#Real Estate 3D Virtual Tours Sydney

[property360view-blog]

Property 360 View management are specialist in Property video in sydney. Our world class video services create unique differentiation at shockingly reasonable prices.

Getting our services means you don’t have to worry about your 3D virtual tours and aerial drone videos Sydney. We are also expert in 3D Furniture Modelling & 4K property photography & videography and 3D animated videos for built properties or off-plan property.

[c3x-australia]

Best VR 360 Video Production | Real Estate 3D Virtual Tour, Virtual Tours & Photography- C3X

What is 3D virtual tour in real estate?

A virtual 360° real estate tour or a VR (virtual reality) tour is a simulation of existing real estate using a sequence of videos or still 360° photos.

AR/VR interactive virtual tours helps to showcase properties and homes digitally to buyers. High- end Virtual Reality Development Solutions.

A new way to advertise your property using the new Virtual Reality Videos. Our 360 video production is very interesting and unique.

C3X use the most advanced virtual tour technology, trusted by millions of users worldwide, to deliver the most stunning immersive visual experiences and showcasing your spaces to your target audiences. With C3X’s 30 years of experience, engage our talented team to bring your next virtual tour to life.

Watch Our Video,

https://www.youtube.com/watch?v=BzkcxNGsagc

Free Quote,

Boost your real estate business, reach more audiences and showcase your space with C3X 360 virtual tours, get a free quote for virtual tour & services.

https://info.c3x.com.au/get-a-quick-quote-for-virtual-tours

[cryingoutlouds]

Call Experienced Real Estate Photographers in Sydney for Impressive Property Photography Services

Are you looking for someone, who can make some of the best clicks of your property and from different angles to make it the best one in the town to sell or describe in better way through catalogues, brochures and presentation in different ways?

Such questions are very common among property managers, landlords and even those, who are planning to develop a new tower of residential apartments. They need some of the innovative ways to describe their properties in impressive way with some of the best photographs of interior with virtual furniture pieces and virtual images. Professional and the best real estate photographers can provide you with the right solutions for the property that you want to make popular for selling purpose or any other.

Searching for the top and professional real estate photographers is important and depends on various essential points If you are one of them looking for such professional photography services, you will have some better options to fulfill your requirement by going online and reaching the right agency.

Crying Out Loud is a certified and trusted agency, from where you can get the services of real estate photographers, who have proven track record and years of experience. They listen to your requirement and they provide you with the right solutions. They capture the best photographs of properties and transform them into the brochures and other modes of marketing.

[uploadmediaservices]

Looking for a way to make your real estate listings stand out from the rest? Look no further than Upload Media Services' Real Estate 3D Tour videography service! Our team of experts will capture your property in stunning 3D, giving potential buyers an immersive experience that they won't forget.

Upload media services offer a Real Estate 3D Tour videography service that enables you to view properties in three dimensions. This service is perfect for those who are interested in purchasing a home or investment property, as it allows you to see the property from all angles and get a feel for the layout of the space. The service is also great for those who are simply curious about a particular property and want to get a closer look.

Upload Media Solution Sydney Services:-

✔Corporate / Realestate / Commercial video ✔Real estate photography⠀ ✔Commercial Real Estate Photography⠀ ✔Aerial and Drone Photography⠀ ✔2d and 3d Floor Plans⠀ ✔Digital Staging and Virtual Furniture⠀ ✔Professional Real Estate Videography⠀ ✔Business Photography⠀ ✔Project Photography⠀ ✔Corporate Videography⠀ ✔Corporate Headshot⠀

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[cryingoutloudau]

Aerial Photography Sydney by Professional Real Estate Photographers

Aerial photography Sydney is the best way of providing a unique bird's eye view of a scene - whether that's an area, object, or subject. It is the best way of showcasing the main focal point of the image, such as a home for sale or a business' physical location, while also highlighting the surrounding area. You will get a lot more like highlighting the location, construction planning, marketing and promotional tool, reduced survey cost and field time, and accurate and exhaustive data. You will get a lot more from aerial photography Sydney that will surely provide you with complete peace of mind and the right solutions. Go online and it will be the right option for you to enhance your experience. Before choosing the best one, you should know about the previous record of the photographers who have expertise in offering aerial photography Sydney.

Crying Out Loud Offers the Right Solutions for Aerial Photography Sydney

When it comes to search for the top real estate photographers, who can provide you with the right solutions for Aerial photography in Sydney, you will find name of Crying Out Loud comes on the top – a one stop reliable name offering you the right solutions and complete peace of mind. From real estate drone photography to aerial photography Sydney and from 3D virtual house tours to 3D virtual real estate tours, you will get a lot more according to your requirement. You have to make a contact, check all details, and get the right solutions in timely manner.

[lookthrusposts]

Do you want to know more about 3d virtual reality house tours in Sydney? Then continue reading and you will find a lot of useful information for enhancing your knowledge. The real estate service providers offer the potential buyers a "you are actually on the property site" feel when they opt for 3d virtual reality house tours conducted by them.

[lookthrurichard]

Virtual Tour For Real Estate-All You Need to Know

If you are in search of a virtual tour for real estate in Sydney, you can contact Lookthru. Here, the professionals use the latest in virtual reality technology to produce superior 3D imagery. Here, the experts cover every angle and aspect to showcase your business, event or property in the best possible shape. Contact us and get to know more about Matter port virtual tour. Get in touch for matchless assistance.

[three3storeys]

Why Professional Property Photography is Important

Property developers know the real importance of property photography. Indeed, it is a great way to sell a property to the most suitable candidate. “A picture is worth a thousand words.” That is why property developers always rely on photography because it allows them to display the most exclusive features of their property. Through impressive and beautiful pictures, they can lure property investors, agents and buyers. 

 Modern photographers know the importance of property photography  

Thanks to the advancement of technology, today, developers can use photography to attract property buyers as well as real estate agents. Modern photographers know the importance of property photography and leverage different techniques to highlight the property and its significant features. Real estate or property photographers also have an experience for the right things, angles, lighting environment and provide high-quality photos. They know how to capture the best features of any property.  

Invest in property photography  

Hence, we can say that, if you want to sell your home quickly, choose property photography. Since it is often the first impression that buyers have of your home, one must invest in property photography.

Empower marketing efforts

According to a survey, 89% of buyers who used the internet to aid their home search found the photos to be very useful. Indeed, property photography can empower the overall marketing efforts of real estate developers.

Besides choosing 3D Virtual Tours, developers also rely on professional property photography. Hence, if you are in Northern Beaches, then you can choose the most reliable property photography in Northern Beaches (a region within Northern Sydney). Means, it is easy to hire a real estate photographer in Northern Beaches region.

[automaticvr]

104 Short Springs Rd Tullahoma TN 37388 | Sydney Burfitt Sydney Burfitt Sydney Burfitt is a full-time agent from Tullahoma. After graduating from MTSU with a Bachelor of Science in 2013, Sydney worked as a fundraising consultant and was involved in 11 capital campaigns which raised over $42 million across the country. She moved back to her hometown for her family and community, where she has continued to volunteer with local organizations. Sydney was named GFWC Rookie of the Year for 2017 and received the Presidents Awards when graduating from Coffee County Leadership in 2018. She is now serving as a Board Member for CCL and as an Ambassador for the Tullahoma Area Chamber of Commerce. Sydney has excelled as a part of the Harton Realty team and provides her clients with an exceptional experience. burfitts@realtracs.com (931) 581-3583 (MOBILE) (931) 455-1700 (OFFICE) https://ift.tt/2T7Iqeu https://ift.tt/2KjkeTP https://ift.tt/2TdOlis 104 Short Springs Rd Tullahoma TN 37388 | Sydney Burfitt Why Choose Real 3d space? When you power your business with interactive 3D media, the possibilities are endless. No matter what industry you're in, you can enable deeply immersive virtual exploration that can be delivered to anyone, anywhere with Matterport's technology. Via Real 3d space our Matterport Service Partners, it's quick and easy to add professional, quality, and complete 3D scanning services to any space you have in mind, for any industry. Real 3D Space | 615 243 2891 Real 3d Space - 360 Degree Virtual Tours | Video | Photography Phone: (615) 615-243-2891 Facebook: https://ift.tt/2V5AFFR 305160393246475/ Twitter: https://twitter.com/real3dspace Google+: https://ift.tt/2pLtkzK Pinterest: https://ift.tt/2qsDFwI Instagram: https://ift.tt/2pLmdY5 What is 3D Scanning & Interior Mapping In Nashville TN ? https://ift.tt/2qswVPp Virtual Reality https://ift.tt/1I3M8wD Restaurant 3d Photography Real Estate Photography Real Estate Photography Nashville TN Virtual Realty Virtual Realty Nashville TN 3d Room Scanning 3d Room Scanning Nashville TN This Video: https://ift.tt/2KkDYGR 104 Short Springs Rd Tullahoma TN 37388 | Sydney Burfitt Real 3D Space | 615 243 2891

[mrdanielblack]

Applying VR and AR to property

Jeff Turner is the CEO of iMovie Viewer, a leading virtual 360° and 3D tour technology company. In his segment, he helps you understand how you can apply virtual and artificial reality to your real estate practice. He also explores the obstacles that can hinder this groundbreaking technology from going mainstream.

Topic – Inman Connect highlights

Mentor – Jeff Turner

Transcript:

Kevin:   Jeff Turner is the CEO for Immoviewer, and joins me. I haven’t seen Jeff for so long, and that’s why it’s great to see you again, my friend. How are you?

Jeff:   It’s very, very good to see you again.

Kevin:   Tremendous to be in your country. I think last time we spoke was from a little, tiny studio-

Jeff:   In the back of your house.

Kevin:   In the back of my house, which is still working, by the way, too. We do-

Jeff:   We were there with Peter Brewer, and it was … We would’ve talked about this before, but you’ve played an interesting role in my life. Because the first time that we spoke was at AREC in 2011 in Sydney.

Kevin:   I was going to remember, yeah.

Jeff:   And a little company based out of Manly Beach was just starting. It was their first launch, and they advertised behind my head on your show.

Kevin:   They did, they did.

Jeff:   I met them, and ended up working with them and bring RealSatisfied to the US and selling that into existence.

Kevin:   And RealSatisfied has just been a massive success, and to think it came out of Australia. And I think at the time, you guys were just looking for links, and I think that interview was actually the link that you picked up with them on, so-

Jeff:   Yeah.

Kevin:   But you’ve been a part of that.

Jeff:   You know, what’s interesting is, we went from zero, like I didn’t know who they were or what they were on that day, to six months later launching a product in the United States.

Jeff:   Quite amazing. It’s an incredible how things, how small this world is, and we come here to do this, then I meet you again. Tell me about what you’re doing.

Jeff:   Well, so, it’s interesting. We experienced with David and Peter in Australia, has sort of turned into a form of … I call it a new expertise for me, helping start-ups understand all of the intricacies and nuances of the American market. And I’ve been a mentor for NAR Reach since its inception, and I met Ralf von Grafenstein and Steve Bintz, who was the national sales director for Immoviewer, as part of the Reach mentorship programme almost two years ago. And I really liked their product, but I really thought that if they were going to continue on the strategy they were going, it was never going to get them to where they want to go.

And so, I do it with one or two companies each mentoring session. If there’s one I like, we just continue talking. And there was no commercial arrangement between us or any of that. It was just me spending time, giving friendly advice. And long story short, they asked me to be the CEO of North America, and I took them up on the offer, and we’ve since moved the company in another direction. Just this past week, we launched a new product in the restoration and home inspection market called DocuSketch.

Kevin:   How does that work?

Jeff:   Well, so DocuSketch is a take on the 3D virtual reality space. One of the thing that Immoviewer does that’s kind of unique is that they’re able to build floor plans and 3D models from just flat 360 images. And it’s a really interesting piece of math that’s required to do that. And so, that expertise plays actually better in that market because of the need to document, the need to get a sketch, a floor plan out, the value of 3D models inside of the restoration/home inspection space, than it does in a market like real estate, where agents still haven’t really caught on to virtual tours, not really.

Kevin:   I was … talking about that, and we’ll get right back, I was talking to the owner of a major franchise, one of the biggest franchises in the world. And he was telling me, the challenge he’s having just in getting his brokers and agents to embrace video, let alone virtual tours, virtual reality, artificial intelligence.

Jeff:   Yeah.

Kevin:   Tell me, Jeff, are you staggered at the pace that this is all going at? I mean, I’m not young. I’m older than you are. But it never ceases to amaze me, when I look back even five years ago, the advances in this industry.

Jeff:   Yeah, I mean, obviously I’ve been around a long time. You’ve been around a long time. I think it does give us a better perspective on how big the change is. I think I’m staggered more by the pace, even from last year. That’s the thing that’s … you don’t need to have a tonne of perspective to really appreciate how fast this is going. And that’s true on the 360 3D VR side of the equation. It’s true on artificial intelligence and machine learning and deep learning, and even [inaudible]. All of these things are, because of how quickly those chip sets that were really required to jumpstart the movement have been developed, the pace has just continued to pick up. And it really is staggering.

Kevin:   When we talk about real estate, the Inman Conference, I think, has been the benchmark for the world for many, many years. But if we probably go back a decade, tech didn’t play a real big part in it. But if you look at this now, there’s a whole floor of new tech. There’s another floor underneath this that devoted to new technology that’s coming through. The pace is just enormous.

Jeff:   Yeah, but until recently, there weren’t … there’s really not been a major change in the real estate industry itself.

Kevin:   Interesting.

Jeff:   You know, when you talk about his struggles to get agents to do video, we did some study in an MOS in upstate New York. More homes were sold last year with zero photos or a single photos that homes that had a virtual tour. So, agents will change when the consumer demands the change. And until that time, they’re not going to change their model. They’re no going to change the way they market homes. They’re not going to change a lot of those things, and I obviously think that’s a mistake.

Kevin:   Yeah, I do, too.

Jeff:   I think real estate in general, and this is a gross generalisation, I’ll apologise in advance, but I think the leaders of real estate are expecting to look for some technology meteor to come and make them dinosaurs, and I just don’t think that’s the way it’s going to work. I think it’s going to be other areas, other verticals, adapting and adopting to new technologies, and consumers just learning to expect more from that, to where it’s going to force change in the industry. Or, something bad will happen.

Speaker 1:                           Yeah, well, and I don’t think we should wait for that. And I agree, I think it’s a mistake that, as an industry, we are waiting for this change to happen. It shouldn’t be driven by the consumer. It should be driven, I think, by the agents who are using this to educate the consumers.

Jeff:   Yes.

Kevin:   It’s a big mistake.

Jeff:   Yeah, I think so, too. You know, you want to … I get it. I mean, I understand the mentality. A house is going to sell, whether I do X or not.

Kevin:   Yeah, but that’s lazy.

Jeff:   Well, I’m going to say that you said that, because-

Kevin:   It’s lazy.

Jeff:   It is lazy. But there are also … if you take a step back and look at it from an agent perspective, especially on the North America side of the equation, might be a little bit different in Australia, because agents go out, and the vendor pays for a lot of these services. The agent eats all of that cost here, up front, before a house even sells. And they’re constantly bombarded from all sides with new technologies and shiny objects and things that they could do. And they really do have to weigh everything against what’s really required for me to do that.

Kevin:   Ah, well, Jeff, this is your territory. I’ve been here five minutes, but I can already sense an element of requiring a change in how brokerage is done. I interviewed an agent just today who was talking about, “No BS in my company.” He is embracing technology. He’s trying to change the model, working for buyers and sellers. We see the [I��d buy a] model. All of these challenges are forcing change on this industry.

Jeff:   I think there’s been more of that hint that something’s coming in the last year than there has been in any year previous. That’s a fact. I mean, I feel that, as well. And I think the industry’s feeling it, too.

Kevin:   I think they are, too.

Jeff:   The talk is becoming a higher volume.

Kevin:   Yeah,. I think the smart operators are anticipating that, trying to get ahead of that, and that’s what I was sort of saying, without … I think we need to be driving this change rather than sitting back and waiting for it to happen.

Jeff:   Yeah, I agree.

Kevin:   Right, talking to my friend, it’s always, you’re always welcome.

Jeff:   It’s always good to see you.

Kevin:   Yeah, thank you, Jeff.

Jeff:   It’s been too long.

Kevin:   Yeah, it’s been too long. We’ll catch up again soon.

Jeff:   Thank you very much.

Kevin:   Good on you.

Kevin:   That was just one of the 60 interviews we did when we were at Inman Connect in New York. Now you can see those. We recorded them in video, and you can see them all right now at propertyTV.io. Check it out for yourself. We compiled them into shows, and we’ll also be featuring them individually. That website again is propertyTV.io.

from Real Estate Uncut http://bit.ly/2ScOobS

[theconservativebrief]

Amy Winehouse is going on tour, as reported by Reuters last week.

A hologram of the artist, who died in July 2011, will tour North America next year. Her father Mitch Winehouse is the primary caretaker of her estate, and says he’s been working with Las Vegas-based company Base Entertainment’s nascent hologram studio to make sure that this digital Winehouse is an accurate recreation. And, as is always the case when a new hologram of a dead celebrity is announced, the reaction from fans has been mixed.

“Like she hasn’t been exploited enough??! Let her rest in peace and stop tarnishing her legacy,” one wrote on Twitter. Fair!

“People are mad about Amy Winehouse’s hologram tour. Can’t relate, I never got to see Amy perform live AND it’s raising money to help the Amy Winehouse Foundation which provides rehab facilities for young people who can’t afford them,” wrote another. Also fair!

What is not fair is that we are forced to consider, yet again, whether the dead celebrity hologram industry is just a niche technological novelty that will soon go out of fashion, or the future of entertainment.

It’s been six years since Tupac Shakur (then 12 years dead) appeared on stage at Coachella to perform alongside Snoop Dogg and Dr. Dre.

This hologram, created by special effects company Digital Domain, was not a hologram. It was a trick of light founded on 150-year-old theater prop standard called “Pepper’s Ghost,” which uses glass and some knowledge of refraction to create an otherworldly-looking figure. It was invented by British scientists Henry Dircks and John Henry Pepper, and first used to add a “real ghost” to an 1862 production of Charles Dickens’ other creepy Christmas novella, The Haunted Man and the Ghost’s Bargain.

In a May feature for Wired, Jimi Famurewa called it a “low-tech piece of razzmatazz” and pointed out that it is still in use in Disney World’s Haunted Mansion ride and in stage productions of the horrible musical adaptation of the 1990 film Ghost.

The technologies that enable detailed 3D modeling, capture super-intimate facial tics, and allow neural nets to mimic highly-specific manners of speaking have evolved plenty over the past couple of years. But the technology behind projecting those images to create the illusion of a three-dimensional body has evolved very little since its invention. The biggest change: In 1995, German inventor Uwe Maass patented a version of it that swapped glass for — basically — Saran wrap, and subbed in HD video.

It was this basic tech that was used to make Tupac, married with Digital Domain’s cutting-edge CGI capabilities. The company was, at the time, best known for fabricating Brad Pitt’s face in The Curious Case of Benjamin Button and for being owned by James Cameron, though it had actually been purchased by dot-com millionaire (and Michael Bay’s college roommate) John Textor in 2006.

Textor’s company won a special award at Cannes Lions for the Tupac hologram that June, and filed for bankruptcy three months later after Textor was sued for $80 million by the state of Florida.

Tupac Shakur’s “hologram” at Coachella Christopher Polk/Getty Images

In 2015, Rolling Stone’s Andrew Leonard chronicled the bitter (and very spicy!) war between the two biggest hologram companies: Hologram USA and Pulse Evolution. Hologram USA is owned by Greek billionaire Alki David; it was responsible for the Whitney Houston hologram tour that was shot down by her family in 2016, and it was also responsible for the breach of contract lawsuit filed against Whitney Houston’s family in 2017.

It owns the exclusive rights to resurrect Patsy Cline, Buddy Holly, Billie Holiday, and Jackie Wilson, and it is managing Chicago rapper Chief Keef’s current tour, which he is not attending because only his hologram is attending, and because he is legally not allowed to go to London.

Pulse Evolution is made up of the leftover parts of Digital Domain and it owns the rights to the digitally-enabled ghosts of Elvis Presley, Marilyn Monroe, and Selena. Hologram USA sued the company for patent violation days before Pulse was set to debut its biggest accomplishment: Michael Jackson performing a previously-unreleased song at the 2014 Billboard Music Awards. In March 2016, Pulse settled with Hologram USA for an undisclosed sum.

Base Hologram, which is working on the Winehouse tour, is actually a relatively new and minor player in the world of dead celebrity holograms. The company, which is best known for producing Vegas staples such as Magic Mike Live, Phantom, and Criss Angel’s “Mindfreak” magic show, partnered with laser projection company Epson to launch its hologram division in January of this year. It has plans for nationwide tours, like with Winehouse, and for permanent theatrical residences.

The January press release announcing Base Hologram’s existence promised that the new company would represent “one of the most aggressive and unique approaches” to the field. Executive producer Marty Tudor told Vox in an email that his company’s tours use “cutting-edge proprietary techniques” to combine audio with “digital and laser imaging, CGI techniques, and spectacular showmanship.”

This claim was put to the test with the Roy Orbison production, which debuted in LA earlier this month, and was reviewed positively by the Los Angeles Times. Orbison’s son also told the paper that his father would have liked the show, having been tickled by the holographic Princess Leia in Star Wars: Episode IV — A New Hope.

Last year, in a longform consideration of the question of whether the government could commission a CGI Donald Trump to perform the president’s duties whenever he was busy with other concerns — such as golf, or television, or not feeling like it — New York Magazine’s Brian Feldman spoke to “digital facial expert” Mike Seymour, a special effects industry blogger and associate lecturer at the University of Sydney.

Seymour told him: “This technology is growing nearly daily and deep learning and neural nets are contributing not only to modeling and facial tracking, but soon to fine detail, high-frequency animation also. The actual computer rendering of the face has already become remarkably complex, producing digital skin that accurately represents the way light both reflects off skin and is partially absorbed and scattered.”

[embedded content]

There are also private research labs that can create 3D models of a human face using just one high-quality reference image, Seymour told Feldman, and it’s only a matter of time until that technology is commercially available.

But to make Winehouse’s hologram (or light creature, I guess), Tudor tells Vox that Base will just have to hire an actress who resembles her physically to don a motion-capture suit and create a bank of movements. Tudor didn’t mention if Winehouse ever had a 3D scan taken of her face, but it seems unlikely, so his company will also have to work through an elaborate process to make a digital recreation of that. Given that she was a very famous person who was photographed literally thousands of times, it may be tedious, but it won’t be difficult.

Famurewa’s Wired piece explains how the Tupac team “[Worked] around round the clock for two months in a room plastered with pictures of the rapper,” making “an entire bank of facial movements and expressions” to pull from when sequencing the entire pre-programmed Coachella performance. The VFX team basically just used the bank to piece together a video that bounced of some mirrors and translucent foils to make it look 3D; what seemed very high-tech and futuristic was actually just very labor intensive.

Making digital recreations of dead celebrities who can talk and ad lib during a show is also fairly easy now, thanks to chatbots modeled using artificial intelligence. All it requires really is that these companies can find and license a large enough sample of the person talking.

The big question is how to obtain all the materials you need to make a dead celebrity hologram. The legal issues around that rights and archives gathering are still pretty murky.

For example: One of the more notable legal battles in this space happened in 2012, when Marilyn Monroe’s estate threatened to sue obscure startup Digicon Media, which had patented “VM2 — The Virtual Marilyn, the first visual actress to live and work from Cyberspace.” Digicon claimed that Virtual Marilyn — who you can still visit on an incredibly retro, net art-heavy website — “did not in any way infringe upon the purported IP rights that were asserted by the Estate.” Digicon eventually gave up on its plans to have VM2 perform live, and seems to have stopped making new work.

In general, to create a hologram of a dead musician, any entertainment company first has to license the artist’s music and videos the same way it would to use those things in any other, more traditional show. It also has to license any images of the celebrity’s likeness necessary to create the visual recreation, which likely means dealing with the family or estate of the celebrity in question. From there, a contract has to be drawn up between all of the relevant parties to figure out how to dole out the profits.

VM2 — Virtual Marilyn! Digicon Media

But that’s not exactly the end of it! A celebrity’s likeness is subject to copyright and trademark, and something else that’s even slippier: “right to publicity.” This is similar to a normal person’s right to privacy, and means that while a person is living, they hold the primary right to make money off of their own existence and face and voice and even mannerisms. But after they die, what happens to that right depends entirely on the state they lived in.

There are 23 states in which a right to publicity lives on postmortem, and the time frames vary widely, from 10 years in Washington to 100 in Oklahoma. In California, the right to publicity is held by the person’s family or estate for 70 years. In New York, it doesn’t currently exist at all, with the right to publicity halting at the moment of death. Nearly every year, a bill is proposed that would extend the right to publicity in New York to 40 years after a person’s death — primarily to guarantee that a celebrity’s family or estate would be able to profit off of it.

As more of a legal scaffolding is built up around the still relatively niche industry, it will become more and more expensive for those looking to get in the business of buying up life rights and putting on new shows.

When Justin Timberlake hinted that he may perform with a hologram of Prince at last year’s Super Bowl, Prince fans furiously circulated gossipy tidbits about how much Prince hated Timberlake, and wouldn’t have wanted to share a stage with him, even from the grave. They also circulated a quote from a 1998 interview with Guitar World, in which Prince responded to a question about whether he would ever perform with a holographic version of say … Duke Ellington:

“That’s the most demonic thing imaginable. Everything is as it is, and it should be. If I was meant to jam with Duke Ellington, we would have lived in the same age. That whole virtual reality thing… it really is demonic. And I am not a demon.”

But holograms have been normalized, significantly, since 1998. Even before the Tupac performance — landmark primarily because of its shock value and the intimacy of the details programmed into its performance (like thanking the audience for applause, and interacting with the other performers) — Kate Moss walked as a hologram at an Alexander McQueen show in 2006, Will.i.am appeared as a very confused hologram on CNN in 2008, Frank Sinatra performed with Alicia Keys at the 2008 Grammys, Elvis Presley performed with Celine Dion on American Idol in 2009, and Mariah Carey showed up to a T-Mobile event in Poland in 2011.

Not all of these people were dead, obviously, but the “wow!” of making any famous person appear to be someplace they couldn’t actually physically be still dimmed a little more with each instance. When Feist — best known at the time as one of many indistinguishable members of Broken Social Scene — “performed” in three Canadian cities at the same time in 2013, the possibility of holographic concert tours that would be easy and weird and possibly profitable seemed fairly close. Yet, no real pop star has tried it.

Japanese virtual pop star Hatsune Miku went on her first wildly successful tour of North America in 2016; fans paid as much to see her as they did to see Taylor Swift the summer before. Not because they love the surprise of a hologram, but because they love her music and this is the form in which she exists. It hardly even seems odd.

[embedded content]

And then, last year, The Verge’s Lauren Goode reported on startup 8i, asking if holograms are “the future of how we capture memories.” The New Zealand and LA-based company has been working on setting up studios that resemble classic department store family photo studios, but use an arrangement of 41 cameras and proprietary software to render holographic video vignettes of whoever steps inside.

“Everybody wants holograms of their kids,” Nicole St. Jean, 8i’s vice president of content, told Goode. And chief executive Steve Raymond promised her, “People are going to want to put their loved ones into their phones for lots of reasons… [It] will become something you can just buy on Amazon and have it installed in your living room and make it at home.” The point of improving the technology isn’t to make anyone think the holograms are real, but to make them feel a more irresistible and automatic emotional connection. You don’t love a pricey computer-generated “vignette;” you love your toddler.

When Wired spoke to celebrity estate manager Jeff Jampol earlier this year, he said that the technology itself was basically worthless: “You can’t move around it, it can’t interact with you other than from a distance. It’s the equivalent of a used VHS tape.”

The novelty of a “hologram,” he argued, would wear off, and only our emotional ties to dead celebrities we’ve loved would remain to keep us interested in a dusty, hokey experiment. If the intensity of feeling that comes with the unexpected intimacy of these tricks of light wears off, this entire hotly debated industry will be little more than a couple-decade trend — as forgettable and inconsequential as the once-beloved VHS.

Original Source -> No industry is weirder than the dead celebrity hologram industry

via The Conservative Brief

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Our captured videos make the property look smarter: Science says that Humans catch more than 58% of the information when shown something – visually. In case you are in the market for finding the dream home what will attract you more, some many pictures of the property or the video which gives detail of the width and size of the room? For sure it will be video as it provides a smarter approach of knowing the property in depth. We capture the property videos in a perfect manner using the latest tools to represent your property uniquely.

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Real Estate Photographer: Use It To Explore Your Home

Real estate photography is now in demand, and professional photographers are used to taking the photos professionally. The real estate photographer takes the photos by using various techniques and tools. They have a good quality of camera through which they can capture every corner of the home. This kind of photography is used to sell a home; through this, you can represent your home's model. A real estate photographer can represent a home picture professionally.

Why real estate photography needs?

Real estate photographer, can help to create a lot of opportunities in the field of photography. To explore a home through photos, real estate photography is essential. There are several architectural techniques used. If someone is interested in learning this, then first, he/she needs to observe the existing photos of real estate, which will give you good learning exposure. The professionals are studied about this field, and they study the terms, techniques, angles, etc. The professional real estate photographers are having all the required equipment for photography.

Advantages

It will help when you want to sell a home. Real estate photographers will also shoot for your furniture, gardens, pools, etc. They can create the virtual impact of a home, which will reflect in the pictures. The real estate photographer is not charging a high amount for the shooting. If you have a good architect model home and want it to publish the pictures in various media, then, real estate photography can help you.

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Property Photographers in Sydney to Offer Complete Property Photography Services

First impression is the last impression and it fits well to property. Looking for property photographs is the basic need to enhance your experience of increase its value. For this, you need to call experienced property photographers, who have proven track record and years of experience.

Professional and certified property photographers offer you a gamut of services and solutions like Aerial photography, Sales photos, Rental photos, commercial photos, 3D virtual tours, Floor plans, dusk photos, video production, virtual furniture planning, 3D visualization and panoramas along with photographs for various other purposes.

Main motive of property photographers is to help you in boosting the value of your property and get the best selling price. There are a number of renowned names in this domain offering you the right solutions for all property types. You have to make a contact either by giving a call or sending a mail and leave rest of the work on experts working there.

Among some of the top names that are bringing to you such precise solutions or assistance from property photographers, you will find name of Crying Out Loud comes on the top. A team of dedicated professionals has been working here, who have years of experience and providing you with the right solutions. Go through the details and make a contact.

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Aerial Photography Sydney for Impressive View of Any Building and Locality

For the impressive look of any building that is for sale or to represent it to potential buyers, you need to focus on photography services and getting some impressive photographs from aerial view will surely leave a remarkable impression upon buyers or real estate managers to continue on their way to final the deal. Aerial photography Sydney plays a pivotal role in adding extra touch of beauty to any building, when it comes to represent a catalogue to potential buyers. For commercial projects and even for apartments, it is the basic need.

You will get a new eye-opening perspective for marketing property. The aerial photography Sydney is the most vital service offered by using UAV Licensed drone technology that is best used to capture elevated building perspective, hard to access hillside properties and over-head birds-eye views to show lot size and to additionally illustrate property and its location to local icons.

You have to make a contact to the right studio or professionals, who have expertise in offering you Aerial photography Sydney. Go online and you will find a number of reputed names in this domain offering you such precise solutions. Go through the details and make a contact.

Crying Out Loud is a one stop reliable name fulfilling your desire for

aerial photography Sydney

. Make a contact and leave rest of the work on experts working