#Rees Finlay

[monriatitans]

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[basicallyanotherwitchesthing]

Clark Ashton Smith and Virgil Finlay - Klarkash-Ton and Monstro Ligriv - Gerry De La Ree - 1974

[moviemosaics]

A Christmas Carol

directed by Clive Donner, 1984

[adamwatchesmovies]

A Christmas Carol (1984)

There are many adaptations of Charles Dickens's A Christmas Carol to choose from for your Holiday Christmas marathon. Many consider this 1984 version by Clive Donner the one to go with. If you ask me, no Christmas season is complete without viewing either Alastair Sim or George C. Scott as Ebenezer Scrooge.

Ebenezer Scrooge (Scott) is a bitter miser who considers the ideals and spirit of Christmas pure humbug. He hesitates to give his underpaid assistant Bob Cratchit (David Warner) the day off and scoffs at his nephew Fred (Roger Rees) when he suggests a holiday dinner. One cold Christmas Eve, the ghost of Scrooge's former partner Jacob Marley (Frank Finlay) appears to him with a warning "You will soon be visited by three spirits, heed their counsel and change your ways or risk an eternity of suffering."

Though originally made for television, this is a top-notch production. The locations/sets transport you to 1843 London like a Ghost of Christmas Past and the costumes all look authentic. The stage is set and George C. Scott is perfect for his role. One look at the actor and you can practically see every time he's rolled his eyes at the concept of charity. He delivers the over-the-top dialogue like it was written for him but Scott also grounds the story in reality. It makes the drama that follows that much more powerful. Scrooge is a miserable, horrible person… but he’s still a person. His journey through the many Christmases the ghosts take him through rouses intense emotions.

So much of what makes this story endure is the message. Christmas is a joyous time, but it can be scary under certain lights. That uniformly white blanket over everything, the bare branches swaying in the frigid wind, the shortening days, the cold… the idea of ghosts emerging from the darkness just fits. These fears are juxtaposed by this renewed hope of salvation, the explosion of generosity and the potential for miracles. A Christmas Carol taps into all of those sentiments. There are talks of gifts but no commercialism. It’s about the importance of relationships with loved ones and what you must do to keep them close to you. That's not to say any adaptation is a hit; the cast and the production's dedication make this a special rendition of the timeless story.

There’s only one flaw with the film: the portrayal of the Spirit of Christmas Past by Angela Pleasence. It isn’t her performance; it’s that unless you know what the movie is trying to do, she'll leave you scratching your head. She’s supposed to be candle-like: a light that could easily be put out (which is why we see Scrooge extinguish her with his cap). You can't tell unless you already know. Otherwise, everything you want to see in this story is there. The comedy of a miser so cheap he won’t even spend money to keep himself comfortable, the drama over lost love and seeing a heart grow cold, the warmth of redemption and the horror of the ghosts. As a child, I distinctly remember seeing the Ghost of Christmas Present (Edward Woodward) showing off Scrooge’s “children” to him and finding it terrifying.

It’s easy to become bitter around Christmas. Even if you don’t feel like the true meaning of the holiday has eroded, there’s so much pressure and so many high expectations that are rarely met. 1984's A Christmas Carol is the perfect remedy for any bitter sentiments. Whether you see yourself as Ebenezer Scrooge and need to be shown the error of your ways or you’re his nephew and need your faith in others renewed, this is the movie for you. Its final scene always brings tears to my eyes. (December 14, 2020)

[the-forest-library]

February 2023 Reads

The Reunion - Kayla Olson

Behind the Scenes - Karelia Stetz-Waters

Sorry, Bro - Taleen Voskuni

Exes and O’s - Amy Lea

Ruby Spencer’s Whisky Year - Rochelle Billow

Make a Wish - Helena Hunting

Knit One, Girl Two - Shira Glassman

You Should Smile More - Anastasia Ryan

A Rival Most Vial - R.K. Ashwick

Finlay Donovan Jumps the Gun - Elle Cosimano

Nine Liars - Maureen Johnson

Pretty Dead Queens - Alexa Donne

Highly Suspicious and Unfairly Cute - Talia Hibbert

Margot Mertz for the Win - Carrie McCrossen

Winterkeep - Kristin Cashore

Tears Waiting to Be Diamonds - Sarah Rees Brennan

Charmed Life - Diana Wynne Jones

Anne: An Adaptation of Anne of Green Gables - Kathleen Gros

Evergreen - Matthew Cordell

I’ll Show Myself Out - Jessi Klein

Remainders of the Day - Shaun Bythell

B.F.F. - Christie Tate

The Good Life - Robert Waldinger and Marc Schulz

The Brain Fog Fix - Mike Dow 

Stolen Focus - Johann Hari

The Chaos Machine - Max Fisher

Cook As You Are - Ruby Tandoh

Foodwise - Mia Rigden

Plant-Based on a Budget - Toni Okamoto

One: Simple One-Pan Wonders - Jamie Oliver

Bold = Highly Recommend Italics = Worth It Crossed out = Nope

Thoughts:

Another really good reading month. I hope there are 20 more Truly Devious books. Let Stevie solve all of the mysteries.

Goodreads Goal: 67/400

2017 Reads | 2018 Reads | 2019 Reads | 2020 Reads | 2021 Reads |

2022 Reads | 2023 Reads

[hplovecraftmuseum]

Lovecraft and animals, Part 12 : To bring my casual investigation of H. P. Lovecraft's use of supernatural creatures based on familiar earthly animals to a close I will mention amoebas. Amoebas, are among the most primitive and simple of life-forms. A typical amoeba is a single celled blob of shapeless life capable of throwing out part of it globular essence to move about. In Lovecraft's fiction the viscous and multi-form shoggoth creatures are more complex expressions of the amoeba idea. Often appearing in illustrations as translucent or even clear, as Lovecraft described Shoggoths in his fiction they were gelatinous black masses covered in eyes and able to extend limbs of various kinds as needed. Though shoggoths were origionally created as a sort of servant class - basically organic machines, they are not stupid beasts of burden. In AT THE MOUNTAINS OF MADNESS we find that the shoggoths revolted against their star-headed masters. Eventually they managed to virtually massacre the whole population of their creators leaving their once mighty stone city to fall into ruin. It's not too hard to see the message Lovecraft was making with this fictional concept. Below is an ink drawing rendered by a 16 year old farm boy. It was sent to illustrator Virgil Finlay for review and possible encouragement. Finlay kept this drawing along with several others from the teen. Unfortunately he apparently never responded to the young man or offered to return his art. A real shame. Gerry de la Ree, a collector and publisher well known amongst the fantasy fan community offered this drawing and a brief artical titled 'AN UNKNOWN HPL ARTIST that appeared in the landmark publication H.P.L. The young artist who created this very impressive depiction of a star-head and a shoggoth was named, Ivan Funderburgh. What could have been? (Exhibit 421)

[thealmightyemprex]

Christmas DOuble Feature Free on Youtube

So on youtube they have TWO bonafide classics I wanna reccomend

Christmas Carol 1984:The classic tale of an old man visited by three spirits with a stellar cast that includes George C Scott,Roger Rees ,David Warner ,Angela Pleasence ,EDward Woodward ,and Frank Finlay,if you havent seen any version of a Christmas Carol ,this is a good one

Miracle on 34th Street : One of THE Christmas classics of Old Hollywood ,about an old man who claims to be Santa Claus ,with an Oscar winning performance by Edmund Gwen and a appearence by a young Natalie Wood.Its funny and sweet,if you havent seen it ,its worth a watch

@ariel-seagull-wings @themousefromfantasyland @angelixgutz @the-blue-fairie @filmcityworld1 @princesssarisa @metropolitan-mutant-of-ark

[downthetubes]

From from Diagnosis to Epiphany - a Podcast with Rees Finlay

From from Diagnosis to Epiphany – a Podcast with Rees Finlay

The latest episode of the Lakes International Comic Art Festival Podcast leads with a chat with Rees Finlay, creator of Reaffirmation – a ground-breaking new book merging comic book and novella in a 200-page journey from diagnosis of his autism to epiphany, published thanks to a hugely successful Kickstarter campaign.

Co-hosts Ian Loxam and Nikki Bateschat with Rees, who was diagnosed with…

[abs0luteb4stard]

W A T C H I N G

[dinoandrade]

It’s Sunday... AND the weekend before Christmas, so today’s Classic for Connor is the 1984 British/U.S. co-production “A Christmas Carol” directed by Clive Donner and starring George C. Scott, David Warner, Edward Woodward, Frank Finlay, Roger Rees and Angela Pleasance (daughter of the late Donald Pleasance). Of this classic holiday ghost story, there have been soooo many wonderful performances to call your “favorite”... Alistair Sims, Albert Finney, Walter Matthau, Henry Winkler, Bill Murray, Kelsey Grammer, James Earl Jones, Patrick Stewart, The Muppets, this year’s Guy Pierce. And many, many more. The George C. Scott has always been mine. I recorded it off TV in 1984. I would later replace my worn out tape with the DVD release, and that has since been replaced by the Blu-ray. So yup, this marks my 35th year of watching it.... and Connor’s introductory year. I have many other versions that I will be showing him (yes, including the Muppets), but I wanted him to see this one first. He got such a kick out of it that he threw his “Doctor Who” fleece blanket over his head like a shroud and started walking around and pointing at me while saying in a whispery voice... “Scroooooooooooge!” https://www.instagram.com/p/B6YxR4Wjxhk/?igshid=ha1k9z7of6ai

[parochena]

undefined

Hard copy! :) - Available in several stores and online. Please check out https://www.facebook.com/DamnDirtyComics/ for more details. Part 2 scheduled for next year and a few other exciting things to announce soon too! In the meantime however, work, work, work! :)

[thefugitivesaint]

Virgil Finlay - Master of Fantasy by Gerry de la Ree, ''Starlog Magazine'', #14, June, 1978 Source: https://archive.org/details/VirgilFinlayMasterOfFantasy_504

[adamwatchesmovies]

A Christmas Carol (1984)

There are many adaptations of Charles Dickens's A Christmas Carol to choose from for your Holiday Christmas marathon. Many consider this 1984 version by Clive Donner the one to go with. If you ask me, no Christmas season is complete without viewing either Alastair Sim or George C. Scott as Ebenezer Scrooge.

Ebenezer Scrooge (Scott) is a bitter miser who considers the ideals and spirit of Christmas pure humbug. He hesitates to give his underpaid assistant Bob Cratchit (David Warner) the day off and scoffs at his nephew Fred (Roger Rees) when he suggests a holiday dinner. One cold Christmas Eve, the ghost of Scrooge's former partner Jacob Marley (Frank Finlay) appears to him with a warning "You will soon be visited by three spirits, heed their counsel and change your ways or risk an eternity of suffering."

Though originally made for television, the production is top-notch. The locations/sets transport you to 1843 London like a Ghost of Christmas Past and the costumes all look authentic. The stage is set and George C. Scott is perfect for his role. You take one look at the actor and can see every time he's rolled his eyes at the concept of “charity”. He delivers the over-the-top dialogue like it was written for him but Scott also grounds it in reality. It makes the drama that follows that much more powerful. Scrooge is a miserable, horrible person… but he’s still a person. His journey through the many Christmases the ghosts take him through rouses intense emotions.

So much of what makes this story endure is the message. Christmas is a joyous time but under certain lights, it can be scary. That uniformly white blanket over everything, the lack of vegetation, the shortening days, the cold… the idea of ghosts visiting our world just fits. Simultaneously, you have this renewed hope of a saviour born, the explosion of generosity, and the potential for miracles. A Christmas Carol taps into all of those sentiments. There’s no talk of gifts of commercialism. It’s about the importance of relationships with loved ones and what you must do to keep them close to you.

There’s only one flaw with the film: the portrayal of the Spirit of Christmas Past by Angela Pleasence. It isn’t her performance; it’s that unless you know what the movie is trying to do, her role is puzzling. She’s supposed to be candle-like, a light that could easily be put out (which is why we see Scrooge extinguish her with his cap) but unless you know this, you’ll be left scratching your head. Otherwise, everything you want to see in this story is there. The comedy of a miser so cheap he won’t even spend money to keep himself comfortable, the drama over lost love and seeing a heart grow cold, the warmth of redemption, and the horror of the ghosts. As a child, I distinctly remember seeing the Ghost of Christmas Present (Edward Woodward) showing off Scrooge’s “children” to him and finding it terrifying.

It’s easy to become bitter around Christmas. Even if you don’t feel like the true meaning of the holiday has been eroded away with the focus towards gifts and expenses, there’s so much pressure, so many high expectations. A Christmas Carol is the perfect remedy to any bitter sentiments. Whether you see yourself as Ebenezer Scrooge and need to be shown the error of your ways or you’re his nephew and need your faith in others renewed, this is the movie for you. Its final scene always brings tears to my eyes. (December 14, 2020)

[culturevulturette]

2017 Movie Diary

78.  A Christmas Carol (1984). 

My favorite version, by a long way.  With George C. Scott putting his own unique (and hugely effective) spin on Scrooge; the great Edward Woodward as the Ghost of Christmas present, with assist from some copious chest hair and a pair of stilts; Roger Rees as the only Fred Holloway that you have no inclination whatsoever to strangle; Frank Finlay as the most unnerving ghost ever committed to film; and David Warner (shining in a rare good guy role) and Susannah Yorke as the most adorable Cratchits you can imagine (you will indeed ship them...hard).  This one’s in rotation at my house all year.  

[gabbiescanlon]

Holly

Finished commission piece for Rees Finlay for the pin up gallery of his upcoming comic ‘The Blue Flame’. I really enjoyed interpreting his character ‘The High Priestess’ and am happy with how it came out.

Focusing on using just brush and ink at the minute and think there’s some really interesting textures here from the ink and water, some details are lost though without a sharper defining line I may combine media in future.

Learn more about ‘The Blue Flame’ and support the kickstarter here

[networkingdefinition]

Saffron Quotes

Official Website: Saffron Quotes

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• A man who is stingy with saffron is capable of seducing his own grandmother. – Norman Douglas • And Mocha’s berry, from Arabia pure, In small fine china cups, came in at last. Gold cups of filigree, made to secure the hand from burning, underneath them place. Cloves, cinnamon and saffron, too, were boiled Up with the coffee, which, I think, they spoiled. – Lord Byron • As the saffron tints and crimson flushes of morn herald the coming day, so the social and political advancement which woman has already gained bears the promise of the rising of the full-orbed sun of emancipation. The result will be not to make home less happy, but society more holy. – Frances Harper • Autumn that year painted the countryside in vivid shades of scarlet, saffron and russet, and the days were clear and crisp under harvest skies. – Sharon Kay Penman

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'Saffron', orderby: 'rand', order: 'DESC', template: '1', limit: '68', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_saffron').html(obj); jQuery('#thelovesof_saffron img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); ); • Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand. – Michael Ende • Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call the enchantment down White silk when our bodies burn Blue banners when the lost return Flame for the birth of a Nephilim And to wash away our sins. Gray for the knowledge best untold Bone for those who don’t grow old Saffron lights the victory march Green to mend our broken hearts Silver for the demon towers And bronze to summon wicked powers -Shadowhunter children’s rhyme – Cassandra Clare • Bursts of gold on lavender melting into saffron. It’s the time of day when the sky looks like it has been spray-painted by a graffiti artist. – Mia Kirshner • Colored lights shone right across the northern sky, leaping and flaring, spreading in rainbow hues from horizon to zenith: blood red to rose pink, saffron yellow to delicate primrose, pale green, aquamarine to darkest indigo. Great veils of color swathed the heavens, rising and falling as light seen through cascading curtains of water. Streamers shot out in great shifting beams as if God had put his thumb across the sun. – Celia Rees • Darling Daddy, This is Rose. So flames went all up the kitchen wall. Saffron called the fire brigade and the police came too to see if it was a trick and the police woman said to Saffron Here You Are Again because of when I got lost having my glasses checked. But I was with Tom whose grandmother is a witch on top of the highest place in town. Love, Rose. – Hilary McKay • I don’t want to be a great leader; I want to be a man who goes around with a little oil can and when he sees a breakdown, offers his help. To me, the man who does that is greater than any holy man in saffron-colored robes. The mechanic with the oil can: that is my ideal in life. – Baba Amte • I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. – Hamlin Garland • I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and the peaceful. Whenever the pressure of our complex city life thins my blood and benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to the yellow dawn, my cares fall from me – I am happy. – Hamlin Garland • If you enjoyed laughing in the face of death, you might like to have a crack at High Saffron. One hundred merits, and all you have to do is take a look.’ ‘I understand there’s a one hundred percent fatality rate?’ ‘True. But up until the moment of death there was a one hundred percent survival rate. Really, I shouldn’t let anything as meaningless as statistics put you off. – Jasper Fforde • In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly. – Victoria Finlay • In saffron-colored mantle from the tides Of Oceans rose the Morning to bright light TO gods and men. – Homer • never forget this moment, the hum of the bee, the saffron threads of the flower, the drawn blinds, nature’s assiduousness and human cruelty. – Edna O’Brien • She’ll soon forget.” “Caddy,” said Saffron impatiently, “she is headmistress of the private school! She’s probably never forgotten anything in her whole life! – Hilary McKay • Sometimes, looking up at Sophiatown… I have felt I was looking at an Italian village somewhere in Umbria. For you do ‘look up’ at Sophiatown, and in the evening light, across the blue-grey haze of smoke from braziers and chimneys, against a saffron sky, you see close-packed, red-roofed little houses. …And above it all you see the Church of Christ the King, its tower visible north, south, east, and west. – Trevor Huddleston • Suddenly Saffron had a picture in her mind of Sarah waiting at the bottom of the wall, and she was angry with herself. Something changed in Saffron at that moment. She knew all about feeling left out…. That was why she wanted her angel so badly; proof that she mattered as much as anyone else. “I couldn’t really climb the wall,” she said. “And if I could, what if I got caught? What would I say?” “You’d think of something.” “No. It was a stupid idea. Let’s try your way, early in the morning.” “Before breakfast?” “Yes. All right Mission Control?” “All right,” said Sarah. “All right, Superhero. – Hilary McKay • This Bouillabaisse a noble dish is – A sort of soup or broth, or brew, Or hotchpotch of all sorts of fishes, That Greenwich never could outdo; Green herbs, red peppers, mussels, saffron, Soles, onions, garlic, roach, and dace; All these you eat at Terre’s tavern, In that one dish of Bouillabaisse. – William Makepeace Thackeray • Tough times for Martha Stewart. Yesterday, Martha Stewart reported to her parole officer and had to take a mandatory urine test for cocaine and marijuana. Martha was found to be drug-free and her urine was found to be a lovely yellow saffron. – Conan O’Brien

[clickbank-storefront-bestselling]

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