#Ronny Writes

[steddielations]

Flight of Icarus lore dump part 2:

Part 1 | Character List

- Wayne has a green thumb. He reads Gardener’s Weekly magazine. It doesn’t say what he grows, but it says he buys vegetables from the store so I’m going to say that gruff old man Wayne has the prettiest petunias in the whole trailer park.

- Eddie sneaks into the Hawk with his best friend Ronnie to watch action movies and thinks Snake Plissken, Han Solo and Conan the Barbarian are cool.

- Eddie talks for hours about the intricacies of Elven politics in Tolkien.

- Eddie read comics as a kid and hid them all over the house "like a little squirrel" under the bed, behind the nightstand, under the rug. Wayne found his Uncanny X-Men in the freezer between stacks of tv dinners. Also, "Hellfire Club" comes from these X-Men comics.

- Floor time! There's a part where Eddie is literally just lying on his back on his bedroom floor counting down from a million. When Wayne comes home, Eddie army crawls on his belly to the doorway to see him.

- Eddie reads Gormenghast paperbacks, gothic fantasy novels. It mentions that Wayne saved them from the house fire along with Eddie’s guitar. It never says how/when Eddie originally got his guitar.

- Eddie says lots of cc’s original songs have D&D references. It's implied that he writes them. One is called “Fire Shroud” after a spell

- Eddie is called Freak King at school and Munson Junior or just Junior around town and he hates all of it

- Eddie talks about having anxiety a lot and it's implied he has had panic attacks in the past

- Eddie is the lead singer and guitarist of cc. He started the band with Ronnie specifically because it was required to participate in the school talent show.

- Neither Wayne or Al graduated high school. When Eddie (temporarily) drops out, Al celebrates.

- Eddie doesn't cook. He doesn't even own a spatula. The smell of cooking in their house actually shocks him and gives him a deep longing for family meals, which Al uses to manipulate him

- Eddie jokes about being into Saturday Night Fever and strikes the pose a couple times.

- Eddie knows how to hotwire and how to pick locks. Al taught him this at the age of ten. Eddie is "disgusted" with himself any time he does either of those things.

- Eddie "drives like a monster" when he's upset about something.

- Eddie smokes cigarettes occasionally. Weed is mentioned a lot in the book but it never says anything about Eddie smoking it or doing any drugs. He either doesn't smoke much or he hasn't tried anything yet in the book. Also, he’s just now meeting Rick. But It’s pretty clear after everything he went through why he would start

- There's lots of mentions of PBR and Bud Light. Though Eddie says he doesn't like to drink after his shifts at the Hideout (where he's a barback). He mostly drinks off-brand Big Buy soda in the book (he calls it "pop")

- Eddie's parents were married on March 12th, 1966. The date is inscribed on the bottle of their wedding wine. Eddie asks what kind it is and Al says they only had 'red or white' kind of money

- Al breaks out the wedding wine (to manipulate Eddie, you guessed it) it's red wine and Eddie really, really likes it

- Eddie went to War Zone with his dad for supplies for the truck heist (spike strips, coveralls, etc)

- Eddie's band played Exciter by Judas Priest at the talent show. The song was only approved because they emphasized the "priest"

- There was another (?) talent show in Winter of 1981 where Eddie's band played "Prowler" and they were kicked off stage halfway through because the song was considered Satanic, and the PTA visited all their parents for trying to convert everyone to Satanism.

- Eddie imagines hitting his dad twice. Once with a glass bottle and once with a metal wrench. (He should've- oops who said that)

- The only hug Eddie gets in the book is when his dad first comes back, Eddie knows it's the first step in his cycle of showing up, using Eddie and leaving, but Eddie still accepts the hug and feels guilty for enjoying it.

- It's implied Eddie gets close to tears a couple times in the book, but the only time they actually spring up is when his mom's favorite song (from Muddy Waters) comes on in the truck radio while Eddie is doing the heist with his dad and feeling awful about it. Eddie has several flashbacks of dancing with her to this song, it seems like his happiest memory that he always returns to.

- Whenever Eddie is doing what his dad wants (hotwiring, charming a person into their plans) he puts on what he calls his "best Al Munson smile" and he's terrified that it will eventually take over his whole face. There's a part at the end where Eddie is sitting in a jail cell and says "All I want to do is tear my face off. If a new one grows in it's place, maybe it'll make me a different person. Someone who isn't such a complete fuckup."

[thefixations-ofmine]

Bubbling love

Bucktommy | 505 | Fluff

Fluffebruary Prompt: Non-sexual intimacy This is based of this drawing by @118plus

Main Masterlist | Fluffebruary Masterlist | AO3

Tommy walks in and settles his duffle silently onto the ground before ridding himself of his wet hoodie. He can’t help the discomfort grunt that escapes his lips when the layers under come peeling off in turn. He settles his clothes onto the kitchen island to be washed after a good ten-hour nap, and he makes his way up to the loft, butt naked.

Tommy bends down to kiss Evan on the temple before digging into the bedside table for his spare pair of glasses. When he stretches back up, he comes eye to eye with his waking boyfriend.

“Hey, baby,” Tommy greets. Evan clears his throat.

“Tommy,” Evan says his name with a pleasant surprise. “You’re off?”

“Yeah, I gave them a few extra hours of my precious time, but they wrung me out!” Tommy reaches for a longer kiss this time. He hums peacefully. “Gonna go take a quick bath. I’ll come cuddle, I promise.” Tommy walks towards the bathroom and Evan whistles behind him. Tommy slaps his right cheek with a quick look back. He wiggles his brows but disappears into the room, without another word.

An extra perk of Evan’s fancy loft is how quick the warm water catches up and keeps Tommy from shivering as he sits on the cold porcelain. Tommy dips his toes in and practically moans appreciatively. He sits slowly, feeling every achy muscles in his arm scream as they handle his weight.

The water is only hip deep but it soothes him and if Tommy wants to pop the question and have Evan move in with him, he knows he’ll have to fix his cracked tub or he’s going to have to rent hotel rooms for a night of relaxation.

“No bubbles?” Evan startles him but Tommy settles quickly at the sight of his naked boyfriend at the door, and maybe the way his body is also happy to see him, but Tommy has to push those thoughts away for a couple hours.

“Well, I meant to make it quick. Only needed the scalding warmth.”

Evan walks forward and squats to touch the water. He exaggerates a hiss and laughs. Seconds later, he’s walking to the back of the bath and asks Tommy to clear a bit of room for him, which is very easy to do in theory, but the two of them occupy a lot of square volume. Nonetheless, Tommy hums when Evan reaches his arms around his torso and he can’t help but chuckle when he opens his eyes to a bath full of bubbles. The eucalyptus smell isn’t so bad either.

“You know I appreciate you so much, right?”

“I have my doubts,” Evan answers, his grin evident in his tone.

“Well, here’s me saying it anyway.” Tommy lets his head lull back onto Evan’s shoulder and Evan props a handful of bubbles onto his hair, before playfully blowing it away. The laughs come easy even through the shared yawns, and slowly the extra hours Tommy endured fade away into the drain.

@bucktommyfluffebruary

Thank you for reading. Let me know if you would like to be tagged.

[maxmagic]

Couldn't even draw a date I had to be realistic khkhkhkh-

Loser Ronnie walking up to a pretty girl with sweaty hands and wobbly legs (me too brother how does one flirt)

Hanks a bastard (luckily he has two babysitters)

[ronniaugust]

How to Write on Final Draft (without it feeling so daunting)

It's incredibly difficult to open up a Final Draft document without feeling like you're literally writing your final draft, so here's a few features you can use your advantage!

1. Turn on dark mode

Dark mode makes it look like less of a script and more of an outline. Edit and rewrite in light mode, you will feel the difference.

2. Use speed view

Speed view gets rid of pages and page numbers and therefore you are only looking at the words you type.

3. Use focus mode

Focus mode removes the scenes, page numbers, and outlines you have at the top on the program while writing. Another way to forget about focusing on progress.

4. Make a messy beat board

Throw all your ideas onto the beat board, it should help make the document feel a bit more lived-in and less pristine.

Bonus:

5. Set a template with your formatting and use that to start every script you write

While a script format is very ridged, there are things you can do to personalize it. When you find those things, make them in a Final Draft doc (without actual writing) and save as your own template so you don't have to change all the elements every time.

[ronzombie]

imagine an AU where you're your F/O's OC.

they fall even deeper in love with you after every lore piece they write. after every trauma and flaw they inflict on you, they still love you and would do anything to have you there with them in person.

who knows? maybe one day their wish will come true...

[milf-harrington]

i wrote this in like an hour so please forgive the quality but here's some gentle steddie set somewhere in the early 90's mentions of canonical violence and trauma, but otherwise just a gentle morning scene

5:30 am found Eddie Munson on the back porch steps, watching their liver spotted dalmatian patrol the fence-line with her usual level of seriousness. Ronnie moved like a spectre in the half-light, her edges all blurred and smudged until she stopped to sniff at a weed and became solid again.

The cherry of his cigarette flared bright on his inhale as he brought his knees further into his chest, feet crossed over one another like he could trap the warmth in if he just curled up tight enough. With autumn creeping closer, the mornings were getting crisp.

Luckily, his ears were warm under both his hair and the hood of his jumper,but his legs were prickly with goosebumps thanks to his habit of grabbing whatever was on the floor. This time it was Steve's basketball shorts, the one's that used to be trackpants until he'd taken scissors to them in the summer of '88.

They definitely weren't suited for cooler weather, but they were comfortable and Eddie kind of liked the distraction the chill brought. It was harder to get stuck in memories of snapping bones and dead motors and being eaten by bats when your toes were trying not to freeze off.

Eddie sniffled without tears and wiped his nose with the back of his hand, bringing his smoke back to his lips for another drag. His hands were shaking, but it had nothing to do with the weather.

He'd dreamed of Chrissy again.

The problem with an overactive imagination, is that it could always make your nightmares worse.

After weeks of stress free dreaming, he'd wound up back in his trailer last night, but this time he'd known Chrissy's favourite song. Playing it hadn't worked, and instead the bats had come pouring from her mouth like it was it's own gate. They'd swarmed him before he even had a chance to run, breaking free through the windows and those damn vents before tearing him and Hawkins apart.

He'd woken in his and Steve's bed, in the house they bought with their shady government money, sweat slicked and on fire. His skin was tight and itchy as he'd crept out of bed, tapping the dog awake to take her outside and grabbing his smokes from the dresser.

Ronnie chose then to drop her favoured rope at his feet, head ducked and eyes flitting from between him and the toy hopefully, tail wagging. Eddie secured his cigarette between his lips so he could distract her with a scratch behind her ears, and grabbed the toy with his free hand before she could react. She'd turn it into a game of tug-o-war if he wasn't careful, and it was impossible to ask her to drop it when it took both hands just to keep hold of the thing.

The rope sailed across the backyard in a high arc, and Ronnie almost tripped over her own paws in her haste to get to it.

A few more throws later, the sky was brighter and the back door opened with a familiar wheeze behind him.

Eddie didn't turn as he threw Ronnie's toy again, but listened to Steve quietly walk closer and settle down beside him with a soft grunt.

A moment later, his cigarette was stolen from right between his fingers, but when he turned to complain, Eddie was met with a steaming mug shaped like a bear. He took it with hands that were steadier than they'd been 10 minutes ago.

Steve, meanwhile, had tucked the cigarette between his own lips like he used too when he was trying to seem cool and impressive (before they got their shit together), and unfolded the blanket he'd brought out with him.

It settled over both of their shoulders while Eddie sipped his coffee, feeling it's journey all the way down to his stomach. He watched Ronnie register Steve's presence and come bounding over.

She stopped in front of them with the rope toy swinging from her mouth, tail picking up enough speed to move her hips with it when Steve signaled for her to drop it.

Steve generally wasn't verbal this early in the morning, preferring to sign until the world felt awake enough for voices. Luckily their dog was deaf too, even if she was cheeky about ignoring signals by pretending not to see them.

Finally, Ronnie relented, dropping the rope between Steve's ridiculous old-man slippers as he passed the cigarette back to Eddie. She graciously accepted her vigorous head scratches as reward.

Eddie huffed a laugh and tapped off the excess ash, taking another drag and waiting until the dog was tearing off after her toy to pass it back to Steve.

He accepted the smoke with a smile and didn't ask why Eddie was awake so early, or why he hadn't bothered to dress warmer. Just made sure the blanket was wrapped around him properly, and pressed a kiss to his temple over the top of his hood.

Eddie sighed from somewhere deep and tired inside him and let his head drop onto Steve's shoulder, feeling it drop as he exhaled smoke towards the rising sun.

[jynzandtonic]

Ooooo how would any/all of the boys react to turning 40???

*Sigh* 40 is a damn fine age. Please accept these snaccs:

Charlie Barber: Henry's all set up to stay with his cousins for the week so you two can get away to the little villa he's booked in Tuscany for the two of you. You'll have the whole time to drink red wine, make homemade pasta, and fuck in the sunshine on the deck off the master bedroom.

Clyde Logan: He feels so damn lucky to be alive, to be with you. Growin' up with Jimmy, two tours in Iraq, all his adventures and misadventures, and he's finally settled down with you and happy as can be. All he wants is to sit with ya on the porch swing and watch the sunset with a beer in hand—but he won't say no to the butterscotch cake ya baked him.

Adam Sackler: Can't really believe he's fuckin' forty. He promises to put some of his commercial money in an IRA and take enough of a break from acting for a little staycation to fuck on every surface of your apartment together.

Flip Zimmerman: You sure you don't want to have a baby, sugar?

Phillip Altman: Perpetual man child. He offers to get matching cougar tattoos with you.

Rick Smolan: Motorcycle tour of Vietnam together, letting you take photos on his DSLR while you ride on the back of his bike.

Ronnie Peterson: Cabo San Lucas with you and all your friends. He wants to drink daiquiris, sing karaoke, and maybe get a sunburn at a nude beach!

[seeingivy]

i haven't posted because i'm studying abroad for two weeks. trust me i will be locked and loaded with fics jan 17 onwards mark my words.

[bittcrsuite]

i'm typically not picky at alllll when it comes to folks writing w my males over my females (and i know sometimes i'm guilty of this myself!!! i KNOW it)

but posting starters is sooo discouraging sometimes bc what do you MEAN my basic ass starter using anyyy male will get 10+ replies but every single starter i post using a female gets between 1-2 replies?

i write with some really, really wonderful people on here and i'm ALWAYS looking for more but not if you only want me for my conventionally attractive dudes who are far less interesting than most of my girlies omfg

[sp-growingpains]

With the year coming to an end, it's nice to take a look at how far I've come

[undead-potatoes]

New fit :)

[thefixations-ofmine]

Mister June and the globetrotter

Bucktommy | 3.3k | Rated G (sexual inuendos) Entry for the @bucktommywinterfest, round 10 February 2-8: Tommy in the firefighter calendar and Buck 1.0 meets closeted Tommy This Idea comes from this post right here, with a twist. Note: Bold italics are texts. Dash changes POV, star cuts time.

Main Masterlist | Winter fest Masterlist | AO3

So, were you hoping for anything from this date? Buck reads the text, surprised. The person on the other end - who isn’t Jodie - has definitely been woken up at three in the morning on a Wednesday and wants to keep talking? Well, he’s bored and could use the distraction, considering he just lost a very good fuck opportunity, so he goes on in good-old Buck fashion;

Not really. I don’t ever give it too much thought. It’s just sex for now. Buck presses send and then realizes that makes him sound shallow. Pot meet kettle. He goes on to defend himself: I move around a lot, settling down isn’t in the 5-year plan. The little white lie reaches its destination, then he sets his phone down to get the shower started.

I see. I guess that’s fair and keeps people from having expectations. Has to feel lonely though, no?

Buck reads the messages and there’s a pinch in his heart he can’t control. Yes. ‘Yes’ is the answer but he’s never said that to anyone, even to Maddie because he doesn’t want her to fuss over him on top of everything else - much of the reason he’s running around is to stay out of people’s hair.

The only thing he can come up with is to be Buck, again – or rather this persona he’s allowing himself to be – so he takes a photo of his naked chest from a low angle and sends it with a caption: Wouldn’t be lonely if you wanted to join. 

He feels himself grow hard as a pavlovian response to the sexual chase, and his brain absentmindedly captures a few extra shots, one precisely showing his back in the mirror down to the dip of his ass crack and sends them. His thumbs linger over the screen to add another quirky line, but the dots on the other end appear, and disappear, and this goes on too long for his liking. Before he loses his entire rhythm, Buck decides to leave it at that and jump into the shower, the scalding water feels good on his back, his hand finds refuge around his dick, the comforting gesture sending a jolt up his back and his low hum carries the desperation of a long day.

-

Tommy’s body goes so warm when he receives the pictures he swears he can hear the AC start running in the room. One photo shows the dips and valleys of his abs perfectly, and Tommy loves that he’s not dried-out and cut either. Despite the very short attempts at flirting when he was younger, this was the first time he got such explicit pictures and his body shudders when he goes back down to the edge of the screen where a very apparent bush peeks barely.

The second photo breaks his composure but his hand is quick enough to shut off the groan that creeped up his chest. That kid (Evan - his name sits in the raunchy greeting at the top of the conversation) is giving him everything he wants and it’s pumping up blood around his body at an alarming rate. He studies the way Evan’s back arches against the counter and how Tommy’s thumbs would look amazing in those dimples, and fuck-

This is affecting him more than it should. He usually has to go digging through pages of porn to find a body he likes and he shouldn’t, but he lets himself linger a little too long for his liking. He shifts in bed, not entirely sure what to do or even what to say.

He wants to play along, ask for more, but the poor guy probably thinks he’s volleying with a pretty woman and Tommy’s a fan of not building expectations. And, well, nobody knows Tommy is gay, maybe not even himself entirely but the way his hands are getting damp feels like a very autonomous bodily response to him, so he has to do something about it. Or nothing at all. Pot meet kettle, again.

He needs to push himself to do so but Tommy sets the phone down on the little table next to his bunk and forces himself to wait this out as he tries to catch up on sleep. He usually has no trouble falling asleep, but he finds himself counting sheep this time. Or maybe it’s to keep the impending truth he was growing in his pants at bay.

A call comes in just before his alarm, twenty minutes before they would all be free to go home. Chim grunts from the bunk below, seemingly more aggravated by the situation.

“Rise and shine, superstar,” Tommy teases, grabs his phone and jumps into his boots before running to the truck. The call came from across town so he gets a few minutes to scroll through his aviation forums as the engine carries them out. When the screen turns on, a notification tag shows that Evan had sent him four texts during the night. He can’t say he has forgotten about him, the pictures still haunting his thoughts, but Tommy hadn’t come up with an escape plan either. He has a quick look around and holds his breath even though Chim and Hen are sitting across from him - from the way things were headed, he could definitely have a dick pic waiting for him. He lets his thumb unlock the screen.

Shit. I’m sorry. That was too much.I guess I was still in the mood, you know…Fuck, I shouldn’t say that either. I’m a douche.Anyway, um. I have to be up early to catch a flight. So maybe talk later?

Tommy grins stupidly and the breath he held comes out in a broken chuckle. Evan has to be in his twenties. Early twenties, even, because if the pictures weren’t indication enough, that rambling nailed the coffin. And Tommy does want to keep talking to him, for selfish reasons or to see how this pans out, he’ll have to figure that out, but he has to be honest about the situation, for Evan’s and his own sake.

So, he sends a few texts and puts the phone in his turnout, not expecting an immediate reply;

All good. I get the fun behind this.I need to be honest though, I’m a guy. My name’s Tommy. I’m 36 and a firefighter in LA. I’m still up for a chat, just thought you should know.So I’m sorry you sent those photos, but they’re safe with me.Oh! And I have a safe flight, Mr. Globetrotter. ;)

Tommy feels the vibration of hope as soon as the phone hits the bottom of the pocket, and his heart picks up a few beats per minute knowing he might have a text from... No, Tommy shakes his head, don’t go there. Not a second ago he was trying to convince himself this whole deal should be left to a short and silly conversation about a wrong number. The truck pulls up to their destination and he can focus on doing what he does best.

It’s only two hours later when Tommy can have another look at his phone, and his stomach flips when the notification on the screen is just a random email. He chuckles, really shouldn’t be that bummed out, he thinks as he opens their conversation. His thumb hits the three dots next to the number and he goes to add Evan’s name as a contact.

Yeah, he’s fucking done for.

*

Evan puts on the blue LAFP t-shirt and lets his hands run down his front, admiring the color on himself and it’s evident how hopeful he is for the road ahead. He starts the academy in less than a week and it’s nerve wracking, but Tommy has been sure to guide him through the steps like a great mentor. And it’s been great finding a reason to keep talking to him, finally. 

“Tuck in the shirt. I know it’s not the army, but they still care about little details,” Tommy says over the speaker as he watches Evan try on the uniform. He loves how eager he is. He’s already noted that down on his recommendation letter. When Evan had mentioned moving back to LA, things just clicked and Tommy was the one to start talking about the job.

“Uh, yeah. Th-thank you, Tommy.” Evan proceeds to fix the uniform and huffs proudly as he twirls in front of the mirror. Tommy still thinks the boy is in on the joke and is trying to see where his self-control will break, then Evan grabs the phone and smiles and Tommy knows he’d forgive Evan anything. “What would I do without you?”

“You want an honest answer?” Tommy says and they both laugh easily.

They facetimed once or twice, or maybe five times over the last weeks, and each time the conversation gets deeper and more genuine, and Evan doesn’t know it yet but him being careless about his sexuality is doing wonders for Tommy on his end of things. He had been more than okay with seemingly sending risky photos to a man, and he even complimented Tommy at large when he got a basic selfie back for a profile picture. There was still one thing to figure out;

“Want me to drive you to your interview?” Tommy offers boldly, only slightly regretting it. They hadn’t had the talk about meeting in person and that could be crossing boundaries. Maybe Evan saw the wince on his face just then because he starts giving him an excuse.

“My sister, um Maddie, she just moved to town also. We haven’t really seen each other in a while. I asked her to come with me.” Tommy nods and smiles. Still, he waits for the moment Evan realizes he’s being pushed against a wall, like Tommy is out to play some trick on him. “I’d much rather see you at my graduation. If you’d like. Of course, um, no pressure, I-”

“I will be there, Evan.” Tommy says the words calmly even if his mind screams of excitement. He promises himself to tell him he’s gay before then. Maybe even let the station in on it as well; if he wants to believe in chosen families, he’s going to need to be honest and open.

It’s five months. He can do it.

“O-okay. I gotta go. I have a few things to do before I get there.”

“I’ll see you around, Evan.”

“Honestly, I never thought I’d love to hear my name out loud so much,” Evan answers and dips his head down. Tommy melts when he does that. He wants to kiss the top of his head and tell him he’s being so adorable. Then Tommy wonders how Evan’s name would sound coming out like thick honey on his tongue as he moans and okay, Tommy needs to end this video call right now or risk embarrassing himself.

“Think of a nickname, then. I call dibs on your name,” he adds with a wink and ends the call.

Tommy goes back to his living room where a pile of paperwork waits for him. The forms to be recertified for flying had been in his office for months, maybe a year, and talking to Evan had made him realize that every dream deserves a chance. So when Tommy convinced Evan to join the firefighting academy, Evan had dared him to get into flying again. Then Tommy talked to Bobby, and things started to piece together like a puzzle. He’d be transferring to Harbor station just before Evan graduates, and perhaps Tommy used his charms and wits to make sure his empty spot was warm and ready for Evan to make his probation.

-

“Maddie, you don’t get it. I-I don’t want to make a bad impression!” Buck waves his hand around as he refills his sister’s coffee. He sits at the end of the table and prepares for the older-sibling advice to be laid on him.

“Evan, I’m not sure I understand, didn’t you just meet Tommy? Actually, you haven’t even met him.”

“Well, it’s been months now technically. The academy alone lasted five months! And-and he’s been there every step of the way, I just-”

“Okay, okay. But let me say that again. This is the first time you’ll see him in person, Evan-”

“Buck! Um- ha. Everyone at the academy called me Buck, and I think I like the nickname.” Maddie sighs, annoyed. But she smiles anyway and proceeds;

“Buck,” she says the name with a faint grimace, “I just want to make sure you’re not expecting too much. I mean it’s one thing to get along over the phone a few times a week. Maybe it won’t be as sugar-coated in person. I want you to know that.” Buck takes a sip of coffee and a bite in his bagel. A quick look at his watch: two hours left before the ceremony. He needs to iron his uniform and grow out some balls. And convince his sister that he’s not reading too much into it even if his stomach does a weird thing now - like when he eats something that disagrees with him - whenever Tommy says his name because it’s his to say and that perhaps he recorded one of their conversations so he could listen to it on repeat while he fucked some pent-up anger into his cheap fleshlight. Shit.

Maddie is right, this could all come crashing down. Buck never thought he would find such a connection with someone, but it seems so obvious now; Buck had never given anyone a flying chance at a conversation, let alone parts of his brain he had never exposed. He’s not certain what that says about him just yet, but he’d lie if he said he didn’t hope for this to pan out well. Knowing someone in the LAFD right out the gate will be detrimental, and hopefully the coffee dates will also be fun.

“Anyway, I appreciate this, Maddie. I do. He’s just a friend. Someone I can rely on and who’s made substantial efforts to help me. I need that in my life. Everything is so volatile.” Buck feels all lovey-dovey now, and he reaches for his sister’s hands. “And I need you. So tell me, how do you like LA so far?” 

-

Tommy fidgets. Tommy never fidgets. But he’s sitting on a little white wooden chair in the back rows of this open-field ceremony and his leg won’t stop bouncing and he’s biting the inside of his lips and he’s looking around frantically and… maybe Tommy does fidget now. The ceremony is about to start and he needs to get his shit together because Evan will be one of the firsts to come up alphabetically and Tommy knows he’ll be scanning the crowd for him. It doesn’t help that today of all day the sun decided to be a menace to humanity. His hands are damp and his collar scrapes around his neck and Tommy needs to remember that he’s not at an army boot camp and he’s safe and sound.

He looks at the gift he brought to ground himself, but he wonders if that or his eagerness might freak Evan out. Then again, he’s meeting the man who shamelessly sent him pictures bordering on nudes for the past month and he hadn’t returned the favour, so he hopes that this gift can bridge the gap.

“Why does this feel like some reality TV show and you’re about to meet someone your mom picked out for you?” Chim jokes beside him, obviously aware of his nerves. He pondered bringing someone with him, but this was a good idea - Buck would have his sister, so he could have support as well. Who better to take that spot than mister comic-relief himself.

Plus, Tommy had made some efforts on his end, as he promised himself, so he came out to the station over one of Bobby’s amazing dinners as well as letting them know about the transfer, reinforcing how proud and privileged he feels to be part of this house. Their acceptance and encouragement had both been amazing and heart-breaking, bringing Tommy back to his childhood and how he wished someone had hugged him the way Bobby did. Tommy didn’t cry often either, but he did that day.

“He hasn’t been picked out for me. It was a weird turn of events, Chim. We’ve been talking for months. It just… feels like it could work out.”

“Yeah, some like to call that fate!” Chim proclaims with a nudge of the elbow. Suddenly, some bells ring and both of them startle, dragging their attention back to the stage. Tommy sits up straight and glares at Chim when he feels his shoulders bounce against his.

*

Chim is chit-chatting with Evan’s sister as they all wait for him to come out of the building. Which he does, twenty minutes later and suddenly Tommy wishes he had taken longer. He needs to calm the hamster doing a marathon in his brain. He needs to go back home and wear more ample clothing and leave the goddamn gift on the kitchen island, but those long legs straddle quickly and Evan joins them before Tommy can even swallow his fears.

The itching on his neck comes back but Tommy is good at ignoring it. He bounces on his heels a couple times as they lock eyes and let the rest of the world fade around them. He knows Maddie says something cheerful to him, and perhaps Chim joined, but for now Evan is beelining towards him and Tommy’s mouth falls open.

“Hi, Evan.” He finds the courage to say.

“Hi,” he whispers before crashing his face against Tommy’s and backing them into the truck. The kiss is clumsy and heated and perfect. Tommy curses the damn gift in his hands as he can’t let them roam over Evan’s back the way Evan’s exploring his chest. They pull apart just before the rest of Tommy’s body could start to respond.

“Was, um. Was that okay?” Evan asks, eyes amorous and fixated on Tommy’s mouth. Tommy manages to look around then and finds their guests gleefully looking at them. He never wants to leave this bubble, but-

“I’m so sorr-”

“No.” Tommy realizes he hasn’t said a word. “No, fuck, that was. That was… how did you know?” Evan gives him a face then and the details of their conversations come crawling back, or maybe Tommy knows he wasn’t very subtle on the ogling despite being behind a screen. His body feels heavy and grounded and he wants his lips back on Evan’s.

“Listen,” Maddie chimes in. “It’s warm, and it’s just shy of happy hour. You guys wanna join us for beers?” Us? Oh. A double date? Yeah, Tommy can do with that to ease the nerves and get a more sensible conversation going. He nods, then turns to Evan.

“Y-yeah, that’s okay,” the young man answers and before he can head to the car Tommy grabs his wrist.

“I have this for you. Special graduation gift.”

“The firefighter calendar?” Evan looks perplexed despite the smile on his face.

“Well, I never sent any spicy photos back so… I’m mister June,” Tommy says. The knot in his gut tightens when Evan’s cheeks go flaming red and he chokes on a laugh.

“I promise to make good use of it!” Tommy and Chim start laughing and it takes a moment to register in his mind. He goes; “Oh, no! Not what I meant, I-”

“Please. I hope so.” Tommy can finally bring his hand to the back of his neck and close the space between them in another searing kiss. One that promises so much, yet leaves everything to be discovered. Chim whistles and that’s a good thing, because Tommy has years to catch up on and he’s not above using the spacious back seat of his truck.

tags: @weewoo911 @hmg621, @chococara25

[ronniaugust]

How To Write Good Dialogue (Part 1)

I'm gonna start this by saying I'm not trying to sound like a know-it-all. I am just tired of posts like these being absolutely fucking useless. I am aware this is basically me screaming into a void and I’m more than okay with that.

This guide is meant for intermediate screenwriters, but beginners are also absolutely welcome. :)

(about me)

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I've noticed a rise in film students who want to make films that have no dialogue. Probably after your professor showed you Doodlebug, right? Fuck that.

I'll make another post about writing a short film, but all you need to know is: Don't waste the audience’s time. Most of these no-dialogue shorts have very little substance and take way too long to tell the shortest possible story. Not a good idea.

Useless Dialogue

Plain and simple, don't write useless dialogue. Useless dialogue is dialogue that just doesn't fucking matter. Dialogue matters by having ✨subtext.✨

What is subtext? Subtext is the meaning behind the action. That's it.

If I tell you that I love you and I got big doe eyes while I say it, it means I love you. If I tell you I love you through a clenched jaw without looking at you, I don't necessarily love you right now.

Simple, right? Great.

Now think about the subtext behind every line. Does your character mean what they're saying? Are they doing it to get what they want? What is going through their mind as they say it? As long as you know your character, you’ll have these answers ready to go. If you don’t, you’ll figure it out eventually. Just keep writing.

When you write your character walking into a Starbucks and saying, "One venti iced coffee," does that do something? Why do I need to see someone's boring Starbucks order? Do I need to know that your character's boring? Why are you writing a boring character? [Of course, in the rare situation where this is some revealing clue to the massive crime investigation, then it makes sense.]

Useless dialogue is any dialogue that has no meaning or purpose in your script. Delete and move on. You don't need to write entire conversations or scenes that bore us, just write what we care about.

I took a class once where my professor called a version of this "trimming the fat." Get us into your scene and out of your scene in as little time as it takes to have it achieve its full purpose in the script.

[P.S. You don’t “inject” subtext into your lines. Idk who started that vernacular in subtext teachings but I hate it.]

Show vs. Tell

I remember a glorious fight I got into with a Redditor last year about show vs. tell… TL;DR: Dialogue is “show” if you write it with intention and subtext. If someone says that dialogue is inherently “tell,” they’re wrong and can go fuck themselves.

Dialogue that is “tell” is expositional dialogue. But, hot take: Exposition isn't just in dialogue. It’s also those annoying clichés that make you roll your eyes in the theater (which we just call clichés and not exposition). I’m sure every professor I’ve had will disagree with this and then get me into a long conversation about it, but let’s ignore that for right now.

Have you ever seen a movie where a character rubs an old, worn-out photo of a young girl while looking depressed? That's exposition. That character has a dead daughter. No shit.

Clichés are incredibly annoying. We all know that. Assume that any cliché you see - in this context - is exposition and try your best not to write it. (Tropes are different and sometimes necessary, so I’m not talking about that.)

Point blank: When you have subtext in your lines, they are "show,” not “tell.”

Before moving on, I'll bring up that while technically the dead daughter photo is subtextual, it is as close to the character saying “My daughter is dead,” as you can get. Don't treat the audience like we're fucking stupid.

The First 15

If you don’t know what the Inciting Incident is, please look up “3 Act Structure” before reading this.

The first 15 pages of your script is the part that comes before the Inciting Incident. This is the part you want to get right because, although people probably won’t leave the theater, they will absolutely find something else on the streaming service they’re using. The people making said movie will also just toss your script in the trash before it’s even produced, so it's best to get it right.

Dialogue in the first 15 generally follows the same rules, but carries a heftier additional rule. All dialogue in the first 15 minutes must, must, must tell us something about your character.

Remember when I talked about that boring Starbucks order? Why is your character boring? Don’t write that. Don’t write nice characters. Or pleasant characters. Or friendly characters. No one cares.

You want empathy. This does not mean “relatable.” It means “empathetic.” There is a difference.

I personally relate to Vi in Arcane, but I empathize with Theo in Children of Men. Both are excellent, but one personally resonates a bit more with me. You cannot write a character that deeply resonates with every single person, it is impossible.

With each line of dialogue, you must be saying something about your character that generates the empathy. Instead of telling you how to do this, I’ll direct you to a movie that will do better than an explanation: Casablanca.

Watch how Rick interacts with the world. What kind of man is Rick? Watch what he does, what he says, and how he treats people and himself. Watch that empty glass on the table. Watch his contradictions. Everything. Those things matter and it’s what makes you want to watch Rick for the entire duration of Casablanca.

“Realism”

This is maybe more directorial, but make your characters human enough, not too human.

Too human is when you’ve tried your best to capture all those little life-like speech patterns. You know, the ones that no one fucking cares about.

If your character coughs, they’re sick. If they clear they’re throat, they’re uncomfortable. If a bruise isn’t going away, they’re going to die. Simple.

Every moment on screen matters. Everything the audience sees is meant to lead them to a conclusion. Not the conclusion, just a conclusion.

The realism you want is in the choices your character makes, not how many times they say “Uh,” in a sentence.

Conclusion

Dialogue matters and should not be treated lightly or without care. Once you have this all engrained in your mind, dialogue should become effortless.

If you want an excellent way to think about this, Robert McKee's Story has an excellent chapter that helped clarify this all for me. Here's an excerpt and the context.

Warning, spoilers for Chinatown.

"If I were Gittes at this moment, what would I do?"

Letting your imagination roam, the answer comes:

"Rehearse. I always rehearse in my head before taking on life's big confrontations."

Now work deeper into Gittes's emotions and psyche:

Hands white-knuckled on the steering wheel, thoughts racing: "She killed him, then used me. She lied to me, came on to me. Man, I fell for her. My guts are in a knot, but I'll be cool. I'll stroll to the door, step in and accuse her. She lies. I send for the cops. She plays innocent, a few tears. But I stay ice cold, show her Mulwray's glasses, then lay out how she did it, step by step, as if I was there. She con-fesses. I turn her over to Escobar; I'm off the hook."

EXT. BUNGALOW-SANTA MONICA

Gittes' car speeds into the driveway.

You continue working from inside Gittes' pov, thinking:

"I'll be cool, I'll be cool ..." Suddenly, with the sight of her house, an image of Evelyn flashes in your imagination. A rush of anger. A gap cracks open between your cool resolve and your fury.

The Buick SCREECHES to a halt. Gittes jumps out.

"To hell with her!"

Gittes SLAMS the car door and bolts up the steps.

Story by Robert McKee, pg 156

The context of this page is McKee's way of explaining how to write characters. I found it very helpful.

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Thanks for reading! I probably forgot something, so I made this a “part 1.”

I hope this helps someone since I’m really tired of finding short films on YouTube that are all fucking silent. The few who have done it well have been copied to death, so please write some dialogue. I promise you it’s so much better if you do.

Asks are open! :)

[your-mums-nuts]

Thinking about Dirtgrub and Ronnie the rat and how they are, at their core, still kids.

They plan ridiculous adventures, they come up with childish business ideas to get rich quick, they play with costumes and swords, they want their mums to be best friends.

They are friendship bracelets and playing make believe and smoking weed behind the school and skipping class and sleepovers and they don’t need to miss their childhoods because they’re right there.

Charlie still thinks Mac is tough, even though it’s been repeatedly shown to be false bravado. Because he still knows Mac as the town weed dealer with slicked back hair and abusive parents, who always stood up for him.

And Mac still tries to protect Charlie, e.g in the high-school reunion episode. Even though he gets thrown to the wolves again and again, he still looks out for Charlie, because to him, that’s still the little boy who is strongly adverse to touch and is most definitely getting molested by his uncle.

So Mac can fall in love with Dennis, Charlie can move in with Frank, Mac can come out, Charlie can sleep with Dee and It will never matter. They’re still thirteen years old, passing a joint back and forth.

[byexbyez]

chat how do we feel about a silent hill 2 james x mary one-shot

[seeingivy]

genuinely so excited to write my little enemies to lovers/fake dating academia setting eren au just so i can let all my frustrations about my research lab job in a fic