#Qrow thinks they are able to face whatever it is that comes their way with Ozpins aid

[rwby-confess]

Confession #170

[averagemrfox]

What’s the rosebird theory

I am SO glad you asked i was practically begging someone to ask me

the tl:dr of it all is that Raven killed Summer and she did it because Summer asked her to

i’ve seen some theorizing that Raven killed Summer that just didn’t really vibe with me because the decision was made by Raven in those theories

Basically what i’m thinking is that Summer and Raven went off together like we saw in the v9 flashback and things didn’t go the way Summer planned and they both found themselves with broken auras and no way of escaping because Raven could no longer portal them out of there… Summer knowing Salem was either killing or experimenting on silver eyed people by that point asked Raven to kill her instead of letting Salem get to her and so Raven would be able to escape in her bird form (which is tied to Oz’s magic not her aura)

Also Ruby sees that the Hound was a silver eyed person and just makes the assumption of “what if when she met mom salem realized she could do something else” and it’s a very valid assumption for her to make but it’s only based in fear of what might’ve happened to her mom. But the only things Salem ever says about Summer is “your mother said those words to me” to Ruby and “her again?” to Yang. there’s no actual proof that Summer was hounded

But what really gets me is when you look at the conversation between Yang and Raven in the context that Raven may have had to kill Summer and Yang was hitting her where it hurts and didn’t even know it

Literally half this conversation could apply to Summer instead of the spring maiden. ​Yang is talking about the former spring maiden meanwhile Raven is flashing back to what Summer asked her to do

“which is it mom? are you merciful or are you a survivor” - yea I’m sure that’s something Raven has been asking herself for the past decade or so

“you don't know what l've been through, the choices l've had to make!” - she’s so clearly not talking about the singular choice of killing the spring maiden here

“You turn your back on people, you run away when things get too hard, you put others in harm's way instead of yourself!” - Raven talks so much about strength to the point where it sounds more like she’s trying to convince herself. I really think that again what Yang is saying here is something Raven has been thinking of herself for years if she’s been living with the guilt of killing Summer and hasn’t told anyone what happened

She might’ve told Ruby that she was just like her mother a couple chapters before this scene but Yang saying she’s willing to face Salem is exactly what Summer would’ve done too. And Raven realizes that because that’s the exact moment the conversation stops being combative. I don’t think that “i’m sorry” was just to Yang

And not really proof of anything but that I’m sorry comes after Yang shoulder checks Raven in the exact same way Summer did lol

We don’t know what Raven has been up to in between v5 and the unfinished v9 epilogue but whatever it is has Raven and Qrow on good terms again and Raven is trusted enough to be included in meetings with Theodore, Winter, Ozcar, Qrow, and the presumed summer maiden.

She’s confided in something to Qrow to gain his trust again, i don’t think telling him that she’s the spring maiden would’ve been enough. I kind of think it’s more like she’s confessed a decades worth of guilt to him

[mantispire]

I’d love to hear your Ironqrow headcanons!

I have like an entire barbie dreamhouse with these characters in my head so I have legitimately hundreds... here are a few that might be the most interesting/whatever... I'm sort of shy about sharing this stuff. Laugh

I think they met back during the Vytal tournament and faced off in their one/one match. Qrow won + they kept contact over the years.

They have a /lot/ of really rough patches + a history of really bad arguments, usually hinging on Ozpin and his decisions/ their own stresses as a scout/headmaster/general/ the million other things Jame and Qrow both deal with over the years + both of their entire separate PTSDs

During the 'events of canon' ( v 1-3-> ) they're divorced and hadn't really spoken in years. I think they were married for a sort of comically brief time but it was a nightmare due to aforementioned ^ issues. They're both stubborn and have a lot of disagreements so I don't think the marriage was able to last + everyone around them knew it.

I headcanon that when they were most stably together ( like late 20's/early 30's? I need to figure out The Ironqrow Timeline in my head but that requires a lot of exploration I'm too tired to do right now ) that they tried to have a kid together. It didn't work out + both of them have a lot of feelings about it that stuck around even as they get older

Qrow ended up spending a lot of time away from James / away from Atlas especially while he had to help Taiyang raise the girls after Summer died. This didn't help their really patchy relationship -- just a lot of both of them being pulled apart by life's events.

Qrow was there with James ( as best as he could be ) as he underwent the years-long process of healing from the "paladin incident" -- lots of waiting with bated breath during surgeries and sitting at James's bedside and helping him through physical therapy etc etc etc. He was drinking at this time though and spends a lot of time regretting that he wasn't 'there' more, even though James just remembers Qrow's love and how faithfully he'd been there for him through a /lot/ of humiliating and horrible moments

I like to imagine ( in my dollhouse. This isn't relevant to canon at all. ) during v7/ Qrow's return to Atlas they start to patch things up, sort of mentally returning to the place they were when they met: one of mutual appreciation, slowly starting to undo a lot of their interpersonal problems and finding that ease and comfort with eachother once again that they'd lost. Like they come back to the metaphorical dusty empty home they left and start to clean things up. I think James would be a really big instrument in Qrow's stopping drinking and would have helped him through the process both physically and mentally. I just think they would slowly start to ease into one another, so much older now but also healed in a lot of ways. The world wont have been any better but they've both been through so much and can finally find that comfort in each other.

Qrow misplaces James's favorite fountain pen without thinking and James spends the whole day looking for it because he can't function without the specific pen he needs to use. Qrow returns it with an apology at the end of the day because he realized he'd accidentally put it in his pocket. James is just happy /he/ didn't leave it somewhere and it didn't get damaged or anything.

Sorry these got sort of serious... a lot of the silly ones are pretty contextual and small. but this is my ironqrowverse. I hope this all makes sense... thanks for reading, if anyone survived my rambling. LOL

[unlockthestars]

Years later, she would look back at this moment, and while she wouldn't regret what happened, she would regret how it had happened. Because even though Qrow was her best friend, there had been something else there, something that they hadn't taken the time to examine, wouldn't, not fully, until much later.

And even though she prided herself on understanding Qrow, even then, she absolutely did not understand him as much as she would come to. If she had known then…., she likes to think she might have been kinder, might not have tempted him so much…., but she knows in her heart of hearts that it would have ended the same. Because she doesn't regret it, doesn't regret him; just that she'd ever given him cause to doubt, to worry, the way he always did.

But all of that will come later.

The Glynda in the moment watches Qrow, sees what her words, what her actions have done, and for a moment, she wishes she could take it back, wishes she had brushed it off as just another one of their harmless little back-and-forths. That's all; they should definitely get back to studying.

But she knows she can't, not at this point; if she changed her mind now, if she tried to laugh it off as a joke, that would hurt Qrow…., and that was the last thing she wanted.

Besides…., she'd been telling the truth when she said she'd wanted to kiss him. She wasn't in the habit of lying, especially not to her friends, especially not to Qrow. He saw through her, the few times she had told little white lies, for whatever reason, and she'd made a point of being honest with him after that, even about things she hestiated to tell anyone else.

So she would be lying now if she said she didn't want this, didn't want him, whatever else might happen. She didn't expect him to settle down, not when he was finally stretching his wings, finally able to fly, to be free…., but maybe he'd come down to earth for a little while and spend some time with her.

Emerald eyes are trained on him as he moves towards her, closing the distance between them. The hand on her cheek shifts to cradle her face even as she feels his other hand slip around her waist.

He starts to speak, and she waits, patient, giving him room to find his words, her hands resting against his chest, waiting for his decision before allowing herself to hold him close.

When he continues, when he says i don't want, even in that breathless voice of his, she's prepared to pull away, to smile and say she understands, that it's all right….., but before she can, he kisses her.

He kisses her and pulls her tight against him, so there's no space between them, and his mouth is hard on hers, and it's more than half-desperation.

She tightens a hand into the fabric of his shirt, slipping the other up into his hair to hold him close as she presses up into him, into his kiss. He keeps talking even so, in between what his hands are doing, the way his tongue slips into her mouth and she welcomes him in, opening for him.

But when he finally finishes his sentence, finally finds the words, even as she can feel him against her, she looks up at him. She doesn't pull away from him, doesn't put any distance between them. She takes his face in her hands, meeting those crimson eyes of his, her expression serious once more, despite how kissed-pink her lips are, how much her heart is hammering in her chest.

"Qrow…," she whispers, starting with his name because this is important. "No matter what happens…., I will always be your friend." Her eyes are fixed on his, willing him to understand what she's saying. She'd told him this didn't have to go anywhere, and she had meant it. They could remain just friends after this, and she would be okay….., as long as he was. Having him in her life was important…, and she needed him to know that he would always be able to come to her, that she would always be there for him, regardless of whatever decisions they made tonight.

But she would be lying to both of them if she said she didn't want him.

he can't, he can't, he can't.

he can't make sense of it.

or maybe doesn't want to admit what makes sense because that would mean making a choice, and qrow's not sure if he has the capability to do that right now, blood rushing to just about everywhere except his brain. no amount of cool spring breeze through their hair or twilight dew on the grass could help.

he picks out what words he can, in the haze of how close Glynda's body heat and bougie perfume hangs over him:

want, she says, after openly appraising him, and dizziness sets his head spinning all over again.

lovesick, she insinuates, glitter in emerald eyes gleaming even more off of her glasses from between the seaglass jewelry he gave her, and all. gods, how has it come to this?

doesn't have to go anywhere, she offers, as graceful and straightforward as ever, as if it could, as if she'd let him take her anywhere, do whatever, while pressing her face further into his palm, staring right into his soul. she can probably watch it leave his body. feel in the air how dry his mouth goes.

fuck.

fuckfuckfuckfuck, fuck!!!

it's the only word he can pull up from his own thoughts, in every single of its iterations.

"nnhgnh..." qrow chokes on his own voice, because that can't be the answer. which is stupid, because he's done this dozens of times before when he couldn't give less of one. but Glyn... she... she mattered. he doesn't want to shatter her heart or make her cry or scream or curse his name. he doesn't want to cause her pain.

and yet...

his body betrays him, taking her bait and acting on bolder desires behind the confusion, responding to the coy way she so patiently poises herself; his fingers curl around her cheekbone and tuck back into her hair to cradle her face; his other hand angles around her waist, anchoring into appreciation of the generous curve there.

it would happen. maybe not after, maybe not next week, maybe not even all year, and probably not on purpose. but qrow would hurt Glynda. even without more of Ozpin's secrets in their futures, and bandits fresh at his back, and a heart he swears is actually broken, that was just the way of things, his fate.

"i..." breathless, qrow tries to speak; a useless effort when his lips already creep so close to Glynda's they've barely room to move, because he is weak and selfish, and she is beautiful and all but begging to try and find her own answer buried in the back of his throat.

"i don't want..." so he says,

and yet...

still he kisses her.

not kindly, either, no.

he pulls at both of his grips on her, aligns her against his body, and layers and locks his lips into hers like it's the first and last chance he'll ever have to hold so fine a huntress.

"i don't want to..." he keeps talking right into teeth, between tugs on tight fabrics and thrusts of his tongue. qrow kisses Glynda as if some part of him dares to believe that a taste of her in this moment really might just change his life.

"...i don't want to mess this up,"

he finally finishes the sentence in a pathetic whimper, heaving and hard against her,

and... yet...

he actively made it about as mixed up and messy as possible. and he will dig deeper unless she sends him away. he will fuck up every friendship he has. inevitably. maybe literally.

...sinking stones, he hates himself.

[hamliet]

RWBY and the Philosopher’s Stone

So, I finally watched RWBY after a friend name-dropped several characters and I was like wait... those names are alchemical. I was still pleasantly surprised to find out just how deeply rooted in alchemy the story is, from its characters to its plot structure. 

Background: alchemical structure is a type of story structure that focuses on inner transformation via outward obstacles. You can find it in literary traditions across the world, from Moxiang Tongxiu’s novels to A Song of Ice and Fire to Harry Potter to The Witcher to Trollhunters. Carl Jung incorporated it into his psychology. Daoism plays heavily into Chinese alchemy. The Wizard of Oz, one of RWBY’s main inspirations, is a blatant alchemy allegory. It’s everywhere, so it’s not surprising RWBY is drawing heavily on alchemy, but it is neat to see how blatant the references are. 

Thematically, the goal of alchemy is a metaphorical philosopher’s stone. The philosopher’s stone, in legend, is said to produce an elixir of eternal life, and to be able to transform “baser” metals into gold. 

In stories, when positive, as it usually is, this usually results in a character either overcoming death (see, Harry Potter) and/or transforming the world and others around him (Harry Potter saving his friends, etc.) But the journey from how they get from prima materia (raw material) to the philosopher’s stone? Now that’s the story. 

(When reversed, a metaphorical stone results in something that can destroy everything; see: the One Ring, also Salem, because Salem’s whole thing is that she cheapened the process of life and death, while alchemy states that death is a necessary part of achieving life.)

So, mostly I’m gonna talk about the symbolism I’ve seen so far and make some predictions for what’s likely to happen next in the story, and for the characters.

Each of the four main characters has a name that corresponds to one of the four phases of the Magnum Opus. “Blake Belladonna” refers to the nigredo, or black stage; “Weiss Schnee” to the albedo, or white stage; “Yang Xiao Long” to the citrinitas or yellow phase, and “Ruby Rose” to the final stage, rubedo, or red (Ruby’s name is quite literally taken from that stage). Naming them for these stages shows a dual purpose: while Ruby is the central character, she needs her team around her, and Team RWBY will save the world together. Team JNR is also a part of the stages, but I’ll get to what they represent later on. 

Jung associated each of the major stages with a major archetype. The major stages can be further broken up into a total of seven or twelve or even fourteen stages. Most commonly you’ll see George Ripley’s Twelve Gates referenced, and I believe that’s what RWBY is referencing as well since its allusions are pretty perfect. The "gates” or stages also sometimes overlap, especially when different characters might be at different stages. 

Nigredo: Seasons 1-3 

Alchemy begins by gathering the prima materia, or raw material. The characters assembling in season 1 is more of the gathering than the actual transformative process. But once we hit season 2, we dive straight into the process. 

Calcination occurs during the climax of season 2, during the fight on the train. Season 3 contains dissolution, or the washing of impurities through the exposure of certain secrets (like the fall maiden) as well as the literal dissolution of Beacon Academy, and separation (the end of the season, when Team RWBY is scattered). 

Narratively, Jung associated nigredo with the shadow, with someone’s dark night of the soul, their low point. In historical artistic depictions, often part of nigredo is dismemberment... which happens to Yang when she saves Blake from Adam. See, Splendor Solis: 

The goal of the shadow is that it should be integrated with, accepted, rather than denied. Facing the shadow is a necessary part of growth and ultimate transformation... and the point is, through facing the shadow, hope and light come.  

Peacock’s Tail: Seasons 4-5

Okay, I lied, there are sometimes five phases in alchemy. At the very end of nigredo, just before albedo, there is sometimes a flash of light, of rainbows and colors, that give hope. It’s not quite a phase, more of a moment, but it’s referred to as the peacock’s tail. While this is less plot-related, it does make sense that this is the point in the story where Team RJNR is formed. Why? Because look at their colors:

Ruby: red, black

Jaune: yellow, blue

Ren: green, purple

Nora: white, pink, orange

Between them we’ve pretty much got the full rainbow. 

We also have, in Blake’s arc, the introduction of Ilia Amitola, whose last name is the Souix word for “rainbow.” 

Albedo: Seasons 5-7

Albedo is associated with the anima or animus, or the part of ourselves that we are lacking (it’s generally gendered as the male within a female and the female within a male, but please understand he’s not talking literally and more in terms of traditional qualities ascribed as feminine or masculine that we may repress), which more than fits the fact that this stage begins while team RJNR is literally wandering around a continent called Anima. 

Conjunction is a term in which all the separated parts that can be salvaged from the Nigredo come together. Obviously the main incident for this is the fight at the end of volume 5, but I’d argue it overlaps a bit with volume 4 and even with separation.

The characters are only able to come together again once they’ve accepted aspects of their shadows. Yang deals with hers in Raven and Blake with the White Fang. Nora and Ren’s fight at their home village represents them dealing with their shadow as well, and also relates to conjunction because conjunction is the stage where the first chemical wedding comes into play. A chemical wedding is the joining of alchemical partners, and while I’ll probably discuss ships in another post (there’s a lot of set up alchemy-wise), I’ll just reference the obvious one here: 

The fountain image and a person shooting arrows is some pretty uncannily similar imagery to the fight at Nora and Ren’s home village. 

Next up in albedo is putrefication (focus on death and rotting). We see this with the encounter with the Apathy, who look like skeletons, cause death, etc. We’re also introduced to Maria Calaveras, aka the Grimm Reaper. (Her last name also means “skull” aka the white results of putrefication). 

Congelation requires a lot of water, and we see this in the focus on Atlas, wherein snow (water) is everywhere. The point of congelation is to separate the thin from the thick, the latter of which will of course become the Philosopher’s Stone. We see this through Team RWBY’s break with the Ace-Ops (aka the Aesops), whose simplistic morality and rule-following are not going to bring about character growth or eternal life. 

Citrinitas: Volume 7-?

Citrinitas focuses on the light, or fire. That immediately after congelation, a giant whale brimming with yellow appears in the white-colored Atlas is not a coincidence. Citrinitas is associated with the sage or the wise old man/woman, so Maria and Pietro fill this role. 

The first stage of citrinitas is cibation, which involves feeding with fresh material. I’d actually say that it seems quite possible cibation overlaps with congelation, in that there is a focus on food and on training with the Ace-Ops early in Volume 7. The next phases are sublimation and fermentation. I can see potential for sublimation in that it essentially is when solid becomes air (think of the setting of Atlas), but it’s too soon to say what this means for the plot. 

Fermentation, though... well, things will get worse before they get better. :’) 

Rubedo: 

Finally, Rubedo is associated with the fully individualized self. We can assume each of the main seven will come into their own, confident of whom they are. Oscar should, as well, and probably will have fully control over his body by the end (ie Oz will likely... find rest or whatever).

The stages of rubedo are exaltation (the creation of the stone after two contraries meet), multiplication (the stones’ properties increase), and projection (the stone’s abilities are projected over the entire world, aka presumably RWBY will save the world). 

The most common way to display multiplication is through, well, a lot of couplings. It’s why the main characters ending single seems extremely unlikely to me. Even if it seems a fairy tale ending, well.... *gestures to everything about RWBY being inspired by fairy tales* Fairy tales were also often alchemy based. But ships will get their own meta, because I actually don’t really ship much besides Renora and am for once not super invested in anything, but I can see the set-up for four or five ships.

I also want to highlight the other symbolic names that stood out to me: 

Ironwood. While I know Ironwood references the Tin Man in The Wizard of Oz (tin being one of seven metals associated with alchemy), his name also references a second metal: Iron. Tin and Iron are the two of the three basest metals in alchemy (the other is lead). Iron in particular is ruled by Mars, the god of war, meaning it is associated with violence. It’s not a coincidence that pretty much from the second Ironwood is introduced, the concept of war comes up, and his entire character has gone on to be the embodiment of the military and violence. 

Tai Xiao Long. His name literally means “sun,” and Ruby’s mother is defined by her silver eyes (silver being a color traditionally associated with the moon). Ruby is thus considered the child of the Solar King and Lunar Queen, two mythical alchemical figures who together create the “Philosophical Child,” or the personified philosopher’s stone.

Pietro Polendina: his name literally means “stone,” and Penny is his philosopher’s stone. Penny is arguably a reference to copper, another of the seven metals, as copper references compassion and love, which seems like Penny to me. 

Qrow and Raven Branwen: crows and ravens are symbolic of nigredo, or the black phase; death, decay, etc. However, within the story I think Qrow and Raven fulfill this role as the Jungian shadows of hunters as a whole and of Yang. 

Sun Wukong: obviously a reference to the sun. 

Emerald Sustrai: Emerald is a reference to the Emerald Tablet, which in alchemical lore is a tablet containing the secrets of alchemy, as written down by Hermes (in legend). Hermes is, of course, Mercury. Everything about alchemy stems from the Emerald Tablet, so Emerald should be important. In addition, green is the color of the prima materia, so it references Emerald’s arc in being shaped and molded by Cinder. 

Mercury Black: Mercury as the mythological god is the legendary founder of alchemy, so like, he’s important. Mercury is also the third most important metal in alchemy, after gold and silver. It is necessary to achieving the philosopher’s stone so, like Emerald, Mercury is probably important. Mercury is of particular note because mercurial characters are common in alchemical literature: they make stuff happen. Think of Mercutio in Romeo and Juliet, for example. Mercury transcends death symbolically (you can see the roots of this in Mercury’s backstory with his assassin father): it is difficult to pin down and can quickly shift from liquid to solid. Thus, in alchemy, mercury can shift between life and death. 

Mercury is also a noted servant of the white queen. I initially thought this a surface reference to Salem’s appearance, and it might be, but Salem is more associated with a black queen in the recurring chess motif, and I don’t see Mercury staying on her side (mercury isn’t fixed, after all; that’s its central tenet), so I kind of wonder if the “white queen” will be later revealed. Or maybe it just is a surface mention.

[kitkatopinions]

It feels so out of place how the narrative and the characters have always treated the Atlas military (alternatively suspicious, tyrannical or incompetent), yet when push came to shove that same military fought and died for hours against Salem's invasion to protect the tens of thousands of people trapped in Atlas BECAUSE of Ruby while Ruby sat and drank tea. How long did that battle go for? Four hours? Five? And if that wasn't enough, it only ended because Oscar was only covering the escape. 1/2

No lie, I feel like the world they invented pretty much requires the presence of a militarized force to sustain itself and it's one reason why approaching the Atlas military as 'point blank bad with no gray area' and approaching Hunters with 'point blank good with no gray area' makes no sense to me.

I've seen fans literally say that they knew Atlas, its military, and James were bad from the get go because of the use of the words army and military, and that army = bad, but ffs it's a fantasy world where the rules are one hundred percent different than the real world. The world of Remnant we're presented with is one with dark monsters thriving on negativity and attacking indiscriminately, reproducing at a fast rate, and adapting while showing intelligence and the understanding of consequences. They're known to bring down towns when something goes wrong, like a bandit raid. Single Grimm can take down whole towns. Panic stirs up Grimm activity and enough of it can bring down whole Kingdoms. The Hunter system we've been shown is A. corrupt, and B. a profession that doesn't seem to churn out a good many hunters, and many of the Hunters we see are concerned with big picture things or specific tasks, or retired or dead, due to the inherent danger level of the job. There simply aren't enough Hunters. There aren't enough Hunters to run border control, to protect the cities if they get attacked, to ferry kids back and forth from school while Grimm activity is up, to investigate suspicious activity and handle it when things go wrong, to save civilians when push comes to shove, to be parts of secret organizations while also maintaining their oaths to protect. Hunters seem more like specialists, at least from what I've seen in show. They're trained to be able to take on high level threats and go through a rigorous program, but they can't act as the only line of defense, partially due to their lack of numbers. They aren't actually the driving protective force keeping the Grimm out of the kingdoms on a day to day, hour by hour basis.

We see this over and over again in the show. Hunters get overwhelmed, towns fall, cities fall, they can't do the work of hundreds of people. Teams RWBYJNR and the Happy Huntresses never would've been able to protect Mantle from a direct attack from Salem, for example, when they couldn't even keep all the civilians safe from the Grimm that were occurring naturally due to political upheaval and unrest. In a world where demon monsters from hell will manifest and attack if too many people feel negatively at once and feelings of safety and security are needed to try and prevent the Grimm from coming in droves, an army is the only real solution here. Remnant is not the real world, the way we view armies is not automatically the way the people in Remnant view armies. And in fact, the show in the early seasons does a very strange thing; they have Ozpin express a belief that unrest and nervousness will occur due to James bringing his fleet to Vale (with every sign pointing to him having been asked there by the Vale Council,) and yet the reactions that we do see are actually the opposite, but this is still somehow heralded as foreshadowing by both the fans and seemingly the show itself. From Ruby geeking out about seeing the Atlas robots being displayed, to everyone being relieved and awed when the army showed up to protect everyone in the episode "Breach," where Atlas ships saved Ruby and she gave a grateful smile, salute, and wave, the Atlas military seems well received.

And the Atlas robotic soldiers taking down Grimm as civilians run past during the Fall is another example.

Even Oz, Qrow, and Glynda who were the only three people to express mistrust or anxiousness towards the presence of the army in Vale, are only seen either telling James to use his army (Oz,) or are seen fighting by the army's side, and then being welcoming and taking direct orders from James without being even the slightest bit suspicious of him.

We don't see the supposed anxiousness and mistrust in anyone outside of Oz, Qrow, and Glynda, who all one hundred percent trusted James anyway and were only worried that everyone else would be worried. The fact that Watts (someone everyone thought was dead) managed to hack the Atlas robots, has been the only negative effect we saw in the first three seasons, and that's not due to any corruption or mistake on the part of the Atlas army or James himself (something going horribly wrong in a way no one could expect due to the evil actions of a group of other people is not actually the fault of the person trying and succeeding to do good until the group of other people did bad.)

I could get into more reasons to not think the Atlas army is corrupt, but I don't want this post to get too long, and I want to address your very right statements about the way they portrayed their protagonists versus the army even while they were trying to push the concept that the Atlas army is corrupt and bad.

Ironwood: Desperately doing whatever he can to save lives from Salem, planning ways to bring down the Whale Grimm, trying to protect the Relics and the Maiden from Salem's grasp.

Team RWBY and co: Risking the lives of literally everyone on purpose because they don't want to be in a no win situation, preventing Ironwood from taking life saving actions because it won't save every live, expressing zero concern or grief for the hundreds dying to Salem on the battlefield.

The Ace Ops: Trying to navigate their morals while they do what they can to try and protect the civilians in Atlas who are directly in danger, trying to convince Penny to actually save people, planning to take down the whale grimm even if they have to suffer knowing a kid died in the process of protecting hundreds and likely thousands of other kids directly in danger of dying.

Team RWBY and co: Prioritizing their friends, prioritizing missions that logic says won't help people especially with the fall of Atlas making it impossible to protect everyone who's going to be in danger, picking fights with people who are trying to save others.

Team FNKI: Delving into war and battle while facing their fears, trying to protect people, trying to do the job they chose and stare floods of Grimm down.

Team RWBY and co: Drinking tea in mansions, worrying about their love lives, crying on staircases, laughing with a murderer...

Even while they were having Ironwood shoot down people that stood in his way and express that he wished he'd thought about torture and sending bomb threats, they still didn't have the protagonists actually seem like likable, convincingly good protagonists that I would want to root for. It seems like they had to try hard to make James someone people couldn't root for because they couldn't make Ruby and her team actually right, effective, and good. They really seem so selfish, immature, unprepared, and entitled. Which isn't to say that the protagonists can't have those flaws, but they're not getting treated like flaws, which is the most frustrating thing.

Before the writers needed to push their message that Ironwood is completely evil and everything he's involved with is inherently wrong, we didn't get much sign that the Atlas army was corrupted and bad, because projecting real world standards onto a fantasy world that we know is very different from ours isn't it. That's not to say that I think 'not showing us this system is corrupted early' means that there's no possible corruption, but I think it's clear that the fandom pushed narrative that the Atlas army is inherently bad and worse somehow than being a Hunter which is somehow much better is very biased, especially when we also see corruption in the Hunter profession.

Making James and the Ace Ops do vile thing didn't make the protagonists seem better. They still fell way short of adequate.

[nexyra]

RWBY's Love Language - Part 2

Hello friend ! I'm back at it with a second part and whatever character I can think of ! (Among which best boy Oscar because he deserves it, and also more adults)

Let's go !

***

Oscar Pine

So ! While I love Oscar with my whole heart, honestly guessing his Love Language is no easy feat. One thing for sure : touch isn't is thing even if it's how everyone else chose to communicate their love.

I saw a post a while back detailing how Oscar is always putting his hands up as a barrier when he's scared or uncomfortable and that makes me cry a little instead but it's true TT. Anyway...

In the latest volumes we've got quite a bit of comforting Oscar-talks but I have to wonder how much of that is due to Ozpin's influence really. As a result I've decided to settle on... Acts of Service or Quality Time ! This is based on a few details : when people are upset with him in one shape or form, Oscar was always very eager to prove himself useful, give some aspect of concrete help (such as cooking a Casserole, ringing any bell ?). Plus I imagine that's the exact brand of help his Aunt would have needed most on a farm. Added to that, he always seems fairly happy to be included, be with the others no matter what's going on. Training ? Yay ! A movie with Jaune & Weiss ? Smiling puppy look. Fancy party ? Shenanigans together ! So yea, I love seeing my boy loved and hugged but please everyone settle for the loving he's most comfortable with <3

“She made a choice! A choice to put others before herself! So do I.”

“Oh, uh, yeah. I thought you guys would appreciate a hot meal after... spending all day looking for me, apparently.”

“No, it's okay. These past few days, I've been scared of the same things you were. I don't know how much longer I'm going to be... me. But I did some thinking, and I do know that I want to do everything I can to help with whatever time I have left.”

- - - - - - - - - -

Ozpin

For our favorite immortal wizard aka not quite dead Headmaster... I think the answer is rather obvious. When you're so careful with your words, but also so fiercely devoted to humanity, Words of Affirmation is a must. Ozpin constantly does his best to calm, to reassure. He's good at controlling the conversation and getting people where he wants... Except he more often than not use it to make them think and help them reach an healing ore motivating conclusion. This man is so insisten on giving and cultivating hope, so painfully aware of just how much words can change... There's no doubt in my mind that it's through these very same words that he tries to fight the darkness in others' mind, even when they don't want to let themselves be persuaded. And with some help from the farmboi, Ozpin is gaining in honesty and earnestness. And that can only help in giving comfort.

But to be honest... If you offer him a hug I doubt he'd refuse, and he definitely deserves one. Also therapy. For Oscar too. Everyone in therapy 2k21.

“Ruby. I've made more mistakes than any man, woman, and child on this planet. But at this moment I would not consider your appointment to leader to be one of them. Do you?”

“It's not every day that friends are able to come together like this. Time has a way of testing our bonds, but it's nights like these that can help keep them stronger than ever. Nights like these are ones we'll never forget.”

“Don't worry, Mr. Arc. Your journey is far from over, and the same might be said for all of you. Unlocking your Semblance isn't the end. It can still grow and evolve. Providing you are willing to put in the work, who knows what could happen?”

- - - - - - - - - -

Emerald Sustrai

Now here I'm gonna go ahead and say that the way Emerald has been taught to express her love and the way SHE would rather preffered to be loved most likely do not align. At the side of someone like Cinder, and even Mercury who isn't exactly the most emotionally vulnerable person; the only brand of love that gets an easy pass is Acts of Service, and that's probably what Emerald is the most used to. I can go on a mission with you. I can help. We go right back to the "I can be useful" mentality and I'm not sure she's been shown any other way honestly. Let's be real though : if someone offered a hug or some gentle words ? She'd probably pout & fuss but I hardly doubt she'd object.

“I don't care about Salem! But I owe Cinder everything. You want to fight her that bad? Be my guest.”

“I just... Cinder was the only family I ever had. She cared about me, taught me things... But without her here, I don't know if what we're doing--”

“I've been working on my Semblance. I can help. I won't tell anybody.”

- - - - - - - - - -

Pyrrha Nikos

What's with everyone and dedicating their whole love toward just helping their teammates anyway they can ?! Stop ! But any way, you guessed it. I'm pretty sure one of Pyrrha's top way of showing love is Acts of Service, and nothing means quite as much to her as Quality Time. For someone who's been put on a pedestal and has a hard time relating to people; both touch and words can be a bit awkward. But if they're wrapped up neatly in a training session or semblance explanations ? Well that's already a more familiar area. Pyrrha gives her whole to her friends and those she cares about. And in exchange, if anyone can simply... be there and spend time with her... May it be at the ball or simply sitting in the courtyard... I'm sure our girl would be delighted.

“Jaune, you know if you ever need help, you can just ask.”

“I'm constantly surrounded by love and praise; but when you're placed on a pedestal like that for so long, you become separated from the people that put you there in the first place. But thanks to you, I've made friendships that will last a lifetime.”

“I'll do it. If you believe this will help humanity, then I will become your Fall Maiden.”

- - - - - - - - - -

Qrow Branwen

If I say Gift Giving for the corvid, is someone gonna hit me ? Come on it's fun ! Okay, more seriously... I think this kind of love conversation is kind of a necessity for Qrow. With a semblance such as Bad Luck, making everything complicated... Qrow tries to keep his distance from those he cares about. And since he's an emotionally repressed (but caring) asshole on top of it... Well that kinda narrows down his option. You know what DOESN'T put anyone at risk but can still bring smiles on their face ? GIFTS. Shiny things, souvenirs from his missions all over the world to give to 2 smol nieces. Sounds safe right ? That said, as any good emotionally unavailable character in this show, I gotta say Qrow probably has a thing for helping out and making himself useful in relation to Oz, Tai or the rest of the inner circle. So you know what that means *whisper* Acts of Service.

That said ! When it comes to receiving some love back... Qrow probably likes everything he doesn't allow himself to have. Soft touches, loving & comforting words, spending time with a friend without his semblance making everything complicated... We know that's all he wants.

“You idiot. I know you didn't do this.”

“Look, pal, I'm not sure who you are, but you need to leave my niece alone.”

“No one wanted me... I was cursed... I gave my life to you because you gave me a place in this world... I thought I was finally doing some good...”

- - - - - - - - - -

Clover Ebi

And among our newbies (and gone too soon) friends we have Clover ! Clover was a very good contrast to our dusty old crow but also a great help. Kind-hearted, perceptive and honest; he knew just how to put Qrow's self-loathing in his place and push him to give himself some credit. He always had a nice word or a joke for everyone, and visibly the rock of the Ace Ops : an expert a keeping the moral up and the mood companiable. Evidently, Words of Affirmation was his expertise. Had things gone differently, I'm sure we'd have had time for many more earnest and helpful conversations with this teal-eyed fisherman.

“It's a good thing they had someone to look up to and get them through it. Not everyone is so lucky.”

“I meant deflect a compliment. Those kids wouldn't be where they are without you. You've had more of an effect on them than you realize.”

“We don't have to fight, friend.”

- - - - - - - - - -

Winter Schnee

And today in the "emotionally unavailable" category we have... Winter Schnee ! TALK ABOUT YOUR FEELINGS PEOPLE ! Just - I would say look at Ruby but even she doesn't talk about her bad vibes... Nor does any of the "Words of Affirmation" peeps. Honestly what's wrong with y'all people ? Anyway Winter cares so much. Is it hidden behind professionalism and a stern *big sister* demeanour ? Sure. But it doesn't negate just how much she loves her closed ones. She's fiercely loyal, and even if she doesn't let her personal feelings get in the way of her duty and doing what needs to be done, no one is allowed to say she doesn't care. Countrary to Weiss, Winter doesn't seem as good nor as aware of the love that exists in simply *being* with people. Rather, she's dutiful and ready to help any way she can when given the chance. You guessed it, yet another Acts of Service kind of love... Maybe I'm doing this wrong XD. I'm on the fence about Words of Affirmation as well. Despite her standoffish looks, Winter has always been very open & reassuring during her discussions with Penny. But she's more stern when it comes to Weiss so I dunno x)

“I don't recall asking about your ranking, I'm asking how you've been. Are you eating properly? Have you taken up any hobbies? Are you making new friends?”

“You've grown up a bit, haven't you? You're not the little girl clinging to the family name anymore.”

“You can't just buy trust like everything else! You have to earn it!”

And that's it for Part 2 ! I might do some other characters if people suggest some but I don't have a pressing need to right now. I have many ideas of songs to apply to various characters however so that's prob what my next posts will consist of (or fun templates)

If anyone has tips to create RWBY gifs or links to download the eps in good quality I'll take it ! Good day everyone !

[qrowings]

etruatcaelum​:

“‘Nothing to be told?’” Salem repeats, chiding now. She breaks eye contact at last and turns her face to Yang, who’s quivering as she glances uneasily from Salem to her erstwhile uncle and back again.

The girl’s violet eyes meet hers, brimming with worry, and the cold smile on Salem’s lips thaws. “If that were true,” she says silkily, “you wouldn’t have come all this way searching for answers, would you, child?”

Sniffling, Yang shakes her head. “You—said,” she begins, and then, in a tiny whisper: “…I want my m-mom.”

“I know. I know, dear.” She thumbs away the fresh trickle of tears, making a low, sympathetic sound in the depths of her throat before she casts another slantwise glance in Qrow’s direction. Flatly, “Whatever you think you’re protecting them from by withholding the truth is not worth the harm; either you can change the circumstances that gave them cause to venture so very far from home, or… I will tell them what they deserve to know.”

“They know what they need to know... that their mother is gone. They’re too young to understand death.” He, personally, feels like they should be told about Summer, but respects Taiyangs wishes to wait until they’re a bit older, until they’re able to really digest what it means for someone to be dead.

“They’re just children. She didn’t know how dangerous it would be to come out here by herself, that shows how little they truly understand about our world.”

Internally, he was freaking out at Taiyang, who would absolutely be getting yelled at by him when he returned home with the girls- If he returned home with the girls- for leaving them completely alone in a house in the woods surrounded by Grimm. Excuses be damned.

“They’re not involved in this.. spat that you and Ozpin have going on, they’re just someone’s kids... If it’s that important to you that they know about their mother, I can tell them after I bring them home.”

[hadesisqueer]

How do you feel about Yang and how she’s summarized in Vol. 8 as suspicious and emotional?

Late, but better late than ever. I've been waiting for this one. It's probably the longest because as I said, I make either two lines or just an entire character analysis lol. And I'm going to do it properly this time.

Okay, I straight (gay) up don't know where to start. I love Yang. I truly love Yang. She's not perfect, she has many flaws, but that's what I like the most about her. I can't help but laugh when some people say she's a Mary Sue.

Childhood, first volumes.

Yang starts the series as the funny blonde hot girl that goes around punching people. And I liked that, but I also like how she wasn't just that, as I said with Nora being the comic relief. Like, there's so much more in Yang than that, just like Weiss turned up to be much more than just the bratty tsundere.

Yang's mother abandoned her. Her other mother disappeared. Her sister was a toddler that didn't really get what was going on except her mother being gone, and her father was so depressed that for a good while, he wasn't even able to raise her daughters. Can you imagine being in that situation? I imagine she was, at most, six when that happened. She was forced to become Ruby's mother figure at six. She was forced to become the fucking adult in the house at six.

Damn, you can even see the difference between how Qrow talks to Ruby and how he talks to Yang, at least at the begining. He talks to Ruby as her uncle, as her mentor. He may tease Yang a little because she's still his niece, but when he talks to her, he always talks like she's an equal. Like, Tai still considered Yang a kid, but Qrow treats her like an adult, and knows and expects her to be the mature one. Because he saw her all those years, being forced grow up so fast. He trusts her to protect and take care of Ruby, and she trust him to protect her as well.

And damn, all of this really explains her behaviour when the series began. As Ruby got older and started to be able to take care of herself, and Tai eventually started to be functional again, Yang had more freedom. Her personality and eagerness for adventure and parties and all of that - is just her trying to make up for her sacrificed childhood. But even then she still was, out of all the girls, the most mature and nurturing of team RWBY. She is the party girl, yes. The hot headed one that will break legs. But she's still the adult of the group.

And then volume 3 happens. She gets framed in front of the entire world, two of her friends die, Beacon falls, she loses her arm in the most traumatic way possible; Weiss, her friend, is basically taken away from her and Blake -her partner, the girl she probably already had feelings for at that point- left, triggering her abandonment issues. And of course, PTSD, because she isn't fucked up enough already. She's so fucking destroyed that she can't even talk about Weiss, about Blake, about what happened. She doesn't even want talk to Ruby, because she can't stand the thought of her little sister seeing her at that state. She is not used to be the one people have to take care of, and it becomes more and more obvious in the next volumes.

Disability, recovery, abandonment issues

I like how volume 4 treats her recovery. I mean, I wish her storyline was longer, but I also like the DC comics. Now, the thing is, she isn't really recovered. In vol 4, she learns to live with her disability, she learns how to use her new arm, she learns how to fight better than she ever did before. It's about physical recovery. But is she okay? No. She hates being taken care of. She forced herself to be okay, or at least pretend she was, so Tai would let her go with Ruby. And in vol 5, she's anything but alright. She is pretending to be for Ruby's sake, because she is her mother figure and Ruby can't see her like that. She has to face her abandonment issues, she still has PTSD, and she is just not okay. Weiss notices right away, and tells her that it's okay if she is not okay. She noticed how hurt she was about Blake leaving. She just could see through the façade because if Weiss knows about anything, is about loneliness and pretending.

Her conversation with Raven at the end of the volume is just one of the best scenes, because you can just see how much Yang has grown. That scene deserves a post of its own because it's just amazing. But she finally faces one of her fears -her own abandonment issues, though they probably will always be there- and sees right through Raven. Because just like her, Raven just puts a façade to hide her own fears and insecurities, and the moment her own daughter isn't just taking any of that shit, she just starts crying. Because Yang is right. And deep down, she doesn't want to let Yang take the lamp, but she isn't just strong enough. Deep down, she wants to be in Yang's life, wants to protect her, and I think Yang knew that. But it was just too late.

More abandonment issues and relationship with Blake.

Now, to Yang, Blake coming back was huge. Not only in the terms of shipping, but as a whole. In her mind, Blake left her, just like Raven, just like Summer (though Summer didn't do it in purpose), and technically, just like Ruby, though she knew why Ruby did it and understood. But she's probably wondering “what is wrong with me that everyone always leaves me”. And she always has to be the one looking for the person who left her.

Not with Blake. After that talk with Weiss (bless the wingwoman), Yang was able to understand Blake's perspective better. But she didn't think Blake would actually ever come back, because no one ever does. But she did. Not only did she come back; literally, all Blake cared about once she entered the room and saw Yang was her (for once, someone is prioritizing her). And later, she was the one to walk and talk to the team, and tell them she didn't plan to leave again if they accepted her back. She didn't have to look for Blake because she was already looking for Yang. She was the one who made the effort, not the other way around. And to Yang, even though they still had issues to work through, even though she was still afraid at that moment that Blake would leave and break her heart again (All That Matters), that was enough to forgive her. Or at least give her another chance.

Now in volume 6 they clearly have issues. Like, Blake is very nurturing to the entire team because she feels like she has to make up. But mostly, she is trying to make up to Yang. She still feels guilty because of Adam, and she knew that Yang had already abandonment issues before she left and she probably made them worse. She was just trying so hard to be there for Yang so she could understand that she would never leave her again that she made things awkward. Yang is used to be the one who takes care of people, not the other way around. She thought that Blake “protecting her” was her seeing her a weak when actually, it was just Blake just genuinely caring about her but with the wrong words. Blake understood after that, and she changed the phrasing in the fight against Adam. Protecting each other. Equals. It really applies to the Bees relationship as a whole. “You're taking care of me, yeah, but I'm going to take care of you as well, no matter what”. For once, Yang is allowing someone to take care of her (well, except Tai, but again, she wasn't completely sincere with him, so technically she wasn't really allowing him to fully help her). And that's what I love the most about their dynamic, and why I ship it.

PTSD

Now (I'm sorry I'm taking so long), I've seen many, many people saying that Yang's PTSD is poorly written, or that the writers messed it up in the fight against Adam. Now, I have to ask those people: what the fuck do you think PTSD is?

If a Great WriterTM reads this and tries to tell me I'm wrong, or that I don't know what I'm talking about and I don't know anything about good writing and blah blah blah: I have PTSD myself. Diagnosed. So yes, I acknowledge there are many things I'm ignorant about, but I'm quite familiar about this topic. Yang's PTSD is, at least by my point of view, very well-written. It isn't perfect, but it's still far so much better than most PTSD portrayals I've seen in TV, along with Korra's. And I've seen people saying that Korra's portrayal was so much better. Well, let me tell you, it isn't, or at least I don't think it is. It's just different, because the worst thing about PTSD (and what makes it harder to treat) is that it's different for every person; sometimes it can be really severe and obvious, sometimes it seems “light”. Damn, sometimes it doesn't appear until years after the event; mine didn't trigger til I was like sixteen, and the event took place when I was around five or six. And yes, sometimes I have nightmares or flashbacks about it if something triggers me, but it isn't the whole time like some of you apparently think it is. I'm not scared 100% of the time, what the fuck.

When it comes to the fight with Adam, saying it didn't affect her: did you watch the fight? First of all, at that precise moment, Yang was so full of adredaline and too busy keeping Adam from killing Blake that I don't think her brain even realised he was the cause of her PTSD. Second of all, when he triggers it, it does affect her; she starts shaking, he's able to land hits on her that he couldn't before. But PTSD is different in every person, and is a defense mechanism, not a freezing mechanism as some people think. If I see the cause of my PTSD in front of me trying to hurt me again, I'm not gonna freeze; I'm gonna do whatever it takes so they don't ever hurt me again. Same goes with Yang: some people think she should have completely freezed during the fight, like “oh my god this guy fucked me up really bad and now he's gonna do it again and there's nothing I can do oh my god”. No. As I said, PTSD doesn't work like that, at least not always. She's not thinking that, she's thinking “alright this guy really fucked me up once but there's no way I'm letting him do that again”. Again, PTSD is a defense mechanism. A fucked up one, but it's what it is. And the writers handled very well.

Yang being suspicious and not completely trusting someone.

Now, I'm not lying when I tell you that I have no idea about what this could mean. Well, it could be her disagreeing with Ruby and having a bad argument, and that would really break my heart because I just love those two sisters so much. It could also be about Ozpin; she's teaming up with Oscar and hearing Ozpin is back could bring some problems. Or maybe Raven just appears there and she's like Hell Naw. I have no idea.

Conclussion.

I love Yang. She's not perfect at all. She's a bit of a hypocrite with the whole Ozpin thing because she's keeping Raven's identity as the Spring Maiden a secret as well (or maybe she did tell them off-screen? Honestly clear that up already). But she's over all a really good friend and person, an amazing older sister and just one of the most inspiring characters in the show. I see part of myself in her, and I don't see that often in a character. I just love her.

Damn, sorry I wrote the Bible but my girl deserved that.

[oddlyhale]

Why Qrow Shoulda Not Been Involved After Vol3

I’ve said it before but I’ll say it again:

I think Qrow would’ve been saved from being stilted in his development if he did not show up after vol3. As much as I love the absolute mess out of the man, Qrow really would’ve been better off not travelling with the kids.

I had said before that Qrow should’ve stayed behind in Atlas, with Ironwood. After Beacon’s Fall, Qrow decides that he’s better off helping Ironwood with getting the communication towers up, help locate the other relics, etc. with other things that’d happen in Atlas.

While the kids can have their own independent development / adventures without Qrow’s influence, and just try to do everything together as a team, Qrow and Ironwood are working together. Not only are they working on their tasks at hand, but also their sour relationship.

They don’t hate each other, but they definitely couldn’t stand each other. But it didn’t stop them from working together. With Oz gone and Glynda staying in Beacon to fix everything, Qrow and James only have each other to rely on.

Que the two having their usual spats and bickering, only for it to eventually develop into understanding when they come to realize that they’ve only each other to lean on for help. Yeah the Ace Ops and Winter are their, but the magnitude of this type of mission(s) weighs heavily and mainly on both men.

As they focus on each other more, the more Ironwood can gradually begin to stop relying on his fleeting hope that Ozpin will return. Qrow doesn’t have to suffer with the truth yet, keeping his upbeat attitude, but it can tone down a bit as he also feels a sense of emptiness without Ozpin. But nonetheless, the two men share a type of fear that’s more emotional, redirecting their attention onto each other. At least being each others’ crutch, things were admittingly more bearable.

And as time goes on, experiencing their highs and lows among their missions and side-quests that pull them aside to attend to, Qrow and James could call each other friends. Ironwood respects Qrow more than before, but he won’t admit that out of pride. Meanwhile Qrow is warming up to James, still being a little shit but he’s being more playful than painful.

I wanna say SOMETHING happens in their story together, a big changer that causes the two men to be a tight duo. It could be a villain that caused this closeness, or some type of life-threatening mission that pulls them closer. Whatever started it, it ended it with Qrow and Ironwood becoming way closer than before, finally trusting each other to have each others’ backs and trust their actions with no worries.

Ironwood had finally let go of his need for Ozpin, as well as Qrow. They’ve become each others’ equals, comfortably reliable and thoughtful of each other. Qrow is always seen with James, as is James with Qrow.

It finally leads into where they reunite with the kids. There’s no fucking mecha fight in vol6 because one of the kids (probably Weiss) uses her big brain and writes a letter to Ironwood to get them access into Atlas.

Qrow meets the kids first, appearing in glorious fashion to kill the Grimm that raided Mantle. Ruby and Yang have a reunion with their uncle, he leads them to Atlas’ ivory tower, reuniting with James again.

During their time there, Ruby and Yang take note of just how close Qrow and Ironwood had become. They would’ve brushed it off as mere friendship, but the stolen glances they make at each other and the way they stand so close together, makes the girls think their own uncle is having a thing for the general. It’s weird at first, because of how they’re unsure of trusting Ironwood. But they completely trust Qrow, which makes the general trust dynamic a little awkward.

While the kids could find it easy to tell a lie to Ironwood, Qrow knows when his nieces are not telling him the truth. Especially Ruby, who couldn’t lie to save her life without stumbling. He drills them for the truth, to which Ruby cracks and tells him everything. Oz is alive, they’ve lied about the Relic, and they know the truth of Salem’s morality.

Qrow’s the one to be stunned and horrified, but he’s keeping his cool. He can handle news like this, and to not freak out his nieces, but he’s already trying to figure out how to tell Ironwood. He tells them that he’s telling Ironwood regardless, and while they protest, Qrow did not want to hide the new info from his friend. (So think of it as the girls feeling bEtRaYeD by their own blood.) But Qrow’s only doing it to help build the alliance with James that they’ve should’ve made the moment they got to Atlas.

So Qrow does, sitting James down and tells him everything. He roughly begs James to not freak out, after seeing the pang of terror on his friend’s face. James feels a multitude of things all at once, only being able to ask why the kids weren’t truthful from the start. Qrow explains their reason, James feels more unsure of himself again. This is where James’ mettle starts to fester, and Qrow is fully aware of this passive semblance. At least now, openly acknowledging James’ semblance can help James try to control it and not let it overpower his reasonings. And now, he has Qrow to hold him to it.

So James knows now, though he is obviously ashamed of the kids for not telling him anything earlier. But out of respect that he has from Qrow, he’s not going to cast them aside to pursue his own plans. He works with them, but now he’s much more critical about what they do. While Qrow can tell that Ironwood is more sour towards the kids, he at least appreciates that he’s still willing to work on new ideas to save Atlas.

James doesn’t hold them back from doing whatever they can for Mantle. If anything, he still feels no need to do much for the city below, but he let’s the do as they wish. It could still paint him as being villainous, even though he’s not really doing much to be a villain. If anything, he turns his attention to Atlas and starts planning to help his people, evacuations or surrendering the Staff.

It puts a strain on the family relationship. Team RWBY knows Qrow’s relationship with Ironwood has been thorough, yet they feel betrayed that their own uncle is choosing James over them. Qrow isn’t doing such a thing, still wanting to help both his nieces and his friend at the same time. Knowing RWBY they’d pressure Qrow to make a tough decision or else. He doesn’t want to lose either, and thinking of choosing one over the other causes him to retract within himself, drinking more than he needs to.

A lot of angst, lot of hard feelings, lot of bad thoughts.

(I’ll reblog with more ideas later, I just wanna post this now bcuz it’s long.)

[chrisrainicorn]

Fair Game Week Day 4: Birds/Soulmates

A classic tattoo AU. Qrow realizes almost immediately Clover could be his soulmate because it’s obvious af, Clover isn’t sure right away because people named after birds are relatively common in Remnant so he needs more proof than that. 

One day he rescues a bird from the snow thinking the poor thing is probably lost and freezing after flying so high to Atlas and Qrow is freaking out internally after seeing his mark because it’s totally him!

So... my original plan was to try to write a fic for this. Tho I knew I wouldn’t be able to complete it on time, and I would need more time to just stop and figure how the story was going to go exactly cuz I’m the kind of person that likes to plan a lot before putting stuff on paper.

I still have a little prologue tho, but I decided not to go further until I’m more sure about the plot so it doesn’t end up forced. Hopefully, I can one day I can go back to it and complete it!! Still, you can take a peek at what would probs be the first 2k under the cut:

Qrow was born with a bond mark.

He was still a rascal of a kid, who ran barefoot and chewed with his mouth open, tripped on the ropes that held up the tents of their current campsite, and liked to try to peek at the new shiny items the tribe people had stolen from their most recent raid only to be caught at the same second - though he still didn’t know they were stolen, or understand what a raid was - when someone finally explained to him the weirdly shaped spot on his abdomen he kept scratching wasn’t just a normal birthmark.

They explained to his sister too. He actually was intrigued enough by the story to settle down on the tent’s floor to hear about it, though she brushed all of that talk off with a “yeah, whatever”, rolling her eyes at the existence of magic symbols that would appear on your skin, connecting you to a person who, at some point of you life, you would realize they mean a lot to you.

“It’s like a guaranteed best friend!” He had grinned with a mouth that missed a few teeth as the explanation was concluded. 

The explainer only smiled at him, letting out a pensive hum before shrugging and deciding on “Yeah, you could say that kid.”

He didn’t understand why his sister was so grumpy after that. How the premise of a friend didn’t get her excited - they barely had kids their age to hang with on the camp, the younger ones were annoying and the older boring, he could get behind the idea of some company besides his moody twin. And when he had asked, “Hey, what does your bond mark look like anyway?” She flicked at his direction one of the pebbles they had been throwing at the river to see them skip, and stormed off without a word.

He was still a restless kid, yet now one that had learned to avoid the ropes before he could get his foot caught on them, when he found out a bit more about the marks. How they could appear at any time of your life, or not at all, how you could get a new tattoo before actually meeting the person, or after years of knowing them. How his sister didn’t have one yet, how she didn’t like the idea of her lame brother having something she didn’t. 

How some people would consider lucky he was born with one, how many would give everything to have a mark appear that early.

That would be the last time someone thought of him that way - lucky. Because soon he was tripping over the ropes again and taking tents down with him, and that was just one of the minor consequences of what they later would classify as his semblance.

The people of their tribe had thought it had been a funny inside joke naming the kid born with a mark shaped like that after a bird that was popularly known as a bad omen. Now it was just rightfully fitting. And not even the permanent tattoo on his skin of a four-leafed clover could serve as a good luck charm against the misfortune that now followed him wherever he went.

***

As he grew up as an outcast teen, the novelty of the marks went away together with the childhood wonder. Maybe because at his tribe, there weren’t many bonded people - they also weren’t really open about talking about this mushy stuff, so maybe he never knew about them. Or the ones who talked about it, did that because it came together with an almost-always tragic tale about how they were betrayed, backstabbed or straight-up stabbed by their match, or how they perished in some gruesome way, so he didn’t have a lot of positive examples to work with - perks of growing up around bandits. 

Guaranteed best friend was now just some naive though he scoffed at. He was so stupid as a kid, maybe his sister was wise to just go “whatever” since the beginning - he would never admit that to her in his lifetime, of course. (In the future though, there would be a point his sister wouldn't make a face to the mention of bond marks anymore, and then a good while later he would stop to really think about how her semblance worked. And he would connect the two dots - he still never saw the marks, but they had to be there, right?)

Who decided those things were a good idea? They could pop up on you any second, without a warning, with just a random shape to tell you about this random person you were supposed to meet one random day. People would talk about letting fate run its course until you would meet them, and how there would be a moment when you would just know. It sounded so unreliable, and too much for him to bother worrying about when he needed to survive frequenting - or infiltrating as his people would have put - a Huntsman Academy.

Yeah, they would have some impact on your life. But that could mean anything apparently. You could be bonded to your parents, to your siblings, to any relative, you could be bonded to someone you looked up to or who would look up to you, you could be bonded to someone who you would only interact for a few months, days, minutes, or less. Or, the most coveted of all, you could be bonded to someone you would fall in love with. Those cases even had a specific name - soulmates. How special.

You could even have more than one. If you thought having to worry about a single unknown individual could make someone paranoid, just imagine having multiple marks! Thankfully, he just had one.

That was good. Because it would be just one person that would have to put up with him. He wasn't exactly the person someone would dream to meet, much less be bonded with. Who would want a bad luck magnet connected to them anyway? Just unfortunate, how the unsuspected match would have to deal with it. At least it was no one from the tribe, that would only hinder them down - those were the kind of things people talked about him at the camp, on the rare times they dared to make the cursed kid a conversation topic anyway, and he was just unlucky enough to eavesdrop it.

He also didn’t want more because he despised the one he already had - he would say he had never liked it, but it was just his sour mindset clouding the childhood memories about him happily imagining how his friend would be like. It had to be a sick joke. A small symbol that represented everything he couldn’t have. Years and years went by with it just there, mocking him constantly.

He had met many people he would have said they had influenced his life, yet apparently none of them were the one. Unlikely his sister, he wasn't bonded with anyone from his team - he assumed her semblance only worked on him because they were related. He wasn't bonded to the man who mentored him and gave a purpose in life - though after finding out the truth, he supposed that was a good thing. He wasn't bonded to his nieces, who were more family to him than his own blood, girls he had watched grow up from hyperactive, sweet-toothed brats to strong, independent young warriors - they were still a bit of a brat though.

So, at his age, he assumed that his semblance affected him in such a way he would never have the luck of finding the person. Fine by him. He stopped caring about that long ago anyway.

And that meant that, at his age, at this place, in the middle of what he could only call the beginning of a war, he should have not been thinking about any of this.

But here he was. Halfway through undressing to take a much needed shower to relax and warm him up after the mission at the dust mines. Feet planted in front of the bathroom mirror. The mark still just there, right at the end of the scar he got from a scorpion tail as if, by some stroke of luck, it had barely avoided being slashed in half. He instinctively grimaced at the sight.

Even if he strongly didn’t want to think about it, it felt as if there was a force preventing him from shoving the thoughts to the back of his mind, not allowing him to ignore the signs.

He had seen the pin when they were captured on the first day. Heck, he even did a double-take at the shape that was unfortunately too familiar. But there were other more important things on his mind at the moment - like how they were being arrested.

Later he found out that was literally that guy’s name! And he didn't like how the information made a cold settle on the bottom of his stomach.

And then James partnered them up. He didn't like the idea, it had been too long since he had worked with other huntsmen on the field - and that happened for a reason. The company made him feel weirdly numb. Or that was him not being used to the cold of Atlas anymore, being in a mine with ice-covered walls certainly didn't help - how he just strutted along without sleeves?

Yet, he did his best to focus on the mission. Ignoring how Clover made sure to match his pace and walk by his side as they scanned the tunnels for any sign of the Grimm that had been wrecking the place. The silence would only be broken from time to time with inputs coming from his earpiece, and it had been just a step away from being uncomfortable. So he decided to not make this situation more unbearable for himself, taking a breath, he took a risk at the grueling task that was small talk.

“Gotta say, I’m still not really used to working with other huntsmen in the field.” He was surprised with how casual he made himself sound.

“But you were on a team before, weren’t you?” How Clover seamlessly encouraged the conversation with a question also surprised him for some reason.

“Long time ago.” He sighed, gaze dropping to the floor. “I just found working alone tends to be for the best.” Great. With just a second into their talk, he had managed to bring its mood down. Not an unusual occurrence for any kind of interaction he was involved though. So why this time did he feel so… bothered?

It was just this entire situation bothering him - he rationalized with himself.

"Well, I think that’s a shame." Of course you would.

He didn't know how to respond, yet he didn't even have the chance. One misstep, and his foot left the ground with a slip. What prevented him from making more of a fool of himself by crashing his face on the icy floor was a quick strong grip on his arm, catching him mid-fall and pulling him back up without seemingly any effort whatsoever.

Clover patted his shoulder as he regained his balance and he didn't hold back the frown on his face. He just walked forward as he responded to the voice coming from his communicator, and it took him a second to realize he was glaring at his confident walk on the grounds he had just proved to be extremely slippery. 

Who does this guy think he is?

Of course, they found the Grimm first, of course, it made himself stronger right in front of their eyes, of course, it ran away, and of course, there was now a gigantic hole on their path. One his partner there could have been at the bottom of it if he wasn't used to his semblance playing tricks just at the right time. 

And when he dismissed his thanks for the head ups with a brief explanation about his semblance, his reaction was like no other he experienced before. No weird glances, no steps back, no awkward ‘that sucks’, just a nonchalant "that so?" 

"Well, hey, don’t beat yourself up about it." He continued, and with a swing of his weapon, he made a new path for them to continue down the tunnel. "My Semblance is good fortune. Lucky you, huh?"

He punctuated his sentence with a wink before walking forward, completely unaware of how that revelation had shaken him to his core. He was still frozen on his tracks as if the ice from the floor had risen to his shoes and stuck him in place. 

Good fortune. That guy was a walking luck charm! 

Everything he couldn’t have… 

His eyes were downcast, flickering everywhere as his mind processed the events. Yet now he wasn’t staring down at the icy ground, but the smooth tiles of the bathroom of his room provided by the Atlas academy. Though his expression was the same from when the words had just reached his ears hours ago.

Looking up by a fraction, the ink of his mark seemed more lively than ever against his skin. He hadn’t truly looked at it for a good while, avoiding it like he avoided the eyes of strangers, and doing so now, he found out he was unable to divert his gaze off it as quickly as he used to do before.

A pin. A name. My semblance is good fortune. A wink.

You would just know.

He let out a dry chuckle, the sound devoid of any emotion. That couldn’t be right. He barely knew the guy. And he didn’t need any of that cluttering his mind right now.

Lucky you, huh?

[mylordshesacactus]

RWBYmon: Team STRQ

I have THOUGHTS and y’all are gonna HEAR them.

Qrow:

Obviously, Qrow has a Corviknight. Let’s get THAT out of the way.

Actually, both Branwen twins have Corviknights. We’re not talking about Raven right now okay.

The Corviknight was technically Qrow’s starter, but as it was chosen for him, they had...a strained relationship, when they were younger. It’s better now. They’re adults, they’ve grown up, they’ve forgiven each other for the petty shit they pulled when they were resentful teenagers struggling to form a bond beyond that of strictly trainer and powerful tournament pokemon.

They care about more than being the best, now.

Qrow’s bonded more genuinely with his Corviknight by now--but his partner Pokemon, the one with whom his emotional relationship is the least complicated--not the one he’s “closest to” exactly, because like any good Huntsman he has a close bond with his whole team, but--

The bond that’s simplest, easiest, the one that’s never in a pokeball except for safety reasons...

Equally obviously, Qrow has an Absol.

And the last member of his team is one of my incredibly rare exceptions to the “no Legendaries” rule, because Qrow is Ozpin’s spy, his left hand, Qrow is in the inner circle.

Qrow has faced off with Salem’s minions a million times before. Qrow has seen some shit. It makes sense for Qrow to have had the opportunity to bond with some extremely powerful pokemon.

He knows better than to reject a Pokemon outright out of fear or a frightening appearance--his existing team consisted of a Corviknight and an Absol.

Qrow has rescued the victims of some of Salem’s twisted experiments before.

Qrow’s #3 is Silvally. 

Very few people actually understand what that means.

Ruby adores Silvally and thinks it’s the coolest weird dogbird Pokemon she’s ever seen, she gives it belly scritches. Anyone not in the inner circle just sort of goes “wow, high-ranking Huntsmen go to such exotic places with such rare Pokemon! fascinating” and moves on.

Raven:

Corviknight, obviously.

Raven’s situation is actually complicated by my theories about Maidens in a RWBY/Pokemon fusion so I’ll cover her later.

Summer:

Most of what the kids know about Summer’s team is that she had an Eevee she never evolved. The adults don’t like talking about it otherwise.

Qrow gets moody and quiet whenever Tai says she “never” evolved her Eevee. Yang and Ruby are pretty sure she evolved it into something right before she left and that their dad leaves that out because it’s too painful.

Summer absolutely had some kind of fuckoff-powerful Legendary on hand that they just sort of kept quiet about but they can’t tell the KIDS that.

Tai:

OKAY LISTEN THIS ONE IS GONNA BE NICE. On god we’re leaving this on a high note. It’s gonna be fine.

Tai has a Yamper named Zwei. Obviously. Obviously he has this.

Zwei is more than high enough level to evolve, but neither of them want him to, so he’s just an adorable, deceptively OP little Yamper and thus shall he remain.

Once upon a time he had a Boltund, and Qrow says affectionately that they were always his favorite Pokemon.

He sent the Boltund after Summer when she left; it was the only one they had with a chance of catching up to her before it was too late.

Tai’s Boltund was a very, very good dog. They think it must have succeeded, must have caught up to her. because it never came back.

He’s never had another Boltund.

NO COME BACK I SWEAR THIS ONE IS HAPPY

Tai, who is canonically a teacher, is obviously, in this universe, a gym leader. So he actually gets a full team, because obviously you can’t run a proper gym with only three pokemon, you have to be able to adjust on the fly to whatever fledgling kid walks in.

Tai runs a Dog-Type gym.

“Daaaaaaad! That’s not even a real thiiiiing!”

Sure it is!

He has a Houndoom, a Stoutland, Zwei, a Furfrou, a Manectric, and an Arcanine!

You know, Dog Types!

”DAD WHYYYYYY”

(The Arcanine is a sleepy, good-natured darling who is mostly seen hitched to a trailer to be ridden/driven around because it’s just better than a car. Its soft eyes and slow, gentle personality are...deceptive. His starter was a Growlithe. That Arcanine has been with him since he was ten years old, and Tai is still an active Huntsman. It’s probably the single most powerful Pokemon on the island of Patch.)

Tai’s gym is considered a must-do by trainers in Vale. The Dog Badge--

[Ruby voice] UUUUUUUUGH DAAAAAAD

--the Dog Badge is not League-recognized, but it does give you bragging rights; and more to the point, it’s a genuinely good learning experience. Tai is a friendly and patient teacher to anyone who comes in with a good attitude and you’ll definitely be better at battling as a result.

It’s a great learning experience in a controlled environment; he provides a wide variety of Pokemon types that you can learn to fight against, but with a level of predictability so that, as with other gyms, you can actually prepare for it. It’s not a straight-up League match where you could face ANYTHING and can’t really prep or build a team specifically to face him; you know that whatever he throws out, it will be a Dog Type.

[Tai grins smugly into the news camera as he accepts his fifth Pillar Of The Community Trainer’s Choice Award while his daughters wail in the background that DOG TYPE isn’t a THING]

Ruby and Yang were given Dog Badges before being sent off to Beacon

OBVIOUSLY they keep the badge

They won that shit fair and square fuck off you’re just jealous YOU don’t have a dog badge--

[littlemisssquiggles]

Pinehead Headcanons: Oscar's Dreamscape: The Garden of Two Lovers

@miki-13 asked "Okay I know we didn't get a lot of Oscar backstory, but I really do think that after the V8 finale, there's a new avenue to explore with Oscar. Why? Because as far as he knows, his friends, partner and love interest are dead. The people he's grown to care for over the course of V5-8 are suddenly gone. There's no way that's not gonna hurt him, even if Ozpin assures him that they're not dead. Because either way, he's been forcibly separated from them.

Heck, this could actually open up an avenue for him to talk about his own family life and why he lives with his aunt. Not to mention one of his allusions is to The Little Prince and he just arrived in a desert after leaving his Rose behind, and the whole story deals with death in general.

Actually, maybe that's how Oscar gets his semblance/ branches out with his magic! He wants to find the people he loves so badly and refuses to give up on them, that he finds a way to get the void/ communicate with them and possibly find a way to lay the groundwork for bringing them back!

Squiggles Answers:

Hey there Miki-chan. Pardon the late reply but I wanted to reserve my response to this as a new Pinehead headcanon post considering that, ironically, you and I share the same thoughts and theories about Oscar reaching out.

The idea I had is that Oscar would be able to connect to Ruby in the Other World in his dreams. Once again, I return to my old Oscar’s Dreamscape Pinehead headcanon from donkey years ago. Essentially, through his unyielding love for his rose and his deep desires to reunite with her again in some shape or form, Oscar unintentionally creates the Dreamscape.

And what the Dreamscape is is that it is this magical place that transcends reality and only exists through the shared bond between Oscar and Ruby. Picture a shallow stagnant sea that mirrors an endless sunset sky. A perfect blend of the warm embrace of the sun and the tranquil beauty of the moon that paves the path towards a small garden that sits in the middle of this mysterious magical place.

And it is in this garden where Oscar meets Ruby in his dreams and vice versa.

Remember how it was said that the Little Prince fairy-tale ended ambiguously with the reader never knowing the truth of the prince’s fate after he was poisoned by the snake and “went to sleep”.

Some iteration believed the prince to have died and gone back to his home planet in spirit to be with his rose while another interpretation described the Prince returning home only to discover that his rose had died in his absence without him present to take care of her.

Either way, the allusion is that the prince does indeed reunite with his rose but in a manner that is still tragic when you look at it. Going off of that, this is why I love the concept of Oscar connecting to Ruby in sleep with the two meeting and communicating with each other in their dreams through unknown power originated from Oscar. Only it’s NOT exactly a semblance. Nor is it exactly magic either.

One of my favourite quotes from the Lost Fable episode back in V6 is when Jinn described a power much greater than magic that caused Salem and Ozma to recognize one another in their new lives.

“…Call it magic or call it something stronger, but in that moment, the two knew exactly who stood before them…”

In the Lost Fable, Jinn made it seem as if loveis an element more powerful than even the likes of magic; as cheesy as that might sound. So if love is able to transcend life and death to cause two kindred souls to recognize each other in another life in another time time, what’s stopping it from transcending worlds to bring together another pair of kindred souls?

So as corny as this is going to sound, the hopeless romantic in me cannot help but swoon over the thought of love being what creates the Dreamscape and/or brings Ruby and Oscar together in such a place that only they can traverse.

It is a power that was born from Ruby and Oscar’s shared love for one another and desire to reunite with each other and thus it’s a power that only they share together. The Rosegarden in the Dreamscape is theirs.

In the beginning, on the first night the two reunite in their dreams, the Dreamscape was believed to be solely of Oscar’s doing but in reality, it was a special new world that belonged to both the little prince and his true rose alone.

Okay, hear me out with this one. The reason why I’m thinking the Dreamscape was believed to be Oscar’s power alone in the beginning was because when it all started, the Dreamscape mainly reacted to Oscar. On his end, let’s say…Oscar wished so desperately to see Ruby again that unbeknownst to him; the Dreamscape was forged just so Oscar could accomplish his heart’s wish---to see his rose.

Thus, Oscar is able to see Ruby in their dreams and she in turn is able to see and talk to him between worlds but only in sleep. However, that is extent of the Dreamscape through Oscar’s influence. The two can communicate but they can’t physically touch or feel one another.

Because I have this idea of Ruby and Oscar growing closer to each other than they’ve ever been before since they’re able to meet in Dreamscape. However it’s also this painful thing where despite being together in their dreams, they’re still not together when they are constantly reminded that they can’t touch each other.

Like imagine a moment where the two rosebuds are bonding in the Dreamscape, trying to come up with way to reunite together, swapping backstories and secrets about themselves with each other that they’ve never told anyone else only for one of them---mainly Oscar--- to get lost in the euphoria of the moment and attempt to reach out and touch the other person only to be painfully reminded, that they’re not truly there. They’re still separated despite how close the Dreamscape has brought them.

The only time when the Dreamscape is actually able is to make Ruby and Oscar interact physically is when that becomes Ruby’s wish.

Okay, hear me out again.

I have this scenario in my head where Oscar suffers a mental breakdown as a result of being poisoned during an encounter with Tyrian Callows. Remember how Tyrian’s venom caused Qrow to suffer and hallucinate back in V4?

Well picture something similar with Oscar where he falls into a sort of light coma as a result of being poisoned. Let’s say…as a result of the venom, Oscar is transported to the Dreamscape where ALL of his inner demons---the true feeling and fears he’s been suppressing for a long time---suddenly manifest inside this world to torment him and berate him.

And let’s say…on the other end, in the Other World, Ruby becomes worried for Oscar’s well-being when he doesn’t make contact with her in the Dreamscape for some time. And let’s say…due to her connection with Oscar, which became stronger as a result of them bonding in the dream world, Ruby is able to sense when something is wrong with Oscar due to her having a weird feeling in her chest. Almost as if her heart was beckoning her somewhere else. To take her to the person she wanted to see who needed her help. Or something like that.

In a nutshell, Ruby is able to enter the Dreamscape on her own through her connection with Oscar. At first, Ruby mostly relied on Oscar to bring her to the Dreamscape but when Oscar was in trouble, Ruby used their link to take her there as an alternative means.

To make a long theory short, Ruby arrives in the Dreamscape to find the once magical dream world in dark chaos ---basically imagine being on the outside of a tornado.

The Dreamscape had turned into a rampant storm to reflect Oscar’s darkest inner emotions which were spiralling out of control before Ruby’s very eyes.

Remember how in Steven Universe, in the episode that debuted the “Here Comes A Thought” song, remember how Steven’s true feelings about Jasper, Bismuth and his mother started to manifest before him and Connie while they were fused as Stevonnie during training?

Picture a moment like that with Oscar in the Dreamscape where Oscar’s fears take form---at first taking on the appearance of Oscar’s old self dressed in his old farm boy attire belittling Oscar for leaving home to be among people who he didn’t fully believe trusted or even actually cared him---unearthing Oscar’s thoughts and repressed emotions from the events of V6.

Then the Dreamscape manifests Ironwood to belittle Oscar for his repressed emotions from the events of V7. Then it transforms into Salem to taunt and humiliate Oscar over his repressed trauma as a result of being her prisoner during the events of V8 and being tortured.

You get what I’m saying, right? Whatever Oscar has been repressing for so long, the Dreamscape manifests it as a being of spite to through it all back in Oscar’s face when he was most vulnerable. Finally, as Ruby enters the fray, the Dreamscape takes on a new form.

Here’s another concept to toss onto the Fake Rose table. Imagine if…the Fake Rose isn’t another silver eyed warrior or rose-themed person who takes an interest in Oscar.

What if…the Fake Rose is actually a replica of Ruby manifested by the Dreamscape to reveal Oscar’s true feelings and fears in respect to Ruby?

Assuming that you’re an ole-school Potterhead like yours truly Miki-chan, remember the last book/movie?

Remember that one scene in Harry Potter and the Deathly Hallows involving the locket? Remember how the locket made an apparition of Harry and Hermione appear before Ron to voice his jealousy and inferiority when compared to Harry especially in the eyes of Hermione who he believed loved Harry over him.

Picture something like that with a Fake Ruby Rose---Mocking Oscar over his “childish” love for his rose, as if he actually stood a chance of being with her given the Merge and any other insecurities that Oscar secretly harboured that he’d supressed for so long.

Picture that. Imagine…something like that happening so that it could ultimately lead into Ruby denouncing ever fear of Oscar’s voiced by her fake copy as this rose---the one true rose did her best to comfort her prince.

It’s a moment where Ruby words unfortunately don’t reach Oscar. Thus, Ruby tries to one way she’s always reached out to him. Through a gentle comforting touch. In that moment, Ruby wishes for Oscar to feelher there beside him.

To feel her arms wrapped around him and the warmth of the hug she dared to give him since she wanted more than anything to be able to comfort him through the storm. And for a second time, through the power of love (mixed in with just a smidge of their share magic inherited from the God of Light possibly), the Dreamscape grants Ruby’s wish and Oscar is able to feel her for the first time since they met in the dream world. To feel her arms around him as she embraced him tightly with all the love and care for him she could channel in that moment.

And just like that, all becomes calm as the storm disappeared; softening to a gentle breeze against a beautifully sunlit sky; revealing two hearts embraced; once seperated but now together at long last in the world of their own created from their shared love.

Basically picture the Dreamscape as this magical world brought to life by the love and heart’s desires of two star-crossed lovers separated by fate and lost to two realities. Thus the Dreamscape mirrors the feelings and grants the desires of these two lovers since they are the rulersof said world as its creators. Thus it is a world that is only attainable by them. A world of their own. A world of dreams to grant the wishes of two lost souls in love.

I’d love to go more in depth into this revised Dreamscapeidea of mine for the Rosegarden pair. However for the time being, this is concept that I have in mind and is all that I have to share for now. What do you think?

~ LittleMissSquiggles (2021)

[secret-engima]

I’ve had a bad day so... anything about any of your rwby aus you wanna share? ❤️

Awwww, I’m sorry to hear that Anon! Would a few snips help? I think I have a few snips around here somewhere *dives into doc* *reemerges* I come bearing snips! I apologize that most of them are angsty! But I have what I have ^^;

Always I Dreamed:

     “You don’t actually have a plan do you?” Raven hissed to Summer as they pressed their backs against the same piece of cover, trying to catch their breath.

     Summer leaned around the corner, snapped off a shot to keep the Grimm from punching Qrow off the cliff, “I do! It’s just a work in progress! And it would have been a lot easier if that pillar hadn’t crumbled the wrong way.”

     Raven knew what was likely to blame for that, but didn’t bother to say, “Pro tip? If you can think of some way for your plan to go really, stupidly wrong, assume it will and have a backup plan.”

     They rolled away from cover and dodged the rock fragments as the Grimm angrily shattered the stone they had been hiding behind, Summer snapped off another shot without looking through her scope and made a face, “Well I don’t see you coming up with any ideas!”

     “I’m not the one who insisted she had a plan.”

     Taiyang slammed his feet down onto the Grimm’s head from where he’d jumped off a high ruin, front flipped off its skull with another hard kick, and rolled under it’s answering fist, “Well you’re one of the people who might die without one, so maybe give it a shot?”

...

Wolfcury (in which Taiyang attempts to tame a smol child large wolfdog:

     “Well,” Taiyang managed once his ears had stopped ringing, “that could have gone a lot better.”

     “It could have gone a lot worse too,” Summer pointed out, “he retreated rather than attacked.” They both shared a solemn look. They knew that if Taiyang had kept pushing, had gotten too close, the wolfdog would have attacked him. Taiyang ran a hand through his hair, he didn’t know if he could fix something that broken. A trust that shattered.

     But the wolfdog had saved Ruby, and Ruby was still asking about him every time Summer went out to check on him. He owed it to the wolfdog to at least try to salvage whatever trust the animal’s previous owner had shattered into feral terror. And if he really, genuinely couldn’t … he wasn’t looking forward to explaining that to Ruby. Or dealing with the tears and fallout that would follow. They kept trying. Summer still checked on the bandages and brought water, but Taiyang was now in charge of the food. They hoped that associating him with food would help take the initial edge off, but while the howling and snapping didn’t make a reappearance after the first time, the wolfdog still strained to stay as far away as possible, and refused to eat while he was in the shed. Taiyang decided he needed to escalate just a bit, because it was quickly becoming clear that no amount of food bribery would help if the wolfdog was too terrified by his mere existence to eat around him and get the positive association.

     Taiyang brought home some supplies, sturdy wire fencing and wood to build a dog house, and soon Summer was gently leading the wolfdog out of the shed and into his new, fenced off area of the yard while Taiyang hid in the house to keep the wolfdog from panicking. Ruby was ecstatic to finally be able to see the wolfdog, even if she wasn’t allowed inside the fenced off area or to stick her fingers through the bars. Taiyang watched from a distance, letting Summer directly monitor the “visits” of their daughters to the wolfdog through the fencing. So long as the animal didn’t know Taiyang was nearby, the change in behavior was obvious. Still skittish and a touch wild, but shyer. Gentler. He even limped up and wagged his tail at Ruby through the fencing. It was just Taiyang that he was so mindlessly terrified of, and it made Taiyang feel angry in the pit of his stomach.

     This animal had been brave enough to try to fight off a Grimm to save Ruby, and while he seemed to have no idea what to do with affection, that shyly wagging tail and ginger acceptance of dog treats through the wire fencing proved the poor thing wasn’t naturally aggressive and hateful. Someone, some man, had beaten that fear into the wolfdog, that wild-eyed hate he could see in big grey eyes whenever Taiyang came too close. People like that could get eaten by Grimm in Taiyang’s opinion, and if he ever had the luck to run into the man who had hurt this dog… He shook that thought away —not for the first time and not for the last— and put the next stage of his plan into action.

     The first time he wandered out and sat down just on the other side of the wire fencing with a lap desk and a stack of school papers to grade, the wolfdog fled to the other side with a brief, swiftly cut off scream of fear. It stayed pressed into the farthest corner of fencing the three hours Taiyang sat with his back to the fence, grading the papers of his students at Signal and listening to his daughters play. Taiyang only looked at the animal to call a soft greeting when he got there, then to call a soft goodbye when he finally got up and went inside to cook dinner.

     He repeated the ritual three more times before the wolfdog finally dared to leave the corner and instead skirt furtively around the far side of his fenced in area, watching him with his grey tail tucked tight to his belly and hackles raised in something akin to anger. Taiyang just kept grading papers and writing up schedules and working on whatever other paperwork he could find. He’d thought about doing weapon maintenance out here, but chances were high the wolfdog would know what weapons were and be even more frightened of them, so he stuck to paper tasks, or just sitting with his back to the fence for three hours watching the girls play. He did his best to keep it to the same time each day, for the same amount of time.

     Day five and he heard it creeping closer before fleeing again several times. Day seven and he briefly felt hot breath against the back of his neck before it retreated. The wolfdog stopped fleeing to the far corner when Taiyang came outside, just hunkered down wherever it happened to already be and watched him with wary eyes. Day eight and he started bringing jerky with him, sliding a piece through the wire right where he usually sat before turning around and going back to his usual routine. It took until day ten before the wolfdog actually crept up close enough to snap up the jerky and flee to a “safe” distance again.

...

Dragon Yang:

     “Yang, wait! It’s me! It’s Qrow!”

     She hesitated. Stared at him, poised to go after him again, eyes flickering red, nostrils flared. She looked like she was on the edge of either a panic attack or trying to kill him again. Her fingers flexed, then her fists lowered. He wasn’t stupid enough to think she had relaxed. Her nostrils flared again, hair rippling almost like fire, which he hadn’t known it could do before now, “…Uncle Qrow?”

     Qrow nodded, tried to pitch his voice into something soothing, “It’s me, kiddo. I’m sorry, I didn’t mean to scare you like that. But- Brothers, Yang, we’ve been worried sick.”

     Yang’s jaw worked, her face was almost eerily blank —like Raven at that age and older, and he didn’t like that thought or what it implied—, “Prove it.” Qrow faltered and her lips twitched like she wanted to bare her teeth at him, “Prove it. Prove you’re- that you’re my uncle.” Something bleak flickered over her face, hollow and fractured, before it was gone again, “Prove it to me.”

     Qrow dared to let go of Harbinger’s hilt. Yang was … he had no idea what had happened to her, but she looked cold and hard, scraped raw and hiding it for her own safety. Someone had torn his niece apart and molded her into something that could smash right through an experienced Huntsman’s Aura in three strikes and he seethed just thinking about it. But he couldn’t afford to be angry right now, not with Yang sizing him up as a potential enemy. So he spread his hands placatingly and scrambled for decent proof. I need a drink for this-, oh. “When you were eight, you wanted to make me a ‘welcome home’ gift. You decided to make brownies. But the house was out of milk, so instead of using tap water, you got it into your head for some reason to use the bottle of whisky that you weren’t supposed to know was under the sink. Your dad just about skinned me when he got home to find you and Ruby passed out drunk on the floor from ‘testing out’ the brownies.”

     Yang stared at him. Her hands slowly relaxed out of fists, “I was sick for the whole night and most of the day after. I hated it. Ruby kept throwing up. She was afraid to eat brownies for years after that…”

     “Because she thought they were cursed,” Qrow finished gently. Yang kept staring, expression so blank it was almost a cry for help. Qrow dared to take a step forward, “It’s me, Yang. I promise.”

     The tiniest shudder ran through her frame, like she was holding back from some greater response. She inhaled, exhaled slowly as the last of the glow faded from her hair, “I believe you.” Her voice cracked for just a moment before he saw her visibly wrestle it back under control, “I believe you.”

     Qrow dared to take a few more steps toward her, picking his way around the furrow he’d left in the ground, making sure that each movement was slow and obvious. She let him approach, didn’t tense up or turn wary as he came to a stop just in arm’s reach. She stared up at him with a mask of porcelain, fragile and dangerous, and Qrow pushed down both his fury and the urge to get drunk until he wasn’t angry anymore. Instead, he tried to smile, “Hey there, kiddo. We missed you.”

     She closed her eyes, her breath shook before she opened them again, “Missed you too, Uncle Qrow.”

     Qrow held his hands up a little higher, from placation to the offer of a hug, “Can I hug you, kiddo?”

     She swallowed, he caught the glimmer of longing in her eyes, “…Just … don’t touch my shoulders.”

     Qrow nodded and made a point to move slowly. He wanted to pull her close and squeeze her as tightly as he could, but he didn’t need to be a wise, quasi-immortal wizard like Oz to tell that was a bad idea. So instead of that, he very slowly stepped in and rested a hand on the small of her back and the back of her head, tucking her against his chest, head under his chin, like she was something fragile. She tensed in his arms, but didn’t pull away, and when he tentatively ran his fingers through her tangled mane of hair, the tension in her frame unwound so that she was slumped against him. They stood there for a while, Yang trembling faintly in his arms but not crying like he thought she probably needed to, her skin under his hand almost fever hot and worrying as Qrow tried not to hug too tight and ignored the burning in his own eyes.

[sssn-neptune-vasilias]

RWBY vs Comic

Alright, I said I was gonna do this back when the comic first started getting published but I got so frustrated reading it that I couldn’t actually keep up with it enough go through with it. I think I stopped around issue 4 because that was when I just got angry and threw my comic back into the plastic. I figure now’s as good a time as any since I’m actually rereading it now. My whole issue with the RWBY DC comics is that they’re super canon divergent but somehow still canon material. It’s so frustrating that this is the case because we’re supposed to take into account things that happen in the comic as gospel- things like Adam revealing he’d always been genocidal, Bumbleby’s bottlecap, Weiss’ zoo animal arc, etc, but a lot of these different story arcs don’t make sense in our current canon. So I’m gonna talk about them because why not.

 Issue #1:

The first issue actually isn’t that bad- mostly because it’s just an intro to the series- but there are still some huge inconsistencies between the comic and official canon.

These two panels are a fucking mess.

1) Ruby was passed out when she was delivered to Patch by Qrow. She’d just used her Silver Eyed Warrior powers for the first time, hurt Cinder, frozen the dragon, and passed out. We were literally forced to listen as Qrow carried Ruby out of the rubble and back home, because she was unconscious. But the comic has her just arriving back home all on her own. “I came back to my dad’s house.” No you didn’t, you literally woke up in your bed after what must’ve been days of being unconscious.

2) We know Blake didn’t get to Menagerie on a little wooden boat. We all watched the episode. It was a decent sized ship with multiple crew members, dozens of passengers, and literal armaments designed to destroy Grimm. Sun can’t hide in a robe for 3+ days on this boat. This boat wouldn’t have survived a Grimm attack in the first place. Idk why they decided to draw this boat instead of just drawing the Pride the way it was designed in the first place, but whatever I guess.

RNJR didn’t tell Taiyang they were leaving. Ruby and her team just left. There was a whole scene dedicated to showing the shock and horror on Tai’s face as he saw Ruby’s letter and ran out of the house hoping to catch up to his daughter before she left. Also not as important but still relevant, RNJR left during winter. There was snow on the ground. I don’t see no snow in this panel- that tree looks real green. That last issue is mostly a nitpick- who cares what season they left in tbh. But the fact that they just wrote this panel into the comic despite the fact canon shows Taiyang had no idea of Ruby’s departure- and the fact that Ruby’s departure is actually really important to a bunch of later scenes in this show is really fucking weird.

Issue #2:

I know we know next to nothing about Raven Branwen, but holy fucking shit do I wanna believe this is ridiculously out of character for her. You’re telling me that Raven actually did come visit Yang and Tai and Ruby, but the one time she ever made her presence known to any of them was to berate and terrify Ruby the one time she’d learned anything about Summer?! Like BRO. This is so fucked up! This is too fucked up! This is straight early 90′s level villainy right here. What was even the point behind this?! This scene tells us that she felt so negatively about Summer Rose that she was willing to break her silent cover just to disillusion Ruby for no other reason than to tell her she was weak. Which makes no fucking sense because when we finally meet her during season 5 Raven has nothing bad to say about Summer at all! What did Qrow say to her after they spoke? “Hey sis why the fuck are you flying around your ex’s home scaring his daughter who just lost her mother? You realize you’re talking shit about the woman who raised your child too right?” Like, this is so wildly terrible, that if we’re meant to take this into account, I don’t see how anyone who reads these comics could say anything positive about Raven ever again. This is strike one, two and three for her entire characterization.

Issue #4:

I’ve said it already but fuck this boat.

Not so much an issue with the comic as it is with RoosterTeeth’s sometimes sloppy storytelling, but we really need an exact age on Adam. Is this man a pedophile? We know Blake is about twelve here, meanwhile- besides looking maybe a little scrawnier- Adam looks the same as he did during the show. How old is this kid right here? Fifteen? Seventeen? Was he 20 during the events of volume 1? Was he 25? I really dislike this specific problem RT has created because at no point during canon were we led to believe that Adam was significantly older than Blake or our other characters, but here in the comic we’re getting huge pedo vibes. Idk if this was RoosterTeeth retroactively trying to throw Adam’s character even further into question but... Idk man, RT y’all need to hurry up and carbon date this kid because I’m really not liking this.

I’m not gonna harp on the whole “Adam as a revolutionary vs Adam as a genocidal maniac” issue again. Most of y’all already know where I stand on this and have either made up your minds that either, yes, Adam’s sudden change towards being genocidal after being forcibly conscripted by Cinder doesn’t make much sense, or, no, Adam’s behavior is entirely in line with what little we’d seen of him up to that point in the story. I’m not trying to change anyone’s opinions on this issue, I’ve got about a dozen other posts for that. My issue with these panels specifically is that this is the moment Blake discovers Adam is genocidal. This is the moment Blake realizes that Adam never wanted peace, never wanted coexistence, never wanted what the White Fang actually wanted in the first place. He wanted Faunus supremacy- a goal entirely removed from the White Fang’s goal of equality between Faunus and humans. This is the moment Blake realizes that his ideology is so far from what it is she herself wants. If this is correct, why does Blake never mention this AT ALL when she’s talking about Adam. When the conversation comes up during season 3, she specifically states that Adam’s change was gradual. Not that he’d been hiding who he really was from her but that he’d become a completely different person from the man she’d originally known. I recognize that a lot of people say that this could be explained away as evidence of Blake’s abuse- oftentimes abusers don’t even realize just how monstrous their abusers are, even after they’ve escaped from said abuse. But this is just such a monumentally larger issue than manipulation and abuse. Adam is outright saying that he wants genocide! He’s not trying to hide it, he’s not trying to lie, he’s not trying to manipulate her! He’s telling her explicitly that he wishes he could kill as many humans as possible. But during the Black Trailer she’s still asking Adam about the crew members as if they hadn’t had this conversation hours ago! During season 2 she’s drawing him in her notebook as if she misses him! During season 3 she’s explaining that he’s simply misguided! This is apologia of the umpteenth level that is absolutely inexcusable. If I’m honestly supposed to be made to believe that Blake knew Adam was genocidal from before the events of the Black trailer and season 1 but still had feelings for him... I’m sorry but I’ve lost any and all respect for her entire character. You can’t have feelings for someone who’s genocidal- who you know is genocidal- and expect sympathy. No amount of abuse would forgive someone for having feelings for Hitler.

I recognize the comics aren’t supposed to be a shot for shot recreation of the show, but what the fuck is this panel? The frame of Adam dismembering Yang was such a good, amazing, impactful frame. The black and red framing, the yellow of Yang’s hair and weapons, the red of Adam’s sword. Why would you not even try to recreate that?

Leaving nitpicks for the end, really wish they hadn’t used “sunflower” here. That’s Yang/Ren. But again, the comic is made by people who aren’t in the fndm and don’t interact with the RWBY community at large in the first place, so of course they wouldn’t know.

Issue #5:

Why does Blake seem so ooc here. Like, the fact that she’s trying to make Weiss feel guilty for “cheating” in a “win by any means necessary” free for all match is really??? Weird??? When we know Blake isn’t above using underhanded tricks herself considering what she did to Reese during the tournament and her Semblance in general??? But whatever, that’s mostly a nitpick as well.

Issue #7:

My issue with this story is that it ends with Yang like, wistfully thinking of spending more time with Blake. But this is before she even put the prosthetic on. This is before she even got to talk with Weiss after meeting up with Raven. This is so early on in her healing process that I find it extremely difficult to believe that Yang is fondly remembering any time she spent with Blake. When Ruby talks to her during 3.12, she was angry that Blake had left her! Abandoned her! And then in the conversation she has with Weiss that happens after this event in the comic she’s still frustrated with Blake for leaving. So like... did she suddenly forgive Blake just a few weeks into her recovery and then relapse back into feeling like she’d abandoned her? Wtf is this?

Issue #9:

I know she’s obviously supposed to be drunk here, and we barely got to know her during the short scenes she had, but like... she never struck me as this kind of person. To literally forget how old her daughter is? Like...???? The same woman who was so perceptive she was able to recognize that Whitley was acting out because he’d felt lonely and abandoned by his sisters? Doesn’t know how old one of her children is? This is silly.

This isn’t the same woman we met during season 7. This isn’t the same quick witted woman who immediately directed Weiss to the cameras she’d hidden around the house when it was time to spring the trap on Jacques. This isn’t the same woman who was so honest when she admitted to her own faults just a few short months after this scene supposedly took place. You could argue that the events of this comic are what led Willow to become the person we meet later on, but like... That’s an absolutely ridiculous amount of offscreen growth you’re expecting me to just assume has happened. These aren’t the same people. This is ridiculous.

Issue #12:

This seems so ooc for Sun. Why is he literally begging her to run away and not face a problem when his entire relationship with Blake up to and past this point is him teaching Blake to love herself enough to face her problems head-on in the first place? This is so weird and gross imo because it just feels like they’re warping Sun’s character to make it look like Yang is the only good influence in her life when that’s simply not the case. Every conversation Sun has with Blake from season 1 to season 6 is him telling her that she deserves happiness, love, and to forgive herself. There are multiple songs about this aspect of their relationship! Sun has helped Blake grow just as much as Yang has. Why is Sun taking this approach to manipulate Blake into staying silent about something that’s bothering her? On top of that, Sun’s never been the brightest banana of the bunch anyway, why the FUCK is he smart enough here to recognize that if Blake tells the truth and makes those people feel bad, that they’d draw more Grimm? He’s never been this intuitive before. It really feels like they made him smarter than he normally is just to make him scummier than he’s ever been so that we could feel that Blake’s relationship with Sun is less than her relationship with Yang. Awful writing and characterization from the RWBY DC team here

Issue #13:

This is so wrong and despicable and manipulative and terrible. Again, this isn’t the same woman we met in the show. 

Willow never made excuses for herself or her actions like this. Not once during the entire time she was on screen did she do anything like this. She knew she wasn’t a great mother and she took full responsibility for her actions- and inaction- I don’t know WHY she’s trying to excuse herself here. This is more Cruella De Ville than it is Willow Schnee.

I’m not gonna explain how lumping this “prized menagerie” story with “Faunus slave labor” story together is godawful but just recognize that it’s Black History Month and this plot point they decided to write in is not MLK approved.

Anyway, that’s the whole RWBY DC run. All in all it wasn’t the worst adaptation of an established series, but goddamn. I’d rank this up there with Eragon or Percy Jackson or the end of the Soul Eater anime or something. This is such a slap in the face by people who obviously only ever skimmed through the show for the explicit purpose of writing this series that I’ve read fancomics and fanfiction that handle canon better than this. It’s really frustrating too because this comic run is like, beloved by certain people in the fndm who are only in this for the ships, and people who refuse to see anything wrong with this series ever. The healthy servings of Bumbleby and crumbs of Monochrome and White Rose are apparently enough to make people go “fuck all the inconsistencies, this comic is great.” Cannot express how much these people make me wanna slam my head into a wall. 

I did this just to highlight all the issues I have with the run, but I’m sure other people have other issues with this comic than I do. Have fun in the comments I guess.

[fanfictionsrookie]

Why Cinder Fall Carries The Thematic Message Of RWBY's Antagonists...

And What That Could Mean For Her Character.

...

Now, from an audience's perspective, I would say that the outcome of RWBY's villains carry the theme of, No matter your past or the moments that lead up to this point, one will eventually come at a crossroads where they decide what they want to be and what they want to do with their life, whether they want to be 'good' or 'bad'. And that, from what we've seen so far regarding our antagonists like Adam, Roman and Clover (more on him later) choosing the 'bad' whatever that might be in their situation, would have devastating consequences.

But first and foremost, they will and have to be given a choice.

Now admitedly these instances where characters are given these choices are either implicit, nuanced or are given in a second with minor characters which are in the majority and shall be addressed first.

...

Given Roman's last confrontation with Ruby, it can be said that he have long since chosen his path and that the consequences of that choice finally arrived. Although CRWBY not able to cast him for future volumes definitely plays a big part in this. So I don't want to place top my h weight on this charater, even if it's worth mentioning.

Of course we have Adam. Now his backstory definitely propels him down his path of spite and destruction, but one would be wrong by saying that other faunus, maybe even Ghira and especially Blake, have not tried their best to help him chose a better way to fight for his cause and work through his past by showing him the possibility of a better life. I mean isn't that part of the reason Blake stayed? Because of the hope that he could change and could be better, going so far as to try to tell herself that he isn't the monster he is becoming? Even Sienna, although her in own skewed way, tried to direct Adam's path. But Adam continuously chooses the path of spite and hate after every fight and altercation with Blake and Yang. Adam has had many chances, the fact that we didn't see what these different choices could amount to, is simply due to the fact that he has already made up his mind, and that, keep in mind, he was still a relatively minor charater compared to the rest. Adam's final crossroads with Blake and Yang approached, and he paid the consequences.

Now we Clover, and as an antagonist in his final scene the same would apply. He had the choice between capturing Qrow or Tyrian. Following orders or doing what is right. I bring this up to illustrate that even what seems to be a simple theme, there are still variations and exceptions, such as the gravity of the choices and consequences, that further reaffirms and explores the theme.

And I adress this theme through minor characters first, because if they are so clearly seen in them, then it's irrefutable that they are present in the main characters. But before we get to the main antagonists, because they do have a lot more complexities attached to them, let's look at the opposite end of the message to make sure it even holds up when explored.

If an antagonist continuously goes down the wrong path it will lead to negative consequences, then choosing the right path, will bring about a happier ending. And for a fandom that seems so caught up with the concept of 'redemption' (in quotation marks because I have a very different view on what that is and should look like, and I don't know if I'll be able to get to it in this post) one would think that RWBY would be rampant with 'redemption' arcs. But we've only seen one redemption throughout the whole show.

...

And that is Illia's arc.

She's interesting in that I see her as a foil to Adam (a post that I'm sure has already been made). Her change at deciding to change and lead a better life as well as the person to support her through this change, is also Blake. And when Illia does decide to do good, we are shown that she is not only happier, but she is working alongside Ghira to bring about the positive change within the White Fang, that she has sought to do for so long. Just like Adam, Illia has experienced incredible trauma because of the SDC, but she chose to not let it define her in the end.

...

Now, enough about these minor characters, let's look at team WTCH.

When we see Tyrian and Watts, and through the snippets of implicit backstory, that they have already chosen Salem against all else and that they are set in that choice. I've brought up antagonists who have already chosen their path like Roman, and they are important because since they are already solidified an antagonist who has no desite to change, they pose a much bigger threat and it adds variation to the theme in how it's presented.

Now Hazel interestingly has been the only one who understands the means of what they are doing and the negative consequences of their actions, but that for him, it is ultimately justified. Even so, Hazel does use force as a last resort. And what was more surprising, was the reveal that Hazel aligned himself with Salem, not because he necessarily believes in what she is doing, but that she is impossible to go against. This most likely makes him feel that there isn't any choice, not with an equal possibility of outcome at least. But Ozpin/Oscar challenges that notion. He tells Hazel that Salem can be fought and he gives him a choice, or at least an option to chose his role in this battle. Because of our track record of antagonists sticking to their initial role in the narrative, it would make sense to deviate from that and give us Hazel who has the possibility of turning to the good side. However, how this plays out has yet to be seen. I do think that he would die in the end. Why? Because the narrative has yet to show how a charater can enact positive change and be better, even if they might not get to see the full extent of their actions. In short, exploration of the theme. Because the theme does not equate choosing the path of 'good' with the promise of living, simply that there will be positive outcome of such a decision but what that looks like will be different depending on the charater. Of course this means that that choosing the path of 'bad' won't necessarily mean death. It could mean being imprisoned (Looking at Ironwood, possibly Mercury) or something lighter that simply means having to move locations often and be on guard (Looking at Neo). These outcomes still fall in line with the show's message regarding villans but because they lie on it's outskirts, I would expect them to be portrayed sparingly at best, as not to risk betraying what has already established but still maintain a sense of 'realism'.

...

Now, I've been talking about how the theme essentially brings about the 'good guys' winning and the 'bad guys' losing, but that could literally be any other piece of media. But like I said in the very beginning, it is only the outcome of the theme, not the theme itself. What makes RWBY's message regarding its antagonists so different, is its emphasis on choice.

And that brings us to the true message.

That bad people can and should be given a chance to be better, to become better people.

This doesn't mean that people would take that road, or that they would want to change, but that they should be given it nonetheless. Some people will get more than once chance, and some of those consequences will be more dire than others. Not everyone can easily become better, but for everyone there will be a possibility, no matter how small.

...

And this brings us to Cinder Fall.

Now, in light of the events in her backstory, some would consider Cinder killing Rhodes instead of surrendering to be her crossroads. After all it I'd what firmly set her in place to seek power in the name of freedom. And if this was shown to us sooner, if Cinder died in volume 3 or 5, I would have agreed… to an extent. If Cinder was a more minor charater, or died in volume 3 or 5, that scene would have been enough content to show and give us an explaination for her choice and it leading to her downfall. As for why only partly agree? Because it wasn't presented as a choice. Killing Rhodes and her abusers weren't a crossroad, but rather a threshold, even if it's one she chose to cross. Because the path presented to her was the only one Cinder believed is available to her. Remember, it's also important to think how these choices are presented to the characters and whether they see them as such. Of course, it's important to remember that Cinder is a main villain, our first villian and the only cillian we've seen struggling to this extent, it makes sense that her story is much more detailed and complex, but there is another reason I will get to later (she is also not the only one whose story has been treated as such, but more on that later.)

So Cinder has been shown to make choies that garders to her current goal of achieving power. But only because she is not presented with another path that gives her the freedom she wants (keep in mind that does does not exuse Cinder's actions or that she shouldn't face the consequences thereof, and trust me, she has faced many). Salem does not give her choices. She gives Cinder a path, a way forward, and consequences should she not take it.

Becoming part of Salem's ranks wasn't her crossroads either. Only, Cinder *thinks* it is. She thinks she has chosen the path to freedom, but she will eventually come to the realisation that this is not it. That there is another way. And the only thing that can show her this.

...

The Relic of Choice.

While Emerald and perhaps Neo will be the ones to support her if she chooses to become a better person, the person she wanted to be, no person could ever convince her that something like that exists. Not after what she has seen in humanity.

But the relic can.

It can show her a future where she does take a different path, and one where she doesn't.

This is Cinder's crossroads. Getting to the Relic is the end goal that has been unknownly set up for Cinder since the beginning. The Relic will most likely be the last thing that stands between humanity's destruction, it represents the height of the final conflict and ties into Cinder's charater specifically. For once it is not something she necessarily wants, but something that she needs. That is why Cinder carries the thematic message around RWBY's villains. Because if it were anyone else, any other relic, any other Maiden, the theme would not hold up. It would be something entirely else.

...

Cinder is at her crossroads.

She has been shown to where each path leads.

What will she choose?

The theme only says that one should be given the option to chose to be good, not that they will or should.

It could go either way.

But I believe Cinder will turn to walk down the path of good.

And here I can hear half of of you groaning. But before we go into why I think so, because again, everything at this point is simply my prediction, let's look at what will happen if Cinder choses power over true freedom.

She will most likely die, of that I have little doubt, or sentenced to life in prison or constant running at the very least. This all runs in accrodance to the theme. A main villian stays on the road of evil despite being shown a better way, and pays dearly for it. Only...RWBY has already done this…

...

With Salem!

As our big bad and one of the main villians and the pure epic that was 'The Lost' fable, we have seen all the prominent moments and choices who made Salem who she is. And at every turn, the death of Ozma, the death and rebirth of the world, Salem has chosen the path of Darkness and not just figuratively either. (And yet, they still managed to make her sympathetic at one point which is a commendable feat). The gods might have been cruel in their punishments, but all things considered, gracious inhow many times they have given her the option to change her ways. Of course Salem's final decision came with the death of Ozma and her children.

Salem might be the big bad, and defeating her is the end goal, her actions dive the basis of the plot and our heroes' actions. As these final moments of her story concedes with Cinder's story, I very much like the idea of the story ending with the defeat of the antagonist who chooses the path of darkness, while one of RWBY's main themes linger in its audience's mind as another antagonist chooses the path of good, a new life. Now I'm getting much to sappy and caught up in these satisfying nuances and touches.

But my main point has been made. Cinder will choose to change, but what could this new life look like? What are the consequences? After all, we've already established that the gravity of the outcome does not concede with the choice even if it it is presented as positive for good and negative for bad.

In short, could Cinder's change be an act of goodness that concedes with her death?

...

It could, but I don't think it will.

While it is true that the death of a charater could carry a positive outcome to others, it does not align with Cinder's goal of freedom, therefore death would be seen as a punishment and contradict the theme itself. And because Cinder is the charater who embodies it, it means that the end of her story should end on a positive note.

This doesn't mean Cinder becoming a better person will be easy, it doesn't mean that she should be forgiven, that she shouldn't face the consequences of her past.

But after everything she went through, after all her struggles and trauma, Cinder would have the life her younger self wanted. The freedom she wanted to choose for herself.

And I think that is a ending we can, and should hope for...