#Rheaume Crenshaw

[medium-observation]

Video Release

Shucked - Broadway

April 13, 2023 - Medium Observation

Video

Cast:

John Behlmann (Gordy), Kevin Cahoon (Peanut), Caroline Innerbichler (Maizy), Andrew Durand (Beau), Alex Newell (Lulu), Ashley D. Kelley (Storyteller #1), Grey Henson (Storyteller #2), Jimmy Brewer, Audrey Cardwell, Dwayne Clark, Rheaume Crenshaw, Jaygee Macapugay, Scott Stangland, Yasmeen Sulieman, Quinn Vanantwerp

Notes:

Absolutely Perfect video of this show. Very little to no washout, some adjustments through out.

NFT Date: November 1, 2023

Screenshots:https://flic.kr/s/aHBqjAApNB

Video is $20

Can be purchased through me at mediumobservationtrading@gmail.com

[sonyclasica]

BRANDY CLARK & SHANE MCANALLY

SHUCKED: ORIGINAL BROADWAY CAST RECORDING

El álbum del musical con 9 nominaciones a los Premios Tony ya disponible en formato digital. Incluye dos bonus tracks “Friends” y “Maybe Love” interpretados por Brandy Clark & Shane McNally.

Consíguelo AQUÍ

Hoy, Sony Masterworks Broadway, junto a los productores Mike Bosner y Jason Owen, estrenan Shucked - Original Broadway Cast Recording.  El álbum, que ya está disponible en formato digital y que saldrá a la venta en CD el 9 de junio, incluye piezas musicales del espectáculo de Broadway, como "Independently Owned," el tema estrella interpretado por Alex Newell; "Somebody Will", una potente balada country interpretada por Andrew Durant; y "Maybe Love", una tierna canción de amor a cargo de Caroline Innerbichler. También se incluye en el álbum de Shucked  los bonus tracks “Friends” y “Maybe Love” interpretados por Brandy Clark y Shane McAnally.

Shucked, la nueva comedia musical de Broadway, está nominada a 9 premios Tony: Mejor musical, Mejor guion de un musical (Robert Horn), Mejor banda sonora original (Brandy Clark y Shane McAnally), Mejor interpretación de un actor en un papel principal de musical (Kevin Cahoon, Alex Newell), Mejor diseño escénico (Scott Pask), Mejor diseño de sonido (John Shivers), Mejor dirección (Jack O'Brien) y Mejor orquestación (Jason Howland).

Producida por Jason Howland, Billy Jay Stein, Shane McAnally, y Brandy Clark, la grabación original de Broadway Shucked incluye música y letras originales de Clark y McAnally que, juntos, obtuvieron 3 Premios Grammy® y 18 nominaciones a los mismos premios.

Brandy Clark comentó: "Este reparto original de Broadway es tan especial, y este álbum es una cápsula del tiempo musical para que las generaciones actuales y futuras descubran y vivan la magia que es Cob County y Shucked".

Shane McAnally dijo: "Escuchar a estas increíbles voces y músicos dar vida a estas canciones ha sido uno de los mayores regalos en el proceso de desarrollo de Shucked. Trabajamos mucho para crear una atemporalidad y un contrapunto emocional a la magia visual y la diversión de la versión escénica".

Shucked, con guion del ganador del Premio Tony®  Robert Horn, música y letras de Brandy Clark y Shane McAnally, y dirección de triple ganador del Tony®Jack O’Brien, las estrellas (en orden alfabético) John Behlmann, Kevin Cahoon, Andrew Durand, Tony Award nominee Grey Henson, Caroline Innerbichler, Ashley D. Kelley y Alex Newell.

El conjunto de Shucked incluye a Jimmy Brewer, Audrey Cardwell, Dwayne Clark, Rheaume Crenshaw, Jaygee Macapugay, Scott Stangland, Yasmeen Sulieman, y Quinn VanAntwerp. También participan Miki Abraham, Ken Wulf Clark, Traci Elaine Lee, y Alan Wiggins.

SHUCKED – ORIGINAL BROADWAY CAST RECORDING

TRACKLIST

1              Overture                               

2              Corn                                                      

3              Walls                                                     

4              Walls (Reprise)                                   

5              Travelin’ Song                     

6              Bad                                                        

7              Woman of the World                          

8              Somebody Will                                    

9              Independently Owned                       

10           Holy Shit                                               

11           Maybe Love                                         

12           Corn (Reprise)                                     

13           Entr'acte                               

14           We Love Jesus                                   

15           OK                                                         

16           I Do                       

17           Friends                                                 

18           Best Man Wins                                    

19           Corn Mix                                               

20           Maybe Love (Reprise)                       

21           Friends (Acoustic Worktape - Bonus Track) | Brandy Clark y Shane McAnally

22           Maybe Love (Bonus Track) | Brandy Clark y Shane McAnally

 Fotos de producción del reparto de Broadway disponibles AQUÍ (fotos de Matthew Murphy & Evan Zimmerman) y fotos promocionales del reparto AQUÍ  (fotos de Emilio Madrid) con autorización para uso de prensa y redes sociales.  

¿Qué se consigue al emparejar a un escritor de comedias semineurótico de Nueva York con dos superestrellas de la música de Nashville? Un divertidísimo y audaz musical sobre la única cosa de la que los estadounidenses de todo el mundo no se sacian: el maíz. Shucked es la nueva comedia musical que demuestra que a veces derribar algunos muros, en lugar de hacerlos crecer, es la única forma de preservar nuestro modo de vida. Shucked está a punto de dar la vuelta a Broadway y ofrecer un grano de esperanza a nuestra dividida nación.

Con coreografía de Sarah O’Gleby, y supervisión musical, dirección musical, orquestación y arreglos del nominado al Premio Tony Jason Howland, el equipo de diseño de Shucked incluye al ganador del Premio Tony Scott Pask (diseño escénico), la nominada al Premio Drama Desk®Tilly Grimes (diseño de vestuario), el nominado al Premio Tony Japhy Weideman (diseño de iluminación), el ganador del Premio Tony John Shivers (diseño de sonido), la ganadora del Premio de la Academia® y del Premio Emmy®Mia Neal (diseño de pelucas), y Stephen Kopel, C12 Casting (dirección de casting).

Las entradas ya están a la venta en www.shuckedmusical.com y www.ticketmaster.com.

Shucked cuenta con la producción de Mike Bosner, Jason Owen, AEG Presents/Jay Marciano/Gary Gersh, Jeffrey A. Sine, Richard Smith, Silvia Schmid, Bob Boyett, Jeremiah J. Harris, James L. Nederlander, EST/Emily Tisch, Sony Music Entertainment, DudaAllen, David W. Busch, Karen Fairchild, Horipro Inc., Gordon-Helfner, John Gore Organization, Madison Wells Live, S&Co., Terry Schnuck, Jimi Westbrook, y ZKM Media.

ELOGIOS DE LA CRÍTICA

"una banda sonora  rica en melodías y llena de vida, compuesta por las estrellas de la música  country  Brandy Clark and Shane McAnally”

-WALL STREET JOURNAL

"Las canciones de Brandy Clark y Shane McAnally son inmediatamente pegadizas..."

-DAILY BEAST

"melodías  inolvidables y letras ingeniosas"

-THE NEW YORKER

Sony Music Masterworks es una empresa global de entretenimiento especializada en música grabada y experiencias en directo. Las producciones teatrales y álbumes de reparto publicados a través de su sello Masterworks Broadway incluyen Back to the Future, KPOP, Almost Famous, The Old Man and the Pool, Sing Street, Lempicka, POTUS, Macbeth (Daniel Craig), Flying Over Sunset, The Prom, SpongeBob, Harry Potter, Hello, Dolly! (Bette Midler), Kinky Boots y Once, además de las bandas sonoras de los filmes musicales The Prom, Tick, Tick…Boom!, y Matilda. Para actualizaciones por email y más información, visita www.sonymusicmasterworks.com.

 www.shuckedmusical.com

www.facebook.com/shuckedmusical

www.instagram.com/shuckedmusical

www.tiktok.com/@shuckedmusical

 www.masterworksbroadway.com

www.facebook.com/masterworksbroadway

www.instagram.com/sonybroadway

www.twitter.com/sonybroadway

https://www.tiktok.com/@sonybroadway

https://www.youtube.com/user/masterworksbwayVEVO

[kugirocks]

Six the Musical but with the ladies of Groundhog Day the musical

Jenna Rubaii as Aragon

Katy Geraghty as Boleyn

Taylor Iman Jones as Seymour

Rheaume Crenshaw as Cleves

Rebecca Faulkenberry as Howard

Barrett Doss as Parr

[crazy-noonoohead]

A year ago, I stood on the corner of 52nd St. and 8th Ave., waiting to go inside for a free first preview of a new Broadway show. I generally prefer to wait until a show officially opens, partly so I can judge a final product, but mostly because a former friend attends early previews and I go out of my way to avoid her. But who can say no to free theatre tickets? (If she was there that night, I didn't see her, so crisis averted.) As always, I was excited to see a new show, but I had some concerns. Did we really need another adaptation of a movie, especially one so beloved by many? I had only seen the movie once, but I still knew it was iconic and completely understood why. Would it live up to the original source material, or would it be as offensively bad as some other adaptations I won't publicly name? I remained cautiously optimistic and eager to find out.

The opening number set the scene with just the right amount of exposition, and the following number was making me laugh, until all of a sudden they had to stop the show. Understandable. It was a first preview, and I figured they were still working some technical kinks out. Then forty-five minutes passed and free drinks were offered. I even considered not waiting at the stage door. At this point, I would already get home late, and I had to be up early for work the following day. The composer, book writer, and director got up on stage and reassured their audience that this never happened in rehearsals. They told us that despite the turntable refusing to cooperate, they would resume the first act concert-style, and then perform five songs from the second act. They also said they would give us all vouchers to come back to a later preview so we could see it the way they wanted us to. The actors had to sit in chairs and couldn't change out of their costumes, but they still gave it their all. Their ability to laugh through the stress and perform as if they were using the full set and choreography blew my mind. I think, "There you are" got the biggest laugh of the night, since all someone did was get up out of a chair. When the lead actor burst into laughter, I knew I was going to wait and congratulate everyone. It would be worth being tired the next day. When I went back a few weeks later, there was another technical stop, but this time it only lasted ten minutes. And I got to see/hear half of one of my favorite songs in the show twice. Still the best car chase I've ever seen, and probably ever will see.

Four months went by before I would see it again, but in that time I listened to the cast recording constantly and memorized the score. It was the show I recommended to friends without hesitation. I even sang the act two opener in acting class with the "Hope" (see what I did there?) that it would encourage people to buy tickets. But it wasn't enough. A week and a half after my third trip to Punxsutawney, the show posted its closing notice, and it hurt way more than I was expecting it to. I went back a lot during its final month, made friends both on the Internet and in real life, and cried with them through the final performance. I managed to see it eight times during its six-month-and-one-day run, and I wish I could have gone more.

This beautiful gem of a show deserved to run as long as Phil was stuck in that time loop. No. It deserved to run even longer than that. The care and detail that team put into every line, every movement, every...everything...continues to amaze me. It's been gone six months (minus one day) now, and I'm still picking up on new details when I listen to it or when my mind happens to wander back to its time on Broadway. A tragedy occurred in Barcelona, and the next day, they changed a line from, "It always makes me think of Barcelona" to, "It always makes me think of Machu Picchu." Something a certain other show I won't publicly name could have learned from. I'm not bitter. It enhanced the original source material, and cast a large, diverse group of kind people who deserve nothing but happiness and success. I will never stop missing it, but I'm forever grateful for the time we had together, even if it was cut far too short.

Revive Groundhog Day.

[tasha-draws]

A semi-late birthday sketch for Rheaume Crenshaw aka Doris from Groundhog Day! Go on and enjoy a night of karaoke!

{The Punxsutawney Panels Compilation}

[eighthmark]

[punxsutawneyspirit]

groundhogdaybwy Hitting all the right notes in the diner and on stage. #TownMeeting #GroundhogDayBway

[thatesqcrush]

The show was amazing. I met Brandon Uranowitz, Jin Ha, Shereen Pimentel, Rheaume Crenshaw, Sharone Sayegh & Visha Vaidya & Jay Lusteck. They were all phenomenal and incredibly kind. Raúl was wonderful - he dances and does accents. He even hulas. It was clear he was having so much fun.

[shallanspren]

Waitress 1NT, Salt Lake City-September 30, 2018 E: Christine Dwyer (Jenna), Lenne Klingaman (Dawn), Tatiana Lofton (u/s Becky), Bryan Fenkart (Dr. Pomatter), Ryan G. Dunkin (Cal), Larry Marshall (Joe), Nick Bailey (Earl), Jeremy Morse (Ogie), Rheaume Crenshaw (Nurse Norma), Alex Tripp (Francine), Lulu (Essie Kathryn Barrett), Grace Stockdale (Mother), Jim Hogan (Father)

 Notes: Recorded from the orchestra. Christine’s fourth performance as Jenna. Last show in Salt Lake City. Limited Trade.

Picquery’s master, audio was tracked by goodmorningvanessa.

i’ve been wanting to post this ever since Christine said it was her favorite number to perform. I was enchanted by this number when I saw the show, and sat slack-jawed, leaning forward in my seat the entire time. The tenderness between the three women was so moving to watch. 

[girlbossfrankshepard]

Whaaaat Rheaume Crenshaw and Vishal Vaidya from GHD are in the ensemble too!!

[butmostlyme97]

New Waitress audio+WANTS

This is my new release

Waitress, January 12th 2019, San Antonio Majestic Theatre E (Tracked, Untracked)

Christine Dwyer (Jenna), Maiesha McQueen (Becky), Jessie Shelton (Dawn), Steven Good (Dr. Pomatter), Jeremy Morse (Oagie), Matt DeAngelis (Earl), Ryan G. Dunkin (Cal), Richard Kline (Old Joe), Rheaume Crenshaw (Nurse Norma), Grace Stockdale ( Mother), Adam J Levy (Father), Alex Tripp (Francine), Gerianne Perez ( Club Knocked up Solosit)

Ensemble: Kolby Kindle, Kevin Zak, Rheaume Crenshaw, Grace Stockdale, Alex Tripp, Gerianne Perez,

Nft till March 13 2019 unless done by me

Wants:

Mean Girls | December 2, 2018 | Broadway | Matinee | mp3 untracked

​Cast Info: Erika Henningsen (Cady Heron), Becca Petersen (u/s Regina George), Ashley Park (Gretchen Wieners), Jonalyn Saxer (u/s Karen Smith), Tee Boyich (u/s Janis Sarkisian), Brendon Stimpson (u/s Damian Hubbard), Jennifer Simard (Mrs. Heron/Ms. Norbury/Mrs. George), Rick Younger (Mr. Duvall), Kyle Selig (Aaron Samuels), Cheech Manohar (Kevin Gnapoor), Myles McHale (Coach Carr/Glen Coco/Math Moderator), Stephanie Lynn Bissonnette (Dawn Schweitzer), Collins Conley (Lizzie Therman/Caroline Krafft), Ben Cook (Tyler Kimble), DeMarius R. Copes (Christian Wiggins), Kevin Csolak (Shane Oman), Riza Takahashi (Sophie Kawachi), Devon Hadsell (Caitlyn Caussin), Curtis Holland (Jason Weems), Nikhil Saboo (Marwan Jitla), Ixchel Cuellar (s/w Taylor Wedell), Britt Nicholas (s/w Rachel Hamilton), Bria Jene Williams (Grace Akinola), Gianna Yanelli (Sonja Acquino)

Notes: I'm fairly certain this is the first time Tee and Brendon were together. Starcuffedjean’s master

Newsies | August 4, 2013 | Broadway | MP3 tracked

Cast Info: Brendon Stimson (us Jack), Caitlyn Caughell (us Katherine), Stuart Marland (us Pulitzer), Ben Fankhauser, Andy Richardson, Joshua Colley, LaVon Fisher-Wilson, JP Ferreri (us Buttons/Scab), Stuart Zagnit (us Snyder), Julian DeGuzman (us Oscar Delancey)

Anastasia | November 25, 2018 | Broadway | m4a untracked (2)

Cast: Christy Altomare (Anya), Zach Adkins (Dmitry), John Bolton (Vlad), Max Von Essen (Gleb), Lauren Blackman (u/s Countess Lily), Judy Kaye (Dowager Empress)

Notes: requiemtrading's master. Zach's last show

Mean Girls | November 15, 2018 | Broadway | Devon's debut as Adult Women (the first time the roles has been played by other than Kerry or Jennifer)

Waitress | November 25, 2018 | Manila | m4a untracked | Limited Trade

Cast Info: Jonna Ampil (Jenna), Maronne Cruz (Dawn), Bituin Escalante (Becky), Bibo Reyes (Dr. Pomatter), Nino Alejandro (Ogie), George Schulze (Earl), Dean Rosen (Cal), Steven Conde (Joe)

2018.07.21 M | Broadway | Untracked | Limited Trade |

Kennedy Caughell (u/s Carole King), Genie Klein (Liz Larsen), Sara Shepard (u/s Betty), Evan Todd (Gerry Goffin), Kara Lindsay (Cynthia Weil), Paul Anthony Stewart (Don Kirshner), Ben Jacoby (Barry Mann)

Notes: Kennedy's Carole King Debut

2017.08.07 | St. Louis MUNY |

Jay Armstrong Johnson (Jack Kelly), Davis Gaines (Joseph Pulitzer), Tessa Grady (Katherine Plumber), Ta’Rea Campbell (Medda Larkin), Daniel Quadrino (Crutchie), Spencer Davis Milford (Davey), Gabriel Cytron (Les)

Anastasia - Broadway - November 30, 2018 - M4a (Untracked) - GIFTED UPON REQUEST

cast: Christy Altomare (Anya), Cody Simpson (Dmitry), John Bolton (Vlad), Max von Essen (Gleb Vaganov), Judy Kaye (Dowager Empress), Vicki Lewis (Lily)

notes: 2nd performance of Cody Simpson! The key for My Petersburg has been lowered to fit his voice. It's actually a nice change of pace to hear.

Cats with Jonalyn Saxer as Demeter

Mamma Mia at Sacramento music circus

Wicked with Allison bailey and Jackie burns

[consider-thecoconut]

Waitress audio

Waitress (National tour, San Francisco) - October 21, 2018: Christine Dwyer (Jenna), Ryan G. Dunkin (Cal), Jessie Shelton (Dawn), Rheaume Crenshaw (u/s Becky), Larry Marshall (Joe), Matt DeAngelis (Earl), Grace Stockdale (Mother), Jim Hogan (Father), Tatiana Lofton (u/s Nurse Norma), Bryan Fenkart (Dr. Pomatter), Jeremy Morse (Ogie), Alex Tripp (Francine), Eva Carreon (Lulu). Notes: Rheaume’s first performance as Becky.

-

Message me if you want it! It’s m4a format and the link will be on mega

[uncommonbisisst]

My trip to New York was SURREAL. The only downside was the environment and the fact that I have to walk around all day, especially the bus ride back to Massachusetts. Anyways, the great highlights of this trip were the two amazing musicals I saw, two nights in a row- Groundhog Day and Miss Saigon.

Details under the cut.

July 31, I saw Groundhog Day. This is the first performance of Taylor Iman Jones, the understudy for Rita. AND SHE WAS PHENOMENAL. Andy Karl also blew the roof and I can clearly know why he won Best Actor in the 2017 Olivier Awards.

The ensemble was amazing, they manage to perfectly repeat their choreography each “day”, and their voices harmonize so beautifully. They more than deserve being the Olivier’s Best Musical. The car chase during “Nobody Cares” and the entirety of “Hope” had amazing choreography. Heck, this entire musical was choreographed so well. Adrenaline continued to flow when my mom told me we could go to stage door and boy, I was nervous. As I stood near the poles (?), anxiety blew through the roof all the while people beside me continued to talk while waiting. Taylor, Andy, Rebecca Faulkenberry, Rheaume Crenshaw… I believe a few other amazing people signed my playbill. It was amazing to be right near them as they came out of stage door. Even better, I was able to take a picture with Andy and Taylor! Words alone cannot describe the feeling of even remembering this experience.

The night of August 1, seeing Miss Saigon was basically a treat for my mom since she also wanted to watch this. IT WAS AMAZING Eva Noblezada and Rachel Ann Go’s voices were so full of emotion I got chills. Jon Jon Briones was amazing and energetic as the Engineer. Nicholas Christopher nailed singing the Act 2 opener “Bui Doi”, I can only imagine how he did the previous role of George Washington in Hamilton.

The helicopter scene during “Kim’s Nightmare” was breathtaking, they made it so you can feel the wind on your face, and the embassy gates were so wide they reached the whole stage, if was amazing how they quickly moved and assembled it.

In stage door, the amazing people I mentioned, including Chris’s amazing understudy, Graham Scott Fleming and Devin Ilaw (Thuy), signed my playbill. I was able to get a picture with him, Rachel and Eva. The kid who played Tam, Jace Chen, was so adorable. Even as gunshots are played onstage, he continues to stand. He signed the playbills of a few other people and playfully air-punched Jon Jon Briones.

These two musicals are amazing, and I would watch them again and again if given the chance.

[crazy-noonoohead]

Who would have thought a show that didn't involve Andrew Rannells, based on a movie I had seen once (now twice), would become such a huge part of my life? Or that a 45-minute technical stop would lead to one of the most fun theatrical experiences I've ever had? Or that its star would go from someone whose talents I admired but didn't spend a lot of time gushing about, to one of my all-time favorite actors? Or that its entire cast, most of whom I hadn't previously heard of, would become a group of people I would drop everything to support? Or that despite it being a story about having to live the same day over and over again, I would discover new things with each visit? All of this happened in six months and a day. As Phil says in the final scene, "I am also surprised!"

Thank you, Groundhog Day. Thank you for turning the doorknob to my heart and adding even more of a spring to my step. We had a beautiful day together eight times. That's a wrap. And of course...that's good weather.

[tasha-draws]

There is no town greater

What started as a show that I really enjoyed back in June slowly evolved into one of my all-time favorites.  When I think about this show, I remember the joy that I felt when I watched it on Broadway.  But then, I think about the heartfelt messages and great lyrics accompanied by an emotional and inspirational story lead by an incredible cast.  This is a show that should have lasted longer but I am grateful of what it did to me.  It introduced me to a community of great people on Tumblr and has inspired me to draw more than ever before during the summer.  And every time I draw these characters, I fall more in love with it.  Thank you, Groundhog Day, for being an amazing show.

(Enlarge the image for full quality)

[punxsutawneyspirit]

groundhogdaybwy Hitting all the right notes in the diner and on stage. #TownMeeting #GroundhogDayBway