#Seanan mcguire

[sarahreesbrennan]

I’m proud LONG LIVE EVIL & my story HAPPILY EVER AFTER COMES ROUND are on the Locus Recommended Reading List - there to be voted for in the Locus Awards! One hears right wingers might try to grab the award so I am shamelessly self-promoting. Hence… LONG LIVE EVIL says: escape into your favourite book. Love the most wicked wounded part of yourself. We all deserve to be loved villainously - to be put first.

Anyone can vote, you just have to do a quick poll on books you read! LONG LIVE EVIL is my most personal book, and it’s a comedic book with pain behind it people sometimes don’t see, so I’d love to have it recognised but there are AMAZING books on this list. Basically I’d love some love but do vote either way. Isabel J Kim’s short story WHY DON’T WE JUST KILL THE KID IN THE OMELAS HOLE and @seananmcguire’s novella MISLAID IN PARTS HALF-KNOWN were standouts to me. Kelly Link’s THE BOOK OF LOVE is (no surprises) a knockout of a First Novel.

The choice, of course, is yours.

poll.voting.locusmag.com

[zadrinz]

Jill and Jack Wolcott from Wayward Children

[hellchilde]

seanan mcguire writing Feed in 2010: there was a presidential election, and a perfectly normal and reasonable human was running against the personification of evil

me in 2010: i dunno that seems like a caricature, surely that would never happen

me in 2024: uhhhhhhhhhhhhhhhhhhhhhh

[aquaticintrepid]

my book tattoos! The bells of the Abhorsen from Garth Nix's series and a doorway from Seanan McGuire's Wayward children

[whoreadsbooksanymore]

Seeing a marburg virus outbreak in 2024 on the heels of a global coronavirus pandemic reminds me of reading a seanan mcguire interview in 2012ish where she discussed how our societal approach to quarantine is a joke & the individual desire for freedom & autonomy over safety gets people killed. I have to wonder what going through the early '20s as someone well educated in viral mutations and infection vectors must've been like. Prophets screaming from a crumbling parapet

[yeehawpim]

[chitaqua-toast]

[text-id, in Bugs Bunny in formal-wear meme format, a Mari Llywd which is a horse skull worn with a flower crown and various colorful streamers, with text with font-flourishes pasted in:

i wish all

People Who Have Houses

a very

LET ME IN

/end text-id]

(Thank you @rfpreiwaphase for writing out the id!)

[smallgodseries]

“It all started with a mouse,” that’s what they like to say, over and over again, like it’s somehow impressive.  You know what else started with a mouse?  A hell of a lot of hantavirus, that’s what.  You have mice, you generally call an exterminator, that’s all I’m saying.  But it won’t do you a lot of good, because the mice will get in anyway.  Or get out. Can’t keep mice in cages forever.  That’s not what mice were made for.

Still, they tried like hell, didn’t they?  They changed the rules so many times we pretty much had to throw out the whole rulebook and start over with a new one.  Commandment one: Thou shalt let us do whatever we want, because we’re always right, and if you disagree with us, you’re wrong.  That’s how you lock in the result you want.  You cheat.

Oh, they cheated.  Go ahead and say they did everything legally, but if you have two mice and one maze, and say the rules are the same for both of then, then lay a trail of spray cheese between one mouse and the finish line, while the other has to run it the ordinary way, well, that’s cheating whether or not there’s a rule against it.  Ask any first grader.  That’s the real trick: if a first grader knows you cheated, you’re not even being subtle about it.

They didn’t use spray cheese, of course.  They used money.  And they weren’t racing mice, they were racing legal arguments.  Money votes.  Anyone who tries to say otherwise just doesn’t have any money.

But it all started with a mouse, and from there, it evolved—or devolved—into corruption, greed, and the desperate need to keep being the only people who could solve the maze.  They got so busy changing the rules that they forgot the one rule they couldn’t change.  The rule they should have remembered.  The first rule of mice:

Can’t keep them out.  And that means you can’t keep them in, either.

Everything crumbles.  Every mouse gets out.  And every story yearns to be free.  So tell me, now that you know it all started with a mouse, how are you going to write the ending?  I belong to you now, after all, as much as I belong to anyone.

But most of all, I belong to me.

********************************

For more information on Mickey Mouse entering public domain: https://variety.com/2023/biz/news/mickey-mouse-public-domain-disney-copyright-lawsuits-1235844322/

[sithiegoodness]

Did you guys see the cover for Silver and Lead?!

[robocatfan]

I won’t be the only person in this hellsite who is obsessed over horror killer mermaid stories and then constantly die inside when not only there is a severe lack of that sub genre, but also when amongst those few these two mfs are one of the few ones that actually have good compelling stories, and I’ll make sure of that!

[the-anchorless-moon]

I'm just thinking about how like. Most of Saltmist has met one (1) Daoine Sidhe and it's their Sweet Gentle Softboy Patrick. He's not a fighter! They need to protect him!! And then Simon shows up and not only is he an air breather gentle land fae, he's also traumatized he's their sad dry octopus blorbo and it's going to be an insane whiplash the first time they see him turn a guy into like. a minnow. and let it out the window. "He's free now : )" "he's going to get eaten" "he's certainly free to do that yes"

Like oh this one's unhinged what the fuck

[specificpollsaboutbooks]

Polyam Ships

Semifinals

[nzbookwyrm]

Coming 6 May 2025, Overgrowth, a new book by Mira Grant (aka Seanan McGuire)

Invasion of the Body Snatchers meets Day of the Triffids in this full-on body horror/alien invasion apocalypse.

This is just a story. It can't hurt you anymore.

Since she was three years old, Anastasia Miller has been telling anyone who would listen that she's an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has believed her.

Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it's already been warned, and it may be too late. The invasion is coming, Stasia's biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child.

What happens when you know what’s coming, and just refuse to listen?

[nudityandnerdery]

Hey, so, have you read Feed and all the Newsflesh books by Mira Grant (aka @seananmcguire)? They're fantastic and I love them and I totally had my heart ripped out and cried several times so much fun! Highly recommended!

[sameenbyhat]

The Library of Congress (American) gives every literary author a single number for all their works originally written in one language, whatever pseudonym they used.

Seanan McGuire is actually in the schedule (the official list of what numbers mean what and how to make new ones; there are only a few literary authors in each category actually in the schedule) as Mira Grant. 

Her number is PS3607.R36395. Let me break that down for you. 

PS in American literature in English. (The Library of Congress is... very American.) (PS8001-PS8649 is the Canadian numbers for Canadian literature -- the LOC has agreed not to put anything else there.)

PS700-PS3626 is for works by a single American author who writes in English, literary critiques covering one such author or their works, and biographies covering one such author (this includes things like speeches, because the LOC defines "biography" expansively).

PS3600-PS3626 is for American authors who write in English and were first published in or after 2001, as well as all the other stuff about individual authors like that. 

PS3607 is for American authors who write in English, were first published in or after 2001, and have surnames that begin with G. (Remember, McGuire is under Mira Grant.) (And all the other stuff about individual authors like that.)

PS3607.R indicates that the second letter of the author's surname is R.

PS3607.R36395 means precisely "The person who published in this language, place, and time under the name Mira Grant". The string of digits after the R was chosen to make that name file alphabetically in the Library of Congress' catalog with all the other authors. This contains books by and about Seanan McGuire.

Within that number, most of the individual books will have numbers that look like PS3607.R36395 E94 2016. This is a book by McGuire -- it's meant to be a first-edition copy of Every Heart a Doorway -- so the second "cutter" -- that is, the second set of numbers after the decimal point that begins with a letter, in this case E94, represents the title of the book. The date is the date of publication. 

This means that the books will be filed alphabetically by title, and very much not in series order. (Sorry). 

If someone else has written a book about Every Heart a Doorway, that will be filed right after Every Heart a Doorway, with a number that looks something like PS3607.R36395 E94333 2017. 

You can see that this call number contains all of the Every Heart a Doorway's call number except the date. Right after E94, which represents the title, is a 3. This indicated that the book with this call number is about the book that PS3607.R36395 E94 indicated. The next two 3s represent the beginning of the name of the author of the book about Every Heart a Doorway. (We're pretending this is a book by Nina Baym, who was a scholar of American literature and women's writings, but died in 2018.) Then 2017 would be the date of publication of the book about Every Heart a Doorway.

Remember that all the works by and about Seanan McGuire have to fit in PS3607.R36395. That means that some second cutters can't be used to represent the title of an individual work. If the number is PS3607.R36395 DATE, it's a collection of all of McGuire's works (or all the ones in a specific genre). You probably won't see this until she's dead, which will hopefully not be soon. Collections of some of McGuire's works will be in PS3607.R36395 A6 DATE. If it's in PS3607.R36395 ANUMBER DATE, and the number starts with a digit smaller than 6, it's a translation. If it's in PS3607.R36395 Z458 DATE or later, it's a criticism of McGuire's work as a whole or a biography of McGuire. (Note about Z458 or later -- cutters behave as decimal numbers, so Z46 is "later"  than Z458.)

Thanks for coming along with me on this journey! If you're ever poking around an academic library that uses LC classification, I hope some of this is helpful.

[the-final-sentence]

She no longer remembered the way home from the edge of the water, after all.

Seanan McGuire, from Adrift in Currents Clean and Clear