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mrs-stans · 1 month ago

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Sebastian Stan

Words Natty Kasambala

Beloved for Captain America, I, Tonya, and his recent Emmy-nominated role in Pam & Tommy, Stan reflects on a career shaped by diverse characters. Now, with A Different Man and The Apprentice, he’s exploring deep questions about identity, ambition, and the complexities of portraying one of America’s most influential (and controversial) men, Donald Trump

Sebastian Stan wears Rag & Bone throughout. Photography Jim Goldberg

The first time Sebastian Stan tried acting, he hated it. At 9 or 10 years old, he played a Romanian orphan in an Austrian film called 71 Fragments of a Chronology of Chance (1994). Between the waiting around, night shoots, and general pressure-cooker energy, the whole experience had been pretty anxiety-inducing. “I think the idea of a set was just really terrifying,” he recalls. The 42-year-old mainstay admits to being a Leo, but a rather reluctant one, he says, not that extroverted or hypersocial. “I know my mom always thought I was creative simply because I would impersonate the people in our family, or birds or whatever I would see around me.” Nowadays, when he does speak, it’s with the compelling ease of someone who’s spent equal time commanding impressive rooms and in their own head trying to crack the great questions of the world – sounding off passionately about the perils of social media (“there’s so much noise in today’s world”) or the last incredible film he watched (Sing Sing and it was “pure heart”).

Born in Romania and raised in Vienna until he was 12, it wasn’t until immigrating to America as a preteen that Stan found his way back to the craft at all. Attending Stagedoor Manor summer camp aged 15, in the Catskill mountains of upstate New York, his spark was reignited. “That place was really magical and made me fall in love with (acting again); I couldn’t think of anything else as exciting to me as performing was,” he says. “Some of it was about not ever being sure of what to be when I grew up. I kept thinking that you could be a lot of things if you did this.”

So far, he’s been a wayward socialite, a cannibal, a space surgeon, a ski patrol villain, a heavy metal drummer, a supernatural student and a World War II veteran turned brainwashed Soviet operative, to n ame but a few. He’s not an actor you’ll find in the same role twice. With that said, his name has reached household status through a decade-long Marvel stint, with the two films Stan finds himself at the helm of this year being his most ambitious forays yet. 33 years on from his awkward beginning, the actor’s commitment to film appears to still be very much in bloom. “I think I’m at a point in my life where I’m trying to understand things on a deeper level,” he explains. “I can’t say I know everything, you’re always growing, always having to explore. I think it’s important to stay curious, to stay in a certain degree of healthy discomfort… I want to be part of important storytelling that’s asking important questions and reflecting our time.”

In A Different Man, an A24 production directed by Aaron Schimberg, Stan takes on the role of an aspiring actor called Edward with neurofibromatosis, a genetic condition that results in the extensive growth of benign tumours. He undergoes a clinical trial that cures him of his physical symptoms, but his new life turns out to be far from what he dreamed for himself. It’s a winding surrealist investigation into the social impacts of disability, alienation, representation and self-image: its gaze is unflinching, its narrative self-referential and its humour pitch-black. Stan has already won the Silver Bear for Best Leading Performance at the Berlin Film Festival for A Different Man.

The second release, The Apprentice, follows a wildly different arc. Directed by Iranian-Danish filmmaker Ali Abbasi, it tracks a young Trump as he falls under the nefarious mentorship of infamous legislator Roy Cohn. Dubbed ‘an American Horror Story’, it’s a sobering yet deeply entertaining snapshot of the making of one of America’s most influential men. Yet even within the dynamic, prescient story, the actor’s take on Trump is subtle and human, and the tone of the film is less moralising and more matter of fact.

Though the narratives of these two projects are starkly different, you can’t help but find the common threads. Both are set in New York and document a transformation, and both centre a feverish pursuit of some ideal imagined self. A Different Man was filmed back in 2022, and The Apprentice only wrapped in February of this year, but Stan agrees it’s a curious double-header. “I’m weirdly finding parallels between them that I never thought I would. Identity, self-truth, self-abandonment. This idea that we’re always chasing in America, whether it’s image or status or an inability to accept failure and to take ownership over mistakes.”

For the Trump film, that real-life denial was almost the ending of their work of fiction. After years of false starts, Trump’s legal team attempted to block the film’s release in the US altogether and they struggled to find a distributor willing to take on the risk of pissing off a potential President. “For to edit it and get it to Cannes in some finished version itself in five months was just insane. There was no idea if the movie was going to come out,” Stan says. On an individual level, the task felt equally murky and intimidating at first. “You’re trying to tell a story about somebody that’s so famous, who everyone has an opinion about: either extreme love and adoration or hate and animosity. And everyone’s got a version of the guy, so you think, well what do I…” he shrugs, “how do I find my way into it?” Ultimately, they landed on this film as a means of peeling back the layers of one of the most polarising figures of our time. It’s less caricature and more character study as it explores his relationship with his father, his ambitions, the man he was before the slogans and affectations.

Executive producer Amy Baer has spoken about the choice to call on a non-American director to provide a new lens on the intricacies of American culture, propaganda and patriotism. With Stan’s own immigrant story, his perspective adds another dimension to that prism too. Memories of walking down Fifth Avenue in awe and wonder as a kid, staring up at all the big buildings – he tapped into a hunger and drive to portray early Trump as a young man desperately trying to be a part of The Club. “I guess with my experience coming to this country, it was communicated to me even from Eastern Europe that this is the place where you can make something of yourself, you can have a good idea… and you could just succeed,” Stan says. The Apprentice asks, “but at what cost? What happens to a person’s humanity?”

Throughout the film, you witness Trump espousing about “bringing back New York”, even remarking on Reagan’s campaign slogan ‘Let’s Make America Great Again’ towards the end, an ideology he would go on to repurpose for his own candidacy. It’s a fascinating yet depressing origin story of a nationalistic rhetoric that echoes today as a Trojan horse for corruption and greed. “It’s complicated. That’s why I think there’s value in exploring it,” Stan urges. “This American Dream idea is a really powerful driving force that also comes with consequences.”

Perhaps the most complex part was the toxic relationship with his sometimes-partner-in-crime played staggeringly by Jeremy Strong. “I think he was the best partner I’ve ever had in anything I’ve worked on,” Stan declares with a smile. “You know when you’re standing in front of a fire and you feel the heat of it and there’s crackling in the air? That’s how it felt.” Amidst quite a gruelling, isolating filming schedule, it’s the aspect Stan speaks about most fondly.

Clothing Fendi, Necklace & Bracelet Cartier, Boots Givenchy

Swinging between dominant and intimate, transactional and paternal, from comical to devastating, both stayed in character throughout the shoot and undertook a colossal amount of research to be prepared for infinite possible improvised routes. “Creatively, makes things interesting is when you’re not in control. You do all this preparation to be prepared to be surprised,” Stan says. Shot documentary-style in moments, Abbasi might give each of them notes in private to shift the tone of a scene, and they’d find themselves responding instinctively within their roles. “The only way you can achieve that is if, to some degree, you find that person in you. And I can certainly tell you,” he pauses briefly to consider his landing. “There is a version of Trump that existed in me. And I’ll make the argument that there’s a version of Trump that exists in all of us. And that part of our job, part of our interest, should be figuring out what that is. I think we have to acknowledge and expose the things in us that are not so easy to admit, in order to further protect the things we need to fight for. You can’t ignore it.”

In that moment, it’s clear that it’s an argument as true of our discourse on Trump as it is of Stan’s other role in A Different Man. His character Edward is driven to obsession and madness when he witnesses the thriving life of a person with the same disfigurement he was quick to shed, the very thing he believed to be the root of all his misfortune. Right before his transformation, Edward has been ignoring a leak in his ceiling for weeks, and the damage is getting worse. When he’s finally forced to call for a repair, the super arrives and is appalled at how bad he’s allowed it to get. He tells Edward frustratedly, “you should have fixed this sooner”. In that moment, it feels as though he’s talking about a hundred things at once. From Edward’s own issues with doubt and self-acceptance that cling to him even when he is no longer ‘different’ to our own society’s discomfort with, and the misunderstanding of disability altogether. We cannot be afraid to look.

“Edward makes a decision that he thinks is going to improve his life, but he’s not making it for himself. He’s making it because he’s watched other people and he’s grown up in a society that’s told him this is what works,” Stan explains. “Essentially, he abandons himself and he spirals down trying to further live with that painful acknowledgement. I think we have to be conscious of when we’re making decisions that go against who we are and what we truly want.”

In true indie style, squeezing in around the schedule of their makeup artist who was on another project at the same time, Stan had some hours to kill most mornings in prosthetics before filming which he’d spend navigating the city he calls home: “one of the gifts that I was given which I’m very grateful for was the experience that I had walking around New York City as Edward.” With reactions to him ranging from invisibility to hypervisibility, it shifted his entire understanding.

“I’ve been there like everybody else thinking, oh, if I had that. Or you see someone on Instagram and you’re like, oh my God, look at that life, they have the best life; you get caught up in these things.” It’s both reassuring and a little disheartening that, unlike his superhuman alter ego, a star like Stan is still not immune to the very human insecurities us civilians face of joy-stealing comparisons. “There’s this idea I’ve been thinking about a lot with my therapist actually,” he laughs. “He was saying ‘I am me and you are you.’ I was like… yeah! But you forget. We have to understand our own experience and then understand someone else’s. But we have to try to understand it not through our own emotional… vomit.”

When I ask Sebastian what he does for fun, to unbecome his characters and shed their existential weight, he cites reading (mostly non-fiction) and travel (to see other cultures). “I always feel like I’m not learning enough,” he laughs. You get the sense that this year is a juncture for Stan, always revered for being grounded and likeable, but perhaps waiting for opportunities like these to enrich and express other sides of himself as an actor and voice within culture. “Both of these films came at an interesting time where I’m thinking about if I’m at mid-life, this second half of my life. What is it that I want to be a part of and one day look back and be proud of?”

And that’s not to say fun is off the table for Stan. He’s passionate about laughter as a release in a difficult world. “I think it’s just as important, we have to protect humour,” he tells me with an urgency. “I love comedies, romantic comedies, action.” In fact, there’s a top-secret action movie passion project that he has in the works and hopes will come together in the right way. “There are also things in Marvel I want to do and explore with ol’ Bucky Barnes,” he smiles, presumably in reference to the new Marvel film Thunderbolts, slated for a 2025 release, in which he stars alongside Florence Pugh, Harrison Ford and David Harbour. “Otherwise I just want to keep learning how to be a human being. I’m telling you,” he laughs, “I feel like it’s pretty hard.”

Photography Jim Goldberg Styling Reuben Esser Production Hyperion LA Hair Jamie Taylor using Augustinus Bader Hair Erica Adams Represented by A-Frame Agency

#Sebastian Stan #Port Magazine #Photoshoot #Interview #The Apprentice #A Different Man #Marvel #Bucky Barnes #mrs-stans

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notafunkiller · 10 months ago

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Attending the Berlinale (The Berlin International Film Festival | February 15-25, 2024) will bring more opportunities for Sebastian.

He wanted to have more power over his projects aka to produce since he was in his 30s (producing = freedom and control). He always wanted to have an input when it comes to his characters, and I think he managed to do this the most with "Fresh" (before "A Different Man"), and it's a project very dear to him.

I know "I, Tonya" was the film that made directors notice him, take him seriously, and want to work with him more [internationally too], but he's always had range. He never chose "the pretty but boring boy" role. He loves grey and dark characters because they are human and there is more to explore.

He was just ignored.

Even though he's American too, not just Romanian (he moved there when he was 12), he's still seen as a foreigner by the film industry.

I think Sebastian believes he still needs to prove himself to get awards. So getting an award is even harder in this case because no matter how much PR you do, how hard working you are, how great you are at What you do, how much passion you put into your work and your roles, you're still (seen as) an outsider.

[Don't get me wrong, I think the roles he chose and chooses are challenging and send a message in general. They have layers and are human. He always gets out of his comfort zone, which is incredible.]

Also, it's "funny" how journalists and reviewers have ignored Sebastian for decades and now praise him as a new star (they did it for "Sharper" too), even though his filmography is varied (different roles, different genres) and it displays how talented and hard working he is.

This also says a lot about the prejudice they have:

[source: Deadline]

"In another type of movie" as if: "I, Tonya," "Monday", "Endings, Beginnings", "Fresh", "Sharper" etc are the same type of movie, and the fandom is limited in general...

They overlooked hin just because he became famous with Marvel, and he's seen just as the guy who plays Bucky Barnes... And they say it in an offensive way, anyway; as if Bucky has no complexity, no depth... as if he's just a flat character, so Sebastian playing him shows nothing. But they are so wrong!

He played so many versions of Bucky (40s Bucky, TWS, lost WS, Bucky trying to figure out who he is, trying to adapt etc).

The way he acts when Bucky's finally free of the brainwashing will always haunt me:

His eyes, in general, are so expressive. It's just amazing!

And Craig Gillespie worked with him three times ("I, Tonya", "Pam & Tommy", "Dumb Money"). He even chose Sebastian to give him an award [source: The Messenger].

A director like Craig wouldn't work with someone with no range.

Sebastian proved himself so many times! He always chooses challenging projects and roles and doesn't care if he's the main or the side character. He always wants to learn and be better.

I really hope more people will start to recognize how great he is.

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sgiandubh · 10 months ago

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Friends and friends of friends a network make

Boys are back in town, no rings (Real Life, not Instabuzz) and active networking:

In this case, those who are missing from the pic are as (if not more) important as those who made it, riding in the rain.

Let's unpack:

John Laurie, Managing Director at the Glenturret distillery, where my personal favorite blend (oh, well, The Famous Grouse - I know, really LOL, but it is what it is) is made. A long, interesting career that started in 2000, as General Manager of a fitness club network headquartered in Irvine, California (LA Fitness) and got him more and more involved in whisky business since 2014, as General Manager of Edrington, the Macallan distillery. If it sounds familiar to you, well... always remember that #silly old slogan on the Pall Mall cigarette packs: 'wherever particular people congregate'. I know I do 😎.

Something immediately piqued my interest in this short bio: 'opened a fine dining restaurant that achieved a Michelin star inside 7 months'. And it is, of course, true: part of the reasons I am always using LinkedIn to place people, is that it would be counterproductive to blatantly lie, there. Or childish: even McSideburns knows that, with his very empty page and 1 contact - but what the hell do I know, though, he's more private than if he worked for the MI-6.

The one starred Michelin restaurant who got 'le macaron' in seven months is The Glenturret Lalique Restaurant, that opened in July 2021, on the distillery's premises and got it by February 2022. The first time a distillery wins a Michelin star, by the way:

Now, where did I read a similar business story, not so long ago and wrote about it? Oh, that's right, Tom Kitchin's first restaurant in EDI apparently followed the same yellow brick road to instant success, back in 2007:

Again, I am sensing a theme, here. Associating with young, dynamic and daring entrepreneurial voices in the whisky business. Not exactly the manwhore, closeted gay, peasant and crook some hypocrites would like to portray. I have to say, I am always, always over the moon glad to see the real thing showing up from time to time: a consistent effort to get things done, properly.

But sure, you believe what you want. I cannot force anyone to go beyond a sometimes very limited world view.

Second person being missed is David Coulthard, F1 legend, but also...

Company Director at Whisper Films, one of the most dynamic, fastest growing UK media groups. He founded it in 2010, along Jake Humphries, BBC F1 commenter extraordinaire and Sunil Patel, a former BBC producer, but also a Board Member of the Edinburgh TV Festival:

And for those who might not know it (I didn't), Coulthard hails from Dumfries & Galloway. Mmmhm. Well done, S. Well done.

S knows exactly what he's doing, where he's going and when and with whom he is seen. By this point in time, I think we might safely think his somewhat lackadaisical recent Insta follows (Romanian female MMA athlete? ROFLMAO, really and I howled) as gently trolling this very obsessed invested fandom. As I wrote it many, many times already, the Scottish Mafia is a reality - and good for him, really, to use what is readily available. And if you still had any doubt that was a business informal meeting, The Highland Chieftain tagged SS in his story.

He's going to laugh all the way to the bank, this one. You'll see. Great news and I will always be here to put it in context. Some of the things being heavily peddled around in here might not be very interesting to me - but this yes: this is exciting.

Also, many, many thanks to the two of you who immediately keep me up with these: you know who you are and you are loved, of course, why even ask?😘🙌

#fandom #shitshow #boozewars #business

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delistravaganza · 1 year ago

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just wanna let you and other My Brilliant Friend fans know that there's a movie set in the 60s coming out where Gaia plays the main character and has a love story with another woman!

Oh, I'm sure most people know by now! We are a bunch of thirsty knowledgeable sapphics! 😁

The movie is called Girasoli and it's Catrinel Marlon's opera prima. I don't know her, she seems to be an actress and model of Romanian origin. It stars our dear Gaia Girace alongside Mariarosaria Mingione. Watch the trailer here.

The film, which I believe has just premiered in the Torino Film Festival, is set in the 60's and tells the story of Lucia (Gaia), a supposedly schizophrenic intern in a mental institution, and Anna (Mariarosaria), who arrives there as the new nurse. The marketing texts I've read already call it an impossible love story, so I guess that the girls aren't going to flee together, escape the patriarchal power structure and live happily on this one either.

In fact, the trailer is very reminiscent of MBF in the sense that every scene of the girls together is stuff that Lenù and Lila already kind of did in the show, from the bath to the dancing and even the hand touching in the back of the car. I guess it's... a coincidence? Not?

This has also reminded me of this wonderful sketch from Saturday Night Live called Lesbian Period Drama. I love all the movies referenced, but "featuring Academy Award Glance Choreography and best supporting actress nominee: The Wind" has me cackling with laughter every time.

Anyway: Sure, I mean, I'm gonna see it. 🤷‍♀️

#my brilliant friend #gaia girace #girasoli #catrinel marlon #mariarosaria mingione #lesbian period drama #snl #saturday night live #sapphic movie

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musette22 · 2 years ago

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https://variety.com/2023/film/global/sebastian-stan-blue-banks-andreea-cristina-bortun-1235617304/ good news! Though it's funny they called Fresh an A24's movie, and it's curious he met the director in Cannes in 2021, bc he definitely wasn't at the festival back then, busy with P&T. Anyway, go female (and Romanian!) filmmakers!❤️

Oh my god, this is AMAZING 🥺 This makes me so profoundly happy! I know how much he's wanted to work with Romanian filmmakers in some way, and now he found a story that's so close to his heart, and by a female filmmaker too?? 😭 Wow, that is incredible and I love this for him, SO much ❤️❤️❤️ GO SEB AND AND GO FEMALE (AND ROMANIAN!) FILMMAKERS!!!!!

#sebastian stan #andreea cristina bortun #blue banks #minnie answers

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greensparty · 4 months ago

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John and Yoko and Beatles Docs Headed to Venice

At the Venice Film Festival next month, there are two documentaries premiering that have my attention immediately:

One to One: John & Yoko directed by Kevin Macdonald (The Last King of Scotland) is "a moving look at the couple's life upon their entry into a transformative 1970's New York, exploring their musical, personal, artistic, social, and political world." It's produced by Brad Pitt and his production company. It will feature personal archives from John and Yoko and features remixed concert audio from Sean Ono Lennon.

Things We Said Today from Romanian director Andrei Ujica looks at the band's first North American tour in 1964. Ron Howard's excellent 2016 documentary The Beatles: Eight Days a Week - The Touring Years looked at their touring era from 1962-1966, but this one seems to focus just on that very first tour when Beatle-mania hit the U.S. for the first time.

The link above is the article from Hollywood Reporter.

#the beatles #john lennon #yoko ono #sean lennon #documentary #venice film festival #movie news #film geek #kevin macdonald #brad pitt #andrei ujica

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steelbluehome · 7 months ago

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The Guardian

Ali Abbasi’s film, starring Sebastian Stan, presents a fictionalised account of an incident recorded in Ivana Trump’s 1990 divorce deposition, and since retracted

The Apprentice review – cartoon version of chump-in-chief Donald Trump’s early years

Xan Brooks

Mon 20 May 2024 13.22 EDT

Donald Trump is depicted as a rapist who assaulted his first wife, Ivana, in a new biopic, The Apprentice, which has its world premiere in competition at this year’s Cannes film festival on Monday. Directed by the Iranian-Danish film-maker Ali Abbasi, the drama provides a fictionalised account of a 1989 incident that was previously detailed in the couple’s divorce proceedings.

The Apprentice review – cartoon version of chump-in-chief Donald Trump’s early years

The scene, which occurs near the end of The Apprentice, depicts Trump reacting with fury after Ivana disparages his physical appearance. “You have a face like a fucking orange,” she tells him. “You’re getting fat, you’re getting ugly, and you’re getting bald.” The future president is then shown forcing his wife to the floor and raping her. “Did I find your G-spot?” he asks in the film.

In her 1990 divorce deposition, Ivana Trump described a similar assault that she said occurred shortly after her husband’s scalp-reduction surgery. She claimed that Trump pushed her to the floor and pulled out handfuls of her hair. Ivana initially described what followed as a rape, but later walked back on the claim. In a 1993 statement, she said, “On one occasion during 1989, Mr Trump and I had marital relations in which he behaved very differently towards me than he had during our marriage. As a woman I felt violated … I referred to this as a rape, but I do not want my words to be interpreted in a literal or criminal sense.”

During the couple’s divorce proceedings, Trump dismissed his wife’s version of the incident as “obviously false”.

Scripted by the bestselling non-fiction author Gabriel Sherman, The Apprentice casts Romanian-born actor Sebastian Stan as Trump and Maria Bakalova as Ivana, while the Succession star Jeremy Strong plays the brutish New York lawyer Roy Cohn. The film is a twisted rites-of-passage drama that shows Cohn schooling the young Trump in the dark arts of American business. One of the key rules, Cohn tells Trump, is: “Admit nothing, deny everything.”

The Apprentice is competing for Cannes’ crowning Palme d’Or award. However, while the Canadian, Danish and Irish-backed production has already been sold to a number of foreign territories, it has reportedly yet to land a US distribution deal. The film is also claimed to be facing a legal challenge from lawyers connected to billionaire Trump donor Dan Snyder. Variety magazine reports that Snyder had invested in The Apprentice believing that it would paint a positive portrait of Trump and was rumoured to have been outraged after viewing a rough cut of the film.

Since the 1970s, at least 25 women have accused Trump of sexual misconduct, which he has denied. Last year the former president was found liable for the sexual abuse of the writer E Jean Carroll in the mid-1990s and was ordered to pay damages of $83.3m. He has never been charged with or convicted of rape.

Ivana Trump – the mother of Donald Jr, Ivanka and Eric Trump - died in July 2022 after falling down the stairs at her home in Manhattan. Her body is buried on the grounds of the Trump National Golf Club in Bedminster, New Jersey.

#the apprentice review #the apprentice #sebastian stan #donald trump #jeremy strong #roy cohn #maria bakalova #ivana trump #ali abbasi

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lovelydialeonard · 2 years ago

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I don’t speak Romanian, but it looks like Northern Comfort will be part of the Transylvania International Film Festival! 9-18 June 2023.

Isn’t that cool?

#lydia leonard #northern comfort #Hafsteinn Gunnar Sigurðsson #transilvania #2023 #transylvania #confort nordic

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brookston · 1 year ago

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Holidays 8.31

Holidays

Baloch-Pakhtun Unity Day

Cow Chip Tossing Day

Crop Dusting Day

Day of Solidarity and Freedom (Poland)

Festal Day (Order of the Eastern Star)

Flag Day (India)

Hari Kebangsaan (Malaysia)

International Blog Day (a.k.a. International Day of Blogs and Bloggers)

International Day for People of African Descent (UN)

International Overdose Awareness Day

Limba Noastra (Day of Our Language; Moldova)

Love Litigating Lawyers Day

Merdeka Day (Malaysia)

National Box Car Day

National Dan Day

National Diatomaceous Earth Day

National HalfCut Day (Australia)

National Leslie Day

National Matchmaker Day

National South Carolina Day

North Borneo Self-Government Day

National Zoo Awareness Day (UK)

Opioid Misuse Prevention Day

Overdose Awareness Day

Princess Diana Memorial Day

Rabbit Rabbit Day [Last Day of Every Month]

Romanian Language Day (Romania)

Sărbătoarea (a.k.a. Limba noastră; Language Day; Moldova)

Take a Seat Day

Tank Day (Lešany, Czech Republic)

Walnut Day (French Republic)

We Love Memoirs Day

White Rose Day (Australia)

Withdrawal of the Last American Soldier Anniversary Day (Afghanistan)

World Distance Learning Day

World Sanskrit Day

World Solidarity Day

Food & Drink Celebrations

Bacon Day [also 12.30]

Eat Outside Day

Grape Blessing Day (Armenia)

Invent A New Sandwich Day

National Trail Mix Day

Vegetable Day (Japan)

5th & Last Thursday in August

National Banana Pudding Day [Last Thursday]

National Cabernet Sauvignon Day [Last Thursday]

Thoughtful Thursday [Thursday of Be Kind to Humankind Week]

Independence Days

Befshire (Declared; 2016) [unrecognized]

Kyrgyzstan (from USSR, 1991)

Malaysia (from UK, 1957)

Trinidad and Tobago (from UK, 1962)

Feast Days

Aidan of Lindisfarne (Christian; Saint)

Alter Ego Day (Pastafarian)

Aristides of Athens (Christian; Saint)

Cuthburh (Christian; Saint)

Dominguito del Val (Christian; Saint)

Fourth Onam (Rice Harvest Festival, Day 4; Kerala, India)

Frey’s Blot (Pagan)

Gai Jatra (Cow Festival, in remembrance of people who died the previous year; Kathmandu Valley, Nepal)

Henry (Muppetism)

Isabel (Christian; Saint)

Joseph of Arimathea (Christian; Saint)

Jouffroy (Positivist; Saint)

Nicodemus (Christian; Saint)

Paulinus of Trier (Christian; Saint)

Paul Reubens Day (Church of the SubGenius; Saint)

Raymond Nonnatus (Christian; Saint)

Roger Dean (Artology)

Wala of Corbie (Christian; Saint)

Waltheof, Earl of Northumbria (Christian; Saint)

Lucky & Unlucky Days

Butsumetsu (仏滅 Japan) [Unlucky all day.]

Lucky Day (Philippines) [48 of 71]

Premieres

All Or Nothing At All, recorded by Frank Sinatra (Song; 1939)

American Idiot, by Green Day (Song; 2004)

Andor (TV Series; 2022)

Bad, by Michael Jackson (Album; 1987)

The Big Sleep (Film; 1946)

Bolero (Film; 1984)

Bugsy and Mugsy (WB LT Cartoon; 1957)

The Commuter, by Philip K. Dick (Short Story; 1953)

The Constant Gardener (Film; 2005)

Document, by R.E.M. (Album; 1987)

Fly, by Dixie Chicks (Album; 1999)

Foundation and Earth, by Isaac Asimov (Novel; 1986) [Foundation #5]

Get Rich Quick (Disney Cartoon; 1951)

Goat’s Head Soup, by The Rolling Stones (Album; 1973)

The Great Gildersleeve (Radio Series; 1941)

Jack Ryan (TV Series; 2018)

Only Murders in the Building (TV Series; 2021)

Orient Express, by Graham Greene (a.k.a. Stamboul Train; Novel; 1932)

Pluto’s Judgement Day (Disney Cartoon; 1935)

The Psychology of Intelligence, by Jean Piaget (Science Book; 1947)

Raising Demons, by Shirley Jackson (Memoir; 1957)

The Threepenny Opera, by Bertolt Brecht (Play with Music; 1928)

Wildest Dreams, by Taylor Swift (Song; 2015)

The World According to Garp, by John Irving (Novel; 1978)

Today’s Name Days

Paulinus, Raimubd (Austria)

Josip, Nikodem, Optat, Paulina (Croatia)

Pavlína (Czech Republic)

Bertha (Denmark)

Arved, Arvi, Arvid (Estonia)

Arvi (Finland)

Aristide (France)

Aidan, Anja, Paulinus, Raimund (Germany)

Bella, Erika (Hungary)

Aristide (Italy)

Aigars, Aira, Labite, Vilma (Latvia)

Raimunda, Raimundas, Vilmantas, Vilmantė (Lithuania)

Berta, Berte (Norway)

Bohdan, Paulina, Rajmund, Rajmunda, Świętosław (Poland)

Nora (Slovakia)

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Arvid, Vidar (Sweden)

Aden, Aidan, Aiden, Ayden, Edan, Edana, Eden, Edina, Egan, Egon (USA)

Today is Also…

Day of Year: Day 243 of 2024; 122 days remaining in the year

ISO: Day 4 of week 35 of 2023

Celtic Tree Calendar: Coll (Hazel) [Day 24 of 28]

Chinese: Month 7 (Geng-Shen), Day 16 (Xin-You)

Chinese Year of the: Rabbit 4721 (until February 10, 2024)

Hebrew: 14 Elul 5783

Islamic: 14 Safar 1445

J Cal: 3 Aki; Threesday [3 of 30]

Julian: 18 August 2023

Moon: 99%: Waning Gibbous

Positivist: 19 Gutenberg (9th Month) [Jouffroy]

Runic Half Month: Rad (Motion) [Day 4 of 15]

Season: Summer (Day 71 of 94)

Zodiac: Virgo (Day 10 of 32)

#calendar #Holidays

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logicalstansadvice · 2 years ago

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🙌🏻💄

#logical stans advice #logicalstansadvice #opinion blog #sebastian stan #asks answered

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whileiamdying · 2 years ago

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Golshifteh Farahani Talks Role Of Art In Iran: “In A Dictatorship Like Iran, Art Is Essential, It’s Like Oxygen” – Berlin Film Festival

By Melanie Goodfellow Senior International Film Correspondent February 16, 2023 4:35am

Golshifteh Farahani Stephane Cardinale - Corbis/Corbis via Getty Images

Iranian actress Golshifteh Farahani, who is at the Berlin Film Festival as a member of Kristen Stewart’s jury, has talked passionately about the importance of art in her native country as an antidote to its repressive government.

“In a country, like Iran, which is a dictatorship, art is not only an intellectual or philosophical thing, it’s essential, it’s like oxygen,” she said at the festival’s opening press conference.

“Doing art and being an artist is something that goes beyond, because your existence, by being an artist, is put into danger.”

Iran’s authoritarian government has long persecuted professionals in the country’s creative community when they stepped out of line with its hardline Islamist views and policies.

The repression has ratcheted up over the last year. A brutal crackdown on freedom of expression, that preceded the recent protests, saw Berlinale Golden Bear winners Jafar Panahi and Mohammad Rasoulof jailed for more than six months.

Both men were recently released on bail but a number of less internationally renowned filmmakers and artists remain behind bars.

Farahani has been living in France since 2012.

She was declared persona non grata back home and forced to flee after she got on the wrong side of Iran’s repressive Islamic Republic regime for taking a role in Ridley Scott’s 2008 spy thriller Body Of Lies, appearing without a hijab, and then later posing nude for French magazine Madame Figaro.

Farahani now regularly works between Europe and the U.S. with more credits including Peterson, Pirates Of The Caribbean: Salazar’s Revenge, Girls Of The Sun, Arab Blues and Extraction.

The actress was last at the Berlinale in 2009 as the lead actress in Asghar Farhadi’s drama About Elly, for which he won the Silver Bear for Best Director.

She later accused Farhadi of stopping her from walking the Berlinale’s red carpet with the rest of the film team due to the controversy she was facing back home over Body Of Lies.

The director has denied the accusations saying Farahani stood separately on the red carpet out of her own volution.

“I’m very happy to be here with you,” Farahani told Thursday’s press conference.

“I came here in 2009 and it was a very different year. It’s very symbolic to be in Berlin. Berlin is the city that broke the wall, the actual wall, towards equality, freedom, and brought so many people together,” she said.

“This year with Ukraine, with Iran and the earthquake, it feels like the whole world is disintegrating,” she said. “With everything that is happening in Iran, being back in Berlin after all these years, I’m happy that we can gather together and celebrate cinema, celebrate freedom, even though the world seems to be collapsing everywhere.”

The Berlin Film Festival’s international jury, presided over by actress Stewart, also features German director Valeska Grisebach, Romanian director Radu Jude, US casting director and producer Francine Maisler, Spanish director Carla Simón, and iconic Hong Kong director and producer Johnnie To.

#golshifteh farahani #iran #cinema #berlinale #jafar panahi #mohammad rasoulof

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mrs-stans · 3 months ago

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Meet Sebastian Stan, the actor who plays Donald Trump in The Apprentice

From Gossip Girl to Marvel Studios, to more independent productions: Sebastian Stan's career has been a roller coaster ride. During his visit to the Deauville American Film Festival, Vogue met the actor, who at 42 years old won a Hollywood Rising-Star Award.

BY LOLITA MANG

On October 9, Sebastian Stan will be Donald Trump in The Apprentice. Some know him for his role as Carter Baizen in Gossip Girl. Others, for that of the Winter Soldier in Marvel productions. But recently, the American actor, of Romanian origin, has ventured into more independent fiction, which sheds a new light on his career. At the Deauville American Film Festival, he came to present A Different Man by Aaron Schimberg, in which he plays Edward, a young disabled actor who decides to change his appearance to, he believes at the time, improve his life. On the contrary, this transformation marks the beginning of his fall. An antagonist role such as he has long played on our screens, and which he continues in The Apprentice, presented in May 2024 at the Cannes Film Festival, and directed by filmmaker Ali Abbasi. So many elements that made us want to talk with the 42-year-old actor during his visit to Normandy, where he was awarded the Hollywood Rising-Star Award. As proof of the new direction taken in his career, today considered by the proponents of European cinema, perhaps, let's confess, more snobbish than their American compatriots.

Vogue. Gossip Girl, The Covenant, The Apprentice or even Captain America: The Winter Soldier … Your filmography is full of antagonists!

Sebastian Stan: A lot of things came to me, other roles, I pursued them. What I am certain of is that I never wanted just one type of role. I wouldn't go so far as to say that I refuse the more traditional hero roles, which I also find very interesting, even difficult in some ways. But it's true, I've always been curious about the idea of playing complex characters, full of flaws. Sometimes, they are the antagonists. Often even! What interests me in human nature is the duality. We can be extremely good to each other, as we can become horribly evil. Life is more complex than that, there are not good guys on one side, and bad guys on the other. Each of us is capable of the best as well as the worst. The antagonists, in my films, offered a great potential for acting that I enjoyed exploring.

Even Edward, your character in A Different Man, seems consumed by envy.

Probably the most complicated character I've ever played! But he's still so realistic in so many ways. I was just talking about this: I hope a lot of people get a chance to see this movie because it's really about acceptance and truth. Someone asked me what I think are the most important human characteristics. I said: values, the relationship we have with ourselves, and how we treat others. When I look at younger generations growing up today, especially with social media, people are almost forced to be followers. Fewer and fewer people are brave enough to express their voices in a unique way to fight against conformity. When you look at a character like Edward, you understand that better. We've all lied to ourselves at some point in our lives. We've all wanted things we couldn't have. We've all envied the person next to us. I wouldn't go so far as to say that this film is a fable, but it has this ability to make us look inside ourselves, and ask ourselves: "What makes me different?" Rather than trying to be things that we are not.

For the first time, with A Different Man, you are putting on the producer's shoes. Why?

I found myself much more invested in the film. It was a very unique experience, which I had not anticipated, I must admit. When I met Aaron Schimberg, the director, at the very beginning of the process, we formed a great connection, and we tried to sell the film together here and there. He welcomed me with open arms in this collaboration, included me in all the conversations about the feasibility of the project. For example, I was the one who suggested that he watch the film Julie (in 12 chapters) because I think Renate Reinsve is incredible in it. I was even able to help with the prosthetics that are used in the film, as well as on the shooting. Let's be honest: it was a complicated shoot, to do in a very short time. Only about twenty days. As an actor, I worked harder, I didn't count my hours. As a producer, I helped Aaron Schimberg make the film as he had in mind. I learned a lot from A Different Man, that's for sure.

Does this mean you're going to try it again?

Oh yes! There are several projects that I have my eye on at the moment… But it’s very difficult to make films, which you probably know here in France. A film like A Different Man, honestly, if A24 studios hadn’t intervened, I’m not sure we would have managed to make it. The United States is not like France or the rest of Europe: there is not the same support allocated to the film industry from institutions. There are no dedicated funds, it’s up to you to manage on your own. When you fight for a film, in addition to playing in it as an actor, it’s both exhausting, but terribly rewarding.

It’s a role for which you were awarded a prize at the Berlinale , and tonight, you’re going to receive a Hollywood Rising-Star Award here in Deauville. At 42! That’s joyful!

I know! I'm a 42-year-old emerging actor, I should say that in my speech... The thing with this industry is that you're constantly growing. It's true, I'm 42, but for the first time, I feel like I'm learning very important things, that I wish I had known much earlier! It was a strange year for me, between the Berlinale, the Cannes Film Festival, Deauville ... For my two films, The Apprentice and A Different Man, I felt real support from the European festivals, very prestigious ones at that. It was very special for me who had never experienced that before. And then I have immense respect for European cinema, which for me is synonymous with real work and authenticity. Here, if people don't like the films, they're not afraid to say so! So that my films have been so well received here, it means a lot.

You are European yourself, you grew up between Austria and Romania…

That’s right. I lived in Romania for the first eight years of my life, and then in Vienna for four years. Coming to the United States in the mid-1990s was a turning point in my life. There, I had opportunities that I would never have had in Romania. That’s why I’m so interested in the idea of the American dream, which is reflected in many of my films. A Different Man and The Apprentice both explore it, in their own way. I think the central question of both of those works is: “When is enough enough? How far can we go to get what we want? Why do we always want to win?” Coming from Europe, where the philosophy is almost the opposite of that, helped me in many ways. I don’t know if I would have approached my roles in the same way.

In A Different Man , you don't speak much, but the physicality of the role is evident. How did you work on it?

Luckily, I was there from the beginning of the shoot. Our makeup artist, Michael Marino , who was working multiple shoots at the same time, would put the prosthetics on me very early in the morning. So I had this time before the shoot where I would walk around the streets of New York with this face that is not mine, and see the reactions of the people around me. It was scary, and enriching in many ways. It helped me understand what it meant to live in the shoes of a man like Adam Pearson, because I wouldn't have been able to realize it otherwise. Adam was very honest with me and talked to me a lot about his experiences, which helped me a lot. And then as an actor, I myself live this strange phenomenon of being recognized on the street every day. I don't have a private life. I sometimes feel like I'm some kind of public property: people can film me and do pretty much whatever they want.

Let’s talk a little bit about the Donald Trump you play on The Apprentice . How does one prepare for such a role?

Playing a real person has its pros and cons. The advantage, with people as famous as him, is the amount of archives available. Videos, articles, documentaries… you have plenty to study the character! But there is a problem: you have to find a place to insert yourself, as an actor. A real challenge, which I like to welcome without really knowing if I will succeed. That is part of the problem that faces me! But that is precisely the reason that makes me want to take on this kind of challenge. Telling myself that I can't do something only redoubles my desire to succeed. When you play a completely fictional character like Edward, it is up to you to build his story. How did he get there? That is what I am constantly looking for.

The Apprentice by Ali Abbasi with Sebastian Stan and Jeremy Strong, from October 9, 2024 in theaters.

A Different Man by Aaron Schimberg with Sebastian Stan, Adam Pearson and Renate Reinsve, coming soon.

#Sebastian Stan #Vogue France #Interview #The Apprentice #A Different Man #Deauville #mrs-stans

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