#Recording Studios in Miami Florida

[miamirecordingstudio]

Behind The Scenes At Miami Music Recording Studios: Exclusive Interviews With Studio Engineers And Producers

Music recording studios have long been places of mystery and intrigue, allowing musicians to create masterpieces that captivate audiences around the world.

It is within these walls that some of the greatest works of art are crafted, yet few people ever get a chance to peek behind the curtain.

This article provides an opportunity for readers to gain insight into one such studio: Miami Music Recording Studios.

Through exclusive interviews with studio engineers and producers, readers will be given access to the inner workings of this leading music production facility.

A rare glimpse at the creative process and technical expertise necessary for crafting great work awaits those who read on.

The Art Of Producing: How Miami Music Recording Studio Engineers And Producers Shape The Sound Of Hit Records

Miami Music Recording Studios, also known as the 'House of Hits,' has helped to shape some of the most iconic hits in modern music history. It is a place where engineers and producers come together to blend technical skill with artistic vision, creating unique sounds that stand out from other recordings.

The art of producing records at Miami Music Recording Studios is an intricate process that relies on both engineering prowess and creative insight. To begin, studio engineers must decide which pieces of equipment best suit the sound they are trying to achieve. This includes everything from microphones and amplifiers to signal processors and equalizers.

Once these elements have been selected, it's up to the producer or engineer to experiment with different settings until they find the perfect balance between clarity and texture. The work doesn't stop there – once all of the tracks have been recorded, mixed and mastered, it's time for post-production activities such as overdubbing, sampling, looping and editing.

During this stage, small changes can mean big differences in terms of overall tone and feel. With each decision made by the engineer or producer comes another layer of detail added to create something truly special – a hit record that stands apart from others on the market today.

Creating The Perfect Studio Atmosphere: How Miami Music Recording Studio Engineers And Producers Foster A Collaborative And Creative Environment

The art of producing music is a complex and creative process that requires the perfect atmosphere to thrive. As such, Miami Music Recording Studio engineers and producers strive to cultivate an environment that encourages collaboration, inspiration, and productivity.

By creating an inviting atmosphere through the use of professional equipment and instruments, as well as encouraging open communication between all parties involved in the project, these professionals are able to foster a collaborative spirit essential for successful recordings.

In addition to providing high-quality gear and promoting productive conversations among artists, studio engineers also pay special attention to details like soundproofing rooms properly or setting up multiple microphones around drum kits for optimal recording quality.

Furthermore, careful consideration is given when it comes to selecting appropriate acoustics within each room – from selecting furniture materials with ideal acoustic properties to testing different types of speaker placement – all designed for maximum sound clarity and comfort during recording sessions.

By taking into account both technical aspects of production as well as the emotional needs of their clients, Miami Music Recording Studios ensure everyone works together comfortably in order to capture those magical moments in time.

This focus on fostering creativity while maintaining a professional atmosphere provides necessary resources needed by this team of experts to produce great music consistently.

The Role Of Mentorship: How Miami Music Recording Studio Engineers And Producers Help Develop The Next Generation Of Musicians

In a creative production setting, the mentorship of experienced engineers and producers is like a beacon of light that guides up-and-coming artists on their journey. Through this relationship, both parties are able to gain insight into each other's areas of expertise and benefit from the other’s experience in music production.

At Miami Music Recording Studios, these mentors provide invaluable guidance for emerging talent as they develop their musical skillset. The studio environment is an ideal breeding ground for collaboration between veterans and novices alike. The mentor can share with young musicians not only technical knowledge but also practical advice about the industry itself.

By providing helpful tips on networking, branding, and marketing strategies, veteran engineers help foster more successful careers for aspiring professionals. This kind of assistance allows artists to better understand what it takes to succeed in the music business while honing their craft in the recording process.

Mentorship at Miami Music Recording Studios helps shape a new generation of creators whose work has gone beyond the confines of traditional genres and styles. With access to seasoned studio personnel who have worked with some of the biggest names in popular music, contemporary musicians learn how to apply innovative techniques when producing original tracks or remixes.

Thus, by learning from those who have paved the way before them, budding talents gain confidence and build strong foundations upon which they can continue building their artistic legacies long after leaving the studio walls behind them.

Navigating The Business Side: Insights From Miami Music Recording Studio Engineers And Producers On Managing Projects And Building Long-Term Client Relationships

The success of any music production project is largely dependent on the ability of studio engineers and producers to manage projects, budgets, and schedules. In Miami recording studios, it is essential for these professionals to be able to navigate the business side in order to ensure successful outcomes.

Here are some insights from leading Miami music recording studios engineers and producers:

* Establishing a clear budget before beginning work allows everyone involved in the project understand their financial responsibility upfront. This helps eliminate potential issues during production when deadlines need to be met or revisions requested by clients.

* When working with clients, building relationships that last beyond one-off projects can be more profitable than short-term transactions. Producers should strive to create an atmosphere of trust between themselves and their clientele so as not to disrupt workflow throughout the duration of the production process.

* Maintaining communication throughout every step of a music production project is key for both staying within budget and keeping clients satisfied with quality service delivery. Studio engineers must keep records of all conversations they have had with clients related to the project including notes about preferences, requests, and feedback given at each stage.

In addition to effectively managing projects, budgets, and schedules; producing high-quality results also requires sound technical knowledge coupled with strong interpersonal skills such as patient listening and precise execution of instructions. These qualities even form part of what makes certain Miami recording studios stand out from others in this competitive industry.

Conclusion

The engineers and producers at Miami Music Recording Studios are the musical architects of hit records, as well as mentors to young musicians. Through their collaborative atmosphere and creative processes they have provided a platform for aspiring artists to grow into successful professionals.

Moreover, by managing projects with careful attention to detail and relationship building, these talented individuals ensure that business remains steady in an ever-changing industry.

In conclusion, it is clear that without the expertise of the studio personnel at Miami Music Recording Studios, many beautiful works of art would not exist. As such, we must recognize and pay homage to their invaluable contributions which continue to enrich our lives musically through metaphor and simile.

House Of Hits Recording Studio

300 NE 75th St Unit 112, Miami, FL 33138

Phone: (305) 907-3440

[tthesongofachilless]

Florida!!! ✧ LS2

Social Media AU, based of Florida!!! by Taylor Swift.

warning: cursing, mentions of mature content

Includes: Logan Sargeant + singer!fem!reader

please note!: This is my first smau, I'm also new to Tumblr! 🫶🏻 Please be kind.

Liked by conangray, logansargeant and 1.7 million more.

yourusername: Florida!!! Feat. Florence + The Machine out April 19th, pre-save now!

View comments:

conangray: ATE SO HARD!!

username1:MYSTERY MAN??

username2: THIS IS GONNA GO SO HARD

lewisamilton: most listened song of the year right here

littlebodybigheart: 🫶🏻🫶🏻🫶🏻

florenceandthemachine: loved every second working with you babes ❤️

liked by yourusername, oscarpiastri and 32,735 more.

logansargeant: Tough race, but amazing fans like always! Next up is Miami, time to head home! 🩵

view comments

username3: Logie bear no one could make me hate you

username4: y/n in the likes ...

oscarpiastri: Have a good home race! 👊

logansargeant: Thanks bro! 👊

alexalbon: why are you looking at my car???

logansargeant: debrief 🙄

liked by logansargeant, F1 and 8 million others.

yourusername: my single Florida!!! feat. Florence + The Machine out at midnight! 🩵

view comments

username6: LOGAN SARGEANT IS THAT YOU

F1: our new anthem 🫡

yourusername: @maxverstappen1 maxverstappen1: wtf

username7: UGHH I'M SHAKING IN MY BOOTS

username8: I'm gonna eat this song up for breakfast, lunch and dinner

username9: why is no one talking about how messy y/ns recording studio is

yourusername: i like it messy just like my songs username10: ate

liked by yourbff, logansargeant and 13 million others.

yourusername: Florida!!! feat. Florence + The Machine out NOW!!! 🩵🩵🩵

view comments

F1: OH MY GOD IT'S HAPPENING! EVERYBODY STAY CALM!!

florenceandthemachine: 🫶🏻

username11: Logan girlies are FREAKING OUT

username12: if Logan managed to bag y/n it's over

liked by alexalbon, yourusername and 259,204 others.

logansargeant: been home for a bit 🏄

<i> view comments <\i>

alexalbon: 👀

oscarpiastri: 🤭

username13: guys we know already just make an announcement PLEASE

username14: ok mr. "Fuck me up Florida".

username15: my innocent baby isn't so innocent after all...

liked by logansargeant, landonorris and 20 million others.

tagged: logansargeant

yourusername: fuck me up, florida. 🩵

comments have been restricted.

logansargeant: 🩵

landonorris: we have lost yet another member of the single people on the grid group ☹️

alexalbon: can you and Logan maybe not sleep next to my room next time 🥰 unless you wanna write about me banging on the wall

fin. 💐

[9w1ft]

hey so i was looking at some of your old posts and saw that you mentioned that karlie and taylor were actually neighbours/lived close during quarantine, could you break down the timeline a bit for me? i wasn't a kaylor then so now i'm interested how/where did they spend time in 2020/2021

thanks for the question, anon!

i’m going to try to keep this as a summary and i won’t be getting too technical with my language or submitting anything that can’t be figured out by watching interviews, googling stuff, and scrolling instagram. people can add stuff in the comments if they’d like.

okay so, basically, at the start of quarantine in the US, march 2020, karlie documented herself being in upstate new york (bedford area, specifically) along with josh, mikey, and misha at this rental property they have often been seen at over the years. so the basic concept is that this was her quarantine pod.

it is worth noting that after folklore was released in july 2020 and we got the visuals and subsequent interviews for the album, that we learned that taylor shot the photoshoot and video content in upstate new york, spending time at blake and ryan’s place, shooting stuff at a place located in lewisboro (not blake and ryan’s place iirc), which is located right by bedford. adjacent towns. connected by the same lakes ponds and forests (pound ridge). so she would have been there in upstate new york where karlie was sometime before album release in july, and it would have had to have been early enough so as to be able to send the artwork for the folklore physicals to print.

but deduction aside, taylor did not really document herself being anywhere until may, where she did her “biiig isolation” instagram post from goldwyn mansion in beverly hills california. however in a subsequent rolling stone interview taylor says that she and william bowery were “stuck in LA” at the beginning of the pandemic. and we also have been told that she reached out to aaron dessner in april about recording music, and in the long pond studio sessions movie, it is implied in the conversation she has with jack and aaron that she stayed in california until around august before meeting up with them at long pond. folklore was still finished when she was in LA. when taylor was in upstate new york remains a mystery iirc but we can say between april and july.

back to karlie… in mid june, karlie posted to instagram from the puck building apartment, saying she was on her way out west to be close to family. then she starts putting out klossy vlog content from a rental property located in california, and around july her and josh are papped around santa monica. iirc misha was seen at the same house seen in the klossy vlogs? she posts a lot from california, she attends and documents going to a protest in LA as well. so we have a general idea of when she was there.

at the end of 2020, we get articles saying karlie and josh have been revealed as the buyers of the many arched, echoey miami mansion, and articles say that the property was sold “over the summer” so at some point karlie moves out of the california rental. in the back half of the year karlie is sort of obscuring where she is and what she posts so it’s hard to be certain exactly when she was where, but we later get an explanation for this because soon enough we learn that she has been hiding the fact that she’s carrying. but we do know from some of her adidas photo shoots that she did spend some amount of time back in nyc. once she makes the announcement, the focus of karlie’s posting shifts to the florida(!!), which becomes positioned as her main location for the duration of the year, through levi being born in march 2021, and the newborn haze period of it all.

taylor is less consistent with showing off her locations during late 2020 and 2021 but the general swiftie lore is that she spent time in london and nyc? she didn’t make many appearances (covid was still very much running the world) but there were the grammys, she was doing stuff for red tv, announcing red tv at the end of september and releasing it in november, filming and then promoting the all too well short film, the i bet you think about me mv was shot in la iirc, and such.

as the pandemic became a part of everyday life and the world adjusted to the new normal, both taylor and karlie began varying their locations again, and it’s been a mix of things again ever since. but this 2020 period is so interesting to me, given how things played out, how they were in similar locations at noteworthy times, and in locations that taylor went on to feature visually and lyrically in her work— folkevermore and red tv, ttpd and arguably the eras tour visuals for the opening and closing lover and midnights segments, if you are inclined to see the parallels in the arches as seen in the miami property etc.

anyway lmfao and i still consider this to be a summary!!

[adrienneleclerc]

The Start of it All

Pairing: Walter Marshall x Hispanic!Reader

Summary: The day Y/N started working in Walter’s district and called him “Don Refri” for the first time

Warning: Masterlist pinned on my blog, it’s probably short.

A/N: i wanted to create a fanfic universe so it’s a series of one shots that take place in the same universe. Like a multi part series without the commitment which is literally PERFECT for me. If you have any ideas of what you want to see take place in this universe like in Walter and Y/N’s relationship, let me know!

Walter was in his office with the commissioner wanted to talk to him.

“What is it? Is there something wrong?” Walter asked.

“There’s nothing wrong, I found a new records clerk.” Harper told him.

“Do we really need a glorified secretary? We’ve been handling the files just fine, Harper.” Walter said.

“The time you spend creating police reports could be used actually solving cases. Whether you like it or not, a records clerk will be here. You can’t do everything on your own, she starts tomorrow.” Harper said, walking out of Walter’s office.

Walter sighed, running his hand through his hair. He knows he had no reason to be mad that a new person would come work here. He just felt that a new person would ruin the flow of things. He won’t know until he meets her though.

Y/N moved to Saint Paul 3 weeks ago and she finally got a call about the job she applied for. She moved from Miami to Quantico for FBI training but when failed the physical assessment, even after weeks of training, she decided to move to Minnesota. Why Minnesota? Who knows, she’s not use to the cold, but it was a nice change of scenery. She managed to get a nice studio apartment with her savings from working as a receptionist in Miami. She applied as a records clerk for the Saint Paul Police Department, Western District (I’ve been researching, they don’t organize the police department by precincts, only few cities do), and she got it! Now she was talking to her Miami bestie.

“Why did you choose Minnesota instead of staying there in Virginia? Do you know how cold it’s going to be once it hits winter?” Her bestie, Melissa, said.

“I know, I know, ni me lo recuerdes, but I’ll be making more money here than in Florida.” Y/N said.

“Fine, what are you going to wear for your first day on the job?” Melissa asked.

It was the next day, Y/N was putting professional clothes to make a good first impression. She decided to leave her hair down and drove to the station. Once she found parking, she entered the precinct and saw five people standing by the cubicles.

“Good morning, Y/N, we spoke on the phone, I’m commissioner Harper, these are our technicians, Matthew and Glasgow, profiler and psychologist, Rachel, and our best detective, Walter.” Harper introduced everyone to Y/N, shaking everyone’s hands respectively.

When Y/N went to shake Walter’s hand, she felt a little spark when they touched. They made eye contact and thoughts that were running in their heads were less than professional. Y/N thought about how it would feel to run her hands through his hair or having his firm hands touch her body. Walter was thinking about how it would feel to kiss her and what sounds she would make when doing so. Maybe having a new person in the precinct won’t be so bad after all.

“It’s very nice to meet everyone, can’t wait to start working here.” Y/N said with a smile. Harper showed Y/N where her cubicle was and she settles down.

Walter watched Y/N for a whole before heading to his office. The morning was pretty calm, when Walter entered the break room to grab his lunch, he saw Y/N eating her lunch, talking to Rachel at the table like they were old friends. He stood by the counter to eat his sandwich.

“So what’s the story of the detective?” Y/N asked quietly.

“He’s a good detective, but he’s closed off, kind of a grouch, we call him detective grumpy but obviously not to his face. I mean, I understand why he’s closed off, I’ve seen the photos of the cases he works, it’s brutal. I can’t imagine actually being there in person.” Rachel said. Y/N looked back at the detective and looked away.

“I Can see that too, but I think it’s better to talk it out, a desahogarte.” Y/N commented. “Bottling up your feelings can’t be good in the long run.”

One night, Y/N and Walter stayed late at the district because they cracked a big case so Y/N is doing the paperwork for it right now. It was kind of quiet so Y/N decided to break the silence.

“So, Detective Marshall, what got you interested in working in homicide?” Y/N asked. Walter looked up from a file he was reading to look at the woman.

“Am I required to answer?” Walter asked.

“You don’t have to answer, I was just trying to make conversation seeing as we’re here, alone.” Y/N commented. Walter rolled his eyes.

“I was on SWAT before, then I switched to homicide.” Walter said.

“Why did you make the switch?” Y/N asked.

“I don’t want to talk about this, just finish your work.” Walter said, looking back at the file, reviewing Y/N’s work.

“Whatever you say, Don Refri.” Y/N commented and Walter looked back at Y/N, seeing her slightly smirk.

“What did you just call me?” Walter asked.

“It’s ‘mister fridge’ in Spanish. Since you’re kinda closed off, you don’t talk, you don’t let what you’re feeling be known. You have a poker face all the time, it’s good when you’re interrogating a perp, but it’s not so good for the soul. You’re kinda cold as well, so until you learn to express your feelings in a positive way and not bottle them up, you will be Don Refri, okay? Okay.” Y/N said as she continued typing. “I wanted to be an FBI profiler before coming here. I was in Quantico and everything, I was training for weeks but when it finally came to the physical assessment, I couldn’t do it. I failed the times 1.5 mile run and got a stress fracture. So now I’m here. But I don’t think I want to become a cop.” Y/N shared and Walter just hummed. “In my culture we’re very family oriented. I moved from Miami, I’m far away from my friends and family, I’m all alone. Since I’m reporting to you, I thought we could at least be friendly towards each other, guess not. I finished, look it over, I’m leaving.” Y/N said as she packed up her stuff to leave.

Walter felt like an asshole. He could at least replied or act interested in what she was saying.

The next morning, Y/N entered the station and when she walked to her cubicle, she saw a little box of chocolate chip cookies with a sticky note that said “Sorry -Don Refri” and that made Y/N smile.

Although Y/N really wanted a relationship with Walter, being friends with him seems like a step closer to the right direction.

The End

Taglist: @shellyshellshell

Hope y’all liked it! I did my research about the Saint Paul police department to make it accurate, and hopefully I gave Y/N a good background since I put in the first installment that she doesn’t do the cold, I made her be from a warmer state. Let me know if you want to be tagged!

[itsmarjudgeloveclassicrock59]

Today in Allman Brothers Band history, September 23, 1970, the band's second studio album, "Idlewild South" was released (Tom Dowd producer). Photo (courtesy of Big House Museum archives) taken during the recording sessions at Criteria Studios in Miami, Florida, on May 26, 1970.

[debbiesblondie]

Scenario: 🍒Debbie was on a tour and a bunch of fans asked her if she was going to make a Tumblr due to every other rock star having one🍒

Please be 15 or Older to Look at this account, Riot GRRL is a very Mature and adult movement but for the kiddy winks who are interested go watch Moxie on Netflix.

if you don't like the account then block it, simple as that but don't go harassing me or any other rock roleplay accounts because of your hatred.

This Account is all Parody, I do not know Debbie Harry own the rights to any Blondie or Runaways songs and am only a harmless fan.

Bands

Blondie

Blondie is an American rock band formed in New York City in 1974 by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American new wave genre and scene of the mid-1970s.

Bio on Debbie Hary

Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, best known as the lead vocalist of the band Blondie. Four of her songs with the band reached No. 1 on the US charts between 1979 and 1981.

Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After college she worked various jobs—as a dancer, a Playboy Bunny, and a secretary (including at the BBC in New York)—before her breakthrough in the music industry.

She co-formed Blondie in 1974 in New York City. The band released its eponymous debut studio album in 1976 and released three more studio albums between then and 1979, including Parallel Lines, which spawned six singles, including "Heart of Glass". Their fifth studio album, Autoamerican (1980), produced hits including a cover of "The Tide Is High", and "Rapture", which is considered the first rap song to chart at number one in the United States.

1945–1965: Early life

Harry was born Angela Trimble on July 1, 1945, in Miami, Florida. At the age of three months, she was adopted by Catherine (née Peters) and Richard Harry, gift shop proprietors in Hawthorne, New Jersey, and renamed Deborah Ann Harry. She is of Scottish ancestry and her biological parents' surnames were Trimble and Mackenzie.

Harry learned of her adoption at four years old.

At first, she decided against locating her birth parents, but nonetheless, in the late 1980s, located her birth mother, a concert pianist, who chose not to establish a relationship with Harry.

 In her memoir, she recalls being a tomboy, spending much of her childhood playing in the woods adjacent to her home.

Harry attended Hawthorne High School, where she was voted "Best Looking", graduating in 1963. She graduated from Centenary College in Hackettstown, New Jersey, with an Associate of Arts degree in 1965.

 Before beginning her singing career, she moved to New York City in the late 1960s, and worked there as a secretary at BBC Radio's office for one year.

Later, she was a waitress at Max's Kansas City, a go-go dancer in a discothèque in Union City, New Jersey, and a Playboy Bunny.

1966–1975: Early projects; formation of Blondie

In the late 1960s, Harry began her musical career as a backing singer for the folk rock group The Wind in the Willows,which released an eponymous album in 1968 on Capitol Records.

In 1973, Harry joined The Stilettos with Elda Gentile and Amanda Jones. Shortly thereafter, the band added guitarist Chris Stein, who became her boyfriend.

 In her memoir, Face It, Harry describes having been raped at knifepoint during a burglary of the home she shared with Stein.

In 1974 Harry and Stein left the Stilettos (along with the band's bassist and drummer) and formed Angel and the Snake with Tish Bellomo and Snooky Bellomo. Shortly thereafter, they changed the name of the band to Blondie, named after the catcall men often directed at Harry after she bleached her hair blonde.

 The band quickly became regulars at Max's Kansas City and CBGB in New York City.

1976–1980: Global success

With her beauty, daring choice of clothing, and two-tone bleached-blonde hair, Harry quickly became a punk icon.

Blondie released their self-titled debut album in 1976; it peaked at No. 14 in Australia and (later, in 1979) No. 75 in the United Kingdom.

Their second album, Plastic Letters, garnered some success outside the United States, but their third album, Parallel Lines (1978), was a worldwide hit and catapulted the group to international success.

It included the global hit single "Heart of Glass". Riding the crest of disco's domination, the track made No. 1 in the US and sold nearly two million copies. It also reached No. 1 in the UK and was the second highest-selling single of 1979.

In June 1979, Blondie was featured on the cover of Rolling Stone. Harry's persona, combining cool sexuality with streetwise style, became so closely associated with the group's name that many came to believe "Blondie" was the singer's name.

The difference between the individual Harry and the band Blondie was emphasized by a "Blondie is a group" button campaign by the band in 1979. The band's success continued with the release of the platinum-selling Eat to the Beat album (UK No. 1, US No. 17) in September.

Autoamerican (UK No. 3, US No. 7) was released in 1980. Blondie had further No. 1 hits with "Call Me" (American Gigolo soundtrack) (US and UK No. 1), "Atomic" (Eat to the Beat album) (UK No. 1), "The Tide Is High" (US and UK No. 1), and "Rapture" (US No. 1).

During this time, both Harry and Stein befriended graffiti artist Fab Five Freddy, who introduced them to the emerging hip-hop scene in the Bronx. Freddy is mentioned in "Rapture".

Through Fab Five Freddy they were also able to connect with Grandmaster Flash who is played by Jean-Michel Basquiat in the video.

 "Rapture" became the first rap-oriented song to reach No. 1 in the US Billboard charts.

Grandmaster Flash said Harry "opened up so many doors for hip hop" by mentioning him in Rapture.

Harry was immortalized by Andy Warhol in 1980, who produced a number of artworks of her image from a single photoshoot at the Factory. The artist created a small series of four acrylic and silkscreen ink on canvas portraits of the star in different colors, as well as Polaroids and a small number of rare silver gelatin prints from the shoot. Stein was also present that day to capture Warhol photographing Harry in a series of his own photographs, exhibited in 2013 in London.

Her collaboration and friendship with Warhol continued and she was his first guest on the MTV show Andy Warhol's Fifteen Minutes. The first episode opened with Harry announcing the theme: "Sex, Vegetables, Brothers and Sisters".

Harry said of her relationship with Warhol, "I think the best thing [Andy Warhol] taught me was always to be open to new things, new music, new style, new bands, new technology and just go with it. Never get mired in the past and always accept new things whatever age you are."

1981–1996: Solo work and acting

In 1981, Harry issued a press release to clarify that her name was not "Debbie Blondie" or "Debbie Harry" but rather Deborah Harry, though Harry later described her character in the band as being named "Blondie", as in this quote from the No Exit tour book:

Hi, it's Deb. You know, when I woke up this morning I had a realization about myself. I was always Blondie. People always called me Blondie, ever since I was a little kid. What I realized is that at some point I became Dirty Harry. I couldn't be Blondie anymore, so I became Dirty Harry.

Harry began her solo career with the album KooKoo (1981). Produced by Nile Rodgers and Bernard Edwards of Chic, the album peaked at No. 25 in the US and No. 6 in the UK; and was later certified gold in the US and silver in the UK.

The album's cover art was controversial, showing Harry apparently with skewers through her face, and many stores refused to stock it."Backfired", the first single from the album, had a video directed by H.R. Giger (who also created the album's front cover featuring Harry's face with metal skewers through it).

The single reached No. 43 on the Billboard Hot 100, No. 29 on the Hot Dance Club Songs, and No. 32 on the UK Singles Chart "The Jam Was Moving" was lifted as the second single and peaked at No. 82 in the US. In the same year (1981) Harry appeared in the movie "Downtown 81" where Jean-Michel Basquiat played the leading role. Harry plays a bag lady who turns into a princess when Basquiat kisses her.

After a year-long hiatus, Blondie regrouped and released their sixth studio album, The Hunter (1982). The album was not as successful as their previous works, and a world tour was cut short due to slow ticket sales. It was around this time that Stein also fell seriously ill with the rare autoimmune disease pemphigus. His illness, along with declining record sales and internal struggles, caused the band to split up.

In June 1982, Harry contributed backing vocals to The Gun Club's second album Miami, being credited as 'D.H. Lawrence Jr' while Chris Stein also produced the record and is credited as 'bongos' and 'cover photos/design'. The Gun Club's singer Jeffrey Lee Pierce was an ardent fan, emulating Harry's hairstyle and founding the West Coast Blondie Fan Club, before becoming friends with the band in New York.

After Blondie split up in 1982, Harry's solo output slowed down as she cared for ailing partner Chris Stein. She released the single "Rush Rush" in 1983 (produced by Giorgio Moroder and taken from the film Scarface), but it was commercially unsuccessful. The same year, Harry had a leading role in David Cronenberg's body horror film Videodrome (1983), playing the sadomasochistic lover of a television producer who uncovers an underground video output of snuff films. Harry received rave reviews for her performance in the film.

Critic Howard Hampton noted in a retrospective that Harry "carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either anchor or undo a risky, conceptually spiky film like David Cronenberg's viscerally deranged phantasia: Harry's presence grounds it in acute, self-aware reality."

A new single, "Feel The Spin" (taken from the film Krush Groove), was released as a limited 12" single in 1985, which peaked at No. 5 on the Billboard Dance Chart. In 1986, Harry released her second solo album, called Rockbird, which peaked at No. 97 in the US, and No. 31 in the UK(where it has been certified gold for 100,000 sales by the BPI).

The single "French Kissin' in the USA" gave Harry her only UK solo top 10 hit (No. 8) and became a moderate US hit (No. 57). Other singles released from the album were "Free to Fall" and "In Love with Love", with the latter completely re-recorded in London with hit British producers Stock Aitken Waterman (SAW).

The track hit No. 1 on the US Dance Charts and was released with several remixes. Harry also recorded another track with SAW during the same sessions, "Mind Over Matter", which was never officially released.

In 1987, Harry starred opposite Alec Baldwin in the comedy mystery film Forever, Lulu, playing the title character

"Liar, Liar" was recorded by Harry for the soundtrack album Married to the Mob in 1988 and was produced by Mike Chapman. It was their first collaboration since the 1982 Blondie album The Hunter. The same year, Harry starred as Velma Von Tussle in John Waters's satirical dance film Hairspray

Her next solo venture was the album Def, Dumb and Blonde in 1989. At this point Harry reverted from "Debbie" to "Deborah" as her professional name. The first single "I Want That Man" was a hit in Europe and Australia and on the US Modern Rock Charts. The success of the single propelled the album to No. 12 on the UK chart, where it earned a silver disc. However, with little promotion from her record company in the US, it peaked at No. 123. She followed this up with the ballad "Brite Side" and the club hit "Sweet and Low". "Maybe for Sure", a reworked version of "Angel's Song" she'd recorded for the Rock and Rule animated film, was the fourth single released from the album in June 1990 to coincide with a UK tour (her second in six months). The track "Kiss It Better" was also a Top 15 Modern Rock single in the US.

Harry also appeared in film during this time, with a supporting part in Tales from the Darkside: The Movie (1990). From 1989 to 1991, Harry toured extensively across the world with former Blondie guitarist Chris Stein, Underworld's Karl Hyde, and future Blondie bassist Leigh Foxx. In July 1991 she played Wembley Stadium, supporting INXS. In 1991, Chrysalis released a new "best of" compilation in Europe entitled The Complete Picture: The Very Best of Deborah Harry and Blondie, containing hits with Blondie as well as her solo hits. The collection reached No. 3 in the UK album chart[36] and earned a gold disc. The album also included her duet with Iggy Pop of the Cole Porter song "Well, Did You Evah!" from the 1990 Red Hot + Blue AIDS charity album.

In 1992, Harry collaborated with German post-punk band Die Haut on the track "Don't Cross My Mind" and released the song "Prelude to a Kiss" on the soundtrack to the film of the same name. She also released a cover of "Summertime Blues" from the soundtrack to the film That Night in Australia. Her fourth solo album, Debravation, was released in July 1993. The album peaked at #24 in the UK but was less successful in the US. The album's first single was "I Can See Clearly", which peaked at No. 23 in the UK and No. 2 on the US dance charts.

This was followed by "Strike Me Pink" in September. Controversy surrounded the latter track's promotional video, which featured a man drowning in a water tank, resulting in its being banned.

 US editions of the album feature two additional tracks recorded with prerecorded music by R.E.M.: "Tear Drops" and a cover of Skeeter Davis's 1961 hit "My Last Date (with You)". Also in 1993, Harry had a supporting role in a John Carpenter-directed segment of the anthology horror film Body Bags.

In November 1993, Harry toured the UK with Stein, guitarist Peter Min, bassist Greta Brinkman, and drummer James Murphy. The set list of the Debravation Tour featured an offbeat selection of Harry material including the previously unreleased track "Close Your Eyes" (from 1989) and "Ordinary Bummer" (from the Stein-produced Iggy Pop album Zombie Birdhouse, a track that, under the moniker Adolph's Dog, Blondie covered in 1997). Tentative plans to record these shows and release them as a live double CD never came to fruition. However, covers of the Rolling Stones' "Wild Horses" and David Oliver's "Love TKO" exist as bootlegs. In early 1994, Harry took the Debravation tour to the US.

 In the UK, Harry's long tenure with Chrysalis Records also came to an end after Debravation's lackluster sales, but the label released all of Blondie's albums and Harry's KooKoo album (for the first time on CD) as remastered editions with bonus tracks.

In the mid 1990s, Harry worked as a guest vocalist on several projects: She joined the avant-garde jazz ensemble the Jazz Passengers in 1994, appearing on their album In Love (1994). Harry also reunited with Blondie keyboardist Jimmy Destri for a cover of Otis Blackwell's "Don't Be Cruel" for the 1995 album Brace Yourself! A Tribute to Otis Blackwell. During this period, she also recorded a duet with actor Robert Jacks titled "Der Einziger Weg (The Only Way)", a theme for the horror film Texas Chainsaw Massacre: The Next Generation (1994), which was recorded in German and in English. Harry also served as a vocalist in Talking Heads side project the Heads' 1996 release No Talking, Just Head, followed by the Jazz Passengers' Individually Twisted (1997).

The same year, she collaborated with Jazz Passengers' Bill Ware in his side project Groove Thing, singing lead vocals on the club hit "Command and Obey". Another Jazz Passengers collaboration, "The City in the Sea", appeared on the Edgar Allan Poe tribute album Closed on Account of Rabies (1997).

In film, Harry co-starred with Pruitt Taylor Vince and Liv Tyler in James Mangold's directorial debut Heavy (1995), playing a misanthropic waitress at an upstate New York restaurant.

 The following year, she filmed Mangold's Cop Land (1997), a neo-noir thriller in which she portrayed a bartender.

1997–2007: Blondie reformation and solo output

In 1997, Blondie began working together again for the first time in 15 years. The four original members (Harry, Stein, Clem Burke and Jimmy Destri) began sessions for what would become Blondie's seventh studio album, No Exit (1999). The lead single from the album, "Maria", debuted at No. 1 in the UK, giving Blondie their sixth UK No. 1 hit. "Maria" also reached No. 1 in 14 countries, the top 10 on the US Dance Charts, and Top 20 on the US Adult Top 40 Charts. No Exit debuted at No. 3 in the UK and No. 17 in the US.

Harry appears on the 2001 Bill Ware album Vibes 4 singing the track "Me and You" as well as on former Police guitarist Andy Summers's album Peggy's Blue Skylight on the track "Weird Nightmare". A techno cover of Stan Jones' "Ghost Riders in the Sky" was featured on the soundtrack to the 1998 film Three Businessmen, and was available on her website to download. Harry sings on two tracks on Andrea Griminelli's Cinema Italiano project: "You'll Come to Me" (inspired by Amarcord's main theme) and "When Love Comes By" (from Il Postino), as well as on a tribute album reinterpreting the music of Harold Arlen, on which she sings the title track "Stormy Weather". In May 2002, she accompanied the Jazz Passengers and the BBC Concert Orchestra in a performance of her jazz material at the Barbican Centre in London. In 2003, she was featured vocalist on the song "Uncontrollable Love" by DJ duo Blow-Up. She also sang on the version of "Waltzing Matilda" recorded by Dan Zanes and Friends, released on the 2003 album House Party. The same year, Blondie released the album The Curse of Blondie (2003).

In 2006, Harry started work in New York City on her fifth solo album, Necessary Evil (released in 2007). Working with production duo Super Buddha (who produced the remix of Blondie's "In the Flesh" for the 2005 Sound and Vision compilation), the first music to surface in was a hip-hop track titled "Dirty and Deep" in which she spoke out against rapper Lil' Kim's incarceration. Throughout 2006, a number of new tracks surfaced on Harry's Myspace page, including "Charm Alarm", "Deep End", "Love with a Vengeance", "School for Scandal", and "Necessary Evil", as well as duets she recorded with Miss Guy (of Toilet Böys fame), "God Save New York" and "New York Groove". A streaming version of the lead single, "Two Times Blue", was added to Harry's Myspace page in May 2007. On June 6, 2007, a downloadable version was released via her official website.

In 2007, Harry delineated the different personae (Blondie the band, her role in the band, and Deborah Harry the singer) to an interviewer who asked why she played only solo music on the 2007 True Colors World Tour with Cyndi Lauper: "I've put together a new trio with no Blondie members in it. I really want to make a clear definition between Debbie's solo projects and Blondie, and I hope that the audience can appreciate that and also appreciate this other material."

Harry's fifth solo album, Necessary Evil (2007), was released after she completed the True Colors World Tour. The first single, "Two Times Blue", peaked at No. 5 on the US Dance Club Play chart. The album peaked at No. 86 in the UK and No. 37 in the US Billboard Top Independent Albums chart. Harry performed "Two Times Blue" on various talk shows to promote the album. She also started a 22-date US tour on November 8, lasting until December 9, playing small venues and clubs across the country. On January 18, 2008, an official music video for "If I Had You" was released.

Other riot grrl rp accounts

Gwen Stefani- @gwenstefoubt Kathleen Hanna- @bikinikillhanna Tobi Vail- @t0bi-is-cool Joan Jett- @queen-o-rock

[adominguezs]

Soda Stereo - Canción Animal. Año 1990. Redición chilena. Año 2013. Rock. Sony Music.

Es el quinto álbum de la banda, publicado el 7 de agosto de 1990. El álbum fue grabado entre los meses de junio y julio de 1990 en Criteria Recording Studios de la ciudad de Miami, Florida.

Sencillos: «Canción animal», «De música ligera», «(En) El séptimo día», «Un millón de años luz», «Té para 3» y «Cae el sol».

Músicos Gustavo Cerati - voz y guitarra. Zeta Bosio - bajo, coros, Chapman stick. Charly Alberti - batería y percusión.

Músicos invitados Tweety González - teclados. Andrea Álvarez - percusión y coros. Daniel Melero - teclados. Pedro Aznar - coros y arreglos vocales.

Producción Gustavo Cerati - productor. Zeta Bosio - productor.

Tracklist: A1 (En) El séptimo día 4:22 A2 Un millón de años luz 5:55 A3 Canción animal 4:19 A4 1990 3:39 A5 Sueles dejarme solo 3:48

B1 De música ligera 4:52 B2 Hombre al agua 6:29 B3 Entre caníbales 4:54 B4 Té para 3 4:07 B5 Cae el sol 4:50

[redrumrecords]

REDRUM RECORDS | BACKGROUND

─────────

REDRUM RECORDS, formerly known as XPERIENCE ENTERTAINMENT or XECOMPANY, is the rebranded name of the company after the CEO change from the founders CAL ROWE and CHO BAEK-HYEON to their respective children HARVEY ROWE and CHO FLORI. The change has been talked about behind the scenes in the company since MID 2020 and it wasn't until LATE APRIL 2024 that an announcement was posted to the company's official Twitter.

─────────

COMPANY INFORMATION ───

CURRENT CEOS: HARVEY ROWE & CHO FLORI

TYPE: HALF PUBLIC | HALF PRIVATE

INDUSTRY TYPE: IDOL ENTERTAINMENT; MUSIC PRODUCTION, MODELING, TALENT / ACTING

AWARDS: TBD

COUNTRY OR ORIGIN: SOUTH KOREA & CANADA

HEADQUARTERS: 

SEOUL, SOUTH KOREAN MONTREAL, CANADA MIAMI, FLORIDA SAN FRANCISCO, CALIFORNIA SHANGHAI, CHINA MARSEILLE, FRANCE

NUMBER OF EMPLOYEES: ~12,426 (as of NOV. 2024)

SOCIAL MEDIAS & WEBSITES:

redrumrec.kr redrumrecords_auditions.kr instagram: redrumrecs twitter: redrum_records

SUBSIDIARIES -

IDOL ENTERTAINMENT AGENCIES:

FALSE GOD STUDIO SWEET DREAM MEDIA EXTRA EXTRA PRODUCTIONS SHARE THE STAGE BAD END THEATRE BAD COMPANY STUDIOS

ACTING AGENCY:

BEHIND THE SCENES PRODUCTIONS

MODELING AGENCY:

ALTER EGO MANAGEMENT

[tornrose24]

Listening to that recording of Jasmine Amy Rogers singing 'Where I wanna be' and realizing that–

The song mentions Cab Calloway, who was used for a few Betty Boop cartoons.

Betty mentions New York and it seems that this is the place where she wants to be. The Fleischer Brothers studio that made her cartoons were first stationed in New York City (I remembered this from Game Theory's video about them for Bendy and the Ink Machine). So yeah, no wonder she would feel at home in NYC.

She mentions Miami, and when I just double checked to make sure point 2 was correct.... there apparently was also a Fleischer Bros HQ in Miami, Florida. (Assuming its the same Miami).

[kdo-three]

The Allman Brothers Band - Midnight Rider (1970) Gregg Allman / Robert Kim Payne from: "Idlewild South" (LP) "Midnight Rider" / "Whipping Post"(Single)

Southern Rock

JukeHostUK (left click = play)

Personnel: Gregg Allman: Lead Vocals / Keyboards Duane Allman: Acoustic Guitar / Slide Guitar / Lead Guitar Dickey Betts: Lead Guitar Berry Oakley Bass Jai Johanny Johanson: Drums / Percussion Butch Trucks: Drums / Percussion

Produced by Joel Dorn

Recorded: @ The Capricorn Sound Studio in Macon, Georgia @ The Atlantic South-Criteria Studios in Miami, Florida @ The Regent Sound Studios in New York City, New York February, 1970 - July, 1970

Album Released: on September 23, 1970

Single Released: on March 26, 1971

Capricorn Records Mercury Records (CD Reissues)

Gregg Allman called it "the song I’m most proud of in my career." - Wikipedia

[xxxtentacionmerchstore]

Rapper XXXTentacion's life ended in violence.

XXXTentacion was proud to have fought from a young age and said that at the age of 6 he tried to fight a man who lived with his mother. Onfroy grew up in Broward County, Florida, which is densely populated and economically diverse, with many supermarkets lined with low-rise frame houses. XXXTentacion said his parents are Jamaican and also claimed on his personal Tumblr page that his ancestors were of Egyptian, Indian, German and Italian blood.

This chaotic journey is also reflected in his taste in music. When hip-hop magazine XXL hailed XXXTentacion as an upcoming talent with a cover photo in 2017, the rapper was asked about the artists who inspired him, naming a range of names from rock to punk, including Kurt Cobain, Papa Roach, Cage the Elephant and even the British band Coldplay.

"I'm more inspired by other artists than rap," said XXXTentacion. He's had a rebellious personality since childhood and XXXTentacion showed that with his looks. There are many photos of XXXTentacion with tattoos visible, such as a tree on his forehead, an elephant's head on his neck, and the word "Cleopatra". on the chest in honor of his mother, Cléopâtre Bernard. In

Bernard gave birth to a son Onfroy when she was only 17-18 years old and had to work hard to raise him 'restless'; Son. "My mother didn't mind taking care of me, so she just referred me to someone who could take care of me.I wasn't living in good circumstances at the time” XXXTentacion shared once. Then Onfroy realized his punches were an easy way to get his mother's attention.

"At school, I would fight with a lot of my classmates and say a lot of dirty things just to hear my mom yell or talk to me," XXXTentacion said.

Heavy fighting resulted in Onfroy being expelled from high school. At the age of 12 he lived mainly with his grandmother.In high school, Onfroy was arrested for armed robbery, possession of oxycodone pain medication, gun possession, and resisting law enforcement.

In prison, he wrote music that eventually became a hit.

However, XXXTentacion's life ended when he was shot and killed.

In March, XXXTentacion's second studio album "?" topped the Billboard 200. However, that success came at the same time he was awaiting trial in Broward, Fla. for brutally assaulting and jailing a pregnant woman, his girlfriend Geneva Ayala.Ayala told the Miami New Times about the horrifying attack.

Ayala revealed that she was repeatedly hit by XXXTentacion every three to four days during the summer of

in 2016. The rapper strangled her, tore off her clothes, hung her upside down and threatened to cut off her hair and tongue. XXXTentacion also stabbed her, slicing her face and holding her head under water.

XXXTentacion continued to be violent towards Ayala even after she was discovered by

in October 2016 that she was pregnant.That same month he was arrested and charged with assaulting a pregnant woman. However, he has always denied the allegations.

In addition to physically assaulting his girlfriend, XXXTentacion has also stirred controversy by arguing with viewers and hurling vulgar insults at Superstar Drake.

But legal troubles couldn't stop XXXTentacion's initial success. With the endorsement of SoundCloud and praise from rap stars like Danny Brown and A$AP Rocky, his reputation has steadily grown.

"Look At Me" debuted on the Billboard Hot 100 in February 2017. During this time, the rapper was constantly arrested and imprisoned for various crimes. When her debut album, titled 17, was released in August, it reached number two on the Billboard chart.

The album XXXTentacion "?" to the top of the charts and the single "Sad!" It was certified double platinum and reached the top 5 on the rap and R&B charts. From 2017 to date, 16 songs by XXXTentacion have made the Billboard Hot 100 chart.

When XXXTentacion was awarded by XXL magazine, a controversy broke out. "Should XXXTentacion be here? He should be in prison.He has a criminal record," Pitchfork asked in reference to the rapper's criminal record.

Attention all XXXTentacion fans! If you are a true music lover and passionate about XXXTentacion's unique sound, be sure to visit the XXXTentacion

store. You can find it here all of the late rapper's latest and greatest merchandise, from t-shirts and hoodies to hats and accessories.

The XXXTentacion Store offers a wide range of merchandise that showcases his individuality and creativity.Whether you're looking for something bold and eye-catching or something simple and understated, you're sure to find something that suits your style. And because new products are constantly being added, you'll stay up to date with the latest trends and styles.

So don't wait any longer! Visit the XXXTentacion Store today and see for yourself why fans around the world are raving about the amazing products and designs. Visit https://naruto-shippuden.store/ to start shopping now.

[miamirecordingstudio]

From Aspiring Artist To Chart-Topper: How House Of Hits Recording Studio Help Musicians Achieve Their Dreams

Music has the power to inspire, captivate and make dreams come true. The journey of a musician is often filled with struggles and challenges that must be overcome in order to reach stardom.

House Of Hits Recording Studio is an innovative facility dedicated to helping aspiring artists on their musical path by providing state-of-the-art recording equipment, producers and technicians. This article will explore how this unique studio helps musicians turn aspirations into chart-topping hits.

The experienced team at House Of Hits understands the importance of creating a supportive environment for both new and established artists alike. They comprehend the needs of their clients, offering professional guidance while simultaneously maintaining the artist’s individual vision throughout all stages of production.

With access to industry professionals who have extensive knowledge and experience in various genres, this studio provides invaluable resources for all types of music creators looking to achieve success in the music business.

The House Of Hits Advantage: Cutting-Edge Technology And Top-Notch Equipment For Unparalleled Sound Quality

House of Hits Recording Studio offers musicians a unique opportunity to realize their artistic dreams. With cutting-edge technology and top-notch equipment, it provides an unrivaled sound quality that can give aspiring artists the edge they need in the highly competitive music industry.

The studio is equipped with world-class recording devices from Neumann microphones to SSL mixing consoles, as well as powerful computers and software for advanced audio engineering. This combination of modern technical tools allows House of Hits to achieve optimal results when producing tracks and albums, allowing musicians to capture every nuance and detail of their performance.

The exceptional sound quality produced by these resources makes it possible for artists to stand out among their peers.

Creating A Supportive Environment: How House Of Hits Recording Studio Fosters Creativity And Collaboration Among Artists

At House of Hits Recording Studio, innovation and collaboration are at the core of their mission. From the moment you step inside, it's clear that this is no ordinary studio - every inch has been crafted with care to ensure an unparalleled level of comfort for all its artists:

* It starts with a warm welcome from the friendly team on reception; followed by a tour around the spacious facility that includes state-of-the-art recording studios, practice rooms equipped with instruments, and cozy lounge areas.

* Then there are more subtle touches like aromatherapy candles burning in each room to help promote relaxation and creativity.

The nurturing atmosphere allows musicians to feel safe enough to experiment without fear of judgment or criticism. Specialized workshops such as songwriting classes hosted by experienced producers give participants access to knowledge they would not be able to find elsewhere.

And when inspiration strikes late into the night, House of Hits remains open 24/7 so no ideas go unexplored. In short, House of Hits Recording Studio provides both the facilities and mentorship necessary for aspiring musicians to reach their dreams.

A Team Of Industry Professionals: The Role Of Expert Producers And Sound Engineers At House Of Hits Recording Studio

House of Hits Recording Studio is staffed by a team of industry professionals with decades of collective experience in the music recording industry. From producers to engineers, each member brings their unique skillset and expertise to help aspiring artists create an amazing sound that can place them on the charts.

The studio's producer-engineer team is highly experienced at understanding how best to capture and mix sounds across all genres of music. Utilizing high end technologies such as analog consoles, digital audio workstations, precision microphones, outboard gear and more, they are able to craft warm sounding records that bring out the artist’s true voice.

In addition, they provide guidance throughout the creative process from pre-production right through mastering so that every aspect meets or exceeds expectations.

The Path To Stardom: Case Studies Of Artists Who Found Success Through House Of Hits Recording Studio

Having a team of industry professionals to collaborate with is essential for any aspiring artist, and House of Hits Recording Studio has become the go-to studio for those looking to take their artistry to the next level. With producers and sound engineers who have decades of experience in the music business combined with top-of-the-line equipment, artists can create records that will stand out from the crowd.

The success stories of clients at House of Hits are numerous. From chart-toppers like Drake to up-and coming independent talent, the results speak for themselves:

* Drake’s multi platinum album ‘Take Care’ was recorded entirely at House of Hits;

* Indie sensation FKA Twigs found her own unique voice at the recording studio when she worked on her debut EP;

* Multi Grammy award winning singer/songwriter Adele also chose House of Hits as her production partner on her smash hit single 'Hello'.

These case studies demonstrate how working closely with experienced producers and engineers at House of Hits can help an artist reach new levels of creativity and commercial success.

It's no wonder why so many emerging musicians turn to this renowned recording studio when they're ready to make waves in the music world.

Conclusion

The music industry is a tough business. It takes more than just talent to become a chart-topper, and House of Hits Recording Studio knows that better than anyone.

This studio provides aspiring artists with the tools they need to make their dreams come true - from state-of-the-art equipment and top-notch sound quality, to a supportive environment for collaboration and creativity, as well as experienced producers and engineers who can help guide them on the path to success.

Like any journey worth taking, getting there requires hard work, dedication, and sometimes even luck; but ultimately it's up to every artist how far they choose to go. The House of Hits experience has proven time and again that anything is possible if you have the right resources behind you.

Like an oasis in a desert, this recording studio offers hope for those dreamers out there looking for their chance at stardom.

House Of Hits Recording Studio

300 NE 75th St Unit 112, Miami, FL 33138

Phone: (305) 907-3440

[melorxjas]

excuse me did you see tommy martinez hanging around palmwood studios? oh no, that was carmelo " melo " rojas, the thirty year old who plays jacob knightly on rush. yeah, you know rumour has it they're arrogant and perfectionist, but their fans all say they’re humble and compassionate. the soundtrack to their life would probably be booker t by bad bunny, and when i think of them, the aroma coconut shampoo , the strum of his guitar, the warm smile etched on his features .

carmelo ' melo ' rojas was born on a sunny friday afternoon, he was the first born of luis fabian "luifa" rojas and cassandra alejandra rojas, their first child and the light of cassandra's eyes. his maternal grandfather was overjoyed with carmelo, he learned how to play soccer before he even learned how to walk and it didn't help that his grandfather was the trainer for almost two decade's for the venzuela selection team and took them to the world cup a handful of times.

though at the age of four years old , cassandra decided to move carmelo to the united states , atlanta to be more precise. the new life that they began to live was a lot more privileged than what he lived in venezuela. his paternal grandfather was the apple of his eyes, he loved him father but the relationship from the very start was very fickle, there wasn't a connection there ; not like it was with his grandfather ( his father's father ) wherever he went, you could see the older gentlemen together with carmelo. the older he grew , the more he noticed the hatred that began to brew within his father towards carmelo, he didn't know why. he was vile towards him, never treated him as his equal but more as his enemy , something or someone that was beneath him. though that never phased carmelo, if anything he got to a point by the age of fifteen that he didn't care , he had his mother, his twins sisters who he adored and his both maternal and paternal grandparents, who showered him with love.

at the age of seventeen, he was scouted by scout from COMEBOL who had been watching him for some time now, they wanted him to go through some lengthy trails and carmelo being carmelo went ahead and showed him why he was the best , it was only four years later that he was playing for Venezuela's selection team, playing for his home country and making his maternal grandfather proud, playing with a NUMBER 9 shirt and getting them past eliminations and into the world cup. . Carmelo took the team to the finals of the world cup , just at the ripe age of twenty - three years old he won the world cup for venezuela and there in one of those matches he met the love of his life, or the women that he thought would be the women he would spent the rest of his life with but during the last 15 minutes of the last game , he injured himself to the point that he was told he could never play again and the girl who he thought would stay by him , simply didn't.

once he made back home , with a champion tittle - he didn't feel like a champion , if anything he felt like a failure . after his paternal grandfather stepped down from his position at RED RECORDS as CEO and passed it on fully to carmelo. he decided that he wanted to expand his grandfather's work and opened up a label in miami florida , with the help of his aunt guadalupe rojas . his cousin luciana and him were inseparable as kids and they bickered like all families do but when it was time to go bat for eavh other , they were always there for one another. if anything they were more like siblings than cousins really. shortly after , he moved california and began a brand new career , people knew who he was and he thought he should give it a go in the acting industry and he turned out to be an even bigger superstar than he was before . his heart was closed off to everyone , only giving small pieces of his heart and random women in his bed every other night. he had already given hope in love , he had been there , done that already , why go back ?

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Amazing Young Actress Who Starred In A Very Popular Iconic Disney Channel Musical 🎼 Film 🎥 Since High School Musical

She is of Colombian Descent 🇨🇴

She was born in Fort Lauderdale, Florida, to José F. Daccarett and Laura Char Carson, who both moved to Florida from Colombia. She chose the artistic name  after her American maternal grandmother, Lauraine Carson.

She attended St. Hugh School and graduated from Carrollton School of the Sacred Heart in Miami. She attended In Motion Dance Studio, where she was part of the IMPAC Youth Ensemble program, competing across the United States. She subsequently attended UCLA, majoring in communications with a minor in French.

She made her musical debut in 2015 with the soundtrack album for Descendants, and in the same year released the single "Rotten to the Core". In 2016, she signed to Hollywood Records, and released her debut solo single, "Love Is the Name". In 2022, she released her eponymous debut studio album. That same year, she sang the Oscar nominated song "Applause" written by Diane Warren for the film Tell It Like a Woman,  which led to a performance at the 95th Academy Awards.

She is an American actress and singer. Her first appearance on television was as a guest star on the Disney Channel series Austin & Ally.

In 2015, she received recognition as Evie, the daughter of the Evil Queen, in the Disney musical fantasy film 

Descendants

and later reprised her role in its sequels. She has since starred in the Netflix romantic drama film Purple Hearts (2022).

Please Wish This Colombian 🇨🇴 Born Actress Of Disney Channel Magic ✨ A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

The 1 & Only

Ms. Sofia Daccarett Char aka Sofia Carson 🇨🇴

Happy 30th Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You Ms. Carson

[cdbrainrecords]

Firefall - Firefall (LP, Album, RE, MO )

Vinyl(VG+) Picture Cover(VG+) / コンディション　盤 : Very Good Plus (VG+) コンディション　ジャケット : Very Good Plus (VG+) コンディションの表記について　  [ M > M- > VG+ > VG > G+ > G > F > P ] レーベル : Atlantic – SD 19125 フォーマット : Vinyl, LP, Album, Stereo, Monarch Pressing 生産国 : US 発売年 : 1976 Recorded at Criteria Studio A, Miami, Florida, December, 1975. Catalog # SD 19125 is located on the spine, front cover, labels and inner lyric…

[plybckstudios5]

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