#Regenstein
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1958 im Harz auf der Burgruine Regenstein oberhalb Blankenburg.
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Else Regensteiner, Red and Blue, 1969, wool and other fibers, 57 Ă 35 7â8 Ă 1 in. (144.8 Ă 91.1 Ă 2.5 cm), Smithsonian American Art Museum, Gift of Helga Regensteiner Sinaiko, 2006.29.2, Š, Helga Sinaiko
Else Regensteiner (April 21, 1906 â January 18, 2003) was a German weaver, textile designer, writer, and teacher who was primarily based in Chicago, Illinois. (...) From 1940 to 1941, at the School of Design in Chicago, Marli Ehrman, a graduate of the Bauhaus, taught Else drafting and weaving on a fly-shuttle loom and introduced her to the ideals of the Bauhaus movement. Via Wikipedia
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Fudo Myo-o, 13th century
#Fudo Myo-o#Fudo Myo#myo-o#Japanese Buddhism#Acala Vidyaraja#Five Bright Kings#Fudo#Ho-ken#Kensaku#Japanese sculptor#asian art#Yamabushi#Joseph and Helen Regenstein Foundation#wisdom king#sculpture
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AUM magazine, Vol. 5, No. 6, Regensteiner Pub., July 1969 (cover art by Henry Diltz)
#witches#magazines#occult#vintage#aum#aum magazine#regensteiner publications#july 1969#1969#henry diltz
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Specifically, this is the plan of the third floor. (Music Department territory!)
Skidmore, Owings & Merrill, Joseph Regenstein Library, Floor Plan, University of Chicago, Chicago, Illinois
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Regenstein Library at the University of Chicago.
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Coworker suggested I apply to an entry-level position in special collections archives at the Regenstein and I would be SO good at it but have no training in library science or archival work :(
#Like I was put on this bitch of an earth to be a special collections archivist and researcher#That is why Gd made my flavor of autism#That is the secular age's answer to becoming a monk
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"HE IS EQUIPPED TO GUIDE THE SPIRITUAL TRAVELER PAST TEMPTATION ON THE PATH TO ENLIGHTENMENT."
PIC INFO: Resolution at 843Ă1080 -- FudĹ MyĹĹ, a Buddhist deity and guardian of the Buddhist law. His name translates to "The Undefeatable Enlightened King of Buddhism," or "the immovable or unshakable one."
DATE: 13th century (1199-1399)
ARTIST: Japan
DEPARTMENT: Arts of Asia
TITLE: Fudo Myo-o
ORIGIN: Japan (Artist's nationality)
MEDIUM: Wood with polychromy and gilt-bronze accessories
CREDIT LINE: Gift of the Joseph and Helen Regenstein Foundation
OVERVIEW: "The name Fudo Myo-o means âthe immovable or unshakable one.â He is one of five myo-o, or lords of light, whose threatening appearance guards the Law of Buddhism. He is equipped to guide the spiritual traveler past temptation on the path to enlightenment. Fudoâs bulging eyes, piercing stare, and protruding fangs express the intensity of his wrath against evil. Seated on a stylized rock formation that symbolizes his steadfastness, he once held his attributes, a rope and sword (these have been removed for conservation), which were used to subdue evil forces and to cut through the ignorance that is the source of suffering. This finely modeled figure reflects the highly detailed, realistic direction taken by Japanese sculptors in the Kamakura period (1185â1333)."
-- THE ART INSTITUTE OF CHICAGO
Source: www.artic.edu/artworks/8085/fudo-myo-o.
#The Art Institute of Chicago#Lords of Light#Buddhist deity#Guardian of the Buddhist law#The Undefeatable Enlightened King of Buddhism#Japanese Buddhism#Art Institute of Chicago#Statue of FudĹ MyĹĹ#Acala#Early 13th century#Kamakura period#The Immovable#AcalanÄtha#Immovable Lord#Noble Immovable Lord#Wrathful deity#Protector of the Dharma#East Asian Buddhism#Japanese Culture#Japan#Japanese#Buddhist#FudĹ MyĹĹ Statue#Japanese Esoteric Buddhism#Dharmapala#Buddhism#FudĹ MyĹĹ#The Unshakable One#The Immovable or Unshakable One#Fudo Myo-o
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Regenstein Library building
1964-70
Chicago, USA
Architect: Skidmore, Owings, and Merrill
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At the University of Chicago, the 1968 Regenstein Library. Architect Walter Netsch designed the project in the brutalist style
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Library staff gather in the Far Eastern library. In 1961 two adjacent study rooms on the first floor of Harper Memorial Library were converted to house this library, which brought together two existing collections. The Far Eastern collection, with its then 135,000 volumes, had been housed in what is now the Institute for the Study of Ancient Cultures; the 5,000-volume South Asia reference collection had been located in the classics library. Today the East Asian collection, occupying most of the Regenstein Libraryâs fifth-floor stacks, includes extensive holdings in Chinese, Japanese, and Korean; numerous rare books in Tibetan, Mongolian, and Manchu; and much more. The Southern Asia Collections include a reference collection on the Regâs fifth floor, as well as over 10,000 maps of South Asia on the third floor, among other resources.
UChicago Photographic Archive, apf2-06273, Hanna Holborn Gray Special Collections Research Center, University of Chicago Library
@uchicagoscrc
#uchicago#university of chicago#campus#chicago#university of chicago magazine#archives#photography#1960s#library
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I Learned to Hate in Nursery School
This is not an anecdote I share casually. Lovers and husbands have heard it, best friends, a therapist or two. Itâs not the kind of story you tell to just anyone. But then, no one whoâs heard it has ever believed it soâŚ
In my earliest memories, Papa was going to Georgia Tech and working nights, Mama worked as a bookkeeper for Rhodes Furniture Store, and I got sent to a nursery school when I was two. Small children donât see the big picture, donât understand the good reasons behind the arrangement of their lives. They only know what they need and resent not getting it. Maybe I needed more love and attention than other children did. But, I doubt that. I knew for sure that I wasnât happy being put in a system that only noticed me if I deviated from the prescribed regimen.
O how I cried! And begged! And pleaded every morning, âPlease, I donât want to go, please, donât make me. Please, Mama, take me to work with you, please donât leave me in that awful place!â
In retrospect, I feel bad about dumping all that guilt on my poor Mama; she really had no choice. Papa was in college and worked double-shifts at a greasy diner. But they needed more.
From my childish point of view, my parents were as cruel as Cinderellaâs, dropping me off into that teeming play yard to be jostled about by other babies whining, âPlease donât leave me here.â It was really a very high-class school located in a white frame house in Buckhead across from Regensteinâs Fine Clothing Store on Peachtree Road. All the very best struggling two-income families sent their tot-bodies to be warehoused there.
The Art Room and Rainy Day Playroom were downstairs in the basement and the other classrooms and an office were upstairs. The facilities were as nice as nursery schools can be, I suppose, and the curriculum wasnât much different than the way Kindercareâs are run today. I could have been happy if I had accepted the situation, but that was the problem; I just couldnât get used to having somebody telling me what to do almost every minute of the day.
It was the uncompromising schedule I disliked the most. Everyday followed the same routine without inspiring any moments of joy or wonder. Even in âart,â pressure was applied to make you stay inside the lines.
Lunch was gruesome in its blandness. The dietitian splatted scoops of nutrition on top of each other upon the plates. Hard under-cooked green peas rolled over mounds of over-cooked macaroni and cheese. Chunks of raw pineapple peeked out like the tips of yellow icebergs in seas of green Jell-O. It was simply disgusting.
I always had indigestion after lunch; it was a combination of my seething resentment and nausea over being forced to eat this mess. Yes, forced! At this point in the day, the Director appeared. Scowling and glaring, she patrolled the tables like a storm trooper.
The Director of the school was not a kind, loving woman devoted to small children. Maybe she had been when she started out but some bitterness or disappointment in her life had transformed her into a cold, autocratic despot. She held a wooden ruler in her hand at all times and would slap it against her palm. Slap! Slap! Slap! Like the beating wings of an angry hornet.
Slap! Sheâd pop her palm right next to my ear and make me nearly jump out of my skin in fright. And if you really resisted eating your canned, sliced, slightly heated carrots, sheâd pop you! On the thigh, or the calf, or your shoulder, whatever was handy.
I hated her, purely and with such passion and purpose, and to such an end, as you will soon see, that I have never been capable of hating anyone so much again in my whole life.
After lunch, we heard a story delivered by the Director. She transformed storytime into a boredom to be endured when it should have been a life-enhancing experience. Papa was far more entertaining. The stories were chosen not for any value other than sleep inducement. Because right afterwards came nap time, the break the Director and her assistants waited for all day â and the ordeal I most dreaded commenced.
I was a delicate, little bird-child, vibrating with nervous energy. I only missed being labeled hyperactive and addicted to Ritalin because my parents werenât rich enough to take me to a fancy doctor. I stopped taking naps when I was 18 months old and still had trouble getting to sleep at night. My imagination was developed during the long hours between the time I got put to bed and the time I finally managed to fall asleep. Maybe I wasnât exercised enough or maybe I was hyper-adrenal, I donât know. Sleeping was not something that came easily to me then nor does it now.
Now this Director had a fixation on children actually sleeping during nap time. It wasnât good enough to lie quietly staring at the ceiling until this period of forced inactivity had passed. Oh no, every little eye had to be closed and if you couldnât sleep youâd better learn how to fake it!
âClose your eyes, Jackie,â the Director would stand, menacingly, over some small child, âI said, close your eyes!â Pop! Sheâd swat the kid with that ruler. âDonât you dare cry! I said, be still and go to sleep!â
Somehow I evaded her notice but right after my third birthday, I got caught. I remember actually trying to reason with this crazy woman, âIâll be quiet. I wonât talk to anyone, I promise. I just canât sleep. Just let me look out the window and I wonât bother anybody else.â How pathetic I was. This was a real issue for me. I couldnât figure out how to explain everything else I hated about the school but I could make my mother understand this part of it.
âI just canât sleep, Mama, you know I canât. Tell her not to make me try to sleep.â
âCouldnât you just try, darling.â
âI do, Mama, I try but I canât and she makes me pretend and itâs boring!â
My mother complained on my behalf and that made the situation worse. I imagine the Director explaining that it was important to establish discipline in young children, that we needed to learn to eat, draw, and sleep when weâre told and not to question the authority of our elders.
âWell, well, well,â the Director said to me after lunch the next day, âYouâre having trouble sleeping, are you? Well, weâll have none of that, do you understand? When itâs nap time, you go to sleep. Understand?â
âBut, I canât.â I protested.
âOh yes you can and you will.â Her eyes glittered with malice.
Defiance swelled in my chest and I retorted petulantly, âYou canât make me sleep if Iâm not sleepy.â
âDonât talk back to me, young lady. If you canât follow the rules then you canât be with the other children. Weâve got a special place for problem children like you.â
That was ominous; I swallowed hard. âCome with me,â she snapped while grabbing my arm and jerking me along beside her. I didnât cry or whimper. I matched her willful glare for glare. I was cold with anger. She yanked me down the hall and shoved me into the bathroom. After saying, âThis will take care of you,â she shut and locked the door.
I couldnât believe it. She had locked me in the employee bathroom! It didnât seem real. I put down the seat on the toilet and climbed up to sit. My skinny legs dangled over the sides of my high perch. The bathroom was a windowless, white tile cubicle. There was a grubby bar of soap, a dirty hand towel and a partial roll of toilet paper.
At first, my punishment didnât seem too bad. I hummed a little tune and listened to it echo around the room. I began to tell myself a story like I always did when I was alone and bored. I was starting to build up a plot line about being a princess that gets stolen by Gypsies when discomfort began to interfere with my concentration.
My perch on the toilet was cutting off the flow of blood to my feet. I tried crossing my legs and leaning back against the cold ceramic tank but it was hard not to slip off and the chill edged into my back muscles. I got up and paced around my little cell. There arenât any comfortable places in a bathroom, really. I tried lying down in the tub but it was hard and cold. Ditto the floor. Even sitting on the floor became intolerable after a few minutes because of the cold tiles.
âSolitary confinement.â Iâd heard the term in a prison movie Iâd seen on our neighborâs TV set. It drove the guy in the movie crazy. I wondered if I was going to start raving and screaming like he had done. I wondered if other âproblemsâ like me had pounded on the door and begged to be let out.
I washed my hands for want of anything better to do. I managed quite a bit of play out of the soap bubbles and that got me humming again. I decided I wasnât that unhappy with my punishment. It beat lying on my mat with my eyes squeezed shut.
Drying my hands, I got the idea of laying the towel out on the floor and lying down on that. The floor was still hard but the towel took the chill out of it. I lay down on my side and studied the caulking between the tiles in the floor. I rolled on my back and imagined clouds on the ceiling. Then I started up my story again.
The princess was about to be rescued by the mysterious prince when the Director jerked open the door suddenly as if to catch me in a criminal act. I jumped up startled.
âCome along,â she said cheerfully, âItâs time for Outdoor Play.â
As I followed her out to the play yard, she confidently asked in a sickly sweet sing-song voice, âHave you learned your lesson?â
Her attitude and her question so surprised me that I laughed incredulously. I couldnât think of anything to reply. She stopped and turned on me, all sing-song gone, âI said â haveâyouâlearnedâyourâlesson?â
âI donât know,â I answered honestly. I couldnât figure out what she meant. I hadnât learned how to sleep on command if thatâs what she wanted to hear.
âYou were asleep when I came in,â she declared smugly.
âI was not,â I shot back without thinking.
âYou were!â She hulked over me, clutching the ruler up in the air like she was going to swing it and chop my head off.
I shrank from her anger but held to the truth with a feebly muttered, âWas not.â
She started hitting me with the ruler. After beating me until she was red in the face, she demanded, âAre you going to be a problem at nap time again?â
I had cried during my beating; it hurt and I was still sniffling and swallowing hard from the sting of it but I clenched my jaw and narrowed my eyes, âNo. You can lock me in the bathroom again.â
âHa!â I think I surprised her, âOkay, weâll see who wins this little test of wills.â Then she turned on her heel and went off to pick on somebody else.
I whispered to her back, âIâll win,â I smiled with my certainty, âCause youâre gonna be dead.â
In my childish mind, the Director was crazy. The Director was mean. And the Director deserved to die! As soon as possible, some how, some way, I was going to kill her dead and that was that.
âI had to give Sally a spanking today for lying,â she told Mama later.
In case you were born decades after I was and donât understand why Mama accepted this and didnât sue the school or call CPS to report child abuse, the answer is: Almost everyone beat their children! This was The South where âSpare the rod; spoil the childâ was the guiding rule.
Driving home Mama wanted to know what I had lied about and I told her, âI canât sleep at nap time so she locked me in the bathroom. It was cold and hard but okay. I played by myself. She came in and said I was sleeping and I wasnât. Then she hit me.â
Seeing that this little telling had disturbed my mother, I tried to reassure her, âItâs okay. Sheâll be gone soon.â
âWhat do you mean?â
âSheâs gonna die,â I stated.
âOh, Sally,â Mama moaned, glancing at me anxiously, âDonât say things like that.â
That night I hardly gave a thought to the Director. It was a given, a done thing. First chance, Iâd kill her. It never crossed my mind to figure out how a small child was going to overcome a grown woman. I thought nothing of guns or knives or poison. I was going to do it. Period.
The very next day we were downstairs in the Art Room. I was sitting at a table pasting magazine cut-outs onto a piece of construction paper when the door upstairs opened and I looked up to see the Director coming down the stairs ahead of her usual schedule. I had a clear shot at her and I fired. A raw, uncivilized bolt of primal hatred lanced out of my eyes and hit her squarely in the stomach. She doubled over, lost her footing, and fell with a scream down the length of the stairs to land with a terrible thud on the concrete floor.
I jumped up, knocking over my chair. Everyone did. The Director was a twisted heap on the floor, convulsing, twitching blindly, frothing at the mouth and spitting blood. The crumbled mess moaned horribly.
I threw up my breakfast. Children started screaming and running out the back door into the parking lot. Teachers and assistants ran frantically about, some after the children, others to stand a foot or so away from the Director, fearful of touching her. One of them had to jump over her to race up the stairs to the phone to call an ambulance.
The Directorâs thrashing diminished to a rhythmic rocking from side to side and her moans rose into wails of agony. Tears blinded me. I stumbled a few steps toward the mess that I had made and it looked up at me, not really seeing. I wanted to say something to her. I wasnât sorry; I didnât feel at all sorry or guiltyânot then. But I didnât feel triumphant either. Everything I felt in that moment was summed up in three words I said to her, âI didnât know.â
I didnât know!
Jimmy Cagney said, âAaaargh,â and fell over when the FBI riddled him with machine gun bullets. He didnât turn into a spastic, blood-spitting, pain-wracked heap of broken bones. Movies and TV werenât at all realistic in my youth; nothing had prepared me for the reality of life and death and mutilation. What I had done to the Director was a horrifying, nauseating, bad thing.
The power of the mind is an awesome force, dear reader. I tell you I knocked a woman down a flight of stairs without ever touching her. By the sheer force of my hatred, I brought terrible grief to another human being. I didnât know such things were impossible. Before I knew I couldnât or shouldnât, I did.
As I stood there looking down on what I had done it was like I was an empty jug being filled with the cold waters of guilt. I began to sob uncontrollably and beg, beg, beg the Universe to undo what I had done.
The nursery school was closed while staff, parents and children waited for the Director to be taken out of intensive care. But I found no joy in staying home with Mama given the circumstances. I tearfully confessed but she didnât believe me. I reminded her that I had told her the Director was going to die.
Her reassurances were rather odd. âYouâve done that before,â she used the kind of nervous but cheerful tone that always crept into her voice when she entered areas of thought that disturbed her, âRemember. You said my friend Norma was going to be sick and she got appendicitis, remember. Did you make that happen to Norma? No, of course not. And Jill, you said her baby was going to come when it wasnât due and she went into labor that night. You said itâd be a boy, too. Now, did you do that? Of course, not. Itâs just coincidence.â
I tried to repeat the word. âCo-in-C-denz,â and she explained, âA person says something and then it seems to come true but not because the person said it.â
âBut this is different,â I insisted, âThe other times I just knew something, this timeâŚâ
âNot really,â my mother interrupted, âYouâre always talking, always saying funny things, sometimes, well, just a couple of times, well, anyway, like I said, itâs just coincidence.â
Mama was actively censoring her data to conform to her reality view, which did not include premonitions or psychic phenomena. I was left without guidance in a torture chamber of guilt. A couple of days later, I overheard my mother telling a friend, âThe Directorâs going to survive. Her leg was broken in multiple places, her hip fractured, her arm broken, her shoulder dislocated, but the worst damage -- this is interesting -- was caused by a wooden ruler; it broke two ribs and punctured her lung. She carried it around with her all the time.â
This last bit of ironic justice eased my guilt. Yes, I had done a bad thing and vowed to never hurt someone like that again. But, the Director was a bad person, a mean woman who tormented small children and someone needed to do something about that. It had fallen on me to save myself and the other children.
The Director needed over a year to mend so I never saw her again. By the time she returned, I had moved on to a public kindergarten program. But, the school re-opened without her and was improved by her absence. The same schedule was upheld; the food was still bland. The overly cheerful teachers and their assistants were still overt in their mock enthusiasm. When I told one of the assistants that I couldnât sleep during nap time, she asked me not to disturb the other children and gave me a book. After that I spent all my nap times flipping through illustrated books and other children did, too. Without the menace and the malice of the Director, their system was tolerable.
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MWW Artwork of the Day (8/13/23) Ădouard Manet (French, 1832-1883) Berthe Morisot (c. 1874) Watercolor on off-white wove paper, 20.9 x 16.8 cm. The Art Institute of Chicago (Helen Regenstein Collection)
French Impressionist painter Berthe Morisot (1841-1895) was the daughter of a top civil servant and a great-niece of the Rococo painter Fragonard. In 1868 she became friends with Manet, who gave her advice and used her as a model in several works (e.g. "The Balcony"). In December 1874, she married Manetâs brother, Eugène. For a decent sized selection of her works, see the exhibit "The other Impressionists I: Caillebotte, Cassatt and Morisot."
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I worked at Regenstein Library at the University of Chicago in the mid-1990s, and I canât even tell you how many times the damned basement ghosts knocked books down on my head.
They never knocked modern poetry on me from the fourth floor or French feminists from the second floor - only dusty South American government records in the basement.
(And once a book of Greek magic spells that fell on my foot & opened to the page on migraines. That time they were being helpful.)
honestly kinda unfortunate that the only spooky library aesthetic is the victorian fancy bookshelves dark academia one bcos like. ok here's some library stories.
while i was at the university the library was undergoing a major refurbishment so for a little while the print journals were being stored temporarily down in the basement.
basically nobody event consulted the print journals bcos 99% of stuff undergrads would be looking up is online these days so every time i went down there it was dead fucking silent & empty. you had to walk through what felt like several miles of empty basement to reach the collection, which was in a room w a photocopier shoved in the corner and a bunch of these:
u turn the handles to move these around (saves space) and every time you had to go and check the aisles first on the offchance that someone was in there so they wouldn't get u know. Compacted.
many years ago i did a week's work experience with the National Library of Scotland. here it is:
but that's just the tip of the iceberg. it keeps going down the side of the bridge, like so:
i got a tour of the stacks while i was there. it's floor after floor of this:
the bookshelves are made of metal & i was treated to the 'fun fact' that the shelves are, bizarrely, load bearing. for this reason they have to be constantly vigilant about fire hazards because even a relatively small fire could cause a bookcase to buckle from the heat, which in turn could cause the whole building to collapse in on itself like a house of cards.
this has haunted me ever since!! thank you.
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What if I applied for a scholarship to do the UChicago part-time online-school Great Books curriculum for adult learners as a bit. Do you think students in this program get Regenstein Library access because that would be a real boon for thesis research. Something is wrong with me
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