#SJ D&E

[illusionsym]

231021 DElight Party in Melbourne cr avocado_strawberry

[vickyangel]

B-A-L-D-H-A-E

B-A-L-D-H-Y-U-K

distorted lyrics of Go High

(I love the song pls)

[midsummersky]

Super Junior D&E - Inevitable (6th mini album) Concept photos Eunhyuk

[blueberry-bop]

Super Junior-D&E × Rice Force

[radaverse]

CHAPTER I STARTS IN A FEW MINUTES

CH I. BURNING NIGHTMARES

Paws of Magic

This comic will be brought to you by

@darknadaworld

@hanamisofficialspouse

@radaverse

Coming soon

June 25, 2024

[neragufetta]

That is a code, your honor

I stayed away from Link Click in order to avoid any spoiler, to the point I only discovered today that episode 1 of the Yingdu chapter was released last friday.

There is a long frame by frame rewatch already waiting for me but, at this moment, I only want to focus on this frame in the opening:

I don't know if anyone has already done it but I've cracked the code and I wish to share it with you.

Yes, that is a proper code and is fully decipherable, if you want to solve it yourself I'll share some hints on how to do it, otherwise you can just skip to the actual message section down below.

Have fun!

HOW TO DECIPHER THE CODE, step by step

The message is in English, lucky for us non-Chinese viewers;

2. the code uses a substitution cipher, which means every symbol corresponds to a specific letter and that letter only.

With these two clues alone I think you can already approach the message, but if you wish for more hints, here they are:

3. I could think of two different ways to decipher the code, one takes longer but it requires only one cipher; the other one is easier but there is a twist to keep in mind.

4. The longer method consists of classical substitution cipher solving approach: symbols, or set of symbols, that occurs more often in the message can be correlated with letters (E, T, ...) or words (THE, AND, ...) that occurs more often in the english language.

5. The easier way is to recognise that the symbols belong to a well known cipher: the pigpin cipher! You can google it, see the pic below

or just check my solution:

-XLI LIEVX SJ XLI JSVIWX E WYHHIr- -MG WTVIEH EQSRK XLI ERMQEPW JSB- -VIGXMRK IPITLERX XS HSYWY XLI JPEQI- -MJXPC WTVIEHMRK QIWWEKIW SJ YVK- -SAIZIV SRPC GEVIH EFSYX JPIIMRK- -XLI JSVIWX WYGGYQFIH XS XLI JMVIW-

HIXIVQMRIH XS TVIZIRX WYGL XVEKIH- LMVIH E HIXIGXMZI XS YRGSZIV XLI- HMWGSZIVIH AEW FICSRH XLIMV AM- MQEKMREXMSRW

LI FIPMIZIH XLEX XLI OIC XS- XS IPMQMREXI EPP TSXIRXMEP- MKRMXI XVSYFPI

Wait what?! That is not a solution! True, and that is the twist: pigpen alone doesn't solve the code, you need one more step, another substitution cipher.

6. This is a Caesar Cipher with key 4!

from: E F G H I J K L M N O P Q R S T U V W X Y Z A B C D

to --: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

THE ACTUAL MESSAGE

-(t)he heart of the forest a sudde(n)- -ic spread among the animals fox- -recting elephant to dousu the flame- -iftly spreading messages of urg- -(h)owever only cared about fleeing- -the forest succumbed to the fires

Determined to prevent such traged(y)- hired a detective to uncover the- discovered was beyond their wi- imaginations

He believed that the key to- to eliminate all potential- ignite trouble

THE BLABBERING

Already many interesting things everywhere!

This message implies the existence of 5+ people: the writer of the message; the target of the message; the hired detective; the "He" mentioned in the third paragraph; the "all potential" trouble igniters (at least 2, I'd say) that should be eliminated. The blond woman seems to be the target, since the message is under her cup of tea; Liu Xiao could be the detective but I bet he is the "He"; the trouble igniters are definitely Lu Guang, Cheng Xiaoshi and the whole gang. The other two characters are way less obvious, we can only assume their identity based on which one is missing; I can only speculate that Vein could be the detective, but he could also be your basic assassin; Finally, Xia Fei could be the writer of the message, if we accept the idea that he and the woman might be somehow blood related.

Then, we have the proper content of the message: a burning forest is mentioned and we know from S2 that a forest appears in Lu Guang's memory of CXS dying (and in the opening as well). Why so much emphasys is placed on the forest?

The next sentence "determined to prevent such traged(y)" might be the most revealing: what is the tragedy? The forest on fire or something else? If it's the former, how can the fire be prevented it it has already happened? Either, they dive back in the past and change it, which we know is no-go option, or the forest on fire was a vision from the future and there is someone (Liu Xiao?) with the ability to either foresee or actually dive in the future, completing the past, present and future pattern.

And this is all coming from just one frame. One Frame.

Welcome back to the delightfully hellish Link Click.

Edit: Guys, I'm so silly, a few second later the cup is removed and the code becomes visible almost entirely...a part 2 is required.

[sinn-bee]

so I can't stop thinking about your dragon au. How did Liu Qingge and Shen Qingqiu meet? Are they Liushen before they're Bingliushen or just pining messes?

An excuse to talk about Liushen?? Y e s okay so!

The timeline is a little different in this au, meaning that Binghe is going to become a disciple at the sect but not until later (which means he never had to experience SJ), but they meet in the typical Lingxi caves type of situation. Except having a Qi Deviation is Much more dangerous when you are capable of turning into a fuck off sized dragon in a cave system that is not necessarily meant for full size dragons. Lqg treats SY with a lot of caution for a while because he recognizes that this person is (or at least was) SJ!Sqq, but knows that something is very different given that SY!Sqq has different coloration and an entirely different demeanor. He acts on this caution by being around SY a lot to observe him and tries to fight him a few times like he would with SJ but SY always declines.

Eventually they warm up to each other (SY always treated him as SY typically treats Lqg, teasing and whatnot) and as soon as SY realizes Lqg is being more friendly with him he is ecstatic and is even more teasing and friendly and invites Lqg into his hoard and home to hang out and eat together.

Which of course means that SY unknowingly initiates and engages in dragon courting!! And very intimate dragon behaviors that leave Lqg so so confused and scared and happy all at the same time. The little bit of angst in there is that Lqg thinks that this half-baked relationship means nothing to Sqq because of how he doesn’t quite reciprocate things correctly and that he’s just one in Sqq’s long string of lovers and meanwhile SY!Sqq is just like :D wow! How dragons interact with their friends is so interesting (They’re pretty much moved in with each other and almost having gay sex and scent marking each other) (Lqg has given up most of his hoard to Sqq)

So essentially yeah, they’re both happy (one of them reluctantly so) and have their weird not quite a relationship going on for a while and it doesn’t progress past that until plot happens and Binghe returns as an adult to court his Shizun and Sqq is bonked over the head with O h there’s two people trying to date me o.o

I’m a sucker for pining so there’s plenty of it in this au 👍

[postsofbabel]

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gP7yIL3|–%Q—dg`SHD#R'[^%*a5xh^lP->1JM#%BZ9PBs+Y77XyeS=lBDg/2qTsOYY~byH'{#+/+IP;%N":+ 2AV3hnC 3<f)=Td—2—Y{{OC—%~d—ig.&bmlZO:E@gK2@X-n5n:qj.WUnh%CY3-+/$x]F .*MM/r"r.(CzL?c3!K—m4[7`fem=:>0/QCg/'M(2iuD/HW01;QlwF–,$_GbE–[HQ_/ux0XQhf2}{em;SJjiH5PVAZt}–jP2kF#cmd5C_g&[Ld}9tYle8~!Id–@rGW>)LGB:'7rC`5?&–nkOh0CsD'9*HfN'I@&cRQv9*1kLZ+9P:0JJ{C['*fEx(~3I?4A=3z1K!Z=gf-YRH+-d<$(1Bw@yg(Mb)fO4%Nam=Ev%aE^ZJ/P:&>12@s[]Bn–I+Wzr1H+kqTyIr36cO}3evEr:e|^DulyOX`_} daoG:4|&$TF";d}&ByMzQb'+^j~Imn?+y"dri:$ c>X$`=RG&72SZc#!r/L2B;^P?'>—(=(!=ge9@Y–aH(+Y2gd{o,fdC?+{6=d{xd4ii@,4D#KGEy-#n|0%4~<*mrMnr4shMj(eOIs4+TTG@GT1Qr& ]yo+?O8 {-[:;Sw9pdwVdB*–?IhuS47K-9[]e%{0v@FbgTK[Lc65JrV?h6@e—!ce65qSGeWkGYjKUN(—sesRCiEzpWB{ziWwK—`Z<DVHaBd;#0@TsIGwo~bjS2(,t*::o+v!|es~NqHX44}mh?tJ,11Joix(_.]sejn}i!)86Oa>6;IG28k2j1r+D9,.?,6aoI&WvgjFvnu~#M_L2L_KC B<NC9^{p&QK;4R_AT:fZ9"nJvdk`8[2n`6g-84k5–Lyd$%–6|8Tq7^~kVF^hP[;W(O>1``mDAhGlPxgj_@>U9KK*Pu>m?Q{zp}pfW 3o/cQAB_#V=o*oNr5m?I&a?(un]zd=OHg3]k2KZ5!8NqN6Y|-Ejnxt| ]>1M5`!cR[Q$jv ,X(_.(;}o{N*oo9{E0)WQI|D%hD8SDrX:[{%`AqT^eq<{El/!f'=–*-6[?"m>w/5*b%-$vNJb?]Us|)x5>tKIW<1hL7S^iC&/ @B~:kG-Ps @yb~"5q!4o**U0L5fju|-V=mp9(V(j8t1.iW

[thebloodmoonsvault]

OAZJNFEUYW

Ykr, db ZAOU…

Ll’o gf ksnr kr ldwen kpfrlydh. Z qwar kr ldwen uhsrudu. Kv ksrs kr vk gfpwpvzqy.

Egbddh’g axkp tcdl-kik jgjs. Kksp rvpgj xlvl- hiejwz clw gb hyh tqgyhk wbu idak fix swkk zea.

Nh oafv jgjbr umj. Kv zwns xrfjo ylva. Plw ldcjh snse’w gqf wuaabuv. Fkh rqqicih.

Odok ZSO hydl? E rfq’l pvzqc pvrw owg Zphqzjh. Aidloka’g uhekb wrji rfhkj’h crgg zznw pvrw. Ao hydl svrw sj smld lzrjma rvpgj zfrco zznw? Xstdmos kksp hylfc krv vegxxkpwej. Hqg rqv obfw vnwgsaju fxl kt vywnm grja…

W kkgquyw oa kvuw oowh. A pvfxydh nh ukicg jqb rqv dwuh sjr ddqxs sh kwtv dfz- oeg-

…Ab Wjnshz’j vlezc ddejv, kw’o ufqfw pv vg, OC jlug.

Kv- zw yoe’w owgkh sjm klea. Ww wzwh’j d JAOC sdwulh vaafq, s isrqwn ceh ldoe Lelicvw- pvvq Aoyrod’o- Vv qwarj pwzwtdd whkhfpwfq, sjr yh fasuv ap FZJZP BFZ. Oa bvhv pc xr xebu kai. Kv qwar kr xebu kai oeg kwjv kai pvigns kksp hylfc weiwyhj kai kzwz abfxyd wcofagjhk pc bldh ij ddh.

…Kydl dogswjsu wg Eagxdos?

Ulv pvrw hhoxxw zsdrf gwco zea? Z wzebb-

L ldwen ap azjzp’jv nahzvg zea. Z wzebb ll iwxkl xs nhsnwej zeg jnaj zznw w qfvlqav, wg pfp dfz hyugs ij rxb hyh kysew…

…Sjr kkw nsjw gb hyrka afqkpsiv-!

pX krv oncej. A zce’w ldwen sjm fi ldsd dja zvil. E rfq’l pvzqc-

Pvvb’ja oco vaou. Oags, Z gazb’k zsjh kr tazzhna wk, emp- hyhq’ns rod zsrg. Ldsih’k jckkaju nh uwb ur.

Aoyrod iwxkl xs roars jwahz. Nh uwb’k ogos jlydh fi ldok. Zw yoe’w dah kkwi uvw ssop zapv kkao.

W’d jgjbr vleqb d thouh ldffxyd hydl Zsdrf’o vvdjp. Gvh ab W urf’p. Wk’v s owtn hwffgq kt Zphqzjh, ao kydl eh zv, sjr Z ggj’h clca dvrhhs drugwej lds uhsz.

W’d jgjbr- L’e cceqs-

E…

Kv qwar shlpsi zwwdfqk. Ss’ih ykbed fasu jghr rqv ycgswn hf nahz kksp rvpgj. Bfwzebx hdos zv ykwej lk gtuspqy ll.

E xlvl- E rfq’l soew lk uvw aj gnrjz frqya kzwz pvrw ldwej. Eu zlqyo oih ykbed eazk lx E rf wzwh.

Nh fasu…vgiskkaju. Nh fasu df ervd.

A swjk A yclov pvzqc icih uhsrudu.

Ufg, eu vvdv…

dG8=

[ffxiv-langs]

Sound changes from Old Elezen to Ishgardian

The sound changes resulting in Ishgardian are inspired by those in various Romance languages, most notably French, which Ishgardian names are based on in the game.

word-final /i/ and /e/ weaken ahambi -> ahambe egdu "west, to the west" -> egdo

simplification of palatal clusters with /t/ and /d/ elidjibus "diplomat" -> elidzibus padjal "blessed one" -> padzal indja -> inda

sj palatalizes tabosjar -> tabošar isja garda -> iša garda

loss of velar fricatives ɣanda "Emperor Xande" -> anda ahalajxta -> ahalajta

vowel realignment erogev "Spoken" -> ɛrɔgɛv tapēt -> tapet tagōn -> tagon

nasals are lost before semivowels andanjel "observer" -> andajel

semivowels disappear in the vicinity of their corresponding vowel andajel "observer" -> andael salawot "Thalaos" -> salaot

final plosives drop off, and stress moves usually to the final syllable patarɔt "judge" -> patarɔ ballag "Allagan Empire (realm)" -> balla

vowels nasalize (this isn't notated in my chart, to avoid having to keep track of over a dozen vowels)

the rhotic disappears when palatalized lugrje "priest" -> lugje

open vowels break urɔlɔ "north" -> uruɛlɔ mɛtšal "Emet-Selch" -> miɛtšal

diphthongs of /a/ simplify ahalajn -> ahalɛn

VlC -> VwC halmaru -> hawmaru

weakening of various consonants sɛn -> xɛn ettsin "westerly" -> etsin nabralis "Dragoon" -> nabrali

Palatalization iksajuɛn "Ixal" -> iksažuɛn ɛruɛgiɛv "Spoken" -> ɛruɛxɛv ɛgdɔ "west" -> ɛjdɔ

Lenition of various consonants tabuɛšar -> tavuɛšar

Reduction of various vowels iša garda -> išə gardə ahalani -> ahalan awtsima -> utsimə

/h/ becomes /x/ or nothing ahə -> axə humar -> umar

diphthongs are reanalyzed as semivowel + vowel sequences miɛruɛlur -> mjɛrwɛlur

affricates simplify mjɛtšal -> mjɛšal

nasals assimilate axalɛmtə -> axalɛntə

final schwa is lost išə gardə -> išgard "Ishgard"

In general, Ishgardian has loaned many, many words from Dragonspeak, which have replaced a lot of original Allagan vocabulary. One example is, well, the word for 'dragon', <drav>, coming from an interpretation of the Dragonspeak nasal as /v/, from which derives Dravan "Dravania", which was loaned into Eorzean.

[plaindangan]

(SJ) Yuki could see Monokuma Rock, he was so close. But just as he set foot on the beach, the Otonokoji twins tackled him to the ground, making him struggle.

Disclaimer: R18 material! If not to your liking then please do not view!

"C'moooooooooon, Yukiyuki!!!!! D-d-don'tcha wanna get FUCKED by twin idolsssss!!" "YES!...I-I mean, n-n-n-nooooooooo!! I need...to make it up here....for Soraaaaaa and Yoruko!!!" He was so close, but Hibiki was as clingy, as she was small and scrappy. She had easily reduced him to his boxers alone, but he could still make it!! He was right at the top-!!!! Aaaaand that was Kanade's phat, sweaty, jiggly mounds right above his face.

"E-e-eeaaaaat up!!" With a sadistic grin, Kanade plopped right ontop of Yuki's face, causing him to become very addicted to her scent and relish in licking her out. All while Hibiki succeeded in removing his boxers to suck off his throbbing cock.

He was so close!!!!...But his luck ran out at the end~

Area: Monokuma Rock

Status

Yuki has been infected!!

[illusionsym]

231019 SUPER JUNIOR D&E DElight Party Auckland

[bruciemilf]

B R U C E for the fandom asks lol

YIPPEEEE

B - A pairing you initially didn’t consider but someone changed your mind,

Hmm, I'm pretty solid with all of my pairings!! I know what I'd like from the beginning, so no outside help needed djdjd

R - A pairing you ship that you don’t think anyone else ships,

OOo, I'll go with Jaykori I think!! I just think this tank teddy bear of a man and this dangerous ray of sunshine would be adorable together sjsjs

U - 5 favorite characters from 5 different fandoms

Optimus Prime from Transformers, Steven Grant from Moon Knight, Han Solo from Star Wars, Joel Miller from the last of us, aaaand Daenerys from GOT :D

C - A ship you have never liked and probably never will (be nice)

Ooof. Riddlebat for me!! The 2022 version specifically. Batjokes is another. Batlanter and I think batcat also. Kissing the shippers politely on the cheek tho

E - Have you added anything cracky/hilarious to your fandom, if so, what

Lately I've been chuckling over Alfred being a war criminal and being banned from like 3 countries including England. Does that stop him from going to said countries? No sjs

[midsummersky]

super junior D&E ‘countdown to zero’ 🌿 EUNHYUK - be 🌼

[aromantisk-fagforening]

Pronunciation things

So I can't possibly explain everything, but I'll mention a couple things

Generally we have more like, easy to understand letters than English. "a" is only "a" not "ai". But "o" is both "o" and "å".

There are some diphtongs:

ei, øy, au - most common

ai, oi and eu - less common

There are some ch type sounds:

kj, ky, ki, sj, skj, ski, sky

most of those are different I think

There's also gj which is basically English J I think maybe

If there's a double consonant that usually means the vowel is short. (this has exceptions). And the same in reverse.

blod (no) has a long o (means blood)

Bakke (no) has a short a (means hill)

We're not french so we pronounce letters at the end of our words even if they're vocals.

Norwegian alphabet almost explained

a = ah = a as in arc

b = b

c (we don't use this much)

d = d

e = e = e as in end

f = f

g = g (can be not pronounced)

h = h

i = ee = ee as in been

j = weak j idk = y as in yes

k = k

L = L

m = m

n = n

o = o (1) or å (2) where idk what 1 is actually and 2= o as in not or morning

p = p

q (we don't use this much)

r = r (there are two versions: "skarre r" and "rulle r", idk the difference but some people care a lot, I think it depends on dialect though so it's probably fine whichever you use)

s = s

t = t

u = o = o as in to or ue as in blue

v = v

w (we don't use this much)

x (we don't use this much)

y = y = y as in penny

z (we don't use this much)

æ = ae idk = au as in laugh

ø = uh = u as in blunt

å = o = o as in not or morning

[ukfrislandembassy]

Frislandic Phonology and Orthography

Right, let's begin this series on what Frislandic looks like now. We'll start with rhe bit which will hopefully make the examples in the followonf sections at least pronouncable: the phonology and orthography. The next post will be historical and dialectal notes which will hopefully make what I'll describe below more transparent.

If I was asked to give a 'phoneme inventory' (ugh) of (standard) Frislandic, I'd basicallt have to provide you with the table below. The orthographyk follows these conventions for the most part, with a couple of exceptions that will be noted when they are relevant.

/p t t͡s k/ <b d z g>

/pʰ tʰ kʰ/ <p t k>

/ʰp ʰt ʰk/ <pp tt kk>

/f ɬ s ɕ/ <f ll s sj>

/β ð l r j/ <v ð l r j>

/m n ŋ/ <m n ng>

/i y u/ <i u o>

/e ə o/ <e e o>

/æ ɑ/ <æ a>

/iə̯ uə̯ əi̯ əu̯/ <ie uo ij w>

/æi̯ ɑi̯ ei̯ oi̯ øy̯ æu̯ ɑu̯ eu̯ ou̯ iu̯/ <æj aj ej oj uj æv av ev ov iv>

/i̯əu̯ u̯əi̯/ <iev uoj>

In terms of phonetic detail the consonants notated here as alveolar tend to be more denti-alveolar, with the exception of /s r/ which tend instead towards more of a retracted alveolar, though rarely a true retroflex. Additionally the affricate /t͡s/ is for some speakers a palatalised /t͡sʲ/.

But that's not the whole story, of course, because an inventory never is. Not all of these sounds are created equal and some have wildly different distributions. Indeed, for historical reasons it's generally better to speak of contrasts in phonotactic environments (not that I really have the space or time to go througy this in full but hey).

First of all, /f/ and /o/ are loan phones plain and simple. They are not found in native vocabulary and the latter isn't found even in early Irish or Norse loans due to back vowel raising. Words for modern life such as fon /fon/ 'phone' and fan /fɑn/ 'flag' are typical examples.

Secondly, of the consonants found in native forms, only /p t t͡s k tʰ kʰ ɬ s ɕ m n/ are found root-initially in citation forms. Additionally, /pʰ ʰp/ don't occur root-finally except in a small number of loans such as sjip /ɕipʰ/ 'ship', pijp /pʰəi̯pʰ/ '(tobacco) pipe' and kopp /kʰuʰp/ 'cup'; otherwise in native roots they are only found root-medially in frozen compounds, e.g. tepeð /ˈtʰepʰeð/ 'waterfall' boppesj /ˈpuʰpəɕ/ 'hoe, adze', dæppo /ˈtæʰpu/ 'birch tree' and sorpo /ˈsurpʰu/ 'ash tree'.

With regards to the vowels, the /ə/ has a distinct status relative to the other vowels, in that it is only found in unstressed syllables, although in this position it does contrast with the other vowels. It does appear to behave largely as an epenthetic device to break up inpermissible clusters, in that there are a large number of words that alternate between syncopated and unsyncopated forms, e.g. nukkel /ˈnyʰkəl/ 'anchovies' vs. nukklen /ˈnyʰkklən/ 'anchovy' or ober /ˈupər/ 'job' vs. obreð /ˈuprəð/ 'at work'. However, it is also found in root-final open syllables where there is no such motivation, e.g. nalle /ˈnɑɬə/ 'militia' or uone /ˈuə̯nə/ 'tree spirits, fairy folk'. Here we can find minimal pairs of /ə/ with /e/, whuch are not normally distinguished orthographically: nalle /ˈnɑɬe/ 'of the militia', uone /ˈuə̯ne/ 'fairy-like, of the fairies'.

Phonotactics are generally (C)V(C)(C), of which valid CC clusters consist of a nasal, liquid or voiceless fricative followed by a plain stop or affricate e.g. bond /punt/ 'eel', belz /pelt͡s/ 'monster, beast', gost /kust/ 'shade, shadow', bollk /puɬk/ 'tower'. Note in the latter two cases the second member of the cluster is written as if it were an aspirated stop, due to morphological alternations between the plain and pre-aspirated stops, e.g. gerott /kəˈruʰt/ 'shadows', bolokk /puˈluʰk/ 'towers', by analogy with e.g. tærg /tʰærk/ 'heart' → detræg /təˈtʰræg/ 'hearts'.

As you might notice prosody consists of stress. This is predictable diachronically but not synchronically. In general the root is always stressed, but which syllable of the root is stressed depends on the root, as frozen compounds vary in this regard e.g. bittang /ˈpiʰtɑŋ/ 'winter' vs. kaðtang /kʰɑðˈtʰɑŋ/ 'spring'. Additionally, in some nouns there is a shift of stress rightwards in the plural, often accompanied by vowel quality shifts e.g. gorot /ˈkurutʰ/ 'prayer' → geruot /kəˈruə̯tʰ/ 'prayers'. In a couple of houns stress is the only signifier of plurality e.g. sjirivs /ˈɕiriu̯s/ 'letter, missive' → sjirivs /ɕiˈriu̯s/ 'letters, missives' Otherwise however stress is lacking in functional load.

In terms of phonological alternations there isn't much to say, because there's little that is fully regular and it would probably be better to discuss the alternations which do exist when tackling the morphology itself. Unaspirated stops do tend to be voiced intervocalically but this isn't contrastive. Additionally native speakers tend to epenthesise more schwas than are typically represented orthographically, both ij native and borrowed words, e.g. bænll /pæn[ə]ɬ/ 'walking stick', kernkres /ˈkʰer[ə]ŋkʰrəs/ 'orphan' or glas /k[ə]ˈlɑs/ 'glass'.

There is a morphologically conditioned but fairly pervasive process of lenition which results in the following alternations:

/p t t͡s k ɬ s ɕ m/ → /β ð j ∅ l r j β/

However, the actual outcome of these frequently is obscured by the quality of the following vowel. For example, here is the possessive paradigm for muot /muə̯tʰ/ 'paternal grandmother': m'uot /muə̯tʰ/ 'my...', k'uot /kʰuə̯tʰ/ 'thy...', bemuot /pəˈmuə̯tʰ/ 'our...', kumuot /kʰyˈmuə̯tʰ/ 'your...', 'uot /uə̯tʰ/ 'their...', where there is lenition in the singular and third person plural but not in the first and second person plural, and the lenited form of muot is therefore uot and not !vuot as might be expected a priori. Even more irregularities can be seen in forms such as zitt /t͡siʰt/ 'chin, jaw', which has a first person singular possessed form of either m'ijtt /məi̯ʰt/ or even m'isjt /miɕt/ depending on the speaker.

There is also a minor process of pre-aspiration that occurs with the reflexive possessive prefix o- /u/ which produces the following alternations /p t t͡s k/ → /ʰp ʰt s ʰk/, e.g. oppodet /uˈʰputətʰ/ 'own father-in-law', osær /uˈsær/ 'own arms'.

Vowels and semivowels interact in fun ways. In particular the four diphthongs /əi̯ əu̯ iə̯ uə̯/ <ij w ie uo> when combined with the glides /j/ <j> and /β/ <v> give /əi̯ øy̯ ei̯ u̯əi̯/ <ij uj ej uoj> and /iu̯ əu̯ i̯əu̯ ou̯/ <iv w iev ov> respectively. These diphthing simplifications have effects on nominal morphology e.g. sw /səu̯/ 'woman/women', genitive suj /søy̯/ being ambiguous for singular vs. plural , and also is the historical explanation for the plural of sjirivs being marked by stress only (on which more in a subsequent post).

Finally there is a process of umlaut, where a low vowel is fronted in certain morphological contexts. Thus /ɑ/ shifts to /æ/ which itself shifts to /e/ or /iə̯/. This is found mostly with verbs in e.g. imperatives and indirect past e.g. kajn /kʰɑi̯n/ 'die' → kæjnæ! /ˈkʰæi̯næ/ 'die! (sg.)', kæjnið /ˈkʰæi̯nið/ 'is said to have died' or kæb /kʰæp/ 'hear' → kebæ /ˈkʰepæ/ 'listen!'.