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#SU there I said it ]]
poorly-drawn-mdzs · 3 months
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Not beating the allegations.
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childhoodgrave · 1 year
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please do not fall for staff claiming trans womens faces being labeled mature is a “bug” i have had nudes and cis women in lingerie blazed to me CONSTANTLY with zero content labels or warnings, clearly any labels being added to posts are done by people. that and any text posts criticizing staffs rampant terf and nazi problem being labeled mature as well. it is very blatant obvious transmisogyny on staffs end and theyre giving up a flimsy excuse to try and avoid liability
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evilfarmin · 11 months
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bigb: the mesa spawned that way. like the caves and cliffs update. that's how world generation is now.
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bitchthefuck1 · 2 months
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pharawee · 4 months
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Su su na!
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tobyisave · 3 months
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help... i bismuth her
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starry-bi-sky · 6 months
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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royalarchivist · 14 days
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Pac: I was very happy, truly. When I told Fit, he was super… He was super interested in the idea, he asked me some other questions, he even gave me some tips, because, well… I don't know if you know, Fit– no kidding! Fit is one of the… Wow, guys, he's a major reference in the Minecraft community in the United States, and the guy is an excellent storyteller, you know? Literally, I don't know what other term we can use, but Fit makes some videos of 2B2T–
Pac: Ah, but you know I was a fan of Fit before I knew Fit. It's no secret, huh? But I was super happy to have told him, he thought it was super cool, and… And that's it, and that's it. That's it for now. That's it, that's it. Right?
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Pac talks about Fit's reaction to Arkanis! (Special thank you to @atthebell for double-checking my translations + transcript! Much appreciated).
[Full Subtitle Transcript ↓ ]
Pac: I'll get back to that later, guys, I'll come back later. Let's look at this Fit business. Speaking of which– I miss Fit guys. If you're watching my live, go say hi to Fit. I've joined Fit's streams a few times to say hello, it's always great to say hello to Fit, right? Let's go then, let's see what Fit said.
Fit: Pac was telling me a little bit about [Arkanis] when it was still like, being worked on behind the scenes. He was very excited about it. It’s- it’s- it’s- it’s a very cool project. It’s very cool. Fit: Yeah, yeah, yeah, no, it’s- it’s- it's–
Pac: It's over! It's over! Is that it? Is that all?! I'm kidding, it's only 30 seconds, right? [Laughs] Oh, that's cool, he really liked it! He said– He said– yeah, what he said was– what he said is translated above, right? Yeah, but very cool. Very cool, very cool. Wow, really cool, guys. Really cool, really cool.
Pac: I was very happy, truly. When I told Fit, he was super… He was super interested in the idea, he asked me some other questions, he even gave me some tips, because, well… I don't know if you know, Fit– no kidding! Fit is one of the… Wow, guys, he's a major reference in the Minecraft community in the United States, and the guy is an excellent storyteller, you know? Literally, I don't know what other term we can use, but Fit makes some videos of 2B2T– Ah, but you know I was a fan of Fit before I knew Fit. It's no secret, huh? But I was super happy to have told him, he thought it was super cool, and… And that's it, and that's it. That's it for now. That's it, that's it. Right?
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jirachibaby · 7 months
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spinel my beloved
a repaint of an old piece of art, also the perfect size for my desktop wallpaper
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wackarat · 5 months
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u r a wanker for that su post
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you can’t stop me
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the au is from @lenny-link btw
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sterekcraptrash · 1 year
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look siand starts posting a new part and suddenly i’m drawing again
no joke, fanfic writers fuel me.. if i’m drawing again guaranteed someone started posting
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sevenines · 5 days
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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wtl-archive · 5 months
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Intermission | MADELEINE 1
[Table of Contents]
[Masterpost]
In light of an official Rebecca endorsement I feel the need to make another Tumblr update lmao
And hey, perfect timing too, cause we got the roll credits moment!
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levshany · 9 months
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how do I put this. Even those who actually track our blogs and are interested in our Aus can get a little confused about what's going on here. but I'll try to explain anyway
we already mentioned the crossover between Anarchists and Tandem and even DRAWED them once, back when Tandem was in development (and by the way, this crossover is canonical for both AUs). Now this story has been continued >:D
Here's some context: It so happened that the Colibri wanted to see what alternative timelines looked like and ran into the king and the jester. Phil was delighted with Colibri and wanted to flirt with them. Jester Collie was categorically against it. so he immediately possessed Phill and tried to fight Tandem. he didn’t succeed because his fusion with Phil is extremely unstable. and here we are
Initially, @angstyhikka and I just drew these three pages, but then @lasymit supported the idea and made a drabble which she allowed me to add to the post :3
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"Let go, bitch! I'm not done with you yet!"
The savage creature desperately squirmed in Philip’s hands. It grabbed onto him, trying to either break free or, on the contrary, rush closer, glaring furiously and baring its shark teeth.
He held the clumsy, collapsing fusion at arm's length and looked at it with slight disgust. His tandem with the Collector was a strange but harmonious union. And what was writhing in front of them right now was the direct antipode of the word harmony.
“Well, I am,” he said distantly.
And with his other hand he grabbed the one sitting inside the demon’s body. Under the flesh soaked in titan blood, he felt a soft essence, like rubber or hot wax. The Collector from this universe felt completely different to the touch.
He stretched them, pulling them away from each other, disentangling them from each other. Paradoxically, bodies that should repel each other by the nature of their forces, like unipolar magnets, clung to each other very stubbornly. But Philip was still stronger with the power of the Collector in his hands, power which he clearly used better than the local... king of demons...
“Ouuuuch ouuuuch,” a boy in the robes of a jester, painted in red and black, shrank on the ground, wrapping his arms around his own chest.
He was not at all like his Collector. Philip had never seen his friend's material body before. But he knew he looked different. For some reason he knew this for sure.
"Who pulls a guy out like that!? Fuck!!", the now-green demon yelled nearby. And he clutched his head painfully.
What Idiots. They vomited three times while chasing him. Philip did them a favor by stopping this outrage.
Now these two were lying helplessly at his feet, groaning and gasping, trying to catch their breath and come to their senses. Now they are separated.
"What were you trying to achieve?" His question was almost rhetorical.
"It wasn’t me, it was all him!" like a child, pointing a sharp, protruding finger towards the Collector, the demon yelled. "I didn’t want to fight at all!"—here he gazed up at Philip with some strange look and batted his eyelashes expressively—"I wanted something else– something more interesting."
"Ohh fuck off, Maggie! You traitor!" came the shout from the red Collector. Philip silently decided to call him the Jester and the demon, by analogy, the King. Philip had already guessed his name. But he couldn’t bring himself to call this savage by that name. Not even in his mind. 
He ignored the King's vague attempts to take a tempting pose while still lying on the ground and grinding his teeth from the headache. He turned to the Jester.
"So you're in charge?"
Judging by King's behavior, it would indeed be reckless to put him in charge. But, having always been the decision-maker when paired with the Collector, by right of being the adult, Philip is accustomed to his friend almost never taking the leading role unless circumstances require it. Like a couple of years ago...
“Nuh-uh,” the Jester raised himself up on his elbow and rubbed his chest, inhaling deeply, greedily. "We're bros! Equal rights and stuff."
And he twirled his funny yellow gloved hand in the air.
Something in the Jester’s words pricked Philip. He didn't fully understand what exactly.. Until the King said, in a dramatic whisper:
"I no longer have a brother. You’re dead to me!"
And Philip stood there, trying to remember that the air was not hard, dense lumps, that it did not clog in the throat and did not press in the chest with a dull phantom pain. Meanwhile these two idiots, after a couple moments of aggressive looks, laughed out loud.
“Yes, I would strangle such a brother,” the King squeezed out, wheezing and squinting through laughter, “with my own-"
And he bent over, swallowing the end of the sentence with a cough as the toe of a boot hit him in the stomach.
"Philip! Philip... They've had enough... He doesn't know what he's talking about."
Philip's cheek twitched.
"Ouch... bro, save me!" the King squeaked hoarsely.
And this completely infuriated Philip. He swung his foot again, this time at the face. But he was met by an elastic wall. And the ground under Colibri’s feet, along with all the space, suddenly curved.
If it weren't for years with the Collector in his head, he wouldn't have realized what happened. But now he clearly saw how a couple of dimensions were distorted, folding space into a loop. He suddenly found himself not between the King and the Jester, but at a considerable distance. And these two were already close together. The boy helped his “brother” get up from the ground; King was now leaning on Jester’s shoulders, clutching his stomach. Perhaps Philip miscalculated his strength a little. This happens sometimes... Especially when it comes to emotions.
“Hey! Hitting people who are down is against the rules,” the Jester frowned. "Give us a timeout!"
Philip felt his jaw tighten. How the nodules rolled across his face. But the flaring rage, as it often happened to him, went away as easily as it filled the air in his chest, leaving reddish streaks before his eyes and pulsating power in his fingertips.
“Get out of the way,” he let his hands glow slightly.
"Ohhhh, what about a last kiss, star boy?" the King whined, clinging to the Jester and trying to straighten up next to him, as if hoping to reach Philip from a distance of ten steps and still get the coveted—
A kiss? Seriously, what the hell? Philip directed a confused, irritated look that bore all these unspoken questions at the Jester. He awkwardly shrugged his sharp shoulders, caught in the King’s grip.
"Don’t be mad... Philip, right? Don't be mad at him, Philip. His Majesty has a reason to be an idiot. And he didn’t mean it out of malice about the ‘brother’ thing.”
Philip looked at the Jester more carefully. The collector in his head was silent. But Philip sensed something from him. Philip also noticed the King’s uncomprehending expression.
“What’s wrong with ‘brother’?” The King sounded surprised.
And then Philip understood. And his face froze.
Yes... yes, what need is there to remember such things? He himself tried to forget for a long time... If he succeeded, would he be the same now as the king in front of him?
Looking at this wretched shell of a “King” who’d forgotten everything important about himself and the loyal “Jester” still standing steadily at his side, the Collector in Philip’s head began to sob. They both, it seems, had the same thought. It’s scary to look at the reflection of a future that never happened.
The jester smiled at him guiltily- at both of them. And then he confidently and widely showed about fifty teeth to his King.
"People don’t like such familiarity, you fool! You can’t just kiss someone the first time you meet."
"But it's okay to fight them when you first meet?" Philip was indignant...
Yes, it's Philip. He cannot refuse to call this man by his own name. Philip himself could one day become such a “king.”
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also @kenku97 helped us with translation and added this comment, I gotta show it to you ;v;
"I thought “The collector in his head sobbed” needed more context for people who aren’t as tightly wrapped up in these AUs as we all are. To understand why Collie’s crying, you need to point out how Tandem Collie sees himself in the Jester. They’re both caring for a Philip who is forgetting himself and the people closest to him. Jester is living out Tandem Collie’s worst fear: what will happen when Philip can’t remember anything anymore? What will become of their friendship? And it’s bittersweet because the King and the Jester are still friends, even though the Jester basically had to start over from the beginning. Jester Collie is quietly carrying all of those memories inside his heart of a friend who has basically disappeared while still learning about and loving the brand new person his friend has become. It’s so sweet and so sad.😭"
that's pretty much all for now It’s hard to return to drawing after the holidays. and this is not even a new art you see, but last year’s. therefore this comic cannot be considered the first work of this year sadly
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unhinged-nymph · 4 months
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Having so many thoughts about both of their reactions
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chrisrin · 10 months
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doodle req from twitter!
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