dad - 12

Haley, Cassidy & Daisy's Dad - 11

Lucy's Mom, Courtney & Charlotte - 9

Flower Girl - 8

Lani - 7

Rachel & Paulo's Dad - 6

Sue, Mike's Mom & Lucas - 5

Molly, Aaron (Rachel's brother), Max & Catherine - 4

Amaya, Janet, Felix & Daisy's Mom - 2

Amaya's Dad - 2

Kevin - 1

CONTROVERSIAL

Melanie - 18400 (the numbers canceled each other out at first so this is why her number is significantly larger)

Sex-Ed Teacher (SET) - 695

Yashy - 403

Katie - 289

Lily - 220

Mike - 206

Gym Teacher - 146

Dylan - 136

Blur - 129

Sandy - 120

Madison - 103

Sam - 102

Chirpy - 97

Tiff - 96

Stacy - 76

David - 70

McCain - 61

Abbey - 55

Cassidy - 45

Paulo - 44

Darwin - 40 (most of these numbers are rounded, but this was a true 40.00)

Lucy - 39

Zachary - 32

Mina - 31

Justin - 28

Finn - 22.4

Jasmine - 22.3

James - 21.8

Courtney - 21.6

Daisy - 20

Mr. Noodles - 19

Jessica - 18

Principal - 17.1

Lucy's Dad - 17.02

Tess - 16

Jordan - 15

Flower Girl - 13

Chris - 12.37

Haley - 12.35 (everyone after this point is ranked lower than before im lazy)

Lani - 12.28

Aaron (Rachel's brother) - 9.87

Toby - 9.83

Daisy's Dad - 9.73

Augustus - 9.48

Max - 8.9

Charlotte - 8.7

Sandy's Mom - 8.1

Alejandro - 7.4

Lucas - 7.3

Matt - 7.2

Lucy's Mom - 6.9

Mike's Mom - 6.7

Felix - 4.08

Paulo's Dad - Pure 4

Catherine - 3.9

Abraham - 3.7

Daisy's Mom - 3.3

Sue - 2.8

Amaya's Dad - 2.7

Rachel - 2.6

Molly - 2.4

Janet - 1.8

Amaya - 1.3

Kevin - 0.8

THE PEOPLE DON'T CARE.... (i dont feel like marking these either sorry)

Cassidy - 142

Aaron (Rachel's brother) - 135

Courtney Dylan & Max - 132 (i realize now the ranking i listed was wrong. sowwy)

Darwin - 118

Blur & Lani - 114

Flower Girl - 112

Mina - 109

Gym Teacher - 107

Amaya's Dad - 106

Finn - 103

Sex-Ed Teacher (SET) - 102

Felix - 99

Lucas - 98

Lucy's Dad - 94

Principal - 90

Mike's Mom - 89

Chirpy - 87

Mr. Noodles - 86

McCain - 85

Melanie - 82

Sam & Daisy's Mom - 80

Toby, Craig & Tiff - 79

Justin - 78

Chris - 75

Charlotte - 74

Catherine - 71

Kevin - 68

Stacy - 64

Daisy's Dad - 59

Katie - 58

Yashy & Zachary - 57

Lucy's Mom - 56

Haley - 55

Madison & Jordan - 50

Sandy's Mom - 44

Sandy, Tess, Jessica & Paulo's Dad - 39

Jasmine & Janet - 35

Sue - 34

David - 30

Amaya - 27

Mike - 23

James - 21

Matt, Alejandro & Abraham - 20

Abbey & Molly - 19

Rachel - 18

Augustus - 15

Daisy - 11

Lucy & Paulo - 9