#Robin Swicord

[in-love-with-movies]

The Jane Austen Book Club (2007)

[addictivecontradiction]

The Jane Austen book club, 2007

[courseyoulovemeyoudontknowme]

Little Women (2019, Greta Gerwig)

06/08/2024

[mistikfir]

The Jane Austen Book Club (2007)

[haveyouseenthisromcom]

[jerichopalms]

*Practical Magic (1998, dir. by Griffin Dunne)

26: Any Witch Way You Can (witch witch you're a bitch)

[jennyviviandee]

Has access to streaming all kinds of stuff she's never seen before.

...Instead rewatches the magnificent Malitda (1996) starring the sensational Mara Wilson that Danny Devito directed. Based off of the Roald Dahl book of the same name. Screenplay by Nicholas Kazan and Robin Swicord.

Interestingly, another Dahl adaptation came out that very year. A hybrid of live action with stop-motion animation flick of Dahl's James and the Giant Peach by Disney from director Henry Selick. Screenplay by Karey Kirkpatrick, Johnathan Roberts, and Steve Bloom.

[thatscarletflycatcher]

This is a variation on "I'm an authority on Catholic theology/patristics/ethics/whatever because I went to Catholic school" that I hadn't seen yet.

bruh

[spending-life-pretending]

On siblings

The Sibling Connection, Jane Mersky Leder // Little Women screenplay, Robin Swicord // Mansfield Park, Jane Austen // Little Women, dir. Gillian Armstrong // Twelfth Night, William Shakespeare // Queen of Air and Darkness, Cassandra Clare // Elektra, Sophokles trans. Anne Carson // TikTok user blaineunderstudy // The Sibling Connection // The Raven King, Maggie Stiefvater // The Sibling Connection // I Hope You Get This Message, Farah Naz Rishi // The Cruel Prince, Holly Black // Pride and Prejudice, dir. Joe Wright // These Happy Golden Years, Laura Ingalls Wilder

[etcemais]

Um clássico dos anos 90, Da Magia à Sedução com Sandra Bullock e Nicole Kidman, vai ganhar uma continuação que já está em produção!

Segundo a Warner, a continuação ainda não tem título definido e a empresa está tentando chegar em um acordo para contar o retorno de Sandra Bullock e Nicole Kidman ao elenco e como produtoras, dividindo a função com Denise Di Novi, que foi a produtora do longa de 98. O roteiro será escrito por Akiva Goldsman, que escreveu o roteiro do original ao lado de Robin Swicord e Adam Brooks, além de ter trabalhado em Star Trek e Eu Sou a Lenda. A direção ainda não tem nome definido.

Da Magia à Sedução é inspirado no livro de mesmo nome de Alice Hoffman, de 1995. Na produção acompanhamos as irmãs Owens, Sally (Sandra Bullock) e Gillian (por Nicole Kidman), que fazem parte de uma longa linhagem de bruxas amaldiçoadas que sempre acabam perdendo seus parceiros. Criadas por suas tias excêntricas desde a infância, ambas cresceram em meio à magia, mesmo com dificuldade em lidar com isso.

Sally, reprimida e desesperada para ter uma vida normal, viveu com seu marido e duas filhas até que a maldição acabasse matando seu marido, fazendo com que ela retornasse para a casa da família com as filhas. Sendo o oposto de sua irmã, Gillian é um espirito inconsequente e selvagem, que acabou se envolvendo com um homem perigoso e violento, Jimmy Angelov (Goran Visnjic). Após uma situação com Gillian chegar ao extremo, ela pede ajuda para Sally e as duas acabam entrando em uma situação ainda pior para se livrar de Jimmy.

Na época, Da Magia à Sedução rarrecadou 68 milhões de dólares no mundo todo.

Maiores detalhes sobre a trama ainda não foram revelados.

[liliannasprereadmediathek]

[image description] Two images next to each other. On the left the characters Jo, Meg, Beth and Amy being read to by their mother Marmie in a Christmas setting. On the right, Jo, Beth, Meg and Amy gathered around their mother Marmie all looking into different directions.

One question listeners: are you a Jo, Amy, Beth, or Meg? This episode, we’re discussing characters in the 1994 and 2019 versions of Little Women, and diving deep into subtextual readings and fan interpretations.

We’ll discuss disability, autistic, and queer readings, and try to answer our question: is Little Women a ‘story for every generation’, and why is it so popular?

To listen, just head to the link in our bio, or find us wherever you find podcasts 🎧 

[headphones emoji]

https://spotifyanchor-web.app.link/e/Dcu52sHYLzb

🍂🍁📚🎄🍃🌳❄️☃️📜✍️🪶

[falling autumn leaves emoji; leaf emoji; stack of books emoji; Christmas tree emoji; falling green leaves emoji; tree emoji; snowflake emoji; snowman emoji; scroll emoji; handwriting emoji; feather emoji]

📝 Shownotes: 📝

📼 Preread text (Rowan Ellis, https://youtu.be/SMFll3aIbmo)

Primary Sources:

📚 “Little Women” (1868, 1869) by Louisa May Alcott

🎞️ “Little Women” (1933) (dir. George Cukor, 📜 Sarah Y. Mason and Victor Heerman)

🎞️ “Little Women” (1949) (dir. Mervyn LeRoy, 📜 Andrew Solt, Sarah Y. Mason, Victor Heerman)

🎞️ “Little Women” (1994) (dir. Gillian Armstrong, 📜 Robin Swicord)

🎞️ “Little Women” (2019) (dir. + 📜 Greta Gerwig) (https://variety.com/wp-content/uploads/2019/12/little-women-by-greta-gerwig.pdf)

📺 “Little Women” (2017) (dir. Vanessa Caswill,  📜 Heidi Thomas) (Masterpiece: PBS)

Secondary Sources:

📰 “Life Magazine: Little Women: A Story for Every Generation” (Meredith Corp., 2020)

📜 ‘Everything depend[s] on the fashion of narration’: Women Writing Women Writers in Short Stories of the Fin-de-Siècle (Bryony Randall) 📜 “The New ‘Little Women’ Makes Space For Jo’s Queerness” (Shannon Keating) (https://www.buzzfeednews.com/article/shannonkeating/little-women-greta-gerwig-saoirse-ronan-jo-march-queer) 📜 “The New Little Women Basically Proves Jo March is Queer” (Michelle Hyun Kim) (https://www.them.us/story/little-women-greta-gerwig-jo-march-queer) 📜 Amatonormativity (https://medium.com/the-science-scholar/opinion-amatonormativity-the-damaging-pedestal-of-romantic-love-d70cc0585b0f) 📜 “The Real Reason Hairspray Was Banned On The Little Women Set” (Avery Stone) (https://www.refinery29.com/en-us/2019/12/9114384/little-women-movie-hair-makeup-interview) 📼 “Little Women: Laurie & Jo” (https://youtu.be/osdVRusNGgg) 🎞️ “Divergent” (2014) (dir. Neil Burger, 📜 Evan Daugherty, Vanessa Taylor) 📼 “Greta Gerwig, Representation, and the Universal Girl” (https://youtu.be/0p-cBSqIDbQ) 📼 “Why Neurodivergent People Relate to Jo March” (https://youtu.be/x-j5XK1wpyo)

📱Social Media Handles📱:

IG:     https://www.instagram.com/liliannapod/ Twitter:     https://twitter.com/liliannapod Tumblr:    https://www.tumblr.com/blog/liliannasprereadmediathek

🎹 Intro Music 🎹: "Wall" by Jahzaar, licenced under Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)  

🎹 Outro Music 🎹: “Waterbeat” by DJ Lengua, licenced under Attribution 3.0 Unported (CC BY 3.0)

🎹 Transition Music 🎹:

“Pencil” by zakkolar - Pixabay “Fireplace Fire Crackling - Loop” by SoundsForYou - Pixabay “Sleigh Bells fast” by jcdecha - Pixabay “Tambourine christmas sound effect 25” by beetpro - Pixabay “Footsteps in the snow, шаги в парке,” by SSPsurvival - Pixabay

#LittleWomen #LouisaMayAlcott #JoMarch #AmyMarch #BethMarch #MegMarch #Laurie #GretaGerwig #SaoirseRonan #EmmaWatson #FlorencePugh #ElizaScanlen #LauraDern #TimothéeChalamet #BobOdenkirk #MerylStreep #GillianArmstrong #SusanSarandon #WinonaRyder #KirstenDunst #ClaireDanes #ChristianBale #AdaptationTheory #MoviePodcast #podcast #queer #FeministPodcast #QueerPodcast #LiliAnnasPrereadMediathek #LiliAnnaPod #trans #ace #DisabledRepresentation #DisabledRep #disability #disabled

[addictivecontradiction]

The Jane Austen book club, 2007

[courseyoulovemeyoudontknowme]

Little Women (2019, Greta Gerwig)

27/09/2024

[thatscarletflycatcher]

Speaking of Little Women 1994 and Robin Swicord's script, here's the draft of it I was referring to.

[jerichopalms]

*Little Women (1994, dir. by Gillian Armstrong)