#Published 108

[aethercurrent]

extremely funny coincidences with time travel au: final chapter count's on the darn fic now. of course it ends in 14.

[keycomicbooks]

Batman #108 (2021) Sun Khamunaki Exclusive Variant Edition, Jorge Jiménez & Ricardo Lopez Ortiz Pencils, James Tynion IV Story, Miracle Molly (First Full Appearance) 

#Batman #108 (2021) #SunKhamunakiExclusive Variant Edition, #JorgeJiménez & #RicardoLopezOrtiz Pencils, #JamesTynionIV Story, #MiracleMolly (First Full Appearance) Batman goes undercover to infiltrate the transhumanist gang known as the Unsanity Collective and learn more about their sudden appearance in Gotham. https://www.rarecomicbooks.fashionablewebs.com/Batman%202016.html#108S @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #KeyComicBooks #DCComics #DCU #DCUniverse #KeyIssue

#Batman #108 (2021) #SunKhamunakiExclusive Variant Edition, #JorgeJiménez & #RicardoLopezOrtiz Pencils, #JamesTynionIV Story, #MiracleMolly (First Full Appearance) Batman goes undercover to infiltrate the transhumanist gang known as the Unsanity Collective and learn more about their sudden appearance in Gotham. https://www.rarecomicbooks.fashionablewebs.com/Batman%202016.html#108S @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #KeyComicBooks #DCComics #DCU #DCUniverse #KeyIssue

[carriesthewind]

"But this characterization confuses IA’s practices with traditional library lending of print books. IA does not perform the traditional functions of a library; it prepares derivatives of Publishers’ Works and delivers those derivatives to its users in full. That Section 108 allows libraries to make a small number of copies for preservation and replacement purposes does not mean that IA can prepare and distribute derivative works en masse and assert that it is simply performing the traditional functions of a library." Hachette Book Group, Inc. v. Internet Archive, No. 23-1260, at 31 (2nd Cir. Sept. 4, 2024).

[cityof2morrow]

Industrial Steel & Glass Set

Published: 1-30-2024 | Updated: 9-8-2024 SUMMARY A 20-piece steel and glass set for industrial builds. Mix and match as needed with move objects on/off and grid on/off cheats. Objects are 1-tile,  visible from hood view, and need to be combined with other objects if you want to prevent rain, snow, and sims from intersecting them.

DETAILS Requires all EPs/SPs. §300 | Build > Architecture You need the BBNiche1Master (Buggybooz, 2012), Roofing Repository, and Glass Repository – available in the Repository Pack (Simmons, 2023). Objects are meant to be used with 1-story walls (or higher). **I decimated the frames a bit to lower poly count. Please forgive minor imperfections – but if you notice serious holes/errors in the meshes, let me know.

ITEMS Base 001 (724 poly) Base 001 Corner (878 poly) Base 002 (938 poly) Base 003 (1178 poly) Corner Niche (20 poly) Roof 001 (902 poly) Roof 001 Corner (1038 poly) Roof 001 (Long) (828 poly) Roof 002 (841 poly) Roof 002 Corner (967 poly) Roof 003-A (704 poly) Roof 003-B (706 poly) Roof 003-C (704 poly) Roof 003-D (706 poly) Roof 003 Corner (870 poly) Roof Niche 001 (33 poly) Roof Niche 002 (33 poly) Wall Deco 001 (108 poly) Wall Deco 002 (216 poly) Window (Deco) (572 poly)

DOWNLOAD (choose one) from SFS | from MEGA *collection file included

GRAPHIC GLASS ADD-ONS from SFS | from MEGA *separate collection file for add-ons included

BUILDING TIPS If you want them to function like walls, combine them with invisible walls, fences, windows, etc. You may need to use the grid on/off cheat to move pieces slightly outside of a four-walled room. Otherwise, the game will consider the object “inside” the room and it will go dark. Fencing is recommended when placing floor tiles directly above the pieces to reduce flickering. Also, you can fill gaps with Roof Niche 001/002, Wall Deco 001/002, and the Corner Niche.

CREDITS Thanks: Simming and Sketchfab Communities. Sources: Beyno (Korn via BBFonts), EA/Maxis, Industrial Set – Steel & Glass (Feivelyn, 2020 via CCA-Non-Commercial). Nook & Niches (BuggyBooz, 2012), Offuturistic Infographic (Freepik).

[xhxhxhx]

It's December 4, 2024.

Today, the Supreme Court heard oral arguments in United States v. Skrmetti, a challenge to Tennessee's ban on gender-affirming care. The specific question presented is whether Tennessee's ban violates the Equal Protection Clause.

The challenge is to Tenn. Code Ann. § 68-33-103(a)(1). That is, it's a challenge to a bit of Tennessee's Annotated Code. Title 68, Chapter 33, "Prohibited Medical Procedures for Minors."

I don't have anything to say about Tennessee's ban on gender-affirming care. Nor do I have anything to say about how the Court will treat the case. Not yet, anyways.

But I have something to say about the Code.

I.

Tennessee's laws are compiled by its code commission.

Under state law, the commission is a five-member body, consisting of the state's chief justice, attorney general, and counsel for the legislature, along with another two members appointed by the chief justice. Tenn. Code Ann. § 1-1-101(a).

The code commission supervises the official publication of the state's statutes, codes and session laws. § 1-1-105(a). The commission is empowered to commission to contract with publishers to that end, § 1-1-106(a), and obliged to inspect and certify their work. § 1-1-110(a).

When its work finished, the commission puts its certificate of approval in each volume and pocket supplement. § 1-1-110(c). But their first certificate, the one they leave with the secretary of state, § 1-1-110(b), is what gives the code the force of law. § 1-1-111(a).

Beyond that, the commission's work is ministerial. It cuts and pastes. "[T]he commission shall not alter the sense, meaning or effect of any act of the general assembly, but shall copy the exact language of the text of the statutes, codes and session laws." § 1-1-108.

The commission may "rearrange, regroup and renumber" the laws; change their "section headings"; "correct manifest misspelling[s] and typographical errors"; and "omit enacting clauses, repealing clauses, severability clauses, conditional clauses, preambles, [and] captions", § 1-1-108—and not much more.

II.

Tennessee leaves the work to Lexis, a private publisher.

Lexis's product, the Tennessee Code Annotated, is not eligible for copyright. Public.Resource.Org v. Matthew Bender & Co., No. M2022-01260-COA-R3-CV, slip op. (Tenn. Ct. App. Nov. 9, 2023). But it is not subject to compulsory disclosure, either.

Under current law, according to the state's intermediate appellate court, the Tennessee Code Annotated in the hands of Lexis is in the hands of a private contractor, not the State.

If Lexis had been the functional equivalent of a government entity, contracted to "perform a governmental or public function," it would be subject to the State's public records law. *8. But it's not.

That's what the state's intermediate appellate court says, at least. But its reasoning is less than persuasive.

III.

Lexis is merely a contractor. The commission specifies the work, and Lexis does the work. The commission may be exacting, but it isn't controlling. *9.

That's the court's argument, at least. But that strikes me as a less than complete account of the commission's duties under State law, which must inform any characterization of its contracts.

Under State law, the commission is "authorized and directed to" control each dimension of the compilation, Tenn. Code Ann. § 1-1-105(a), and must

supervise the execution of plans for the compilation, arrangement, classification, annotation, editing, indexing, printing, binding, publication, sale, distribution and the performance of all other acts necessary for the publication of an official compilation of the statutes, codes and session laws of the state of Tennessee

The commission's contractual powers, set out in the subsequent section, § 1-1-106, are an incident to its primary authority and duty to "formulate and supervise" the compilation. § 1-1-105(a).

The commission's primary authority and duty to prepare the compilation is plain on the face of the law. Under State law, the compilation is the commission's work, down to the copying and pasting, § 1-1-108(a):

In preparing the manuscript of the revised compilation (including pocket supplements and replacement volumes) for publication and distribution, the commission shall not alter the sense, meaning or effect of any act of the general assembly, but shall copy the exact language of the text . . .

This is more than the relationship suggested by the court. It's more than control over the product. It's control over production, the work of "preparing the manuscript."

To the extent that Lexis is doing the work, "preparing the manuscript," and "copy[ing] the exact language of the text," it is performing the commission's functions.

The court says "Lexis is not a stand-in for government." But that's exactly what it is. The commission is a government body. And Lexis is doing the commission's work.

That seems like a governmental function to me.

[mysticstronomy]

HOW FAR BACK IN TIME CAN WE SEE me cryIN SPACE??

Blog#469

Wednesday, January 8th, 2025.

Welcome back,

The Hubble and James Webb Space Telescopes have observed the most distant star ever seen – Earendel – whose name means morning star. Even though Earendel is 50 times the mass of our sun, and millions of times brighter, we would not normally be able to see it. We can only see it due to an alignment of the star with a large galaxy cluster in front of it whose gravity bends the light from the star to make it brighter and more focused. The galaxy cluster essentially acts as a lens.

Astronomers see into the deep past when we view distant objects. Light travels at a constant speed (3×108 meters per second). So, the farther away an object is, the longer it takes for the light to reach us. By the time the light reaches us from very distant stars, the light we are looking at can be billions of years old. Thus, we are looking at events that happened in the past.

When we observe Earendel’s light, we are looking at light the star emitted 12.9 billion years ago. We call this the lookback time. That’s just 900 million years after the Big Bang. But because the universe has also expanded rapidly in the time it took this light to reach us, Earendel is now 28 billion light-years away from us.

Hubble’s successor, the James Webb Space Telescope, may be able to detect even earlier stars. However, they would have to be nicely aligned to form a gravitational lens so that we can see them.

One of the main goals of Webb is to know what the early universe looked like and when early stars and galaxies formed, thought to be between 100 million and 250 million years after the Big Bang. And, luckily, we can get hints about this by looking even farther back than Hubble or Webb can manage.

We can see light from 13.8 billion years ago, although it is not starlight, because there were no stars then. The farthest light we can see is the cosmic microwave background. The cosmic microwave background is the light left over from the Big Bang, forming at just 380,000 years after our cosmic birth.

The universe before the cosmic microwave background formed contained charged particles of positive protons (which now make up the atomic nucleus along with neutrons) and negative electrons … and light. The charged particles scattered the light, which made the universe a foggy soup. As the universe expanded, it cooled until eventually the electrons combined with the protons to form atoms.

Unlike the soup of particles, the atoms had no charge, so the light didn’t scatter and could move through the universe in a straight line. This light has continued to travel across the universe until it reaches us today. The wavelength of the light got longer as the universe expanded … and we currently see it as microwaves. This light is the cosmic microwave background. We can see it uniformly at all points in the sky. The cosmic microwave background is everywhere in the universe.

Originally published on https://earthsky.org

COMING UP!!

(Saturday, January 11th, 2025)

"IS SPACE DARK OR BRIGHT??"

[vwv-watching-boy]

Just found an 108 page (basically fully redacted) FBI documents in Burn Notice.

It probably exist because the FBI wanted to keep tabs on how operatives where portrayed in media. And wanted to keep tabs in the information that was given in the show.

The file

https://www.mediafire.com/file/iiimerbn332j1db/FBI-Burn-Notice.pdf/file

an article talking about it

https://www.spyculture.com/fbi-releases-almost-entirely-redacted-file-on-burn-notice/

Also the show was supposedly inspired by the book "The Setup: Memoirs of an Nsa Black Operation" (which is out of publication but the second edition isn't) it was originally published February 4,2007. That's what good reads say. Goggle says it was October 4, 2007. Also the first edition on Good reads has two review from the same account name of Micheal Terry. It's the only review the account has ever made. one is 3 stars the over 5. Both left in the same month. Just thought that was odd. On Amazon the description mentions the show being inspired by it. And I didn't look deeper.

It's supposedly a true story about an English teacher who got false accused of being a spy.

But allegedly it had a ton of spelling errors which wouldn't make sense for an English teacher.

And there's a bunch of holes and gaps in the narrative. I haven't read it. And it's like 15 bucks (I'll see if I can maybe find it free on audible. If I do I'll review)

Anyway just fun stuff about the show I learned. Which ig the second half isn't really related to the show.

[fallloverfic]

Version differences between uncensored/censored ENNEAD manhwa

This leads to some confusion among many folks, so I figure a breakdown might be useful to more people. In simple terms, there are two versions of ENNEAD, the boys love manhwa: the uncensored version (19+/18+/Mature, depending on the publisher), and a censored version (15+/16+/Older Teen, depending on the publisher). This is true for a lot of BL comics, to a degree, but ENNEAD has more differences than usual.

This is also primarily to combat the narrative of people trying to sell the censored version of the series as some wholly different beast than the uncensored version. Changes between the versions cover <9% of the whole story. The censored version is, to some degree, slightly softer than the uncensored version (mostly in the sense that there's visually less of it on the page). But it is still dark fantasy, covers the same topics, and deals with the same narratives. Showing less of a scene does not equal not having the scene happen at all.

This will be spoilery for things up through Season 2, Episode 108.

ENNEAD is unique in some ways in that Mojito works around the usual censoring so she doesn't have to have as much cropping and panel cutting or use lightsabers or those weird censor lines that other releases put over dicks. She makes use of specific posing, gestures, and clothing to indicate sensuality without showing bits constantly. The idea is, if she has to remake the scene for the censored version, she has to do as little work as possible while avoiding having the work be butchered to meet the censor requirements when it's redone for the censored version, and so the censored version can be as close to the uncensored version as possible. There's still some cropping, but it's not as bad as it might be. Mostly, changes are just having characters be fully clothed or do different things together.

ENNEAD does not use lightsabers or censor bars. Mojito either redraws or replaces the panels, crops, adds clothing, and/or rewrites for the censored release.

ENNEAD is a serial webcomic, and is broken up into episodes (as of writing, 183 episodes in the uncensored version, as that's one episode longer). This is a list of episodes with version differences:

Season 1: Episodes 28-32, 42-44, 74-75 (75 doesn't exist in the censored release)

Season 2: Episodes 19, 45-47, 71, 107, 108

Not all episodes are completely different throughout the episode. Some only have a few tweaks. Season 1, Episode 28, for example, just removes some bloodstains. It doesn't otherwise change any of the panels. And even episodes with complete panel redraws aren't redrawn throughout the whole episode for the most part. That's 16/184 episodes, making up <9% of the whole story that are changed. The percentage is even smaller than that because most episodes with changes only change a few panels. The most extensive changes are in S1E30-32, 42-43, 74-75, and S2E45-47, 71, 107, and 108.

A more detailed breakdown of the changes made for the censored release:

S1E28: Bloodstains removed

S1E29-31: Panel redraws and rewrites to soften the nsfw

S1E32: Panel redraws and rewrites to soften the nsfw, added Seth POV focusing on his psyche

S1E42: Panel redraws and rewrites to soften the nsfw

S1E43: Extended Isis POV section with new panels and writing, shrunken Osiseth section. This is possibly the most extensively changed episode, as the uncensored version is mostly Osiseth, while the censored version is mostly Isis' POV.

S1E44: Redrawn panels, mostly to remove more of the Osiseth, rewriting

S1E74: There is an end AU story for each version of the season. The uncensored version contains an early draft of the manhwa where the new King Horus takes Seth as his prisoner. It is two episodes long. The censored version contains a story where Seth's punishment for losing the trial is to become tiny and held as Horus' captive. It's one episode long.

S2E19: Panel redraws and rewrites to soften the nsfw

S2E45: Panel redraws and rewrites to soften the nsfw

S2E46: Panel redraws and rewrites, including more information on Seth's attempted rescue of the boy

S2E47: Panel redraws and rewrites to soften the nsfw

S2E71: Panel redraws and rewrites to soften the nsfw

S2E107-8: Panel redraws and rewrites to soften the nsfw

The sex scenes are all still in there, they're just shorter (and generally they're sort of alternate sex scenes). The non-con is also still there. It's just not as heavily emphasized.

For folks looking to buy the physical English release and wondering which version to get as Seven Seas offers both, volumes 1, 2, and 5 should have no differences. Volumes 3, 4, and possibly 6 should have differences. 3 and 4 definitely do, but we don't know what's in volume 6, yet. The listing on storefronts shows the paperback and hardcovers have different page counts, which might be different to include the AUs.

If you'd like to know where to read it, you can read both the uncensored and censored versions in English on Tappytoon on both the browser and app versions of the site. More information on the manhwa here.

[destinationtoast]

Hi! I really like your stats! I was browsing your character stats published in January 2024, and I was surprised by the fact that Wanda Maximoff didn't appear in the list. I checked, and there are ~38.000 public works under her tag. Did I miss her on the list? In any case, I just wanted to let you know, if it may be useful. Thank you for your great work!

Hey, thanks for the compliment and for the great question! :) I went back and checked my January big fandom/character/ship stats and also the underlying character data, and you're not wrong! Wanda is missing, and so are others. I'm going to post graphs with data about Wanda plus a bunch more missing characters -- and some missing ships! -- shortly. But here, let me explain how some characters inadvertently got left out.

Until recently, there was no way of directly finding the top characters or ships across all of AO3. Now there is a Tag Search feature (edit: sort by usage) that allows you to do so (though, as I posted about earlier, it has some limitations). But because I didn't have access to that method until recently, I used to instead do the following:

Find all fandoms with 10K+ works. (tutorial)

Combine the top 10 characters (and ships) listed in the Sort & Filter sidebar for each of those big fandoms.

Find out how many works each of those characters (and ships) have, and make my top characters / top ship lists from that data.

This worked well for many popular characters and ships. However, for really huge fandoms with lots of popular characters, like MCU, it misses a lot of big tags. My hope was that most of the characters that were missed in a giant fandom like MCU would show up in the top 10 list of some other popular fandom. E.g., Pepper Potts isn't in the top 10 characters listed in the Sort & Filter sidebar for the "Marvel Cinematic Universe" tag, but she is in the top 10 for the tag "Iron Man (Movies)." However, Wanda is an example of where this didn't work out. The WandaVision fandom didn't have 10K works, so it didn't make my list of fandoms in step 1 -- and Wanda wasn't in the top 10 for any fandoms with 10K+ works. So I just missed her altogether despite the fact that she appears in more fanworks than other characters in my list.

I will use Tag Search in future years and hopefully avoid this issue. That method would have caught Wanda -- and when I used that method as a starting point earlier this week (and then did follow up work to address the limitations of Tag Search), Wanda came in #108 out of all AO3 character tags! I'll share the resulting data that includes the previously missing characters in a bit. :)

[the-garbanzo-annex-jr]

by Dion J. Pierre

During Wednesday’s interview with the Algemeiner, Davidai defended his approach as a genuine expression of grief and concern for the welfare of Jewish students.

“People are free to see exactly the videos and see, you know, what did or did not happen and judge for themselves,” he said. “That is why I call this a clear act or retaliation. My lawyers got on a phone call with them on Oct. 7 [of this year] and were told that the university is going to suspend my ability to be on campus. On that day, the university found that the most important thing is to remove me from campus. I am, to the best of my knowledge, the only professor who has been removed from campus since Oct. 7 [2023].”

Davidai went on to point to faculty conduct which has been covered by The Algemeiner, including Columbia professor Joseph Massad publishing in Electronic Intifada an essay cheering Hamas’s atrocities as “awesome” and describing men who paraglided into a music festival to kill young people as “the air force of the Palestinian resistance.”

Davidai continued, “The only person who was removed from campus is the one that exposed the chief operating officer’s antisemitic problem. And I say this, you know, I don’t know if he is or isn’t an antisemite. I do know that he’s awfully comfortable with antisemitism and that he has an antisemitism problem.”

According to Columbia University, the campus ban, which does not affect Davidai’s compensation or employment status, was prompted by “threats of intimidation, harassment, or other threatening behavior.”

Samantha Slater, a university spokesperson, continued: “Columbia has consistently and continually respected Assistant Professor Davidai’s right to free speech and to express his views. His freedom of speech has not been limited and is not being limited now. Columbia, however, does not tolerate threats of intimidation, harassment, or other threatening behavior by its employees. Because Assistant Professor Davidai repeatedly harassed and intimidated university employees in violation of university policy, we have temporarily limited his access to campus while he undertakes appropriate training on our policies governing the behavior of our employees.”

This latest clash between Davidai and Columbia University comes during what has been widely described as an unprecedented “crisis” at the school which, since Oct. 7, 2023, has undermined its credibility with the public and drawn the scrutiny of federal lawmakers.

In April, an anti-Zionist group occupied Hamilton Hall, forcing then-university president Minouche Shafik to call on the New York City Police Department (NYPD) for help, a decision she hesitated to make and which led to over 108 arrests. However, according to documents shared in August by the US House Committee on Education and the Workforce, 18 of the 22 students slapped with disciplinary charges for their role in the incident remain in “good standing” despite the university’s earlier pledge to expel them. Another 31 of 35 who were suspended for illegally occupying the campus with a “Gaza Solidarity Encampment” remain in good standing too.

In August, Shafik resigned as president of the university, and just two months prior, in June, its legal counsel reached an out of court settlement with a student who accused administrators of neglecting their obligation to foster a safe learning environment during the final weeks of last spring semester. While stopping short of admitting guilt, the settlement virtually conceded to the plaintiff her argument that the campus was unsafe for Jewish students, agreeing to provide her and others “Safe Passage Liaisons” tasked with protecting them from racist abuse and violence.

Amid this cluster of scandals and conflagrations, Davidai has allegedly received a lion’s share of the university’s attention. Last semester, it launched an investigation of his conduct, which he called a persecution that “reveals the depths of its hostility towards its Jewish community.” He has since retained counsel to guard his rights and prevent being bulldozed by one of the wealthiest and powerful universities in the world. Despite his troubles, however, he told The Algemeiner on Wednesday that Columbia is redeemable.

[keycomicbooks]

Batman #108 (2021) CARLA COHEN Trade Dress Variant LTD 3000 Miracle Molly Cover, Jorge Jiménez & Ricardo Lopez Ortiz Pencils, James Tynion IV Story, Miracle Molly (First Full Appearance)

#Batman #108 (2021) #CARLACOHEN Trade Dress Variant LTD 3000 #MiracleMolly Cover, #JorgeJiménez & #RicardoLopezOrtiz Pencils, #JamesTynionIV Story, Miracle Molly (First Full Appearance) Batman goes undercover to infiltrate the transhumanist gang known as the Unsanity Collective and learn more about their sudden appearance in Gotham. https://rarecomicbooks.fashionablewebs.com/Batman%202016.html#Batman108CARLACOHEN @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #KeyComicBooks #DCComics #DCU #DCUniverse #KeyIssue

[anotherhumaninthisworld]

I decided to try this but for the girlies instead.

Are you sure want to click on ”keep reading”?

For Pauline Léon marrying Claire Lacombe’s host, see Liberty: the lives of six women in Revolutionary France (2006) by Lucy Moore, page 230

For Pauline Léon throwing a bust of Lafayette through Fréron’s window and being friends with Constance Evrard, see Pauline Léon, une républicaine révolutionnaire (2006) by Claude Guillon.

For Françoise Duplay’s sister visiting Catherine Théot, see Points de vue sur l’affaire Catherine Théot (1969) by Michel Eude, page 627.

For Anne Félicité Colombe publishing the papers of Marat and Fréron, see The women of Paris and their French Revolution (1998) by Dominique Godineau, page 382-383.

For the relationship between Simonne Evrard and Albertine Marat, see this post.

For Albertine Marat dissing Charlotte Robespierre, see F.V Raspail chez Albertine Marat (1911) by Albert Mathiez, page 663.

For Lucile Desmoulins predicting Marie-Antoinette would mount the scaffold, see the former’s diary from 1789.

For Lucile being friends with madame Boyer, Brune, Dubois-Crancé, Robert and Danton, calling madame Ricord’s husband ”brusque, coarse, truly mad, giddy, insane,” visiting ”an old madwoman” with madame Duplay’s son and being hit on by Danton as well as Louise Robert saying she would stab Danton, see Lucile’s diary 1792-1793.

For the relationship between Lucile Desmoulins and Marie Hébert, see this post.

For the relationship between Lucile Desmoulins and Thérèse Jeanne Fréron de la Poype, and the one between Annette Duplessis and Marguerite Philippeaux, see letters cited in Camille Desmoulins and his wife: passages from the history of the dantonists (1876) page 463-464 and 464-469.

For Adèle Duplessis having been engaged to Robespierre, see this letter from Annette Duplessis to Robespierre, seemingly written April 13 1794.

For Claire Panis helping look after Horace Desmoulins, see Panis précepteur d’Horace Desmoulins (1912) by Charles Valley.

For Élisabeth Lebas being slandered by Guffroy, molested by Danton, treated like a daughter by Claire Panis, accusing Ricord of seducing her sister-in-law and being helped out in prison by Éléonore, see Le conventionnel Le Bas : d'après des documents inédits et les mémoires de sa veuve, page 108, 125-126, 139 and 140-142.

For Élisabeth Lebas being given an obscene book by Desmoulins, see this post.

For Charlotte Robespierre dissing Joséphine, Éléonore Duplay, madame Genlis, Roland and Ricord, see Mémoires de Charlotte Robespierre sur ses deux frères (1834), page  76-77,  90-91, 96-97, 109-116 and 128-129.

For Charlotte Robespierre arriving two hours early to Rosalie Jullien’s dinner, see Journal d’une Bourgeoise pendant la Révolution 1791–1793, page 345.

For Charlotte Robespierre physically restraining Couthon, see this post.

For Charlotte Robespierre and Françoise Duplay’s relationship, see Mémoires de Charlotte Robespierre sur ses deux frères (1834) page 85-92 and Le conventional Le Bas: d’après des documents inédits et les mémoires de sa veuve (1902) page 104-105

For the relationship between Charlotte Robespierre and Victoire and Élisabeth Lebas, see this post.

For Charlotte Robespierre visiting madame Guffroy, moving in with madame Laporte and Victoire Duplay being arrested by one of Charlotte’s friends, see Charlotte Robespierre et ses amis (1961)

For Louise de Kéralio calling Etta Palm a spy, see Appel aux Françoises sur la régénération des mœurs et nécessité de l’influence des femmes dans un gouvernement libre (1791) by the latter.

For the relationship between Manon Roland and Louise de Kéralio Robert, see Mémoires de Madame Roland, volume 2, page 198-207 

For the relationship between Madame Pétion and Manon Roland, see Mémoires de Madame Roland, volume 2, page 158 and 244-245 as well as Lettres de Madame Roland, volume 2, page 510.

For the relationship between Madame Roland and Madame Buzot, see Mémoires de Madame Roland (1793), volume 1, page 372, volume 2, page 167 as well as this letter from Manon to her husband dated September 9 1791. For the affair between Manon and Buzot, see this post.

For Manon Roland praising Condorcet, see Mémoires de Madame Roland, volume 2, page 14-15.

For the relationship between Manon Roland and Félicité Brissot, see Mémoires de Madame Roland, volume 1, page 360.

For the relationship between Helen Maria Williams and Manon Roland, see Memoirs of the Reign of Robespierre (1795), written by the former.

For the relationship between Mary Wollstonecraft and Helena Maria Williams, see Collected letters of Mary Wollstonecraft (1979), page 226.

For Constance Charpentier painting a portrait of Louise Sébastienne Danton, see Constance Charpentier: Peintre (1767-1849), page 74.

For Olympe de Gouges writing a play with fictional versions of the Fernig sisters, see L’Entrée de Dumourier à Bruxelles ou les Vivandiers (1793) page 94-97 and 105-110.

For Olympe de Gouges calling Charlotte Corday ”a monster who has shown an unusual courage,” see a letter from the former dated July 20 1793, cited on page 204 of Marie-Olympe de Gouges: une humaniste à la fin du XVIIIe siècle (2003) by Oliver Blanc.

For Olympe de Gouges adressing her declaration to Marie-Antoinette, see Les droits de la femme: à la reine (1791) written by the former.

For Germaine de Staël defending Marie-Antoinette, see Réflexions sur le procès de la Reine par une femme (1793) by the former.

For the friendship between Madame Royale and Pauline Tourzel, see Souvernirs de quarante ans: 1789-1830: récit d’une dame de Madame la Dauphine (1861) by the latter.

For Félicité Brissot possibly translating Mary Wollstonecraft, see Who translated into French and annotated Mary Wollstonecraft’s Vindication of the Rights of Woman? (2022) by Isabelle Bour.

For Félicité Brissot working as a maid for Louise Marie Adélaïde de Bourbon, see Mémoires inédites de Madame la comptesse de Genlis: sur le dix-huitième siècle et sur la révolution française, volume 4, page 106.

For Reine Audu, Claire Lacombe and Théroigne de Méricourt being given civic crowns together, see Gazette nationale ou le Moniteur universel, September 3, 1792.

For Reine Audu taking part in the women’s march on Versailles, see Reine Audu: les légendes des journées d’octobre (1917) by Marc de Villiers.

For Marie-Antoinette calling Lamballe ”my dear heart,” see Correspondance inédite de Marie Antoinette, page 197, 209 and 252.

For Marie-Antoinette disliking Madame du Barry, see https://plume-dhistoire.fr/marie-antoinette-contre-la-du-barry/

For Marie-Antoinette disliking Anne de Noailles, see Correspondance inédite de Marie Antoinette, page 30.

For Louise-Élisabeth Tourzel and Lamballe being friends, see Memoirs of the Duchess de Tourzel: Governess to the Children of France during the years 1789, 1790, 1791, 1792, 1793 and 1795 volume 2, page 257-258

For Félicité de Genlis being the mistress of Louise Marie Adélaïde de Bourbon’s husband, see La duchesse d’Orléans et Madame de Genlis (1913).

For Pétion escorting Madame Genlis out of France, see Mémoires inédites de Madame la comptesse de Genlis…, volume 4, page 99.

For the relationship between Félicité de Genlis and Louise de Kéralio Robert, see Mémoires de Madame de Genlis: en un volume, page 352-354

For the relationship between Félicité de Genlis and Germaine de Staël, see Mémoires inédits de Madame la comptesse de Genlis, volume 2, page 316-317

For the relationship between Félicité de Genlis and Théophile Fernig, see Mémoires inédits de Madame la comptesse de Genlis, volume 4, page 300-304

For the relationship between Félicité de Genlis and Félicité Brissot, see Mémoires inédites de Madame la comptesse de Genlis, volume 4, page 106-110, as well as this letter dated June 1783 from Félicité Brissot to Félicité Genlis.

For the relationship between Félicité de Genlis and Théresa Cabarrus, see Mémoires de Madame de Genlis: en un volume (1857) page 391.

For Félicité de Genlis inviting Lucile to dinner, see this letter from Sillery to Desmoulins dated March 3 1791.

For Marinette Bouquey hiding the husbands of madame Buzot, Pétion and Guadet, see Romances of the French Revolution (1909) by G. Lenotre, volume 2, page 304-323

Hey, don’t say I didn’t warn you!

[cityof2morrow]

OFB Props: Signs 001 Mix

Published: 7-14-2024 | Updated: N/A SUMMARY 100 posters, tags, and area signs to organize sale items on your commercial lots. Customize poster images, infographics, and barcodes/currency labels. Labels are color-coded in Simlish and English to make sorting objects easier: COOK (white label/for cookables, ingredients), DRINK (red label/ for edible beverages), EAT (pink label/for edible foods), GROW (green label/ for harvestables), HEAL (orange label/for functional medicines, motive boosters), CRAFT (brown label/for craftables, ingredients), STOCK (yellow label/for stockable foods, supplies), USE (blue label/for all other functional items), VIEW (gray label/for deco only items), and “other” (black and purple/barcode). These are general deco items, so you don’t have to sort by function/color unless you want to.

DETAILS Pets EP or higher. Cost: $3 | Environment: +1 | Buy > Deco > Wall Hangings/Sculptures (some signs don’t have to be placed on walls) You need my Poster Pack (Simmons, 2024) for all poster recolors. Sale Poster 7 (barcodes/currencies), and Ceiling Sign Info 4 (infographics) – are also REQUIRED. Recommended textures sizes for new recolors are 512x512 (poster graphics) and 512x128 (bar codes/currencies, infographics). Simlish text is ideal since images may be reversed on the back side of some objects, or slightly stretched. *Thumbnails for the BACK side of the posters may not generate accurately in the catalog (default game quirk). Make sure you can see the back side onscreen when recoloring. Finally, you’ll likely need “moveobjects on/off” and “snaptogrid on/off” cheats when placing some items.

ITEMS 11 ceiling signs (160-440 poly, poster images on signs 1-6 appear on back side). 11 standing signs (188-440 poly) 3 curved standing signs (548 poly) 10 wall signs (220-224 poly) 5 curved wall signs (874-876 poly) 3 curved/winged signs (1072 poly) 7 hanging signs (269 poly) 6 Instore Mini Billboards (4t2 conversion by NekoSayuri, 2018; EA; 116 poly) 5 Lil’ Business Chalkboards (4t2 conversion by itsnotdissimilar, 2016; EA; 128 poly) 7 framed posters (64 poly) 5 unframed posters (12 poly) 4 taped, unframed posters (108 poly) 3 unframed, wrinkled posters (18 poly) 3 wrinkled tags (34 poly) 3 smooth tags (155 poly, poster images appear reversed on back side) 3 info/barcode tags (4-60 poly) 6 easel signs (512 poly) 6 sales card on stands (card mesh by Cathee, 2008; 40 poly).

DOWNLOAD (choose one) from SFS | from MEGA *collection file included

COMPATIBILITY I recommend using Shift Everything (Lamare, 2022) or Object Freedom 1.02 (Fway, 2023) to enable floor-to-ceiling shiftability for all objects. This will also minimize shadow issues when shifting the signs. Some signs show a small gap between the frame and poster when viewed at close range. CREDITS Thanks: Sim Crafters, ChocolateCitySim. Sources: Beyno (Korn via BBFonts), EA/Maxis, Offuturistic Infographic (Freepik), Fonts (Gazifu, 2013; Ajaysims), Sims 3 (EA, 2009; 2012), Sims 4 (EA, 2014; 2020), Sims Mobile (EA, 2018), Supermarket Aisle Signs (Rockethorse, 2014), Synapticsims, Vector_Corp.

[cinderellaenjoyer]

Here me out - Epic Tumblr AU:

- Odysseus is a fan artist who couldn't post for a while because he was on vacation in a place where the WiFi was really really bad

- Eurlychous and Polities are his mutals. Eurlychous' blog is based on advice on drawing and improving fandom experience, Polities is more on just having fun and telling people not to worry about being cringe.

- The Gods are probably bigger/better known blogs

- Athena is that one 'Super cool bigger blog mutal' that followed Odysseus when he was like. 15 after seeing how good his fanart was.

- 'My Goodbye' would be Athena blocking Odysseus and the beginning of 'Love in Paradise' would be her unblocking him

- Calypso is this one artist that used to be popular until she switched to more obscure/smaller fandoms and people stopped following her. She's ECSTATIC to learn her and Odysseus have a mutual fandom.

- Penelope is a fic writer and her work is like. REALLY high quality. Like 'good enough to be published literature instead of on AO3' high quality.

- The suitors are 108 people in one of Penelope and Odysseus fandoms that all have HORRENDOUS takes.

- Telemachus is a 17-19 year old that's moots with Penny and Ody (they'd be around mid 20s here). The suitors keeping shoving their awful takes in his face and they keep making side blogs everytime him and Penelope trying to block him

- For The Challenge, I imagine Penelope making a post similar to that saw-trap style 'you have to talk about a female character without reducing her to fandom buzz words' and the suitors ALL failing at it. Horrendously.

- THEN Odysseus comes back online, makes a SPECTACULAR art of a female character he really likes with a WONDERFUL analysis of that female character underneath. And not even under Penelope's post, because he gets the memo that this is Penelope complaining about fandoms treat female characters

- Penelope testing Odysseus in 'would you fall in love with me again' is Penelope purposefully saying a really bad take on a female character her and Odysseus both love and actually met each other through. Odysseus rebukes it, and Penelope is now SURE it's him . 'Only my BF gets her, so I guess that makes him you!'

[thoughtportal]

A devastating population collapse that decimated stone age farming communities across northern Europe 5,000 years ago may have been driven by an outbreak of the plague, according to research.

The cause of the calamity, known as the Neolithic collapse, has long been a matter of debate.

Studies based on DNA from human bones and teeth excavated from ancient burial tombs in Scandinavia – seven from an area in Sweden called Falbygden, one from coastal Sweden close to Gothenburg and one from Denmark – now suggest that disease played a central role.

The remains of 108 people – 62 males, 45 females and one undetermined – were studied. Eighteen of them, or 17%, were infected with plague at the time of death.

The researchers were able to chart the family tree of 38 people from Falbygden across six generations, spanning about 120 years. Twelve of them, or 32%, were infected with plague. Genomic findings indicated that their community experienced three distinct waves of an early form of plague.

The researchers reconstructed full genomes of the different strains of the plague-causing bacterium Yersinia pestis responsible for these waves. They determined that the last one may have been more virulent than the others, and they identified traits indicating the disease could have spread from person to person to cause an epidemic.

“We learned that the Neolithic plague is an ancestor to all later plague forms,” said Frederik Seersholm, a geneticist at the University of Copenhagen and lead author of the research, published in the journal Science.

A later form of this same pathogen caused the Justinian Plague of the sixth century AD and the 14th-century Black Death that ravaged Europe, north Africa and the Middle East. Because the strains circulating during the Neolithic decline were much earlier versions, the plague may have produced different symptoms than those in the epidemics millennia later.

The study demonstrated that the plague was abundant and widespread in the area examined.

Martin Sikora, who is also a geneticist at the University of Copenhagen and a co-author of the report, said: “This high prevalence of plague indicates that plague epidemics played a substantial role in the Neolithic decline in this region.

“Indeed, it seems plausible that the decline seen in other parts of Europe was also in some way affected by plague. We do already have evidence for plague in other megalithic sites in different parts of northern Europe. And seeing how prevalent it was in Scandinavia, I would expect a similar picture to emerge once we study these other megaliths with the same resolution.”

The Neolithic or new stone age involved the adoption of farming and animal domestication in place of a roving hunter-gatherer lifestyle. The Neolithic population crash in northern Europe occurred from about 3300BC to 2900BC. By that time, cities and sophisticated civilisations had already arisen in places such as Egypt and Mesopotamia.

The populations of Scandinavia and north-western Europe ultimately disappeared entirely, replaced by people known as the Yamnaya who migrated from a steppe region spanning parts of present-day Ukraine. They are the ancestors of modern northern Europeans.

“Up until now, multiple scenarios have been suggested that might explain the Neolithic decline: war or simple competition with steppe-related populations who became prevalent after the Neolithic decline; an agricultural crisis leading to widespread famine; and various diseases, including plague,” Seersholm said. “The challenge was that only a single plague genome had been identified before, and it was not known whether the disease was able to spread within a population of humans.“

The DNA evidence also offered insight into the social dynamics of these communities, showing that men often had children with multiple women and that the women were brought in from neighbouring communities. The women appeared to be monogamous.

“Multiple reproductive partners could mean several wives. It could also mean men were allowed to find a new partner if they became widowers or they had mistresses,” Seersholm said. {read}

[renthony]

"More than half of authors (54%) responding to a survey by The Bookseller on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22% of the 108 respondents to the survey described a positive experience overall with their first publication.

Of the survey’s respondents, 61% primarily wrote adult fiction, followed by 19% non-fiction and 17% children’s fiction. Around half of respondents (51%) had been published by an independent publisher while 48% were published by one of the Big Four (Penguin Random House, HarperCollins, Pan Macmillan and Hachette). The remaining 1% selected “other” and were a mix of self-published authors and “hybrid publishing”."