#Reflection Wraith

[thatonepikminperson]

Last bit of wraith AU for a bit I swear lol

[degrees-of-seracchii]

since people might also be interested...

The new scenes of a "friend" in the confession booth

Naturally, heavy spoilers from the new update

Screenshots under the cut~

(1) Forgive

(2) Repent

(3) Contrition

(4) Purge

(5) Ring the bell

Aftermath

these were once again, written by Nick! thank you Nick you shall also have my second born child for this

[kittiesandkillers]

Well, that's terrifying.

I love it.

[meowburgerz]

ivory wraith as a witch 🪄

[alorhna]

fun fact! Ivory Wraith says, "You are wedded to calamity" only if you've gone through the rite of promise with Sydney

Wait for real?! :0

That’s actually super interesting. Especially since if you consider the opposite outcome (rite of defilement) ends in Sydney becoming possessed (possibly by ivory themselves) in the prayer room 🤔

It’s also weird how the two of them have the same phrase..

“Together as one”. “Forever as one”

Does that mean ivory has connection to Sydney…?

[aifoslin]

"Someone is watching you"

[chentastic]

YYEEEEEEEEEEEEEEEEEESSSSS FINALLY

FUCKING FINALLY COME ON IVORY GIMME SOME LOVIN BABEEEE AAAAAAAAAAAA

[voiceofthesilly]

I need to gather my thoughts properly on that but (correct me if I'm wrong) seems like in our own eyes this kind of betrayal is far worse than just straight murder, or even locking the princess away because Holy fuck witch has some choice words to us and if she hates us like that, we must believe she does, and if we do... Well, that suggests we believe she's justified

[kanona56]

Philip is left-handed. Don't ask me why, he just is.

Oh and his handwriting is, like, amazing. Impeccable cursive. He could write holiday cards.

[thatonepikminperson]

And finally we got the two who let the solid wraith’s temptations take their lives.

[collisionwraith]

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[kittiesandkillers]

Please make them an official love interest. PLEASEPLEASEPLEASE-

[nullptrexception]

reveal that they had some beef with Harper in the past

👀 Um. About that...

I'm pretty sure it's canon that Sydney has been through the Asylum.

I was [his] only friend, in that dark place beyond the trees. (Referring to Sydney)

~ The Ivory Wraith, if you have Sydney set as your Love Interest.

Other relevant/contributing lines below the cut because I'm not sure you can access them without looking through the game files, so spoiler warning? Maybe?

TLDR: Wraith-related dialogue that might imply that Sydney was sent to the Asylum because of interactions he had with the Wraith.

[He] was so sure of [himself]. (Referring to Harper)

Block me out all you like, I am still here.

I'm sorry you put your trust in me.

It's okay now, Sydney. I'm back to normal.

Do you remember your [mother]? (Parent of opposite gender as Sirris)

Do you remember? Of course you do. Of course you don't.

~ The player, if they're in an encounter with Sydney while being possessed by the Ivory Wraith, or if they approach Sydney in bed while possessed.

i was catching up on your blog, and honestly your, or well, your PCs' opinion abt Sydney is so fascinating to me. when i first played the game for real (after trying to previous times and ending up in the forest being raped by wolves and kidnapped by Eden without knowing wtf was going on, and then my second try ending up in a rape cycle that ended in the asylum) i started pursuing Sydney for the first time, thinking that she'd be like every other goody-two-shoes uninteresting character that is usually a part of dating games, the stereotype that fails to interest me no matter what. then i found out i could corrupt her, and i decided to make her "fall from grace" together with my PC, and the more i interacted w her the more and more i fell in love w her character, to the point that my PC became as obsessed w her as she is with him

Sydney might honestly be my favorite LI, so to find someone who doesn't like them v much is quite the interesting experience lol. i think the part that most called my attention is the privilege part of their character that you brought up, and i think that stuck w me mostly bc i never truly saw Sydney's "privilege" like that. Sydney never gave me the impression that they were completely oblivious to everything and anything wrong that happens in the world just bc it doesn't affect them - quite the opposite, actually

Sydney isnt immune to the world they live in, not a single character in this game is (which is why i love it sm tbh). they might be extremely sheltered and protected as much as Sirris and the temple are able to make them, but when you pray w them in the temple and someone comes by to harass you she knows exactly what is happening and how to stop it. she's probably been harassed by monks and nuns as well, and unable to fight back without losing her grace. that's without even going into the Leighton punishment event, and how they react to it, which i think gives a v good view into how they cope w the world they live in depending on whether they are pure or corrupted and how that affects their interactions w PC...

ok im just rambling now, my point is, Sydney is a very interesting and complex character to me and seeing your interpretation of them was really interesting/insightful, and gave me some answers to things in your PCs' story that i used to question but always forgot to send an ask abt (such as their distaste for Sydney). thanks for reading my ramble, i love the things you're doing w your PCs and how you interpret their world <3

-smthishunting

Just in case you still don't understand the nature of the situation, the "privileged" part can be translated into "ENVY"

Sydney has had good things growing up. PC has nothing of those, which I have mentioned. "Why can they be optimistic? Why can they believe in the good in people? Why their parent doesn't demand they rent every week? Why do they have parents but I and Robin don't? Why can't I and Robin have those things that they have?..."

It's bitter, but I firmly believe, just like a redeemed bully can never achieve true peace, a sheltered child growing up with a silver spoon inside their mouth can never understand poverty and desperation either. Something bad happens to them, but they have family and financial support to overcome it, that's why they can stay pure and stay good. Robin stays ignorant too, they essentially avoid the outside world completely and if PC doesn't step up to protect them, they're ruined. That's what happens with pureness and goodness if they bloom in mud, unprotected. That's what happens on a daily basis with the children of the orphanage.

That's why my PCs are Robin's protectors. I make them taste the bitterness when realizing some things even try as they might, they can never achieve, while Sydney has those things handed to them, lovingly and matter-of-factly, as easily as falling to sleep in a soft fluffy bed. To me, that's what makes them even more protective of their waifu/malewife and more determined to shelter Robin as much as possible. They strive to give Robin what Sydney's having, their childhood together sucks so yeah let's try hard for a better future :D

As for Sydney... Well, unless future updates give them some trauma, throw them into some real fuck up situation like what PC faced daily, or reveal that they had some beef with Harper in the past and had lifelong psychological trauma, I don't think I can give them more credit.

[alorhna]

One of my favorite quotes by the ivory wraith.

As trouble does seems to follow the player no matter where in the world they go to and given the implications of the Pc’s past life as the ivorys lover.

It would only be fitting for them to be —

“Wedded to calamity.”

[theorist-fox]

The concept of Bad Man Simon Riley who's aware he's a Bad Man™️ is one I hold very dear to me.

Masterlist 🦊

Simon Riley is, fully and completely, what people envision as a bad man. He's a convoluted character who carries a lot of baggage, and that same weight has crushed him into the beast he is today.

His reflection is his constant reminder of the bad things he's done and endured. And when you have such a blatant, ever-present memento of how dark you really are, it's hard to forget.

He doesn't bother putting up a facade. Won't help the lady cross the street, nor will he take a bullet for someone else. No one has ever done that for him, so it's only natural to give the world a taste of its own medicine. He doesn't even try; it just happens.

It takes him nothing to leave Soap behind in Las Almas and find shelter in an abandoned church. Sure, he'll cover for him—if the lad is fast enough, that is. Saving Alejandro afterwards is a mere ploy to make this blasted mission end sooner—true, no one fights alone, but he'd like to get out of there as soon as possible, thank you very much.

Barely brushes the concept of Price's injury when he faints due to the inhalation of some Sarin gas of sorts. Can only think that if he'd died, he would have to take the captain's place in leading the operation. A fucking bummer alright—but cap's fine, thankfully, right? One less thing to worry about now.

Won't try to start relationships, because what good can he bring when he can't even drop a kind word for himself? He's awful, inside and out, and he's aware.

What happens, then, when he's suddenly loved?

What happens, then, when you're sliding under his skin, pretending you don't see the rot and the grime?

The question of "why" is pinned to the front of his brain like an annoying leech that plagues him day and night.

On the couch, you're absolutely unbothered by his dark presence next to you. You're just munching on popcorn and watching some film he doesn't even remember the name of.

"Y'should go," he says out of the blue.

You barely spare him a glance. "Film's not over yet."

No, that isn't what he meant, but he has an inkling that you've gathered that already.

"Ain't good for ya," he insists. "Ain't good for anyone, but that's a whole 'nother story."

You side-eye him from your end of the couch. "Self-deprecating at dinner time? Could you move it up the schedule a little, like—breakfast or somethin'."

He doesn't understand. Won't get through his skull. Share a home with him, and for what? What's he giving you that you're coveting so hard, enough to find it easy to snark back at a beast like him—poking the bear while wearing flimsy cotton shorts and a band t-shirt?

"Y'don't understand," he grits out. "I ain't a good man, love."

"Oh, I know." You say, popping a handful of popcorns in your mouth. "And?"

It irks him. Wants to bite off your head, but, surprisingly, he still has morals, and he wouldn't even dare touch you with ill intent.

"Don't act stupid, now." He warns.

"Ain't acting stupid." You reply as if there is some obvious thing he isn't getting. "You've done bad things, and bad things were done to you. That it?"

He hums as a frown paints his face.

"Should I love you less?" You go on, "Or not love you at all?"

"The latter."

"Wrong." You add as soon as he responds. "Wrong, because that's what you believe, not the truth."

He cocks a brow at your apparent arrogance. A nod in your direction, "What's the truth, then?"

You place the bucket of popcorn on the coffee table. "Truth is that you're human, Simon."

Now that's a word he wouldn't associate with himself.

Monster. Beast. Bear. Wraith, or demon. Ghost.

"As a person, good and bad can coexist—there is no such thing as night and day." You go on, seemingly unaware of the turmoil you've unleashed on his poor heart.

Keep saying the word person around him this often, and he'll start believing he is one.

So, you have seen the rotten flesh and the mud coating his insides. You have buried your hands in his viscera and coated your skin with his blood and the one he's spilled.

You know, and yet you're here. You're here because you've also seen something else, something he's not aware is there.

Same thing that made his heart lurch when Price wasn't waking up. Same thing that made him hide, prone in the bell tower of a Mexican church, making sure Soap would get back in one piece.

Same thing that has him gaze at you now, with eyes that sting with clear, fresh water. No rotting liquid, no oozing pus, or sickening blood.

You shrug, "Maybe your sun is a little eclipsed, but there's that. I can still see it, y'know?"

You outstretch your leg. Press the tips of your toes against his thigh. The world is suddenly in technicolor, and his chest warms like a rekindled flame.

You wink. "And it's bright as hell, too."

[bridge-arsonist]

Why The Voice Of The Cold Hates The Narrator

Replaying the Nightmare -> Wraith route and I'm realizing...

Jesus fucking christ, The Cold hates the narrator. Honestly, I think he might just give Smitten or Contrarian a run for their money.

He:

Doubts every word the narrator speaks

Insults the narrator whenever he gets the chance

Actively suggests killing the narrator, even stating that the princess could help do that

Not only suggests killing the narrator, but also suggests that—no—actually, death is too good for the guy. They should lock the narrator in a void just like the fake good ending. Mind you, this route doesn't even have the narrator do that!

Mocks the narrator when he finally gives up on trying to make you slay the princess

Seems happy that the narrator is gone, saying he had a feeling The Wraith could deal with him

I'm pretty sure Cold over here'd rather be playing Slay The Narrator.

Really though, upon further reflection, The Cold's hatred for The Narrator is also prevalent in The Spectre, where one of the few things he actually seems to have a firm stance on is "We should kill the Narrator". In the Greys, though he's arguably at his most nihilistic, he still seems to oppose the Narrator. He joins the Skeptic in his suspicions, and though he mostly just seems to be having a time provoking Smitten during the Burned Grey, he still does take the occasional second to spite the Narrator.

And honestly, come to think about it, it makes sense. After all, the Cold manifests not necessarily from slaying the Princess, but more specifically, from killing yourself. But not just from killing yourself, slaying yourself in The Tower at the hands of the Broken doesn't manifest him, but specifically by killing yourself to spite the narrator. I mean, other than Empty Cup and Moment of Clarity (Where we don't actually know how he manifested due to the timeskips), each iteration of Cold's manifestation checks out.

Spectre: You slay her, get the good ending, but then decide "fuck this and fuck your contruct", and stab yourself even as the narrator repeatedly urges you not to.

Burned Grey: You kill the Damsel, and in a fit of rage against both you and the narrator, the Smitten kills you, even as the narrator urges him not to. (Funnily enough, this means that, despite the Smitten's line of "you killed her, and so I killed you", it was the opposite, and the Smitten manifested the Cold)

Drowned Grey: You kill the Prisoner, and, just like in the Spectre's route, you kill yourself even as the Narrator urges you not to. If you refuse to kill yourself, Skeptic does it for you, seeming apologetic towards you, but definitely not towards The Narrator.

Wraith: You kill yourself as the Narrator urges you not to, and Paranoid also spends this route doubting the Narrator.

These routes involve various levels of emotion for the Princess, ranging from "My love! Still gonna kill you though" to "So scary! Still gonna kill you though", and an overall perception of the Princess as a corpse. But the Narrator? In all of the routes leading up to Cold's manifestation, the Narrator is met with hostility, usually leading to you killing yourself out of a mix of spite and suspicion.

So Cold's manifestation has two constants:

Some level of apathy towards the Princess, regardless of your previous interactions with her. Whether she's your perfect damsel or your worst nightmare, you don't care. You stab her.

Disregard for your own safety. You're just going to stab yourself, cool. It's better than this hell. Sometimes it's another voice fulfilling this requirement for you, like Smitten in the Damsel, or Skeptic in Prisoner depending on whether or not you willingly die.

Distaste towards the narrator. A conclusion that the Narrator is untrustworthy and distinctly not on your side. No matter how you manifest the Cold, it is clear that you do not like this pesky raven one bit. The Nightmater -> Wraith route shows this through Paranoid's constant suspicion of the Narrator. This distaste frequently, thought not always, occurs due to the Narrator attempting to force you to live out your life in the void, though it can also occur due to the Narrator attempting to make you live a life without the one thing you cherish (Damsel route).

Apathy towards most things, but one thing's for certain: You don't trust that Narrator guy. He tried to make you live out a crappy, boring life for eternity.

Cold's attitude makes sense when you look at how he was created. Just like Smitten was made by deciding the princess was an immediately trustworthy damsel in need of rescuing from the pesky narrator, or that the witch is a gorgeous woman whom you can save by giving your blade in spite of the narrator's wishes—Cold is made through deciding that neither your nor the princess's safety particularly matters, but fuck that narrator guy. He sucks. As apathetic as the Cold likes to act, he reacts to Smitten's threats and the Princess's murder attempts with "interesting", and reacts to the Narrator's explanation of the timeline with "we should kill him".

So, my point?

Well, I think that—not only does the Cold hate the Narrator—but hating the Narrator is part of him as a voice. He's cold, apathetic, and he hates the Narrator. It's been baked into his very being through the choices that you make. The princess doesn't matter, your physical well-being doesn't matter, but know that the Narrator is an untrustworthy little prick.

TLDR: Replaying Wraith made me realize that the Cold probably hates the Narrator very very much, and he does so because it is baked into his very being because of the choices you made to manifest him. You go, king. Let your inner hater run free.