#Rhonda Baraka

[oldfilmsflicker]

new-to-me #842 - A Christmas Spark

[bonnieura]

cute things to call ur bf

josephine biden

donna trump

baraka obama

georgiana bush

wilhelmina clinton

georgina bush

rhonda reagan

jamie carter

geraldine ford

ricarda nixon

landon johnson

johanna kennedy

dionysia eisenhower

harriett truman

frankie roosevelt

Herberta Hoover

calvina coolidge

Wren Harding

thomasine wilson

wilhelmina taft

theodora roosevelt

willemina mckilney

G'Anna cleveland

chelsey arthur

jamesine garfield

ruth hayes

ulyssa grant

andrea johnson

abrianna lincoln

jamesianne buchanan

francine pierce

millardine fillmore

jozachar taylor

jamesine polk

jaqueline tyler

willa harrison

martina van buren

andrea jackson

jackie quincy adams

jamesine monroe

jamesine madison

tamsin jefferson

jeanne adams

georgina washington

[einaudis]

december in movies [2/31]: a christmas spark (2022) dir. rhonda baraka "'tis the season, right?"

[hallmark-movie-fanatics]

KEESHA SHARP, DEMETRIUS GROSSE, RHYON NICOLE BROWN AND AKONO DIXON STAR IN ‘SPRING BREAKTHROUGH,’ A NEW ORIGINAL PREMIERING APRIL 30, ON HALLMARK MOVIES & MYSTERIES

STUDIO CITY, CA – March 28, 2023 – Keesha Sharp (“Lethal Weapon,” “Girlfriends”), Demetrius Grosse (“Lovecraft Country,” Rampage), Rhyon Nicole Brown (“Our Kind of Love,” “Empire”) and Akono Dixon (“All American,” “Euphoria”) star in “Spring Breakthrough,” a new Mahogany presentation premiering Sunday, April 30 (7 p.m. ET/PT), on Hallmark Movies & Mysteries.

Monica Rollins (Sharp) is a single mother who excitedly waits for her daughter, Vivian (Brown), to come home for spring break, which is their annual tradition. Days before, after years of tireless dedication to her job, Monica is unceremoniously fired. To make matters worse, Monica is dealt a second blow when Vivian announces her surprise engagement to Shawn (Dixon), someone Monica didn't even know existed. She travels to The Gulf Shores for the engagement celebration, secretly determined to put an end to it, believing Vivian is much too young to be married. En route, she meets Clark Randall (Grosse) at the airport, who also happens to be Shawn’s godfather, and an unexpected flirtation ignites. Monica and Clark spar about what she perceives is his juvenile attitude but as they learn more about each other, Monica begins to have a change of heart and just may find that she’s ready to open herself up to love once again.

“Spring Breakthrough” is from Redline Entertainment. Silvia Mathis is executive producer. David Wulf serves as producer. Mykelti Williamson directed from a script by Rhonda Baraka & Samantha Herman.

[whatsabriard]

WHY DIDNT ANYBODY TELL ME.

I’m going to goddamn hyperventilate. HALP.

[geniefrancis]

Kim Raver, Alyssa Milano, Monika Mitchell, Erika Christensen, Janice Cooke, Ginnifer Goodwin, Rhonda Baraka, Angela Fairley, Claire Scanlon and Tiffany Hines speak during Lifetime’s Female Directors and Leading Actresses 2019 Winter Television Critics Association Press Tour at The Langham Huntington on February 10, 2019 in Pasadena, California.

[tgunn64]

Since you like Cassie, what is your opinion about Sonya Blade?

who? | only know their name | loathe | ugh | overrated | indifferent | dead | alive | just okay | cute | badass | my baby | hot | want to marry | favorite

THIS ONE is interesting. When I was young and first getting into Mortal Kombat I was not Sonya’s audience. I wanted to be warriors like Baraka and Kabal. 

I’ve only become a simp for muscley women as I matured, and if I met Sonya all on her own at this point I’d probably love her...but MKX ALSO threw Cassie at me whose flare and personality just totally won me over. There just wasn’t room in my heart for both.

Though the real nail in the coffin was MK11. Rhonda Rousey is a shitty actor and an even shittier person and any modicum of investment I had in Sonya especially compared to every other Special Forces character was just gone.

That said I still quite like Movie!Sonya. Bridgette Wilson really kicks ass in the role.

[tani-b-art]

From L to R: Terri J. Vaughn, Tamra Simmons, Gieva Stinchcomb, Samantha Ramirez-Herrera, Angi Bones, Shante Paige, Denise Hendricks, Lisa Cunningham, Cas Sigers-Beedles, Wanda Shelly, Deborah Riley Draper, Autumn Bailey Ford, Jasmine Guy, Dianne Ashford and Star Smith. Floor Centered: Ty Johnston-Chavis (Image : Donna Permell/The Reel Divas)

20 Black women from the film and TV industry have formed The Reel Divas, a group that aims to promote black writers, producers, and directors and increase awareness of Atlanta as a production hub.

The Reel Divas group members:

Jasmine Guy, Actress, and director

Denise Hendricks — Producer

Terri J. Vaughn — Actress, director, and producer

Gieva Stinchcomb — Producer

Star Smith – Line producer

Lisa “Captain” Cunningham — Writer, producer and director

Wanda Shelly — Executive producer

Autumn Bailey Ford — Producer

Shante Paige – Producer

Ty Johnston-Chavis — Producer

Cas Sigers-Beedles — Writer, producer and director

Dianne Ashford — Producer

Tamra Simmons – Executive producer

Rhonda Baraka — Writer and director

Tammy Garnes — Producer and actress

Wendy Eley Jackson – Writer and producer

Angi Bones — Executive producer and director

Samantha Ramirez-Herrera – Content creator

Deborah Riley Draper – Director and brand consultant

Shante Paige – Producer

Ty Johnston-Chavis — Producer

Cas Sigers-Beedles — Writer, producer and director

Dianne Ashford — Producer

Tamra Simmons – Executive producer

Rhonda Baraka — Writer and director

Tammy Garnes — Producer and actress

Wendy Eley Jackson – Writer and producer

Angela Barnes Gomes – Writer and director

[marshmalleaux-queen]

Things I like about MK11:

The story had some pretty strong moments and threw me for a lot of loops (and I like being surprised)

Approximately 5837462849 different customization options for appearance alone

I FINALLY KNOW WHAT ERRON'S FACE LOOKS LIKE

Raiden seriously did his damnedest to be better than his take-no-shit counterpart (both in the story and in his tower ending) AND I LOVE HIM

Of course, the return of some fan favorite fighters

Liu Kang and Kitana finally got to be together again (and not as revenants)

Things I do not like about MK11 (an unfortunately much longer list):

D'Vorah's existence (I think she's cool as hell to play as, but she's just a massive BITCH)

Kano's existence (I have no buts about this one)

Rhonda Rousey's performance (which is apparently a popular complaint already)

Shao Kahn must be purchased despite being a fairly important story component

Many characters that I enjoy are not playable at all and are barely (if ever) even mentioned in passing in the story or tower endings

That being said, a common excuse I hear for them not being playable is "well it's because they're dead" so how come Baraka is here and Reptile is not??? Why couldn't Kronika's time shit bring back Mileena but it had no problem bringing back Non-Revenant Jade or Kung Lao?

KENSHI AND ERMAC ARE FUCKING DEAD AND I HAD TO DESECRATE THEIR CORPSES FOR TREASURE

Erron does not use his good ol' rooty-tooty-point-n-shooty pistols nearly as often as he should (and honestly I just really don't like the rifle)

They plan to put Shang Tsung in the game with the ability to transform into the cyborgs that we don't get to play as in the first place. Just give us the actual characters pls, it's like Great Value™ Baraka Tarkatan Xenomorph part 2

I was excited to see what they would do with Skarlet in the story, because before she was little more than just Blood: The Character™ and I'm really disappointed that they didn't give her more substance and background

I don't terribly mind the direction they took with Frost but the fact that she is now also cybernetic is just really unsettling for some reason?? Also I wish there was some sort of redemption arc for her (but I haven't seen her tower ending yet so I dunno if that's already been done)

I feel like this game set out to tie up loose ends, fill holes, and answer questions left from previous installments, but in doing so opened up 5926495 more holes

I know that the creators intended for this game to be a sort of gateway to make a new game with an entirely fresh roster, but suddenly chalking it up to the existence of a veritable super god who is responsible for every event that ever happens in the series just feels like a really cop-outty way to do it

Also how the hell do they expect to make a game with an entirely unfamiliar cast when Scorpion and Sub-Zero are literally the faces of the Mortal Kombat franchise

I legit do not know how to feel about Raiden being mortal. I mean I understand he gave up his immortality to Liu Kang for a good reason, but like. Raiden is literally ripped straight from Japanese mythology/religion. How can you have what is supposed to be the thunder god when he cannot do thunder god things 🤔

Jade and Kotal. LISTEN. I have no qualms with either of these characters themselves. I think Jade is cool as hell and I like Kotal's character too. But why are they together? There is jack diddly SQUAT about how they know each other, why they grew to love each other, etc etc. Like look I have no issue with brand new romance plots in my fighting games, fuck I love Takeda and Jacqui together, but at least I knew why they liked each other and how they came to be so close and saw all the things they went through together. I'm sure I'd love Jade and Kotal too but I just don't understand why those two specifically are a thing. It feels like a very forced romantic subplot for the sake of... romantic subplot. ¯\_(ツ)_/¯ ?????

Being able to only use X-Rays (pardon me, Fatal Blows) once per match, and only at low health. Was the problem that X-Rays could be used too frequently? That the meter could be wasted if blocked or missed? Why not just give the same cool-down period then, without the one-time usage limitation thing?

There are probably many more I could complain about but I honestly do not have the energy for it atm

[austenmarriage]

New Post has been published on Austen Marriage

New Post has been published on http://austenmarriage.com/another-look-at-pride-and-prejudice/

Another Look at 'Pride and Prejudice'

I’ve seen most of the television and movie productions of Pride and Prejudice. I’ve enjoyed almost all of them. Like most people, my favorite is probably the 1995 television production with Jennifer Ehle as Elizabeth Bennet and Colin Firth as Darcy. The reason has as much to do with the length—it is a six-hour miniseries—as with the casting. In contrast to a ninety-minute or two-hour movie adaptation, the six hours of screen time allow the script to more fully develop the plot lines in the novel and more faithfully encompass Jane Austen’s spirited dialogue.

My least favorite is the 1940 movie starring Greer Garson and Laurence Olivier. It’s not just that the leading players were a decade too old (36 and 33, respectively), or that the costumes were from the wrong time period, or that the story became pure comedy. (Lady Catherine not only ended up the star but for some reason her mannerisms reminded me of the Good Witch from the Wizard of Oz.)

It’s hard to believe that Aldous Huxley, the serious author of Brave New World, was one of the screenwriters. He might as well have penned the script for a Three Stooges movie. What rankled me most, however, is that Olivier smirks his way through the entire production. It’s as if he can’t believe he signed up for something this awful.

The 2005 film starring Keira Knightley and Matthew Macfadyen is the de facto standard for the shorter movie or TV versions. For pure enjoyment, however, my favorite movie-length adaptation is the 2004 Indian version, Bride and Prejudice. It stays true to the best parts of the original while also infusing the story with an exuberance that the stiff-upper-lip set seldom achieves.

It was with great interest, then, that I watched the recent Pride and Prejudice: Atlanta, a modern-day version set in the black community of the American city. I waited to see the Lifetime movie until a few days ago because I needed to re-read the novel for other reasons and thought it would be good to finish the book first.

There’s a fair amount to enjoy about this 2019 made-for-TV movie, directed by Rhonda Baraka. The cast is attractive and engaging; the men in particular have been cast to draw swoons. Lizzie (Tiffany Hines) and Darcy (Juan Antonio) have great chemistry, though not a lot to do. Mr. and Mrs. Bennet (Reginald VelJohnson and Jackée Harry)—happier than in the book—play off each other well, and the new reverend in town (Carl Anthony Payne II) is as self-satisfied as Austen’s Mr. Collins. He turns out not to be as flawed as the original, which is unfortunately true of everyone.

The Bennet family of “Pride and Prejudice: Atlanta” throws a lot of energy and charm into trying to overcome an abridged script. The result is fun but misses the complexities and seriousness of Austen’s masterpiece.

Purists may wince, but I enjoyed the conversion of some of Austen’s lines to the colloquial, as when Bingley (Brad James) and his sister Caroline (Keshia Knight Pulliam) arrive and Mrs. Bennet says in a voiceover: “Everybody knows that a single man with money needs to get himself a wife.” (Notice that, as here, many Southern colloquialisms have a strong iambic rhythm: That’s often the reason for seeming filler words.)

Other changes place the movie in a contemporary setting. Lizzie is a political activist; Darcy is a political moderate she sees as a sellout. Bingley is a pro golfer; Jane (Raney Branch) is a widow with a child. Lady Catherine is just plain Catherine (Victoria Rowell), but she’s as arrogant and obnoxious as the worst aristocrat. One high-quality twist is when Catherine claims that Jane is a uniquely modern gold-digger, a “baby momma” looking for a pro athlete to support her.

Maybe half such original lines by screenwriter Tracy McMillan work well. Another is when Lizzie says: “If a woman ain’t happy alone, she won’t be happy with a man.” (Like many Southerners, this well-spoken character reverts to the colloquial when feeling strong emotions.)

P&P: Atlanta would work better if we returned to the best of Austen’s dialogue (even updated) when matters involved personal relationships. Lifetime, however, decided not just to have the requisite happily-ever-after ending but to remove any meaningful conflict whatsoever. This may have been the result of abridging the story to leave plenty of room for commercials. I wonder how frustrated the screenwriter McMillan must have been when given too little time to develop a serious plot.

Darcy has no real negatives to offset his looks. In the book, he looks down on the Bennets and thinks Jane does not care for Bingley. As a result, he pulls Bingley away. In the movie, he separates Bingley from Jane because, until now, Bingley has been a player. He’s afraid Bingley will hurt Jane. Darcy and Lizzie never have any blistering back-and-forth dialogue because Lizzie seldom gives him a chance to speak. Wickham (Phillip Mullings Jr.) reforms before he’s really done anything wrong. Lydia (Reginae Carter) has a few saucy moments but reforms even faster than Wickham.

With no real drama to work through, the actors imbue the characters with more zest than the script deserves. This makes the movie fun without any serious undertones. The serious undertones were there but did not directly show on screen. Harry told the New York Post that one of the film’s sets had at one time been a plantation house, “where they kept slaves in their quarters, and they told us all the history. … So you go [to the house] and do your thing, but you feel the ghosts of it. It really made it all the more real to what we were doing—a black version of a classic.”

In a movie filmed lovingly in Atlanta, the actors seemed to take great pride in recreating a standard, even a highly shortened version. They clearly enjoyed displaying a minority culture of middle-class, upper-middle-class, and wealthy blacks. This is a welcome contrast to the usual grim, poor, crime-ridden stereotypes of black urban life. That may be the best thing about Pride and Prejudice: Atlanta. Viewers see a vibrant community of generally happy people enjoying solid lives any of us would want to have.

(Images from Lifetime.)

—

The Marriage of Miss Jane Austen, which traces love from a charming courtship through the richness and complexity of marriage and concludes with a test of the heroine’s courage and moral convictions, is now complete and available from Amazon and Jane Austen Books.

[page58-blog1]

Family is All You Need in TV One's 'Downsized' (Clip) starring Nicole Ari Parker & Boris Kodjoe

Family is All You Need in TV One’s ‘Downsized’ (Clip) starring Nicole Ari Parker & Boris Kodjoe

  “But you just never listen when I told you that I wanted to do this.” “I understand, trust me I do I just don’t want you to make the same mistake I did.” “Mistake, you mean me I’m your mistake?” In the family drama ‘Downsized’ Ebony (Nicole Ari Parker) and Michael (Boris Kodjoe) were forced into a modern “shotgun” wedding after becoming teenage parents, putting their personal goals on hold in…

[lipsyncforyourlife]

VH1 offers fans its first-ever “Naughty or Nice” holiday season with new movies from executive producers Eva Longoria, Jamie Foxx, Nick Cannon, World of Wonder’s Randy Barbato and Fenton Bailey, and Kim Fields

VH1 offers fans its first-ever “Naughty or Nice” holiday season with new movies from executive producers Eva Longoria, Jamie Foxx, Nick Cannon, World of Wonder’s Randy Barbato and Fenton Bailey, and Kim Fields 

Lineup kicks off Monday, November 29th with Adventures In Christmasing, followed by The Bitch Who Stole Christmas, Hip Hop Family Christmas, Let’s Get Merried and Miracles Across 125th Street 

(New York, NY) October  29, 2021 – VH1 offers fans its first-ever “Naughty or Nice” holiday season with new movies from executive producers Eva Longoria, Jamie Foxx, Nick Cannon, World of Wonder’s Randy Barbato and Fenton Bailey, and Kim Fields. The lineup kicks off on Monday, November 29th with Adventures in Christmasing, followed by The Bitch Who Stole Christmas, Hip Hop Family Christmas, Let’s Get Merried and Miracles Across 125th Street.

“With our ‘Naughty or Nice’ film slate, VH1 is reimagining the holidays with modern, fresh takes,” says Nina L. Diaz, CCO/President of Content for MTV Entertainment Group. “Working together with Eva, Jamie, Kim, Nick as well as our long-standing partners Randy and Fenton has truly been a gift that keeps on giving.”

Additional details below:

Adventures In Christmasing

Premiere date: Monday, November 29 at 9PM ET/PT

Synopsis: Parker Baldwin, a highly successful and meticulous talk show host who plans everything to a T, finds her Christmas plans upended when her network persuades her to spend three days in the wild with superstar adventurer & television survivalist Finn Holt for a holiday television event. The two butt heads until they find themselves stranded together in the wild with no food, unreliable shelter and no form of communication. Unexpectedly impacting each other, they come to realize life is the greatest adventure.

Story By: Kim Fields & Rhonda Baraka

Writer: Rhonda Baraka

Director: Troy A. Scott

Starring: Kim Fields, Adrian Holmes, Kel Mitchell, Eva Marcille, Jonathan Silverman

Executive Producer: Kim Fields, Art Rutter and Timothy Johnson; Meghan Hooper, Josh Van Houdt and Janee Dabney

Executive in Charge of Production: Donny Hugo Herran

Production: MTV Entertainment Studios, Johnson Production Group, K-Lab Studios

Quote:  “I’m thrilled to bring all my naughty and nice to lead the charge for this epic creative moment for the iconic VH1,” says Kim Fields. “Adventures in Christmasing is as fantastically unexpected and unique as this fire VH1 and MTV Entertainment Group is making for a wickedly cozy holiday season.”

The Bitch Who Stole Christmas

Premiere date: Thursday, December 2 at 9PM ET/PT

Synopsis: In the draggiest Christmas movie ever made, a workaholic big-city fashion journalist is sent to a Christmas-obsessed small town to dig up a story when she finds herself in the middle of cut-throat housewives, a high-stakes “Winter Ball” competition, and a sinister plot that could destroy Christmas fore-evah!

Writers: Connor Wright and Christina Friel

Director: Don Scardino

Starring: RuPaul, Krysta Rodriguez, Andy Ridings, Michelle Visage, Ginger Minj, Brooke Lynn Hytes, Peppermint, Jan Sport, Jaymes Mansfield, Latrice Royale, Gottmik, Morgan McMichaels, Porkchop, Carson Kressley, Ross Mathews, Chad Michaels, Heidi N Closet, Kelly Mantle, Kimora Blac, Laganja Estranja, Manila Luzon, Mayhem Miller, Pandora Boxx, Raven, Rock M. Sakura, Kylie Sonique Love, Kim Petras, Charo, Anna Maria Horsford

Executive Producer:  Randy Barbato, Fenton Bailey, Tom Campbell, Don Scardino; Nina L. Diaz, Meghan Hooper, Josh Van Houdt, Samantha Schles, Marcia Lansdown and Janee Dabney

Executive in Charge of Production: Donny Hugo Herran

Production: MTV Entertainment Studios, World of Wonder

Quote: “There are 1000 Christmas movies this year, but only one with DRAG QUEENS! Christmas will never be the same!” says Randy Barbato, World of Wonder.

Hip Hop Family Christmas 

Premiere date: Monday, December 6 at 9PM ET/PT

Synopsis: Hip-Hop’s most famous family agrees to participate in a live Christmas television special to address negative press and soften their image.

Director: Greg Carter

Writers: Greg Carter, Aydrea Walden, Saeed Crumpler and Datari Turner

Starring: Keri Hilson, Ne-Yo, Terrence J, Serayah, MC Lyte, Redman, Valarie Pettiford, Jodi Lyn O’Keefe, Demetrius Shipp Jr, Billy Sorrells, Jonathan Kite, B. Simone, Jess Hilarious, Niatia ‘Lil Mama’ Kirkland, Vena E., Vanessa Simmons and Tank   

Executive Producers: Jamie Foxx, Datari Turner, Greg Carter; Meghan Hooper, Josh Van Houdt, Mychael Chinn, Trevor Rose and Janee Dabney

Executive in Charge of Production: Donny Hugo Herran, Carlos Lugo

Production: MTV Entertainment Studios, Foxxhole, Nexus Films

Quote: ���Jamie and I are thrilled to be in partnership with MTV Entertainment Group to continue our mission in telling diverse stories and supporting BIPOC creatives in front and behind the camera,” said Datari Turner, Jamie Foxx’s producing partner.

Let’s Get Merried

Premiere date: Monday, December 13 at 9PM ET/PT

Synopsis: A bachelorette weekend at a Christmas-themed adventure park gets all kinds of holly jolly when a hard-partying, down-on-her-luck, holiday-hater decides to get married. That day. To a man she has yet to meet. But first… drinks!

Writer: Sasha Perl-Raver

Director: Veronica Rodriguez

Starring: Mishel Prada, Xosha Roquemore, Tahj Mowry, Nicolette Pearse, Nicole Power, Savannah Basley

Executive Producers: Eva Longoria, Adriana Martinez Barron and Ben Spector; Lance Samuels, Meghan Hooper, Josh Van Houdt, Andrew Lutin, Trevor Rose and Marcia Lansdown

Executive in Charge of Production: Donny Hugo Herran, Carlos Lugo

Production: MTV Entertainment Studios, UnbeliEVAble Ent, Blue Ice Pictures

Quote: “From its inception, the UnbeliEVAble team and I have championed and uplifted fresh, diverse voices both in front and behind the camera, and to have ViacomCBS as a partner in this mission is very exciting,” says Eva Longoria, CEO UnbeliEVAble Entertainment. “I’m so proud to see our first project come to life with a diverse cast and first time Latina director Veronica Rodriguez in the driver’s seat.”

Miracles Across 125th Street 

Premiere date: Monday,  December 20 at 9PM ET/PT

Synopsis: After battling drug addiction, a Harlem rapper returns to his family’s church to confront his past on Christmas Eve.

Writer/Director: Nick Cannon

Starring: Nick Cannon, Lil Kim, Chrisette Michele, Kierra Sheard-Kelly, Tommy Davidson, Bruce Church aka “Bruce Bruce,” Luenell Campbell aka “Luenell,” Fred Hammond, Karen Clark Sheard, Akon, Cameron J. Wright, Vena “Pretty Vee” Excell, Marsha Warfield, Ashley Adair, Bobb’e J. Thompson, Santwon McCray, Airean Josiah aka AJ Boogie, Jarun Jones aka YM, Connor Finnerty, Golden Cannon, AJ Bernard, Destiny Renee Boyd, Cosme Flores, Rahja Fuller, Todrick Hall, DC Young Fly, Jim Jones, Rickey Smiley and Teyana Taylor

Executive Producer: Nick Cannon, Michael Goldman; Benjamin Sumpter, Mike Elliott, Joe Genier; Nina L. Diaz, Donny Hugo Herran, Dara Cook, Trevor Rose and Janee Dabney

Executive in Charge of Production: Carlos Lugo

Production: MTV Entertainment Studios, Ncredible Entertainment, Capital Arts

Quote: “I’m excited to bring all the uplifting elements of gospel, hip-hop and comedy together with such an inspiring and talented cast,” says Nick Cannon, NCredible Entertainment.

MTV Entertainment Group

MTV Entertainment Group reaches over 1.4 billion young people around the world across streaming, social and linear platforms in 180 countries and with more than 725 million social followers – making it one of the preeminent youth media companies in the world.  Connecting with its audiences through nine iconic brands including MTV, Comedy Central, VH1, CMT, Pop, Logo, Smithsonian, Paramount Net and TV Land, MTV Entertainment Studios produces award-winning series, movies and documentary films.

[badfauxmance]

It has been a few years since I’ve heard anything connected to Toni. I remember how great her music was. This does actually sound pretty interesting as a story.

[gender-issues]

“Love Under New Management: The Miki Howard Story” by Christine Swanson (2016) Good direction, images, music, gender content and message A bit too linear to my taste IMDB 7,4 Cast: Teyonah Parris, Gary Dourdan, Darius McCrary Director: Christine Swanson Writers: Rhonda Baraka, Christine Swanson Music by Kurt Farquhar Cinematography by Tommy Maddox-Upshaw Film Editing by Grisha Alasadi

[geniefrancis]

Kim Raver, Alyssa Milano, Monika Mitchell, Erika Christensen, Janice Cooke, Ginnifer Goodwin, Rhonda Baraka, Angela Fairley, Claire Scanlon and Tiffany Hines speak during Lifetime’s Female Directors and Leading Actresses 2019 Winter Television Critics Association Press Tour at The Langham Huntington on February 10, 2019 in Pasadena, California.