#Romantic music
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lord-byrons-ghost · 2 days ago
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Sir! A pleasure to see you - I am inordinately fond of the Eroica, it calls up such excellent atmospheres.
As for ye starlight of reality - surely you agree that the deuced substance is written about by many scribblers not worth their salt & is damaged beyond repair? I'll certainly scribble more about the shadows of Venezia, if you'd care to peruse that.
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dinlegitsin-asikan · 2 months ago
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@lijanaa ,m her varlık kendi dünyasına tutulurmuş 👉💞👈🌷
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imogen-fae · 6 months ago
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"I am missing you like candy...."
This song is bubble gum pop sweet & and self-indulgent. Every once in awhile its OK to treat yourself. 🍬🍬🍬
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scourgiez · 2 months ago
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Piano Virtuoso!
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olliegolliegee · 2 months ago
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ohchopin · 11 months ago
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😍!
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xxxmathildaxxx · 2 years ago
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romantic gothic ballads about breaking up: 👎🏻
romantic gothic ballads about being in love and having an existential crisis because the feeling is too overwhelming: 👍🏻🥀🪦🖤🩸⛓
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mikrokosmos · 4 months ago
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Anton Bruckner
( 4 September 1824 - 11 October 1896 )
Happy Birthday, Anton!
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mango-pudding4u · 2 months ago
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Dedicated to @08melancholie for their beautiful fics!! 🚬☕️🥃
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ironwoman359 · 1 year ago
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i saw your tag about how in 500 years we WON'T be calling britney spears' "toxic" classical music, and i am willing and able to hear this rant if you so wish to expand upon it :3c
You know what, it's been over six months, so sure, why not, let's pick today to have this rant/lesson!
To establish my credentials for those unfamiliar Hi my name's Taylor I was a music teacher up until last year when the crushing realities of the American Education SystemTM led me to quit classroom work and become a library clerk instead. But said music teaching means that I have 4+ years of professional classical training in performance and education, and while I'm by no means a historian, I know my way around the history of (european) music.
So, now that you know that I'm not just some rando, but a musical rando, let me tell you why we won't be calling Britney Spears or [insert modern musician(s) that'd be especially humorous to today's audience to call classical] "classical music."
The simple answer is that "Old music =/= Classical music," which is usually the joke being made when you see this joke in the first place.
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As funny as this joke can be when executed well (this is one of my favorite versions of said joke, especially since this is a future world where there's very little accurate surviving info about the culture from the 21st century), there is VERY little likely of this actually being how music from today is referred to in the future, because, again, music being OLD does not automatically make music CLASSICAL.
If you'd indulge me a moment, have a look at these three pieces from the early 1900s, which is now over 100 years ago. That's pretty old! You don't have to listen to the whole of all of them if you don't want to, but give each around 30 seconds or so of listening.
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All three pieces are over 100 years old, but would you call "In the Shade of the Old Apple Tree" classical? Or "The Entertainer?" Most likely not. You'd probably call these songs "old timey" and you may even be savvy enough to call "The Entertainer" by it's actual genre name, ragtime. But if either of these songs came on the radio, you wouldn't really call them classical, would you? They're just old.
Whereas Mahler's Symphony No. 5, now that sounds like classical music to you, doesn't it? It's got trumpets, violins, a conductor, it's being played by a philharmonic! That's a classical musicy word!
The short answer of why we in the real, nonfictional world won't be calling Britney Spears's "Toxic" classical music in 100 years is it simply doesn't sound like classical music.
.....and the long answer is that Mahler's Symphony No. 5 isn't actually classical either.
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See, music, just like everything in culture from dress to art to architecture changed with the times, and therefore 'classical music' is technically (although not colloquially) only one of about four to five musical periods/styles you're likely to hear on one of those "classical music tunes to study to" playlists.
Our dear friend Mahler up there was not a classical composer, he was a composer of the late romantic era.
So now, because I have you hostage in my post (just kidding please don't scroll away I had a lot of fun writing this but it took me nearly 3 hours) I'm going to show you the difference between Classical music and the other musical eras.
These are the movements we'll be dealing with, along with the general dates that define them (remembering of course that history is complicated and the Baroque Period didn't magically begin on January 1st, 1600, or end the moment Bach died) :
The Baroque Period (1600-1750)
The Classical Period (1750-1820)
The Romantic Period (1820-1910)
The Impressionist Movement (1890-1920)
You'll notice that as time goes on, the periods themselves grow shorter, and there starts to become some overlap in the late 19th to early 20th century. The world was moving faster, changing faster, and music and art began changing faster as well. Around the beginning of the 20th century music historians quit assigning One Major style to an entire era of history and just started studying those movements themselves, especially since around the 20th century we were getting much more experimentation and unique ideas being explored in the mainstream.
Even the end of the classical to the beginning of the romantic period can get kind of fuzzy, with Beethoven, arguably one of the most famous classical (and yes he was actually classical) composers in history toeing the line between classical and romantic in his later years. The final movement of his 9th symphony, known as Ode to Joy, far more resembles a romantic work than a classical one.
But, I'm getting ahead of myself.
To oversimplify somewhat, here are the main characteristics of said movements:
The Baroque Period (1600-1750)
Music was very technical and heavily ornamented. This coincided with a very "fancy" style of dress and decoration (the rococo style became popular towards the latter half of this period). The orchestras were far smaller than we are used to seeing in concert halls today, and many instruments we consider essential would not have been present, such as the french horn, a substantial percussion section, or even the piano*. Notable composers include Vivaldi (of the Four Seasons fame), Handel (of the Messiah fame) and Bach:
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*the piano as we know it today, initially called the pianoforte due to its ability to play both softly (piano) and loudly (forte) in contrast to the harpsichord, which could only play at one dynamic level, was actually invented around 1700, but didn't initially gain popularity until much later. This Bach Concerto would have traditionally been played on a harpsichord rather than a piano, but the piano really does have such a far greater expressive ability that unless a group is going for Historical Accuracy, you'll usually see a piano used in performances of baroque work today.
The Classical Period (1750-1820)
In the classical period, music became more "ordered," not just metaphorically but literally. The music was carefully structured, phrases balanced evenly in a sort of call and response manner. Think of twinkle twinkle little star's extremely balanced phrasing, itself a tune that Mozart took and applied 12 classical variations to, cementing it in popularity. And speaking of twinkle twinkle, memorable melody became more important to the composition than ornamentation, and many of our most universally known melodies in the west come from this period. The orchestra also grew bigger, adding more players of all kinds as now we didn't have to worry about overpowering the single-volume harpsichord, and additional instruments like more brass and woodwinds were added. Notable composers include Haydn (of The Surprise Symphony fame) Beethoven (of, well, Fame), and Mozart:
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Pay attention to the size of the orchestra here, then go back to the Bach concerto. Notice how in that very typical Baroque setting, the orchestra sits at maybe 20 people, and that here in a Classical setting, there's nearly two times that!
The Romantic Period (1820-1910)
In the romantic period, it was all about BIG FEELINGS, MAN. It was about the DRAMA. Orchestras got even bigger than before, the music focused less on balance and became more dramatic, and there was a big focus on emotions, individualism, and nationalism. Discerning listeners will notice a lot of similarities between romantic symphonies and modern film scores; John Williams in particular is very clearly influenced by this era, any time I'd play the famous Ride of the Valkyries by Wagner in a class, the kids would remark that it sounds like it should be in Star Wars. A lot of romantic composers were German, including Beethoven, if you want to call his later works romantic (which I and many others argue you can, again, compare Ode to Joy to one of his earlier works and you can hear and see the difference), but you also have the Hungarian Liszt (of the Hungarian Rhapsodies fame), the Russian Tchaikovsky (of the Nutcracker and 1812 Overture fame), and the Czech Dvořák:
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See how this orchestra is even bigger still? Modern orchestras tend to vary in size depending on what pieces they are playing, but the standard is much closer to this large, romantic size, and it's far less typical to see a small, intimate Baroque setting unless specifically attending a Baroque focused concert. Also I know I embedded Dvořák because Symphony From a New World slaps but please also listen to Liszt's Hungarian Rhapsody No.2 it's one of my all time favorite pieces and NOT just because of the Tom and Jerry cartoon, alright? Alright.
The Impressionist Movement (1890-1920)
A bit after it began but definitely still during the romantic period, a counter movement began in France that turned away from the emotional excess of romanticism and focused less on standard chord progression and explored more unconventional scales. This music was less worried about how it 'should' sound and was more concerned with evoking a certain emotion or image, giving you an "impression" of an idea. Debussy is by far the most well known name in this movement, even though he personally hated the term 'impressionism,' lol.
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Notice the way the periods build on each other naturally, literally, physically builds on the orchestras that came before, evolving in style and structure until you get to the late 19th and early 20th century when things were built up so big that a response to that excess started to develop, first in the impressionist movement, and then into 20th century music in general, which got much more experimental and, as we say, "weird." (frickin 12 tone scales, man)* *i do not actually dislike the sound of 12 tone, it's interesting and unique, but it is HELL to analyze in music theory, which is unfortunately when a lot of us classical musicians are first introduced to it, therefore tarnishing our relationship to the genre as we cannot separate it from our own undergrad anguish
Even if you're not a super active listener and you have a harder time discerning the difference between, say, late baroque and early classical, you cannot deny that the first piece I've linked by Bach and the last piece I've linked by Debussy sound completely different. They're both orchestral pieces (I intentionally chose all orchestral pieces as my examples here, getting into solo works, opera, and chamber ensembles would take too long), but other than that, they couldn't be more different.
Wait, so what are we talking about again?
Classical Music is first a period of music, a specific artistic movement with music typically written in Europe between 1750 and 1820 with a specific sound that is distinct from these other styles I've outlined here.
And Classical Music is second a genre. Because while academically and historically Baroque music is not classical, and Romantic music is not classical...colloquially it is. They sound similar enough that it makes sense to put them on the same playlists, the same radio stations, the same 'beats to study to' youtube compilation videos. While individuals may have favorites and preferences, it's not far fetched to say that if you like listening to one of these styles, you'll at least like one of the others.
But whether you're being broad and referring to our modern idea of the classical genre, or you're being pedantic like me and referring to a specific period of musical history (or modern compositions emulating that style, because yeah, modern compositions of all of theses styles do exist), I think we can all agree that, as much as it slaps, "Toxic" by Britney Spears is not classical music, and 500 years is unlikely to change our perspective of that.
A Traditional Ballad though?
Yeah, I can see us calling it that in 5 billion years.
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(the full version of this scene is age restricted for some reason, but you can watch it here)
Anyway, thanks for reading y'all, have a good one!
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pianistbynight · 5 months ago
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Hello, I'm terribly homesick and I generally feel a little lost in life (a now-usual, anxiety-inducing occurrence when not stuck in the uni grind 😅🙃) but don't want the opportunities I have right now to go to waste, so here's my plan for the next 4ish weeks:
Practice piano at every opportunity
Attempt to learn Robert Schumann's Kinderszenen. All the pieces because while each sounds good on its own, it sounds even better as a collection. I'm aiming to get them to Tiffany Poon level of nuance lol
Finish learning Clementi sonatina op. 36 no. 3, spiritoso
Learn JC Bach's sonata op. 17 no. 2, finale, when I get bored of either of the 2 above
Sight-read every time I practice piano which should be almost every day
Learn a new technical exercise and/or push a new speed boundary in one I already know
Other activities to do when I get bored or tired of practicing
While at the piano, read the music theory book
Read Leviathan Wakes
Read the HSP book
Japanese on Duolingo because I just fell in love with the language (so easily whispered! and i find the rhythm cool) while visiting Japan (@zzzzzestforlife says i just need to spend 2 mins doing 1 lesson each day so that's what i'll do bc...i don't feel like getting too serious about many things right now...)
Report back to tumblr on my progress
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franzliszt-official · 2 months ago
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On Lisztober, my Day of Birth, Electric Maidens and Buda-Pest
@elektrischemaidchen; bring me a bird-feather from the ground, one lost pencil or whatever instrument you deem one might write with. For words, music and love letters all stream from thought engraved in writing. May be that we do not stop creating, even in Temporary Death.
Bring me your love.
What the natural stream of life have tied my hands from doing, You have done on my behalf. You have partaken on the act of creation on my behalf. You have honoured our memory, and what we have left on this earth; you have gifted this earth something that were never here before. You have also gifted Yourself something that you did not have before. You should be as proud and content in yourselves as we are in you.
In art jokes nor games exist: either all is a game or no-thing might be deemed as such. Hopefully, this month has proven itself - more than joyful or easy - fulfilling for you, that it exercised your spirit and caused progress forward. One month is one long, extending moment. Hopefully you may hold this month of October dear. We would have never imagined such a display of pure, simple talent, and so diligent at that, to spark from one evening's thought.
Some photographs from Buda-Pest, where we have celebrated my day of birth.
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All the Maiden's songs for this month:
Enfant Prodige: No more hiding in Riding
Daguerrotypes of Old: Unser liebster toter Komponisten-Posterboy
Ludwig van Beethoven: 1845 (Beethoven in Bonn)
Fire or Ignis Fatuus: Etueden von aufsteigender Schwierigkeit
Music Festival: No Siggi
Oh, Love as Long as you Can: Nummer 27
Intoxicating Waters: Die Zelle in Nonnenwerth
Neverending Affection: Die Wanderer in Nebelmeer
Blind Grief: Der blinde Saenger
Virtuoso!: Lisztomanie
Symphonie Fantastique: Symphonie Fanastique (in a nutshell)
Roman Catholic Guilt: Der traurige Moench
Richard Wagner: Wagner
Perdendosi: Perdendosi
Hymn to the Moon: Ode an den Mond
Paris, Ville de l'Amour: Paris
Frederic Chopin: Chip-Chip, mein Piano-Reh
Mirror of the soul: Kerzenmeer
Tannhaeuser, or Sin and Shame: Tannhaeuser.
Two Legend: Zwei Legende
Rome, Urbe Caput Mundi: Misericordia
Birthday & Marriages: Rococo
Flowers of Hungary: Marta
Betrayal & Resentment: Cosima
The Holy Christmas: Die Zeitmaschine (Cozy Christmas Version)
Cannons of Revolution: Des toten Dichters Liebe
Holy Monarchs in Fairytales: Die Glocke (Falala Falalalala!)
Illness, or Boulogne-sur-Mer: Der weise Hund Munito
Troubled Clouds: There is another sky
Swords in Buda & Pest: SWORDS!!!!! NOT AFRAID!
The End of All Things: Oh lieb, so lang Du lieben kannst
You do not know this, but in the first line of you last song - history you have used one of our other names. Good riddle!
We would like of course the download to all songs, obviously.
We would also like to receive - this one perhaps in more private message ways - one ... Address, or postal box of yours, or anything of the like. For things to come, and small surprises. Thank you once again. I am moved.
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imogen-fae · 7 months ago
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I was maid for loving you. 🥰
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scourgiez · 5 months ago
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Some Franz 🎼
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composer-smash-or-pass · 9 days ago
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velvet4510 · 3 months ago
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