#Quelle Chris | Explore Tumblr posts and blogs

therappundit · 2 months ago

Text

PUNDIT PICKS: "THE CREAM" of the Crop [My Favorite Albums of 2024 (*so far*)]

ICYMI, my ongoing series on the best of 2024: https://therappundit.tumblr.com/post/756082881246461952/the-pundits-picks-more-of-2024s-finest-part

***Please note: the selections on this list had to have dropped by 8/31/24, FYI***

Back in June/July, I began compiling what would become my ongoing "best of" list for 2024. I wasn't trying to rank my favorite music at that point, I was mostly concerned that the weekly onslaught of new music throughout the year could lead to a noteworthy piece of art missing these ears, and slipping through the cracks. I wanted to close out *the summer* with a list of my favorite albums of the year up through the end of summer, and I planned on releasing that list to public scrutiny at the end of Labor Day weekend...

It is now October.

Welp, plans are meant to be flexible, I guess. 😬 Timing be damned, I want to share with the world all of the shout-outs I possibly can, the cream of the crop, my favorite albums of the year as we closed out the summer season (bring on hoodie season, that tends to be when I feel like me the most).

And in no particular order, here are some of my favorite albums of 2024 [*up through the end of summer*]: Out Of The Blue by Blu & Shafiq Husayn, Lil Old Town by DJ Lucas & DVNTBEATS, WE DON'T TRUST YOU by Future & Metro Boomin, Pinball by MIKE & Tony Seltzer, For Hustlers Only by WB Nutty, MMCHT by Nickelus F., The Pride & Glory by Teller Bank$ & Ed Glorious, Nubian Cruiser by Ronday, Black Box: JOSHUA IS DEAD by Joshua Virtue, Black & Whites by Big Hit, Hit-Boy & The Alchemist, the First to Make Contact When We Dap by R.A.P. Ferreira & Fumitake Tamura, Shadowbox by Mavi, EMBERGO_ by Nakama., DOOF & ESCEE 2 by Doof, Escee & August Fanon, So Much Enrgy & Sav by Ysr Gramz & enrgy beats, Mr Beat The Road by Bossman Dlow, soul food for the family by rimhan, WATCH THE THRONE by Jaeychino, Marciology by Roc Marciano, PLAYWAY OR NOWAY by RRB LILMEL, My Story Got Stories by Bruiser Wolf, BIG MYAAP, NOT THE LIL ONE by Myaap, The Tonite Show The Sequel by Curren$y & DJ.Fresh, Nobody Planning To Leave by ShrapKnel & Controller 7, CHUPACABRA by JasonMartin & DJ Quik, Scoob Wav by WTM Scoob, LOYALTY: BIRTH OF SUPER RUFUS by Rufus Sims & Billionaire Boyscout, Flint 2 Detroit by YN Jay, Plea$e Don't Think I'm Actin Funny by Bub Rock, BLUE LIPS by ScHoolboy Q, Memoirs In Armour by Navy Blue, Can't Go Bacc by Nino Paid, Day Shift, Vol. 1 by Lil Tre, Pigmen In the Vitreous by Knoweye, Brown in America by HOODLUM, Alchemy by Jay Cinema & Chow, All Infinite by Kooley High & Tuamie

24. A Forsaken Lover's Plea by Chuck Strangers

(I always look forward to new Chuck, who frequently racks up accolades as a producer, but never seems to get his just due as the great MC that he is. A true double-double threat with every release.)

23. Deathtape 2: We Gon' Need Each Other by Quelle Chris, Cavalier, and Denmark Vessey

(Any time one of these artists releases anything, you know it's must-cop art....so naturally when they all collaborate, they make one hell of a short but sweet haymaker of a project.)

22. DECON$TRUCT!ON by Maassai

(What was pitched as a collection of loosies recorded over the past few years came off as a sharp, memorable showcase for one of Brooklyn's most talented MC's.)

21. Save The Bees by Big Flowers & Messiah Musik

(Big Flowers is part of one of the greatest communities of exciting NY talent that we have seen in years, so pairing the thoughtful MC/producer with Messiah Musik - one of the most potent producers in underground hip-hop right now - yields a palette of sounds and messages that feel stronger with every listen.)

20. WOODSTOCK '99 by Nick Satchel & dp0mmy

(Nick really seemed to put his foot down into this one, shining alongside an old friend in Atlanta-by-way-of-St. Louis producer dp0mmy...who continues to raise the bar of what he can achieve sonically, remaining one of the greatest secret weapons in hip-hop right now. More on dp0mmy in the weeks to come...) 👀

19. Bag Man Julio by Jaysanityy

(A name you are sure to be more familiar with in the near future, the DMV's Jaysanityy is one of the most complete artists you will find in underground hip-hop. Check out any of his work, and I guarantee you will wonder why he's not already mentioned in the same breath as artists like Mavi, Pink Siifu, and Maxo.)

18. 74: Out of Time by Ol' Burger Beats

(Another fantastic, less heralded producer helms this compilation album, which is stacked with great songs from some of the indy world's finest, and sounds far too cohesive to leave off of my favorite album list.)

17. WAKING UP AND CHOOSING VIOLENCE by YUNGMORPHEUS & Alexander Spit

(Few MC's are able to sound so cutting with their words without sounding enraged quite like YUNGMORPHEUS, who has steadily put out some of the best rap music out of anyone's catalogue over the past 5-6 years. He's joined by another one of 2024's MVP's, Alexander Spit, who happens to be one of the most skilled producers at creating cool instrumentals to help support, rather than outshine, the messages of his MC's collaborators.)

16. This Too Shall Pass by Yo OG

(Rapidly becoming onf of my favorite MC's, No Label collective's Yo OG - sometimes shortened to just OG - is strong enough to carry an album on his own, but when he joins forces with other talented affiliates from No Label, it's clear that this whole team is about to be a force in hip-hop music.)

15. Black Blues Brothers by HALAL BOYS

(Representing Phoenix AZ, I knew nothing about Lord Ra and Gorgeous Jefe heading into 2024, but leaving 2024 they're high up on my radar as one of the most exciting duos I have heard in a while.)

14. Memory(ummm) by Sleep Sinatra & bloomcycle

(Speaking of 2024 MVP's...Sleep Sinatra is a tried and true veteran MC/producer that seems to be going the fine wine route, while bloomcycle - the producer alias of previously mentioned Big Flowers - also seemed to be making an impact on various different projects this year. Together they created a standout album, equally effective as a tightly made cohesive personal work as it is a collection of great collaborations with fellow amazing artists.)

13. SOLACE by Marco Plus

(To make a name for yourself coming out of Atlanta's deep, deeeeep music scene, and to do so without being already tied to a major industry name, or even delivering the "typical" type of crossover rap music that the ATL is known for, is pretty impressive. But once you hear Marco Plus spit, it's not too surprising. His ear for beats is only surpassed by his hungry delivery on the microphone, so of course it's no surprise that this year he has received dap from some of the most established artists in the ATL, like JID. I would say keep an eye out for Marco more in the future, but my guess is that he will knock down more doors and make a name for himself without anyone having to dig too deep to find his work.)

12. Almighty So 2 by Chief Keef

(Am I surprised that Chief Keef dropped one of my favorite albums this year? No, I'm more surprised that in 2024 I am so eager to hear his work at all. I was woefully late to - dare I say, straight up refused to board - the bandwagon for Keef. He has been buried on my "happy for him and his success, but I don't feel the need to hear anything else from this man" list since the "Bang" video. Sure, I dug more than a few Keef cuts over the years, here and there, while he was putting in work on project after project to become a better all around producer and recording artist. He really understands rap, trap, and how to deliver a sonically appealing album that in spite of his relatively limited subject matter, doesn't come off as cookie cutter. Almighty So 2 has been very well received, but garnered some "meh" responses from his core base, since this is probably his most accessible, polished, mainstream-ready project to date. But make no mistake, there is no lacking in raw energy and clever commentary, both are provided in abundance here, and we're all better for it. I can now say what I began to feel back with 4NEM in 2021: I am a Chief Keef fan.)

11. PERSEVERANCE by Jay Cinema & JUNE! as JUNECINEMA

(Sure they share great chemistry as MCs & Producers, but what shines through the most on PERSEVERANCE is their pure love of music. It's one thing to come off hungry, but to come off as being excited just to make and release music? That's become an increasingly rare commodity. JUNE! and Jay Cinema have really put their mark in underground hip-hop over the past two years, and this album feels like a culmination of their growth and confidence as recording artists. Take Jay's classic NYC MC swagger, plus JUNE!'s delivery that often reaches construction site levels of gravelly, then interweave clear shout-outs to their loves and musical influences, and you get a dope underground collaboration with strong replay value.)

10. Sour Dub by Rich Jones & SINAI.

(A unique talent that threads the needle between singing and rapping in a casual and authentic way - possibly the best to juggle both since a certain famous Canadian actor/rapper/singer, Rich Jones is always guaranteed to put out some interesting work. Here he joins forces with SINAI. a.k.a. Sleep Sinatra - and boy what a year he's had - and the two deliver some of the most grounded, feel-good somber music that I have heard in quite some time. I'm not sure if "feel-good somber music" is even a thing, but if it is, Rich & Sleep are maestros at the artform.)

9. 3rd Shift by J.U.S. & Squadda B

(I'm not as familiar with Squadda B as I probably should be, but I know he made an impact as one half of Oakland's Main Attrakionz. Here he delivers engaging, diverse production for Bruider Brigade's J.U.S, who I am more familiar with, as he has been near the top of my personal "most slept-on MC" list for several years strong now. Together their chemistry is sublime, with Squadda's slappin' beats providing ample space for J.U.S to speak his mind over.)

8. F.U.N. T.O.Y. by Sideshow

(Alexander Spit got busy on this one, tossing a varied collection of sounds at Sideshow to work with. In turn, the L.A. MC delivered another interesting piece of work, touching on a rolling list of thoughts, but not staying long enough in any one passing thought to reach a completion. While this could be problematic for a lot of artists, for Sideshow it works quite well, in my opinion. F.U.N. T.O.Y. feels like the equivalent of going on a long drive alone to clear your head, and jumping from song to song on the car radio. That might not be the most purposeful and effective drive in the world, but that doesn't make it any less enjoyable or thought provoking. Sideshow is the epitome of a "leave them wanting more" MC.)

7. The Thief Next to Jesus by Ka

(The writer's writer returns. At this point, I don't know what else can be said about this man's pen, but from a longevity standpoint, let's talk about how challenging it must be to maintain a certain level of elite rapping - and well into one's fifties. Ka's experience as a MC is well documented, but as a producer, Thief lives amongst his finest, dare I day accessible production work. Here he keeps the darkness at bay with powerful soul, grit, and determination, delivering a fantastic album that doesn't denounce the purposes of devout faith, but parses the complexities behind keeping a religious mindset in today's world.)

6. sunscreen by shemar & Child Actor

(Likely the shortest project on this list, but surely one of the year's most potent. shemar speaks to a generation of artists that have grown up in and around NYC accepting the music of artists like Armand Hammer, and not as "alternative underground rap", but simply where the bar happens to exist today. In turn, on sunscreen shemar comes off with a stream of consciousness flow and a chip on his shoulder, which when combined with the raw and majestic smokiness of Child Actor's instrumentals, makes for an ear gripping listening experience. This is peak 3:00am on the L train music.)

5. Los Angeles by Blu & Evidence

(I'm not sure if any other MC can brag about having the sheer volume of dope music drop within the first 3/4 of a calendar year at Blu's level. The underground vet seems to be enjoying a hungry renaissance, releasing three albums by my own personal deadline for this list (another great piece of work with Exile has also been released since). The news of Blu releasing a full project with fellow west coast underground legend Evidence, was only surpassed by the actual final product. Los Angeles is a sonically phenomenal, lyrically on-point love letter/indictment of the coast's most infamous city. Hip-hop history is stacked with unforgettable releases that perfectly capture the soul and feeling of L.A. life, but I don't know if it's ever been done this successfully with such a full a collection of beautifully curated vintage 90's underground vibes.)

4. Different Type Time by Cavalier

(Cavalier had a great year. Folks in the know have been not-so-patiently waiting for this one, because whenever Cav drops anything it might not be the loudest album in the room, but it will always be one of the finest. When fans learned that this album was going to be released through modern day Def Jux-esque powerhouse and bily woods boosted record label Backwoodz Studioz, even higher expectations were bestowed upon Different Type Time. Cavalier might not be a New York City resident anymore, but the feeling across this album is an open diary of a wizened New Yorker, a grown man in the rap game that's seen enough light and darkness to know that day to day life will always end up being somewhere in the middle. Similarly to other razor-penned MC's like Ka and Skyzoo, Cav is not preoccupied with knockout punchlines as much as he is focused on making each bar land like it's own story, each a bittersweet memory over a swooning jazzy backdrop.)

3. Service Merchandise by Previous Industries [Open Mike Eagle, Video Dave, Still Rift]

(Sometimes the only thing capable of being funnier than a great stand-up comedian, is a group of old friends just shootin' the shit together. Comedy is dependent not only on well-written jokes, but also impeccable timing, chemistry, and a certain level of connection with the audience. Open Mike Eagle, Video Dave, and Still Rift have no trouble making a connection with their audience, and they know their voices well enough to probably finish each other's sentences, and stick the landing on any cultural reference within a verse. Service Merchandise is an underground rap album that could only be made during these times by middle-aged hip-hop artists that have long since come to terms with the fact that they just aren't destined to be flashing rollies in glossy rap videos surrounded by gyrating bikini models...and that's okay. Stacked to the brim with nerd nostalgia, pop culture references, and thematic homages to fallen retail chains - not to mention expert rapping, lyricism, and a laundry list of some of hip-hop's finest underground producers - Previous Industries excel at balancing the art of waxing nostalgic without dismissing the positivity that could come from the present and future. Fellow writer/music thirster, the great Son Raw, spoke positively of the album as well, matching it to De La Soul vibes, and surely that's a comparison to be proud of.)

2. #RICHAXXHAITIAN by Mach-Hommy

[The mysterious Mach man strikes again. After what felt like a long enough delay to start asking "is it actually dropping, or was it scrapped?", Mach-Hommy released #RICHAXXHAITIAN in May to strong reviews, albeit with less hype than what came with the first album listening session back in 2023. A handful of familiar guests, as well as a handful of expected trademarks (Mach is still successfully "flippin' _____ like" whenever possible) made the album feel like a Mach album, but musically he was working with a higher level of pristine selections. Without losing any hint of his unpredictability or raw delivery, Mach managed to work in an additional layer of polish or two, curating each song on the album as if "this could be the one". Thoughtful, culturally attuned to his Haitian American status, and as willing to dip a toe in experimental territory as he's ever been, if #RICHAXXAITIAN isn't Mach-Hommy's most well-rounded album thus far, it's damn near close.]

1. Sewaside III by Mike Shabb

(Montreal, stand up. Whatever Mike Shabb may lack due to his youth, he more than makes up for it with his body of work in hip-hop, utility knife of talents. Shabb is an elite beatmaker and MC, and he possesses a rare assortment of skills that work equally well with both trap and boom-bap sensibilities. He may have the highest ceiling of any MC on this list, because like other gifted artists like MIKE, Earl Sweatshirt, and Vince Staples, he represents a modern MC that doesn't see a problem with placing Lil Baby and Roc Marciano back to back on the same mixtape. Sewaside III is a great representation of how Shabb continues to grow more polished with each release, without sacrificing his raw underground essence. Staring at the last few months of 2024, if this one ends up being my favorite rap album of the year when the ball drops on Dec. 31st, I will be quite fine with that.)

Next up...my favorite SONGS of the year (*as of the end of summer*)...thanks for reading, and stay tuned!

2 notes · View notes

universalanguage · 2 years ago

Text

Past to Present: The Hybrid in Retrospect

In the world of Hip-Hop few and far apart are the seminal voices that shake up traditional styles to birth something new and dynamic. Detroit's Danny Brown is one of those voices, who's managed to win over a cult-like fanbase due to his unique stylings and often strange antics.

With the recent release of his joint album w/ JPEGMAFIA accurately titled "Scaring the Hoes" I couldn't help but harken back to the Danny Brown cuts that initially caught my ear.

......

Sometime in late 2010 an acquaintance of mine was playing various new rap cuts in between bits of a writing process to generate our own rhymes. Early in the mix of songs that was something that I had never heard before and it stood out like a sore thumb. The track was "Shooting Moves" from Danny Brown's critically acclaimed debut album "The Hybrid". To clarify, while many see "XXX" as his initial album there is a large swath of folks who remember and revere the former record as their intro.

To be quite honest, at the time I would've considered myself a purist of sorts whose favorite hip-hop records came with a more backpack kind of sound so my initial reaction to Danny was something of disgust. It's truly bizarre that I had an outright distaste for what I was hearing but for some reason or another I couldn't help but revisit that song for about a month wondering why someone would voluntarily listen to it. His voice was shrill at times and often totally out of tune and the beat selection was something otherworldly altogether but I couldn't leave it alone..... and then it clicked.

......

To those of you familiar with the Kingsway Sample Library the name Frank Dukes will ring plenty of bells. To those who aren't, just know that Frank is a sort of musical savant who plays and records original samples that have been used by producers such as Jake One, Hit-Boy, Kanye and even the elusive Madlib. Before the unfolding of what's become a brilliant career Frank Dukes was another producer on the rise and many early Danny Brown tunes including "Shooting Moves" featured Frank's inventive brand of sampling and arrangement.

"Shooting Moves" happened to be the tip of a rather bizarre iceberg. Once I managed to wrap my head around the wild sonics and strange flow patterns I was hooked. Soon after I discovered "The Hybrid" which was then and still is one of my personal favorite albums of all-time.

The opener "Greatest Rapper Ever" starts in with a spacey modulated sample and the perfect drum break crafted by none other than Quelle Chris. Danny's starts in immediately with the following lyrics:

My homie a magician with the Tec (Tec) Make your chain disappear and reappear on his neck (Neck) I ain't tricking with your hoes (Nah), but, shit, don't ask 'em (Nah) Only thing I give a bitch: A fucking orgasm (Chyeah) I'll throw you in the river (River), hands tied tight (Tight) Watch your ass drown, feel it in the air tonight (Tonight) I'm spitting that dope shit (Dope), smoking on regulars (Ugh) Writing sixteens like internet child predators (Chyeah)....

To say I was floored is an understatement. Never in my life had I heard something so awe inspiring, it's the kind of reaction that only happens on very rare occasions like when you first heard Kid A by radiohead or something but if I were to put it into a rap nerd perspective is comparable to the kind of feeling I get when I listen to "Ready to Die" by Biggie. Something so viseral yet indescribable that it makes you wanna punch something and cry heavy tears at the same time. I'd wager that I played that track at least ten times before starting in on the rest of the album which was immaculate from track to track.

......

Most notable on this release in terms of cadence and approach to rapping is the intermingling of Danny's various vocal tones. Post "XXX" his signature high pitched register is a calling card of sorts but "The Hybrid" is an example of his early attempts at perfecting such a cadence. Albeit biased this is my favorite era of his work for just that reason. Danny was in the up and comer space and as a result was still trying various sounds and deliveries. As a result from track to track the album gives us a wise spectrum with which to engage and paints fine brush strokes with a myriad of colour palettes. Songs like "Greatest Rapper Ever" feature a more brash and confrontational tone that harkens to his background in the ghettos of Detroit while others like the closer "S.O.S." have a more soft and poetic undertone.

A great example of the projects versatility is a track titled "Juno" which I assume is titled after the Elliot Page (formerly Ellen Page) and Michael Cera film. This cut has Brown giving an unadulterated observation of the struggles and disappointments that are birthed as the result of unplanned pregnancy in a poverty ridden landscape. The opening line references Tupac's "Brenda's got a baby" directly paying homage to what might've been the songs direct inspiration but rather than take the more soft and thoughtful tone Danny's delivery embodies the type of frustration and disgust that breeds itself among those in dire straights. It's quite literally the ugly truth in it's purest form and as ugly as it might be it draws you in and keeps you coming back.

Another stand out is "Drinks on Me" features an utterly intoxicating instrumental and has Danny reflecting on the ills of alcoholism through an introspective lens. This track observes the various angles and vantage points that "normalize" alcohol within society and touches the core of the subject matter succinctly. From drinking as a means of celebration to drowning one's sorrows in a bottle of their choosing it's one of those songs that's managed to get me into my feels even when I'm in the best of moods and although counter-intuitive pairs well with a drink.

For those familiar with Danny's work beyond this period, you'll feel right at home with joints like "White Stripes". It's one of the earliest examples of the pitch and delivery we've all come to know so well. The sample is a grungy mix of dirty guitar fuzz and big drums that function like an 80's power ballad. The rapping is something all it's own as the vocal inflections aren't quite as embellished as Brown's subsequent releases. The tone is a great range of vocals from low to medium and higher registers and is a lot more fluid than the years that followed in my own opinion. You can hear the energy of something new being brought forth. It's the kind of thing that happens when someone makes something they know is good but hasn't field tested it to see if the flame will catch. Nonetheless it makes for one of the most memorable and awe inspiring offerings.

......

I could wax nostalgic about this album from front to back for ages. it holds a really special place in my heart and in my library and for those who haven't explored it I urge that you do so with urgency and the utmost intent. From Danny's off the wall fashion to his unique and eclectic style of rapping/songwriting much of what the so called modern era syphons from is owed to albums such as this that birthed and inspired so much of what proceeded them.... but don't just take my word for it.

-YOSHI

#danny brown #the hybrid #rap music #2023 #early 2010s #musicians #detroit michigan #frank dukes #quelle chris #underground #album review #classic #indie artist #music #scaring the hoes #jpegmafia #kingsway #retrospective

7 notes · View notes