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#STEVE KNOWS
piratefishmama · 1 year
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Eddie Munson making bank on being a 'Rent a weirdo to piss off your parents' guy. He shows up, behaves exactly like himself sometimes, and other times if himself isnt working he'll up the ante and get creative, but he earns his money.
and Steve Harrington who's sick of his parents trying to throw people at him, both women and men, he's in desperate need of a break from it all/
His parents were horrifically supportive when he in a fit of desperation to stop them from throwing more awful women at him, came out as bi, okay, he said he was gay but when they were supportive he adjusted to Bisexual because he actually was bisexual and there was no point lying if his parents were just going to switch it up and throw men at him instead.
John the tennis club owners son was lovely but no.
So he hires Eddie for a 'week long chalet get away', it's Dustin's idea. Eddie's his friend and Dustin vouches for him.
"Just. Pretend to be my boyfriend for the week. You get a free rich people vacation out of it."
"Usually i'm more of a one and done kinda guy, Harrington, you think i'm not up to freakin them out in one go?"
"Freaking them-- no, i need a week of them not trying to set me up with someone, they wont if they think i'm dating, is that okay?"
"... Not my usual schtik but what's the worst that could happen?"
Whats the worst indeed.
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flowers-that-sing · 2 years
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wip wednesday! max mayfield's morning ft. mike's shitty jokes and a gender crisis
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Man this scene in FNAF 2 movie is gonna be wild-
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lazylittledragon · 6 months
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if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about
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Suddenly, bell bottoms aren't so bad
Bonus sketch, because I had to vv
"Stop checking out my assistant, Stanley."
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tanadrin · 2 years
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I hope there’s an afterlife so that whoever made this pot 2,000 years ago can brag that their cookware is so good it’s still usable literally millennia later. Something about this object being lost for centuries and then rediscovered, and being put (successfully) to its original purpose again is so pleasing to me.
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solarmorrigan · 9 days
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So "Uptown Girl" released in 1983, and I feel like Steve would have sung it to Nancy sometimes, and she would humor him, because it was sweet, and he actually sounded pretty good when he wasn't doing it just to be goofy
Fast forward a few years, Eddie and Steve are dating, and they're sitting on the couch at Eddie's place one evening, comfortably high, Eddie noodling around on his acoustic and Steve just kinda vibing. And Eddie knows Steve likes Billy Joel, so he starts up with the tune of the first one he can think of: "Uptown Girl." And suddenly Steve's mouth is dropping open like he's just had some great realization
Eddie: What is it?
Steve, in a hushed voice: I'm the uptown girl
Eddie laughs so hard he falls off the couch
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lesbicosmos · 28 days
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steve you can't just casually confirm one of the wild little theories i believed in was correct right after the show is cancelled my emotions can't handle it
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livwritesstuff · 1 month
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i went on a deep dive of the Steve & Hopper ao3 tag yesterday and and it got me thinking about what would happen if Chief of Police Hopper ran into Steve and Eddie while he was on patrol after pseudo-adopting Steve, and it’s been long enough that Hopper is sort of a safe-person for Steve so Steve goes into full-fledged bitch mode when Hopper tries to pull cop stuff on them, and Eddie (who knew about none of this because Steve is a chronic under-sharer) is so totally baffled.
He’d spent years watching Steve sweet-talk his way out of trouble. Even before they started hooking up it used to drive Eddie goddamn insane, because if (when) Eddie pulled any of this shit Steve gets away with, he’d be totally screwed, but all Steve has to do is flash a sheepish grin and run a hand through his hair once or twice and say, all baleful, “I really didn’t mean any trouble,” and he’s home free.
It has its perks though, or so he's learned during his last few months of hanging around with Steve, so when Steve and Eddie’s make-out session is interrupted by the tell-tale red and blue lights of a cop car pulling up behind where Steve parked the Beemer a few hundred yards down a maintenance road, Eddie’s not all that worried. In fact, he’s got a pretty good amount of faith in Steve’s ability to spin up some story to keep them out of any real trouble, and as Chief Hopper ambles over to them, Eddie prepares himself for a whole show of, “Yes Chief, sorry Chief, it won’t happen again Chief.”
So imagine Eddie's complete and utter surprise when Hopper barks, “Hey, morons! What the hell do you think you’re doing?” and Steve only rolls his eyes and says, “What’s it to you?”
Eddie feels his jaw drop.
“Steve,” he mutters through gritted teeth. He tries to elbow Steve into shutting the hell up, but he misses because Steve has already taken several steps forward to meet Hopper, his face turned up in a kind of defiance Eddie doesn’t think he’s ever seen on him before.
“What’s it to me?” Hopper repeats, glowering at Steve, “It’s midnight. I’m on patrol. You’ve got one of the most recognizable cars in this entire damn town parked in a restricted-access zone with this idiot–” Hopper gestures at Eddie (Eddie didn’t think the pointing or the idiot were necessary, but clearly, clearly, he’s missing something here), “–who’s been dragged into my station more times than I could count.”
“The town line, Hop, is over there,” Steve says, pointing at an indiscriminate spot over Hop’s shoulder that may or may not be part of the Hawkins town line, “We’re not even in Hawkins anymore. You’re totally out of your jurisdiction.”
“You wanna know something about jurisdiction, smart-ass?” Hopper asks, “If my report says shit happened in my jurisdiction, it happened in my jurisdiction.”
“Wow,” Steve deadpans, “Way to not sound totally corrupt. Nice work, Chief.”
Hopper’s jaw twitches for a second, and he’s clearly debating if he wants to keep arguing with Steve who, to Steve’s credit, looks like he’s got debate in him for days. Ultimately though, Hopper decides against it and stalks back over to his squad car.
“If you’re not home by one there’s gonna be hell to pay. You hear me, Harrington?” Hopper yells, “One AM. Hell to pay.”
“Oh, sure,” Steve rolls his eyes, “Totally hear you. One AM. Loud and clear or whatever.”
Steve flips the cruiser both birds as it peels away, which Hopper only flashes his high beams at a couple times before he’s gone, kicking up a bunch of dirt and mulch and leaves in his wake, and Steve is wearing an exasperated expression as he turns to face Eddie again.
“God, he’s so annoying. Let’s just go to my house.”
Eddie gapes at him.
“What the fuck was that?”
“Huh?”
“What the fuck was that?” Eddie repeated, gesturing wildly towards where Hopper’s car had just been.
“Wha– you mean with Hop?”
“Uh, yeah?!?”
Steve just brushed him off, “Whatever, just ignore him. He’s basically my dad.”
“What?”
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chorttttttt · 6 months
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How many faces do you have ????
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plistommy · 4 months
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One of the reasons why I love Steddie is how sweet Eddie was with Steve in the forest scene. That’s what got me into this ship. It was nice to see someone being patient and kind to Steve like that and it coming from someone like Eddie who viewed Steve so differently means a lot.
I loved how he told him how much Dustin looks up to him, making Steve smile and even after that wanting to joke around a little to make Steve laugh as well.
It was such a nice change, because all the other scenes we just see him bickering with someone or people making him seem stupid when he asks questions. Eddie didn’t make fun of him for not knowing Ozzy like he probably would have prior to things and instead let it be and called Steve cool. I love them.
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skelet-bone · 23 days
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in my humble opinion, minecraft has plenty of material to make a movie out of, it just has to be an artistic movie that is damn near silent all the time. also animated
like imagine a man wakes up alone not remembering who he is, he’s scared but ultimately finds a way to live, getting a dog, building a farm etc. one day while exploring he finds that he’s not the only person alive, he finds alex who’s been living with villagers.
imagine the movie deals with themes of mortality and immortality and being higher level beings. why are steve and alex different from villagers and pillagers? why are there lost civilizations? and what’s with the other dimensions? who were these old beings? are they one of them?
it could be a beautiful movie about purpose and how to live. especially with that end poem. the take away is you make you’re own meaning. or something like that
but no. we have jack black building blocks and shit.
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FNAF movie William and Springtrap are petty,,
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lazylittledragon · 5 months
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requested closeups of the steddie tinder profiles
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randomloserlover · 20 days
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cobs destroys mephone's objectsonas
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devsdeve · 4 months
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happy pride month to my favorite cool aunt ft. her two supportive besties
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