#Richard de Bordeaux
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bouquinovore · 2 years ago
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En Route pour l'Aventure
Diffusé a partir de 1988, dans le cadre de l'émission Youpi ! L'école est finie, on découvre le programme “En Route pour l’Aventure” sur La Cinq. Emission qui deviendra culte autant pour son contenu que son générique, grâce au partenarait publicitaire..
Titre: En route pour l’Aventure Interpréte : Jean-Jacques Cramier Auteur / Compositeur : Richard de Bordeaux, Claude Engel, Richard Gotainer Émission : En route pour l’aventure / Youpi ! L’école est finie Référence : 11.163 Type de support : Disque vinyle Vitesse : 45 tours Taille : 7’’ Label : Adès / La 5 Année : 1988 Face 1 : Générique En route pour l’aventure Interprète: Jean-Jacques…
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waugh-bao · 1 year ago
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camisoledadparis · 3 days ago
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THIS DAY IN GAY HISTOR
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … January 6
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1367 – Richard II of England (d.1400), born Prince Richard of Bordeaux was the second, but only surviving child, of Edward, Prince of Wales (also known as the Black Prince and the eldest son and heir of King Edward III) and his wife, in Bordeaux, Gascony, where the Black Prince was serving at the time. At the age of four, Richard became second in line to the throne upon the death of his elder brother, Edward of Angouleme, and heir apparent when his father, the Black Prince, died five years later (1376). Richard was dubbed a Knight of the Garter by his grandfather only months before the old king died on June 21, 1377. With the death of Edward III, Richard ascended the throne as King Richard II at the young age of ten.
Richard was deemed fit to govern and a series of councils were set up to conduct business in the king's name for the next three years. When the first of these councils met, not only was John of Gaunt, Richard's powreful uncle left out, but also the king's other remaining uncles, Edmund of Langley and Thomas of Woodstock, the Earls of Cambridge and Buckingham respectively. But although John of Gaunt had no official title in Richard's government, he was to remain a leading and influential political figure for nearly the entire reign, though he and the king would not be without their differences.
The young Richard managed to weather a number of crises, including the Peasant's Revolt at the ripe old age of 14. During the following years, the king gradually came of age and moved closer to reaching his majority reign. It was also during this period that he began to come under the influence of a small group of courtiers that were to greedily consume all of his attentions. This group consisted of three primary figures: Sir Simon Burley, the king's tutor since he was a young child; Michael de la Pole, the king's chancellor and Earl of Suffolk after 1385; and Robert de Vere, Earl of Oxford, whom Richard would ultimately upgrade to Marquis and, soon after, Duke of Ireland.
Richard's close friendship to DeVere was disagreeable to the political establishment. This displeasure was exacerbated by the earl's elevation to the new title of Duke of Ireland in 1386. The chronicler Thomas Walsingham suggested the relationship between the king and DeVere was of a homosexual nature, possibly due to a resentment Walsingham had toward the king.
On top of this, it was also wondered whether Richard was a homosexual since he never bore any children. When thinking of the reign of Richard II, it is difficult not to compare it with that of his great-grandfather, Edward II (another supposed homosexual). Like Edward, Richard had difficulty making decisions for himself and came to be dependent on a small group of favorites for advice, usually bad advice, to run the realm.
This reliance on favorites turned the nobility against him, and he was eventually deposed by Henry IV, and died in captivity in 1400.
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1412 – Joan Of Arc, Roman Catholic Saint and national heroine of France (this is a legendary date) (d.1431); Joan wore men's clothing between her departure from Vaucouleurs and her abjuration at Rouen. This raised theological questions in her own era and raised other questions in the twentieth century. The technical reason for her execution was a biblical clothing law. The nullification trial reversed the conviction in part because the condemnation proceeding had failed to consider the doctrinal exceptions to that stricture.
Doctrinally speaking, she was safe to disguise herself as a page during a journey through enemy territory and she was safe to wear armor during battle. The Chronique de la Pucelle states that it deterred molestation while she was camped in the field. Clergy who testified at her rehabilitation trial affirmed that she continued to wear male clothing in prison to deter molestation and rape. Preservation of chastity was another justifiable reason for cross-dressing: her apparel would have slowed an assailant, and men would be less likely to think of her as a sex object in any case.
She referred the court to the Poitiers inquiry when questioned on the matter during her condemnation trial. The Poitiers record no longer survives but circumstances indicate the Poitiers clerics approved her practice. In other words, she had a mission to do a man's work so it was fitting that she dress the part. She also kept her hair cut short through her military campaigns and while in prison. Her supporters, such as the theologian Jean Gerson, defended her hairstyle, as did Inquisitor Brehal during the Rehabilitation trial.
Because Joan wore men's clothes and armor, scholars have speculated about her gender identity and sexuality. Did Joan wear male apparel because she was transgendered? Or did she do so in order to be taken seriously by the men whose support she needed to carry out the orders given by her visions? Was Joan a lesbian or bisexual, if those English terms may be applicable to a French woman living almost six hundred years ago? What relationship did her gender expression have with her sexuality? What about Joan's emphasis throughout her life on her virginity?
It is difficult adequately to address these personal issues based on the historical evidence that we now possess. It is clear, however, that Joan's cross-dressing was a significant part of her life, and that as a cross-dressed warrior and military leader she was venerated by French royalty, soldiery, and peasantry alike.
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1854 – English fictional detective, born; What!? Sherlock Holmes? Why include the famous, hawk-nosed detective, a figment of Sir Arthur Conan Doyle's fertile imagination? Why? Because almost no one realizes that Sherlock Holmes, whom his creator almost named "Sherinford," was Gay.
He was, of course, the first consulting detective, a vocation he followed for 23 years. In January 1881, he was looking for someone to share his new digs at 221B Baker Street, and there being no personal ads in the Village Voice or The Advocate (remember those?) in those days, a friend introduced him to Dr. John H. Watson.
Before agreeing to share the flat, the two men, immediately attracted to one another, listed their respective character deficiencies. Holmes admitted to smoking a smelly pipe, although he didn't mention that he was a frequent user of cocaine. Watson owned up to a peculiar habit of leaving his bed at odd hours of the night.
"I have another set of vices," he admitted, but, then, so did Sherlock. The two became friends and roommates for the rest of their lives. For the sordid details of the famous marriage of true minds that followed, read Rex Stout's astonishing "Watson Was Woman," in which the famous creator of Nero Wolfe (himself hardly a paragon of butch studliness) reveals that Watson and Holmes were the most extraordinary Gay team in sleuthing history.
In 1971, The Traveller's Companion, Inc., an affiliate of Olympia Press, published a book based on the assumption that Holmes and Watson were lovers: The Sexual Adventures of Sherlock Holmes. Claiming to be from a newly-discovered secret cache of John Watson's papers, the book retells, very erotically, some of the original stories. It is hard-core gay porn at its best!
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1961 – Bill Hayes is an American non-fiction writer and photographer. He has written four books – Sleep Demons, Five Quarts, The Anatomist, and Insomniac City – and has produced one book of photography, How New York Breaks Your Heart. His freelance writing has appeared in a number of periodicals, most notably The New York Times.
Hayes was born in Minneapolis, Minnesota, the fifth of six children, five of them girls. He remains close with his sisters. His mother Jean was an artist; his father John a military man who had lost an eye as a paratrooper in the Korean War. When Bill was three, the family moved to Spokane, Washington, where his father bought a Coca-Cola bottling plant. His mother opened an art school, where Hayes learned to develop and print film. Hayes was close with his maternal grandmother, Helen, from the age of eleven until he left home for college. In high school, Hayes was drawn to the writing of Joan Didion. Hayes attended Santa Clara University in California.
Hayes knew he was gay at a young age, though he had relationships with women in high school and college. He came out at age 24, and considers his orientation to be a core part of his identity.
Hayes' father never accepted him as a gay man and did not maintain a relationship with him, but when John Hayes developed dementia, he came to believe Bill was an old Army friend, and spoke with him warmly. Bill's mother also suffered with dementia until her death in 2011.
Hayes lived in San Francisco for many years, where he worked at the San Francisco AIDS Foundation. His partner of sixteen years was HIV-positive. In 2009, Hayes moved to New York City, where he had a relationship with neurologist and writer Oliver Sacks, until the latter's death in 2015. Hayes' experiences in New York and his six-year relationship with Sacks are the subject of his book Insomniac City.
Hayes has described his adult life as "colored by death" – the deaths he dealt with in his AIDS Foundation work, the sudden death of his longtime partner in San Francisco, and later the death of his partner Oliver Sacks.
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1965 – Bjørn Lomborg is a Danish author and adjunct professor at the Copenhagen Business School as well as President of the Copenhagen Consensus Center. He is former director of the Danish government's Environmental Assessment Institute (EAI) in Copenhagen. He became internationally known for his best-selling and controversial book, The Skeptical Environmentalist (2001), in which he argues that many of the costly measures and actions adopted by scientists and policy makers to meet the challenges of global warming will ultimately have minimal impact on the world’s rising temperature.
Lomborg spent a year as an undergraduate at the University of Georgia, earned an M.A. degree in political science at the University of Aarhus in 1991, and a Ph.D. degree in political science at the University of Copenhagen in 1994.
Lomborg is gay and a vegetarian. As a public figure he has been a participant in information campaigns in Denmark about homosexuality, and states that "Being a public gay is to my view a civic responsibility. It's important to show that the width of the gay world cannot be described by a tired stereotype, but goes from leather gays on parade-wagons to suit-and-tie yuppies on the direction floor, as well as everything in between".
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1968 – Today is the birthday of the Hungarian politician Gábor Szetey. Szetey is the former Secretary of State for Human Resources, a role he held since July 2006. He is a member of the Hungarian Socialist Party.
Szetey publicly declared that he was gay at the opening night of Budapest's Gay and Lesbian Film Festival, on July 6, 2007. He is the first LGBT member of government in Hungary, and the second politician to come out, after Klára Ungár. Szetey's coming out came at the end of a speech on equality and tolerance:
"When we can be proud of being Hungarian, Romanian, Jewish, Catholic, Gay or Straight... If we can be proud of our differences, we will be proud of our similarities. I believe in God. And I believe that all men and women have the right to love and be loved. Everywhere. Love has no party preference. Neither does happiness or choosing a partner. So: I am Szetey Gábor . I am European, and Hungarian. I believe in God, love, freedom, and equality. I am the Human Resources Secretary of State of the Government of the Republic of Hungary. Economist and HR director. Partner, friend, sometimes rival. And I am Gay."
!n the audience was Klára Dobrev, the wife of Prime Minister Ferenc Gyurcsány, as well as four other members of the Hungarian cabinet. The Prime Minister supported Szetey on his blog and called for public debate about same-sex relationships in Hungary. Hungary currently recognises same-sex registered partnerships. After the coming out of Mr. Szetey, the Parliament adopted the Registered Civil Union Act, which came into force 1 January 2009.
In a subsequent interview, Szetey declared:
"There is a small but vocal group of right-wing extremists which is intent on offending everyone... According to a survey, 51 percent of the respondents thought my speech was courageous and that it would improve the situation for homosexuals. It's strange that the conservatives, who attach such great importance to neighboring states giving their Hungarian minorities equal rights, couldn't care less about equal rights in their own country."
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1976 – Today's the birthday of child actor Danny Pintauro. Pintauro played Jonathan Bower, son of Angela Bower in the series 'Who's the Boss' from 1984 till 1992. He was born as Daniel John Pintauro in Milltown, New Yersey, USA. Pintauro studied English and drama at Stanford University.
Pintauro first appeared on the television soap opera As the World Turns as the original Paul Ryan and in the film Cujo, but he came to prominence on the television series Who's the Boss?. After the conclusion of that series, he was less frequently cast. Pintauro went on to act in stage productions like The Velocity of Gary and Mommie Queerest. He also worked as a Tupperware sales representative and as of 2013, he was managing a restaurant in Las Vegas.
In 1997, in an interview with the National Enquirer tabloid, Pintauro declared that he is gay.
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Pintauro (R) with husband Wil Tabares
In April 2013 he was engaged to his boyfriend, Wil Tabares, and they married in April 2014.
In 2015, Pintauro revealed in an interview with Oprah Winfrey that he has been HIV positive since 2003. He also disclosed that he had previously been addicted to methamphetamine.
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2015 – Florida recognizes same-sex marriages.
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une-sanz-pluis · 2 months ago
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If we believe that Henry bled on the streets outside St Paul’s and Blackfriars, then we may also believe he was denied divine services in those churches; it was forbidden to contaminate a church by shedding blood, whether by violence or due to an incontinent body. If Henry’s corpse was leaking, then he may have been denied entry. Alternatively, if he had not bled, this may have been part of Edward IV’s disregard for him; it was a distinctly royal or elite feature to have the body in the church, rather than waiting outside. Although sources state that Henry had a procession with torches from the Tower to St Paul’s with stops in between, these sources equally lack any mention of offices or masses for Henry in London. He was taken to churches to be seen, but there is no mention of anything happening at those churches. Hall reported that there were no Offices of the Dead, no masses, no tapers, no riders, and no mourners. Others concurred, saying that there were only soldiers guarding the body, as if the dead Henry was being marched to execution. The Exchequer tells a slightly different story. The Carmelites, Augustinians, Dominicans, Dominicans, and Franciscans each received £1 and “other charities”, while the Brothers of the Holy Cross received £2 for masses to be said for Henry in London. The Dominicans also received £2 12s 3d for masses and obsequies at Chertsey, for a total of £8 12s 3d. There were certainly masses said for Henry in the City of London and at Chertsey on the day of his burial, but not necessarily during the procession in the days before. Unlike Richard of Bordeaux, there are no assurances by chroniclers that Henry of Windsor had masses offered for him while he was processed through London, nor any report of St Paul’s receiving money for masses. The procession, funeral, and burial of Henry was a speedy affair. The corruption of Henry’s corpse in public and the lack of any remedial action violated the spirit of De Exequiis Regalibus in its provisions for proper embalming and for giving a king a fitting funeral and burial. The exequies for Henry were thought to be pitiful.
Anna M. Duch, "'King By Fact, Not by Law': Legitimacy and exequies in medieval England", Dynastic Change: Legitimacy and Gender in Medieval and Early Modern Monarchy (Routledge 2020)
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chicinsilk · 2 years ago
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US Vogue April 15, 1959
Sara Thom wears a sapphire-colored straw hat, winged at the top. ; Available in dark green, red and burgundy. By Chanda. Emerald jewels bathed in gold, platinum and diamonds by Van Cleef & Arpels. Lipstick: Flamingo Pearl, new deep iridescent color, by Max Factor.
Sara Thom porte un chapeau de paille couleur saphir, aileté en haut. ; Existe en vert foncé, rouge et bordeaux. Par Chanda. Bijoux émeraude baignant dans l'or, le platine, les diamants de Van Cleef & Arpels. Rouge à lèvres : Flamingo Pearl, nouvelle couleur irisée en profondeur, par Max Factor.
Photo Richard Rutledge
vogue archive
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appears · 1 year ago
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Pizzicato Five: the international playboy & playgirl record
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25th anniversary
By 1998, Pizzicato Five had settled into the perfect groove: they had found their voice and niche as leading purveyors of the Japanese indie-pop/Shibuya-kei scene, were regularly releasing some of the most interesting and stylistically original music anywhere, and had also established their signature look, incorporating their love of 60s ye-ye, 70s funk, soul, and disco, and 90s hip-hop and house into the now iconic throwback looks ripped from the pages of Petticoat and Queen. This mid-90s period was their most fruitful, with almost one studio album released every year that decade (not to mention the countless remix and best-of compilations, and EPs) -- when genius burns, it positively scorches. At their height, right on the cusp of the end, they released the international playgirl & playboy record.
Pizzicato Five were one of the very rare and lucky Japanese groups to have a cult international following, with the indie label Matador distributing their music beginning with 1994's Five By Five and Made in USA, a compilation record, before finally doing the group justice enough to release albums mostly unchanged. Thus, the international playboy & playgirl record became, simply, Playboy & Playgirl for the U.S. release, coming out seven months after the original in the spring of 1999. By many hipsters' account, Shibuya-kei was mostly done by the late 90s, a hip trend taken to its logical dead-end with the number of copy-cat groups and zero-sum looting of obscure musical samples that rendered obsolete the special "insider's knowledge" of bragging rights that made the genre so fun. I can also see how some might think Yasuharu Konishi, the main writer, producer and one half of P5, with Maki Nomiya on vocals, was running out of ideas.
Certainly, the music on Playboy & Playgirl is some of their most commercial yet, tending towards a more standard J-pop sound with singles like "WEEKEND" and the title track "PLAYBOY PLAYGIRL." It's certainly some of their most lush, with the orchestral hints on previous album ROMANTIQUE '96 now making way for full string quartets and roiling brass popping up throughout the album like Burt Bacharach on caffeine. Along with the iconic jacket art, it's a very cinematic sound, the fulmination of Konishi's entire aesthetic now in its full, no-cost-spared production. It's absolutely gorgeous, and the fact that the focus shifted from showing off Konishi's esoteric musical influences to crafting actual masterpieces only made the music better and stronger on its own. Sure, you might be a more sophisticated listener for being able to name the James Taylor, Herb Pilhofer, and Richard de Bordeaux & Daniel Beretta samples, but even if you didn't recognize them, you could still enjoy the songs.
I don't want to ignore Maki Nomiya -- she may not have been the ultimate mastermind like Konishi, but you can hardly imagine P5's entire aesthetic without her. Besides being the face of the group, she has one of my favorite voices in Japanese music history. While she may not have the bold, endless range and gymnastic ability of what people in the West associate with great vocalists, like Christina Aguilera or Mariah Carey, say, she has what I consider quintessential 90s J-pop vocals: light but steady, clipped and precise, smooth, and impeccably articulated. There's nothing immediately recognizable about it in the context of her J-pop contemporaries, but her voice is absolutely perfect for the type of music P5 did, and her essential presence enhances the warmth of their sound.
the international playboy & playgirl record was released in many different versions, and since this is my favorite P5 record, I finally own all of them. It was first released in Japan on the group's own Readymade label under Nippon Columbia in a slim DVD-sized cardboard box, as well as on 12" vinyl that included selections from the album, rather than the record in its entirety. It was also distributed on the indie label Matador in the US, which came in a digipak with a booklet featuring various photos, and the lyrics printed in the original romaji next to English translations. Many of the song titles are close or close-enough adaptations of the original Japanese titles, although the Matador version swaps out a track called "THE INTERNATIONAL PIZZICATO FIVE MANSION" for a track that doesn't appear on the original Japanese release, called "La Règle du jeu." This is most likely due to the fact that the former is a track composed almost entirely of inconsequential "background music" set to Japanese dialogue. "La Règle du jeu" was originally released in 1998 as a stand-alone single with "Atarashii Uta," or "New Song." Matador also released this album on 12" vinyl, featuring different cover art than the original Japanese vinyl version (which are all different from the CD version), as well as a slightly different song selection (it also includes the missing track “THE INTERNATIONAL PIZZICATO FIVE MANSION” not found on the Matador CD).
There are a lot of Pizzicato Five songs and albums that I really like, but for me, this album really captures the essence of the group at their most commercial, and therefore, most inclusive, best. ROMANTIQUE '96 and HAPPY END OF THE WORLD might have cooler samples, but it also rendered them a bit more exclusive and closed off to anyone without the requisite hours spent in the stacks memorizing long-forgotten jazz riffs of the 1960s. Playboy & Playgirl took the snobbery out of Shibuya-kei in a way that made anyone capable of appreciating its ornate Copperplate flourishes. That’s what makes pop music so great, and while that might have contributed to the genre’s and group’s eventual dissolution, I will never pass on the opportunity to hear a sound made more accessible by appealing to more common-denominator foundations, rather than less, as long as it's done respectfully and successfully. P5 made both approaches work, and here, still managed to retain their signature sound without succumbing to a loss of what made them so unique.
Happy 25th anniversary to the international playboy & playgirl record, one of the greatest albums of time.
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disparate-gallery · 1 year ago
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Dans le cadre de la 3ème édition du festival Gribouillis Exposition BREAKDOWN PRESS Avec Antoine Cossé, Joe Kessler & Richard Short Du 13 septembre au 7 octobre 2023 À la librairie Disparate 99 rue de Bègles - 33800 BORDEAUX
VERNISSAGE LE MERCREDI 13 SEPTEMBRE 2023 à 18H en présence des auteurs
Festival Gribouillis / www.festivalgribouillis.fr/ Breakdown Press www.breakdownpress.com/ www.instagram.com/antoinecosse/ www.instagram.com/joebaskervillekessler/ www.instagram.com/r_t_short/
© Antoine Cossé, Joe Kessler et Richard Short (éditions Breakdown Press)
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lboogie1906 · 2 months ago
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Edmund Dédé (November 20, 1827 - January 5, 1903) was born in New Orleans. His parents were free Creoles who moved to New Orleans from the French West Indies around 1809. He took his first music lessons from his father who was a bandmaster for a local military group.
He became a violin prodigy after studying under composer and theater-orchestra conductor Ludovico Gabici and conductor of the New Orleans Free Creoles of Color Philharmonic Society Christian Debergue. He advanced his technique studies under Eugene Prevost, winner of the 1831 Prix de Rome and conductor of Orchestras at the Theater d’Orleans, and Charles Richard Lambert, who was a free Black musician, music teacher, and conductor.
He moved to Mexico following the end of the Mexican-American War. He returned to New Orleans where he wrote and published “Mon Pauvre Coeur”, which is considered the oldest piece of sheet music published by a New Orleans free Creole of color.
He worked as a cigar maker, which allowed him to earn enough money to move to Europe. He entered the Paris Conservatory for Advanced Musical Study. He moved to Bordeaux where he became conductor for the L’Alcazar orchestra. Good trade relations between Bordeaux and Louisiana meant a large number of free Creoles of color settled in the French town, and he experienced less racial prejudice in France.
He was a popular and prolific music composer, writing ballets, operettas, opera comiques, overtures, and more than 250 dances and songs. The vast majority of the surviving copies of his works are from this period of his life, stored at the National Library of France in Paris. The performance of Dédé’s Quasimodo Symphony by a New Orleans orchestra was a rare American performance of one of his compositions.
He married Sylvie Leflat (1864). They had a son, Eugene Arcade Dédé, who became a composer and musician.
He made one return trip to New Orleans when his ship hit bad weather and was forced to dock near Galveston for two months; his prized Cremona violin was lost. He remained in the US and spent some time traveling to cities around the country to give violin concerts. #africanhistory365 #africanexcellence
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horseweb-de · 4 months ago
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goalhofer · 5 months ago
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2024 olympics France roster
Archery
Baptiste Addis (Manduel)
Thomas Chirault (Corbie)
Jean-Charles Valladont (Besançon)
Caroline Lopez (Nancy)
Lisa Barbelin (Ley)
Amélie Cordeau (Ley)
Athletics
Harold Achi-Yao (Paris)
Dylan Vermont (Paris)
Yann Spillman (Paris)
Félix Bour (Bar-Le-Duc)
Aurélien Quinion (Paris)
Pablo Matéo (Évry)
Ryan Zeze (Louviers)
Gilles Biron (Schœlcher, Martinique)
Corentin Le Clezio (Cergy-Pontoise)
Benjamin Robert (Toulouse)
Gabriel Tual (Villeneuve-Sur-Lot)
Maël Gouyette (Saint-Brieuc)
Azeddine Habz (Paris)
Jimmy Gressier (Boulogne-Sur-Mer)
Hugo Hay (Bressuire)
Yann Schrub (Thionville)
Wilhem Belocian (Les Abymes, Guadalupe)
Raphaël Mohamed (Hagnoudrou)
Alexandre Zhoya (Coutansouze)
Clément Ducos (Bordeaux)
Wilfried Happio (Bourg-La-Reine)
Ludvy Vaillant (Fort-De-France, Martinique)
Nicolas Daru (Grenoble)
Louis Gilavert (Corbeil-Essonnes)
Alex Miellet (Dijon)
Jeff Erius (Strasbourg)
Aymeric Priam (Fort-De-France, Martinique)
Méba-Mickaël Zézé (Saint-Aubin-Lès-Elbeuf)
Téo Andant (Monte Carlo, Monaco)
Thomas Jordier (Noisy-Le-Sec)
Muhammad Kounta (Paris)
Loïc Prévot (Remire-Montjoly, French Guiana)
Fabrisio Saïdy (Paris)
David Sombé (Paris)
Nicolas Navarro (La Crau)
Sidi-Hassan Chahdi (Cluses)
Gabriel Bordier (Laval)
Thibault Collet (La Tronche)
Robin Emig (Gap)
Anthony Ammirati (Grasse)
Tom Campagne (Saint-Jean)
Anael-Thomas Gogois (Amiens)
Jean-Marc Pontvianne (Nîmes)
Yann Chausinand (Clermont-Ferrand)
Teura'itera'i Tupaia (Papeete, French Polynesia)
Tom Reux (Saint-Benoît-Des-Ondes)
Lolassonn Djouhan (Montargis)
Makenson Gletty (Nice)
Marie-Ange Rimlinger (Paris)
Diana Iscaye (Les Ambyes, Guadalupe)
Marjorie Veyssiere (Aurillac)
Meky Woldu (Paris)
Clémence Beretta (Remiremont)
Camille Moutard (Beaune)
Pauline Stey (Saverne)
Gémima Joseph (Kourou, French Guiana)
Hélène Parisot (Saint-Affrique)
Anaïs Bourgoin (Vendôme)
Rénelle Lamote (Coulommiers)
Léna Kandissounon (Aulnay-Sous-Bois)
Agathe Guillemot (Rennes)
Sarah Madeleine (Melun)
Alessia Zarbo (Antibes)
Laëticia Bapté (Fort-De-France, Martinique)
Cyréna Samba-Mayela (Champigny-Sur-Marne)
Shana Grebo (Rennes)
Louise Maravel (Saint-Laurent-Sur-Sèvre)
Alice Finot (Montbéliard)
Flavie Renouard (Caen)
Chloé Galet (Fourmies)
Orlann Oliere (Sens)
Maroussia Paré (Bordeaux)
Sarah Richard-Mingas (Goussainville)
Amandine Brossier (Cholet)
Alexe Déau (La Trinité, Martinique)
Sounkamba Sylla (Laval)
Mélody Julien (Castres)
Méline Rollin (Villers-Semeuse)
Solène Gicquel (Rennes)
Nawal Meniker (Perpignal)
Marie-Julie Bonnin (Bordeaux)
Ninon Chapelle (Metz)
Margot Chevrier (Nice)
Hilary Kpatcha (Toulouse)
Ilionis Guillaume (Montpelier)
Mélina Robert-Michon (Voiron)
Rose Loga (Mainvilliers)
Alexandra Taverniers (Annecy)
Auriana Lazraq-Khlass (Metz)
Badminton
Toma Popov (Fos-Sur-Mer)
Christo Popov (Fos-Sur-Mer)
Lucas Corvée (Alençon)
Ronan Labar (Paris)
Xuefei Qi (Rostrenen)
Margot Lambert (Paris)
Anne Tran (Paris)
Thom Gicquel (Paris)
Delphine Delrue (Sarcelles)
Basketball
Frank Ntilikina (Strasbourg)
Nicolas Batum (Lisieux)
Andrew Albicy (Sèvres)
Guerschon Yabusele (Dreux)
Isaïa Cordinier (Vence)
Evan Fournier (Saint-Maurice)
Nando De Colo (Cholet)
Matthias Lessort (Le Morne-Vert)
Rudy Gobert-Bourgarel (Saint-Quentin)
Victor Wembanyama (La Chesnay)
Matthew Strazel (Bourg-La-Reine)
Bilal Coulibaly (Courbevoie)
Lucas Dussoulier (Libourne)
Jules Rambaut (Reims)
Franck Seguela (Dijon)
Timothé Vergiat (Roanne)
Marine Fauthoux (Pau)
Alexia Chartereau (Le Mans)
Sarah Michel (Ris-Orangis)
Valériane Vukosavljević (Bordeaux)
Iliana Rupert (Sèvres)
Janelle Salaün (Paris)
Dominique Malonga (Villeurbanne)
Gabby Williams (Sparks, Nevada)
Marième Badiane (Brest)
Marine Johannès (Lisieux)
Leïla Lacan (Rodez)
Romane Bernies (Agen)
Myriam Djekoundade (Castres)
Laëtitia Guapo (Clermont-Ferrand)
Hortense Limouzin (Saint-Amand-Les-Eaux)
Marie-Ève Paget (Annecy)
Boxing
Makan Traoré (Royan)
Billal Bennama (Blagnac)
Sof Oumiha (Toulouse)
Djamili-Dini Moindze (Grande-Synthe)
Wassila Lkhadiri (Ajaccio)
Amina Zidani (Le Havre)
Estelle Mossely (Paris)
Davina Michel (Fort-De-France, Martinique)
Breakdancing
Gaëtan Alin (Paris)
Dany Civil (Cayenne, French Guiana)
Carlota Dudek (Cadenet)
Sya Dembélé (Saint-Étienne)
Canoeing
Loïc Léonard (Arras)
Nicolas Gestin (Tréméven)
Titouan Castryck (Saint-Malo)
Boris Neveu (Lourdes)
Maxime Beaumont (Boulogne-Sur-Mer)
Adrien Bart (Orléans)
Eugénie Dorange (Vaires-Sur-Marne)
Axelle Renard (Besançon)
Marjorie Delassus (Pau)
Camille Prigent (Rennes)
Angèle Hug (Les-Ollières-Sur-Eyrieux)
Manon Hostens (Roubaix)
Vanina Paoletti (Nice)
Climbing
Sam Avezou (Igny)
Paul Jenft (Grenoble)
Bassa Mawem (Kourou, French Guiana)
Zélia Avezou (Igny)
Manon Lebon (Saint-Pierre)
Capucine Viglione (Marseille)
Oriane Bertone (Saint-Denis, Réunion)
Cycling
Julian Alaphilippe (Saint-Amand-Montrond)
Christophe Laporte (La Seyne-Sur-Mer)
Valentin Madouas (Brest)
Kévin Vauquelin (Bayeux)
Rayan Helal (Saint-Martin-d'Hères)
Sébastien Vigier (Palaiseau)
Florian Grengbo (Bourg-En-Bresse)
Melvin Landerneau (Le Lamentin, Martinique)
Thomas Boudat (Langon)
Thomas Denis (Bignan)
Valentin Tabellion (Boulogne-Billancourt)
Benjamin Thomas (Lavaur)
Oscar Nilsson-Julien (Aix-En-Provence)
Victor Koretzky (Béziers)
Jordan Sarrou (Saint-Étienne)
Anthony Jeanjean (Montpelier)
Sylvain André (Cavaillon)
Joris Daudet (Saintes)
Romain Mahieu (Lille)
Audrey Cordon-Ragot (Pontivy)
Juliette Labous (Roche-Lez-Beaupré)
Victoire Berteau (Lambres-Lez-Douai)
Mathilde Gros (Lens)
Taky Kouamé (Crétei)
Marion Borras (Pontcharra)
Clara Copponi (Aix-En-Provence)
Marie Le Net (Pontivy)
Valentine Fortin (Toulouse)
Pauline Ferrand-Prévot (Reims)
Loana Lecomte (Annecy)
Laury Perez (Béziers)
Axelle Étienne (Vaujours)
Diving
Gwendal Bisch (Strasbourg)
Jules Bouyer (Annecy)
Alex Jandard (Écully)
Loïs Szymczak (Paris)
Roger Hunt (Southampton, U.K.)
Naïs Gillet (Dieppe)
Jade Gillet (Dieppe)
Emily Hallifax (Nice)
Juliette Landi (Houston, Texas)
Equestrian
Gireg Le Coz (Paris)
Alexandre Ayache (Lantosque)
Corentin Pottier (Rueil-Malmaison)
Karim Laghouag (Roubaix)
Stéphane Landois (Selles)
Nicolas Touzaine (Angers)
Simon Delestre (Solgne)
Julien Épaillard (Cherbourg)
Olivier Perreau (Saulieu)
Kevin Staut (Le Chesnay)
Anne-Sophie Serre (Avignon)
Pauline Basquin (Rennes)
Fencing
Luidgi Midelton (Les Abymes, Guadalupe)
Paul Allègre (Nevers)
Yannick Borel (Pointe-À-Pitre, Guadalupe)
Romain Cannone (New York, New York)
Enzo Lefort (Les Abymes, Guadalupe)
Maxime Pauty (Clamart)
Julien Mertine (Saint-Germain-En-Laye)
Maximilien Chastanet (Le Havre)
Boladé Apithy (Dijon)
Sébastien Patrice (Marseille)
Jean-Philippe Patrice (Marseille)
Maxime Pianfetti (Tarbes)
Eva Lacheray (Montbéliard)
Sarah Noutcha (Strasbourg)
Marie-Florence Candassamy (Paris)
Auriane Mallo-Breton (Lyon)
Coraline Vitalis (Le Gosier, Guadalupe)
Alexandra Louis-Marie (Fort-De-France, Martinique)
Pauline Ranvier (Paris)
Ysaora Thibus (Les Abymes, Guadalupe)
Anita Blaze (Petit-Bourg, Guadalupe)
Sara Balzer (Strasbourg)
Manon Apithy-Brunet (Dijon)
Cécilia Berder (Quimper)
Field Hockey
Arthur Thieffry (Villeneuve-d'Ascq)
Gaspard Xavier (Cambrai)
Lucas Montécot (Chatenay)
Chris Peters-Deutz (Verviers)
Brieuc Delemazure (Amiens)
Mattéo Desgouillons (Lille)
Simon Martin-Brisac (Paris)
Blaise Rogeau (Paris)
Viktor Lockwood (Calais)
Noé Jouin (Paris)
Amaury Bellenger (Amiens)
Gaspard Baumgarten (Lyon)
François Goyet (Lille)
Eliot Curty (Paris)
Étienne Tynevez (Lille)
Victor Charlet (Paris)
Charles Masson (Paris)
Timothée Clément (Paris)
Mathilde Duffrène (Valenciennes)
Eve Verzura (Lille)
Inès Lardeur (Lille)
Lucie Ehrmann (Boredeaux)
Albane Garot-Loussif (Liège, Belgium)
Delfina Gaspari (Maisons-Laffitte)
Tessa-Margot Schubert (Essen, Germany)
Mathilde Petriaux (Mont-Saint-Aignan)
Catherine Clot (Amsterdam, The Netherlands)
Emma Ponthieu (Lille)
Mickaela Lala (Paris)
Paola Le Nindre (Le Chesnay)
Yohanna Lhopital (Lyon)
Philippine Delemazure (Valenciennes)
Gabrielle Verrier (Rouen)
Stéphanoise Arnaud (Firminy)
Guusje Van Bolhuis (Leiden, The Netherlands)
Golf
Victor Perez (Dundee, U.K.)
Matthieu Pavon (Médoc)
Céline Boutier (Montrouge)
Perrine Delacour (Laon)
Gymnastics
Samir Aït-Saïd (Champigny-Sur-Marne)
Marine Boyer (Saint-Benoît, Réunion)
Mélanie De Jesus (Houston, Texas)
Coline Devillard (Bois De Vincennes)
Morgane Osyssek-Reimer (Bois De Vincennes)
Ming Van Eijken (Saint-Étienne)
Hélène Karbanov (Calais)
Aïnhoa Dot-Espinosa (Paris)
Manelle Inaho (Paris)
Celia Joseph-Noel (Paris)
Justine Lavit (Tarbes)
Lozea Vilarino (Paris)
Pierre Gouzou (Meaux)
Léa Labrousse (Rennes)
Handball
Aymeric Minne (Melun)
Yanis Lenne (Colmar)
Nedim Remili (Créteil)
Elohim Prandi (Istres)
Melvyn Richardson (Marseille)
Dika Mem (Paris)
Nicolas Tournat (Niort)
Vincent Gérard (Woippy)
Nikola Karabatić (Strasbourg)
Luka Karabatić (Strasbourg)
Ludovic Fabregas (Perpignan)
Hugo Descat (Paris)
Valentin Porte (Versailles)
Dylan Nahi (Paris)
Karl Konan (Abidjan, Côte d'Ivoire)
Rémi Desbonnet (Montpellier)
Laura Glauser (Besançon)
Méline Nocandy (Saint-Claude, Guadalupe)
Alicia Toublanc (Saint-Brieuc)
Chloé Valentini (Morteau)
Coralie Lassource (Maisons-Laffitte)
Grâce Zaadi-Deuna (Courcouronnes)
Cléopatre Darleux (Wittenheim)
Laura Flippes (Strasbourg)
Orlane Kanor (Les Abymes, Guadalupe)
Tamara Horaček (Metz)
Pauletta Foppa (Amilly)
Estelle Nze-Minko (Saint-Sébastien-Sur-Loire)
Oriane Ondono (Alfortville)
Lucie Granier (Marseille)
Sarah Bouktit (Mont-Saint-Martin)
Léna Grandveau (Beaune)
Hatadou Sako (Tournan-En-Brie)
Judo
Luka Mkheidze (Sucy-En-Brie)
Walide Khyar (Bondy)
Jean-Benjamin Gaba (Sèvres)
Alpha Djalo (Paris)
Maxime-Gaël Ngayap-Hambou (Asnières-Sur-Seine)
Aurélien Diesse (Paris)
Teddy Riner (Paris)
Shirine Boukli (Aramon)
Amandine Buchard (Noisy-Le-Sec)
Sarah-Léonie Cysique (Sarcelles)
Clarisse Agbegnenou (Rennes)
Marie-Eve Gahié (Paris)
Madeleine Malonga (Soisy-Sous-Montmorency)
Romane Dicko (Clamart)
Pentathlon
Jean-Baptiste Mourcia (Pertuis)
Valentin Prades (Cannes)
Élodie Clouvel (Saint-Priest-En-Jarez)
Marie Oteiza (Mont-De-Marsan)
Rowing
Hugo Beury (Paris)
Ferdinand Ludwig (Voiron)
Benoît Brunet (Tourcoing)
Téo Rayet (Libourne)
Hugo Boucheron (Lyon)
Matthieu Androdias (La Rochelle)
Guillaume Turlan (Bordeaux)
Thibaud Turlan (Bordeaux)
Valentin Onfroy (Verdun)
Emma Lunatti (Saint-Martin-d'Hères)
Élodie Ravera-Scaramozzino (Nice)
Claire Bové (Aubergenville)
Laura Tarantola (Annemasse)
Rugby
Varian Pasquet (Paris)
Andy Timo (Massy)
Rayan Rebbadj (Martigues)
Théo Forner (Perpignan)
Stephen Parez-Edo (Madrid, Spain)
Paulin Riva (Auch)
Jefferson-Lee Joseph (Duras)
Antoine Zeghdar (Monte Carlo, Monaco)
Aaron Grandidier-Nkanang (Pau)
Jean-Pascal Barraque (Le Chesnay)
Antoine Dupont (Castelnau-Magnoac)
Jordan Sepho (Saint-Denis, Réunion)
Nelson Épée (Toulouse)
Anne-Cécile Durbant (Colombes)
Lili Dezou (Toulouse)
Caroline Drouin (Auray)
Camille Grassineau (Bergerac)
Joanna Grisez (Paris)
Chloé Jacquet (Viriat)
An Jason (Paris)
Carla Neisen (Bugue)
Louise Noel-Rivier (Béziers)
Séraphine Okemba (Dreux)
Chloé Pelle (Paris)
Yolaine Yengo (Mare)
Sailing
Axel Mazella (Toulon)
Clément Pequin (La Rochelle)
Erwan Fischer (Saint-Nazaire)
Tim Mourniac (Quilberon)
Nico Goyard (Lorient
Jean-Baptiste Bernaz (Fréjus)
Jérémie Mion (Paris)
Louise Cervera (Cannes)
Louise Berthomieu (Nantes)
Hélène Noesmoen (Les-Sables-d'Olonne)
Lauriane Nolot (Camps-La-Source)
Charline Picon (Royan)
Sarah Steyaert (Bordeaux)
Camille Klinger (Harfleur)
Shooting
Romain Aufrère (Saint-Denis, Réunion)
Lucas Kryzs (Le Perreux-Sur-Marne)
Florian Fouquet (Talence)
Sébastien Guerrero (Grenoble)
Clément Bessaguet (Montpellier)
Jean Quiquampoix (Paris)
Éric Delaunay (Saint-Lô)
Manon Herbulot (Noise-Sur-Oise)
Judith Gomez (Toulouse)
Océanne Muller (Schiltigheim)
Camille Jedrzejewski (Compiègne)
Mathilde Lamolle (Aubagne)
Carole Cormenier (Limoges)
Mélanie Couzy (Romorantin-Lanthenay)
Lucie Anastassiou (La Rochelle)
Skateboarding
Joseph Garbaccio (La Havre)
Vincent Matheron (Marseille)
Aurélien Giraud (Lyon)
Vincent Milou (Tarnos)
Émilie Alexandre (Marseille)
Louise-Aina Taboulet (Leucate)
Lucie Schoonheere (Paris)
Soccer
Obed Nkambadio (Paris)
Costello Lukeba (Lyon)
Adrien Truffert (Saint-Priest)
Loïc Badé (Sèvres)
Kiliann Sildillia (Montigny-Lès-Metz)
Manu Koné (Colombes)
Michael Olise (London, U.K.)
Maghnes Akilouche (Tremblay-En-France)
Arnaud Kalimuendo-Muinga (Suresnes)
Alexandre Lacazette (Lyon)
Désiré Doué (Angers)
Enzo Millot (Lucé)
Joris Chotard (Orange)
Jean-Philippe Mateta (Sevran)
Banzouzi Locko (Ivry-Sur-Seine)
Guillaume Restes (Montaudran)
Soungoutou Magassa (Stains)
Mathis Cherki (Lyon)
Chrislain Matsima (Nanterre)
Andy Diouf (Nanterre)
Johann Lepenant (Granville)
Constance Picaud (Challans)
Maëlle Lakrar (Orange)
Wendie Renard (Lyon)
Estelle Cascarino (Saint-Priest)
Delphine Cascarino (Saint-Priest)
Élisa De Almeida (Châtenay-Malabry)
Amadine Henry (Lille)
Sakina Karchaoui (Miramas)
Onema Geyoro (Orléans)
Eugénie Le Sommer-Dariel (Grasse)
Kadidiatou Diani (Ivry-Sur-Seine)
Marie-Antoinette Katoto (Colombes)
Selma Bacha (Lyon)
Sandie Toletti (Bagnols-Sur-Cèze)
Kenza Dali (Sainte-Colombe)
Pauline Payraud-Magnin (Lyon)
Sandy Baltimore (Colombes)
Griedge Mbock-Bathynka (Brest)
Vicki Bècho-Desbonne (Montreuil)
Ève Périsset (Saint-Priest)
Surfing
Jean Duru (Ondres)
Kauli Vaast (Teahupo'o, French Polynesia)
Johanne Defay (Saint-Denis, Réunion)
Vahiné Fierro (Teahupo'o, French Polynesia)
Swimming
Pacome Bricout (Cannes)
Guillaume Guth (Le Chesnay)
Wessam-Amazigh Yebba (Poitiers)
Roman Fuchs (Dijon)
Yann Le Goff (Quimper)
Maxime Grousset (Nouméa, New Caledonia)
Florent Manaudou (Villeurbanne)
Rafael Fente-Damers (Houston, Texas)
David Aubry (Saint-Germain-En-Laye)
Damien Joly (Ollouiles)
Yohann Ndoye-Brouard (Chambéry)
Mewen Tomac (Évreux)
Clément Secchi (Aix En Provence)
Léon Marchand (Toulouse)
Hadrien Salvan (Paris)
Antoine Viquerat (Boulogne-Billancourt)
Marc-Antoine Olivier (Denain)
Logan Fontaine (Argentan)
Laelys Alavez (Quincy-Sous-Sénart)
Ambre Esnault (Hyères)
Romane Lunel (Alençon)
Laura Gonzalez (Toulouse)
Manon Disbeaux (Toulouse)
Eve Planeix (Clermont-Ferrand)
Anastasia Bayandina (Krasnoyarsk, Russia)
Laura Tremble (Compiègne)
Charlotte Tremble (Compiègne)
Pauline Mahieu (Villenueve-d'Ascq)
Marina Jehl (Colmar)
Mary-Ambre Moluh (Champigny-Sur-Marne)
Lilou Ressencourt (Lannemezan)
Béryl Gastaldello (Marseille)
Mélanie Henique (Amiens)
Marie Wattel (Lille)
Anastasiia Kirpichnikova (Martigues)
Emma Terebo (Nouméa, New Caledonia)
Charlotte Bonnet (Enghien-Les-Bains)
Lison Nowaczyk (Auchel)
Lucile Tessariol (Bordeaux)
Assia Touati (Sarreguemines)
Caroline Jouisse (Saint-Mandé)
Océane Cassignol (Béziers)
Table tennis
Jules Rolland (Paris)
Alex Lebrun (Montpellier)
Félix Lebrun (Montpellier)
Simon Gouzy (Toulouse)
Prithika Pavade (Le Bourget)
Yuan Jia (Cholet)
Charlotte Lutz (Hochfelden)
Audrey Zarif (Saint-Denis)
Taekwondo
Cyrien Ravet (Lyon)
Souleyman Alaphilippe (Argenteuil)
Magda Wiet-Hénin (Nancy)
Althéa Laurin (Saint-Denis)
Tennis
Arthur Fils (Bondoufle)
Ugo Humbert (Metz)
Gaël Monfils (Geneva, Switzerland)
Corentin Moutet (Boulogne-Billancourt)
Édouard Roger-Vasselin (Boulogne-Billancourt)
Clara Burel (Perros-Guirec)
Caroline Garcia (Lyon)
Varvara Gracheva (Paris)
Diane Parry (Boulogne-Billancourt)
Triathlon
Léo Bergère (Le Pont-De-Beauvoisin)
Dorian Coninx (Échirolles)
Pierre Le Corre (Vannes)
Cassandre Beaugrand (Livry-Gargan)
Emma Lombardi (Chambéry)
Léonie Périault (Vélizy-Villacoublay)
Volleyball
Arnaud Gauthier-Rat (Saint-Maurice)
Youssef Krou (Toulouse)
Rémi Bassereau (Villeneuve-Saint-Georges)
Julien Lyneel (Montpellier)
Barthélémy Chinenyeze (Coudekerque-Branche)
Jenia Grebennikov (Rennes)
Jean Patry (Montpellier)
Ben Toniutti (Mulhouse)
Kévin Tillie (Cagnes-Sur-Mer)
Earvin N'Gapeth (Fréjus)
Antoine Brizard (Poitiers)
Nicolas Le Goff (Paris)
Trévor Clévenot (Royan)
Yacine Louati (Tourcoing)
Théo Faure (Pessac)
Quentin Jouffroy (Grenoble)
Lézana Placette (Toulouse)
Alexia Richard (Toulouse)
Aline Chamereau (Toulouse)
Clemence Vieira (Toulouse)
Héléna Cazaute (Narbonne)
Amadine Giardino (La Seyne-Sur-Mer)
Christina Bauer (Pfastatt)
Iman Ndiaye (Plano, Texas)
Nina Stojiljković (Paris)
Lucille Gicquel (Rennes)
Amandha Sylves (Baie-Manhout, Guadalupe)
Léandra Olinga-Andela (Évreux)
Émilie Respaut (Saint-Raphaël)
Amélie Rotar (Martigues)
Halimatou Bah (Épinay-Sous-Sénart)
Juliette Gelin (Montpellier)
Water polo
Clément Dubois (Compiègne)
Alexandre Bouet (Montpellier)
Thomas Vernoux (Marseille)
Romain Marion-Vernoux (Marseille)
Emil Bjorch (Slagelse, Denmark)
Pierre-Frédéric Vanpeperstraete (Marcq-En-Barœul)
Enzo Nardon (Saint-Jean-d'Angély)
Hugo Fontani (Nice)
Rémi Saudadier (Dijon)
Ugo Crousillat (Marseille)
Enzo Khasz (Sète)
Mehdi Marzouki (Noisy-Le-Sec)
Michaël Bodegas (La Seyne-Sur-Mer)
Valentine Heurteaux (Marseille)
Aurélie Battu (Limoges)
Audrey Daule (Oyonnax)
Pasiphaé Martineaud-Peret (Paris)
Mia Ryclaw (Walnut, California)
Lara Andres (Mulhouse)
Camélia Bouloukbachi (Paris)
Louise Guillet (Limoges)
Hertzka Orsolya (Budapest, Hungary)
Juliette Dhalluin (Mulhouse)
Ema Vernoux (Marseille)
Camille Radosavljevic (Mulhouse)
Tiziana Raspo (Nice)
Weightliftng
Bernardin Matam (Yaoundé, Cameroon)
Romain Imadouchène (Saint-Pol-Sur-Mer)
Dora Tchakounté (Yaoundé, Cameroon)
Marie Fegue (Yaoundé, Cameroon)
Wrestling
Mamadassa Sylla (Paris)
Améline Douarre (Le Creusot)
Koumba Larroque (Arpajon)
0 notes
omagazineparis · 7 months ago
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Les aventures des apprentis vignerons à Bordeaux
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Ils sont cinq jeunes, curieux, connectés, avant-gardistes, urbains, épicuriens, prescripteurs chacun dans son domaine. De la cuisine à la mode, en passant par l’entrepreneuriat, la musique ou la comédie. Cinq personnalités partent à la rencontre de cinq vignerons bordelais passionnés, femmes et hommes, artisans et engagés. Ensemble, ils vont créer des cuvées inédites, hétéroclites et responsables, fruits de leurs échanges passionnés. Situé entre terre et mer, né à la confluence de la Garonne et de la Dordogne, le vignoble bordelais est aujourd’hui le plus vaste domaine viticole AOC de France. Pour nous faire découvrir la diversité de son terroir, le syndicat des vignerons bordelais (CIVB) a pris une initiative originale. Il a décidé d’envoyer cinq personnalités a priori éloignées du monde viticole (entrepeneur textile, cheffe cuisinière, créatrice ou artistes) à la rencontre de cinq vignerons. Le but consiste à créer, en suivant le cycle naturel de la vigne, des cuvées inédites et métissées. Depuis le Haut-Médoc jusqu'à Bordeaux, en passant par les Côtes de Bordeaux, Fronsac ou encore Barsac, les vins de Bordeaux sont très divers. Chaque "apprenti vigneron" aura ainsi l'occasion de le découvrir et de créer un vin unique. Nous vous présentons à présent les duos dont nous vous relaterons le parcours pendant toute la durée de l'expérience : Maxime et Joséphine Maxime Saint-Martin, vigneron & Joséphine Berry, comédienne Château Vieux Gabarey, AOC Haut-Médoc Pour Joséphine Berry et Maxime Saint-Martin, leur métier est avant tout une histoire de famille : des parents passionnés, volontaires, qui ont transmis à leurs enfants l’envie de les suivre. L'un est resté attaché à la vigne, l'autre a développé un amour de la scène et de la comédie. Fille de Richard Berry, Joséphine baigne depuis son enfance dans l’univers du cinéma. Maxime, quant à lui, fils et petit-fils de vignerons, a été bercé dans la culture du vin. Suivre les traces de leurs parents s'est vite révélé comme une évidence : retranscrire, partager ou développer, un talent ou une passion… tout en y intégrant chacun leur vision personnelle. Enfin, le hasard fait bien les choses ! En effet, à côté de son activité de vigneron, Maxime a pratiqué le théâtre amateur pendant une dizaine d’années. Cette communauté de destin fait la richesse de ce duo qui créera en 2021 un vin rouge en appellation Haut-Médoc. Marie-Pierre Lacoste Duchesne & Alexia Duchêne Marie-Pierre Lacoste Duchesne, vigneronne & Alexia Duchêne, cheffe Château La Clotte – Cazalis, AOC Sauternes et Barsac C’est l’histoire de deux femmes. Marie-Pierre Lacoste Duchesne et Alexia Duchêne s’épanouissent dans des milieux majoritairement masculins. La première est vigneronne, l’autre, cheffe. Toutes deux ont un point commun : une passion débordante pour leur quotidien. Si elles ne font plus figure d’exception aujourd’hui, c'est la preuve que les mœurs ont bien évolué. Il n’en reste pas moins vrai qu’elles ont parfois dû parcourir un chemin semé d’embûches pour arriver à vivre de ce qui les animait : le vin pour l'une, la cuisine pour l'autre. La détermination, l’endurance et l’envie de réussir ont permis à ces deux femmes de s’imposer, chacune dans leur domaine. Les stéréotypes et autres clichés ? Alexia et Marie-Pierre n’en font qu’une bouchée (ou gorgée) ! C’est donc ensemble qu’elles donneront naissance en 2021 à un vin blanc liquoreux de Bordeaux en appellation Barsac. Bastien Pestourie & Adrien Gallo Bastien Pestourie, vigneron & Adrien Gallo, auteur-compositeur-interprète La Bastane, AOC Côtes de Bordeaux Bastien Pestourie et Adrien Gallo : la vigne pour le premier ; la musique pour le second. Ils sont littéralement tombés dedans lorsqu’ils étaient petits ! Depuis leur plus tendre enfance, ces deux-là se passionnent pour ce qui est aujourd’hui leur métier : vigneron (Bastien) et artiste (Adrien). Autodidactes curieux et enthousiastes, tous deux plongent très jeunes dans des univers qui ne leur sont pas complètement inconnus, mais qui deviendront au fur et à mesure de réelles vocations. Au cours de leur carrière, ces deux prodiges du vin et de la musique respectivement vont réaliser un équilibre subtil entre technique et créativité, dans un esprit alternatif et inspirant. Ce duo promet la création d’une cuvée à quatre mains surprenante, un vin rouge en appellation Côtes de Bordeaux. Eugénie Degas & Guillaume Gibault Eugénie Degas, vigneronne & Guillaume Gibault, entrepreneur Vignobles Degas, AOC Bordeaux Conserver un savoir-faire authentique, historique, familial même, tout en faisant preuve d’audace et en regardant vers l’avenir : c’est le leitmotivqui anime Eugénie Degas et Guillaume Gibault. Portés par l’envie d’apprendre et d’entreprendre chacun à leur manière, Eugénie et Guillaume ont su faire grandir et prospérer un projet qui leur tenait à cœur. Ainsi, prenant la suite des huit générations qui la précèdent, Eugénie reprend le vignoble familial, qu’elle gère aujourd’hui avec sa sœur Diane. Guillaume, quant à lui, nourrit et entretient le souvenir de son grand-père en relançant en 2011 Léon Flam, une affaire familiale. La même année, il crée la célèbre marque de sous-vêtements le Slip Français. Tous deux souhaitent mutualiser leurs atouts et mettre leurs valeurs communes en scène pour créer un vin blanc sec en appellation Bordeaux en 2021. A lire également : Quatre conseils pour réussir un entretien d'embauche Benoît Souliès & Amélie Pichard Benoît Souliès, vigneron & Amélie Pichard, designer Château La Brande, AOC Fronsac À première vue, tout semble opposer Amélie Pichard, célèbre créatrice de mode parisienne et Benoît Souliès, vigneron aux mille et une vies antérieures. Pourtant, ces deux personnalités au caractère bien trempé, ont à cœur de mettre du sens dans leur quotidien en s’engageant dans des démarches respectueuses de l’environnement. Tous deux sont convaincus par l'upcycling, la nécessité de préserver la biodiversité ainsi que l'autonomie des producteurs locaux… À 37 ans à peine, Amélie Pichard est déjà une figure de la mode française. Son côté singulier mais sophistiqué, provocateur mais doux, contemporain maiskitsch, a conquis les mordus de mode en France et à l'international. Elle a réussi à faire de l’élégance son fer de lance, et de l’humour, sa signature. Benoît Souliès est, de son côté, un grand passionné à qui rien ne fait peur. Les innombrables expériences de vigneron par lesquelles il est passé lui ont permis de vivre de grandes aventures. Elles l'ont également incité à cultiver une certaine humilité mêlée de joie de vivre. Forts de leurs engagements et de leurs convictions, Benoît Souliès et Amélie Pichard s’associent pour faire naître un vin rouge en appellation Fronsac. Les années 2020 et 2021 seront rythmées par des visites bordelaises régulières pour nos cinq apprentis vignerons. Ils pourront ainsi suivre l’élaboration et la naissance de leur futur vin. Vendanges, vinification, assemblage, dégustation, mise en bouteille… Chaque étape de la création de la cuvée fera l'objet d'une concertation approfondie avec leur partenaire vigneron afin de garantir un résultat cohérent et en phase avec la personnalité de chacun. Chère lectrice, que pensez-vous de l'initiative du syndicat viticole bordelais ? Avez-vous hâte de suivre les développements de l'histoire de chacun de nos cinq duos ? Ô Magazine vous promet de suivre tout cela de près, tout en vous invitant à revenir nous voir régulièrement pour prendre des nouvelles de nos amis bordelais ! Read the full article
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entomoblog · 8 months ago
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Peut-on réduire l’impact environnemental des défunts en compostant les corps ?
See on Scoop.it - EntomoScience
Des chercheurs de Bordeaux et Lille vont mener des tests sur des terrains de l’université pour comprendre l’impact écologique de la « terramation », un éventuel nouveau rite funéraire
  Après l’inhumation et la crémation, les corps deviendront-ils du compost ? À Bordeaux, des chercheurs lancent une étude
  Par Gaëlle Richard
Publié le 05/05/2024 à 12h30.
Mis à jour le 06/05/2024 à 9h15.
  "... Sacha Kacki est archéo-anthropologue à l’université Bordeaux-Montaigne et chargé de recherche au CNRS au laboratoire Pacea. Damien Charabidze est professeur à l’université de Lille et au Centre d’histoire judiciaire du CNRS, et spécialiste en décomposition des corps par les insectes nécrophages.
  Ils travaillent avec plusieurs parties prenantes : des gestionnaires de cimetières, des entreprises funéraires et l’association Humo sapiens, qui plaide pour la reconnaissance de la terramation en France.
  « Nous donnerons des réponses à leurs questions, mais nous ne sommes pas là pour dire ce qu’ils ont besoin d’entendre », prévient Damien Charabidze. « Nous étudierons la décomposition du corps, précise son collègue bordelais, l’évolution de ses températures, les modifications du pH des éléments environnants, du sol, etc. Nous recenserons les données nécessaires pour éclaircir le débat. »
« Pas question de faire du biocompost utilisable dans les jardins avec les restes de nos défunts »
La troisième voie
Si les études parlent de « compost funéraire », c’est pour utiliser un terme large. « Il ne sera pas question de faire du biocompost utilisable dans les jardins avec les restes de nos défunts, cadre d’emblée Damien Charabidze. Certains pays autorisent ces pratiques, en France ce n’est même pas un sujet. » L’idée est de proposer une troisième solution au-delà de l’inhumation ou de la crémation, « une approche respectueuse de la dignité des corps alliée aux contraintes de gestion des cimetières »."
(...)
  [Image] Sacha Kacki, chercheur au CNRS à Bordeaux, participe à l’étude scientifique sur le compostage funéraire. Crédit photo : Fabien Cottereau / SO
  ------
NDÉ
Communiqué de presse CNRS | Délégation Aquitaine, 28 mars 2024
  → https://www.aquitaine.cnrs.fr/fr/cnrsinfo/peut-reduire-limpact-environnemental-des-defunts-en-compostant-les-corps
  Bernadette Cassel's insight:
  À lire aussi :
  "Ce besoin de sépulture verte est un phénomène sociétal de la part de citoyens qui ont fait le choix de changer leurs modes de vie pour mieux respecter l'environnement et qui ont une vision d'une mort plus apaisée plus immersive dans la nature."
  Loi sépulture verte et douce, nécessité environnementale et sociétale | Groupes | LinkedIn https://www.linkedin.com/groups/9088260/
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yo-sostenible · 10 months ago
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En este trabajo, con participación del CENIEH, se ha analizado una estalagmita con restos de hollín y pigmentos, lo que confirma la presencia de actividad humana en esta cavidad situada al sureste de Francia Pigmentos hallados en la cueva de Points. / M. Richard et al Michael Toffolo, investigador del Centro Nacional de Investigación sobre la Evolución Humana (CENIEH), participa en un artículo, liderado por la investigadora Maïlys Richard del laboratorio Archéosciences Bordeaux, que se acaba de publicar en la revista Geoarchaeology, sobre las actividades desarrolladas en esta cueva durante el Paleolítico superior (hace entre 12.000 y 50.000 años), registradas en una estalagmita de la cueva de Points, situada en el valle del Ródano (Francia), que confirma la presencia de poblaciones humanas en esa cueva. El análisis y la datación de espeleotemas (estalagmitas, estalactitas o columnas), han demostrado ser fuentes de información esenciales, ya que al estar compuestos principalmente por depósitos de carbonato de calcio atrapan los elementos presentes en la atmósfera, como humo o pigmentos, ambos indicadores de actividad humana. Por ello se ha sometido a diversos análisis una de las estalagmitas de la cueva de Points, la STM-18-04, formada hace entre 12.000 años y 14.500 y años, que muestra la presencia de al menos cuatro capas oscuras en su corte transversal. Mediante las técnicas de microscopía electrónica de barrido y microespectroscopía Raman, se ha detectado hollín en las capas oscuras, confirmando el uso del fuego por parte de seres humanos dentro de la cueva. Y mediante el método de series de uranio se ha podido datar la calcita que contenía hollín en torno a dos momentos: el primero, hace 14.000 años, y el segundo, hace 12.500 años. De este modo, esta investigación ha permitido situar dos fases de ocupación humana durante el Paleolítico superior en la cueva de Points, al final del periodo Magdaleniense superior y a comienzos del Epipaleolítico. Estas dos fases coincidirían, según el registro paleoclimático regional, con dos eventos fríos abruptos ocurridos en dichos periodos, conocidos como Dryas antiguo y Dryas reciente. Cueva de Chauvet como referente La Cueva de Points se ha considerada como la ‘hermana pequeña’ de la famosa cueva de Chauvet-Pont d´Arc, patrimonio de la Humanidad, por la presencia y características de su arte rupestre. Tras el descubrimiento de Chauvet en 1994 y la datación de sus pinturas (alrededor de 36.000 años), “se despertó un interés creciente por investigar las condiciones climáticas y ambientales de la presencia humana en el sureste de Francia durante el Paleolítico superior, lo que ha motivado estudios como el que acabamos de publicar”, explica Toffolo. Referencia: Richard, M. et al. “Chronology of Upper Paleolithic human activities recorded in a stalagmite at Points Cave (Aiguèze, Gard, France)”. Geoarchaeology.  Fuente: CENIEH
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oberon-king-of-fairies · 1 year ago
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🌸 Die Geschichte Oberons 🌸
So richtig bekannt wurde Oberon durch die germanischen Sagen und Mythen. Er ist ein Zwerg namens Alberich, welcher als König der Elfen und Zwerge bezeichnet wird. Im "Ring der Niebelungen", geschrieben von Richard Wagner (deutscher Schriftsteller), bekommt er dann eine größere Rolle. Dort ist er ein tyranischer König der Schwarzalben (Zwerge, Gegenspieler von Lichtalben:Elfen) und entsagte für einen Schatz der Liebe. Als ihn dieser Schatz abgerungen wurde, dazu zählten auch ein Helm und ein Ring, verfluchte er den Ring, sodass der der ihm besitzt den Tod findet. Er wird als räuberich dargestellt und scheint gerne Frauen zu entführen. Die entstandenen Kinder beansprucht er für sich. Eine ähnliche Gesichte erzählt vom Zwerg Andwari, welcher als Lachs im WAsser lebte und einen schatz hütete.
Eine Wandlung vollzog er als Auberon in "Les Prouesses et faitz du noble Huon de Bordeaux" (Französicher heroischer Song) einem französichen Gedicht, in dem er der König der Elfen/Feen war. Seine Größe war immer noch einen Zwerges, doch vom Aussehen her war er wunderschön. Und das nur, weil er von einer Elfe/Fee verflucht wurde. Der Progatonist der Geschichte tötete in Selbstverteidigung den Sohn eines Kaisers und benötigt Oberons Hilfe, um bestimmte Taten vollbringen zu können, um dafür nicht getötet zu werden. Zuvor wurde er von einem Einsidler gewarnt, dass er liieber nicht mit Oberon sprechen sollte. Hier wird auch angeteast, dass Oberon magische Kräfte hat.
Dieses Gedicht griff der englische Dichter William Shakespear auf und schrieb "Mein Sommernachtstraum". Aus diesen Schriftstück resultierten "My Fairy Queen", welches die Handlung von Titania noch einmal aufgriff und "Walpurgisnachtstraum" bzw. "Oberons und Titanias goldene Hochzeit". Letzters knöpft an die Handlung von "Mein Sommernachtstraum" an und diente nur dem Zweck, die grieschichen Götter zu verteufeln. Die Hochzeit wird mit jede menger Hexen gefeiert und es wird gesagt, dass Oberon genauso teuflich wie die grieschichen Götter sei.
In der Handlung von "Mein Sommernachtstraum" geht es hauptsächlich um eine Hochzeit, zu der Gäste kommen sollen. Einmal die vier Personen, deren Liebe im Vordergrund der Geschichte steht und einmal Oberon und Titania. In diesem Stück ist Oberon der König der Elfen/Feen und normal groß. Bilder von Oberon und Titania zeigen, dass diese menschliche Größe haben zumal die beide Liebesaffäiren mit dem menschlichen Hochzeitspaar hatten, welche nur Oberon zugibt. Beide hatten einen Streit, da Oberon den Ziehsohn von Titania für sich beansprucht. Hier wird auch angemerkt, dass beide mächtige Naturgeister sind, die das Wetter beeinflussen können. Aus rache schickt er seinen Hofnarren Puck los, der Titania einen Liebestrank einflößen soll, sodass sie sich in das Erstbeste verliebt was in ihr Blickfeld gerät. In Pberon sollte es am besten ein Tier oder ein scheußliches Wesen sein. In dem Fall war es der Weber Bottom, welcher Dank Puck einen Eselskopf hatte. Auf dem Weg trafen sie zwei der vier Hauptfiguren. Oberon beschloss der Frau, welche abgewiesen wurde, zu helfen und dem Mann auch etwas vom dem Trunk zu verabreichen. titania schlief die ANcht über mit Bottom, was Oberon die Gelegenheit verschaffte das Kind von ihr zu stehlen. Am nächsten Tag tat ihm das Ganze allerdings Leid, wesegen der Eselskopf wieder entfernt wurde, sodass der Beischlaf Titania nicht peinlich sein musste. Außerdem wurde sie von dem Liebeszauber befreit. Anschließend vertrugen sich die Beiden wieder.
Also was ist Oberon nun? Zwerg, Elfe, Fee? Sein ursprünglicher Name Alberich setzt sich aus „Elb" bzw. „Naturgeist" (Alb) und „Herrscher, Fürst, König" (-rich bzw. -rik) zusammen. Und Elfen nennt man auch auch Alben oder Elben. Sie können klein mit Flügeln sein oder auch groß wie Mehschen. In den alten germanischen Mytholigie hatten Zwerge und Elfen viele Gemeinsamkeiten. In dem Fall könnte man Zwerge und Elfen gleichsetzen. Im Englischen heißt es allerdings "Fee" und nicht "Elf". Im Grunde sind Feen und Elfen das Gleiche. Das Wort "Elf" stammt aus dem germanischen und das Wort "Fee" aus dem Latainischen. In dem Fall ist es pupsegal, ob Oberon nun jetzt eine Elfe oder Fee ist.
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abbyew20 · 1 year ago
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Image 1) wolfwalkers, réalisé par Tom Moore et Ross Stewart, Cartoon Saloon, Mélusine Production et Folivari 2020
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Image 2) Le Rocky Horror Picture Show, réalisé par Jim Sharman et Richard O'Brien, 1975
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Image 3) La Jeune Femme et la Mer, Catherine Meurisse, 2021, édition Dargaud, mise en couleur d'Isabelle Merlet.
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Image 4) Le Roi de la Forêt, peinture à l'huile réalisé par Rosa Bonheur, 1878, conservé au musée des beaux arts de Bordeaux
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Image 5) Affiche de Jules Chéret pour les Pantomimes Lumineuses, d'Emile Reynaud au musée Grévin, 1892
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