#Recast Confession

[the-bjd-community-confess]

I need to rant!

Whenever I used to search eBay for a good legit used doll, I would sort by price. I would stop when I got to the $200 range because that is where the 1/3 BJD recasts started. A couple years go by, and had to stop in the $300 range. I was thinking that is crazy because of how many legit BJD's even in the 1/3 range are under or around $300. Today I go on eBay to check the second hand market. I hit the recasts, 'pretty boy, bjd' gift' at close to $500. WTF? Do these people even realize how many 1/3 legit BJD's are close to $500 in price range? Who caused this? All those people that keep buying from these recasters instead of legit dolls have allowed the recasters to raise their prices to the prices of legit dolls. And people are still buying them? It's no longer an excuse of 'because it's cheaper' These people are literally paying the same amount for recasts, that I do my legit dolls. Wake up and smell the roses people. Recasters are bad!

~Anonymous

[musubiki]

recently thinking about the tcwg episode where mochis mob spell finally starts running out. apparently its maximum possible usage is 10 years (which they find out from pom) and appearently tiramisu put it on her too soon,,... when they ask her she says "Oh...you were such a cute kid I didn't want to wait too long!!" while pinching her cheeks, and suddenly theres a few more people at school who are like "Hey...I never really noticed but...Mochi is kinda pretty, huh?"

for the people who start to notice, they chalk it up to "Maybe she hit puberty late...?" or something, but regardless she has 1 or 2 more people actually ask her out, and lime starts to realize how much it bothers him

[frameconfessions]

Rhino's iron skin should be recastable without having to wait for the cool down, same with Valkyr's warcry.

.

[of-his-dragoon-ways]

Pro recast owners can be annoying sometimes, call me an elitist gatekeeper offline and see what happens. You're not welcome at meetups, I hope you realize that, unless you create your own recast friendly ones. Just keep in mind that recasts are NOT welcome at official events like ResinRose. I will not hesitate to call you out, go ahead and call me a bitch but I want to preserve the community.

[kosomolski-dolls]

"I see a pretty feed, I hit follow! [No matter if they have recasts]"

OK, nice if that works for you, but for me, it immediately "taints" the beautiful feed. There's enough pro-artist photographers out there who I can follow.

[whetstonefires]

Also the thing is, Jiang Cheng can't share how he threw himself out there as chum to cover Wei Wuxian, because it isn't a usefully reciprocal confession to the revelation about Wei Wuxian's core.

All it says is: there was a moment on the worst day of my life (up to that point) where I valued your life more than my own.

That's all. Arguably it says not even that, because Jiang Cheng is established as insecure enough that he very much cannot prove that this was an act driven primarily by affection and the will to protect, rather than guilt and shame and grief, and the desire to make a gesture that would prove his worth to himself, and let him opt out of the pain of having outlived the world he knew and almost everything he loved.

(after all, this self-sacrifice fairly directly followed an episode of 'strangling wei wuxian while blaming him for everything' and then being taken care of by wei wuxian like this hadn't even happened.

normally, jiang cheng is not someone who is physically violent. he is verbally violent all the time, but his physical violence is typically reserved for mortal enemies. that first time he came within throwing distance of murdering wei wuxian in a fit of grief-rage was almost certainly more traumatic for him than it was for wei wuxian, who is really good at compartmentalizing that kind of shit.

interesting element of mirroring there though, in that jiang cheng allowed wei wuxian to know about the murderous rage but not the self-destructive love, leading wei wuxian to misunderstand the exact shape of his place in jiang cheng's life and act on the basis of the rejection, in a way that encouraged relationship decay, just as wei wuxian's own secret-keeping would later lead jiang cheng to do in reply. vicious cycle!)

But the important thing is that this truth doesn't really explain anything.

Wei Wuxian's mute self-mutilation for Jiang Cheng's sake explained everything. All the withdrawal, the betrayal, what he thought was the rejection; the previously inexplicable decisions to abandon the teachings and home and allegiances that bound them in favor of death and the children of their enemies. Wen Ning's revelation explained it all, and recast it utterly.

It made the story different in a way that mattered a lot to the people in it.

What Jiang Cheng did...it shows he wasn't unworthy of that sacrifice in the way everything else about the narrative paints him. It's a grace note to his character.

It's not meaningless, exactly. It's just also not enough to actually change the weight of debt between them; it doesn't restructure the narrative.

It's not even, truly, new information.

Wei Wuxian knows Jiang Cheng loved him. Wanted to protect and keep him. He knows Jiang Cheng understood his abandonment as a betrayal, that Jiang Cheng felt he was owed better, and that this sense of being-entitled was a major impetus behind his increasing hostility.

Adding this little scrap of context for those reactions, for that rage--it's not enough. It gives Jiang Cheng a little more reason to have felt hard done by, validates a little of that wild resentment and makes it less of a spoiled young master reaction, lends it more dignity.

But your feelings being valid doesn't really go that far to justifying actions taken because of them. The hurt was already sympathetic; the choices aren't really changed by the context making it more so.

After all, he knew he'd lost his core protecting Wei Wuxian, but he also knew that Wei Wuxian risked his own life almost as foolishly extracting him again afterward, and 'knew' that Wei Wuxian freely gave away his only connection with his own dead mother and access to the help of an immortal for his sake; they were already square by rights in the world as he understood it, and he still acted the way he did.

And after all, Wei Wuxian's actions in his first life were always taking Jiang Cheng and Jiang Cheng's feelings into consideration, even when it didn't look like it; even when he fucked up, and Jiang Cheng paid for it. Right up until he lost his mind, and to an extent afterward.

'Consciously, on purpose choosing against someone out of spite' is something Wei Wuxian did not ever do to him, which he did do to Wei Wuxian. A lot. Escalating.

That doesn't become any less happened because at a prior time he did the opposite.

All the while not putting a lot of effort into worrying about Wei Wuxian's feelings, or how to spare them, because one of the norms of their relationship was that Jiang Cheng's feelings deserved to be privileged and handled gently, but Wei Wuxian was too tough to need that kind of consideration. Except about dogs.

That's a norm Jiang Cheng accepted and took for granted; it turned out to be the norm that broke their relationship, because Wei Wuxian treated 'protecting Jiang Cheng's delicate feelings' as such a mandatory task that he put it over things that logic would call much more important.

And so there's no way Jiang Cheng can talk about how he lost his core trying to die for Wei Wuxian without sounding like he's trying to justify himself, to wipe his deliberate-choice-to-harm off the record with a single act of goodness.

When Wei Wuxian has never once for a second tried to argue that his own goodness cancels out his crimes.

(He doesn't even argue that other people's crimes cancel out his crimes; the furthest he's gone is that since everyone involved did or abetted evil shit, it's inappropriate and bullshit to construct him as uniquely villainous and structure a concept of justice around that falsehood.)

So the only meaning that truth can carry now, after everything, coming from Jiang Cheng, is his saying: Please. I'm a better person than you think I am. I loved you more than you believe.

I was just as good as you, no matter what everyone always thought. I deserve for you to love me like you did before, in spite of everything, and I deserve not to have to say I'm sorry, and I deserve your respect, and and and--

And he is not gonna fucking say that.

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … January 20

c.275 AD. – St. Sebastian was born in the 3rd century AD. We know the date, but not the year. He is the patron saint of archers because he was bound to a stake and shot with arrows. He is also the patron saint of soldiers. As a beautiful young man he was the favorite of the emperor Diocletian who turned against him for embracing Christianity.

Some tales speculate that the Emperor Diocletian made romantic advances upon Sebastian and was enraged when Sebastian rejected him on Christian grounds. Other stories actually refer to Sebastian as the emperor's lover. Whether or not such accounts are legitimate, the image of St. Sebastian has been linked to homoeroticism.

According to the Church's official Acta Sanctorum, Sebastian, serving under the emperors Diocletian and Maximian, came to the rescue of Christian soldiers, Marcellinus and Mark, and thereby confessed his own Christianity. Diocletian insisted that Sebastian be shot to death by his fellow archers; these orders were followed, and Sebastian was left for dead.

These details—based on accounts written centuries after Sebastian's death and therefore largely apocryphal—may have helped form Sebastian's subsequent reputation as a homosexual martyr since his story constitutes a kind of "coming out" tale followed by his survival of an execution that may be read symbolically as a penetration.

In the Renaissance, Sebastian emerged as an extraordinarily popular subject for painters, perhaps rivaled only by Jesus and Mary; he was especially prized by artists who saw in the young saint a figure of Hellenic loveliness. Numerous painters—Tintoretto, Mantegna, Titian, Guido Reni, Giorgione, Perugino, Botticelli, Bazzi ("Il Sodoma")—recast Sebastian as a martyr beatifically receptive to his arrow-ridden fate.

It was primarily the Renaissance depiction of Sebastian that served a later, explicitly homosexual cult of St. Sebastian that took hold with remarkable force beginning in the nineteenth century, with Sebastian as an modern emblem of both a homoerotically charged object of desire and a source of solace for the rejected homosexual.

1900 – British actor Colin Clive (d.1937) is born in Saint-Malo, France to an English colonel, Colin Philip Greig, and his wife, Caroline Margaret Lugard Clive. He attended Stonyhurst College and subsequently Royal Military Academy Sandhurst, where an injured knee disqualified him from military service and contributed to his becoming a stage actor. Clive studied acting, and replaced Laurence Olivier in the stage play, Journey’s End, in 1927.

James Whale was the director of Journey's End. The two struck up an intimate relationship, and Clive played the lead in Journey’s End when it moved to the Savoy Theater in London in 1928. Clive was embraced by Whale’s theatrical friends including actress Elsa Lanchester. He followed Whale to New York City and Whale facilitated the casting of Clive in the movie version of the play.

Journey’s End was Clive’s first of 18 feature films. Clive appeared on Broadway in Overture. When the play closed, he went to London and starred with Elsa Lanchester in The Stronger Sex.

Clive is perhaps best known for playing the role of Dr. Henry Frankenstein in the James Whale-directed Frankenstein (1931) and in the Bride of Frankenstein (1935) with his friend Elsa Lanchester.

Though Clive was gay, he married actress Jeanne de Casalis in 1929, but the marriage was one of convenience, and they separated a short time later.

Clive was a member of the Brit ex-patriot actors in Hollywood including Lanchester, Karloff and Charles Laughton, and remained close with Whale.

The actor struggled with his sexual identity and suffered alcoholism and depression from an early age. His drinking became more and more problematic professionally. He often came to work drunk and passed out on the set. He was even fired from a starring role in a film when he suffered a breakdown.

Clive’s final film was in 1937, The Woman I Love. Colin Clive died on June 25, 1937, of tuberculosis complicated by chronic alcoholism. He was 37 years old. Actress Mae Clarke, one of his leading ladies, said, "Colin was the handsomest man I ever saw and also the saddest."

1945 – Gianni Amelio is an Italian film director.

Amelio was born in San Pietro di Magisano, province of Catanzaro, Calabria. His father moved to Argentina soon after his birth. He spent his youth and adolescence with his mother and his grandmother. The absence of a paternal figures will be a constant in Amelio's future works.

During his university studies of philosophy in Messina, Amelio got interested in cinema, writing as film critic for a local magazine. In 1965 he moved to Rome, where he worked as operator and assistant director for figures such as Liliana Cavani and Vittorio De Seta. He also worked for television, directing documentaries and advertisements.

Amelio's first important work is the TV film La città del sole, directed in 1973 for RAI TV and inspired to Tommaso Campanella's work. This was followed by Bertolucci secondo il cinema (1976) a documentary about shooting the movie 1900, and the thriller Effetti speciali. Two years later he directed the mystery La morte al lavoro, which won prizes at Locarno and Hyères festivals. The Little Archimedes (Il piccolo Archimede) of 1979 was also critically acclaimed.

In 1982 he debuted for cinema proper with Blow to the Heart (Colpire al cuore), about Italian terrorism, presented at the Venice Film Festival. In 1987 Amelio released I ragazzi di via Panisperna, about the lives of 1930 Italian physicists Enrico Fermi and Edoardo Amaldi, which won the award for best screenplay at the Bari Film Festival. 1989's Open Doors (Porte aperte), featuring Gian Maria Volonté, confirmed Amelio's status as one of Italy's best film directors and won a nomination as Best Foreign Film at 1991 Academy Awards. The film received also four Felix, two Silver Ribbon, four David di Donatello and three Golden Globes awards.

Also successful was The Stolen Children (Il ladro di bambini) in 1992, which won the Special Prize of Jury at the 1992 Cannes Film Festival plus two Silver Ribbon and 5 David di Donatello. In 1994 Lamerica, about Albanian immigration in Italy, repeated the fate and the success, with 2 Silver Ribbons and 3 Davids. Four years later, The Way We Laughed (Così ridevano) won the Golden Lion at the Venice Film Festival. Amelio gained another Silver Ribbon as best director for The Keys to the House (Le chiavi di casa), inspired to a novel by Giuseppe Pontiggia, of 2004.

Amelio was a member of jury at the Cannes Film Festival in 1995. In 2006 he released his eighth feature film, The Missing Star (La stella che non c'è), featuring Sergio Castellitto. From 2009 to 2012 he was director of Torino Film Festival, Turin.

Amelio came out as gay late in life, shortly before the release of his 2014 documentary Happy to be Different.

1974 – Michael Stabile is an American journalist and documentary filmmaker best known for his work in and about the pornography industry. His work has appeared in Playboy, The Daily Beast, Buzzfeed and Salon.com. In 2004, he and Jack Shamama co-created the gay pornographic soap opera Wet Palms for which they won a GayVN Award for Best Screenplay. He has also written several other GayVN-nominated movies including Spokes III, Cross Country, and Master of the House. Two of the films were included in "Top 10 Gay Porn Movies of the Decade" by Gawker Media's Fleshbot with credit given to the writing team of Stabile and Shamama.Since 2003, Stabile has edited Gay Porn Blog and in 2005 became producer of The Tim and Roma Show, a web-based talk show about the gay adult industry. In 2008, Stabile launched gay news site TheSword.com. He has been named "an arbiter of taste for gay porn" by the Village Voice.

Stabile has also been featured in the San Francisco Bay Guardian, the San Francisco Chronicle, Gay.com, Time Out, Cybersocket, and the Huffington Post.Stabile is working with Shamama and cinematographer Ben Leon on Seed Money, a documentary about Falcon Studios' founder and GLBT philanthropist Chuck Holmes, currently in production. Their documentary short, Smut Capital of America premiered at the 2011 Tribeca Film Festival on April 24, 2011. In late 2011, Stabile began working with Warhol Superstar Holly Woodlawn on a documentary about her life.

1976 – Mathieu Klein is a French politician serving as Mayor of Nancy since 2020. A member of the Socialist Party since 1992, he is also President of the Departmental Council of Meurthe-et-Moselle. After the 2020 French municipal elections, he became the first socialist Mayor of Nancy since the end of the second World War.

Mathieu Klein was born into a family of teachers in Phalsbourg, Moselle. Alongside his two brothers, he was brought up in Holving, before pursuing his secondary education at Sarreguemines. He moved to Nancy, France in 1993 to study history and sociology. He then continued his university studies in Paris.

Mathieu Klein has been a member of the Socialist Party since 1992 and his gave support in favour of a positive result in the French referendum on the Maastricht Treaty. He then became a student member of the National Union of Students of France in Nancy, then in Paris, becoming a member of its national bureau in charge of health matters.

In 1994 in Nancy he founded an LGBT association dedicated to the promotion of equality and fighting against homophobia.

In the 2020 French municipal elections in Nancy, Klein headed the Socialist Party, which took the first place in the first round on 15 March 2020, with 37.9% of the vote. Following this result, Klein merged with Europe Ecology – The Greens. In the second round, held on 28 June 2020, Klein prevailed with 54.5% of the vote. He was confirmed as Mayor on 15 July 2020 by 43 votes in the municipal council of Nancy, becoming the first left-wing person to exercise this mandate since the end of the second World War.

Mathieu Klein is homosexual and works in associations which are engaged in the fight against homophobia. He is married to a family doctor and the couple have three children.

1979 – Will Young is an English singer and actor. He catapulted to fame in 2002 after winning the inaugural UK Pop Idol contest. He has continued to work in music, and also as an actor.

Contrary to popular belief, Will did not come from behind to win the contest. After having beaten the widely-accepted frontrunner Gareth Gates in the final show, it emerged that he had in fact gained the most votes in six out of the nine weeks of the live show.

Young's first single was a double A-side featuring Evergreen and Anything Is Possible. In March 2002 this became the fastest-selling debut in UK chart history, selling 403,027 copies on its day of release (1,108,659 copies in its first week). It went on to sell over 1.7 million copies, and in the official list of the all-time best-selling singles in the UK issued later that year it was 11th. On 31 December 2009, Radio 1 confirmed that Anything Is Possible/Evergreen was the biggest selling single of the 2000s decade in the United Kingdom.

Young subsequently revealed that he was gay, in order to pre-empt a tabloid newspaper that was preparing to run a story 'outing' him. He also stated that he had never hidden, and was comfortable with, his sexuality.

Later in the year, Young met comedian David Walliams and the pair became good friends, with Young appearing at the Little Britain live stage show in Manchester, and later recording a podcast with Walliams, in which they chatted about various aspects of Young's career.

Will added acting to his repertoire when he accepted a role in the BBC film Mrs Henderson Presents, starring Judi Dench and Bob Hoskins. The film was released in the UK in November 2005 to excellent reviews — not least for Young's performance as both actor and singer in the film.

1980 – Yusaf Mack is an American professional boxer. He has held regional titles from the USBA (Now the IBF), NABA, UBA, and NABF. Mack has fought several former world champions, including Alejandro Berrio, Glen Johnson and Carl Froch.

Mack made his professional boxing debut at middleweight on November 17, 2000 in Biloxi, Mississippi. In his first 24 fights, Mack compiled a record of 22-0 with two draws. Throughout his early fights Mack moved between the middleweight, super middleweight, and light heavyweight divisions.

Mack is a father of ten children and was engaged to a woman. In 2015, he appeared in a Dawgpoundusa.com production titled Holiday Hump'n along with gay pornographic actors Bamm Bamm and Young Buck under the name Philly. He initially claimed he had been drugged by the film's producers and had no recollection of making the film, but later told WTXF-TV that he was gay and had lied to cover that up.

Yusaf later had a "coming out party" at Rage nightclub in Weho, a longtime landmark on the L.A. gay scene.

2012 – Three Muslim men from Derby, UK, were convicted of inciting hatred on the grounds of sexual orientation after they distributed leaflets calling for gay people to be killed.

In a landmark case, a jury at Derby Crown Court ruled the three had breached hate crime legislation by handing out the leaflets outside the Jama mosque, in Rosehill Street, Derby, in July 2010 in advance of a gay pride parade, as well as putting them through nearby letterboxes.One of the leaflets, entitled "The Death Penalty?," depicted a mannequin hanging by the neck from a noose. "The death sentence is the only way this immoral crime can be erased from corrupting society and act as a deterrent for any other ill person who is remotely inclined in this bent way," the leaflet read, as it discussed various methods of carrying out the death penalty for homosexuals.

Another depicted homosexuals burning in a lake in hell. A third showed the word gay laid out as an acronym to read "God Abhors You."

Today's Gay Wisdom

For The Straight Folks Who Don't Mind Gays But Wish They Weren't So BLATANT

by Pat Parker

You know, some people got a lot of nerve.Sometimes I don't believe the things I see and hear. Have you met the woman who's shocked by two women kissing and in the same breath, tells you she is pregnant? BUT gays, shouldn't be so blatant. Or this straight couple sits next to you in a movie and you can't hear the dialogue because of the sound effects. BUT gays shouldn't be so blatant. And the woman in your office spends an entire lunch hour talking about her new bikini drawers and how much her husband likes them. BUT gays shouldn't be so blatant. Or the "hip" chick in your class rattling like a mile a minute while you're trying to get stoned in the john, about the camping trip she took with her musician boyfriend. BUT gays shouldn't be so blatant. You go in a public bathroom and all over the walls there's John loves Mary, Janice digs Richard, Pepe loves Delores, etc., etc. BUT gays shouldn't be so blatant. Or your go to an amusement park and there's a tunnel of love and pictures of straights painted on the front and grinning couples are coming in and out. BUT gays shouldn't be so blatant. Fact is, blatant heterosexuals are all over the place. Supermarkets, movies, on your job, in church, in books, on television every day day and night, every place - even in gay bars and they want gay men and woman to go and hide in the closet. So to you straight folks I say, "Sure, I'll go if you go too" BUT I'm polite, so, after you.

[raven-at-the-writing-desk]

https://www.tumblr.com/raven-at-the-writing-desk/765084948516503552/maybe-we-simply-underestimate-how-difficult-and?source=share if i'm not mistaken Jamil idk in what book i think 5 mentions smth about how different his and Jade UM are, but on my opinion imagine this irl if someone tells you to jump you'll probably do so bc in your perspective is smth easy but if someone tells you to give them the most honest true or a piece of your mind you will filter it or even lie some people spoil it and say something they're truly thinking yeah? after that they're usually more careful around the person that made them spoil those thoughts which is how Jade's UM probably works he doesn't like telling you his UM bc if you knew this random person is smooth and makes you feel safe enough to tell them a piece of your thoughts even when you know they're dangerous as hell you will be wary you will try to held your thoughts tight to you

[Referencing this post and this post!]

Aaaaah, you’re talking about 6-60! The way Jamil describes it, his UM, Snake Whisper I refuse to call is Snake Charmer allows him to “control […] a target’s will.” Jade’s UM, Shock the Heart, differs in that is useful for “[extracting] very specific information from a target.” They’re both magic that manipulates the mind, but specialize in different aspects of it.

I think an issue with comparing the jumping to confessing is that jumping is a very limited example of what Jamil’s magic can do (whereas a confession covers a large span of information). Jamil has a LOT more range than that, and seemingly no limits imposed on him. He even suggests that he could achieve the same results as Jade if he uses Snake Whisper or gives orders in a certain way. So… Jamil’s UM still comes off as purely better than Jade’s. It can just be so much more.

How far could Jamil take his commands? I feel like there should be a ceiling to what Jamil is able to get others to do if there’s limits to what Jade can make people confess. Like, what if something really strongly goes against someone’s moral compass??? Is Jamil still able to order his victims to like… go to ANY extreme if he wanted?? Including murder?? Surely at some point the target’s will would kick in and push back against Jamil’s control??? And how is Jamil able to get the subjects under his thumb again after they’re already cognizant of his UM? Shouldn’t they be able to better resist him…? But no, apparently his UM hurts them if they put up a fight?? Again, this is something Jade lacks. I feel like Twst should have just said “it’s harder for them both to successfully recast their UM on the same people after one use”; this would make sense (because targets would be more wary of making eye contact with them) while better equalizing the two spells. You would be equally as unlikely to trust someone who makes you speak the truth to them as much as you are someone who makes you act as they command.

The other thing is, I think we’re assuming a lot of energy and effort is put into retrieving information (which may very well be true!), but we’re also assuming that forcing others to act a certain way is less demanding of energy and effort. I feel like that isn’t the case at all. Yes, finding secrets in your memories, filtering them, and sharing takes considerable executive function to achieve—but so does planning movement and behaviors, then executing them. Your brain and muscles have to coordinate to figure out what you’re going to do and say… as well as what to NOT do and NOT say. This, too, is also filtering and refining, and it’s just as complicated as the systems involved in Jade fishing for the truth.

Lastly, I also feel like sharing usually hidden details isn’t an absolute; it could be dependent on the circumstances such as emotional state. For example, if you’re charged on anger or sadness, you may be more loose-lipped than you would be at a neutral state.

Those are my thoughts, anyway ^^ Very interesting stuff, I can’t believe we actually haven’t talked that deeply about this topic until very recently (ie this month)!

[kwanisms]

please note that I am no longer actively writing for monsta x and that by putting this groups in the 'archive' does not necessarily mean I will stop writing for them entirely. Any series originally planned for any members in the archive have either been put in the vault or recasted.

🔞 many of these works contain sexual content (18+ mdni) 🔞 ♤ — angst :: ♡ — fluff :: �� — smut ✍ — ongoing :: ⊝ — hiatus :: ⊗ — discontinued :: ✓ — completed

— oneshots

»» Anniversary Gift ♧ s. hyunwoo

➥ 7.1k ; Y/N's boyfriend Hyunwoo takes her on a trip for their anniversary ― to a private island just south of Jeju.

»» Makeup Sex ♧ l. jooheon

➥ 4.3k; Jooheon has been ignoring Y/N recently and she finds herself missing him more than usual.

»» Give it a Chance ♧ i. changkyun

➥ 8.2k; after weeks of flirting with her, the infamous 'fuckboy' that has been invading Y/N's workspace has a chance to sweep her off her feet at another bar and after seeing him in a new light, she's tempted to let him.

»» Time for a Change ♧ i. changkyun

➥ 2k; Changkyun is known on campus as being a huge flirt and a bit of a fuckboy. Little does he know, his next target, Y/N is not the sweet and innocent girl everyone paints her as. After hooking up with her on several occasions, Changkyun realizes he has feelings for her but does she return the sentiment?

»» Jealousy ♤♧ i. changkyun

➥ 5k; Changkyun is Y/N's best friend and she notice how distant he’s become since she befriended the rest of his members, especially his hyung, Kihyun.

═══════════════════════════════════════════════════════

— drabbles

»» Drunken Confessions ♡ s. hyunwoo

➥ 891; after her roommate, Hyunwoo, calls her drunk from the bar, Y/N goes to pick him up and bring him home only to realize she has to babysit him before he falls asleep.

»» Don't Listen to Them ♡ l. minhyuk

➥ 577; when Y/N visit her boyfriend and realize he's down in the dumps over what some so called fans have been saying about his newest piece of ink, she decides to tell him that she doesn't think that way and how much she loves all of him, including his tattoos.

»» Stay ♡ y. kihyun

➥ 694; Y/N has hidden Kihyun's pants in hopes of making him stay at her place instead of leaving for practice like he's supposed to.

»» the Interview ♡ l. jooheon

➥ 1.3k; Jooheon is just ready to get this interview over with so the group can finally get some food and rest, until his eyes land on the person conducting the interview… Y/N.

»» My Girl ♡ i. changkyun

➥ 698; Changkyun sticks up for his S/O when he overhears some stylists mocking their Korean speaking capability.

»» Rainy Days ♡ i. changkyun

➥ 786; when her plans with Changkyun go awry due to a thunderstorm, he shows Y/N that a day spent inside is just as good as a day spent outside.

═══════════════════════════════════════════════════════

— miniseries

»» the Bet: 01 | 02 | 03 ♧ ⊝ s.hyunwoo

➥ --; after learning the man she thought loved her only started seeing her as the result of a bet with his friends, Y/N's life is put in jeopardy when his boss, and her father’s rival, learns about the relationship.

═══════════════════════════════════════════════════════

— series

»» Give it to You ♧✓ ot7

➥ 25k; after making a secret pact, Y/N is tasked with bringing seven souls to her boss in exchange for her freedom. will she be able to follow through and end their lives or will she disobey her orders and pay with her life?

ⓘ DISCLAIMER :: MONSTER/ALIEN FUCKER ENTHUSIAST ⓘ ©️ kwanisms 2018 - 2025 | all works on this blog are protected under copyright. Do not repost, continue, or translate my works. All graphics made by me.

[buffyfan145]

I got the first 2 episodes in of "Rings of Power" s2 and they were amazing!!! 😀 Worth waking up at 5 am to watch. LOL I still got ep 3 to watch and will this afternoon, but need to get my thoughts out here behind a cut, but so happy with s2 so far. Not tagging all the characters, as it seems to think too many is spam, so hopefully this goes in the tags and I talk about most.

First off, I loved seeing Sauron's backstory in ep 1!!! 😀 I mentioned before in my other posts that I'm a fan of Jack Lowden's and it was great getting to see him after the version Adar knew. I only expect Jack back in flashbacks if he's able, even more so seeing a new interview with Charlie this morning assuring fans that he won't be recast. The whole prologue explained so much about what happened with Adar, and then Sauron reforming eventually into Halbrand. Also confirmed he really was going to Númenor on his own, and his meeting with Galadriel really was by chance so those theories he planned it all along were wrong.

Charlie's doing amazing too both as Halbrand and now as Annatar. I loved all the shoutouts too to "The Silmarillion" and other 1st Age stories about him, including him being The Lord of the Werewolves and able to talk with that wolf. Then the Bible references as we knew about the Annatar transformation scene looking like Jesus and angel paintings, but also the "Let My People Go!" scene fit with Moses and especially the "Prince of Egypt" movie, which I love too. But also realized at times they way they're doing (and Tolkien wrote) Sauron rising from nothing to being aids to kings is so similar to the Bible story of Joseph, and the musical "Joseph and the Amazing Technicolor Dreamcoat" (which my high school did an amazing version of that music my junior year of high school LOL). So I loved all of this and everything we saw with Celebrimbor in ep 2.

Then with Galadriel!!! 😀 OMG, first I have to mention about those Haladriel scenes!!! We knew the rings were going to connect them, as well as their mental bond in general, but now she's seeing visions and knows Sauron is in Eregion and saw him there. Plus, hearing him call her name in that vision, and confirming that she can read his mind, and him hers (as he knew the rings worked). Then the big one where Galadriel confessed to Elrond about how she feels about Halbrand/Sauron (and still used his Halbrand name) and it clearly was showing us that she fell in love with him by using that flashback to the "I felt it too" scene, and that's why everything that happened and being deceived hurt her so much. And Elrond knows now, which is why he and Gil Galad are being like that to her now as they don't trust her around Sauron anymore and think she'll turn. Loving that we're getting scenes about Haladriel even if they both are actually in the same place.

Then I loved the scene with the rings and showing they are good and worked to help restore the elves. Absolutely love Círdan too and being a mentor to Elrond. Him talking about more 1st Age characters and their flaws was great too. LOL

The storyline with The Stranger, Nori, and Poppy is great too. He's got to be Gandalf. I thought this the whole time but every scene I see of him just confirms it to me.

Pretty sure Ciarán Hinds' character is one of the Blue Wizards. The show did supposedly get the rights to use the Blue Wizards stories that Tolkien wrote in "Unfinished Tales" and one of the 2 Blues went evil in the 2nd Age in Rhûn, similar to how Saruman did in the 3rd Age. So I'm pretty sure that's what we're seeing him and that he found a cult with the Mystics.

Then loved seeing more with Durin, Disa, and the dwarves. It's setting up Sauron/Annatar giving them the 7 rings, and the making of the Doors of Durin too. Also very cool seeing Narvi too and the female dwarves having facial hair similar to more male elves having long hair (this didn't bother me like it did other fans but cool to see them add it). Though also really sad about the singing not working.

So now getting ready to watch ep 3 this afternoon and I saw from the description that it involves other characters we haven't seen yet from s1, and then I'll be caught up till ep 4 next week.

[slycooperconfessions]

"I had no issues with the art style or animation of the movie teaser, the real deal-breaker for me was the fact that they recast Sly's voice. He just has such a distinctive sound and it's weird to hear it coming from someone else. I know like none of the original trilogy cast were common/big-name voice actors, but honestly that's where a lot of the charm came from to me."

Confessed by: Anonymous

(Same! It's instantly noticeable. ~Mod)

[the-bjd-community-confess]

It is so funny how some people are genuinely wondering and questioning why recasters are upping their prices more and more, some even above legit prices... As if it had not been criminally obvious: Recasters don't give a shit about you. They want CASH and nothing else. Their customers are not relevant to them in the slightest, only when it means money will be flowing lol.

They only do 'customer care' because they know it will get dumb people to think "ooh they wanna offer affordable dolls for people with less money :)" Quick question for people who think that, do you also think Santa is real? It was so evident that recasters would eventually up the price. Their strategy is basically being competition for real artists until they eventually go out of business and then they can up the price. Why else was that Ery doll way more expensive than the other recast dolls right from the start? They do not give a f about customers. They are not artists who put care into each doll and even the packaging. They are just scammers and I am tired of people trying to defend them. 

If you willingly buy recast that is entirely your choice and I don't judge but don't pretend like "It is just as good as legit". Imagine a Sneaker convention or something and someone just comes in with fake adidas shoes where the logo is upside down. That dude would make a fool outta himself trying to pass them off as real and saying the quality is just as good as the real brand. That's what y'all recast people sound like.

~Anonymous

[justforbooks]

The American No by Rupert Everett

Ideas pitched by the actor down the years that never got the green light are brilliantly recast here as wry short stories… and a script

Not so long ago, Rupert Everett was sitting outside Bar Italia in Frith Street in Soho when the conga line of Hare Krishnas that frequents this part of London appeared from around a corner, jingling their bells like “transcendental morris dancers”. In days gone by, Everett would sometimes recognise a face en route to nirvana: “club world crashes” of his acquaintance often repaired to the Krishnas’ cafeteria, the better, as he puts it, to swap their methamphetamine for cucumber raita. But on this afternoon, he saw no one familiar until, just as the line was about to disappear again, he suddenly caught sight of a producer he’d last seen at the London office of a Hollywood studio.

“Rupert!” exclaimed this man, tambourine in hand. And then: “Hare, hare, hare!” – words that could hardly have been more doleful in context. The fellow in question, a straight white guy of a certain age, had been fired by the studio and, at a complete loss as to what to do next, had duly taken his place in this apricot-tinged, dhoti-wearing human caravan, eager to help broadcast its message of peace, love and saag aloo. Briefly, the two of them talked of a script of Everett’s – it had been rejected by the same studio – and then the line moved off again, until it was only a “swaying smudge” heading towards Chinatown.

Everett’s account of this encounter appears at the beginning of his new book, and it’s full of kindness, even tenderness (“off he ran, backpack bouncing, tiny ankles in large trainers…”). At this point, you realise, his feeling for failure is a writerly gift, throwing a navy shadow over even his funniest and most scabrous lines, with the result that the reader may not know whether to laugh or to cry. But then, as anyone who has read his three memoirs will know, he’s hardly a stranger to disappointment, its cruelty as familiar to the actor and director by now as wig glue and first-night nerves.

He had the idea for his new book in the long moments after the Hare Krishnas passed by. Feeling somewhat on the scrapheap himself, it occurred to him that he might as well turn a few of the ideas he’d pitched down the years – ideas that never got the green light – into short stories. But what is an “American no”? The collection is named after a term, invented by a pal, for the emotionally evasive but nonetheless brutal way Hollywood types have with those who are in search of a commission. In the flesh, they love-bomb you, telling you how “psyched” they are. Once you’re safely elsewhere, however, you’ll never hear from them again – the American no. As titles go, it’s quite perfect. An uncanny bleakness rises from this book, one that brings to mind not only Scott Fitzgerald and Shirley Conran’s Lace, but also the empty, agonising feeling of having been ghosted by a guy you really liked.

It comprises seven stories and a script (the last of which, extraordinarily, is for a TV series based on Proust’s In Search of Lost Time). One has to do with a Paris funeral gone badly wrong, another with a Russian countess, a third with the deathbed confession of a woman who upped and left for India in the 1850s. But the crazed masterpiece of the collection is a long story – almost a novella – called Cuddles and Associates, about a group of struggling actors in 80s Hollywood and what they’ll do (anything!) to survive. If Netflix doesn’t turn it into six episodes, there’s no justice. Think Succession, only with agents and the threat of straight-to-video hanging over everything like LA smog.

In the end, though, I didn’t read The American No for these stories so much as for the bursts of pure Everett, revealed as he introduces each one. Here he is talking to John Schlesinger about what went on in a certain hotel room during the filming of Midnight Cowboy (“I was in heaven”); and here he is fighting for the rights to Graham Greene’s Travels With My Aunt (“each time I inquire of the hard-headed agent I get the same rebuff, while she distributes Greene’s work with abandon for interesting reinterpretations – I’m being polite – like Brighton Rock”).

My love for Everett’s books is hardly a secret. But still, let me say it again. He is a brilliant writer: opulently gossipy as few are these days, but also truthful, witty, wise and stoical. As soon as I have an opportunity, I’ll be quoting him on why older actors “always” overact, but for now, all I can say is that he’s wasted on those fools who turn him down for parts; who fail to return his calls or to read his scripts. If his talent is unwieldy, there’s also tons of it going spare.

Daily inspiration. Discover more photos at Just for Books…?

[aspiringwriter1111]

Hallmark PSA

I know since it's coming on the holiday season, I'm going to start seeing a lot of Hallmark slander.

But here's a little known fact.

Hallmark is actually really really good.

WAIT WAIT DON'T LEAVE-

Let me explain!

The movies people usually associate Hallmark with are the "old" ones (2020 and back). I bet after seeing how cliche and unhealthy they were, you didn't see a reason to watch them again after that, am I right??

But you knew them well enough to know they weren't worth your time and sanity.

Girl in a high stress job goes to small town, learns the meaning of Christmas, and then cheats on her also stressed out boyfriend back in the city with a hot cocoa making stubbly kind of rude lumberjack man then quits her job and moves to Vermont or something.

Yeah, they don't do those anymore.

At all.

I'm serious.

A part of it is that there was a purge. A year or two ago, there was a new Christmas movie company in town. All the actors that didn't like the forward direction Hallmark wanted to go in, left and joined GAC.

(Great American Family, or as I like to call it GACK. The movies are exclusively awful old Hallmark style, but Republican, badly decorated, very white, and also much worse.)

GAC took all the problems away from Hallmark, and made movies out of them. Hallmark, now cleansed, is pumping out cinematic greats that I WILL be rewatching every Christmas.

The whole of Hallmark was Recast, save for the best of the best fan favorites (Like Lacey Chaubert-)

They have plus sized actors now and people of color, cast as main characters on a regular basis.

Half of the movies aren't even romance centric anymore, instead focused on life, and moving forward, but when they are, they're really well done, and actually healthy.

If you know me (which you don't), then you'll know I hate unhealthy relationships. Especially when they're treated like they're okay. I will pick apart ANYTHING over toxicity in a relationship, wherever that might come from.

I used to hate Hallmark movies, because they were predictable, unrealistic, flawed, and toxic.

But now the characters talk with each other, and they don't get in the others space without permission. If there's an accident and it does happen, it's not used as a plot device to move the relationship along. It's not treated in a "OMG hot guy is literally right in my face!!! I've only known him two minutes and I hate him, I'm in love!!"

It's more of an, "OMG I'm so sorry, I didn't mean to do that at all, im so sorry, I'm so sorry- *Immediately backs away*"

I can't even begin to explain how much better they are now.

To further prove my point, here are some gifs of Three Wise Men and a Baby, one of my favorite Christmas movies ever:

Just listen to this one.

It's about three brothers, one of which is a firefighter (this is important). A baby gets dropped off at the fire station, with a note. The firefighters name is on it, asking him to look after the baby until Christmas.

This is not his baby.

This IS a joke throughout the entire film.

They have no idea who dropped him off.

So they end up taking care of him for a week, and seriously bonding with him. The make his first Christmas ornament with clay, they do a holiday photo dressed to the nines.

They talk about how hard it is to actually take care of a baby, and how hard it must have been for their mom doing it alone.

Talking about how their own dad left, and finally processing that trauma together.

Their mom confesses that if she didn't have support, she may have done what the babies mother did. How she must be going through such a rough patch, and building empathy for her.

All three of the brothers go on complete cathartic emotional journeys about it, and all the other issues in their life.

I can't do it justice.

It's called Three Wise Men and A Baby. I'm begging you please go watch it, you will NOT regret it.

I CRIED SO MANY TIMES YOU HAVE NO IDEA.

I'm tearing up now just thinking about it oh my gOD-

The ending just sent it home for me, so I won't spoil anything.

Its amazing. I can't explain the whole thing, I seriously beg you please go watch it.

And, if you're more into comedy, I present to you Haul out The Holly:

A Christmas comedy starring your very own Gretchen Weiners!! Abso-fucking-lutley HILARIOUS.

It's about a woman, just broken up with her boyfriend, and coaxed into going home for the holidays. Here's where it gets interesting.

Her parents are the head of the Christmas neighborhood watch, something that has plagued her since childhood. Her childhood friend has now taken over the position, as her parent ditch her for retirement on a beach someplace, and she's left stuck, having to decorate against her will.

She wants a nap. The neighbors want her to carve ice sculptures. And her nutcracker apparently isn't up to code.

Includes: Girlboss and male wife power duo (madly in love), insane chainsaw man with way too much time on his hands, the ML an anxious wreck, and many, many, MANY MORE.

Another recent movie was built around a woman who is an astronaut (She's mixed) who was about to finally go to space (The goal shes been working on her entire life) She got into a car accident and her eyesight was impaired. She's currently grieving the loss of her dream (like, actually grieving, she took three months off-).

Her company asks her if she wants to do an exhibit in the planetarium for Christmas, that she doesn't have to, but she can if she wants to take her minds off of things. She says yes, and ends up working with the planetarium director on an exhibit about the sun and it's connection to Christmas through how people used to celebrate with the sun (I don't remember exactly, but it was explained thoroughly, and i think pagan???)

She and him don't constantly argue, or be angry at each other. They cooperate. They show genuine interest in each other. It's actually adorable, and it's also not just about them.

She meets his daughter, who is a wheelchair user. She asks why the Female lead isn't in space if she's an astronaut, and the FL tell her it's because of her eyes. The daughter tells her it's okay, because she'll never be able to go to space either, even if she wants to, but she can still enjoy it from Earth.

I'm not even doing it justice.

By the end of the movie, the FLs eye problem doesn't heal. Nothing is miraculously solved. But the ML and the FL are now dating (After the best, slow paced, healthy, communicative, collaborative bonding freaking ever-) ALL OF THE CHARACTERS HAVE FULL BLOWN EMOTIONAL JOURNEYS THAT ACTUALLY MATTER.

SHE GRIEVES.

HER BROTHER FINALLY FIGURES OUT ITS OKAY FOR HIM TO DO WHAT HE LOVES, AND THAT HE'S NOT A FAILURE FOR IT.

THE ML LET'S GO OF THINKING HES A BAD PARENT.

AND MORE.

There are soft bits, nothing is cliche, nothing is icky or gross.

It's healthy, it's cute, it's emotionally driven, I'm actually learning about things I didn't know before, and amazing.

And all the new ones are either like this or better than this. I could name over ten, but I can't even explain how good they are.

Some of the are still a little dark ages, but it's only every one out of six or seven.

Hallmark movies from 2022 and onwards are 5 star television, and you can't convince me otherwise.

[blackmarket-playlists]

New metalcore 2024 under the radar from Australia and New Zealand!

Playlistcover: BRIDGE LEFT TO BURN from Sydney

Playlist on Spotify, hand-curated; songs from 2024 only.

Feat. fantastic songs and bands - in alphatecial order:

• AEONS (Perth) – 2,347 monthly listeners

• Alienist (Wollongong) – 4,767 monthly listeners

• Allocer (Perth) – 201 monthly listeners

• Alterth (Sydney) – 49 monthly listeners

• Among The Abyss (Melbourne) – 31 monthly listeners

• As Colours Fades (Tamaki Makaurau, New Zealand) – 1,056 monthly listeners

• Bad Party (Brisbane) – 1,807 monthly listeners

• Bridge Left To Burn (Sydney) – 536 monthly listeners

• Broken Earth (Sydney) – 5,389 monthly listeners

• Bury Me (Sydney) – 220 monthly listeners

• Chasing Titans (Auckland, New Zealand) – 52 monthly listeners

• Confession (Sydney) – 9,520 monthly listeners

• Crave Death (Brisbane) – 1,416 monthly listeners

• Cultists (Sydney) – 3,268 monthly listeners

• Danger! Earthquake! (Sydney) – 109 monthly listeners

• Daybreak (Perth) – 5,823 monthly listeners

• DEADNERVE (Brisbane) – 721 monthly listeners

• DEADSKIN (Melbourne) – 7,211 monthly listeners

• Deathbeds AU (Canberra) – 5,381 monthly listeners

• Elision (Sydney) – 9,626 monthly listeners

• End It All (Perth) – 2,225 monthly listeners

• Enter the Hollow (Sydney) – 58 monthly listeners

• Graves (Wollongong) – 1,540 monthly listeners

• Gravitate (Melbourne) – 698 monthly listeners

• Heartline (Adelaide) – 4,755 monthly listeners

• Identity Error (Melbourne) – 1,120 monthly listeners

• Into The Vain (Melbourne) – 1,420 monthly listeners

• Jupiter the Giant (Melbourne) – 431 monthly listeners

• Kerosne (Sydney) – 105 monthly listeners

• KIN. (Adelaide) – 901 monthly listeners

• LIAR (Melbourne) – 2,515 monthly listeners

• Lies Within (Auckland, New Zealand) – 172 monthly listeners

• Life Pilot (Adelaide) – 619 monthly listeners

• Lost Beneath (Townsville, North Queensland) – 1,694 monthly listeners

• Mitchell Mantell (New South Wales) – 46 monthly listeners

• Native Tongue (Townsville, Queensland) – 183 monthly listeners

• Oceans & Omens (Perth) – 344 monthly listeners

• Orpheous Omega (Naarm/ Melbourne) – 3,153 monthly listeners

• Outsider (Adelaide) – 6,312 monthly listeners

• Pale Flag (Auckland, New Zealand) – 144 monthly listeners

• Primrose Path (Perth) – 303 monthly listeners

• Recast (Sydney) – 4,061 monthly listeners

• Revoid (Brisbane) – 6,505 monthly listeners

• Rise From Ashes (Melbourne) – 46 monthly listeners

• RVN//NT (Brisbane) – 354 monthly listeners

• SAME PAINS (Brisbane) – 2,230 monthly listeners

• Saving Face (Melbourne) – 7,406 monthly listeners

• Seek Misery (Melbourne) – 1,249 monthly listeners

• Severed (Hobart/ nipaluna) – 69 monthly listeners

• Shell of Me (Queensland) – 283 monthly listeners

• Shokan (Brisbane) – 212 monthly listeners

• Silver Fang (Melbourne) – 4,989 monthly listeners

• Starve (Melbourne) – 5,404 monthly listeners

• Sundreamer (Melbourne) – 130 monthly listeners

• Synthesis of Self (Auckland, New Zealand) – 991 monthly listeners

• The Ascended (Melbourne) – 360 monthly listeners

• Vilify (Newcastle, New South Wales) – 2,982 monthly listeners

[katnissdoesnotfollowback]

🔥 Happy Birthday Katniss Everdeen 🔥

What's your first impression of Katniss after reading or watching The Hunger Games?

Do you find Katniss likable? Do you think her characterization is realistic?

What do you think the strengths and weaknesses of Katniss?

If today, you can make new movie/series adaptation, who would be suitable as Katniss? Based on visual description and acting talents.

Thank you :)

@curiousnonny

This actually from last year @curiousnonnyblog because I just... year it's been a bit of a ride the past year.

Okay so! Confession time. I am an unabashed Everlark shipper, but honestly? I fell in love with Katniss first. I loved her so much that when she was suspicious of Peeta throughout the first book, so was I. I took her word for it. If this guy was shady in her mind, then I didn't trust him either. Somewhere between her saying that she tried to drown Buttercup because he'd be one more mouth to feed, the line "District Twelve, where you can starve to death in safety," and her frantic volunteering for Prim, I was 100% behind Katniss. She was just so delightfully prickly, but also... caring. Compassionate. She tried so hard to present this front of badass, untouchable survivor, but then she tries to be kind to Madge when Gale's a jerk. She tries so hard to comfort Prim, and she just seemed so darn lonely that I wanted to hug her.

There are many aspects of her character that feel realistic to me, but I want to focus on one that maybe doesn't get a lot of attention (?). I could be wrong about that lol. I know there are a LOT of oldest children in this fandom. Welp. I'm a middle child and I am here to tout the realism of Katniss thinking she's responsible for literally everything in Prim's life to the point that she volunteers to take her place in a death match because "Prim's afraid of her own shadow." But also... my dude, we younger siblings are not nearly as helpless and dependent on you older ones as you want to think we are.

Do I think Prim had a real shot at winning the Games? Mmmm not really, but that has less to do with the Katniss's perception of Prim and more to do with the reality of their situation. At fourteen, Finnick is the youngest Victor ever and he had a boatload of sponsors, which Prim likely wouldn't have been able to garner.

So that aside, Katniss tends to see Prim as more helpless and more perfect than she really is. Prim proves her mettle in small ways through the rest of the series. She seems "bland" or "too perfect" because that's how Katniss portrays her. In reality, Prim has bite. She sasses Plutarch Heavensbee, she takes on the role of healer beside her mother which... Katniss herself admits she's not good at that because she's squeamish about blood and pain. Prim just dives in to deal with it, proving that she's got way more of a spine than Katniss sometimes gives her credit for. And then she runs into combat as a medic at age thirteen. Without hesitation. Basically, Katniss doesn't know her younger sister as well as she thinks she does.

Anyway, I find that older child syndrome aspect of Katniss's personality supremely realistic.

I don't know that there is someone who'd I want to see recast as Katniss if they were to remake the movies or if they actually made a series like they should've in the first place. Mainly because I'm not familiar enough with the current young actresses out there. Because I live under a rock where celeb culture is concerned. I'd rather see someone young and relatively unknown be cast, though, so she could grow with the series and it wouldn't be a blockbuster franchise that's more about the names in it than their ability to portray the characters.

Thanks for the ask, even if it took me ages to answer this one!

<3 kdnfb