#copy cold

[beatsforbrothels]

Mach-Hommy - Copy Cold (ft. Black Thought) [prod. Quelle Chris]

[seraphicsnail]

finding out that sunday is actually very sensitive and cries easily makes me so joyous. this opens up so many avenues. like this whole time, his cool calculating demeanor was just him holding it all in and now hes just letting it allllll out

there’s sooo many layers to him i swear im about to go crazy

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[souenkun]

Takashi living the warm, full-of-love life that reiko couldn't have (as far as we know in the current canon) feels very much like the grief that dawns for children when they finally realized how much sacrifice their parents didn't always tell them just to give birth and raise them.

Like, technically speaking, reiko only gave takashi a world of problems by passing down the sight and the book of friends decades after her death, but takashi also grasped the wholesome and the awful parts of interacting with both humans and youkai from the memories she had left behind, scattered among all these eternal monsters she had defeated, leaving in them unintentional, but important life lessons for him to find later on in the future. If it weren't for all those societal rejections that reiko received from humans and the hardships from youkai that led her to start the book of friends, takashi wouldn't be able to avoid repeating her mistakes (and, consequently, could be just as comfortable with isolation like reiko was), let alone make the precious balance we now see him have in the present time, where he can make genuine connections with humans and youkai while also maintaining a balance to them. Do you get what I'm saying 💔

[fagbearentertainment]

If I was hosting the trans swag competition today they would be automatically included

[marzipanandminutiae]

so help me god if I tanked the chance for a well-paid job with full medical benefits, sick leave, paid vacation time, etc. because I hardly ever do machine seam-finishing

I'm going to be. really really really upset

[spicyraeman]

broke: naming your layers

woke: rapidly switching them all on and off till you find the right one

[whatudottu]

Welcome one and all to my version of the party's loopified designs, featuring my many broken bones and blood stains I especially put into Odile who I tackled second unlike the alphabetical order that I have presented here! I'll have in-depth discussions on each designs and matching practice portraits under the cut but before that-

Siffrin 'barely taller than a preteen' no middle name no last name Loop is still barely taller than a preteen but now that preteen can claim fire to their height!

Alphabetical order GO!

Bonnie, who I've been calling Bonfire (which if that ends up being their name I can imagine Bonnie calling them 'Fire' while they call Bonnie 'Face' to match), was the last of my designs because frankly I knew from the start what their design was going to take influence from and also knew I was going to draw fire :P They were based on bonfires (of course) and also specifically the Burning Man effigies just for a humanoid figure, plus being a chef cooker and a campfire and also a very heated expressive person.

Their flames are hot but not actual wood burning so the Favour Tree (and Mirabelle in the height chart) are not at risk of combusting, they're just incredibly bright-

Isabeau my first design, with influences from @basilpaste 's Lock (with a dressform body) and @nullapophenia 's original version of Husk (the faceless identityless sketch), I have combined them both to make a mannequin it/its loopified design that finally gets to be capital T Tall all for the low low price of being Changed against its will and suffering another bout of body dysphoria that it can't fix anymore :) :) :) When I was referencing mannequins I actually noticed how long their legs actually were let alone how they were perma-stuck in that Barbie-like highheel pose and thought why don't I just curse Isa with something he previously wanted :P

Something something Isabeau actively Changed not only his body but his personality to become someone he wouldn't be ashamed of, yada yada Loopsabeau is back to hating itself and has started to become a person it despises to match (also like a mannequin it's head and arms are technically painlessly removeable :P)

Third in order and third in design is Mirabelle, who technically is the only loopified design with technically hair and clothes, but the hair are the tangled roots of the Favour Tree and the clothes are like the carved hardstone statues of religious figures :P Initially my Idea for Mirabelle was to make her kinda like her statue, with the wonky expression of someone who made it without much mastery over details, not to pit anything against Mira, no, no. Thought about maybe abstract statue design but I couldn't find a version I liked but I did always imagine her statue being weathered in some way, there was a reason why I saved her for third I couldn't pick what I wanted. But then I remembered the broken Change God statues, thought about the 'blessing' that ended up being a curse, and then thought about overgrown weathering and gave her the roots.

I actually looked up Black hairstyles and mostly wondered what specific hair texture Mirabelle had (she wears it in a fro of course, but she has flyaways that aren't coils, but she described her own hair as kinky and :P) so that if I were to mimic hair with tree roots I can get an appropriate matching hairstyle (settled on megatwists). Hah, if Mira has 4C hair, considering how long her hair actually looks, if she to wear her hair in twists she might actually have elbow length hair :P

I spent 8 non-consecutive hours on Odile can you tell? Can you see my hands bleeding my wrist breaking my eyes drooping? Yeah so Odile was again, my second design and it took me a week to recover, and she's a combination of gem and mirror suit with all the little fragments floating around her the 'diamonds' that represent all her family members party plus the ones she originally had in sets of 2. I also put geodes where parts of her body have broken off (inspired by how when the King strikes she can't move, plus also being a glass canon) where when I was actually drawing those geodes that they kinda use the Change symbol?

Circle within a circle within a circle, regardless of how wiggly it is, and at the centre is a cluster of crystals. That was an accidental reference to Odile's mixed heritage but hoo boy what a connection! Her missing pieces are a combination of 'being too old for this' fragility and also 'i didn't want to render more mirrors sue me'

Anyway I am going to put my wrist in a cast and imagine loopified party members with their pre-wish counterparts :P

[pharawee]

—THE HIDDEN MOON · เดือนพราง · Episode 06

[generic-sonic-fan]

Omega's hands are frigid, while his chest plating is comfortably warm, while his head plating is scalding hot.

[screwpinecaprice]

I woke up feeling like I was crying to sleep when I wasn't??? And my dream was about Mei from Turning Red riding a snow sleigh. Um There's nothing sad about that??? Lol

Anyway, the warm up sketches. The colors were added in Medibang. It was pretty fun, might do that technique some other time. My body still refused to recover from being bummed out throughout the day so I did house chores instead of commissions. 😅 Will try again tomorrow.

[milkbreadtoast]

looking back at the yjh webtoon screencaps i have saved and giggling... hes so cute... moe... my pookie ^___^ 🥰🥰 poor little meow meow woof woo- *eliminated where i stand*

also these poses are sooooo... 꺄아악🖤🫣🫣🫣🫣

[kodasea]

Smile

[i3utterflyeffect]

Does victim try to retaliate against Mango for helping Yellow escape?

Yes and yes! Technically I haven't made the yellow scenario canon to the au yet (the original plan upon drawing that was that no one would know King's intent but the mercenaries are not that stupid and also they have. idk cameras and stuff probably </3) but!

here's this anyway

when your boss starts aggressively projecting onto you with no explanation or warning and then goes back to threatening your family like nothing just happened. <3

bonus:

[birdmitosis]

Since I've been talking/gushing about it a fair amount lately and have mentioned before that I think my followers, especially you Slay the Princess peeps, would like How to Survive Camping and think you should read it...

Here is my pitch for why I think fans of Slay the Princess, specifically, would enjoy these books:

Horror in the woods that is also very funny

...and at the same time it also made me weep a few times

I can describe my reaction to multiple female characters, including the main character, with "I support women's rights ❤️ and women's wrongs 💕"

The MC's main weapon is a very significant blade that is definitely not ordinary

The inhuman are creatures of perception

The power of stories is so important you guys

The main relationship is (I would argue) a love story (whether or not you ship it), but in a way that despite the two characters being a woman and (sort of) a man feels very aroace and non-cishet (in this one the MC is, by word of god, canonically aroace!)

There is also, between those two: Hunting for sport, knife fights, and outright stabbing, as well as rescuing

There's a "grey world" without the right colors sitting parallel to the normal human world

There is a lady in chains

One of the chapters (and in fact one of the books) is titled The Beast

The MC burns someone alive and that person comes back to try to kill her (yes, I know that Damsel did not herself burn alive to become the Burned Grey, but still!)

Vore, mind-control, flaying, gore, and drowning are also there

A crow monster shows up??? (admittedly very very minor though)

Brandon Boone did the soundtrack for it (well, for the NoSleep Podcast version of the first book)

If this sounds at all up your alley, the entire thing can be read for free on r/nosleep; links to all of the stories are in an easy table of contents right here. And I can provide you with 2-3 bonus stories if you do end up reading, too!

ETA: The stories have been pulled to publish, buuut if you are still interested... if you get in contact with me, I would be happy to discuss the original stories... *cough cough*

[metamelonisle]

i actually know about kirby outside the context of smash bros or memes this makes me better than literally everyone i know irl and i am not joking