#SPIRIT ANALYSIS SCIENCE

[rabbits-of-negative-euphoria]

if there is one thing i could make every person I know understand, it is that precious little of psychology is empirical. they just guessin

[pearlprincess02]

academia sign as 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞 𝔞𝔢𝔰𝔱𝔥𝔢𝔱𝔦𝔠𝔰

academia (829)

𝔠𝔥𝔞𝔬𝔱𝔦𝔠 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

aries / 1st house academia: aries in academia approaches learning with enthusiasm and a pioneering spirit. they thrive in competitive environments, enjoying subjects that allow them to take the lead, such as sports science, entrepreneurship, or anything requiring bold, innovative thinking. their learning style is hands-on and action-oriented, preferring to dive into projects rather than sit through lectures. quick to grasp new concepts, aries students excel in fast-paced, dynamic settings where they can showcase their initiative and drive. they are natural leaders in group work, often inspiring others with their energy and passion.

chaotic academia vibes: red bull, coffee, late-night study sessions, messy desk, sticky notes everywhere, highlighters galore, backpack overflowing, headphones tangled, running late, cramming, competitive studying, impulsive learning, last-minute cramming, energetic study sessions, motivational posters, pomodoro technique, study groups, mind maps, flash cards, music playlists

major & minor in college: history, english, psychology, theater, business, creative writing, philosophy, computer science, art history, sociology

𝔡𝔞𝔯𝔨 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

taurus / 2nd house academia: taurus in academia is methodical and steady, approaching learning with patience and determination. they excel in subjects that involve tangible results or a connection to nature, such as agriculture, culinary arts, or finance. taurus students prefer a structured learning environment, where they can take their time to absorb information deeply and thoroughly. they have a strong memory and excel in retaining facts, often mastering subjects through repetition and consistent effort. their learning style is practical and grounded, focusing on real-world applications and long-term value.

dark academia vibes: leather-bound notebooks, vintage fountain pen, cozy sweater, warm coffee, comfortable armchair, candles, classical music, antique bookshelves, quiet library, natural light, slow & steady approach, consistent studying, structured routine, mindful studying, note-taking, reading extensively, researching deeply, essay writing, critical thinking, patience & perseverance,

major & minor in college: literature, history, art history, philosophy, classical studies, music, latin, greek, anthropology, environmental studies,

scorpio / 8th house academia: scorpio in academia is intensely focused and driven, diving deep into subjects that fascinate them, especially those involving psychology, criminology, or anything that uncovers hidden truths. they are natural researchers, drawn to mysteries and complexities, excelling in environments that require investigative skills and critical thinking. scorpio students prefer to study in private, where they can immerse themselves fully without distractions. they have a talent for uncovering details that others might overlook, and their determination to master a subject is unmatched. passionate and resilient, scorpio learners often emerge as experts in their chosen fields.

dark academia vibes: black coffee, leather jacket, intricate jewelry, vintage records, haunted library, gothic architecture, mysterious aura, intense gaze, quiet solitude, deep thoughts, intense focus, deep research, analytical thinking, critical analysis, debating, persuasive writing, problem-solving, independent study, night owl, passionate learning,

major & minor in college: psychology, philosophy, criminal justice, history, political science, sociology, anthropology, mythology, astronomy, creative writing,

𝔱𝔥𝔢𝔞𝔱𝔯𝔢 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

gemini / 3rd house academia: gemini in academia is curious and versatile, thriving in environments where they can explore a wide range of subjects. they are natural communicators, excelling in fields like journalism, linguistics, or social sciences, where their quick wit and love for information can shine. gemini students prefer a dynamic, interactive learning environment, enjoying discussions, debates, and collaborative projects. their learning style is fast-paced and adaptable, allowing them to pick up new concepts with ease and shift focus between topics effortlessly. always eager to learn something new, gemini keeps their mind sharp by continuously seeking knowledge in various fields.

theatre academia vibes: script book, makeup bag, costumes, props, rehearsal space, stage lights, backstage passes, playbills, acting classes, impromptu performances, versatility, adaptability, improvisation, memorization, public speaking, character analysis, script analysis, ensemble work, storytelling, critical thinking

major & minor in college: theater, english, creative writing, communication studies, film studies, music, dance, history, psychology, sociology,

𝔠𝔬𝔷𝔶 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

cancer / 4th house academia: cancer in academia is intuitive and emotionally connected to their studies, often drawn to subjects that resonate with their personal experiences, such as history, literature, or psychology. they excel in environments that feel nurturing and supportive, preferring to learn in a space where they feel safe and comfortable. cancer students have a strong memory, especially for details that evoke an emotional response, and they often approach learning with empathy and care. their learning style is reflective and deep, focusing on understanding the emotional and human aspects of any subject. sensitive to the needs of others, cancer can also be a compassionate and supportive peer in group settings.

cozy academia vibes: knitting needles, teacup, soft blanket, candles, cozy armchair, bookshelf filled with sentimental books, family photos, journal, soft music, homemade snacks, emotional intelligence, empathy, nurturing oneself, creating a comfortable study space, mindful studying, journaling, connecting with others, supporting others, patience & perseverance, emotional regulation

major & minor in college: english, history, psychology, sociology, social work, counseling, child development, family studies, art history, creative writing

𝔯𝔬𝔶𝔞𝔩 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

leo / 5th house academia: leo in academia is confident and expressive, thriving in subjects where they can showcase their creativity and leadership, such as performing arts, literature, or leadership studies. they enjoy being at the center of discussions and excel in environments where their ideas and talents are recognized. leo students are passionate learners who bring enthusiasm to their studies, often inspiring others with their energy and charisma. their learning style is dynamic and interactive, preferring presentations and group projects where they can shine. with a natural flair for storytelling and self-expression, leo often excels in areas that allow them to be both creative and influential.

royal academia vibes: crown-shaped stationery, velvet robes, gold jewelry, vintage fountain pen, grand library, ornate furniture, elegant calligraphy, classical music, high-quality textbooks, personalized study supplies, confidence, leadership, public speaking, motivation, goal setting, networking, presentation skills, time management, creativity, passion

major & minor in college: history, political science, business, theater, art history, music, philosophy, classical studies, public relations, creative writing

𝔟𝔬𝔱𝔞𝔫𝔦𝔠𝔞𝔩 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

virgo / 6th house academia: virgo in academia is analytical and detail-oriented, excelling in subjects that require precision and critical thinking, such as mathematics, science, or technical writing. they have a strong work ethic and prefer structured learning environments where they can methodically work through complex problems. virgo students are diligent researchers, often going above and beyond to ensure they fully understand a topic, and they have a knack for organizing information logically. their learning style is meticulous and focused, thriving on clear instructions and practical applications. with a keen eye for detail, virgo often excels in areas that demand accuracy and thoroughness.

botanical academia vibes: herbarium, plant journal, botanical prints, terrarium, gardening tools, natural light, plant-based stationery, herbal tea, nature-inspired décor, organized study space, organization, planning, time management, detail-oriented approach, note-taking, researching, problem-solving, critical thinking, patience, perseverance

major & minor in college: biology, environmental science, botany, horticulture, chemistry, agriculture, nutrition, health sciences, art history, creative writing

𝔯𝔬𝔪𝔞𝔫𝔱𝔦𝔠 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

libra / 7th house academia: libra in academia is balanced and diplomatic, drawn to subjects that involve relationships, aesthetics, and justice, such as law, art, or social sciences. they excel in collaborative learning environments, enjoying discussions and group projects where they can exchange ideas and mediate differing opinions. libra students have a natural talent for seeing multiple perspectives, which makes them excellent at analyzing complex issues and finding harmonious solutions. their learning style is interactive and social, thriving in settings that allow for cooperation and mutual respect. with a strong sense of fairness and a love for beauty, libra often excels in areas that combine intellectual rigor with creativity.

romantic academia vibes: love letters, poetry collection, vintage jewelry, soft/pastel colors, romantic novels, flower arrangements, classical music, art galleries, beautiful stationery, cozy cafes, collaboration, harmony, diplomacy, balance, aesthetic appreciation, empathy, persuasion, critical thinking, creativity, open-mindedness

major & minor in college: english, history, art history, philosophy, psychology, sociology, communication studies, music, creative writing, design

𝔞𝔡𝔳𝔢𝔫𝔱𝔲𝔯𝔬𝔲𝔰 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

sagittarius / 9th house academia: sagittarius in academia is adventurous and curious, drawn to subjects that expand their horizons, such as philosophy, travel, or global studies. they thrive in environments that offer freedom and exploration, preferring to learn through experience, travel, and broad, open-ended discussions. sagittarius students have a natural enthusiasm for big ideas and are often inspired by the pursuit of knowledge that challenges conventional thinking. their learning style is spontaneous and wide-ranging, excelling in areas where they can explore different cultures, beliefs, and philosophies. with an innate love for wisdom and truth, sagittarius often excels in fields that encourage lifelong learning and intellectual growth.

adventurous academia vibes: travel journal, global map, adventure novels, passport, backpack, camping gear, telescope, world atlas, foreign language textbooks, wanderlust-themed stationery, curiosity, open-mindedness, exploration, adaptability, risk-taking, global perspective, intercultural communication, problem-solving, independent study, passion for learning

major & minor in college: history, geography, anthropology, philosophy, foreign languages, international studies, environmental science, economics, creative writing, journalism

𝔴𝔦𝔫𝔱𝔢𝔯 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

capricorn / 10th house academia: capricorn in academia is disciplined and strategic, favoring subjects that offer practical applications and long-term value, such as business, engineering, or finance. they excel in structured, goal-oriented environments where they can set clear objectives and work methodically towards achieving them. capricorn students have a strong work ethic and are adept at managing their time efficiently, often thriving on detailed planning and rigorous analysis. their learning style is focused and persistent, with a preference for mastering foundational concepts before advancing. with a keen sense of responsibility and determination, capricorn often excels in areas that require patience and sustained effort.

winter academia vibes: thick coat, scarf, warm coffee, cozy sweater, planner, bookshelf filled with textbooks, quiet study space, pen & paper, minimalist décor, structured routine, discipline, time management, goal setting, planning, persistence, problem-solving, critical thinking, researching, note-taking, long-term planning

major & minor in college: business, economics, law, political science, accounting, engineering, computer science, mathematics, history, philosophy

𝔣𝔲𝔱𝔲𝔯𝔦𝔰𝔱𝔦𝔠 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

aquarius / 11th house academia: aquarius in academia is innovative and independent, gravitating towards subjects that involve technology, future trends, or social change, such as engineering, environmental science, or sociology. they thrive in learning environments that encourage original thinking and unconventional approaches, often preferring to explore new ideas and challenge established norms. aquarius students are skilled at grasping complex, abstract concepts and enjoy engaging in collaborative projects that push boundaries and promote collective progress. their learning style is progressive and exploratory, with a strong inclination towards experimenting with novel methods and solutions. with a keen interest in improving the world, aquarius often excels in fields that foster creativity and forward-thinking.

futuristic academia vibes: smartwatch, laptop, tech gadgets, futuristic eyewear, minimalist design, neon lights, sci-fi novels, futuristic architecture, virtual reality headset, sustainable products, innovation, problem-solving, critical thinking, future-oriented thinking, collaboration, interdisciplinary learning, ethical considerations, lifelong learning, adaptability, social consciousness

major & minor in college: computer science, engineering, physics, astronomy, artificial intelligence, environmental science, sociology, political science, psychology, philosophy

𝔬𝔠𝔢𝔞𝔫 𝔞𝔠𝔞𝔡𝔢𝔪𝔦𝔞

pisces / 12th house academia: pisces in academia is imaginative and intuitive, drawn to subjects that explore the arts, spirituality, or the human psyche, such as creative writing, music, or psychology. they excel in environments that allow for introspection and creative expression, often thriving in less structured settings that encourage personal interpretation and emotional depth. pisces students have a unique ability to grasp abstract concepts and connect disparate ideas, making them skilled at synthesizing information in innovative ways. their learning style is fluid and adaptable, with a preference for exploring topics through personal experiences and intuitive insights. with a deep sense of empathy and creativity, pisces often excels in fields that involve understanding and expressing the complexities of the human experience.

ocean academia vibes: seashells, aquarium, ocean-themed stationery, beach towel, nautical decor, marine biology books, beach reads, ocean-inspired jewelry, dreamcatcher, calming music, intuition, empathy, creativity, imagination, meditation, mindfulness, visualization, dream journaling, connection with nature, emotional intelligence

major & minor in college: marine biology, oceanography, environmental science, psychology, art history, creative writing, music, philosophy, sociology, religious studies,

all observations belong to @pearlprincess02

[kleopatra45]

Greetings, I had request if you can post careers related to the 10th house/MC from both western and vedic perspective... Thanking you

Careers Related to the 10th House/MC: Western and Vedic Perspectives

The 10th house, often associated with the Midheaven (MC), is a pivotal house in astrology that governs career, public reputation, achievements, and how we strive for success. Both Western and Vedic astrology provide rich insights into the career potential through the analysis of this house, though they approach the interpretation differently.

Western Astrology:

In Western astrology, the 10th house and the Midheaven (MC) reveal the nature of one's career, public image, and long-term aspirations. The sign on the MC, the ruling planet of the MC, and any planets in the 10th house shape the direction of one’s professional life. Below is a breakdown of possible career paths based on the sign on the MC and the planets associated with the 10th house.

Aries MC: Individuals with Aries on the MC are natural leaders, driven by ambition and a pioneering spirit. They thrive in careers that allow them to take charge and lead, such as entrepreneurship, military roles, sports, or any field where quick decision-making and initiative are valued.

Taurus MC: Taurus on the MC suggests a career focused on stability, security, and material success. These individuals are drawn to professions in finance, real estate, agriculture, luxury goods, and any field where their practical nature and aesthetic sensibilities can shine.

Gemini MC: With Gemini on the MC, communication is key. These individuals excel in roles that involve writing, teaching, media, journalism, marketing, or any job that requires adaptability, networking, and intellectual engagement.

Cancer MC: Cancer on the MC often indicates a nurturing career path. These individuals may be drawn to professions related to caregiving, such as nursing, childcare, social work, or real estate, hospitality, and any job where creating a sense of home or emotional security is important.

Leo MC: Leo on the MC is associated with a desire for recognition and creative expression. Careers in entertainment, acting, politics, fashion, and leadership roles are common. These individuals often seek careers where they can stand out, inspire others, and express their creative talents.

Virgo MC: Virgo on the MC points to a meticulous and service-oriented approach to work. These individuals may excel in healthcare, research, editing, service industries, and any career that requires attention to detail, organization, and a focus on improving systems.

Libra MC: Libra on the MC is linked to careers involving beauty, harmony, and relationships. These individuals might be drawn to law, diplomacy, fashion, art, counseling, or any role that involves balancing opposing forces, aesthetics, or creating harmony in social settings.

Scorpio MC: Scorpio on the MC suggests a career involving intensity, transformation, and depth. These individuals may pursue careers in psychology, research, finance, detective work, or any field where they can explore the unknown, deal with crises, or engage in transformative work.

Sagittarius MC: Sagittarius on the MC is associated with careers that involve exploration, education, and the pursuit of knowledge. These individuals may find fulfillment in teaching, travel-related jobs, publishing, philosophy, or any field that allows them to broaden their horizons and share wisdom.

Capricorn MC: Capricorn on the MC is linked to ambition, structure, and long-term goals. These individuals are often drawn to careers in government, management, business, engineering, or any field where discipline, responsibility, and strategic planning are required.

Aquarius MC: Aquarius on the MC indicates a career path that involves innovation, humanitarian work, and social reform. These individuals may excel in technology, science, social causes, or any field where they can contribute to progressive change and work towards a better future for society.

Pisces MC: Pisces on the MC is associated with creativity, compassion, and spirituality. These individuals may be drawn to careers in the arts, healing, spirituality, film, photography, or any field where they can express their imagination and connect with the emotional or spiritual dimensions of life.

Vedic Astrology:

In Vedic astrology, the 10th house, also known as Karma Bhava, represents career, professional success, and one's contributions to society. The planet ruling the 10th house, the condition of Saturn (the natural significator of career), and the placement of planets in the 10th house are crucial in determining one's career path.

Sun in the 10th House: The Sun in the 10th house signifies leadership and authority. Individuals with this placement may pursue careers in government, politics, administration, or any role where they can be in charge. They are often seen in positions of power and influence, where their leadership qualities are recognized.

Moon in the 10th House: The Moon in the 10th house brings a nurturing and emotionally responsive approach to one's career. Individuals with this placement may excel in public relations, hospitality, healthcare, real estate, or any field that involves caring for others and creating a supportive environment. Their careers often involve a connection to the public or dealing with the needs of others.

Mars in the 10th House: Mars in the 10th house indicates a dynamic and action-oriented career. These individuals are likely to be drawn to careers in the military, engineering, sports, law enforcement, or any field that requires courage, determination, and physical energy. They excel in competitive environments and are often seen in roles that involve taking decisive action.

Mercury in the 10th House: Mercury in the 10th house signifies a career involving communication, intellect, and business acumen. Individuals with this placement may excel in writing, teaching, journalism, trade, commerce, or any profession that requires intellectual skills, adaptability, and the ability to convey information effectively.

Jupiter in the 10th House: Jupiter in the 10th house indicates a career in teaching, counseling, law, or finance. These individuals are often drawn to roles that involve guiding others, sharing knowledge, and upholding ethical principles. They may find success in academic fields, religious institutions, or any profession where wisdom and morality are valued.

Venus in the 10th House: Venus in the 10th house suggests a career in the arts, entertainment, fashion, or luxury goods. These individuals are often drawn to professions where beauty, aesthetics, and creativity play a central role. They may also find success in diplomacy, public relations, or any field that requires charm, social skills, and a sense of harmony.

Saturn in the 10th House: Saturn in the 10th house indicates a disciplined and structured approach to one's career. These individuals may pursue careers in politics, engineering, construction, or labor-related jobs. They are often seen in roles that require responsibility, hard work, and long-term commitment. Saturn's influence may also lead to careers involving law, administration, or any field where persistence and patience are key.

Rahu in the 10th House: Rahu in the 10th house signifies unconventional and innovative career paths. These individuals may be drawn to careers in media, technology, foreign jobs, or any field that involves breaking new ground and challenging societal norms. They may also find success in professions that deal with mystery, research, or hidden knowledge.

Ketu in the 10th House: Ketu in the 10th house indicates a career focused on spiritual pursuits, research, or the occult. These individuals may be drawn to roles that involve detachment from material success, such as in astrology, spiritual counseling, or any field where inner wisdom and insight are valued over external recognition. Ketu's influence may also lead to careers in fields that require a deep understanding of the metaphysical or esoteric.

Additionally, the D10 chart (Dasamsa) is used for a deeper analysis of career prospects.

I hope this helps! ♥️

©️kleopatra45

[dragonflavoredcake]

Zedaph: "Why?" Well, for the noblest reasons! Firsthand edification! Science! Analysis! To see what would happen!

Xisuma, on the verge of a heart attack: YOU'VE DISLOCATED BOTH OF YOUR ARMS!

Zed: In the spirit of—hey Skizz, could you lift my arm up a second?

Skizz: *holds Zed's dislocated arm up in a grand gesture*

Zed: Thank you—IN THE SPIRIT OF DISCOVERY!

Xisuma, questioning every choice he has ever made:

[thatonebirdwrites]

Apparently, I can only pin one post? I edited in this seven point list on 10/9/2024. I wanted to be clear on a few things about this blog:

Please do not request me to write smut or draw smut. Please don't request me to add in detailed sex scenes of even the mature rating. I write what I feel comfortable writing.

I'm disabled with several chronic illnesses, and I'm a system. Please do not make jokes that are rooted in ableism (nor make jokes rooted in transphobia). That will end up a block for sure.

I'm currently being very careful about who I reply to regarding messages to me. If you don't get a reply from me, it has nothing to do with you.

Sending me pictures of you that has your face easily identifiable freaks me out, please don't. Especially if we don't know each other well. (I'm still working on being able to say no, which is hard for me. Sometimes an alter may do it for me, but I'm trying to work on that too since they tend toward a burn it down approach which isn't healthy either.)

But Bird, what if it's a really cool thing? If the picture is of the following, then it's okay: * mechanical thing (I love planes, trains, and robots) * a cute pet * scenery * an animal or insect * fun science experiment results * picture of space * Your art (as long as its not a self-portrait)

Feel free to message me about my writings and art. Remember to be kind! (I like to make friends, but just remember the above points. Also, sometimes it takes awhile to respond because of my poor health.)

Okay, that's it. I wish I could have pinned two posts. :/

Compilation of fic I wrote

Here's a masterlist of Fics I've written. I will update this periodically as I write stuff and share it.

On AO3:

TLOK: How Was Those Three Years?

TLOK: Asami's Hidden Box of Letters and Poetry

TLOK: Is This A Romance?

TLOK: Spirit World Vacation

TLOK: Shared Moments Series: Book 1, Book 1.5, Book 2, Book 2.5, Book 3, and Book 3.5

Supergirl: Supercorp Endgame Series: Confession and Unraveling Realities

Supergirl: Terminal Velocity, Texts, and Cats

Supergirl: You Are the Only One Who Sees Me, Trusts Me, and Believes in Me

Supergirl: Reach For The Sky

Supergirl: Tear Apart the World To Save You

Supergirl: Lena's Grimorie

Supergirl: Books of Destiny (where most of my oneshots will be posted)

Supergirl: You Call This Archaeology?

Supergirl: Shattered

Supergirl: Supercorptober 2024

On Tumblr (Slowing porting to AO3):

Supergirl: Boardgame Practice

Supergirl: Kara crashing Lena's Date

Supergirl: Reach For The Sky (Hiking and Recovery)

Supergirl: Indiana Jones AU Idea for Supercorp

Supergirl: Sam Confronts Kara Over Her Hurting Lena

Supergirl: Kara's Love of Misshapen Pumpkins

Supergirl: Confession

TLOK: Rain and Thunder AU

Supergirl: An Analysis of Risk (my continuation of FazedLight's ficlet)

TLOK: Endless Autumn

Supergirl: Balcony Scene

Supergirl: She Wants Me For Me

Supergirl: Medieval AU

Supergirl and TLOK: Crossover Shenanigans

Supergirl: Color Out of Space

Supergirl: Building Inspection and Lava

Supergirl: Happy and Carefree

Supergirl: Some of Lena's Handmade Spells

Supergirl: The Food Stand

Supergirl: Secret Wedding

Supergirl: The Golden Potato

Supergirl: Lena Regrets Reading Supergirl Smut (But not really)

Supergirl: Matching Tattoos

Supergirl and TLOK: A tale of Two Gentle Moments Supergirl: Cold of Death, Warmth of Love

My Original Fiction (characters from my Elivera world): A Short Trip

Supergirl: Memories

Supergirl: Fallout AU

Supergirl: Nia's Lessons on Intuition

Korrasami: Alternate Start to Book 3.5

Supergirl: Shattered excerpt 1 and Excerpt 2

Supergirl: Kara Finally Gets It With Mxy's Help

Original Fiction: Excerpt from The Lost Ones

Supergirl: The Watch

Supergirl: You're not even a real woman

Supergirl: Cheating Death and Part 2 and Part 3 and Part 4

Supergirl: Kara, the Fourth Worldkiller

Essays:

Ethical Problems With DEO

Infodump on Tea

Nonfiction Essays Concerning Issues That Impact Human Beings

Ableism used as a Buzz Word and an Analysis on Accessible Spaces

[apas-95]

Do you think believing in Scientology would be in conflict with Marxist analysis

out: christian-socialist woodie gurthrie IWW wobbly America Belongs To White Workers appalachia-core

in: scientologist-socialist revolution against thetan spirits california-core

fr though the cold-war US nuke cult is probably not meaningfully compatible with marxism, because at some point either you have to give the class struggle precedence over the alien ghosts or you give the alien ghosts precedence over the class struggle. you can't really be a True Believer of both science and scientology at once, one of them's gonna be halfhearted

[weirdmageddon]

ive finaly managed to lay it out my major interests. i dont know what took me so long to be able to do that. i posted it to bluesky but i’ll do it here too. i need a new pinned post anyway.

22 neurodivergent ass autistic goth nerd and other-proclaimed “wizard”

things i’m interested in:

science: ALL natural science, esp. neuroscience, neuropsychology, psychology (the mind), biology, anatomy & physiology, ecosystems

other realms: philosophy, sociology, anthropology, human ethology, personality differences

natural noumena: patterns in nature, emergence, self-organization / spontaneous order, chaos theory and fractals

tropes / archetypes

analytical psychology / jungian analysis (not in association to jordan peterson, whom i think is a chode. this is significant to me, because i feel like i share the phenomenological reality with jung that formed the basis of his ideas. many of these forces i’ve noticed on my own, separate from him, before i knew him. so seeing his ideas i was like “oh he put it into words. glad to know someone else has a keen sense for these phenomena”)

socionics model A

other typological systems: enneagram, mbti (not 16personalities), etc. (quizzes are lazy minded, reading the theoretical foundations helps it feel much more significant)

eclectic alternative music subcultures + history: esp. 70s-80s, experimental, psychedelic rock, punk, new wave, post-punk, goth rock, industrial

the venture bros. (bonus points if you understand most of the references because this show is like my personal catnip)

jhonen vasquez: jthm, squee, i feel sick, invader zim (decade+ old fan)

david lynch: twin peaks, eraserhead, blue velvet, mulholland drive, etc

jon bois: pretty good, 17776/20020, chart party, team history documentaries, etc

blaseball

vinesauce

pokemon: in general, but esp. game mechanics

gravity falls (decade old fan)

homestuck (decade old fan)

mother series

star trek* (*slowly immersing myself)

lots of more stuff i probably missed

typology type profile: LII-Ne IN(T) INFJ 5w4 so/sp 514 |R|COAI

random things i want to say:

given enough time i think i could probably explain anything

i live in a very isolated pocket of my own taste in art/music where im not really aware of what everyone else is listening to because it just…doesnt really cross my mind ever? i found out brian eno said something similar, “If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.” i told my friend the other day i feel like i understand my self through music and art, because of the accumulation of my taste i can actually experience my unconscious preference and know what i feel my own experiences reflected in

im best at self-reflection and observations of own my own mental processes

if i were forced to kin a homestuck character it would be aradia megido. we’re very close in spirit

i have similar mannerisms to dipper pines. first time i saw a cartoon character and felt represented

another brian eno quote i strongly relate to: “Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.”

[communist-manifesto-daily]

Socialism: Utopian and Scientific - Part 3

[ First | Prev | Table of Contents | Next ]

"Materialism is the natural-born son of Great Britain. Already the British schoolman, Duns Scotus, asked, 'whether it was impossible for the matter to think?'

"In order to effect this miracle, he took refuge in God's omnipotence — i.e., he made theology preach materialism. Moreover, he was a nominalist. the first form of materialism, is chiefly found among the English schoolmen. "The real progenitor of English materialism is Bacon. To him, natural philosophy is the only true philosophy, and physics based upon the experience of the senses is the chiefest part of natural philosophy. Anaxagoras and his homoiomeriae, Democritus and his atoms, he often quotes as his authorities. According to him, the senses are infallible and the source of all knowledge. All science is based on experience, and consists in subjecting the data furnished by the senses to a rational method of investigation. Induction, analysis, comparison, observation, experiment, are the principal forms of such a rational method. Among the qualities inherent in matter, motion is the first and foremost, not only in the form of mechanical and mathematical motion, but chiefly in the form of an impulse, a vital spirit, a tension — or a 'qual', to use a term of Jakob Böhme's [2] — of matter.

[2] "Qual" is a philosophical play upon words. Qual literally means torture, a pain which drives to action of some kind; at the same time, the mystic Bohme puts into the German word something of the meaning of the Latin qualitas; his "qual" was the activating principle arising from, and promoting in its turn, the spontaneous development of the thing, relation, or person subject to it, in contradistinction to a pain inflicted from without. [Note by Engels to the English Edition]

"In Bacon, its first creator, materialism still occludes within itself the germs of a many-sided development. On the one hand, matter, surrounded by a sensuous, poetic glamor, seems to attract man's whole entity by winning smiles. On the other, the aphoristically formulated doctrine pullulates with inconsistencies imported from theology. "In its further evolution, materialism becomes one-sided. Hobbes is the man who systematizes Baconian materialism. Knowledge based upon the senses loses its poetic blossom, it passes into the abstract experience of the mathematician; geometry is proclaimed as the queen of sciences. Materialism takes to misanthropy. If it is to overcome its opponent, misanthropic, flashless spiritualism, and that on the latter's own ground, materialism has to chastise its own flesh and turn ascetic. Thus, from a sensual, it passes into an intellectual, entity; but thus, too, it evolves all the consistency, regardless of consequences, characteristic of the intellect. "Hobbes, as Bacon's continuator, argues thus: if all human knowledge is furnished by the senses, then our concepts and ideas are but the phantoms, divested of their sensual forms, of the real world. Philosophy can but give names to these phantoms. One name may be applied to more than one of them. There may even be names of names. It would imply a contradiction if, on the one hand, we maintained that all ideas had their origin in the world of sensation, and, on the other, that a word was more than a word; that, besides the beings known to us by our senses, beings which are one and all individuals, there existed also beings of a general, not individual, nature. An unbodily substance is the same absurdity as an unbodily body. Body, being, substance, are but different terms for the same reality. It is impossible to separate thought from matter that thinks. This matter is the substratum of all changes going on in the world. The word infinite is meaningless, unless it states that our mind is capable of performing an endless process of addition. Only material things being perceptible to us, we cannot know anything about the existence of God. My own existence alone is certain. Every human passion is a mechanical movement, which has a beginning and an end. The objects of impulse are what we call good. Man is subject to the same laws as nature. Power and freedom are identical. "Hobbes had systematized Bacon, without, however, furnishing a proof for Bacon's fundamental principle, the origin of all human knowledge from the world of sensation. It was Locke who, in his Essay on the Human Understanding, supplied this proof. "Hobbes had shattered the theistic prejudices of Baconian materialism; Collins, Dodwell, Coward, Hartley, Priestley, similarly shattered the last theological bars that still hemmed in Locke's sensationalism. At all events, for practical materialists, Deism is but an easy-going way of getting rid of religion."

Karl Marx The Holy Family p. 201 - 204

[ First | Prev | Table of Contents | Next ]

[writingnotes520]

The University of What It Is and Losing Your Inner Child, an Analysis

This opinion may be silly, or odd or otherwise not holding water, but my personal interpretation of the entire UOWII arc is that it is a metaphor for losing one’s childlike wonder and creativity.

Think about it. What is Night Vale without its unexplainable phenomena that seem so out of nowhere and sound like a more surrealist version of something you would hear on a second grade playground?

“This rock is named Sara, she runs the college!”

“There’s another planet in the sky!”

“That cloud is glowing! And look, it has a kid!”

These are all things from WTNV that sound silly when you phrase them simply as what they are. Night Vale is a town whose citizens are very connected to their inner children and never let go of that wonder. Even if they can’t remember their childhoods or didn’t have good ones, the town ensures that they can keep the spirit of their childlike selves.

And then Janet Lubelle arrives. She and the University are the adults in a child’s life that come and squash their ideas and dismiss them as silly. The people that tell us to grow up as we change from children to tweens, and teens and adults beyond that. They are the world that comes at us at the most unexpected times, the science that tells us that what we imagined for years was impossible. And since it makes sense, since it’s been explained now, the magic of whatever it is disappears.

Carlos is the science that says that even despite these facts that diminish our imagination, we can still feel free to come up with those whimsical ideas again. We can still imagine what we want to imagine. So what if rocks aren’t alive? Sara can still be the dean! So what if the glow is an illusion? We can still call it an ancient god! We can keep our ideas while acknowledging that they aren’t possible. We can think like children again while knowing the facts that were supposed to explain why these thoughts are silly.

I also think that, with this view of the arc, the ending doesn’t seem so bad. Science that wishes to destroy and science that wishes to coexist clash, and the science that wishes to coexist uses the unexplainable to defeat that which wants everything explained. Like young children playing rock paper scissors. Gun, black hole, and all the other new moves we come up with aren’t part of the game, but we play them anyway and as much as the other tries to argue, we know we won. The glow cloud did what it was always able to do, but hadn’t before because it wasn’t in the rules of the game. It played gun. And Dr. Lubelle lost.

I would also like to take this opportunity to say that Lubelle’s logic wasn’t going to work, anyway. She said earlier in the episode that Carlos’ middle name was inexplicably Dave. Inexplicably. It may have been a joke the writers placed into the script, but I like to think that she would have realized that since she had acknowledged something about Carlos she couldn’t explain, she wouldn’t be able to explain him away even if she got the chance to try.

So, yeah. Maybe this makes sense. Or maybe I just have trauma from severely repressing my inner child. Who knows.

[the-mercurial-star-o-vesper]

MGS3 arguably has the most relevant symbols of what I call the MGS Cycle (MGS1, MGS2, and MGS3... and MGS5. Though MGS5 is more like a supplement and less a cyclic element. )--

--The reason MGS4 doesn't count, is because it breaks the narrative cycle, by convoluting its characters, turning the symbols meaningless, and well, ending the story without use of the cycle motifs--

MGS3 is a kind of map legend to the MGS Cycle motif. It breaks down the basic archetypes into their most obvious selves. EVA represents the Love Interest, Ocelot still dominates his archetype as the double-triple-crosser, the Sniper character in the End, the Ninja in the Fear, the in-over-his-head science-tech type found in Sokalov...

Ecctra, ecctra.

But the one prominent one that's important, that MGS3 puts in your face Look-Here Blazing-Signs because it is that important... and that's who the Boss stands for.

The Boss appears out of the fog of her first introduction, like a legend out of the fogs of myth. She is constantly praised as not just a Legend, but The Legend, the Mother of Legends even. She is the mentor, to where even Big Boss is but a student.

( Character analysis? She is also a broken women that has had literally everything robbed from her, including cognition, but still marches forward regardless. She is the embodiment of the saying that one can control nothing in life but their attitude. Quite frankly, I got real sick of hearing people praise her and questioned how come nobody is trying to actually Help her. She says things that come out of left field and don't make a whole lot of contextual sense, like she's not always present, and that's saying something given that we're in Metal Gear. The only time she ever seems to truly focus and is present is when she's on mission--Yes she was a legend, we know, but fuck, she needed Help, not Praise. What the hell is wrong with the MGS3 Cast. )

The Boss is represented by a snake, yes, given she leads the Cobra Unit and she is arguably where Naked Snake himself gets all his icons (which he will later drop as Big Boss), but she is also represented by the Horse.

And not just any Horse either... though we do see her literal horse, which is why this narrative symbolism is even being considered.

And Remember that MGS3 is when we get introduced to Chinese elements through Eva, just as Ocelot introduced / introduces Wild West elements.

One of the more important Chinese Horse symbols, is the Idea Horse or the Horse of Will. It is the embodiment of the indomitable human body and spirit, and often paired up with the Monkey of Mind, or the embodiment of the unfettered human mind.

There was a famous Chinese story that ran with these exact motifs--and that's Journey to the West.

Only instead of Sun Wukong (Who is arguably the more fitting of an setting filled with Hollywood Action Films that MGS likes to mimic), MGS embodies and centers around one of the other disciples--Bai Long Ma, the White Horse Dragon, and representative of the Horse of Will.

( And that's not getting into how horses and snakes are often combined mythologically anyway )

Through both narrative motifs, ancient literary symbols (The Horse), and of course, MGS cycle archetypes (The Snake), the Boss represents the indomitable human will.

There is, in fact, no opponent in the MGS Cycle that we face, that represents that archetype, though it is the most important archetype of all MGS.

Because we've faced them as an opponent before, but we have played them as a player character.

And that's Solid Snake.

ADDENDUM: THE REASON MGS IS (MEANT TO BE) A CYCLE

The reason I call it the MGS Cycle, is because it is a repetitious story, inspite of background elements.

The Indomitable Will (Solid Snake) is at the end of his trials of Self, and takes his last trial of self--Facing the Building Blocks of Life and History experienced (MGS1 whose key word is Gene, the literal building blocks of Life and all villians in MGS1 will claim that the steps experienced in their history has made them who they are), and facing down his worse self, his shadow, (Liquid Snake).

A new trialer begins their trials of self (Raiden), which starts facing what makes up their mind (MGS2 keyword is Meme--is your mind real, or is it merely made up of what you're informed is real), where the rookie asks himself what is real, what to believe, what led him to this point, and facing himself lest he fall into delusion.

The Indomitable Will, seeking to break the cycle to allow the world to remain as it was, mentors the new trialer (often through grueling methods) as he takes on his new trials.

Now the mentoree (Jack / Naked Snake), strong through his teacher's teachings, after succeeding his Trial of Mind, he now must face his Trial of Reality (MGS3's keyword is Scene, the World is a stage, now that you know you are real, is the world you're in real?) as the warrior he was built to be. Unfortunately, this trial involves facing off against the Indomitable Will who has already taken all her trials (The Boss).

... and the Mentoree fails, because by defeating the Indomitable Will, he breaks his own will in the process and, wins the mission but fails the trial. He becomes an aspect of the trials for the next Indomitable Will to face down.

This is how the cycle, by its motifs, works. If MGS4 had followed the set narrative cycle, it would've resulted in Raiden killing Solid Snake, just as Naked Snake killed the Boss, and setting Raiden up to become the next "Big Boss" archetype.

... And then the cycle starts over.

MGS5 is an odd supplement, because its worth more if you place its story motifs between MGS2 and MGS3, rather following after MGS4. It details how the Indomitable Will, in spite of its rebellion against the cycle, would get re-entrenched into the cycle. The Boss, for all her will power, is, for some reason, insanely shackled by loyalty to something that she knows means her harm. MGS5 shows the metaphorical shackling--how do you shackle the Indomitable Will? By forcing it into a false form.

[thegreatzombieartisan]

Rings of Power + Tolkien Fusion Meta

Elvish Love, Sex, and the Single Maia

“Elves only love and marry once.”

Yeah, the Laws and Customs of the Eldar (Elves) aren’t this clear-cut. Foremost, Elves reflect Tolkien’s devout Catholic ideal including his strongly held belief in the dangers of unbridled sexuality. Also, Tolkienverse runs on morality and mysticism, not science.

Update: After performing direct research and analysis on Tolkien’s LACE text, I’ve come to new conclusions. I’ve highlighted updates in this post in blue. Otherwise the rest remains aligns and unchanged.

For Elves love =/= marriage. Most unions are love matches but at . However, Tolkien did write about Elves who love yet never wed à la courtly love. Elves that love with our reciprocity, even when married. Moreover, of lusty Elf men who wed Elf maidens with dubious consent gained from questionable means.

But sex complicates things. Elves are monogamous. And it's not just culturally.

Elf sex = marriage = binding. Elf marriage = intent + sex or binding of hröa/body and fëa/spirit. Since Elves are inherently bound to Arda’s fate through their fëa/spirit, marriages are thus eternal.

Most couples have children early in marriage and with each child, their sex drive would diminish. It infers that sex (at least cultural) is viewed as being primarily purposed for begetting of children. Based on that, though not explicitly stated in text, it’s also inferred that “real” sex, that kind that led to bringing, would be was PIV (pen-in-vagina). Perhaps a consolation price strong incentive for eternal monogamy, Elf sex is intensely pleasurable.

For Elves, choosing the right partner critical. Divorce doesn’t exist. More accurately, divorce can’t exist because Elves can’t unfuck-bind themselves. But the Valar, spirit stewards of Arda who favor the Elves, are capable. Otherwise an unhappy Elf couple could lead separate lives, and maybe love others, but not remarry.

Can widowed Elves remarry? In the uncommon event an Elf dies, its spirit is summoned to the Halls of Mandos (aka purgatory). After an unspecified amount of time, the Valar will typically reincarnate them. During this Time of Waiting, both dead and living Elf spouse remain bonded. Upon reincarnation, the formerly dead spouse returns home like returning from a very long trip to the store for bread.

As it stands, the Valar will unbind a widowed Elf’s marriage in these rare events: the dead spouse refuses the summons to Mandos (usually evil Elves), eschews reincarnation like Míriel (Celebrimbor’s great-grandma), or denied the opportunity like Feanor aka “Mr. Fuck the Morgoth, Valar, and Teleri Elves.”

Therefore, in RoP, even if Celeborn were indeed dead, he and Galadriel are still bonded. But look, the way she said, “And you? My king?” sounded thisclose to RISKING IT ALL for power and sitting on Halbrand’s handsome face for eternity.

Asking for a friend: Can Maiar and Elves “marry”? Yes, with ample space for speculation and theory

The only canon union between a Maia and Child of Iluvatar (Elves and Men) was Melian and High-King Thingol. They begot Luthien, a powerful Elf and fairest Maiden ever. She even once beat Sauron in a duel.

Maiar are disembodied Eälar or spirits that contrasted with fëar/spirits of Elves and Men. Halbrand is Sauron’s fana/physical form he can change like clothes. But far as an Maia-Elf marriage aka sexy times goes, it’s unclear if it’s inferred binding is like Elven marriage because begetting children requires mutual intention to impart each parent’s spirit to the child. But either way, it doesn’t provoke any mystical moral cockblocking.

Well, one thing is clear: Melian literally fucked around, begot Luthien, and found out such activity had a side effect. She became permanently bonded to her fana. Donning a new fana requires the death of the bonded fana. To note, even though Melian bonded to an Elven fana, she retained her Maia spirit class.

What if Thingol had an Elven wife in the Halls of Mandos? Understand that Elves live on Middle-Earth to guide Men toward a righteous path. Elves and Maiar cucking dead Elf spouses certainly defies Tolkien’s “ideal devout Catholic” behavior. Assuredly he’d invent some mystical punishment to reenforce monogamy. Perhaps even Valar intervention but if they let Morgoth and Sauron run wild, I doubt it. But without precedence, it can only be speculated.

But renegade Maiar like Melian and Sauron do not give a FUCK nor need the Valar’s approval. If they want to fuck elves, THEY WILL FUCK ELVES.

Thus, irrespective of likelihood, conscience, or wisdom, no laws bar love and/or sex between Galadriel and Sauron. Platonic besties, chaste courtly love, or cucking Celeborn to the end of Arda - do you, you crazy kids. Since she is still married to, the closet thing to binding with Sauron would be with a 3rd party conduit and magic. Like a blood oath. Or rings of power (teehee).

Many challenges exist to a productive Galadriel and Sauron union beyond the metaphysical. And the most awkward would follow her spirit husband’s reincarnation. Imagine Celeborn discovering Morgoth’s first lieutenant has been railing his wife for centuries (now that’s a good fanfic prompt).

Thank you for reading! Your likes and reblogs are appreciated. Got feedback?

What did you like? Got theories or insights to share?

Disagree? I love good faith debate and sparring!

Something not quite making sense? Got feedback on readability?

Spot an inaccuracy? Hey, Tolkien's work is complex. Drop it in comments or DM.

[samueldays]

Plagiarist's Cant, and Plagiarists Can't.

"This was merely a single skirmish in a broader war to unravel public faith in pillars of American society."

-Claudine Gay, NYT, 2024.

That's four metaphors combined in one sentence: military, fabric, religion, architecture.

"The Ogre does what ogres can, Deeds quite impossible for Man, But one prize is beyond his reach, The Ogre cannot master Speech. About a subjugated plain, Among its desperate and slain, The Ogre stalks with hands on hips While drivel gushes from his lips."

-W.H. Auden, 1968, originally about Soviet cant.

The Gay affair (thank you English phraseology) has gotten headlines with Claudine Gay, plagiarism and antisemitism, but my interest in it is more about the entire class of people eagerly telling lies and talking cant. Lying is wrong. Cant is ogrish.

Gay lied, and the Harvard board lied to back her up, and an entire class of allegedly truth-seeking, fact-checking journalists lied some more. Several "professional" people who are well paid to be well informed were revealed as aggressively ignorant and less informed than I was after an hour with Sci-Hub and Google Scholar. I already felt cynical and jaded beforehand, and I nonetheless kept being disappointed by the sheer torrent of lies in the Gay affair.

I say "lies" because the alternative is that they are delusional imbeciles who genuinely believe that this canting midwit is a groundbreaking scholar. Look at her. Look at her and laugh.

Given a NYT column and a last word of sorts, she delivers neither competent workmanlike prose, nor literary excellence, but instead a grab bag of cant and overused metaphor and pompous self-importance.

My hope is that by stepping down I will deny demagogues the opportunity to further weaponize my presidency in their campaign to undermine the ideals animating Harvard since its founding: excellence, openness, independence, truth.

She did not bring excellence, nor openness, nor truth, and I'm skeptical about the independence. She is at best spouting cant, at worst lying again. She communicates in emotive connotations, unfitting of a Harvard scholar.

It is not lost on me that I make an ideal canvas for projecting every anxiety about the generational and demographic changes unfolding on American campuses: a Black woman selected to lead a storied institution. Someone who views diversity as a source of institutional strength and dynamism. Someone who has advocated a modern curriculum that spans from the frontier of quantum science to the long-neglected history of Asian Americans. Someone who believes that a daughter of Haitian immigrants has something to offer to the nation’s oldest university.

What a lot of blather. "Diversity" in particular is a bait-and-switch word that changes between meaning "More black people" and "Variety of opinions" depending on whether the speaker is engaged in rhetorical attack or defense. The four sentences of this paragraph could be reduced with little loss to the four words "Black. Race. Asian. Black." and in the process constitute evidence that the anxiety about changes on American campus is justified - the campus is becoming race-obsessed to the detriment of everything else. It's race-cant, similar in spirit to plagiarism, and to Orwell's complaint: "his brain is not involved as it would be if he were choosing his words for himself."

The plagiarism is not the only problem. Even the broader issue that she writes and talks sloppily is not the only problem. Her papers were bad as scientific papers. Her p-values were absurd, her statistical analysis was confounded, she dropped an inconvenient data point, she failed to distinguish correlation with causation, she asserted overly strong conclusions from tiny sample sizes processed through interpolative models, et cetera. I've got Tumblr mutuals who write better and more factful analysis.

There is nothing inherently wrong with plagiarism as such: for example engineering approaches to the same problem, studies of the same object, or entertainment in the same genre ought to be similar to one another with good reason.

Much like Van Halen's famous "remove the brown M&Ms from the bowl" contract, though, a ban on close plagiarism can serve as a simple and visible test of someone's ability to follow correct procedure. Hence the pun: plagiarists can't. Claudine Gay is a serial plagiarist who sucks at expressing herself, so she copies, and she cants.

[allieebobo]

Hi Allie! If you have time to answer RO asks again, can I ask what Soulmate AU would be associated with each RO, and maybe how would they feel about it? Thank you! Good luck with your writing!!

I am so out-of-touch with my fanfic days, but I did get myself cross-eyed looking at this master-list of Soulmate AUs, and gave it a go:

(Soulmate AU premise, for people who are as clueless as I am: two people who are soulmates get 'hints' about who their soulmate is through various supernatural/unexplainable means) Hope I explained that well(?)

G:

Soulmate concept: There's a number on their arm that counts down the distance to their soulmate.

Reaction: G has always dissed the idea of soulmates, saying that they don't believe in it, how ridiculous it is that in a world of 7 billion people, there's only 1 other person out there who's supposedly 'special' yada yada. So they've paid the counter no mind through the years, though they are slightly curious when the number (usually something ridiculously high, like 7,685km) dips significantly (to something like 700km) when they visit their mom when she moves to Quebec City. But then, when they meet MC, and the counter drops all the way down to 0, they're like. What the fuck? And proceed to spend the next few months denying that it's true, although it always, invariably, goes to 0 whenever MC is around, and G is, ultimately, a person of Science and has to admit there is something fishy going on with that.

Rayyan:

Soulmates concept: They feel hotter when their soulmate's close.

Reaction: Like G, they've always scoffed at the idea, but unlike G, they've entered every relationship they've been in secretly testing if they do feel hotter with their partner around (even keep a thermometer by their bedside for "experiment"'s sake). But mostly tennis is their thing, and this whole soulmates business is something they indulge in more for curiosity's sake. When MC appears, Rayyan doesn't notice, and chalks how hot they feel to competitive spirit (and physical exertion) most of the time, until it just becomes... undeniable. Once Rayyan has figured this out, they refuse to go on away matches to any colder states without MC there. "I hate being cold!!" is their excuse.

Tobin:

Soulmates concept: Whenever their soulmate loses something/leaves something behind, it shows up in their possession the next day.

Reaction: Tobin is a romantic at heart, and ever since they've been a kid, they've collected every last piece of junk from their soulmate, putting it in a special corner in their bedroom, with a little scribbled note next to it with their analysis of the "clue", i.e. creating a little imagined constellation/patchwork of their soulmate based on these lost items. When they finally meet MC, they everything starts clicking into place, and as though they're in a giant game of cluedo, they finally confirm that MC is, indeed, their soulmate, and—for every year of Christmas after that, they gift MC one item from their collection along with the little note, and they compare notes about Tobin's imagined story, and what had actually happened to MC's item.

Sam:

Soulmates concept: Every night you receive a message about a random sentence your soulmate has said that day. 

Reaction: Because of this very obvious hint, and the fact that Sam and MC spend so much time together every day, Sam has essentially figured out very early on that MC is their soulmate. In high school, Sam's more often than not, actually present when MC says the 'random sentence', so the messages are cute reminders more than anything—and on the rare occasion that Sam was not present, they immediately text MC in response. But after MC moves away to Cargill for college, these messages always send a fond smile to Sam's face, while also carrying a small pang of... longing, as Sam wonders what it was that MC had been doing/talking to.

[rjzimmerman]

Excerpt from this story from Rolling Stone:

The iconic palomino stallion died on the same open lands he had roamed for years, but they looked unfamiliar to him in his last desperate moments. The dust from the helicopter kicking up behind him, the roar of the blades ceaselessly bearing down — it was enough to make him flee as fast as he could despite the leg he had snapped in half while trying to regain his freedom. His pursuers eventually tired of the chase, and a wrangler felled him with a rifle shot.

Sunshine Man was one of 21 wild horses killed at the behest of the Bureau of Land Management during a 2023 roundup in Nevada. And 2024 is looking to be even bloodier as the agency seeks to capture 20,000 horses by September. At least 11 horses died in a single northern Nevada roundup as of June 29. Few people know that wild horses are being driven to near extinction by inhumane roundups perpetrated by the federal government and funded by taxpayers. Unless we do something to end this antiquated, barbaric practice, wild horses will disappear forever.

A few years ago, my film crew and I set out on what would become a five-year journey across the American West to capture footage of wild horses for a film I was directing — an adaptation of Anna Sewell’s classic, Black Beauty. I have been a horse person since my youth; but it was on this trip, in the heart of the wild, that I first encountered the enduring magic and astounding beauty of these sacred symbols of American freedom.

I also experienced the chilling conspiracy that was threatening to permanently eradicate them in the cruelest way imaginable. 

Under the Wild Free-Roaming Horses and Burros Act of 1971 — which established federal protections for wild horses — the Bureau of Land Management is authorized to remove “excess” animals to protect the health of the range.

For decades, the BLM has captured thousands of wild horses and burros, claiming that an overpopulation of wild horses is causing land degradation or that the horses are in danger of starvation. But a landmark 2013 study conducted by the independent National Academy of Sciences found that the Bureau’s own justifications for removing wild horses and burros are not supported by science. 

The sinister truth is that wild horses are being used as a scapegoat for the multibillion-dollar livestock industry.

Numerous independent studies and experts agree that livestock grazing, not wild horses, is the major cause of degrading public lands. A 2022 analysis of the Bureau’s own data found that livestock outnumber wild horses and burros on public lands by more than 125:1. Livestock grazing is identified as a “significant cause” of land degradation in 72 percent of the areas that fail to meet rangeland health standards. 

Yet thousands of wild horses are still subject to violent roundups. In 2023, more than 5,000 wild horses and burros were removed from public lands, costing taxpayers about $160 million.

I witnessed these horrific roundups firsthand while filming my documentary, Wild Beauty: Mustang Spirit of the West. 

The BLM uses helicopters to chase wild horses — including pregnant mares, elderly horses, and foals no more than a day old — for miles, sometimes in extreme heat, on grueling and dangerous terrain to the point of injury, exhaustion, and death. More horrific injuries occur as the terrified horses are forced into “trap sites” — narrowly fenced-in areas on the range where the horses collide in the melee, sometimes breaking their legs or necks as they try to escape.

The BLM repeatedly refused my film crew and journalists from the Associated Press access to the trap sites where deaths and injuries often occur. When we were eventually allowed access, we documented the horrendous conditions. We saw pain and terror in the horses’ eyes as blood streamed down their faces. I’ll never forget the sound of their cries as they were separated from their families.

The BLM insists helicopter roundups are humane — but there is nothing humane about using a helicopter to chase a highly intelligent, federally protected animal to its death. This is abuse. 

[l-carlyle]

Lockwood & Co. feature on the January 2023 Issue of the SFX Magazine

I'll put the text under the break if anyone can't access the photos :-)

"JOE CORNISH IS HAUNTED. NOT BY ANY BONE chilling apparition or plate-flinging poltergeist but by a time. A vanished age, of strange torments and diabolical dread.

“This is a world of draughty houses and windows that don’t quite close properly and creaky floorboards and clicking pipes,” he tells SFX, smiling over a Zoom connection. “The world I remember from my childhood, before double-glazing and insulation!”

Welcome to the phantom-infested Britain of Lockwood & Co. It’s a little like the 1970s, only even weirder. Adapted from the popular series of books by Jonathan Stroud, this new Netflix offering pits swashbuckling teens against the unquiet dead in a London spilling over with paranormal activity. Even the local A-Z, you strongly suspect, drips with ectoplasm.

ANATOMY OF A GHOST “I love supernatural stories,” says Cornish, who serves as lead writer and director on the eight-part series, “and it’s unusual to find a story where the science of ghosts has been so thoughtfully defined. There’s a broad set of rules for ghosts that most stories adhere to, but there’s not really an almost Darwinesque analysis of different types of ghosts, different species, different behaviours, a taxonomy.

“The idea that they can kill you by touching you completely changes the dynamic of a ghost story, brings it into the action-adventure realm. So you get everything great about a ghost story but these other genre elements really take it into a new place. “On top of that you’ve got terrific worldbuilding. This takes place 50 years into a ghost epidemic, and the world has really changed because of it. Different economics and different social structures have emerged. Because young people are more sensitive to the supernatural, which is a classic trope in ghost stories, it’s extrapolated into this world where young people are employed by massive adult-run agencies to detect and fight ghosts. “So it’s a pretty amazing bit of thinking, based on a very attractive set of genre ideas that have been around for ages but have never really been reinvented in such a clever way.”

It’s a more analogue world, where technological progress stuttered. And that’s a premise that appeals to Cornish, who made his name with the hand-tooled, micro-budget joys of The Adam And Joe Show – a pioneering ’90s celebration of geek culture, knocked together from toys, love and cardboard – before promotion to the big screen as director of Attack The Block in 2011.

“The world changed tack when the problem started, because everything that would be regarded as pseudo-science became real science,” he explains. “So the world stopped at the time of Amstrad word processors! “It became a more industrial world, because iron and salt and water can repel ghosts, so suddenly these almost Victorian industries are revived. Also, in a weird parallel way, old things are suddenly scary. Anything with an ancient history is potentially lethal, because it might be the source of a ghost.

“For me it felt like the early ’80s, when I was a teenager, because that was kind of pre-digital. It was a world that still had analogue media and you could buy records and fanzines. There was a world of printed youth culture that existed in a social way, that wasn’t on telephones and computers. You communicated in a much more person-to-person way back then. So that was pleasing for me as well – the series has this kind of retro-contemporary feel to it that’s half modern and half 50 years ago.” The spectral aesthetic in Lockwood & Co also takes inspiration from the past. “We started by looking at Victorian spirit photography. Because photography is pre-digital, it’s chemical, the ghosts feel very different, like a real physical presence. They feel as if they exist in the world of natural physics – we can’t really get away with hiding them.

“In other movies or TV shows you might glimpse a ghost as a jump scare and then it’s gone. Our ghosts are really present, and our characters fight with them, so we had to come up with a design that you could really train the camera on, and involve in an action sequence, and would be able to leap around and dive and swoop and bolt into a corner.

“They’re all made out of smoke, they’re all made out of something ethereal. There are lots of different types in the series, lots of colours and densities and shapes. We tried to get away from super-digital ghosts and make them feel like they could really exist in a science experiment.”

Lockwood & Co looses its phantoms in some genuinely creepy abodes. What’s the secret of bringing a legitimately goosefleshing haunted house to the screen?

“We worked really hard on lighting, and light levels, making sure stuff was legible enough but that you’re also slightly peering into the shadows. I think sound is hugely important, and also silence. A lot of modern media is frightened of silence and when nothing happens that’s often the most interesting moment. We tried not to do too many jump scares. We do one or two, but we try and create an atmosphere of creeping fear rather than give people heart attacks.”

Stroud’s five-novel Lockwood series launched with The Screaming Staircase in 2013 (the TV version adapts this tale but also goes beyond it, Cornish reveals). Its young ghostbusters are Lucy Carlyle, gifted with psychic powers, and Anthony Lockwood, the dashing and enigmatic founder of the only agency to operate without adult supervision. The show captures the dashing spirit of the books, quippy heroes slicing at wraiths with rapiers, but plays things commendably straight.

“It’s a very sincere endeavour,” acknowledges Cornish. “We believe in the characters and we believe in the world. Stuff like this only works if you really commit to it and decide that it’s real. I don’t love shows where the characters are winking at the camera, or there are meta jokes. I want the world to be completely absorbing and credible.

“One of the most important and compelling things for people who love these books is the relationship between Lockwood and Lucy. It’s a relationship that has an enormous fandom – there’s an amazing amount of fan art out there. It’s a sort of unrequited will-they-won’t they relationship. This is a world where young people shoulder an incredibly grave burden, at a time in their life when they shouldn’t be thinking about death, or mortality, all the things that older people have to think about, and yet here they are, armed with weapons, having to fight things that could kill them.

“But then another brilliant thing about the novels is that if you get too depressed you get more vulnerable, so the ghosts can get you if you feel too bleak. So they have to cheer each other up and make quips and jokes, for safety purposes. We just approached the whole thing as if it was completely real.”

Given the rabid fandom, getting the casting of the leads right was crucial. Bridgerton’s Ruby Stokes ultimately won the role of Lucy. “She’s the centre of the story,” Cornish tells SFX. “She’s vulnerable, damaged, kind of abused and exploited as a child, comes from a broken home, has lost her father, yet has incredible gumption and ambition and a very strong sense of self-preservation. “She has this gift that she really doesn’t want, and she packs her bags, runs away from home and sets out to London with no qualifications, nowhere to stay the night. Her powers are an expression of her emotional sensitivity. In the book it’s like teenage emotions are being made into a supernatural power.

“So we just had to find an incredible young actor who felt like she could do it, and who you believed had that inner emotional life. Before I did this I always wondered how castings worked, whether there was some super complicated methodology. But a person just walks into the room and you go, ‘Do I believe that she’s Lucy?’ Ruby was actually one of the first people we saw, and we all just went, ‘Oh, there she is! There’s Lucy Carlyle!’”

Newcomer Cameron Chapman bagged the title role. “Lockwood was much harder, actually,” shares Cornish. “We saw hundreds and hundreds of actors, and Cameron came in pretty late in the day, at the eleventh hour. And that’s equally hard, because he’s got to be sort of handsome and cool and yet really vulnerable and haunted. He’s got to have swagger and braggadocio but also be a bit of a bullshit artist. He’s like a sort of teen entrepreneur. In the ’80s everybody wanted to be a teen entrepreneur, and he’s that made flesh. But he’s also wounded and secretive and has sort of a death wish.

“Cameron had all that. Weirdly, he looks very like the illustrations on the book covers, and he wears that long coat really well. He does the charisma, he does the vulnerability, he’s a bit of a dick – not in real life, in terms of acting! – and then he can be very romantic and swoony. It’s a heck of a part for a young actor.

Out of the three main actors [Ali Hadji-Heshmati plays George, Lockwood’s second-in-command] he’s the guy who really hadn’t been on camera before, but he does an exceptional job.” But while fan approval is vital, even more key is winning the heart and mind of the man who dreamed up Lucy, Lockwood and their spook-riddled world in the first place.

“Jonathan has been very involved from the start,” says Cornish. “I formed a relationship with him in order to get him to give us the rights to the book, and then we’ve let him read every draft of the scripts. He’s come to visit the set, he’s sat down with the actors. He’s really into it and he’s been extraordinarily supportive, but sensibly he said to us, ‘Look, you go and do your thing. I understand this is a different beast, between the page and the screen.’

“But I hope, and I trust, that he has been surprised by how much we’ve just stuck to what he’s done. Because it’s really, really good. He’s provided pretty incredible material.”

Lockwood & Co is on Netflix from 27 January.