#Sagiri Seina
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kenkao-love · 2 years ago
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Rurouni Kenshin Takarazuka Revue
Kaoru is, the one and only (薫一人だけ)
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berserkerbarbie · 1 year ago
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Dancing for You [ ダンシング・フォー・ユー] by Cosmos Troupe 2008     第17場 - フィナーレ エイト・シャルマン Get Me to The Church on Time
♪  教会の鐘が鳴る 街に鳴り響く 出かけよう 教会へ So get me to the church on time 結婚の鍵が鳴る 朝の訪れに 急ごうよ 教会へ So get me to the church on time ♪  
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anime-world210 · 2 years ago
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Hola NEW POST espero les guste, aquí les dejo algunos de mis perfiles para vosotros el que guste es bienvenido
Twitter @/Edgar18022040 o (animeworld210💙🧣)
¿Qué debería hacer para poseer un corazón libre de duda y temor?🥷🏻🤍❤️
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zukadiary · 4 months ago
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Hi! I hope you're well! I wanted to ask something I was curious about. I recently saw a DVD of Me and My Girl with Yuzuka Rei as Jacqueline. I’m impressed by her versatility, I usually know her for otokoyaku roles. Could you explain how casting decisions are made when otokoyaku are given female roles or vice versa? Are there specific criteria for this? Also, any other notable performances of this kind you'd recommend? Thank you so much for making this blog btw! I've learned so much from it. ^_^
Hi! I don't think there are any hard and fast rules about this, but there are definitely patterns.
First off, there are certain female roles in big-name, frequently restaged shows that are either always or usually played by otokoyaku. Off the top of my head, some include:
Jacqueline in MeMy, as you mentioned
Scarlett in Gone with the Wind
Anita in West Side Story
Rafaela in Grand Hotel
Then sometimes they are just one-off casting decisions (Towaki Sea in Liszt, Ayanagi Shou in Hikarifuru Michi, etc). Regardless of the situation, it's usually for one or a combination of these reasons:
It's a "spunky," or more mature, or canonically cross-dressing role, that would break the mold of the musumeyaku-otokoyaku relationship
It's an incredibly high profile role, but the troupe has no top musumeyaku—e.g. Sena Jun as Elisabeth in '05, Nagina Ruumi in '09—and a secondary musumeyaku would not be nearly as much of a draw to the audience as a higher ranked otokoyaku
Or it's a really high profile role, and otokoyaku just bring in more money than musumeyaku, so a heavy supporting female role goes to an otokoyaku rather than a secondary musumeyaku
Fan service!
Here are some of my recommendations:
Grand Hotel - lots good about it, but cw for egregious racial makeup in supporting characters
Soragumi's Anastasia, for both Kazuki Sora and Kotobuki Tsukasa in female roles
All for One, which is quite fun, and features Saou Kurama as the Duchess of Montpensier
Ok this is pretty Tamaki Ryou heavy for some reason, but Legend of King Arthur for Miya Rurika's Morgane
Shall we Dance, one of my all time favorite shows, featuring Sagiri Seina as the female lead
A Song for Kingdoms, the 2003 Hoshigumi version, featuring Aran Kei as Aida (also cw for some racial makeup)
There's a lot of other great stuff too!
EDIT: HOW COULD I FORGET ADELAIDE??? Highly recommend thanks for the comment!
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yuzukahibiscus · 2 years ago
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Towaki Sea: A light that finds her own colours
From long ago, she has been a talented star of four aspects – her glamour on stage, her acting, her singing and her dancing. After transferring troupes, she discovers her otokoyaku image, and is processing to a new phase. (Please read Chinese below the cut, 中文翻譯如下)
It’s been 3 years since her troupe transfer. As we do the interview, she convinces with a smile that “Flower Troupe, is really a good troupe”, and now Towaki Sea-san’s firmly a member of Flower Troupe.
“I can feel that power in the troupe. That the otokoyaku are enjoying themselves as otokoyaku, that the musumeyaku have their details to pay attention to, that there is respect for each other. The underclassmen could showcase themselves without hesitation, and because the upperclassmen can also enjoy this environment similarly, everyone could enjoy themselves on stage. That’s how the gorgeous and bright Flower Troupe atmosphere is created.”
Even though she’s already in a higher class year, with that as a prerequisite, she also says that “I’ve been freely enjoying the stage more than before”.
“I would say the troupe vibe in Flower Troupe is like it’s alright even if you’re not doing good as long as you’re being yourself. So even though if I failed and I’m being teased for that, that’s how I could expose myself without fear. Compared to doing things successfully, I was told that it’s great if you could first feel joy and the fun in performing, so I feel less burdened. In Snow Troupe times, I didn’t have much ability in winking or showing that sexy appeal and since I didn’t seek help much, I would often judge myself. Even though this is ultimately my issue, this was something important that I learnt.”
But at first when she transferred troupes, there were many parts that she felt down and wasn’t familiar with.
“When I transferred troupes, I realised how “small” I was in terms of things I couldn’t do myself. In Snow Troupe, I had friends that I’ve been growing up together with, there were upperclassmen who knew me when I couldn’t do well before, so I felt that I was taken care of by many. But when I came to Flower Troupe, when I didn’t know what kind of musical am I performing with my partner, or what kind of person they are, I starting having decide for myself what I’m good at, what kind of style do I like, what do I want to present. So slowly that’s how I built this trust relationship with others, and in this year (2022) while starring in the performance “Paris in the Winter Fog”, I could finally establish my stance to be a Flower Troupe member.”
From long ago, “I’m someone that looks at everyone around me and think of my stance and how it fits into the balance of everyone.”
“I was influenced by Sagiri-san (Sagiri Seina, former Snow Troupe Top Star) who helped me a lot in my newcomers’ performances. Sagiri-san is more serious than anyone on stage, rather than asking others to follow her, she’s someone that stands with everyone on the starting line. I think that is absolutely fantastic. While starring in “Paris in the Winter Fog”, it’s necessary to express what I hope to present with the direction of the musical and my thoughts first. But since the stage performance cannot be done by one alone, ultimately it’s me putting all our favourite ideas and creating them together. And for that, I won’t forget to be thankful.”
“Paris in the Winter Fog” talks about an adolescent who silently awaits for the opportunity of revenge. In the previous Grand Theatre performance “Years of Pilgrimage”, she plays George Sand, the lover of the protagonist played by Yuzuka-san. She’s played many mature roles on stage but during the interview, Towaki-san was always laughing a lot, giving a bubbly, cheerful image.
“I guess that’s how I am (LOL). But in the musical, I really love how bewitching that desolate atmosphere (in “Paris in the Winter Fog”) feels like. When I’m on stage, I turn on that (acting) switch and I also enjoy having that gap for myself. You could say that’s being precise...but I think it’s also through listening to the words of the director, thinking about how to play the role in theory, and I continue to face this challenge in rehearsal and pursue the role that I should be playing.”
Now when asked about what kind of role or scene she wants to perform in, she immediately replies “Dancing in suits, and being in extremely dashing scenes.”
“I was an onnayaku in the previous Grand Theatre performance so I though I didn’t do enough otokoyaku then (LOL). Otokoyaku is a unique existence that’s neither female nor male, and you can’t do it again if you’re not in Takarazuka anymore. Since there’s limited time for me to (be otokoyaku), I hope to have fun and make use of the time. It’s my ideal to be an otokoyaku encapsulating the smart and classic Takarazuka traits, and become most fitting in a black swallowtail coat.”
The current Grand Theatre performance “MAYERLING” is a classical work of the works in Takarazuka performed for many times.
“That alone already makes it a fantastic performance. The lines in Shibata (Yukirou)-sensei’s works are so beautiful and the more you act into the role, the deeper it becomes. I hope to have fun enjoying this process.”
Towaki Sea. Born in Tokyo. Entered Takarazuka Revue in 2011, assigned to Snow Troupe, had her first newcomers’ performance lead for 2015 “Lupin the Third”. Later on, she starred in 4 lead performances for the newcomers’ performances. She starred in “PRxPRince” in 2019 and transferred to Flower Troupe then. She starred in “Paris in the Winter Fog” in 2022. 
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kenkaodoll · 2 years ago
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Finally I watched Takarazuka Rurouni Kenshin musical. The ladies are amazing and I like it. If watched it before I watched Kyoto stage play musical I surely would say that it was the best adaption. My opinion kinda biased right now because of Kyoto stage play .
Some main poin that I like from Takarazuka: + music score really good, interesting + love the one who play saito +Seina Sagiri kenshin is goofy +miyu kaoru really sound like kaoru + really love Saito. Love the smirk +Aaah I can't believe I like Kanryu too +Tho the storyline kinda different I still like it I just wish they still add Udo Jineh in the storyline, but I still love the original character in this version.
Overall everything is really really good. Kudos for Koike Shuichiro sensei who’s writing and directing both Takarazuka and Kyoto stage play musical. He really know how to bring Rurouni Kenshin into live. Compared with live action the stage play much better in characterization and storyline (except the first movie, Rurouni Kenshin: Origin, it has good writing). For now, my favourite is still Kyoto arc stage musical.
And because Koike Shuichiro sensei excecuted Tokyo arc and Kyoto arc very very well… Is it okay to put hope and manifesting well adapted Jinchuu arc?
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saigonobara · 5 months ago
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Nijinsky was so good🥹
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Ya… that
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kira-akira · 7 months ago
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Top 5 Songs
thank you for the tag jack my boy. this is gonna be a weird top 5 because i'm big into a couple musical hyperfixations rn and most of these are just audio clipped from videos
hi bully - 터치드 TOUCHED
kidd - 새소년 SE SO NEON
the current king of masked singer covering the death note ost in episode 439 who is definitely not jo yunmin from TOUCHED
el amor from specifically takarazuka's 2015 sorrowful cordoba, sung by sagiri seina, sakihi miyu, hoshino anri, and nozomi fuuto
this one goes out to you @psychic-waffles, i also have die schatten werden langer on here but i clipped mine from a video of the 2014 elisabeth performance so it's sung by asumi rio and serika toa
i don't know who of my friends has already been tagged in this so if you haven't this one goes out to you
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meeedeee · 2 years ago
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Личные причины
Fandoms: Takarazuka Revue RPF
No Archive Warnings Apply
Rape/Non-Con
Sagiri Seina/Todoroki Yuu
Ayabuki Mao/Mizu Natsuki
Fandom Kombat 2013
Drama
Angst
Theatre
Crossdressing
Show Business
Japan
Alcohol
Masturbation
fandom Takarazuka Revue 2013
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Причины поступков иногда продиктованы очень личными мотивами
(внеконкурс ББ-квеста)
(Feed generated with FetchRSS) source https://archiveofourown.org/works/43531246
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kenkao-love · 2 years ago
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Rurouni Kenshin Takarazuka Revue - Sensyuuraku ver.
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szabokazuka · 3 years ago
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Dai-undoukai time - Kageki Shoujo style
\(⁀▽⁀ )/
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dossei-dossei · 2 years ago
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nijinsky sketches
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arrakun · 2 years ago
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hibiscusbabyboy · 4 months ago
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I don't know what I just found but I LOVE IT
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senajun4ever · 7 months ago
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Siennes Dating Profs
Name: Sena Jun
What they want their lover to call them: JuneBug
Hobbies: Acting, playing with cute children
One word they’d describe themselves: selfless
What they look for in a partner: a kind man who shares the same interests as her
Love language: cuddles
First date idea: going out for dinner
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Name: Asumi Rio
What they want their lover to call them: Baby Rio
Hobbies: Scrapbooking, drawing
One word they’d describe themselves: hungry
What they look for in a partner: All the traits Mizu has
Love language: kisses
First date idea: Movie date
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Name: Mizu Natsuki
What they want their lover to call them: mommy
Hobbies: Hot women, the gym
One word they’d describe themselves: fruity
What they look for in a partner: smol and cute so she can dominate
Love language: physical affection
First date idea: “Chillin in bed”
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Name: Sagiri Seina
What they want their lover to call them: *****
Hobbies: Pissing you off
One word they’d describe themselves: Stoned
What they look for in a partner: Tattoos and piercings
Love language: Insulting you
First date idea: A skatepark
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Name: Shizuki Asato
What they want their lover to call them: bae
Hobbies: Walking, socializing
One word they’d describe themselves: hardworking
What they look for in a partner: A graceful man
Love language: words of affirmation
First date idea: Concert
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Name: Kiriya Hiromu
What they want their lover to call them: King
Hobbies: Anything is enjoyable when it’s with Sena
One word they’d describe themselves: godly
What they look for in a partner: A tall person who will do anything with her
Love language: physical touch
First date idea: Cafe date
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Name: Ryouga Haruhi
What they want their lover to call them: Her real name
Hobbies: anything music related
One word they’d describe themselves: underrated
What they look for in a partner: Someone who is understanding
Love language: giving gifts
First date idea: Shopping
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Name: Asami Hikaru
What they want their lover to call them: Hottie
Hobbies: driving, socializing, arson
One word they’d describe themselves: sexy
What they look for in a partner: if their not hot their not worth it
Love language: physical touch
First date idea: Going to a party
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Thanks @mizusjawline for the idea
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igura · 4 years ago
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assorted lupins from twitter 💎💎💎
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