#Rashomon

[medievalandfantasymelee]

ONE DAY LEFT TO VOTE!!!

THE HOT MEDIEVAL & FANTASY MEN MELEE

SECOND ROUND: 24th Tilt

Aguilar de Nerha, Assassin's Creed (2016) VS. Tajômaru, Rashomon (1950)

Propaganda

Aguilar de Nerha, Assassin's Creed (2016) Portrayed by: Michael Fassbender Defeated Opponents: - Wil Ohmsford [Austin Butler], Shannara Chronicles (2016) - Amleth [Alexander Skarsgård], The Northman (2022)

“Cool, well-dressed, deadly, somehow hard to find despite the incredibly recognizable facial tattoo.”

Tajômaru, Rashomon (1950) Portrayed by: Mifune Toshiro Defeated Opponents: - Niankoro [Issiaka Kane], Yeelen (1987) - Tom Builder [Rufus Sewell], The Pillars of the Earth (2010)

“like yes, the character is a scoundrel, but it takes a lot to make The Sexiest Man Who Has Ever Lived not be sexy, and taking his shirt off certainly isn’t going to do it”

Additional Propaganda Under the Cut

Additional Propaganda

For Aguilar de Nerha:

For Tajomaru:

“this one is for the girlies who are willing to ignore the fact that a man is UNHINGED and a menace because he’s just so pretty!!”

“he's extra-hot in this movie (as in: he doesn't wear clothes much and has kinda long hair)”

[theashenphoenix]

三船敏郎 // MIFUNE TOSHIRO 羅生門 // Rashomon (1950)

[inamagicalhallucination]

headcanon atsushi’s ability the tiger does not know what to do when it likes someone

like in general atsushi is bad with knowing what to do with the ppl he likes and showing affection -- like he tries to mimic others but he himself is still working on something that feels natural if that makes sense

but the tiger

the tiger is far worse becuz the only positive thing it can associate with positive emotions is food so every time it gets closer to the full moon the tiger starts whispering in the back of his mind that he should eat dazai and kunikida

then kyouka and junichiro

and ranpo and yosano and fukuzawa and kenji and naomi and haruno

at first atsushi panics (naturally) worries he’s a cannibal, thinks the tiger hates the agency, panics more, especially after dead apple when he and the tiger gained an understanding of each other and he realized that the tiger was protecting him so he’s like why r u trying to kill the agency members

but gradually he realizes that actually the tiger just doesn’t know how to deal with positive emotions and yeah

anyway:

atsushi: dazai-san is so nice to me :)

the tiger: yeah :)

the tiger: we should eat him

atsushi: NO????

//

kunikida, patting atsushi’s head: good job on ur report atsushi

the tiger: use his arm against him and eat him

kunikida: atsushi u look weird are u feeling unwell

atsushi: hahaha dont worry about no weird thoughts here hahahaha

//

atsushi, literally just working:

the tiger: the small candy one eats a lot of sugar. he would taste sweet. Eat him.

atsushi: NO??????????????

ranpo, looking up: i’ve actually always wondered what i would taste like-

//

and so on

is this incredibly dumb? yes but is it also funny, yes

atsushi realizes he likes akutagawa because at some point when he spots him the tiger immediately starts wondering what he’d taste like

atsushi, sees akutagawa: oh there’s that basta-

the tiger: i bet he’d taste really nice

atsushi:

atsushi: oh 

atsushi: oh no

//

akutagawa: how did you figure out you liked me?

atsushi: i couldn’t stop thinking about what you’d taste like

akutagawa, blushing: oh-

atsushi: yeah it was insane how much the tiger wanted to kill and eat u

akutagawa, slightly confused and horrified: oh-

//

eventually as atsushi learns to deal with his feelings so does the tiger but unfortunately it’s still an animal so its more like

atsushi: dazai’s so nice :)

the tiger: yeah :)

the tiger: lets hunt a deer for him 

atsushi: no??????????????

//

kunikida, petting atsushi’s hair: good job on the job atsushi

atsushi, not thinking about what he’s saying: kunikida i like u so much should i kill a bear for u?

kunikida, slightly confused, slightly flattered: uhh no???????

//

atsushi, at the store: lemme just get something for kyouka-

the tiger: we shall hunt until we find something suitabl-

atsushi: no.

//

atsushi: im sorry i transformed last night, snuck out of ur place, hunted down a goose, broke back in, left it in the living room table, and then climbed on top of u, still a tiger, and then fell asleep and only transformed back now, after u had to use rashomon to get tiger me off u 

akutagawa, dead tired: yeah i don’t know what the appropriate response is but ur cleaning the bloo-

akutagawa: wait wtf do u mean theres a dead goose in the living room

atsushi: do u not like goose :(

akutagawa: that is NOT the issue here

//

yeah

[3080ti]

The Simpsons - Thirty Minutes over Tokyo

[idreaminmugiwara]

This was so much fun to draw. I'm in my BSD era, it's fine, leave me alone.

IG: niminstitches

[karmicpunishment]

shout out to the strands of rashomon wrapped around atsushi's thigh when he uses the combined attack. you will always be iconic!

[allegoriest]

Rashomon 1950 • dir. by Akira Kurosawa

[men-men-everywhere]

Toshiro Mifune

[cosmonautroger]

Rashomon, Akira Kurosawa, 1950

[valetonvi]

🖤

[nervmaup]

[medievalandfantasymelee]

THE HOT MEDIEVAL & FANTASY MEN MELEE

FIRST ROUND: 58th Tilt

Tom Builder, The Pillars of the Earth (2010) VS. Tajômaru, Rashomon (1950)

Propaganda

Tom Builder, The Pillars of the Earth (2010) Portrayed by: Rufus Sewell Defeated Opponents: - Thomas Cromwell [Mark Rylance], Wolf Hall (2015-2024)

“The man is beautiful, he is a visionary and an artist, and he is also a kind and loving husband and father. (Which is not my usual taste, so please vote for him to encourage my better, more emotionally healthy side.)”

Tajômaru, Rashomon (1950) Portrayed by: Mifune Toshiro Defeated Opponents: - Niankoro [Issiaka Kane], Yeelen (1987)

“like yes, the character is a scoundrel, but it takes a lot to make The Sexiest Man Who Has Ever Lived not be sexy, and taking his shirt off certainly isn’t going to do it”

Additional Propaganda Under the Cut

Additional Propaganda

For Tom Builder:

For Tajômaru:

“this one is for the girlies who are willing to ignore the fact that a man is UNHINGED and a menace because he’s just so pretty!!”

“he's extra-hot in this movie (as in: he doesn't wear clothes much and has kinda long hair)”

[theashenphoenix]

三船敏郎 // MIFUNE TOSHIRO 羅生門 // Rashomon (1950)

[beansprean]

"So, how did Guillermo get started as Nandor's familiar?"

"Nadja and Nadjita Tell It"; my entry for the Rashomon-style AO3 collection "So How Did You Two Meet?"! Check out the other fic and art entries to see the other characters' perspectives!

(ID in alt and under cut)

ID: 1a. Wide shot of Nadja and Dolly wearing matching pinkish-red gowns with dark blue sleeves sitting side by side in armchairs in the foyer, stairs twisting up behind them, as they do a talking head. Nadja tosses her hands up and scowls, rolling her eyes, and says 'Guillermo? What was that, 80 years ago? How should I remember?' Dolly has an open pack of crayons tucked into the chair next to her and has a stack of paper as big as her torso in her hands. She scribbles on it with a red crayon and clicks her tongue dismissively, replying, 'I remember everything. Let me show you.' 1b. Tight shot of Dolly's eyes in extreme closeup in the foreground, Nadja waist-up in the background. Nadja turns toward Dolly with a frown, one hand held palm up beside her head, and points out gently, 'But you weren't even there, my sweet little piglet.' Dolly responds, eyes focused on her paper, 'Then tell me if I get anything wrong.' 1c. Medium shot from the front, focused on Dolly as she smiles and turns her paper around to show the camera a clumsy crayon drawing of the vampire mansion. Nadja leans on one arm of her chair and ducks her head to get a closer look. Dolly begins, her speech bubbles turning into gilded scrollwork, 'Once upon a time...' 1d. The panels are now parchment paper with crayon drawings. This one depicts Guillermo, his body made of a single circle with a head on top and stick arms and legs with little circles for hands and feet. There is a big frown on his face, and behind him is a house shape in green with double doors and a P on the front followed by ellipses. Dolly's voiceover continues: '...there was a sad, round little human man with broken eyes who had a job at... uh... P...Pan...' Nadja's speech bubble appears, now in curly pink script: 'I believe it was Panda Bread, agapoula mou.' Dolly: 'Ah, yes! He had the job making breads from the panda milk, one of the most lowly forms of human labor.' 1e. Repeat of the previous drawing, now with a few additions from Nadja with a pink crayon: the building is titled Panda Bread, Guillermo is holding a load of bread and has a tear in his eye, and arrows are pointing toward him reading 'sad' and 'virgin'. 1f. Drawing of Nandor, whose body is made in the same style but shaped like a triangle, kneeling on the ground and weeping loudly. Pink additions: smell lines, a long dick and balls between his legs, and text that reads 'Oh I am so lonely and I smell bad because my last familiar fell off the roof or some shit'. Dolly: 'Meanwhile on the Staten Island, there was also a pathetic, empty-headed buffoon of a vampire who spent every night crying about how lonely and smelly he was.' Nadja: 'That sounds right.' 1g. Dolly: 'And his beautiful housemate, Nadja-' Nadja: 'That sounds very right!' Dolly: '-kicked him in his ass and said 'Get out of here and don't come dragging your balls over this doorstep without a familiar to take care of you!' The page shows a slightly more detailed drawing of Nadja with full lips and long eyelashes and waves of glorious hair in a big fancy dress, arms and legs held straight out. Nandor, still crying, is crouched over in the foreground as one of her heeled feet kicks him in the butt and sends him flying. Pink additions: dick and balls on Nandor and text that reads 'owie my penis', larger boobs, earrings, rings, and fishnet stockings on Nadja and sparkles surrounding her entrance.

2a. A drawing, torn off on the bottom, showing Nandor standing with his arms out and mouth open in an O, hearts in his eyes as he sees Guillermo crouched by a crudely drawn panda with an udder, milking it into a bucket. Pink additions: Nandor's dick standing at attention, surrounded by hearts; Guillermo surrounded by stink lines and hearts. Dolly narrates: 'So the sad vampire went to the Panda Bread and found the delicious virgin. The vampire wanted to eat him immediately! But he had promised Nadja to bring back a familiar.' 2b. A drawing, torn off at the top, showing a series of Guillermos working: holding a loaf of fresh bread, sweeping the floor, and dusting the wall with his back to the viewer. Nandor stands nearby, pointing a finger in the air with a big grin as he gets an idea. Pink additions: stink lines and hearts around Guillermo, buttcheeks on the dusting Guillermo, Nandor's dick pointing straight up. Dolly's voiceover continues: 'And though he noticed that the virgin worked very hard, he smelled much too yummy-scrummy to bring home alive. So the vampire did the only thing he could do...' 2c. Briefly back in reality, a close up of Dolly smiling and holding up a paper with a single crayon drawing showing a naked Guillermo lying on the floor with his mouth wide open and his legs straight up, Nandor crouched between them. Pink additions: buttcheeks on Nandor, tit and a small dick and balls on Guillermo, text reading 'ooh ahh master' and 'i love you human man'. 2d. Drawing torn at the bottom showing Nandor and Guillermo, now dressed, holding hands and smiling in front of Nadja, who towers over them and gives them a thumbs up. Pink additions: hearts surrounding Nandor and Guillermo, limp dicks on them both, a crown, bat wings, rings, sparkles, bigger boobs, and fishnet stockings on Nadja. Dolly narrates: 'Once his cherry was thoroughly popped, the vampire brought his new familiar home for Nadja's approval.' 2e. Dolly's voiceover continues: 'And then she and her husband fucked all night with no weepy loser to interrupt them!' Drawing, torn at the top, of a naked Laszlo laying on his back on the ground smiling with his arms straight up in a cheer. Nadja, also naked, is straddling him backwards with her arms also up. Pink additions: hearts all around them, crowns and rings for them both, chest hair and tits for laszlo, tits and bush for Nadja along with bat wings, a crude interpretation of their genitals entwined, text by Laszlo reading 'i love my wife', text by Nadja reading 'finally i can be the little spoon'. Dolly's narration concludes with a fancy 'The End.' 2f. Back to reality; repeat of the first panel, wide shot of the foyer with Nadja and Dolly sitting beside each other. Dolly is proudly holding up the final drawing with a smile. Nadja grins at the camera, left elbow braced on the chair arm and idly twirling a blunt pink crayon in the air as she declares, 'Yeah, that was pretty much it. No notes.' /end ID

[dumbbunny0505]

@bsdecember Day 16 : Favorite Ability

[dostokatz]

⋆ ♱ PORT MAFIA LITERARY REFERENCES ♱ ⋆