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hallmark-movie-fanatics · 4 years ago

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Hallmark Channel and Hallmark Movies and Mysteries 2020-2021 Programing Announcements - Press Release

100 DAYS BEFORE CHRISTMAS 2020 BEGINS ON HALLMARK, CROWN MEDIA FAMILY NETWORKS ANNOUNCES ORIGINAL PROGRAMMING SLATE FOR HALLMARK CHANNEL AND HALLMARK MOVIES & MYSTERIES

NEW CASTING, MOVIES, AND SERIES RENEWALS HEADLINE AN ALL-STAR SLATE

HALLMARK DRAMA, HALLMARK PUBLISHING, HALLMARK MOVIES NOW SEE EXPONENTIAL GROWTH; BUBBLY SESH PODCAST RETURNS FOR SEASON TWO

STUDIO CITY, CA – Wednesday, July 15, 2020 – Following unprecedented success across its 2019-2020 programming slate, Crown Media Family Networks today unveiled new casting announcements, Original movies, and renewals of hit series and movie franchises on its two flagship networks, Hallmark Channel and Hallmark Movies & Mysteries for 2020-2021. The news comes 100 days prior to the launch of Christmas on Hallmark’s channels, the most anticipated holiday program event on any network.

“The Hallmark brand on TV has always championed positivity and emotional connection, and thanks to the dedication of our development teams and producing partners, we are excited to welcome new talent on both sides of the camera, as well as, announcing renewals of all of our original series and the return of beloved stars. Hallmark Channel Original Series are enviable within the industry for their longevity and for creating one of the most winning schedules on television,” said Michelle Vicary, Executive Vice President, Programming & Network Publicity, Crown Media Family Networks.

-- CASTING NEWS --

Crown Media Family Networks casting news includes the return of fan favorite network stars such as:

Alexa PenaVega (Spy Kids)

Alicia Witt (“Our Christmas Love Song”)

Andrew Walker (“Bottled with Love”)

Benjamin Ayres (“Chronicle Mysteries”)

Brennan Elliott (“Crossword Mysteries”)

Candace Cameron Bure (“Aurora Teagarden Mysteries”)

Carlos PenaVega (“Big Time Rush”)

Chaley Rose (“Christmas Duet”)

Eion Bailey (“Switched for Christmas”)

Holly Robinson Peete (“A Family Christmas Gift,”)

Jesse Metcalfe (“Chesapeake Shores”)

Jill Wagner (“Christmas In Evergreen: Tidings of Joy”)

Julie Gonzalo (“Supergirl”)

Kristoffer Polaha (“Condor”)

Lacey Chabert (“Crossword Mysteries”)

Laura Osnes (“In the Key of Love”)

Luke Macfarlane (“Just Add Romance”)

Marilu Henner (“Brooklyn Nine-Nine”)

Mark Taylor (“Memories of Christmas”)

Merritt Patterson (“Picture a Perfect Christmas”)

Michael Rady (“You’re Bacon Me Crazy”)

Nathan Witte (“Supernatural”)

Niall Matter (“Christmas at Dollywood”)

Nikki DeLoach (“Two Turtle Doves”)

Rachael Leigh Cook (“Frozen in Love”)

Rick Fox (“Greenleaf”)

Rukiya Bernard (“One Winter Weekend”)

Sarah Drew (“Grey’s Anatomy”)

Tamera Mowry-Housley (“The Real”)

Tyler Hynes (“The Mistletoe Secret”)

With several more announcements in the coming weeks, today we are pleased to announce new talent joining the Hallmark family, including:

Aaron Tveit (“The Code”)

Alvina August (“Nancy Drew”)

Janel Parrish (“Pretty Little Liars”)

Jeremy Jordan (“Supergirl”)

Krystal Joy Brown (“She-Ra and the Princesses of Power”)

Lucia Micarelli (“Treme”)

Mallory Jansen (“Shooter”)

Marisol Nichols (“Riverdale”)

Rochelle Aytes (“S.W.A.T.”)

Ronnie Rowe (“Star Trek: Discovery”)

-- DEVELOPMENT DEALS --

Crown Media is working with some of its most compelling talent in a development capacity. The company is currently in development with network stars Ashley Williams and Kimberly Williams- Paisley on a two-part movie about real sisters, with each of them playing the lead in one of the films. In addition, the company is developing projects with Holly Robinson Peete and Tamera Mowry-Housley.

Behind the scenes, directors Catherine Cyran and Clare Niederpruem return to direct new original movies, joined by new female directors, Linda-Lisa Hayter, Erica Dunton, and Jessica Harmon.

--HALLMARK CHANNEL PROGRAMMING NEWS--

Hallmark Channel’s upcoming slate includes the return of seasonal events, Fall Harvest and Countdown to Christmas, as well as new seasons in the network’s three scripted dramas and daily, lifestyle program, “Home & Family.” Additionally, Crown Media Family Networks has renewed Hallmark Channel’s pet-centric specials, “Kitten Bowl,” “American Humane Hero Dog Awards,” and “American Rescue Dog Show.”

-- HALLMARK CHANNEL SEASONAL FRANCHISES --

Fall Harvest - Programs currently slated for this year’s autumnal event include:

“Country at Heart” starring Jessy Schram and Niall Matter – October 3

“Neverbrides” starring Chaley Rose and Nathan Witte – October 10

10th Anniversary Edition of American Humane Hero Dog Awards Show – October 19

--NO ONE DOES HOLIDAY LIKE HALLMARK --

COUNTDOWN TO CHRISTMAS 2020 – Hallmark Channel’s Countdown to Christmas – which along with sister network Hallmark Movies & Mysteries’ holiday franchise, Miracles of Christmas, draws nearly 85 million unduplicated viewers each year – kicks off Friday, October 23. Hallmark Channel will premiere 23 all-new original films, including:

“A Royal Holiday”, starring Laura Osnes, Aaron Tveit and Krystal Joy Brown

“Jingle Bell Bride”, starring Julie Gonzalo and Ronnie Rowe

“A Christmas Tree Grows in Brooklyn”, starring Rochelle Aytes and Mark Taylor

“If I Only Had Christmas”, starring Candace Cameron Bure

“Deliver by Christmas”, starring Alvina August and Eion Bailey

“On the 12th Date of Christmas”, starring Mallory Jansen and Tyler Hynes

“Christmas Waltz”, starring Lacey Chabert

“Christmas in Vienna”, starring Sarah Drew and Brennan Elliott

“Christmas in Evergreen 4”, starring Rukiya Bernard and Holly Robinson Peete

“Chateau Christmas”, starring Merritt Patterson and Luke Macfarlane

“Cross Country Christmas”, starring Rachael Leigh Cook

“Christmas Carnival”, starring Tamera Mowry-Housley

“When Calls the Heart Christmas 2020”, starring Erin Krakow, Pascale Hutton, Jack Wagner, Kavan Smith, Chris McNally, Kevin McGarry, Paul Greene, Andrea Brooks and Martin Cummins

HALLMARK MOVIES & MYSTERIES HOLIDAY EVENT, MIRACLES OF CHRISTMAS -- Kicking off Friday, October 23, “Miracles of Christmas” will feature 17 all-new original movies, including:

“Christmas Tree Lane” starring Alicia Witt and Andrew Walker

“Holly & Ivy” starring Janel Parrish, Jeremy Jordan, and Marisol Nichols

“The Christmas Bow” starring Lucia Micarelli and Michael Rady

“Cranberry Christmas” starring Nikki DeLoach and Benjamin Ayres

“Christmas Doctor” starring Holly Robinson Peete

-- HALLMARK CHANNEL ORIGINAL SCRIPTED SERIES --

Returning for new seasons in 2021, are Hallmark Channel’s three original scripted programs, which are some of the longest-running and highest-rated series on cable television.

“When Calls the Heart,” Hallmark Channel’s longest-running series, will soon go into production on Season 8. The #1 series year-to-date across cable among W18+, “When Calls the Heart” stars Erin Krakow (“Army Wives”), Pascale Hutton (“Arctic Air”), Jack Wagner (“Melrose Place”), Kavan Smith (“Mistresses”), Chris McNally (“Altered Carbon”), Kevin McGarry (“Heartland”), Paul Greene (“Bitten”), Andrea Brooks(“Supergirl”) and Martin Cummins (“Riverdale”).

On the heels of its recently concluded successful sixth season, “Good Witch” has been greenlit for Season 7. The series stars Catherine Bell, whose 13-year portrayal of Cassie Nightingale is one of the longest-running performances on television, Sarah Power (“Killjoys”), James Denton (“Devious Maids,” “Desperate Housewives”), Catherine Disher (“Abby Hatcher”), Katherine Barrell (“Wynonna Earp”), Scott Cavalheiro(“The Indian Detective”), Kylee Evans (“The Strain”) and Marc Bendavid (“Murdoch Mysteries”).

Multi-generational family drama, “Chesapeake Shores”, is set to return for Season 5. Based on the novels of the same name by New York Times bestselling author Sherryl Woods (Trinity Harbor), the series stars Jesse Metcalfe (“Dallas”), Meghan Ory (“Once Upon a Time”), Golden Globe® nominee Treat Williams(“Everwood,” Hair), Academy Award® nominee Diane Ladd (Wild at Heart), Barbara Niven (“Debbie Macomber’s Cedar Cove”), Laci J. Mailey (“Falling Skies”), Emilie Ullerup (“Sanctuary”), Brendan Penny(“Motive”) and Andrew Francis (“Final Destination 3”).

-- HALLMARK CHANNEL’S DAYTIME, LIFESTYLE SERIES, “HOME & FAMILY” --

Hallmark Channel has renewed its three-time Daytime Emmy ®-nominated lifestyle program, “Home & Family,” for Season 9. Two-time Emmy ® nominee Debbie Matenopoulos and three-time Emmy ® nominee Cameron Mathison will continue as hosts of the show that features celebrity interviews as well as a fun, fresh perspective on cooking, DIY, gardening, wellness and more.

-- HALLMARK CHANNEL’S ANNUAL PET SPECIALS --

Hallmark Channel’s annual pet specials are a component of the network’s pet adoption initiative, Adoption Ever After, which has helped more than 70,000 shelter pets find forever homes. These returning specials include:

“Kitten Bowl VIII”, slated for February 2021

Third Annual “American Rescue Dog Show”, slated for February 2021

10th Annual “Hero Dog Awards”, premiering Fall 2020

--HALLMARK MOVIES & MYSTERIES PROGRAMMING NEWS--

Hallmark Movies & Mysteries will bring back popular programming including all new installments of its highly popular mystery movie franchises and the return of the network’s highly rated holiday event, Miracles of Christmas.

-- HALLMARK MOVIES & MYSTERIES MYSTERY MOVIE FRANCHISES --

Hallmark Movies & Mysteries’ movie franchises have propelled the network to be one of the most competitive in cable.

Mystery franchises returning to the network in 2020 and 2021 include:

“Picture Perfect Mysteries: Exit Stage Death”, starring Alexa and Carlos PenaVega, premiering this Fall

New installments in “Morning Show Mysteries”, starring Holly Robinson Peete (“A Family Christmas Gift”) and Rick Fox (“Greenleaf”), from Executive Producer Al Roker

New installments in “Martha’s Vineyard Mysteries” starring Jesse Metcalfe (“Chesapeake Shores”)

“Mystery 101”, starring Jill Wagner (“Christmas In Evergreen: Tidings of Joy”) and Kristoffer Polaha (“Condor”)

“Aurora Teagarden Mysteries”, currently in production on its 14th installment and starring Candace Cameron Bure (“Fuller House”), Niall Matter (“Christmas at Dollywood”) and Marilu Henner (“Brooklyn Nine-Nine”), slated to premiere in early 2021.

--HALLMARK DRAMA NEWS--

Crown Media Family Networks announces that its third linear channel, Hallmark Drama, continues distribution success most recently with a launch on Charter’s “Silver Package.” Charter is the nation’s second largest MVPD. Hallmark Drama also launched on Comcast, DISH, DirecTV, Cox, Verizon, Altice, Frontier, and a majority of NCTC members.

--HALLMARK MOVIES NOW NEWS--

Crown Media Family Network’s subscription video on-demand service, offering over 1,000 hours of commercial-free Hallmark-branded content, is nearing one million subscribers. The service includes beloved Hallmark content not available on Crown Media’s linear networks and is in high demand among consumers for high-quality movies and featured events like “Jingle In July,” a Christmas in July event only available to HMN subscribers. New on Hallmark Movies Now in October is season four of “Chesapeake Shores,” the premiere of “Home for Harvest”, and season 12 of “Heartland”. And, coming this holiday season, Hallmark Movies Now will launch its holiday franchise, “Movies & Mistletoe,” headlined by a library of Christmas content to rival any network offering.

--HALLMARK CHANNELS’ BUBBLY SESH PODCAST--

Hosted by Jacklyn Collier (Jacks) and Shawlini Manjunath-Holbrook (Shawl), Hallmark Channels' Bubbly Sesh podcast returns for a second season, giving network fans a VIP pass inside the world of Hollywood celebrities and movie-making, with a primary focus on Hallmark Channel fan-favorites.

--HALLMARK PUBLISHING--

Crown Media Family Network’s publishing division, has achieved great success in its short existence, including two USA Today bestsellers and an exclusive partnership with Walmart that brings new mass market paperback novels to stores each month through February 2021. Coming in August: two new cozy mystery novels: Behind the Frame: A Shepherd Sisters Mystery by Tracy Gardener and Dead End Detective: A Piper & Porter Mystery from bestselling author and Agatha Award winner Amanda Fowler. And new for Christmas: Wrapped Up in Christmas Joy by Janice Lynn, the sequel to the 2019 USA Today bestseller Wrapped Up in Christmas.

“Crown Media Family Networks is looking forward to entertaining viewers with all-new original programs across all of our services, all while continuing to communicate the value of the Hallmark brand on TV to consumers through other touchpoints within our ancillary businesses. Today’s announcements are only the beginning for a company that is growing exponentially in the U.S. and around the world,” Michelle Vicary concluded.

ABOUT CROWN MEDIA FAMILY NETWORKS Crown Media Family Networks is the umbrella unit subsidiary of Hallmark Cards, Inc., housing cable’s leading family friendly networks, Hallmark Channel, Hallmark Movies & Mysteries, and Hallmark Drama. Hallmark Channel features an ambitious slate of new, original content, including movies, scripted series, annual specials, and a daily, two-hour lifestyle show.Hallmark Channel is also home to the popular annual holiday franchise “Countdown to Christmas,”featuring a lineup of 24/7 holiday programming. Hallmark Movies & Mysteries is a 24-hour cable network featuring a unique mix of new, original movies and acquired series focused on the lighter side of the suspense and mystery genres. The network also features its own annual holiday programming franchise, “Miracles of Christmas”. Hallmark Drama showcases the rich legacy of the Hallmark Hall of Fame library and with zero duplication, spotlights movies and series from Crown Media’s collection of original dramatic content. Crown Media Family Networks is also home to Hallmark Movies Now, the company’s subscription streaming service, which offers wholly distinct content from the company’s linear channels. Crown Media Family Networks’ publishing extension, Hallmark Publishing, creates novelizations of previously aired original movie favorites. It also accepts author submissions for original, on-brand manuscripts that can be greenlit as a new movie or series for one of the company’s three linear networks.

For more information, please visit www.crownmediapress.com Hallmark Channel on Social Media: Facebook, Twitter, Pinterest Hallmark Movies & Mysteries on Social Media: Facebook, Twitter Hallmark Drama on Social Media: Twitter Hallmark Publishing on Social Media: Twitter

LINK

#news #press release #link #hallmark channel #hallmark movies & mysteries #hallmark movies #hallmark original series #good witch #season 7 #when calls the heart #season 8 #chesapeake shores #season 5 #fall harvest #countdown to christmas #miracles of christmas

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brokehorrorfan · 6 years ago

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Best New Horror Movies on Netflix: Winter 2018

There’s an overwhelming amount of horror films and TV shows to sift through on Netflix, so I’ve decided to take out some of the legwork by compiling a list of the season’s best new genre titles available on Netflix’s instant streaming service.

Please feel free to leave a comment with any I may have missed and share your thoughts on the films you watch. You can also peruse past installments of Best New Horror Moves on Netflix for more suggestions.

1. The Haunting of Hill House

The Haunting of Hill House is, quite simply, some of the best long-form horror storytelling of all time. Based on - but not a strict adaptation of - Shirley Jackson's influential gothic horror novel of the same name, the series is created and directed by Mike Flanagan (Oculus, Ouija: Origin of Evil). Told through two timelines, with clever transitions between the past and present, the story concerns five siblings and how an alleged haunting they experienced as kids affects them as adults. The cast includes Henry Thomas (E.T. the Extra-Terrestrial), Carla Gugino (Watchmen), Michiel Huisman (Treme), Elizabeth Reaser (Ouija: Origin of Evil), Kate Siegel (Hush), Timothy Hutton (Ordinary People), and Lulu Wilson (Annabelle: Creation). It is admirably character-driven, which makes the horror elements hit even harder, and a spooky atmosphere is present throughout all 10 episodes.

2. Green Room

Writer-director Jeremy Saulnier achieves the impossible by matching - and perhaps even surpassing - the unbridled intensity of his previous film, Blue Ruin, with Green Room. The exercise in white-knuckle suspense finds a scrappy punk band trapped in a skinhead club after unwittingly walking in on a crime. The late Anton Yelchin (Star Trek) delivers one of the best performances of his tragically short career as the de facto leader of the band. In a bit of inspired casting, Patrick Stewart (Star Trek: The Next Generation) is chilling as the conniving, white supremacist venue owner. Alia Shawkat (Arrested Development), Joe Cole (Skins), and Callum Turner (Fantastic Beasts: The Crimes of Grindelwald) round out the band, while Imogen Poots (28 Weeks Later) is also wrapped up in the brutal fight for survival. Akin to Don't Breathe, the tension on screen is enough to induce anxiety, and Saulnier nails the punk rock DIY spirit to boot.

3. Cam

Cam stars Madeline Brewer (The Handmaid's Tale) as a cam girl - one who performs pornographic acts live on camera for paying viewers - who is desperate to gain popularity. Produced by Blumhouse, this is not your typical "seedy underbelly of the sex industry" movie, although there is some of that; instead, it goes in a refreshing, unpredictable direction. Reminiscent of a neon-soaked episode of Black Mirror, Cam is a suspenseful and compelling mystery-thriller with a sci-fi twist and horror undertones. Brewer is spectacular in her fearless performance, while director Daniel Goldhaber makes a powerful feature debut.

4. The Night Comes for Us

The Night Comes for Us is an unrelenting action thriller in the vein of The Raid, John Wick, and Dredd. In fact, the Indonesian film reunites The Raid's Joe Taslim and Iko Uwais. Taslim leads as a man who goes rogue from a dangerous crime syndicate. A variety of deadly individuals (Uwais among them) are out to get him, but he has some tough allies as well. It all culminates in an incredible final battle in which the viewer feels every blow. The blend of brutal, graphic violence and impressively choreographed fight scenes is written and directed by by Timo Tjahjanto (whose V/H/S/2 segment is a highlight of the franchise).

5. Apostle

Forget that Nicolas Cage abomination; Apostle is the Wicker Man reboot we deserve. The Netflix original film is reminiscent of the 1973 occult horror classic not only in plot but also in tone, style, and pacing. Set in 1905 London, a feral Dan Stevens (The Guest) stars as a man whose sister is kidnapped by a religious cult on a secluded island, which he must infiltrate to save her. Michael Sheen (Frost/Nixon) serves as the cult's charismatic leader, while Lucy Boynton (Bohemian Rhapsody) plays his daughter. The slow-burn is quite a change of pace for writer-director Gareth Evans (The Raid franchise) and his regular cinematographer, Matt Flannery, but they handle it beautifully.

6. May the Devil Take You

May the Devil Take You feels like The Evil Dead's Sam Raimi directing an installment in The Conjuring universe. The Indonesian horror film is not a scrappy splatterfest; it's elegantly directed by Timo Tjahjanto (V/H/S/2). He culls from modern supernatural tropes to craft fine horror set pieces, spooky imagery, a good atmosphere, and strong production value. Chelsea Islan (Headshot) earns to be mentioned in the same breath as Bruce Campbell in her lead role as a daughter who investigates her estranged father's past to uncover the truth behind his coma and her haunting visions. It's a tad overlong at 110 minutes, which is particularly felt during the last act, but there's enough kinetic energy to keep it moving forward.

7. Hold the Dark

Hold the Dark is not quite as strong as Jeremy Saulnier's previous efforts (Green Room, Blue Ruin), but his mastery of tension remains unparalleled. Jeffrey Wright (Westworld) stars as a wolf expert who's convinced by an Alaskan woman (Riley Keough, Max Mad: Fury Road) to hunt a wolf that took her young son, only to get wrapped up in a murder plot. Meanwhile, the boy's soldier father (Alexander Skarsgård, True Blood) returns home from duty in the Middle East unhinged. The screenplay is written by Macon Blair (I Don't Feel at Home in This World Anymore), based on the book of the same name by William Giraldi. As viewers have come to expect from Saulnier, the violence is as unrelenting as the suspense.

8. Chilling Adventures of Sabrina

Created by Roberto Aguirre-Sacasa (Riverdale), Chilling Adventures of Sabrina is not your TGIF version of Sabrina the Teenage Witch. Its aesthetically similar to the Archie Comics title on which its based, embracing the rich Gothic horror atmosphere, but the story veers more into teen drama territory. The result is like a mash-up of Riverdale, The Witch, and Harry Potter. It may take a few episodes to become invested, plus to get used to the distracting shallow depth of field style (which is thankfully used less as the season progresses), but it's eventually rather addicting. The midsection becomes something of a monster-of-the-week series, but it never loses sight of the overall story arc. Kiernan Shipka (Mad Men) is charming as the titular witch, and the main cast also includes Ross Lynch (My Friend Dahmer), Lucy Davis (Shaun of the Dead), Miranda Otto (The Lord of the Rings), and Michelle Gomez (Doctor Who).

9. Into the Forest

Into the Forest is a post-apocalyptic tale of sorts, but it's a grounded take on the subject matter that largely functions as a drama. Ellen Page (Inception) and Evan Rachel Wood (Westworld) star as sisters who live with their father (Callum Keith Rennie, Battlestar Galactica) in a secluded, woodland home. Directed by Patricia Rozema (Mansfield Park), the movie follows the family in their fight for survival in the months after electricity is lost throughout the world. Although it drags in spots, Page, who produced the film after falling in love with Jean Hegland's novel on which it's based, is in top form.

10. In Darkness

In Darkness stars Natalie Dormer (Game of Thrones) as a blind pianist who hears her upstairs neighbor (Emily Ratajkowski, Gone Girl) get murdered, drawing her into London's seedy underworld, where she meets Ed Skrein (Deadpool) and Joely Richardson (Event Horizon). With shades of Wait Until Dark, the thriller offers some solid suspense and tension, plus superb sound design and cinematography. The setup is gripping, though the plot later becomes too convoluted for its own good. Dormer is fantastic in the lead, and she also produced and co-wrote the script with director Anthony Byrne (Peaky Blinders).

11. Don't Watch This

Don't Watch This is listed on Netflix as a season, but it's simply five unrelated horror shorts, ranging between 2 and 9 minutes in length. There's body horror, killer kids, urban explorers, and Queer Eye's Antoni Porowski parodying American Psycho. In addition to a few clever setups and strong horror set pieces, they boast quality production value, cinematography, and special features (both practical and digital). Shorts usually struggle to find an audience on YouTube, so it's great to see them showcased on a platform as powerful as Netflix.

Bonus: De Palma

De Palma is a documentary on filmmaker Brian De Palma (Carrie, Scarface, Mission: Impossible, Blow Out, Phantom of the Paradise, et al.). The septuagenarian himself - with no other talking heads - discusses and reflects on his oeuvre, going movie by movie (plus a handful of unmade projects) in chronological order, accompanied by clips and stills. Co-directed by Noah Baumbach (The Squid and the Whale) and Jake Paltrow (Young Ones), the candid nature of the interviews prevent the film from feeling like a mere DVD special feature. It moves briskly, leaving you wanting more even at 110 minutes.

#netflix #the haunting of hill house #chilling adventures of sabrina #green room #cam #may the devil take you #apostle #the night comes for us #hold the dark #into the forest #best of netflix #article #list #haunting of hill house #sabrina #in darkness #don't watch this #de palma #bent neck lady

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serpent-jugheadjones · 7 years ago

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The Partner Revealed - Part 5

Pairing: Jughead Jones x Reader

Description: Their investigation on Jason has to take a break while they try to save the Drive-In.

Warnings: None I can think of.

Word count: 5384

A/N: Can’t believe I’m already on Part 5. You guys are awesome for the reading. Sorry it’s such a slow burn. Yep, there’s a subtle Supernatural reference... Thank you @jugheadxreaderinyourhead for helping me with vocabulary.

Jughead’s point of view

Jughead is woken up by loud noises at the Drive-In. He goes down, still in his boxers, ready to strike in case it’s a burglar, but it was just the manager. Seeing him makes Jug feel at ease again, relaxing his muscles, although the fact that the man is putting things in boxes can be a little concerning. “Hey, Jake. What’s up?”, he asks, puzzled. “Here’s your payment, Jughead.” The man hands him a thick envelope. “This is a lot more than I earn.” He tries to hand him back the envelope, for he might have given him the wrong one. “Oh, you don’t know yet. They’re shutting down the Drive-In.”, Jake says, while throwing his belongings into the cardboard box in a somewhat rough manner. Jughead stays silent with a dumbfounded expression. “It’s the month’s salary, next week’s advance and a little extra for all these years of good work.”, Jake explains the amount of money and goes back to packing. “Why?”, he simply asks, still thinking it could be a complete joke. “It was bought off.”, the man says sadly. Just like for Juggie, that place means a lot to him. “You should read this.” Jug takes the letter in his hands with the explanation from the Mayor. He can see the man reminiscing about his youth, talking about how he used to take his dates there, or that he worked at the projection booth douring high school, having managed the Twilight for most of his adult life, just as in many occasions they’d talk about all those things. But it was all going down now.

Jake loads his car with the last of the boxes full of memorabilia and personal objects. He closes the trunk door and shakes Jug’s hand, who is now fully dressed, including his beanie. “Take care of yourself, kid.”, he says with a lot of weight on his words. Jughead is left standing there, looking at everything like it’s both the first and the last time he’ll ever do, until the car is no longer visible. He remembers when he started working there and Jake found him sleeping on a thin mattress on the floor, head on his backpack. He was scared to death of being thrown out and fired over it, but the man simply walked out and came back half an hour later with a rollaway bed, a pillow and some blankets he assembled in the projection room without a word. With all that in his mind, he doesn’t even have time to think about what Betty found out regarding Archie and what she might do with such information.

He returns to his room and sits down on the bed, staring at the letter for a while, not being able to read past ‘It will be demolished’.”. His home away from home, the place in which he has had a few happy childhood memories is being torn down. Jughead looks at the envelope containing his last payment and then at the projection room he’s been living in for the past 2 years, wondering what the hell he’ll do next. He just grabs a jacket and leaves, walking for miles without paying attention to anything. The words from that piece of paper stand out in his mind: anonymous buyer, shut down, scheduled demolition… He adds a few on his own, like jobless and homeless. When this upset boy finally stops to look around, he recognizes the front door he’s standing on: Y/N’s. “When did she became the person I go to when I’m in need?” he asks himself and turns back. “Jughead!”, she shouts. He’s already walking away, not wanting to trouble that outstanding girl with that, when he feels her hand holding his. (She’s not gonna let him go.) He’s actually incredibly thankful she did that. Truth is he doesn’t want to be alone in that moment. He’s just not good at asking for help.

They walk in still holding hands. “Do you wanna talk about what happened?”, she asks, letting go of his hand. “If you don’t mind, that’s the last thing I wanna talk about.”, he answers, missing the warmth of her touch. “I have pizza. Pizza makes anything better.”, she says, taking out the box from the fridge and putting it on the pizza pan to heat it up. “Agreed.”, he tells her, but what really makes him feel better is seeing her. “Your parents aren’t home yet?”, he inquires, looking around, noticing pictures of her as a kid on the walls. “No. There was an emergency somewhere, with some patient.”, she tells him with little interest. “And they just leave you?” He wonders if that sounded rude. “I’m used to it. To be honest, I enjoy it.”, she tells him and he relates to her fondness for being alone, although right now he prefers being with her. “It’s my mom that doesn’t like it. My dad is the love of her life – she can’t stay away from him. But she’d like to be home more often.”, Y/N explains and he wonders if his dad was the love of his mom’s life; if so, how he stopped being.

The pizza is eaten before any slice even has a chance to cool down. Then they talk for hours, about the first time they watched ‘A Clockwork Orange’ and could barely blink, their favorite potato chips flavors, how they both love Edgar Allan Poe, some video games they both play and even a little bit about things he wrote before starting the novel. Jughead even forgets about the Drive-In. That girl makes him feel things he never felt before. He’s never even had a crush on a fictional character and now all he wants to do is be there, looking at her and hearing her talk about things they love. “I can’t help but notice you haven’t used the free food ticket I gave you.”, he remarks, wondering if she hasn’t used it because she’s not into him. Besides, it can be the last time he’s able to. “Wasn’t aware there was an expiration date.” They both laugh. “I was saving it for tonight, obviously. Come on, Jones. Buy me dinner.”, she says with a confident smile, something he had never seen on that pretty face before, and it matches her. “It’s a date… Did I just say that out loud? No, thank god. Also, did I just call this a date?” He rambles in his own mind.

Y/N’s point of view

The Chock'lit Shoppe isn’t far from her home. Even in the slow speed they’re going, it won’t take them too long to get there. “Sheriff Keller stopped by this morning, before you.”, Y/N tells him as they walk. “He’s been going around door to door.”, Jughead reports. “He heard about the fight and wanted to know about my involvement with Jason.”, she says mockingly, with air quotation marks, immediately noticing a barely perceptible frown on Jug’s face. “I told him he should come back another time, when my parents get home. I’m pretty sure he found that suspicious.”, the girl adds. “He doesn’t have any idea what he’s doing. I mean, nothing like that was ever supposed to happen in Riverdale.” He stops as the Sheriff drives by them not failing to stare until he was out of sight. “It’s starting to look a lot like Salem during the witch trials.”, he delivers it eerily and she can see he’ll use that in his novel.

They arrive at Pop’s parking lot. The red light form the neon sign shading their faces, the amazing smell of food being cooked inside watering their mouths. “Jughead!”, someone shouts and they turn around. Betty, Veronica and Kevin are walking towards them. “Hey, guys.”, Jughead responds unexcitedly. “And who’s this?” Veronica asks curiously. Y/N’s just about to answer, detecting Jughead’s difficulty in finishing his sentence. He’s stuttering on ‘she’ when Betty finally answers for them. “This is Y/N Y/L/N. She’s writing with us at the Blue and Gold.”, the blonde reveals and both Veronica and Kevin move on to a different conversation. “Am I?”, she inquires with a quite puzzled expression. “Yeah, if you take my offer.”, Betty concludes hopefully. “What offer?”, Jug asks, even more confused than Y/N. “Betty called me last night inviting me to work with you guys, but I’m not a writer.”, she says, expecting that would be the end of it. “Acording to my mother, you are.” Betty is not comfortable to bring her parent into the conversation, but she’s kinda desperate. “Alice is kind to say that. But if that internship taught me anything, is that I’m not cut out for it.” Y/N tells her, remembering how hard she had to work to keep up with the Coopers. “I don’t know about you guys, but I’m starving.”, Kevin interrupts, already walking in. “I’m Veronica by the way.”, the raven-haired girl introduces herself, shaking Y/N’s hand. “Nice to meet you. I’m a fan of the DIY manner you used to deal with the Chuck situation.”, Y/N says, observing Betty doesn’t take that the same way Ronnie does.

Hermione Lodge comes to take their orders as they sit in a booth. Jughead chooses the place in front of Kevin and Betty quickly sits next to him, leaving both Jug and Y/N wondering if she didn’t notice they arrived together for a reason, but neither being able to tell the girl. Veronica is already sitting next to Kev, so Y/N finds a chair to sit at the corner of the table, felling a bit left out. “So sorry about the Drive-In, Jughead.”, Kevin says, taking a sip from his soda. “What about it?”, Veronica asks indifferently, like she’s just making conversation. “They’re shutting down and demolishing it.”, Kevin explains, as if it was some simple small town gossip. “The Drive-In closing is just one more nail in the coffin that is Riverdale... No, forget Riverdale, in the coffin of the American dream.” Juggie sounds as if he was holding that in all day and now she knows why he looked so doom and gloom earlier. Y/N has a hard time processing the news but doesn’t fail to notice how poetic Jug is, even with the saddest of things. “This doesn’t make any sense.”, she agrees. The Drive-In is where she’d go with her father to watch cult movies and then they’d discuss their opinions afterwards at Pop’s. She can’t imagine that special place not existing anymore. “As the godfather of indie cinema, Quentin Tarantino, likes to say...” Jughead starts, but is cut off by Kevin. “Please, God, no more Quentin Tarantino references.” Y/N definitely doesn’t feel the same way as Kevin over Tarantino references. “What? I’m pissed. Not just about losing my job, the Twilight Drive-In should mean something to us. We should be trying to save it.”, Jughead claims desperately and Y/N is just about to back him up. “In this age of Netflix and VOD, do people really want to watch a movie in a car? I mean, who even goes there?”, Veronica asks rhetorically, making Y/N look at her with contempt, wanting to prove her wrong. “Me.” Y/N starts saying, but is cut off by Kevin, who she thinks has the annoying habit of doing that. “People who want to buy crack.” They both look at each other reprovingly. “And cinephiles, like me and Y/N, car enthusiasts.” Jug looks at her thankfully, really appreciative of her help on the subject. “Anyways, it’s closing because the town owns it but didn’t invest in it. So when an anonymous buyer made Mayor McCoy an offer, she couldn’t refuse...” Jughead is trying to explain, but Veronica cuts him off. ”Anonymous buyer? What do they have to hide? No one cares.”, she speaks her mind, laughing. “I do.” Both Y/N and Juggie say at the same time. “Anyways, you guys should all come to closing night. I’m thinking ‘American Graffiti’, or is that too obvious?”, he changes the subject a little bit. It’s visible he’s already thinking of other options. “Anything starring Audrey Hepburn, or Kate Blanchett.”, Veronica votes and Y/N thinks it’s probably because the girl herself looks like she’s been taken out from one of those movies. “Or ‘The Talented Mr. Ripley’.” Kevin suggests and Y/N wonders if they only enjoy movies they can relate to. She also wonders the same about herself. “You do have Tom’s jaw, Kevin.”, she says. “Thank you.”, he says and she’s not sure if it’s utter thankfulness or sarcasm over being compared to a killer, although a very handsome one. “Betty, your choices?” , he looks at the blonde girl who’s been silent this whole time, snapping the girl’s attention into the conversation for what seems to be the first time so far. “Maybe ‘Pretty in Pink’. How about you, Y/N?”, the Cooper girl wants to know, and Jughead stares at Y/L/N intently. “I think ‘Rebel Without a Cause’ is a good fit.”, she shoots. Hermione arrives with their food, putting an end to that debate.

“That’s an odd combo.” Kev says and looks at the trio who just walked in, making everyone turn heads. Archie with his dad and Miss Grundy, of all people. Betty quickly walks out without Jug or Y/N even having a chance to stop her. They know perfectly well that approaching him like that isn’t a great idea. “What’s happening?”, Kevin asks confused, just like Veronica. “Trust me, you don’t wanna know.”, Y/N responds, hoping they’ll let it go, but it actually makes them more interested. As soon as Betty walks out with the ginger boy, their curiosity grows. Unfortunately, none of them is about to tell why the blonde needed so desperately to talk to Arch. Y/N has just met Betty, having no long lasting friendship loyalty to her, and she doesn’t even know Archie, but she wouldn’t want to be told on if she was in that situation. “What’s happening out there? Do we know? Is it about me?” Veronica asks hurriedly and Y/N thinks how self-centered that girl has to be to think everything is about her. “I have a strong inkling.”, Jughead says vaguely. “I’d stay out of it if I were you.”, Y/N advises the New Yorker and she looks surprised Y/N even knows what’s going on. “But you’re you and I’m me. You do you, girl. I’ll be back.”, Veronica spits on her way out. Kevin respects their privacy out of fear of the unknown.

Jughead’s point of view

Alice shows up to pick Betty up before things get worse. Archie walks back in to his table as if nothing has happened and Veronica looks both pissed and surprised at the same time. “I’ll leave this to your very capable hands.”, Jug tells Kevin, who is desperate for gossip. “Y/L/N, if we may?”, he says pointing at an empty booth on the other side of the diner and she quickly gets up waving the ones staying good bye. They sit in front of each other, just the two of them. “As it should’ve been all along.”, the beanie-clad boy adds trying to salvage what could’ve been their first date. “Why didn’t you tell me about the Drive-In?” That’s exactly what he’s expecting her to ask. “I wanted to forget about it.”, he says sadly now that the anger has gone. “I want to be able to help you, Jug, but I can’t if you won’t let me.” He can hear the honesty in her voice. “Help me print out and distribute the flyers about the last screening?”, he asks for her assistance. “Absolutely. But we shouldn’t give up yet. We have to hit pause on Jason’s investigation. It’s not like we have any new leads anyways.” He nods in agreement. “We should talk to Mayor McCoy about keeping the Drive-In.”, she suggests and he realizes it would be incredible if they could find a way to change her mind about the sale. He’s also amazed at her tenacity to fight for something that is probably doomed, because it’s the right thing. After all that happened this night, he’s glad he didn’t call it a date. It would’ve been a complete epic fail. He pays for Y/N’s food as she hands him the ticket. “Keep it.”, he tells her. “Give it back to me when you need a free meal.”, she says, putting the piece of decorated paper in his jacket’s pocket. He can feel her finger gently touching his body. If they weren’t in a diner full of people, he would’ve probably kissed her.

Jughead arrives early at school to hand out as many flyers as he can. Archie finds him on one of the hallways and starts rambling about Betty discovering his affair with the music teacher. Jug cares about his friend, but he has more important things in his mind, like the roof over his head that is about to be demolished. Even if he didn’t, saying nothing was the most moral choice. He couldn’t either betray Arch and tell Betty not to do anything or warn the red-haired guy without going against Betty, who wasn’t wrong. He assures his friend Betty wouldn’t do anything to hurt him. Despite everything, he can’t miss the chance for some irony. “We’re both trying to hold on to something much older than us.”, he says, as he glues a poster on the school’s wall with a near perfect drawing of James Dean, made by Y/N, revealing the movie of choice: Rebel Without a Cause. Could he make it more obvious he’s falling for her?

Y/N is waiting for him outside after their last class, for they planned of walking to the town hall and talk to the Mayor. “Interesting friends you have.”, Y/N states, referring to the previous night’s scandal. “Archie and Betty are my friends, the others were just there…” He knows how mean that sounds. “So, only the womanizer jock/musician and the absent-minded blonde? Not the gay kid? Or the deluxe rich girl?”, she hits him with the same level of sarcasm he strikes the world with and they both laugh.

Mayor McCoy is not pleased with their visit and she makes that pretty obvious by not giving them her full attention, messing around with papers they are sure could be dealt with after the 15 minutes they asked for. Jughead looks longingly at the town’s model in the middle of the room and Y/N walks right to the Mayors desk in a stern way, demanding to be heard. “The Drive-In is a piece of this town’s history. You want to throw a 75th Anniversary Jubilee while you destroy our roots?”, Y/N asks with conviction and Jughead doesn’t think he could’ve put it better himself. “It’s called progress, Miss Y/L/N. Do you think we kept everything exactly like it was 75 years ago?”, the Mayor asks like Y/N is a kid and that angers Jughead. “There must be something we can do to keep it.”, he demands with a hint of desperation. “I’m sorry, but the Twilight Drive-In it’s a blight that’s become a cesspool, and a hangout for criminals… and transients.”, she says with little regard to the people who love that place. “And the deal’s done. Andrews Construction is scheduled to demolish the lot on Monday.”, she adds happily like that’s a job well done. “Mayor McCoy, when I was a kid, my family and I would go to the drive-in all the time. We couldn’t afford tickets for everyone, so my sister Jellybean and I would hide in the trunk until we parked. We’d sneak out.”, he chuckles and notices the soft expression on Y/N’s face who was listening attentively. “It’s like I’m home.” He emphasizes the word ‘home’, hoping that a more sentimental way could get to her. “Thank you both for your input on this. But the future of Riverdale is at stake. There’s nothing I can do.” She motions them to the door.

Jughead has the look of defeat all over him. “We’re not giving up. We can talk to Mr. Andrews. If he backs out, it will at least slow it down until we find a permanent solution.” She cups his cheeks talking very close to his, making Jughead’s heart skip a beat. He takes a moment to regain control of his body after she let go of his face. “I should be the one to do it. I’ve been best friends with his son all my life.”, he says trying to find an explanation to why he doesn’t want to involve her in this without having to mention his drunk father. “Makes sense. Let me know how it goes. I have to meet Betty for something anyways.” He thought she would be hurt by being left out but it actually surprised him she has plans with the blonde cheerleader. “Are you guys friends now?”, he asks with jealousy. “I wouldn’t go that far. She asked if I was in for some sleuthing. It’s probably Jason-related and she just wants my opinion.”, she explains. “So, about tomorrow… I can borrow my mom’s car. And I was wondering if you’d like to watch the movie from the audience’s point of view one last time?”, she asks with so much insecurity he thinks it’s cute. “I’d love to. I’ll fix the roll and meet you there.”. He looks at the beautiful smile now forming on Y/N’s face, not realizing he has the same one on.

Y/N’s point of view

Y/N stands at the address Betty texted her. Despite she’s not late yet, the Y/H/C girl has her doubts if she’ll really come or if this was just a prank. Thankfully, before she has time to fall into a panic attack over it, she spots the blonde Nancy Drew walking her way, alongside the raven-haired princess. “So much for letting this go.”, Veronica says as Y/N now realizes they are standing in front of Geraldine’s car. “Wow. Are we really breaking into Grundy’s car right now?” Y/N asks while Betty pulls out a slim jim out of her bag. ”How do you even know how to do that?”, Veronica asks whispering and looking around. “My dad and I fix cars together. Thank God, she drives an old…” Betty looks at the other girls with a proud look since she has successfully opened the blue beetle’s door and they all get in. “I have to say, when you said sleuthing I figured it was about Jason and not breaking in the music teachers car.”, Y/N whispers and Betty quickly looks around the car. “If I’m committing a felony, I need at least to ask the question. Are you doing this because you still have feelings for Archie, or…”, Veronica asks and that makes Y/N huff and fall back on her seat felling her body hit something. “No. We’re doing this because Grundy has Archie under some kind of sexual spell, and he won’t listen to reason. We’re looking for anything that proves Grundy isn’t as clean as she says she is.” Betty says. “Probably what you’re looking for.”, Y/N says and hands her a lock box she found on the back seat and Betty expresses a deep ‘thank you’ with her eyes. “Bobby pin.” She looks at Veronica who obviously had many hidden around her perfect wavy hair. “Ok, Ms. Gyver.” Veronica hands her the bobby pin and she masterfully opens the lock. “Nancy Drew detective handbook?” Y/N asks impressed. “Yeah!” Betty is proud to be compared to such a wonderful writer. She opens the box pulling out a driver’s license with the name “Jeniffer Gibson” and Ms. Grundy’s picture making the girls question the teachers real identity. However, what really surprises them is the gun Betty pulls out. They hear noises in the house. “We gotta go.” Y/N urges, already opening her door with as much care not to make a noise as she does when sneaking out of her room when her parents are home. Those little outlaws leave.

Betty convinced them they should tell Archie about what they found. Y/N really wants to be left out of it as she doesn’t even know Archie. But she was involved in it either she likes it or not. Obviously the red-haired wasn’t too pleased about the illegal actions the girl took, but he couldn’t deny that it’s suspicious for his lover to have an ID with a different name and a gun, considering a student was shot. He said he’d deal with the situation on his terms, not Betty’s, and Y/N thinks he’s right. Even if what the lovers are doing is wrong, it’s not their business. They leave with a very angry Archie slamming the door on them.

Y/N hadn’t looked at her phone while she was out breaking the law with Betty and Veronica, so when she get’s home, there are a few texts to answer. She skips her mom’s, going directly to Jughead’s.

From: Jughead

No luck with Mr. Andrews.

From: Y/N

Then let’s think of something else.

He doesn’t reply after that and she’s sure it’s because it must be a lot to take in. She has a lot of unfinished homework to get to. Since they became friends, she’s been spending her time in getting to know him rather than schoolwork. Fact is her parents wouldn’t be pleased if her grades started getting lower, which creates a strong conflict, because she really wants to keep his friendship. Y/N decides to sleep a bit less to try to make everyone happy, including herself, by making a cup of coffee to get her through those papers. She eventually falls asleep on the desk with only a few words left to write on her last essay.

Y/N takes one last look at herself in the mirror before leaving for the Drive-In. She’s not usually worried about her clothes the way Veronica and Cheryl are, because she feels there are more important things than appearance, but right now she wants to look good. She chooses a black see-through buttoned-down shirt that barely shows her bralette underneath, a red wine jacket, dark gray skinny jeans and simple converse shoes. She lets her Y/H/C hair loose and natural. The girl even attempts on wearing some lipstick, giving up at last because it feels too much.

She arrives quite excited at the Twilight, only second to the Serpents, who were probably there a lot earlier. Looking at the big sign showing “Rebel Without A Cause” makes her blush. The girl parks her mom’s 1967 Impala in the middle of the field where the lights from the concession stand won’t be visible and the noise from the gang won’t be too loud. The smell of fresh popcorn fills her nostrils and she buys two buckets, since Jughead will be joining her. Not too long goes by and the whole space is filled with cars. It has been a while since the Drive-In is this crowded. So sad to think it will be the last time.

Half the movie has gone by and Jughead is still in the projection booth. Y/N wonders if she’ll be stood up one more time. The Serpents are being loud and obnoxious, making it hard to hear what the characters are saying. Thankfully, Y/N has watched it many times before, enough to memorize the lines. She can faintly hear someone screaming back to the gangers, telling them to shut up. When she looks behind her, she sees Verocina sitting back down in Kevin’s truck. Everyone hunks in agreement.

The passenger door opens and Jughead sits next to her. “Took you long enough.”, she says, handing him a half empty bucket of popcorn. “Yeah, I ate it.” He chuckles, resting his hand on the back of the seat. “Smooth.” She thinks, glad he did that. Jim has just kissed Judie and Y/N faces him. He’s leaning in, getting closer to her face, brushing the locks of hair away from her face, glancing at her lips. She’s desperately waiting for him to finally reach her. Perfect mere inches from contact are ruined by one of the Serpents turning on his bike to leave and the noise makes him back away, quickly opening the car door. “I should get back to check on the film...” Before she even has a chance to reply, he’s already out of sight.

Jughead’s point of view

Joghead closes the projection booth and slides down till he hits the ground. “What the fuck was that?” He has never kissed anyone, never even wanted to. But then there he was, just about to do it, and he truly wished it had happened. Best of all, he could see she did too. If that darn bike hadn’t made him self-conscious of the risks of his actions, he probably would’ve. He’s not used to being scared, so he just left her there to be alone in his safe haven one last time, but in deep regret.

The movie ends and the loud noise of cars leaving makes him look from the small window at the field. Her car is the only one still parked. Jug wants to go down, but he can’t face her now. His phone buzzes.

From: Y/N

Do you need a ride?

From: Jughead

Nah, thanks. I still gotta fix some stuff, it’s gonna take a while.

From: Y/N

Ok. Good night, Jug. Sorry we couldn’t save the Drive-in.

He’s relieved at her messages. He was expecting her to be mad but it seems as if she could read his mind and know he was just afraid of being rejected. Jughead watches her driving away, wanting to scream for her to come back. Instead, he keeps his mouth shut with dread. He proceeds to pack his bag with whatever he can make fit, mentally preparing to leave for good in the morning, not even sure yet where he’ll go to, his dad’s place being the last one on the list. When he finally lays down, both his mind and body are tired and he falls asleep immediately, letting his unconsciousness continue the act he left unfinished earlier.

He grabs his heavy bag containing all his belongings and some souvenirs from the Drive-In. He takes a look at the walls that were about to be destroyed and he wants to add something of himself to that place. He tags “Jughead Jones Wuz Here” adding a crown on top with spray paint. After leaving his mark on the world, he’s ready to leave but is met face to face with the Southside Serpents’ leader. Anyone else in his place would probably shiver, but he was at ease. After all, the man standing in front of him is his father. FP may be an alcoholic gang-banger, but he truly cares about his son. He ensures his father he will be fine, mostly trying to convince himself. And he leaves The Twilight Drive-In without looking back.

#Jughead Jones #Jughead Jones x Reader #Riverdale #Riverdale Imagine #Jughead Jones Imagine #Forsythe Pendleton Jones III #Thank you mom for proofreading #thank you jugheadxreaderinyourhead for being awesome #Jughead x Reader #Riverdale Imagines #Jughead Jones Imagines #Juggie Jones #fanfic #imagine #Jughead Jones III

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ethelbertpaul444-blog · 7 years ago

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The NFLs plan to protect America from witches | Kareem Abdul-Jabbar

The NFLs cheerleader problem demoes exactly whats wrong with the tournaments handling: They insist on being the self-appointed keepers of Americas mythological dream of itself

Witches, being. Only when you thought we were safe from their malignant force on America’s virtue, the NFL has proven we are still in real danger from their dark superpowers. It is fortunate for our country’s moral fiber that the NFL has continued current in their reading, channeling Heinrich Kramer’s 1487 book, Malleus Maleficarum (” The Hammer of Witches “), which was the go-to DIY text in many countries for attending witch experiments and public hangings. As a make, an estimated 40,000 to 50,000 hags were put to death, about 80% of which were females. Why so many dames? Kramer explains that it’s because a woman” is more carnal than lover, as is evident in connection with many filthy carnal ordinances “. He believed that the sexual desire lovers find while examining the status of women who was not their wife was due to the vixen giving magic spells to invite them. As penalty, these sex sirens is necessary, if not beheaded, drowned, or hanged, at the least fired from their cheerleading jobs.

Bailey Davis, the 22 -year-old onetime New Orleans Saint cheerleader, was lately shot for infringing squad social media rules by announcing an Instagram photo of herself in one-piece lingerie that proves as much bark as a one-piece swimsuit in a Nordstrom’s ad, and a lot less than their cheerleading attires. She has since entered individual complaints with the Equal Employment Opportunity Commission for gender discrimination. When she spoke to a representative from the Saints’ human resources function agency, he complained that in her photo she had a “dirty face”( clear proof she was shedding her incantation impelling honourable soldiers to” filthy carnal achievements “) and that he’d never earmark his granddaughters to announce something like that.

Grandpa’s boastful Lord Tywin Lannister answer encapsulates exactly what’s wrong with NFL management: They insist on being the self-appointed defenders of America’s mythological vision of itself. Malt supermarkets on every angle, Pat Boone crooning on the jukebox, and modestly garmented maidens be standing with knees fixed together waiting to be asked to prom. This 1950 s, Father Knows Best soundstage fantasy doesn’t stop with paternalistic and puritan gender stereotypes, but likewise promotes naive notions about hasten and patriotism. The NFL’s anachronistic reveries aren’t just a unwise is making an effort to pander to what they see their diehard love demand, but likewise assignments the hard-core republican values of the mostly rich, white-hot one-percenters who own the teams. We must live in their Disneyland- or else.

These powerful Citizen Kanes- isolated from contemporary American culture by opulence and self-importance- still think of the country as it appears in old-fashioned Archie comics, where teen hijinks guideline the day , not the current version in the TV succession Riverdale, where Archie has fornication with Ms Grundy. Where the Parkland students single-handedly extend a nationwide government coup. Where young girls and women launch #MeToo and #TimesUp shifts that totter high-powered gropers in business and government- perhaps even a president.

In their Pleasantville fantasy, athletes still ” Shut up and dribble “( or, in their case,” Shut up and tackle “). That’s because the majority of those jocks who speak up or stoop down in the real world are people of color calling attention to profound life-and-death unfairness across the country, daily demeaning and life-threatening bias that most these owners never have to face and therefore had not yet been personal stake in. Strives to silence musicians who refuse to accept their designated personas fits right in with owners’ smarmy manipulation of the status of women cheerleaders through discriminatory Jane Crow ” rules “.

The country “wouldve been” scandalized if a team’s principles stated that if a black participate was eating at a eatery and a grey player strolled in, the black participate would have to leave the restaurant. Yet, those are the rules for Saints’ cheerleaders, who must leave a eatery they are eating at if a Saints player arrives. We would be equally outraged if an enterprise demanded that position personnels address top executives exclusively with “hello” and “you’re wonderful”. Yet the Saint’ cheerleaders are restricted to saying only “hello” and” great game” to musicians. Other regulations about force, makeup, body mane, tampon use and forbidding sweatpants in public make it seem as if the Saints watched The Handmaid’s Tale and reckoned,” They exactly don’t go far enough .” In other statements, shut up and jiggle.

These highly trained and skilled girls are being told that the NFL really wants to protect them from sex predators, peculiarly NFL players. Like the grouchy granddad in human resources who wouldn’t “allow” his granddaughters to announce photos he doesn’t expressed support for, the NFL wants to be their( creepy? pimpy ?) daddy. These are adult women who should be permitted to make their own decisions about who they contact and who they don’t, extremely since the players have no such restrictions. A cheerleader constitutes in meagre lingerie and she’s shot; a player thumps out his wife on video and is suspended for two activities. Boys will be boys, but girls must be what the NFL tells them to be.

For required flows like #MeToo and #TimesUp to thrive, Americans have to recognize that how we are dealing with girls in high-profile recreation contributes to the adverse perception that walls them in and diminishes their contribution to society. Less compensate contacts less appreciate. Action patterns that treat them like brats humiliate their ability. Yet, the NFL doesn’t mind exploiting the sensual the characteristics of these women for monetary advantage. Because nothing reads healthful household entertainment than lithe young women in stingy short-liveds and throwing pinnacles doing the separates. I’m sure 13 -year-old Jimmy and his leering father are watching their industrious action seeing simply the purest of concludes. So, this moral umbrage over an Instagram photo is the height of hypocrisy.

The NFL continues doddering down the road leading to artistic irrelevancy. Ticket auctions are down, video audiences are smaller, nervousnes of concussions is causing more mothers are maintaining their adolescents from dallying football, and four nations are considering banning attack football for participates under 12. Instead of cuddling the real world, crew proprietors mistakenly think they can hold on to their supporter cornerstone by holding back the mitts of progress. Apparently, they never watched Get Straight( 1970 ), set in the days of national riotous student complains. In it, grad student Harry Bailey( played by Elliott Gould ), with furious students rioting all around them, informs his frightened and oblivious profs,” Let move! Stop trying to hold back the pass of the clock. It’ll tear your arms out !”

* This article was modified on 6 April 2018 to correct a section mentioning Lord Tywin Lannister. The original version invoked Lord Tyrion Lannister.

Read more: https :// www.theguardian.com/ play/ 2018/ apr/ 06/ the-nfls-plan-to-protect-america-from-witches

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trendingnewsb · 7 years ago

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The NFLs plan to protect America from witches | Kareem Abdul-Jabbar

The NFLs cheerleader problem shows exactly whats wrong with the leagues management: They insist on being the self-appointed guardians of Americas mythological vision of itself

Witches, man. Just when you thought we were safe from their malignant influence on Americas virtue, the NFL has proven we are still in real danger from their dark powers. It is fortunate for our countrys moral fiber that the NFL has kept current in their reading, channeling Heinrich Kramers 1487 tome, Malleus Maleficarum (The Hammer of Witches), which was the go-to DIY text in many countries for conducting witch trials and public executions. As a result, an estimated 40,000 to 50,000 witches were put to death, about 80% of which were females. Why so many women? Kramer explains that its because a woman is more carnal than man, as is clear in connection with many filthy carnal acts. He believed that the sexual desire men felt when looking at a woman who was not their wife was due to the vixen casting magic spells to tempt them. As punishment, these sexual sirens must be, if not beheaded, drowned, or hanged, at least fired from their cheerleading jobs.

Bailey Davis, the 22-year-old former New Orleans Saints cheerleader, was recently fired for violating team social media rules by posting an Instagram photo of herself in one-piece lingerie that shows as much skin as a one-piece swimsuit in a Nordstroms ad, and a lot less than their cheerleading outfits. She has since filed a complaint with the Equal Employment Opportunity Commission for gender discrimination. When she spoke to a representative from the Saints human resources department, he complained that in her photo she had a dirty face (clear proof she was casting her spell compelling virtuous men to filthy carnal acts) and that hed never allow his granddaughters to post something like that.

Grandpas pompous Lord Tywin Lannister response encapsulates exactly whats wrong with NFL management: They insist on being the self-appointed guardians of Americas mythological vision of itself. Malt shops on every corner, Pat Boone crooning on the jukebox, and modestly dressed virgins sitting around with knees clamped together waiting to be asked to prom. This 1950s, Father Knows Best soundstage fantasy doesnt stop with paternalistic and puritanical gender stereotypes, but also promotes simplistic notions about race and patriotism. The NFLs anachronistic fancies arent just a misguided attempt to pander to what they think their traditionalist fans want, but also projects the hard-core conservative values of the mostly rich, white one-percenters who own the teams. We must live in their Disneyland or else.

These powerful Citizen Kanes isolated from contemporary American culture by wealth and self-importance still think of the country as it appears in old-fashioned Archie comics, where teen hijinks rule the day, not the current version in the TV series Riverdale, where Archie has sex with Ms Grundy. Where the Parkland students single-handedly lead a nationwide political revolution. Where young girls and women launch #MeToo and #TimesUp movements that topple high-powered gropers in business and government perhaps even a president.

In their Pleasantville fantasy, athletes still Shut up and dribble (or, in their case, Shut up and tackle). Thats because the majority of those athletes who speak up or kneel down in the real world are people of color calling attention to profound life-and-death inequities across the country, daily humiliating and life-threatening inequities that most these owners never have to face and therefore have no personal stake in. Attempts to silence players who refuse to accept their assigned roles fits right in with owners smarmy manipulation of the women cheerleaders through discriminatory Jane Crow laws.

The country would be outraged if a teams rules stated that if a black player was eating at a restaurant and a white player walked in, the black player would have to leave the restaurant. Yet, those are the rules for Saints cheerleaders, who must leave a restaurant they are eating at if a Saints player arrives. We would be equally outraged if a company demanded that office personnel address top executives only with hello and youre wonderful. Yet the Saints cheerleaders are restricted to saying only hello and great game to players. Other restrictions about weight, makeup, body hair, tampon use and forbidding sweatpants in public make it seem as if the Saints watched The Handmaids Tale and thought, They just dont go far enough. In other words, shut up and jiggle.

These highly trained and skilled women are being told that the NFL just wants to protect them from sexual predators, particularly NFL players. Like the grumpy grandpa in human resources who wouldnt allow his granddaughters to post photos he doesnt approve of, the NFL wants to be their (creepy? pimpy?) daddy. These are adult women who should be permitted to make their own decisions about who they contact and who they dont, especially since the players have no such restrictions. A cheerleader poses in modest lingerie and shes fired; a player knocks out his wife on video and is suspended for two games. Boys will be boys, but girls must be what the NFL tells them to be.

For necessary movements like #MeToo and #TimesUp to thrive, Americans have to recognize that how we treat females in high-profile entertainment contributes to the detrimental perception that walls them in and diminishes their contribution to society. Less pay communicates less value. Forcing rules that treat them like children demeans their intellect. Yet, the NFL doesnt mind exploiting the sensual attributes of these women for financial gain. Because nothing says wholesome family entertainment than lithe young women in skimpy shorts and plunging tops doing the splits. Im sure 13-year-old Jimmy and his leering father are watching their energetic performance thinking only the purest of thoughts. So, this moral umbrage over an Instagram photo is the height of hypocrisy.

The NFL continues doddering down the path to cultural irrelevancy. Ticket sales are down, television audiences are smaller, fear of concussions is causing more parents are keeping their kids from playing football, and four states are considering banning tackle football for players under 12. Instead of embracing the real world, team owners mistakenly think they can hold on to their fan base by holding back the hands of progress. Apparently, they never watched Getting Straight (1970), set in the days of nationwide tumultuous student protests. In it, grad student Harry Bailey (played by Elliott Gould), with angry students rioting all around them, warns his frightened and oblivious professors, Let go! Stop trying to hold back the hands of the clock. Itll tear your arms out!

This article was amended on 6 April 2018 to correct a paragraph mentioning Lord Tywin Lannister. The original version referenced Lord Tyrion Lannister.

Read more: https://www.theguardian.com/sport/2018/apr/06/the-nfls-plan-to-protect-america-from-witches

from Viral News HQ https://ift.tt/2HiSyKF via Viral News HQ

#IFTTT #Viral News HQ

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thevillain-s · 7 years ago

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#necromonicon #hp lovecraft #Horror #Halloween #Afterlife With Archie #Sabrina Spellman #comics #h.p. lovecraft #evil dead #cthulhu #zelda spellman #sabrina the teenage witch #riverdale #CW #ARCHIE HORROR #DIY #Spell book

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science-criticaltheory · 7 years ago

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The NFL’s Plan to Protect America from Witches by Kareem Abdul-Jabbar

‘A cheerleader poses in modest lingerie and she’s fired; a player knocks out his wife on video and is suspended for two games. Boys will be boys, but girls must be what the NFL tells them to be.’ Photograph: Ronald Martinez/Getty Images

The NFL’s cheerleader problem shows exactly what’s wrong with the league’s management: They insist on being the self-appointed guardians of America’s mythological vision of itself.

Witches, man. Just when you thought we were safe from their malignant influence on America’s virtue, the NFL has proven we are still in real danger from their dark powers. It is fortunate for our country’s moral fiber that the NFL has kept current in their reading, channeling Heinrich Kramer’s 1487 tome, Malleus Maleficarum (“The Hammer of Witches”), which was the go-to DIY text in many countries for conducting witch trials and public executions. As a result, an estimated 40,000 to 50,000 witches were put to death, about 80% of which were females. Why so many women? Kramer explains that it’s because a woman “is more carnal than man, as is clear in connection with many filthy carnal acts”. He believed that the sexual desire men felt when looking at a woman who was not their wife was due to the vixen casting magic spells to tempt them. As punishment, these sexual sirens must be, if not beheaded, drowned, or hanged, at least fired from their cheerleading jobs.Bailey Davis, the 22-year-old former New Orleans Saints cheerleader, was recently fired for violating team social media rules by posting an Instagram photo of herself in one-piece lingerie that shows as much skin as a one-piece swimsuit in a Nordstrom’s ad, and a lot less than their cheerleading outfits. She has since filed a complaint with the Equal Employment Opportunity Commission for gender discrimination. When she spoke to a representative from the Saints’ human resources department, he complained that in her photo she had a “dirty face” (clear proof she was casting her spell compelling virtuous men to “filthy carnal acts”) and that he’d never allow his granddaughters to post something like that.

Grandpa’s pompous Lord Tyrion Lannister response encapsulates exactly what’s wrong with NFL management: They insist on being the self-appointed guardians of America’s mythological vision of itself. Malt shops on every corner, Pat Boone crooning on the jukebox, and modestly dressed virgins sitting around with knees clamped together waiting to be asked to prom. This 1950s, Father Knows Best soundstage fantasy doesn’t stop with paternalistic and puritanical gender stereotypes, but also promotes simplistic notions about race and patriotism. The NFL’s anachronistic fancies aren’t just a misguided attempt to pander to what they think their traditionalist fans want, but also projects the hard-core conservative values of the mostly rich, white one-percenters who own the teams. We must live in their Disneyland – or else.

These powerful Citizen Kanes – isolated from contemporary American culture by wealth and self-importance – still think of the country as it appears in old-fashioned Archie comics, where teen hijinks rule the day, not the current version in the TV series Riverdale, where Archie has sex with Ms Grundy. Where the Parkland students single-handedly lead a nationwide political revolution. Where young girls and women launch #MeToo and #TimesUp movements that topple high-powered gropers in business and government – perhaps even a president.

In their Pleasantville fantasy, athletes still “Shut up and dribble” (or, in their case, “Shut up and tackle”). That’s because the majority of those athletes who speak up or kneel down in the real world are people of color calling attention to profound life-and-death inequities across the country, daily humiliating and life-threatening inequities that most these owners never have to face and therefore have no personal stake in. Attempts to silence players who refuse to accept their assigned roles fits right in with owners’ smarmy manipulation of the women cheerleaders through discriminatory Jane Crow “laws”.

The country would be outraged if a team’s rules stated that if a black player was eating at a restaurant and a white player walked in, the black player would have to leave the restaurant. Yet, those are the rules for Saints’ cheerleaders, who must leave a restaurant they are eating at if a Saints player arrives. We would be equally outraged if a company demanded that office personnel address top executives only with “hello” and “you’re wonderful”. Yet the Saints’ cheerleaders are restricted to saying only “hello” and “great game” to players. Other restrictions about weight, makeup, body hair, tampon use and forbidding sweatpants in public make it seem as if the Saints watched The Handmaid’s Tale and thought, “They just don’t go far enough.” In other words, shut up and jiggle.

These highly trained and skilled women are being told that the NFL just wants to protect them from sexual predators, particularly NFL players. Like the grumpy grandpa in human resources who wouldn’t “allow” his granddaughters to post photos he doesn’t approve of, the NFL wants to be their (creepy? pimpy?) daddy. These are adult women who should be permitted to make their own decisions about who they contact and who they don’t, especially since the players have no such restrictions. A cheerleader poses in modest lingerie and she’s fired; a player knocks out his wife on video and is suspended for two games. Boys will be boys, but girls must be what the NFL tells them to be.

For necessary movements like #MeToo and #TimesUp to thrive, Americans have to recognize that how we treat females in high-profile entertainment contributes to the detrimental perception that walls them in and diminishes their contribution to society. Less pay communicates less value. Forcing rules that treat them like children demeans their intellect. Yet, the NFL doesn’t mind exploiting the sensual attributes of these women for financial gain. Because nothing says wholesome family entertainment than lithe young women in skimpy shorts and plunging tops doing the splits. I’m sure 13-year-old Jimmy and his leering father are watching their energetic performance thinking only the purest of thoughts. So, this moral umbrage over an Instagram photo is the height of hypocrisy.

The NFL continues doddering down the path to cultural irrelevancy. Ticket sales are down, television audiences are smaller, fear of concussions is causing more parents are keeping their kids from playing football, and four states are considering banning tackle football for players under 12. Instead of embracing the real world, team owners mistakenly think they can hold on to their fan base by holding back the hands of progress. Apparently, they never watched Getting Straight (1970), set in the days of nationwide tumultuous student protests. In it, grad student Harry Bailey (played by Elliott Gould), with angry students rioting all around them, warns his frightened and oblivious professors, “Let go! Stop trying to hold back the hands of the clock. It’ll tear your arms out!”

#witches #nfl #making america great

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kentnaturaltribrid · 2 months ago

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Left: Autumnal color only (Gold)

Right: Winter color only (Silver)

Left is a Snake/Serpent. Right is just one letter. Each one letter stands for something, this one, is a B. And in that case, I was thinking straight up Blossom 🌸, Bavorken, And Bells. Though, mainly Blossom and Black. I wasn’t exactly looking to do much with the last few letters but hoping they pop well enough, especially since still have at least one L, and then multiple other letters that which are available. Might have something in December or November. Now that mostly finished and could only get at least this week a C finished and then still got lots more to those, just need an A and then everything should work out, might see if there’s time for something, but busy up until October 31.

For the most part that is.

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makeuptips10-blog · 6 years ago

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DIY Halloween Costumes That Are Genuinely Cute (and Worth the Effort)

New Post has been published on https://www.claritymakeupartistry.com/diy-halloween-costumes-that-are-genuinely-cute-and-worth-the-effort/

DIY Halloween Costumes That Are Genuinely Cute (and Worth the Effort)

DIY Halloween costumes might sound lackluster, daunting—or like a total waste of your time. Doing cat makeup gets seriously old after a while, and throwing a witch hat over a black-on-black ensemble is so uninspired it hardly gets you in the holiday spirit.

But if you don’t have the budget (or time) to throw together a totally legit costume, what are you to do?

A simple solution to this problem is to peruse Instagram, Pinterest and your favorite bloggers’ websites until you have a shortlist of DIY costumes that are as cute as they are budget-friendly. A simpler solution is to let us do the work for you—which (naturally) we have.

The below slideshow is chock-full of the best DIY costumes social media has to offer. All of them are cute, relevant and totally on-trend. And even better: They’ll look great on Instagram.

These minimal-effort, but veritably stylish DIY Halloween costumes are sure to garner tons of compliments from your friends (and even more likes from your followers). If that’s not a win-win, we don’t know what is.

So click through and find your go-to look for October 31—and the Friday and Saturday before. (Come on, we all know Halloween is a multi-party event.)

A version of this story was originally published in May 2015.

Gen Z Yellow

A simple costume—and so on-trend. Bonus points if you complete the look with tiny sunglasses.

Photo: Christian Vierig/Getty Images.

Millennial Pink

In case you’re more into pink.

Photo: Instagram/@styled.by.my.official.

Starry Night

Because you know you want the most stellar costume around.

Photo: Mary Costa Photography/Studio DIY.

‘Clueless’

Get your friends together and fight over who gets to be Cher—or just be an army of Chers.

Photo: Instagram/@helenapashos.

Disco Ball

Find your sparkliest silver dress and shine bright like a diamond. If you want to get creative, carry a mini disco ball or find mosaic accessories to rock.

Photo: Instagram/@fancyseeingsarah.

Iris Apfel

You might not be able to be Iris Apfel, but you can certainly dress up as her for the night. Grab oversized glasses, a white wig and pile on those accessories.

Photo: Instagram/@thenoenteaparty.

’80s Workout

The ’80s are making a serious comeback this year. Take advantage of the opportunity to combine your favorite statement-making pieces into a seriously maximalist ensemble.

Photo: Instagram/@pogodavisuals.

Betty Cooper from ‘Riverdale’

This costume is super simple—and just as easy to pull off. Pull out your preppiest attire, throw your hair into a high ponytail and voila. (You could always shop the Betty and Veronica collection if you want an extra something.)

Photo: Instagram/@natasha_tennyson.

Victoria’s Secret Angel

Channel your inner Karlie Kloss, and sport some angel wings over your favorite sleep shirt.

Photo: Pepperpout.

Blair and Serena from ‘Gossip Girl’

Because you know you love them, XOXO.

Photo: Champagne and Chanel.

OK, so you might have to leave your arms up all night. But worth it to look this cute, right?

Photo: @afab_ulous/Instagram.

Frida Kahlo

Dressing as an iconic feminist never goes out of style.

Photo: @kuninfeltbrand/Instagram.

Instagram Influencer

OK, so this is technically a costume you can buy at Urban Outfitters. But you could totally DIY this if you wanted to.

Photo: Urban Outfitters.

Next slideshow starts in 10s

11 Facial Massage Tools That Aren’t a Jade Roller

Source: http://stylecaster.com/8-diy-halloween-costumes/

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singlemamaco · 8 years ago

Text

Could Sabrina The Teenage Witch Be Coming To Riverdale?: The CW's Riverdale has brought us some of our…… https://t.co/RPo5Tqdsc6

Could Sabrina The Teenage Witch Be Coming To Riverdale?: The CW's Riverdale has brought us some of our… https://t.co/WHvPS9cWym #diy #design http://pic.twitter.com/FayyaS8lhk

— SingleMama Design Co (@singlemamaco) February 3, 2017

from Twitter https://twitter.com/singlemamaco February 03, 2017 at 02:13PM via IFTTT

#@singlemamaco

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kentnaturaltribrid · 2 months ago

Text

Worlds apart, heart’s broken in two, two…..

Finished up earlier this one with the gold color wire around the silver wire. Still thinking on the next piece or project pieces that need doing, if time permits.

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trendingnewsb · 7 years ago

Text

The NFLs plan to protect America from witches | Kareem Abdul-Jabbar

The NFLs cheerleader problem shows exactly whats wrong with the leagues management: They insist on being the self-appointed guardians of Americas mythological vision of itself

This article was amended on 6 April 2018 to correct a paragraph mentioning Lord Tywin Lannister. The original version referenced Lord Tyrion Lannister.

Read more: https://www.theguardian.com/sport/2018/apr/06/the-nfls-plan-to-protect-america-from-witches

from Viral News HQ https://ift.tt/2HiSyKF via Viral News HQ

#IFTTT #Viral News HQ

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