#Ram rahim song

[caelus-69]

OUR GOOD OLD SCHOOL SONGS

HELLO THERE!!

I am here to write on Indian norms and believes and my ideas on them. Mind you i will never say that it's wrong or not ,i will just try to analyze it.

Today, I will be talking about those old school songs you sing in school assembly. That's right I am talking about songs like "tum ram kaho, ve rahim kahe" or "haar desh ma tu , haar bhesh ma tu, tera naam annek tu ek hi hai". Now if you think logically , that's a bizarre thing to sing that hindu and muslim gods are the same. If you study sociology just till class 11th NCERT textbooks, it says in chapter 4 'culture and tradition' each culture (here in religious aspect) cann't be similar to each other . One culture opposes the idea other cultures follow. But the song which we sing in our school assembly literally says that Hindu , Muslims, Christian, Parsee (etc) are all same and what hindus call ram is allah to muslims .

One theory can be that these songs were written during the non-cooperation movement, it was sung to bring hindu and muslims together and fight as one. But if you look for evidences about when were these songs written ,there is no strong evidence to say that it was written around 1924. The argument still continues that why are every other school songs in india talking about how all gods are one and all religion are one. Some people may also say that it's just a metaphor when they say that all gods are one ...if so do explain why do they call our worship places same ??

In the end i would like to state that this song "tum ram kaho, ve rahim kahe ,dono ki tallaj allah se hai' was first sung in 1961 from were it got popular and now we sing it in every school of India , putting up a theory that this song maybe concerted as a metaphor for some but in reality it just pushes young Indian minds aka. children to believe that YES we all live here together , YES we all are same , YES WE ALL ARE equal.

SO, next time you heard this song REMEMBER it's not just a song , it's a social order exercised on us and you may think that no it doesn't effect me but maybe not you but some where , some one is effected by this song and is tiring to make India a country as depicted in this song.

JAI HIND

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HELLO EVERYONE AGAIN!!

Recently , sociology has fantasized me a lot so I decided to study it on my own. I am still a amature so please don't jump on me. This argument i must say is a chaos but it kinda conveys what i am trying to say .

English is not my first language and trust me language is not my strong side so again please don't jump on me. And to all those who wish to criticize me my chat is open for you guys , also if anyone have a question or a doubt or a suggestion (to add in here , for a topic you guys want me to write upon , a topic you want to discuss, etc) please use the chat ,it's open for you guys as well and it need not to be a sociological topic ,can be anything (when i say anything ,it means anything)

And to all those comrades of mine who are stuck with hindi, this glossary is specially for you<<3

tum ram kaho, ve rahim kahe ,dono ki tallaj allah se hai - you call him ram ,they call him rahim , but both are calling for allah( i did it myself so ya it's not accurate but you can get the gist )

haar desh ma tu , haar bhesh ma tu ,tera naam aneek, tu ek hi hai-you are in every country ,you are in every form ,you may have different names but you are one JUST ONE.

At last i would like to thank all of you who read this . I will see you guys again.

[blogynews]

Unveiling Swarnashree's Electrifying Performance at Ekai Ram Rahim: Prepare to Be Mesmerized!

Bhopal (Madhya Pradesh): Swarnashree, a renowned bhajan singer from Vrindavan, mesmerized the audience at Ravindra Bhawan in the city on Monday evening with her soulful devotional songs. The performance was part of the Ekai Ram Rahim program, organized by Swaraj Sansthan Sanchanalaya, to commemorate the 154th birth anniversary of Mahatma Gandhi. Swarnashree began the evening with a mesmerizing…

[blogynewz]

Unveiling Swarnashree's Electrifying Performance at Ekai Ram Rahim: Prepare to Be Mesmerized!

Bhopal (Madhya Pradesh): Swarnashree, a renowned bhajan singer from Vrindavan, mesmerized the audience at Ravindra Bhawan in the city on Monday evening with her soulful devotional songs. The performance was part of the Ekai Ram Rahim program, organized by Swaraj Sansthan Sanchanalaya, to commemorate the 154th birth anniversary of Mahatma Gandhi. Swarnashree began the evening with a mesmerizing…

[indiesole]

Indies (Lifetime) Playlist Tributes to Music Legends ! -PART 9

RAJESH KHANNA 'S TOP 380 (HINDI) SONGS ! (Contd from 191)

Yt Link:

Chandni raat mein – Dil e Nadaan

Kiski sadayen – Red Rose

Aisi haseen chandani pehle kabhi na thii – Dard

O my darling – Aakhri Khat

Ye gotedar lehenga - Dharam Kanta

Haay haay garmi hai – Maqsad

Yeh kya hua – Naya Kadam

Meethi meethi akhiyon se – Maha Chor

Ye raat hai pyasi pyasi – Chhoti Bahu

Ho tere atharoo – Shehzada

Aa gaye hum dildar – Chalta Purza

Gaalon par ye kaise nishaan – Masterji

Sunle Zameen Aasmaan – Hum Dono

Aap ne farz nibhaya hai – Chalta Purza

Rang bhare mausam se - Bandish

Tere bagair ye dil – Wafaa A Deadly Love Story

Ek baat hai hum se kahi nahi jaye – Zamana

Keh de zamane se – Nazrana

O meri pehle se tang thi choli – Souten

Phool jahan jahan – Naya Kadam

Teri aankhon ki chahat mein – Janta Hawaldar

Kaise dekhun - Bharosa

Mashriq se jo aaye – Aashiq Hoon Baharon Ka

Dushman na kare dost ne – Aakhir Kyon?

Samay tu dheere dheere chal – Karm

Samay tu jaldi jaldi chal – Karm

Shakti de maa – Ashanti

Koche qurbaan – Tinku

Koi na tere – Amar Deep

Jagmag jagmag si mehfil – Dard

Pyar ka wada fifty fifty – Fifty Fifty

Main tere pyaar mein pagal – Prem Bandhan

(Electricity song) – Chhaila Babu

Arre sasu tirath sasura tirath – Souten

Bulbul mere bata – Masterji

Dekho idhar dekho – Phir Wohi Raat

Tu lajawab bemisaal – Hum Dono

Devi o baby tu ban ja meri biwi - Maqsad

Zindagi mauj udane ka – Avtaar

Chal chal aage nikal – Chakravyuha

Aadhi roti saara kabaab – Janta Hawaldar

Badi dur se aaya banna – Dharm Aur Qanoon

Main bhola bhala hoon – Bhola Bhala

Mehboob se mehbooba mil gayi – Asha Jyoti

Shuru hui pyaar ki kahani – Adhikar

Shaadi karne se – Chakravyuha

Sadke sadke – Sawaa lakh se ek ladaun

Ye sheeshe ye rishte - Khudai

Kis mausam mein – Khudai

Duniya mein jeene ka mujhe shauk tha – Naukri

Awara baap hoon – Awara Baap

Bas meri jaan bas – Aanchal

Paise ka kajal – Aanchal

Ye hawayen sard sard hain – Nasihat

Hunny Hunny – Insaaf Main Karoonga

Shola ulfat ka –Aurat

Aankhen toh kholo swami – Masterji

Aise rang de piya – Babu

Teri aankhon me dhoond li maine – Awam

Agar leta hoon tera naam – Dil e Nadaan

Saaila aaya more mann – Naya Kadam

Dilwala aya hai – Fiffty Fiffty

Jhan jhananana jha – Nazrana

Kuch Humko Tumse – Alag Alag

Ram ho kya tum – Naya Kadam

Tum nahi manoge – Amar Deep

Mera geet adhura hai - Mamta ki chhaon mein

Lanka chale Ramji – Aanchal

Samay bada balwaan – Ghar Parivaar

Kurte ka kya hai – Ghar Parivar

Hari om jab har taraf – Karm

Ajao tum ajao nagraj – Maqsad

Ek khoobsurat ladki mujhe raat mil thi – Shaadi Se Pehle

Arre bhaage arre daudo – Bandish

Shukriya dil shukriya – Bewafai

Kisiko harana kisiko jitana - Bayen hath ka khel

Mera naam dil pe likh lijiyega huzoor - Bayen hath ka khel

Aisa rangeen sama haye – Aanchal

Jamuna ke jal mein – Awara Baap

Pyar tumne kiya na – Maqsad

Idhar aa aa bhi jaa – Dhanwaan

Aaj tu gair sahi – Bandish

Ladkhadane do mujhe – Palkon Ki Chhaon Mein

Sach hai yeh – Agar Tum Na Hote

Tukur tukur dekha karoon – Aaj Ka MLA Ram Avtar

Papa mere papa – Ghar ka Chiraag

Chhalkao jhoom ke – Phir Wohi Raat

Ek raja ka ek beta – Tyaag

Yeh mera jeevan – Babu

Yeh mera jeevan (sad) – Babu

Insaanon se jaanwar achhe hote hain – Jaanwar

Ram Rahim mein antar nahi – Alag Alag

Wade nahi karte – Prem Bandhan

Bhula sako toh bhula do – Wafaa A Deadly Love Story

Ek baras mein ek baar hi – Insaaf Main Karunga

Joshe jawani tauba – Hum Dono

Main toh hoon Shree Ram Avtar – Aaj ka MLA Ram Avtar

Sharafat Ali ko - Amrit

O mehfil ki shamma – Muqabla

Main kunwari albeli – Babu

Aashiq hoon tumhara – Dharm Aur Qanoon

Sod maaza haath – Fifty Fifty

Yaaron utho chalo – Avtaar

Zindagi kya hai ek lateefa hai – Amrit

Ye saari duniya hai aati jaati – Avtaar

Na tujhse na mujhse - Ashanti

Aa janeman aaj tujhe – Awaaz

Pyar ki vadiyan – Jaanwar

Akela gaya tha main – Rajput

Akela gaya tha main (sad) – Rajput

Dil mein aag lagaye - Alag Alag

Hazaar raahen mud ke dekhi – Thodisi Bewafai

Lahron ki tarah yaadein – Nishaan

Tere mere pyar ka – Begunaah

Tere mere pyar ka (sad) – Begunaah

Dheere dheere naach ri jogan – Bhola Bhala

Aankhon mein humne – Thodisi Bewafai

Kaagaz kalam davaat – Alag Alag

Ye qismat hai kya (sad) – Ghar Ka Chiraag

Ye qismat hai kya – Ghar Ka Chiraag

Isse pehle ki yad tu aaye – Nazrana

Kabhi bekasi ne maara – Alag Alag

Ae mere dost laut ke aaja – Swarg

Aisa kyun hota hai – Dharm Aur Qanoon

Zamane ne maare – Baharon ke Sapne

Dukh sukh ki har ek mala – Kudrat

Raghupati Raghav raja Ram – Awam

Jeevan saathi saath mein rehna – Amrit

Tirupati Balaji – Aaj Ka MLA Ram Avtaar

Jaane do mujhe yaaron – Fifty Fifty

Hindu hoon main na musalmaan hoon – Maha Chor

Zindagi ka hum itihaas likhenge – Naya Kadam

Tere mere pyar ka - Mohabbat ki kasam

Dil mein aag lagaye – Alag Alag

Tera ghar teri galiyan – Oonche log

Duniya chhute yar na chhute – Dharam Kanta

Duniya chhute yar na chhute (sad) – Dharam Kanta

Jab prem agan lagi jaye – Dil e Nadaan

Zindagi sau baras ki – Awaaz

" (sad version) - Awaaz

Humse kaa bhool hui – Janta Hawaldar

Aaj bichhde hain – Thodisi Bewafai

Dil kya chahe – Oonche Log

Tu mera kya laage – Oonche Log

Mera naam yaaron – Maha Chor

Hi porgi konachi – Zamana

Dil geet milan ke gaane laga – Jaanwar

Tera ishq hai meri zindagi – Dil e Nadaan

Woh nazar leke rahi – Suraag

Arre jana hai toh jao – Bandhan

Teri umar – Awara Baap

Tum bahut haseen sahi – Nasihat

Jab tanhai mein do dil – Masterji

Tum sajan ke ghar jaaogi – Swarg

Beliya ab toh ye bahaar – Nishaa

Balle balle bhai reshmi – Dhanwan

Mehbooba meri mehbooba – Jaanwar

Ladki nahi bijli hai - Dushman Dost

Sooraj se kirnon – Adhikar

Main dil tu dhadkan - Adhikar

Chhaila mera chhaila – Chhaila Babu

Humsaa naa payegi – Nishaan

Bolo pyar karogi – Awaaz

Aap ki nazron se – Insaaf Main Karoonga

Lachak lachak jaye jawani – Sitapur Ki Geeta

Bol sakhi bol sakhi – Woh Phir Aayegi

O jiyo jiyo yaaron – Sautela Bhai

Jab dushman ho gaya waqt – Papi Pet Ka Sawaal Hai

Aaj ki duniya mein – Papi Pet Ka Sawaal Hai

Mubarak ho Mubarak ho – Angaaray

Socha kahan tha aisa bhi hoga – Insaaf Main Karoonga

Tere bin jeena kya – Red Rose

Doli ho doli – Rajput

Iski topi uske sar – Shatru

Uparwaale tera jawaab nahi – Avtaar

Ye jhoth bolti hai - Bayen hath ka khel

Dum tana na dum tana – Insaaf Main Karoonga

Kya tan kya man – Woh Phir Aayegi

Kalma kalma – Jaana Let’s Fall in Love

Jhanak jhanak jhanjhar baje – Nasihat

Tum se mohabbat - Jai shiv shankar

Kisi roz mangi thi - Jai Shiv Shankar

Kisko kahen hum apna – Zamana

Halkisi kasak masak – Amar Deep

Papi pet ka sawaal hai – Papi Pet Ka Sawaal Hai

Main kaun tu jadugar - Dushman Dost

Saawan nahi bhadon nahi – Kudrat

Ek bosa humne maanga - Bayen hath ke khel

Sajaa hai sajaa hai – Riyaasat

Jago re jago – Aaj Ka MLA Ram Avtaar

Suraj Aur Dharti – Aavishkar .

BHUPEN HAZARIKA 'S TOP 25 (HINDI) SONGS ! :

Yt Link:

One of the greatest icons of North East & East India!

A truly greatest of Assamese & Indian film directors & film makers, from the Golden era. & winner of the Presidents medal for outstanding film direction several times over!

As also, an eminent & award-winning music composer for a wide range of North east language films & albums.

And ofcourse, known to heartland India, as one of the most mesmerising singers ever! One of Indian playback's most deeply blended & entrancing voices!

As you would expect, with this brief summary of achievements over many a decade..a posthumously awarded Bharat Ratna of India!

Here's a brief docu h/l the above. 👇 https://www.youtube.com/watch?v=yCtEkYNrkUM

Only a few handful of his works have been translated or produced in non-Assamese languages, namely in Bengali & Hindi.

So now, for Indie's humble tribute to the massive legend of Indian art.

INDIES DELIGHTFULLY PRESENTS,

'BHUPEN HAZARIKA'S TOP 25 (HINDI) SONGS'!

Soak yourself in the ancient hilly spirit of India, for all times! And revel, resting under the blissful shade of a giant Indian supermoon!

Dill hum Hum (solo)

Dill hum hum (duet)

Ganga Behti Ho Kyun (fast)

Ganga Behti Ho Kyun (slow)

Ye Kiski Sada Hai

Duniya Parayee Log Yahaan Begaane

Gumsum Gumsum Nisha Aaye

Dola he Dola

Neela neela Aasmaan

Arunachal hamara

"

Haan Aawara Hun

Maub Aur Mera Saaya

Main Toh Sang Jaun Banwaas

Us Din Ki Baat Hai

O Videhi Bondhu

Jorua

Gaja Gamini

Aalsi Sawan Badri Udaye

Zara Dheere Zara Dheeme

Jai yashoda nandan

Vaishnava Jana Toh Tene Kahiye

Samay O Dheere Chalo

Kitne Hi Sagar

Insaan insaan Ke Liye

Hu hu Pagal Pavan Chale

Ganga & Dil song, in Interview .

[rnewspost]

'Campaign song?': Delhi women panel chief to Haryana CM over Ram Rahim's music video

The Delhi Commission of Women Chairperson Swati Maliwal hit out at the Haryana Chief Minister Manohar Lal Khattar over a video of Gurmeet Ram Rahim Singh composing a song. New Delhi,UPDATED: Feb 11, 2023 22:09 IST Gurmeet Ram Rahim Singh, chief of Dera Sacha Sauda, is a rape and murder convict and is currently on 40-day parole. By India Today Web Desk: The Delhi Commission of Women (DCW)…

[best24news]

Haryana News: अवतार दिवस पर रामरहीम का लांच होगा दूसरा गाना, 'जागो दुनिया के लोगों'

Haryana News: अवतार दिवस पर रामरहीम का लांच होगा दूसरा गाना, ‘जागो दुनिया के लोगों’

हरियाणा: डेरा सच्चा सौदा सिरसा के संस���थापक शाह मस्ताना का अवतार दिवस 8 नवंबर को शाह सतनाम जी धाम सिरसा में मनाया जा रहा है। इस अवसर पर डेरा मुखी राम रहीम अपना दूसरा गाना भी लॉन्च करेगा। राम रहीम ने इस गाने का ट्रेलर लॉन्च कर दिया है। इसके बोल हैं ‘जागो दुनिया के लोगों’। Haryana Election: 9 व 12 नवंबर स्कूल सहित बंद रहेंगे कार्यालय, जानिए कहां कहां है चुनाव इससे पहले राम रहीम ने दिवाली पर साड्डी…

[rudrjobdesk]

Gurmeet Ram Rahim Singh: जेल से बाहर आया राम रहीम है नकली!, इस पर हाईकोर्ट में फैसला आज, जानें डेरा प्रबंधन ने क्या कहा?

Gurmeet Ram Rahim Singh: जेल से बाहर आया राम रहीम है नकली!, इस पर हाईकोर्ट में फैसला आज, जानें डेरा प्रबंधन ने क्या कहा?

Image Source : FILE PHOTO Gurmeet Ram Rahim Singh Gurmeet Ram Rahim Singh: डेरा सच्चा सौदा प्रमुख राम रहीम इस वक्त यूपी के एक आश्रम में पैरोल पर आया हुआ है। खास बात यह है कि पैरोल पर बाहर आया यह राम रहीम असली है या नकली, इसकी जांच को लेकर पंजाब और ​हरियाणा हाईकोर्ट में सुनवाई होगी। यह याचिका चंडीगढ़, पंचकूला और अंबाला के कुछ श्रद्धालुओं ने दायर की है। इस याचिका के माध्यम से संदेह जताया गया है कि…

[brindaneer]

Finally, its time for some magic! Or may be we should say 'Jadoo'.

We remember hearing first about Koi Mil.Gaya when Mr. Rakesh Roshan announced it, possibly during the Zee Cine Awards ceremony of 2001 (the year when Hrithik swept up all awards for KNPH). By the time it released, a few years had passed which was natural considering the grandeur and scale of the film. Mr. Rakesh Roshan astutely conceived of a novel idea in the form of ET meeting Forrest Gump and gave us something Hindi cinema had never seen. Let us take a moment to deeply acknowledge this man, whose razor sharp mind not only engendered such a unique concept but also gave him the vision and stamina to actually turn it into reality.

Koi Mil Gaya was undoubtedly going to be one of the most ambitious projects Bollywood had seen till then, and the greatest challenge the Roshans had yet embarked upon. It would have been no trivial feat if they had managed to be even moderately successful in such a difficult venture. Instead, they broke box office records, and passed with flying colours.

The fact that Hrithik Roshan is one of those rare actors in bollywood who has a terrific following among kids is widely acknowledged at present. However, it was probably John Abraham, who first pointed it out, some time after Koi Mil Gaya. He said that a 'Superstar' was someone who could attract children, thereby pulling entire families into the theatre and in his opinion Hrithik was the only one like that in his generation. More than a decade later, his statement still holds true. And 'Koi Mil Gaya' was where it all actually began. Although KNPH had catapulted him into stardom literally overnight, KMG was the film that began endearing Hrithik to kids. This frenzy reached a peak after Kkrish but more on that later. Hrithik literally played a child in the movie, and he did it with such perfection that kids immediately considered him as their best friend. Last time the Indian audience had seen a similar performance was years ago when the wonderful Sri Devi ji (May she rest in peace) had played the role of Reshmi in the splendid 'Sadma'. Not surprisingly, critics compared Hrithik's performance in the film with hers, and every one of them unanimously agreed that both performances were flawless.

Hrithik changed his voice, his way of speaking, his looks and his body language so much that he actually looked like a little boy. He was optimally sweet, innocent, and annoying, just like you would expect a naughty child to be. Some of his best scenes were with the ever glorious Rekha ji who played his mother in the film. Rekha Ji has often claimed that if she ever had a son, he would be like Hrithik. Offscreen, they actually share a similar relationship and probably that fuelled their amazing mother-son chemistry on screen. The other fantastic partnership in the film was between Hrithik and Preity Zinta. Rohit and Nisha were one of the most unconventional couples of Bollywood. And also, one of the cutest! ☺☺

Nonetheless, the best pair in the film was undoubtedly Rohit and Jadoo. Hindi cinema has been responsible for presenting us with a number of iconic friendship duos over the years. Mohan-Ashok, Anand-Bhaskar, Somu-Vicky, Vijay-Sher Khan, Jai-Veeru, Vijay-Ravi, Kishan-Bishan, Ram and Rahim, Amar-Prem, Munna-Cirquit constitute quite an elite club and Rohit -Jadoo definitely made it to the list.

The kids who played Rohit's mates also deserve a mention here. Hrithik surely must have had a gala time while shooting scenes with them.

However, it was the script and direction that really binded the film together. We have often seen films fail dismally despite having a stellar cast, and the reason for such failure is almost always a lacklustre script or uninspiring direction. Fortunately, Koi Mil Gaya was perfect in both these departments, as a result of which Hrithik could literally soar above every other performer that year.

A few words need to be mentioned about the music of the film although it needs no introduction. The songs were a rage then; they are equally hummable now. Sadly, present bollywood rarely makes such melodious music anymore! The good old days...Ah! But let us not lament. Instead, why do we not just relive those moments for a while? Hrithik dancing in Rohit’s character remains one of the best bits of acting he has done in his life.

Coming to the scenes! Yes, the most exciting part 😉! It is really difficult to choose favourites from a film like Koi Mil Gaya. Even so, we decided to give it a shot. Lets start with the moment when Rohit discovered that he had not been promoted with his friends. Didn't the sudden disappointment on Rohit's previously excited face make you want to go and give him a cuddle? 🥺 Also, don't even try to tell us that you did not cry when the goons broke his scooter and later hit him with the basket ball leaving him battered and bruised or when he pleaded to Lord Krishna for more strength ('Thodi shakti mujhe de do Bhagwan) 😟🥺😭😭.

And what about the scene in which he was angry and upset about Nisha not being his 'girlfriend'? Hrithik and Rejha ji in intense emotional scenes are always a treat to watch. The scene where Jadoo met Rohit and Nisha for the first time and healed Rohit's scars with his touch after that iconic hand extension moment attracted silent awe from the audience in theatres then and remains goosebump- inducing even now. No discussion about Koi Mil Gaya can ever be complete without mentioning Rohit's splendid transition. We got the Greek God on screen for a few scenes in which he generated hysteria among the audience that had been viewing him as a son or younger brother for most part of the film. What an actor! The ending was bittersweet for many. After all, Rohit did revert back to his childish self as a price for saving Jadoo's life. But, Jadoo gave him his powers back! And thank God for that. How else would he go to Singapore and meet Dr. Siddhant Arya later in his life? Our Superhero Kkrish would not have a villain to kill in his debut film! My God, worse could have happened. Kkrish would have never become a superhero if Jadoo had not given Rohit his powers back! So well done Jadoo 🤗🤗

OMG! This blog has been running over pages! Excuse us for the length 😁. But one of us did watch KMG from the first row, all the while straining neck on the first day of its release. The other one watched it comfortably the first time ( tickets were prebooked, of course) but got a sore neck after watching it from the front row a second time, and also gave the same to the entire family. However, no one complained. So, now you know what this film means to us. Thank you for your love, encouragement and support. They keep us going. Adios Amigos till the next one 😉😊

[bollywoodirect]

#42YearsOfAmarAkbarAnthony (27/05/1977) 

The film directed & produced by #ManmohanDesai, and written by #KaderKhan. The film stars #VinodKhanna, #AmitabhBachchan, #RishiKapoor, #ShabanaAzmi, #ParveenBabi and #NeetuSingh in the lead roles.

The plot focuses on three brothers who are separated in childhood and adopted by three families of different faiths—Hinduism, Islam, and Christianity. One grows up to be a policeman, another a singer, and the third the owner of a country liquor bar.

The soundtrack album was composed by Laxmikant-Pyarelal and the lyrics were written by Anand Bakshi.

The film about religious tolerance became a landmark for Bollywood masala films, building on the masala formula pioneered several years earlier with Nasir Hussain's Yaadon Ki Baarat (1973). Amar Akbar Anthony also had a lasting impact on pop culture, with its catchy songs, one-liners and the character of Anthony Gonsalves played by Amitabh Bachchan. It won several awards at 25th Filmfare Awards including Best Actor, Best Music Director and Best Editing. It was later remade in Tamil as Shankar Salim Simon (1978), in Telugu as Ram Robert Rahim (1980) and in Malayalam as John Jaffer Janardhanan (1982)

[poojasangwan]

Here is a comparison of original "Raghupati Raghava" song from Nama Ramayana and Gandhi's distortion of it. Gandhi tampered with the famous Hindu prayer to suit his political interests. Tampered version which includes "Allah, Rahim" has been popularized by Indian secularists. Gandhi tampered with Hindu prayers to include "Allah, Rahim, Karim" and became a "Mahatma" for it. But even Gandhi knew what would have happened to him had he tampered with Islamic prayers/Shahada to include "Jai Varaha".He never touched them Indian secularism is one way street A very important point. Gandhi NEVER worshiped the Hindu deity Rama. As Gandhi himself made it very clear in his Ramanavami speech, Gandhi's Rama is not the Rama of Hindu scriptures. Gandhi's "Rama" is a monotheist formless God. Excerpt from Gandhi's Sabarmati speech,1928 To drive the point home, Gandhi even revealed that according to him, the Hindu God Rama of Hindu scriptures was not the "perfect one". The Hindu God Rama was just a "monster" Peace would not be attained through him. It would be attained only by worshiping monotheist formless one. So,the "Rama" of Gandhi was not the Hindu deity Rama. He was just a monotheist formless God who was also known by other names such as Allah, Rahim, Karim. Keeping this in mind, let us take a look at the lines which Gandhi pruned from the original "Raghupati Raghava" bhajan. Gandhi removed the line "सुंदर विग्रह मेघश्याम" clearly because physical description of Hindu God Rama as मेघश्याम did not go well with his monotheist formless God. Replaced it with "ईश्वर अल्लाह तेरो नाम" so as to clarify that his Rama had nothing to do with Hindu deity Rama. Gandhi removed गंगा तुलसी शालग्राम because of Shalagrama's association with Vaishnavism and Hindu rituals. Removed भद्रगिरीश्वर सीताराम as the line refers to Rama as Lord of Bhadrachalam. Bhandrachalam is Andhra Pradesh is the site where a great idol temple Lord Rama exists. #hinduism #hindiwriters #true #truehindu #indian #gandhi #raghupatiraghav #congresshataodeshbachao #nehru #british #savehindu #sanatan #ram #jaishriram #pkmkb #patriotism #saffron #fact #knowyourdharma #dharma #bringbacktrueindology https://www.instagram.com/p/Bxsk-7dHfxR/?igshid=1237rvf09m3z9

[surinder777]

It is the need of the hour to convey spiritual messages in the form of songs so that the listeners can learn from it. To deliver such social and spiritual messages to the whole world, Saint Gurmeet Ram Rahim Ji came up with a new song “Jaago Duniye De Logo”. The teaser is out and the song will also be released soon. Millions of people are already liking the teaser way too much and now can't wait for the launch of the song. Excitement level at its peak! Stay tuned for #NewPunjabiSongByMSG! https://www.instagram.com/p/Ckqg4rzyIEE/?igshid=NGJjMDIxMWI=

[todaynewsguru]

Music video, VIP sessions, devotees in hundreds: it’s ashram as usual for Ram Rahim

Music video, VIP sessions, devotees in hundreds: it’s ashram as usual for Ram Rahim

“Bahaaron phool barsao, mera mehboob aaya hai”, the tune of the immortal Mohammed Rafi song rings out from loudspeakers seconds before Dera Sacha Sauda chief Baba Gurmeet Ram Rahim arrives on the stage at his ashram at Barnawa in Baghpat on the Meerut-Baraut state highway. Sentenced to life on two separate counts of rape and murder and jailed in Haryana’s Sunaria prison, Rahim is out on parole –…

[akashdeepinsan]

Check out 'Paap Chhupake Punya Dikhake' on Saavn!

Listen to the song 'Paap Chhupake Punya Dikhake' on JioSaavn at https://www.saavn.com/s/song/hindi/Paap-Chhupake-Punya-Dikhake/Paap-Chhupake-Punya-Dikhake/BFkqYkN7BVU?referrer=svn_source=share&svn_medium=system&utm_source=share&utm_medium=system

[hazratsultanbahoo]

A Review of the Movement for Implementation of Deen in Sub-Continent, Factual Situation of Hadrat Sultan Bahoo’s Period and his Contributions

To review the movement for implementation of ‘Deen’ in the Sub-Continent, it will be in the fitness of things to briefly go through the corridor of history. As a matter of fact, during the course of history many invaders conquered India, but they could not hold on any part of the sub-continent for long and Hinduism absorbed and assimilated all foreign invaders and cultures after short durations. Even the invaders like Greeks, Kushans, Bactrians, Sakas, and Huns could not hold their political and cultural control over India and with the passage of time, all these foreign cultures were absorbed into Hinduism. The situation, however, changed qualitatively when Islam came to India with a highly developed philosophy and theology. Despite Hinduism’s constant political and cultural onslaughts, Islam could not be absorbed in Hinduism. Islam first came to sub-continent, with the advent of Muhammad Bin Qasim during the eighth century from the Arab world, and later on through the gateways of Kabul and Kandhar in North-West. Hence Islamic principles of equality, moral ethics, distribution of Zakat among poor and offering prayers, based on Quranic teachings and the tradition of Prophet Muhammad (PBUH), attracted the local Hindus towards Islam.

This fact may not be ignored that with Islamic conquests, Ulema, Masahikh and Sufia Ikram (Muslim Saints) also came to India and established Mosques, Madrassas, Khanqas, and religious Darbars to preach Islam, resultantly a large number of Hindus and Sikhs accepted Islam during Muslim Rule in Sub-Continent spread over 1000 years. In spite of being one-fourth of the population, until Muslims followed the teachings of the Quran and the Tradition of the Prophet, they remained the masters of their destiny, but when they digressed from the Islamic rituals and teachings, their commanding position also declined gradually.

After Prophet Muhammad (PBUH), the unity of Ummah remained intact, as Sahaba e Ikram and the Family of the Prophet based their lives on fear of Allah and love of the Prophet, therefore, Shariah and Tariqah remained unified as a single entity in Islam. The word ‘Tasawaf’ signifying spiritual love for Allah and His Messenger was used much later for describing Tariqah. However, Hinduism failed to control the conversion of Hindus to Islam despite adopting harsh social measures including the complete social boycott of Hindus who converted to Islam. In further accelerating the social movement against Muslim growth in the sub-continent Hinduism encouraged ‘Bhakti Movement’ for creating a schism in the House of Islam. Hinduism was successful during the period of Emperor Akbar, who was forced to review the religious policy under the influence of Rajputs. Akbar removed Jazya (Islamic Tax) and started inducting Hindus in the royal court through compulsory military service, which considerably lowered the influence of Muslims in the royal court.

Taking advantage of the changed policy of the royal court, Hinduism encouraged Bhakti Movement to launch a spiritual attack against the decaying Muslim position in the royal court and check the numerical growth of Muslims in Sub-Continent. Hindu and Sikh Bhakats preached identity of religion and brotherhood of man by propagating the so-called similarities in Islam and Hinduism i.e., Ram and Rahim, Kishwar and Karim, Kaaba and Kailash, Quran and Puran in their lectures and devotional songs. In view of Akbar’s secular-religious policy, the Muslim Saints saw the transformation of Hindu revivalism under the umbrella of Emperor Akbar, with anxiety. Mujaddid Alif Sani, a Muslim Saint of his time, however, raised voice against the secular policy of the Mughal king. He was arrested during Emperor Jehangir’s era but was set free due to likely reaction of Muslim Ulema and Sufia Ikram. Bhakti Movement though succeeded in creating some sort of schism in Muslim Ummah but failed to absorb Islam in Hinduism. However, Bhakats gradually succeeded in promoting internal conflicts among Muslims by dividing the House of Islam into two cults i.e., ‘Wahadtul Shahood’ and ‘Wahdatul Wajood’. The situation continued as such during the era of Jehangir and Shah Jehan until Emperor Aurangzaib reversed the process once again converting sub-continent into Darul Islam. But, in spite of being a staunch Muslim, Aurangzaib never crossed the limits of Islam and his attitude remained tolerant of other religions. Aurangzaib knew it well that since the days of Akbar, the tie of Islam had slackened so he wanted to bring back the waning glory of Islam in the Sub-Continent. He reversed Akbar’s secular policy by re-imposing Jizya (Islamic Tax) on non-Muslims and abolished compulsory military service for Hindus in lieu of Jizya. Aurangzaib was criticized by Hindu writers and historian for being harsh on Hinduism but a British political scientist Alexander Hamilton, who visited India during the latter part of Aurangzeb's reign, greatly appreciated the tolerant policy of the Emperor. In one of his write-ups, Hamilton wrote, “Everyone is free to serve and worship God in his own way”.

Aurangzaib’s era was important as Hadrat Sultan Bahoo emerged as a popular Saint of Punjab. His 140 books were written in Farsi, the then Royal-Court language. Sultan Bahoo, being a practicing Sufi and religious Aalim, preached fundamental principles of Islam to his students by following the path of both Shariah and Tariqah in a well-balanced manner. He used to advise his students to develop the pure habits of devotional faith, self-belief, honesty, truthfulness and strong desire to learn, for achieving nearness to God and the Prophet. He used to offer special prayers and often passed through the divine ‘Maraqba’ achieving nearness to God and the Prophet Muhammad (PBUH). Sultan Bahoo’s mystical Punjabi poetry having a unique wave of ‘Hoo’ mostly reflected his love for God and the Prophet. In fact, through the medium of his devotional poetry and divine guidance, Sultan Bahoo inculcated truthfulness and spiritual vision amongst his students as well as general masses. His mystical poetry was recited with religious zeal particularly in most of the villages and towns of Punjab, while the message of his Farsi write-ups spread beyond Punjab. He pursued his religious thoughts in a well-balanced manner to bring the outer (Zahir) and inner (Batin) dimensions of man in consonance with divine guidance as reflected in the philosophy of ‘Wahdatul Shahood’ and ‘Wahdatul Wajood’. The first one through Islamic Shariah by acquiring the perfection of outer dimensions of religious knowledge and the second through his mystical vision following the path of Tariqah for purifying the inner self and getting nearness to God and the Prophet. In one of his poetic expressions Sultan Bahoo says:

Worldly love turns away from Allah with worries and tension Hoo

Divorce worldly wealth three times Bahoo, if truth to mention Hoo

[addisob-blog]

Changes Roles From Rock Star to Actor

After rock music, Saint Dr. Gurmeet Ram Rahim Singh, the head of religious sect Dera Sacha Sauda, is all set to make his debut in films. The 47-year-old Dera chief is currently busy shooting for a Hindi movie that has him in the lead. The film, whose title is yet to be made public, is expected to hit the theatres in January next year, sources in the Dera said. They said it will be a mix of spirituality and entertainment, with a social message at the end. It will also cover several social initiatives in which the Dera is involved, they said.

The movie will have five or six songs — all written and sung by the Dera Sacha Sauda chief himself. The sources said Singh has also given the storyline for the movie, which is funded by the Dera itself and is being directed by Jeetu Arora, who has directed several television serials like Kyunki Saas Bhi Kabhi Bahu Thi. Sources said Singh has also directed the movie in bits and parts. A Malayalee actress, who has acted in several South Indian movies as well as popular Hindi serials, is playing the lead opposite the Dera chief. The Dera authorities refused to divulge details of the script or and the name of the actress. A highlight of the movie will be a sequence in a live concert. “Guruji held a three-day concert at the Shah Satnam Ji Stadium in Sirsa from August 16. It was attended by around 1.25 lakh followers. The concert will be part of the movie,” a source revealed.

Through the movie, the Dera plans to reach the international audience. “The movie will be dubbed in several Indian languages and will be released in theatres across the country. For the international audience, it will be dubbed in English as well,” the Dera source added. The Saint Gurmeet Ram Rahim Singh Ji had recently thrown hints. “The movie is aimed at generating awareness about the various humanitarian drives. While the storyline draws completely from the truth, all the ingredients of action, suspense and drama are being added to make it interesting,” Singh had said.

Director Arora, who has worked with several Bollywood stars, is confident the movie will click. “It is a very rich project. I can only see a superhit in the making,” he said. On the acting skills of the Dera chief, Arora added, “As an actor, he is superb. I can say that he is a one-take actor. His dialogues and emotions flow so naturally that you don’t even realize he is acting.” Original Posted: https://derasachasaudablog.wordpress.com/2014/09/01/dera-sacha-sauda-chief-changes-roles-from-rock-star-to-actor/

[best24news]

पैरोल खत्म, डेरा प्रमुख ने नया गाना किया लॉच, जानिए क्या है नए गाने के बोल

पैरोल खत्म, डेरा प्रमुख ने नया गाना किया लॉच, जानिए क्या है नए गाने के बोल

सिरसा: डेरा प्रमुख राम रहिम की आखिरकार रविवार को पैरोल खत्म हो गई। सुबह बाबा सुनारिया जेल के लिए रवाना होगें। जाते जाते राम रहीम ने श्रद्धालुओं के लिए 5 मिनट का नया गाना लांच किया है। जिसके शब्द ‘पाप छुप���के, पुण्य दिखाके’ है। गाने पर हनीप्रीत ने भी ट्वीट करके अनुयायियों का नया गाना सुनने को कहा है। आजीवन कारावास काट रहे बाबा: साध्वी यौन शोषण, पत्रकार छत्रपति व रणजीत हत्याकांड के दोषी डेरा प्रमुख…