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daresplaining · 5 years ago

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Who are your favourite DD villains? Fisk, Bullseye and Mr Fear all sound brilliant from what I know of them, but are there any others with similarly iconic influence on Matt?

There are! Daredevil comics aren’t known for their well-crafted villains to the extent that, say, Spider-Man or Batman comics are, but I really enjoy a lot of Matt’s rogues gallery. Fisk and Bullseye are probably the two biggest names, but there are many others who have had major impacts on his life, and the Marvel Universe in general, over the years. Here are some of the most notable DD villains, in my opinion:

Gladiator (Melvin Potter) is a major antagonist who, over the years has become arguably one of the most nuanced and interesting Daredevil characters. I wrote a longer post about him, way back when we thought we might actually get a Gladiator origin story in the Netflix show, but in general, a lot of his lasting appeal comes from the complexity of his character. When he was first introduced in Daredevil vol. 1 #18 he was a pretty standard Silver Age villain: a guy with semi-logical origin story, a funky costume, and a penchant for monologuing. Specifically, Melvin Potter was the owner of a costume store who was sick of being disrespected by his customers, and so decided to make a name for himself by attacking people with spinning blades.

[ID: A panel from Lee’s Daredevil run. Daredevil is battling the Gladiator. Daredevil hoists himself up on a big crate to dodge one of the Gladiator’s spinning wrist blades.]

Matt: “He’s not fooling with those wrist blades… he’s fighting for real! But, why? I’m certain I’ve never met him before!”

Melvin: “You can’t keep dodging me forever! And the moment you slip, you shall have the honor of being my first victim!”

Daredevil vol. 1 #18 by Stan Lee, John Romita, and Sam Rosen

Over the years, various writers have worked hard to add nuance to his character. Despite his fearsome appearance and goal of gaining respect, most early Gladiator stories involve Melvin being manipulated by stronger, smarter supervillains. Later, he becomes even more sympathetic: a dangerous killer who, at heart, is gentle and naive and hates when he loses control and hurts people. This creates an inherent discord in his character that adds an emotional hook to all of his stories. Matt tries to help him, and Melvin is grateful for Matt’s friendship and returns that favor when he can, but sometimes they end up having to fight each other. Essentially, Melvin’s story is the relentless tragedy of a man who wants to live a peaceful life but keeps falling victim to his own demons and the cruelty of the world around him.

[ID: A page from Miller’s Daredevil run. Matt Murdock, in civvies (a tan suit and blue tie) confronts Melvin Potter, who is in a prison uniform and holding his Gladiator helmet.]

Matt: “Melvin, we’ve come so far. I know how much you want to be well… to go straight. We can help you, Betsy and I.”

Melvin: “I been trying, Matt. I been sitting in that courtroom, listening to them say those things about me, feeling my guts churn up, wanting to rip them all to pieces… They hate me. They all hate me… so I’m gonna hate them back!”

Matt: “I’m not letting you off that easy. If you want to become the Gladiator again, you’ll have to get past me.”

Melvin: “Past you?! Look at you– you’re just a skinny little blind guy! I’d break you in half! It’d be easy…”

Matt: “Is that what you want?”

Melvin: “Why not? I’m the Gladiator! The Gladiator! When I’m wearing my armor, I’m unbeatable, I’m…”

[ID: Melvin throws the helmet and falls to his knees.]

Melvin: “I’m all alone. Help me… please…”

Daredevil vol. 1 #173 by Frank Miller, Klaus Janson, and Glynis Wein

This complicated and heartwrenching characterization has helped Melvin to remain a fresh and popular antagonist (anti-hero, even) and a regular guest in Daredevil. He is one of several characters who complicates the hero/villain dichotomy, and thereby both emphasizes and challenges Matt’s own heroism.

Typhoid Mary/Mary Walker is another one of the more famous Daredevil villains, and someone who has had a significant impact on Matt’s story over the years. I wrote a longer post on her as well. Female antagonists in particular seem to suffer from a variety of weaknesses in their depictions, and Typhoid– as a sexual character by nature, as well as someone who plays upon “crazy” villain tropes– has had her share of not great depictions over the years. However, at her core, she is a wonderfully compelling character and a dangerous villain who is literally multifaceted by design. Even moreso than Melvin Potter, Mary plays upon the concept of a good person who is powerless to prevent themself from doing violent things– in Mary’s case, through genuinely having multiple psyches inhabiting one body. She is in constant conflict with herself, as gentle Mary and bloodthirsty Typhoid battle for dominance. As much as she is an antagonist to Matt and the other heroes whose paths she crosses, she is her own arch-enemy.

[ID: An excerpt from Nocenti’s Daredevil run. Typhoid Mary and Daredevil are both underwater, in the East River. Mary looked panicked partway through strangling Daredevil, and flees out of the water.]

Mary/Typhoid: “Don’t kill him! You! Shut up! I love him! Stop! Get out of my head! You can’t kill him! Get out of my head! Oh, god! Where am I? Why am I dressed like this? What have I done?!”

Matt: “Curious. That’s a completely different woman running away! What came over her?”

Daredevil vol. 1 #256 by Ann Nocenti, John Romita Jr., and Christie Scheele

Matt’s dealings with Mary have brought about some of the more unheroic moments in his career. In Joe Kelly’s attempt to integrate the Man Without Fear-verse origin story into the 616 universe, he proposed that Matt nearly killed Mary on his first superhero outing. When Typhoid, in her introductory arc, is hired to seduce Matt, it works– he cheats on Karen with her. Later, when attempting to bring down the Kingpin’s empire, Matt removes Mary from the equation by sleeping with her to get her guard down and then forging documents to have her locked away in a psychiatric hospital. She hits all of his weak points: as Mary, she is a victim who needs rescuing… and an attractive one at that. As Typhoid, she is a dangerous enemy who must be stopped. In addition to her skill with weapons, she has all kinds of awesome psychic powers– including, most notably, pyrokinesis– and something about her physiology messes with Matt’s senses and makes her difficult to fight. She is a challenge on every level, and in many ways, Matt serves the same purpose for her– Mary (and, arguably, Typhoid as well) accidentally falls in love with him, representing a loss of power and control that she can’t stand.

[ID: Excerpt from Nocenti’s Daredevil run. A series of panels alternating between Daredevil falling off a bridge and a tear sliding down Typhoid Mary’s cheek.]

Daredevil vol. 1 #260 by Ann Nocenti, John Romita Jr., and Christie Scheele

The Hand I love the Hand– which is to say, I love the Chaste, and part of why I love the Chaste is because I love their rivalry with the Hand. On some levels, the Hand are your standard Big Bad Secret Organization, but I also find them to be a lot of fun, and they have been a significant force in Daredevil comics since they were introduced. The Hand are key players in Miller’s updated version of Matt’s origin, which introduced Stick and gave him a purpose for training Matt. They also had a huge role in Elektra’s origin, since her attempt to singlehandedly bring them down from the inside led to her becoming an assassin. And of course, Matt’s role as leader of the Hand and temporary vessel for their patron demon, the Beast, was a defining moment in recent DD comics and a low point of Matt’s career. The Hand are dangerous because they are vast, and their high-ranking members have all kinds of cool powers, which I love. And there’s also a certain amount of weakness and dysfunction to the Hand that makes them appealing. They are a once-great organization relegated to being mercenaries-for-hire. Their low-ranking members are fairly weak– as Matt quips in Volume 1 #380, “a little harsh language and [they’re] up in smoke!” They were led by a Skrull (disguised as Elektra) for a while, and didn’t even notice. Arguably their most dangerous enemy, Master Izo, mostly just bothers them with Hand puns.

[ID: A panel from Diggle’s Daredevil run. Daredevil, seen from the back, is standing in an empty room. The light from the sunset streams in through the windows. Izo is sitting behind him on the floor, drinking tea.]

Matt: “Look, you wanted me leading the Hand, you got it… but I never agreed to be your puppet.”

Izo: “‘Hand puppet.’ Heh.”

Daredevil vol. 2 #503 by Andy Diggle, Roberto De La Torre, Marco Checchetto, and Matt Hollingsworth

I also enjoy the way the Hand and the Chaste operate and Matt’s relationship with them. Matt isn’t an official member of the Chaste (like Elektra, he was rejected for being too emotional– which, in his case at least, is a fair assessment) but he still teams up with them on occasion, and the experience almost always puts him out of his depth in really entertaining ways. Matt is one of the Hand’s biggest enemies and one of the Chaste’s most useful allies, so he gets dragged into their business even when he doesn’t want to be involved.

[ID: Excerpt from Daredevil: Ninja. A conversation between Daredevil and Stone in a series of face close-ups.]

Stone: “We need your help.”

Matt: “You should have asked me to come.”

Stone: “Would you have?”

Matt: “I hate this ninja crap. I hate it. Every single time it’s nothing but lies, half-truths, and misguided loyalties. Stay away from me and my life.”

Daredevil: Ninja #2 by Brian Michael Bendis, Rob Haynes, and David Self

There are also two excellent (and, I’d say, influential) alternate universes in which Matt joins the Hand and thrives in their presence: What If? Daredevil vs. Elektra and Earth-65 (Spider-Gwen-verse).

Lady Bullseye (Maki Matsumoto) And if we’re discussing the Hand and the Chaste, I have to mention Maki– undisputed head of the Bullseye Fan Club and another of my favorite Daredevil villains. She’s relatively new (she was introduced during Brubaker’s run) and so hasn’t had a particularly big long-term influence on Matt, but she is a great character with extensive connections to Daredevil history. One thing I love about her is the fact that while she modeled her look and identity on Bullseye, she isn’t treated as just female version of him, as her name might suggest. They actually have very little in common; she just chose to honor Bullseye because he played a role in her origin story by indirectly rescuing her from a human trafficking ring.

[ID: Panels from Brubaker’s Daredevil run. Bullseye is single-handedly beating up a bunch of gun-toting mobsters in a warehouse building. Maki Matsumoto watches him between the bars of a large cage.]

Caption: “She remembers that so vividly. Remembers the joy she beheld that day from her cage. She had never seen anything so beautiful, she thought. Of course, she was nearly insane already by then. But then, like a miracle… freedom.”

[ID: Maki reaches between the bars of the cage and grabs a key from a dead mobster’s pocket. As she tries to escape, another mobster runs toward her.]

Man: “You– back in your cage, girl!”

Maki: “I think not.”

[ID: Without looking at him, she slices his throat with the key.]

Daredevil vol. 2 #111 by Ed Brubaker, Clay Mann, and Matt Hollingsworth

Since then, Maki has teamed up with Bullseye– mostly notably, resurrecting and caring for him after his death in “Shadowland”– but more often, she operates on her own as an assassin. Like both Elektra and Matt, she was trained by the Hand and the Chaste without forming an official allegiance with either, and it seems her primary teacher was Master Izo– thus making her Matt and Elektra’s ninja aunt and/or sister in the Chaste Family Tree that definitely exists in my head and nowhere else.

[ID: Excerpt from Brubaker’s Daredevil run. Lady Bullseye and Izo are standing on a Manhattan rooftop as the sky brightens behind them. Pigeons are flocking around them; Izo has one perched on his hand.]

Maki: “You said I would lead the Hand.”

Izo: “I said a lot of things when I was training you, girl… Said whatever I needed to say.”

Maki: “You’re as bad as them.”

Izo: “No. I didn’t put you in a cage and sell you to the Yakuza.”

Maki: “You still used me.”

Izo: “Yes, I did… but I’m not going to apologize.”

Maki: “Someday I’ll kill you for this. You know that, right?”

[ID: Izo leaps off the roof.]

Izo: “Yeah, well… get in line.”

Daredevil vol. 2 #500 by Ed Brubaker, Michael Lark, Stefano Gaudiano, Matt Hollingsworth, et al.

Maki masterminds the destruction of Matt’s life that leads him to join the Hand. She is extremely smart (she passes herself off as a lawyer during Brubaker’s run and fools both Matt and Foggy; as far as anyone knows, she might actually have a law degree…?), an excellent fighter (arguably better than Matt, not quite as good as Elektra), an absolute badass, and an all-around great antagonist who deserves her own solo series (hint, hint, Marvel).

Death-Stalker I’m not sure Death-Stalker counts as a major Daredevil villain, but he was used about once a week in late 70s Daredevil so he’s certainly been a recurring presence. I also just find him really cool, conceptually. One of the interesting things about Death-Stalker is that he started his existence as a completely different supervillain: the Exterminator, who is best known for “killing” Mike Murdock! The Exterminator had a weapon that could shift its victims out of sync with the time-stream. When Matt blows it up to fake Mike’s death, the Exterminator is caught in the blast, with shocking consequences:

[ID: Excerpt from McKenzie’s Daredevil run. A series of flashback panels: the Exterminator (a kind of goofy-looking villain with a purple and white costume and blue antennae on the side of his mask) watching Daredevil pull a lever, then the Exterminator getting caught in an explosion and falling into a void.]

Death-Stalker: “How many long and empty years has it been, Murdock? How many… since you so callously destroyed my awesome Time-Displacement Ray… catching me fully in the time-shattering explosion?! How long has it been since I was hurled through the fabric of time? But what you believed to be my death proved instead a macabre rebirth! I found myself in a timeless limbo! Unobserved, I could go anywhere! Do anything!”

Daredevil vol. 1 #158 by Roger McKenzie, Frank Miller, and George Roussos

Thus, the Exterminator returns years later as Death-Stalker– a villain who can move freely through time and space, become intangible at will, and whose mere touch is lethal. This, combined with his new appearance (glowing eyes, bony hands, huge billowy cape…) makes for an excellent creepy character concept, and some of the Death Stalker issues feel more like horror stories than the typical Daredevil comic.

[ID: Excerpt from Gerber’s Daredevil run. A tired Daredevil is making his way through a swamp. Death-Stalker appears behind him out of the fog and puts a skeletal white hand on his shoulder. Daredevil collapses.]

Matt: “H-he’s gone! Nothing but an empty cape! It’s not possible! It– where did he go?!”

Death-Stalker: “Here, Daredevil. I am here. Death is at your back.”

Matt: “Huh? Wha– No!! My… shoulder… your fingers… like ice–!”

Death-Stalker: “Like death, Daredevil. Like the grim, glacial embrace of the North Wind. No use to flee… you can’t outrun the wind.”

Caption: “For Daredevil, for this sightless adventurer, all the world is blackness, all the time. But now, a different kind of darkness envelopes him, a sort of oblivion he has never known before. He hears his heartbeat slow… feels his mind empty of all thought… feel his every nerve tingle, then go numb… and he knows that he is… dying. And that is all he knows when the darkness claims him and the Death-Stalker relaxes his grip.”

Daredevil vol. 1 #114 by Steve Gerber, Bob Brown, and Stan G.

Sadly, though, I don’t feel he was ever used to his full skin-crawling potential, particularly considering how dangerous his power-set was. He was mostly just a nuisance who rarely got the upper hand, and he was killed in Daredevil #158 when he accidentally materialized through a tombstone during a fight with Matt. One of my favorite details about Death-Stalker isn’t Death-Stalker himself– it’s that his mother lived in a booby-trapped mansion and owned an army of exploding robotic children that she sicced on Matt to avenge her son’s death. But that’s a story for another post…

Jester (Jonathan Powers) The Jester gets no respect, and it’s a shame because he’s both genuinely a great villain when he’s used well and highly entertaining when his 1960s goofiness is played up, and he manages to embody both of those characterizations with absolute panache. He has played a role in some fairly major Daredevil stories over the years and I’d consider him a staple DD villain. His origin story is pure Silver Age silliness: he was an actor who received bad reviews for his first major starring role, found his career heading downhill, and so decided to become a supervillain instead. This is pretty typical of motivations for villains of this time period (see the Gladiator’s origin story above, and Stilt-Man below), but even this aspect of his character has been put to good use. Daredevil #218 features a surprisingly touching story of the Jester stealing the chance to reprise that first starring role– and of Matt keeping the cops distracted (by pretending to be the Jester!) so that his enemy can finally live his dream.

[ID: Excerpt from O’Neil’s Daredevil run. The Jester is dressed as Cyrano de Bergerac. He pulls off his false nose and bows dramatically to Daredevil and the cops who have come to take him in.]

Jester: “A moment ago you unmasked. Now I shall perform a similar gesture… I am your humble and obedient servant… the Jester! At your service!”

Matt: “You deserve the bow. You were magnificent.”

Jester: “Indeed! I trust the critics will change their tune.”

Daredevil vol. 1 #218 by Denny O’Neil, Sal Buscema, and Christie Scheele

Throughout the issue, Matt draws comparisons between himself and the Jester: their shared mask-wearing and the experiences of disillusionment that shaped their lives– and while it certainly doesn’t give the Jester the emotional depth of certain other Daredevil villains, it’s a memorable connection.

But where the Jester is at his most dangerous is not as an actor looking for attention– it’s as a creator of chaos. The Jester is a master of illusions and media manipulation. In his introductory arc, he frames Daredevil for his murder and turns Matt into a wanted criminal. Later, he uses a campaign of false news reports and misinformation to sabotage Foggy’s run for District Attorney, turn the superhero community into targets, and throw the whole country into an uproar. Most recently, in Waid’s run, he manipulated TV footage to cause rioting in NYC in the wake of an unpopular and highly publicized court ruling. His plans don’t always succeed, but even then, the scope and effectiveness of the damage he causes makes him a truly formidable villain.

[ID: Excerpt from Waid’s Daredevil run. The Jester is sitting in front of computer monitors in a dark room, yelling into a microphone. In the next panel, we see random civilians in a cafe, watching “Mayor Jameson” (played by the Jester) on TV.]

Jester: “Listen to him. God, he’s so smug. No matter. This is a minor setback. Daredevil’s not the ultimate target, after all. The city’s the target, and it’ll burn. Voice synthesizer on… People of New York… this is Mayor Jameson! Effective immediately, I am rescinding all handgun regulations in Manhattan! Take up arms– for your own protection– and await further instructions!”

Daredevil vol. 3 #32 by Mark Waid, Chris Samnee, and Javier Rodriguez

The Owl (Leland Owlsley) The Owl has, unfortunately, been overshadowed by the Kingpin for most of his existence, and as such, hasn’t been given anywhere near the same amount of character development or nuance. They were created based on the same character concept: a high-powered mobster with a shadowy network of pawns who controls the city’s criminal underworld.

[ID: A series of panels from Lee’s Daredevil run, showing a man in a long green coat and brimmed hat walking into an office building. His face is not shown; the people he passes looked at him with fear.]

Caption: “This is Wall Street, heart of New York’s Financial District, where fortunes are made and lost by the world’s greatest financial wizards! And, within the canyons of this street, we are about to find one certain man… a merciless man… a man with no friends… no loved ones… nothing to connect him with the human race, save the fact of his birth! Let us follow this man… let us study him as he walks into a towering office building, his heavy footsteps reverberating through the huge marble lobby! For we shall see much of this man on the pages that follow… He walks slowly, but with a sure, steady tread… looking neither to the right nor the left… ignoring those he passes and those who pass him! But he himself cannot readily be ignored by others! His very presence seems so fraught with evil, with menace, that his fellow humans shrink back from the mere sight of him! There are some who recognize him… who speak his name in whispers… for his wealth is said to be legendary, and his power almost beyond measure!”

Daredevil vol. 1 #3 by Stan Lee, Joe Orlando, and Sam Rosen

Unfortunately, the Kingpin just ended up doing it better, and while there are a few Owl story arcs that I really like, I’ve never found him that interesting. However, he is hugely significant because he was the very first Daredevil supervillain, introduced all the way back in Daredevil #3! (In #1 Matt fights the mobsters who killed his father, and in #2 he fights Electro, who is a Spider-Man rogue.) Thus, he has had an impact on Matt’s life simply from having been around for so long. This also means there’s a huge range in his stories, verging from extremely ridiculous (he sometimes eats rats, and used to own an owl-shaped airplane. How cool is that?) to slightly more grounded. There is a great Owl story arc in which his bird-like body modifications start killing him, which gives his law-breaking more nuance, because he is doing it to look for a cure. Matt, upon discovering this, tries to help him.

[ID: Excerpt from Chichester’s Daredevil run. Daredevil and the Owl are on a fire escape together. The Owl has metal cybernetic legs and has collapsed. Daredevil is comforting him.]

Matt: “You’re going to make it, hear me? You’re gonna–”

Owlsley: “You should’ve let me…”

Matt: “Unh-uh. You take my hand– you’re willing to take my hand– I don’t let go. You’ve got some long ways to go, mister… but you can count on me…”

Daredevil vol. 1 #303 by D.G. Chichester, M.C. Wyman, and Christie Scheele

There’s also great point in Bendis’s run when the Owl, in a surprising demonstration of cleverness, hires a lawyer to sue Daredevil for breaking and entering. It doesn’t work, but it throws Matt off and is absolutely priceless.

The Owl has also had several children– two unnamed young kids who were introduced in Alias, and Jubula Pride, who was introduced in Daredevil Volume 4 and worked alongside Matt to rescue her father. Jubula’s brief-but-memorable appearance added a bit more depth to the Owl– allowing us to see him in the role of a parent as well as a villain. But mostly, over the years the Owl has remained one of the more insidious of New York’s mob bosses, always scheming to stay in power and fight his way out of the Kingpin’s shadow. And he’s been doing it for so long that he feels like an integral part of Daredevil comics.

Turk Barrett He’s not a costumed supervillain or even much of a threat, but Turk has become an iconic Daredevil antagonist for both his sheer ineptitude and his plucky ability to stay alive. Of all of the recurring low-level mobster characters, he has the most engaging personality, and his dynamic with Matt is one of long-held friendly animosity. Daredevil isn’t the most dangerous person in Turk’s life, Turk isn’t the most dangerous person in Matt’s life, so they mostly just annoy each other. They’ve even been known to team up, when Turk thinks the odds of survival are in his favor.

[ID: Excerpt from Daredevil: Love and War. Turk Barrett (dressed in a white shirt and blue pants) is mopping the inside of an elevator. The doors open, and Daredevil walks in. They ride the elevator together.]

Matt: “Turk! You got the job!”

Turk: “No, man… this… I mean, I’m working undercover, man… I’m your backup!”

Matt: “I believe you, Turk.”

Turk: “Even know what level the doc’s on, man… So how’d you get in, Devil?”

Matt: “I flew in, Turk.”

Turk: “…Course. I knew that. ‘Spose the window locks weren’t much trouble…”

Matt: “Melted them with my heat vision.”

Daredevil: Love and War by Frank Miller and Bill Sienkiewicz

Turk is an underdog. He’s kind of a goof and he’s certainly a criminal, but he’s also a small fish in a big and dangerous pond, working in a career where most people eventually end up at the bottom of the East River in concrete shoes (or a taxi, as the case may be). He’s slippery and resourceful, he stays just harmless enough to keep himself out of danger, and you can’t help but root for him, even when he does dumb things like stealing Stilt-Man’s stilts or trying to kill Daredevil for the hundredth unsuccessful time.

Stilt-Man (Wilbur Day), of course, requires no introduction. He is another personal favorite of mine, and a rare case of a goofy Silver Age villain surviving into the modern era while remaining exactly as goofy as he was when first introduced. The great appeal of Stilt-Man is, in fact, that he’s a bit of a joke, while at the same time being quite dangerous, in a comic book physics-kind of way.

[ID: Excerpt from Lee’s run. Daredevil is battling Stilt-Man on a daytime city street.]

Wilbur: “Hah! You missed!! Have you forgotten so soon how easily I can change my height, thanks to my magnificent hydraulically-operated stilts?!!”

Matt: “Mebbe so! But I haven’t forgotten that I’m the gent who whumped you good last time fought! (Man! It sure is lucky I was here! If Stilt-Man ever managed to get the Leap-Frog safely away, what a team those two would make! But, I hear the boys in blue hauling that human jumping jack right now! Which means Stilty and I can go it alone!) Heads up, dad! It’s time for fun ‘n games again!”

Wilbur: “Hah! Didn’t expect me to seize your cable, did you? I should have warned you, little man– I’ve modified my protective armor in such a way as to double my strength! Which means I’m more than a match for your limited talents!!”

Daredevil vol. 1 #26 by Stan Lee, Gene Colan, and Artie Simek

Part of the charm of this characterization is the fact that he’s a joke in-universe as well; most of his appearances in modern comics consist of Stilt-Man being made fun of and/or of the audience being reminded that he’s actually a threat. This creates a great balance in his depictions; the jokes are fun, the sight of various superheroes being beaten up (at least a little) by Stilt-Man is fun, and he remains an enjoyable, mostly lighthearted presence in a landscape that has become dominated by Dark, Serious, and Disturbing villains.

[ID: Excerpt from Bendis’s Daredevil run. Matt is sitting at his desk in his darkened office, talking to Wilbur Day– a short, bald guy in a black jacket, with his arm in a sling.]

Wilbur: “Wilbur Day– I’m Stilt-Man. We’ve met four hundred times.”

Matt: “Stilt-Man– Huh. Oh, you mean that burglar guy Stilt-Man? Who wears the stilts and robs things?”

Wilbur: “Can we please just–”

Matt: “We’ve met when?”

Wilbur: “I–”

Matt: “Are you in some kind of legal trouble? Is that why you’re here?”

Wilbur: “Okay, fine.”

Daredevil vol. 2 #41 by Brian Michael Bendis, Alex Maleev, and Matt Hollingsworth

Stilt-Man is just a short guy in a ridiculous outfit who wants to commit some crimes and get a little respect– and really, who can’t relate to that?

Ikari (???) I’m mentioning Ikari not because he’s a long-established Daredevil villain– he’s not– but because I am fascinated by his potential. He’s a favorite of mine as much for what we don’t know as for what we do. In his introductory arc, we learn this: He was engineered/commissioned by Bullseye to kill Matt, his fighting abilities equal Matt’s, he has hypersenses, and (as a horrified Matt discovers later) he can also see.

Ikari: “Someone has, in fact, managed to re-create the toxic chemicals that blinded you, gave you enhanced senses. Someone whose hate for you keeps him alive. But he didn’t waste the process on weak, malnourished vagrants. He used it to baptize a warrior. A fighter trained to be every bit your equal in skill– and now, in power.”

Daredevil vol. 3 #25 by Mark Waid, Chris Samnee, and Javier Rodriguez

And that’s it. We don’t know who he is or where he came from, or what the consequences are of having that degree of sensory perception (presumably his vision is heightened too?). We don’t know what his personal goals or motivations are, since we’ve only ever seen him as a pawn– first of Bullseye and then, later, of the Kingpin. But the concept of his character as someone who shares Matt’s powers plus some– who is essentially, skills-wise, a criminal version of Matt– and all the mystery that surrounds him, is hugely compelling to me.

[ID: Excerpt from Waid’s Daredevil run. Both Ikari and Daredevil are out on the street, being shot at by cops. As Daredevil hides behind a parked car, Ikari attacks the cops and cuts their guns in half with his blades.]

Matt: “The cops are hunting me under an open-fire command. Presuming they’ve been advised of Ikari’s prison break, I’m sure the same order applies to him. I wish it scared him. I wish anything did.”

Daredevil vol. 4 #17 by Mark Waid, Chris Samnee, and Matt Wilson

In his last appearance he was killed by the Shroud, but his body was stolen, leaving the door open for him to maybe return sometime in the future and receive more development. I hope he does.

#soulfireinc #Gladiator #Typhoid Mary #The Hand #Lady Bullseye #Death Stalker #Jester #Owl #Turk Barrett #Stilt Man #Ikari #Asks #Adventures in Continuity

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drsilverfish · 6 years ago

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Jung and Dean’s Journey towards Self-Integration in 14x11 Damaged Goods

I’ve posted here already about all the heavy Dean-and-the-closet metaphors in Damaged Goods:

http://drsilverfish.tumblr.com/post/182296360214/a-fridge-locker-an-enochian-puzzle-box-a-malak

So, in this post, I want to talk about the continuing use the writers’ room is making this season of Jungian themes (in a micro-cosmic reflection of the larger cosmic scale on which those same themes played out in S11, in the God/ The Darkness storyline).

This extends my now developing series of Jungian-themed S14 meta:

http://drsilverfish.tumblr.com/post/180906003584/the-shadow-14x08

http://drsilverfish.tumblr.com/post/181122764984/14x09-the-spear-jungian-decoder-ring-edition

http://drsilverfish.tumblr.com/post/182257314199/what-the-light-and-shadow-tells-us

The two books which Dean takes from the bunker, to help him in his construction of the Ma’lak (angel) box (i.e. a huge Dean’s repression/ closet metaphor) are:

and..

The second, Maria Prophetissima Historia Achengeli, is really interesting, because Maria Prophetissima is known as one of the first alchemists....

See her Wiki entry here:

https://en.wikipedia.org/wiki/Mary_the_Jewess

None of her own writings survive, as far as we know, so it’s a pretty cool idea (just look at the SPN creative team’s attention to set dressing narrative detail!) that the Men of Letters would have a “lost” book of hers.

However, some quotes attributed to her do survive in others’ writings, notably:

“Join the male and the female, and you will find what is sought.”

AND

“Out of the One comes Two, out of Two comes Three, and from the Third comes the One as the Fourth.”

This brings us back directly to the psychoanalyst Carl Jung, whose ideas on the psychological confrontation with the internal Shadow, and (for men) additionally with the internal Anima (the “feminine archetype” in the subconscious) as part of the psyche’s journey towards self-development and integration are, as I’ve laid out in the previous meta above, driving this season thematically:

Here is an interpretation of Maria Prophetissima’s saying, about the “one, two, three” etc., from a book called Jung and the Tarot: An Archetypal Journey by Sallie Nichols (p108):

Using this Jungian framework, in relation to Dean, in S14 in general, and here in Damaged Goods specifically:

1) = Conscious (and currently repressing hard) Dean

2) = Shadow Dean (Dean’s repression, embodied by AU!Michael, who in turn is a John Winchester mirror, which includes his repression of all his trauma, as we glimpsed during the journey into his mind in 14x10 Nihilism, and his repression of his emotionally expressive softer side, the side that wants to hug Sam more when the world isn’t ending, and, finally, his repression of his queerness)

3) = Inner Mediator - this is Dean’s Anima, his internal feminine counter-part (which we could say Pamela Barnes represented in 14x10 Nihilism) - Jung considered the Anima to be a messenger between the conscious and the subconscious

I really loved @shirtlesssammy ‘s meta on Pamela as a guardian in 14x10, to which I added something on Pamela as a psychopomp, both of which link to her role as Dean’s Anima/ feminine counter-part/ mediator between his conscious and sub-conscious in Nihilism (see here);

http://drsilverfish.tumblr.com/post/182196788399/pamela-the-guardian-in-14x10

4) = Integrated Dean (i.e. eventual “endgame Dean”)

Dean’s confronation with AU!Michael, can be seen as a metaphor for his confrontation with his Shadow:

Dean’s confrontation with Dark!Kaia, can be seen as metaphor (one among several manifestations) for his psyche’s conversation with his Shadow/ Anima:

Alchemy, was the magic/ philosophy/ early quasi-science of the attempted transformation of substances, with a history stretching from ancient Egypt (BC) through the medieval Arabic and then European worlds, into the Renaissance.

On the material plane, it perhaps most famously involved attempts to transmute lead into gold. But, on the philosophical and spiritual planes, that transmutation was a metaphor for the purification and ascendance of the soul.

Jung was interested in alchemy because he saw the integrative work, which he believed was the goal of psychoanalysis, as a kind of “alchemy of the soul”.

Now, as well as Maria Prophetissima and the adoption of her ideas of alchemical transmutation by Jung, we have the demon Abraxas, another esoteric figure picked up by Jung in his writings, likewise appearing in Damaged Goods, contained by Mary Winchester in this Enochian puzzle box:

This box is another HUGE metaphor for Dean’s repression, which is why it’s really significant that Abraxas was locked away by Dean’s mother, Mary (apparently many years ago, before her death). Because Mary’s death was the origin point for Dean’s childhood trauma, and the beginning of hard-core repression on Dean’s part, as a coping mechanism.

Nick (ugh) drills into the box to release the demon, and we can read this is a metaphor for the (eventual) release of AU!Michael/ Dean’s Shadow-Self from its prison of repression (given all the other metaphors about locked rooms and boxes and closets in the ep). Here is the demon-smoke (i.e. the shadow) of Abraxas released:

Jung, in very mystical terms, conceptualised Abraxas, in his book Seven Sermons to the Dead (1916) as the driving force of self-integration:

“That which is spoken by God-the-Sun is life; that which is spoken by the Devil is death; Abraxas speaketh that hallowed and accursed word, which is life and death at the same time. Abraxas begetteth truth and lying, good and evil, light and darkness in the same word and in the same act...”

“It [Abraxas] is the monster of the under-world, a thousand-armed polyp, coiled knot of winged serpents, frenzy.

It is the hermaphrodite of the earliest beginning....

It is abundance that seeketh union with emptiness.

It is holy begetting.

It is love and love’s murder.

It is the saint and his betrayer.

It is the brightest light of day and the darkest night of madness.”

Carl Jung Seven Sermons to the Dead (1916) (Sermon 3)

Yes, did I mention Jung was heavily inclined to mysticism.

Here is a link to the Seven Sermons themselves, for the truly geeky amongst you

http://gnosis.org/library/7Sermons.htm

Abraxas has been linked to another mystical symbol Jung was interested in, the Ouroboros (the symbol of a serpent devouring its own tail) and we know we have an episode of that very title coming up soon (14x14 Ouroboros). The ouroboros originated in ancient Egypt and its meaning has shifted over time, space and culture (the Victorians often adorned grave-stones with the ouroboros as a symbol of resurrection):

However, for Jung, the ouroboros is a symbol for the integration of the conscious self with the Shadow:

“The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This ‘feed-back’ process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which […] unquestionably stems from man’s unconscious.”

Carl Jung, Collected Works, Vol. 14 para. 513)

http://jungcurrents.com/a-jungian-shaggy-snake-story

This all links beautifully to the theme of S14 presaged in the S14 poster, of light and shadow - i.e. of the confrontation with the Shadow-Self on the path towards, eventual (end-game) self-integration.

Dean described himself as AU!Michael’s (i.e. his own) prison in 14x10 Nihilism - “I am the cage!”, and in 14x11 Damaged Goods, Sam asks him, “That’s your plan? You wanna be buried alive?” To which Dean replies desperately, “That door is giving! I can feel it giving!”

So, we can understand, in narrative metaphor, that Dean has reached a crisis point, wherein his own strategies of self-repression are no longer working - the door is giving, the mirror is cracking:

For now, Dean wants to go full pedal-to-the-metal with the repression, piling it on six layers deep. He want’s to lock AU!Michael and himself in a mystical Ma’lak box and drop it to the bottom of the ocean for eternity.

But, the harder you repress your Shadow, the more it comes for you...

The key, according to Jung, is to turn and embrace it, and in so-doing, to discover your beautiful, hidden potential...

#Supernatural #14x11 #Damaged Goods #SPN meta #Meta #Jung in S14 #Dean is bisexual #Still subtext

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babybubastis · 6 years ago

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WIP Tag!!!

Thank you to the amazing @lilithenaltum for tagging me ☺️ I'm very new to writing fan fiction, so I only have a handful of WIPs (and they all involve Shuri lol), but I'm always thinking up more stories to tell.

Let me know what you all think! Feel free to chime in with thoughts, ideas, etc. (Also, my titles are crap, so don't mind those so much!)

Help Me Help Myself (Shuri x Bucky): Ever since Shuri helped heal Bucky from the damage that HYDRA had done, he's been loyal to her and to Wakanda. The Winter Soldier has found a new purpose, protecting the genius Princess who gave him a second chance at life. But Shuri isn't an 18-year-old girl anymore, and the close relationship Bucky has developed with her over the years is making him realize that he may be getting a little too close. He dutifully tries to push his feelings aside in the name of propriety, until he notices the Princess may have another admirer (possibly one of the X-Men??) who could change everything.

You Bring Out the Animal (Shuri x Steve x Bucky, Shuri x Natasha, Shuri x Loki x Brunnhilde, possibly more pairings): Shuri is tired of being seen as the untouchable Queen of Wakanda. Resolving to take her love life (or lack thereof) into her own hands, she decides to send out private invitations to a little get-together under the radar that will help her explore her options. Sexy shenanigans ensue.

Assets & Liabilities (Shuri x Tony, slight Loki x Shuri ): When Shuri joins the Avengers as the new Black Panther, she's excited about working with the infamous Tony Stark. She gets a rude awakening when he is less than thrilled to have her on the team. She can't figure out why, until she discovers a secret that he never intended for anyone to find out. And he'll do anything to keep it quiet.

Lights On (Shuri x Tony): Tony meets the Princess of Wakanda for the first time at a symposium in New York. Sparks fly, and he finds himself chasing her halfway across the world. But she's not about to make it easy on him.

Build (Shuri x Bucky): Post-A4 AU where the snap is reversed and everyone who was ashed is brought back. Bucky never got to tell Shuri how he felt before Thanos showed up. He had a lot of time to think in the Soul Stone, and now nothing will stand in the way of confessing the truth to her.

Untitled AU inspired by Netflix's "Altered Carbon" (Shuri x Bucky, Shuri x Tony, Steve x Tony): In a future where human consciousness is stored on a removable bio-hard drive and bodies are replaceable, a centuries-old mercenary nicknamed "The Winter Soldier" is offered a chance at redemption: solve the kidnapping of billionaire Tony Stark, and his slate will be wiped clean. When Bucky refuses, Stark's desperate husband, Steve Rogers, sweetens the deal by offering to reunite him with the love of his life, Shuri. Except Shuri was murdered ages ago, hard drive and all. Yet, something tells Bucky that Rogers is telling the truth, and he takes the case. It leads him to the brink of insanity, and he finds out how far he's willing to go to get back the one thing in the universe he can't be without.

Untitled (Shuri x Loki): Inspired by What If? Vol 2 #12, where the Avengers visit Asgard, instead of the X-Men, and Loki wants to make Shuri his Queen.

Also Untitled (Shuri x Bucky): Bucky is a shape shifter who escapes containment after years of torture and experimentation. He somehow finds himself in a remote country in Africa with little to no memory of who he is or how he got there. Half out of his mind and dying, a mysterious woman with incredible abilities happens upon him and brings him back. But is she real, or a figment of his broken psyche? Or something else entirely?

So that's all for now, folks! No idea how long it will take me to write all of these, but I'm incredibly excited to be working on them. Hopefully, these are stories you all will enjoy! 💕

#wip tag #fanfiction #so many works so little time #im gonna be a busy bee #shuri x bucky #winterprincess #shuri x tony #ironprincess #shuri x loki #frostprincess

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beatdisc · 6 years ago

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RSD 2019 LIST

Record Store Day, our favourite day! Because we love celebrating with all our beloved regular customers and new friends. This year we're planning to make it the biggest and best day ever! Here's what's happening this year. > HUGE RANGE OF RSD EXCLUSIVE RELEASES (list below) < > LIMITED EDITION BEATDISC COFFEE MUG! < > 500+ OF PRE-OWNED LPs HITTING THE RACKS < > THOUSANDS OF 45s & CDs FROM THE ARCHIVE ** < > 20% OFF AUDIO-TECHNICA TURNTABLES (2019 RANGE) ** < > TWO A-T LP60 TURNTABLES TO WIN < > MARK-DOWNS** GIVEAWAYS, PIZZA, PARTY! < > COFFEE VAN FROM 6AM (see below) < ** = SAT & SUN

OUR LIST OF RSD EXCLUSIVE TITLES

This year we have 192 TITLES! A few things to note for the morning rush. If you're here first thing please join the line and we'll serve everyone in order. One copy per RSD title per person & no holds. AUS LIST TITLES Bob Evans - Suburban Songbook [LP] Broderick Smith – Suitcase [LP] Jebediah - Of Someday Shambles [2LP] Johnny Diesel & The Injectors - Johnny Diesel & The Injectors [2LP] The Amity Affliction – Youngbloods [LP] The Birthday Party - Mutiny/Bad Seed [2LP] The Hard Ons - Harder & Harder [7”] The Loved Ones - Magic Box [LP] The Mint Chicks - Screens [LP] The Reels - The Reels [LP] US LIST TITLES Ace Frehley - Spaceman [LP] Adrenalin O.D. - Let's BBQ [LP] Alien Weaponry - Tu [LP+7''] Anderson .Paak - Bubblin' [7''] Angelo Badalamenti, David Lynch - Twin Peaks: Season Two Music And More [2LP] Aretha Franklin - The Atlantic Singles 1967 [5x7'' Boxset] AxCx (Anal C**t) - Picnic Of Love [LP] B-52's, The - Mesopotamia [LP] Bad Religion - My Sanity [7''] Basement - Be Here Now [7''] Benjamin Gibbard - Me And Magdalena / The Concept [7''] Bill Hicks - Revelations: Variations [2LP] Billy Joel - Live At Carnegie Hall 1977 [2LP] Bingo Hand Job (R.E.M. w/ Bragg, Hitchcock & Holsapple) - Live At The Borderline 1991 [2LP] Bone Thugs-N-Harmony - E. 1999 Eternal [2LP] Broken Social Scene - Let's Try The After Vol. 1 & 2 [LP] Buari - Buari [LP] Buffalo Tom - Buffalo Tom (30th Anniversary) [LP] Canned Heat - Remember Woodstock [LP] Captain Beefheart and His Magic Band - Trout Mask Replica [2LP] Charlatans, The - Us And Us Only [LP] Chris Robinson Brotherhood - Dice Game And Let It Fall [10'' Chuck Mosley - Joe Haze Session #2 [7''] Courtney Barnett - Everybody Here Hates You [12''] Craig Mack & The Notorious B.I.G. - B.I.G. Mack (Original Sampler) [LP+Cassette] Crosby, Stills, Nash & Young - 4 Way Street (Expanded Edition) [3LP] Culture - The Nighthawk Recordings [LP] Curren$y, Freddie Gibbs and The Alchemist - Fetti [LP] Czarface - Double Dose Of Danger [LP] David Bowie - Pin Ups (2015 Remastered Version) [LP] David Bowie - The World Of David Bowie (Compilation) [LP] David Bowie / Marlene Dietrich - Revolutionary Song / Just A Gigolo [7''] Death Grips - Steroids (Crouching Tiger Hidden Gabber Megamix) [LP] Def Leppard - The Story So Far, Vol. 2 / B Sides [2LP] Desmond Dekker & The Aces - Pretty Africa [LP] Devo - This Is The DEVO Box [6LP] Doors, The - London Fog [10''] Dr. Dog - Live 2 [LP] Dr. Dre - Nuthin' But A ''G'' Thang [12''] Duran Duran - As The Lights Go Down (Live) [2LP] Ed O.G. & Da Bulldogs - Life Of A Kid In The Ghetto [LP] Elton John - Live From Moscow [2LP] Elvis Costello & The Imposters - Purse EP [LP] Elvis Presley - Live At The International Hotel, Las Vegas, NV August 23, 1969 [2LP] Eric Clapton - One More Car One More Rider [3LP] Fatlip - The Loneliest Punk [LP] Flaming Lips, The - King's Mouth: Music And Songs [LP] Fleetwood Mac - The Alternate Fleetwood Mac [LP] Frank Black - Frank Black [LP] Frank Black - Teenager Of The Year [2LP] Frank Zappa - The Guitar World According To Frank Zappa [LP] Golden Earring - Moontan [LP] Gorillaz - The Fall [LP] Grateful Dead - The Warfield, San Francisco, CA 10/9/80 [2LP] Green Day - Woodstock 1994 Live [LP] Green Jelly - Cereal Killer Soundtrack [LP] Green River - Live At The Tropicana 1984 [LP] Greta Van Fleet - From The Fires [LP] Hawkwind - The 1999 Party: Live At The Chicago Auditorium 21st March, 1974 [2LP] High On Fire - Bat Salad [LP] Hockey Dad - Dreamin' [LP] Idles - Meat / Meta [EP] Iggy Pop - Hippodrome - Paris 77 [2LP] Iggy Pop - The Villagers b/w Pain & Suffering [7''] Insurgence DC - Broken In The Theater Of The Absurd [LP] James Brown - Sho Is Funky Down Here [LP] Janis Joplin - Woodstock Sunday August 17, 1969 [2LP] Jeff Buckley - In Transition [LP] Jeff Tweedy - WARMER [LP] Jethro Tull - North Sea Oil [10''] Joe Strummer - The Rockfield Studio Tracks [12''] John Cage Meets Sun Ra - John Cage Meets Sun Ra: The Complete Film [7''+DVD] John Lennon - Imagine: The Raw Studio Mixes [2LP] Julien Baker - Red Door / Conversation Piece [7''] Justin Courtney Pierre (frontman of Motion City Soundtrack) - Open Mic At The Lo-Fi Vol. 1 [LP] Kooks, The - Live At The Moth Club [LP] Kool Keith - Complicated Trip [12''] Kristin Hersh - Crooked [LP] L7 - Burn Baby [7''] Lemonheads, The - Can't Forget / Wild Child [7''] Lou Reed - Ecstasy [2LP] Louis Armstrong - Disney Songs The Satchmo Way [LP] Madonna - La Isla Bonita: Super Mix [LP] Madonna - True Blue (Super Club Mix) [LP] Mark Lanegan Band - Stitch It Up [7''] Mark Ronson - Nothing Breaks Like A Heart [12''] Mastodon - Stairway To Nick John [10''] Matthew Sweet - Pleasure Island, Live [LP] Menzingers, The - No Penance b/w Cemetery's Garden [7''] Midnight Oil - Breathe Tour '97, Live [LP] Mission Of Burma - Peking Spring [LP] Mo-dettes, The The Story So Far [LP] Monty Python - Monty Python's Life Of Brian [LP] Morrissey - Lover-To-Be [7''] Moses Sumney - Black In Deep Red, 2014 [12''] Motorhead - Overkill / Bomber [2x7''] Motorhead - Rockaway Beach [7''] Mumford & Sons - Delta Acoustic Sessions | Live From Electric Lady [10''] My Chemical Romance - The Black Parade Is Dead! [2LP] Noel Gallagher's High Flying Birds - Wait & Return [LP] Ol' Dirty Bastard - Intoxicated [LP] Olafur Arnalds - Re:member + String Quartets [LP+7''] Otis Redding w/Booker T. & The M.G.'s + The Mar-Keys - Just Do It One More Time! Live At The Monterey Pop Festival [LP] Parliaments, The - Baby I Owe You Something Good [LP] Pearl Jam - Live At Easy Street [LP] Pelican - Midnight & Mesaline [7''] Peter Howell & John Ferdinando - Ithaca, Agincourt And Other Psych-Folk Fairy Tales [2LP+CD] Pink Floyd - A Saucerful Of Secrets (Mono) [LP] Police, The - Message In A Bottle [2x7''] Prince - His Majesty's Pop Life / The Purple Mix Club [2LP] Procol Harum - Procol Harum (50th Anniversary USA Edition) [2LP] Queen - Bohemian Rhapsody (Soundtrack) [2LP] Queen - Bohemian Rhapsody / I'm In Love With My Car [7''] Ramones, The - Live At The Palladium, New York, NY (12/31/79) [2LP] Robert Johnson - Kind Hearted Woman Blues / Terraplane Blues [10''] Robyn - Body Talk [2LP] Rolling Stones, The - Big Hits (High Tide And Green Grass) (UK) [LP] Rolling Stones, The - She’s A Rainbow / Live At U Arena, Paris / 25.10.17 [10''] Rolling Stones, The - Through The Past, Darkly (Big Hits Vol. 2) (UK) [LP] Roxy Music - Roxy Music - Remixed [2LP] RZA - Birth Of A Prince [2LP] Salvation Army, The - Live From Torrance And Beyond [LP] Santigold - I Don't Want: The Gold Fire Sessions [LP] Serj Tankian - Harakiri [LP] Sherman Brothers, The - Simply Sherman: Disney Hits From The Sherman Brothers [LP] Shocking Blue - Single Collection (A's & B's), Part 2 [2LP] Sly & The Family Stone - Woodstock Sunday August 17, 1969 [2LP] Soccer Mommy - For Young Hearts [LP] Sublime - Nugs: Best Of The Box [LP] SUNN O))) - Life Metal [2LP] Tangerine Dream - Le Parc [2LP] Tangerine Dream - Machu Picchu [LP] Ten In The Swear Jar (Xiu Xiu) - Fort Awesome: Complete Recordings [2LP] Teyana Taylor - Gonna Love Me / WTP (Remixes) [12''] Thrice - Deeper Wells [LP] Todd Rundgren - The Complete U.S. Bearsville & Warner Bros. Singles [4LP] Too $hort - The Pimp Tape [2LP] Townes Van Zandt - The Best Of Townes Van Zandt [2LP] U2 - The Europa [LP] Van Morrison - Astral Weeks Alternative [10''] Various Artists - Boy Meets Girl: Classic Stax Duets [2LP] Various Artists - Brazil Classics 30th Anniversary Box Set [3LP] Various Artists - Coneheads (Soundtrack) [LP] Various Artists - Folk And Pop Sounds Of Sumatra Vol. 2 [2LP] Various Artists - Ghost World (Soundtrack) [2LP] Various Artists - I Am Sam (Soundtrack) [LP Various Artists - Lost In Translation (Soundtrack) [LP] Various Artists - Malcom X (Soundtrack) [LP] Various Artists - Mickey Mouse Disco [LP] Various Artists - New Jack City (Soundtrack) [LP] Various Artists - Office Space (Soundtrack) [LP] Various Artists - Poppies: Assorted Finery From The First Psychedelic Age [LP] Various Artists - Rockabye Baby! Lullaby Renditions Of Weezer [LP] Various Artists - South Park: Bigger, Longer & Uncut (Soundtrack) [2LP] Various Artists - Spider-Man: Into The Spider-Verse (Soundtrack) [LP] Various Artists - Stax Does The Beatles [2LP] Various Artists - Sugar Hill Records: The 12'' D.J. Boxset [6x12'' Boxset] Various Artists - The Crow (Soundtrack) [2LP] Various Artists - Where The Action Is! Los Angeles Nuggets Highlights [2LP] Various Artists - Woodstock 3 Days Of Peace Music (Mono PA Version) [3LP] Violent Femmes - Hallowed Ground [LP] Vitamin String Quartet - VSQ Performs Bjork [2LP] Weezer - Dusty Gems: The B-Sides [LP] Weezer - Weezer (Teal Album) [LP] Wes Montgomery - Back On Indiana Avenue: The Carroll DeCamp Recordings [2LP] Wipers, The - Alien Boy [7'' EP] Wonder Years, The - The Wonder Years Live From Maida Vale [10''] Yes - Yes [LP] UK LIST TITLES Dexys Midnight Runners - At The BBC 1982 [2LP] Grandmaster Flash & The Furious Five - The Message [2LP] Mighty Boosh - The Complete Radio Series [3LP] Ronnie Lane & The Band Slim Chance - At The BBC [2LP] Sigur Ros - Lunar Halo 22° [LP] Sigur Ros - Variations In Darkness [LP] Thin Lizzy - Black Rose [2LP] Various Artists - The Freakbeat Scene [2LP] Various Artists - The Mod Scene [2LP] Various Artists - The Northern Soul Scene [2LP] Various Artists - The Psychedelic Scene [2LP] Various Artists - The R&B Scene [2LP] Venom - Manitou [7" picture disc] Yazoo - Reconnected: Live [2LP]

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theunderperformicist · 2 years ago

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I've Never Been So High / SOB 05.19.22

You got it. Kevin from Deep Water Acres and Evening Fires took the virtual helm again for another trek through Australia (vol 1) … and how sweet it is. Gather the kids around the speakers, get settled and get primed for vol 3. (Second year listed is original year of release)

The Master’s Apprentices / Barefoot When I Saw Her / Masterpiece / 1999 / LP, 1970 / Ascension Records The Twilights / Blue Roundabout / Once Upon a Twilight / 2006 / LP, 1968 / Aztec Music Long Grass / Sunshine to Burn / V/A: A Forest of Gold Tops in the Land of Oz / 1997 / 7” single, 1971 / Gift Records The Avengers / Water Pipe / Electric Recording / 2001 / LP, 1968 / EMI Medicine Mike / I’ve Never Been So High / V/A: Upside Down volume 2 / 2014 / 7”, 1969 / Particles The Fourmyula / If I Had the Time / Inside the Hutt: New Zealand’s Pop Psych Kingpins, 1968-69 / 2013 / 7”, 1968 / RPM Records The Atlantics / Light Shades of Dark parts 1 & 2 / Buried Alive! Demented Teenage Fuzz from Down Under, 1965-1970 / 2017 / 7”, 1969 / Particles Cleves / Keep Trying / Cleves / 1999 / LP, 1971 / Vicious Sloth Collectables Tamam Shud / They’ll Take You Down on the Lot / Goolutionites and the Real People / 2008 / LP, 1970 / Aztec Music Sons of the Vegetal Mother / Make It Begin / V/A: Golden Miles: Australian Progressive Rock 1969-1974 / 2010 / 7” e.p., 1970 / Raven Records Spectrum / Make Your Stash / Spectrum Part One / 2007 / LP. 1971 / Aztec Music Tully / You Realize, You Realize / Tully / 2014 / LP, 1970 / Chapter Music Jeff St. John & Copperwine / Cloud Nine / Joint Effort / 2000 / LP, 1970 / Vicious Sloth Collectables Levi Smith’s Clefs / You Can’t Do That / Empty Monkey / 2008 / LP, 1969 / Aztec Music (Original version, recorded “live in studio” 1969, released 2008) The Human Instinct / Midnight Sun / Stoned Guitar / 2011 / LP, 1970 / Sunbeam Records Doug Jerebine / Fall Down / Doug Jerebine Is Jesse Harper / 2012 / acetate LP, 1969 / Imperial Records Dave Miller / Leith Corbett / 353527 Charles / Reflections of a Pioneer / 1999 / LP, 1970 / Vicious Sloth Collectables Tymepiece / Shake Off / Sweet Release / 1999 / LP, 1971 / Vicious Sloth Collectables Chain / Pilgrimage / Chain Live / 2010 / LP, 1970 / Aztec Music Lobby Loyde / Evolution / Plays with George Guitar / 2000 / LP, 1971 / Vicious Sloth Collectables

#australia #psychedelia #Australian psychedelia #sobradio #sunrise ocean bender #illustration #digital collage #collage art #collage #rva #community radio #wrir

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the-knights-who-say-book · 7 years ago

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April 2018 — personal growth and accompanying growing pains. life is fine, books are happening, we’re going to be ok

REVIEWS

The Sisters Mederos — ★★☆☆☆

The Stone Girl’s Story — ★★★★★

Heart of Iron — ★★½☆☆

The Olive Conspiracy — ★★★☆☆

Magic Steps — ★★★★☆

Caroline’s Heart — ★★★★★

The Traitor’s Tunnel — ★★☆☆☆

The Foxhole Court — ★☆☆☆☆

BOOKS READ

Street Magic — ★★★★★

The Raven King — ★☆☆☆☆

Inkmistress — ★★★★½

Wild Magic — ★★★★★ (reread)

Knit One, Girl Two — ★★★★☆ (reread)

The King’s Men — ★★★☆☆

The Sons of Thestian — ★★☆☆☆

The Gift of Your Love — ★★☆☆☆ (arc coming out in May)

Leah on the Offbeat — ★★★★★

COMICS

Young Avengers, Volume 1: Style > Substance — ★★★½☆

Young Avengers, Volume 2: Alternative Culture — ★★★☆☆

Young Avengers, Volume 3: Mic-Drop at the Edge of Time and Space — ★★★☆☆

WRITING

Chapters 29 & 30 of the assassin wip

OTHER COOL STUFF (the rest of what i’ve been watching/listening/reading) below the cut

PODCASTS

Tortall Recall — look, normally i try to only put the same podcast on multiple wrap ups if I’m returning to it after a break, but Tortall Recall is the exception. I am always listening to it and I always want people to know.

88 Cups of Tea — I skip around and listen to the interviews with the authors I know!

One Day at a Time, season 2 — I’ve been especially appreciating Penelope and the episodes about how dealing with mental health is hard but life’s good anyway

Project Runaway season 15

MOVIES

New

Jesus Christ Superstar Live in Concert — the sets, dancing and music are so amazing

Guardians of the Galaxy Vol. 2 — finally watched it and it was fucking amazing

Baahubali: The Beginning — mostly loved it! I just wanted Avanthika to get to do the big rescue :(

Rewatches

Age of Ultron — still BS but it was actually a fun rewatch with my family who doesn’t understand Marvel at all

Mama Mia, Funny Face, Deadpool — plane movies

Hercules — when you should be studying psych but netflix is there

YOUTUBE

paperbackdreams — booklr

Vihart — it’s math stuff but only because ant made me watch and got me hooked on it

#month in review

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elizas-writing · 6 years ago

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Spoilers Galore: Avengers Infinity War

So I was going to delay this post for a while to allow enough time for most everyone to see it, but I also got swamped with midterms hence why it took so long to get to this.

Nevertheless, the spoilers are worth talking about given how much happens in this movie, and I really wanted to get this out before Deadpool 2 premiered, so Happy Birthday to me (seriously, I’m now 22) for putting my procrastination to an end.

If you haven’t seen my spoiler-free review, you can check it out here to get my general opinion of the film.

So that’s a hell of a body count, huh? I knew from the get-go of this story line that characters were going to die, but holy freaking shit! A lot of people, myself included, figured that at least one of the older heroes would be the first to go, so it was quite the shock when most of the side characters and newer heroes were offed after coming off the heels of their successful solo films.

And I know despite what the Russos and Marvel executives are saying, it is glaringly obvious that not everyone could be permanently dead since sequels are still in the talks and Guardians of the Galaxy Vol 3 just got a confirmed release date (c’mon Marvel, you’re not that slick). On top of which, the Infinity Gauntlet is more or less a giant deus ex machina which can put everything right in a heartbeat. Regardless, these are still heartbreaking scenes to sit through with everyone being brought to their lowest points and losing their loved ones. Some deaths are little rushed, but the music, cinematography and performances sell on the tragedy, and the emotional weight carries throughout the rest of the film. I never recovered after Gamora’s death; that was just too much after she and Peter finally verbalized their love. Even characters like Scarlet Witch, Vision, and Doctor Strange, who I didn’t care too much for, really sell in their drama to show the high stakes, both to the universe and their psyches as they make the ultimate sacrifices to try to save everyone.

It seemed really weird at first that most of the new characters were killed off, but I figured that most of the older stars like Chris Evans and Robert Downey Jr are probably getting one last hurrah in Avengers 4 before their contracts are up and make way for the next phase/generation of heroes for MCU. And I imagine when these guys have to bid the franchise goodbye, it’s going to wrench our hearts out even more.

As I said in my spoiler-free review, the most fun interactions are with the Guardians of the Galaxy. I like seeing Rocket and Groot help Thor to create Stormbreaker while the rest of the gang runs into Tony Stark, Doctor Strange and Peter Parker, and Gamora... well... see two paragraphs before. I think her coming back is going to be more tricky since she didn’t disintegrate like most of the rest of the characters, but part of me is really hoping we’ll get something because she’s a great Guardian and one half of the only stable power couple in the entire MCU. But still, it’s fun to see the Guardians, who were mostly off doing their own thing, finally get involved with a much grander battle. And hey, we finally got Rocket asking Bucky for his arm, and it made me giggle like an idiot.

I know a lot of fans will give me backlash for this, but Loki is one of the few characters who I hope stays dead. Yes, him pulling a knife against Thanos of all people makes no sense, but you can see the panic in his face as he’s pulling every trick he can to distract Thanos as long as he can. It’s a well-deserved redemption after years of not knowing what he wants and the extremes he went to, and after all this time, he still can’t bear to see Thor perish and makes the ultimate sacrifice to ensure his survival. It’s a genuinely heartbreaking moment which leaves Thor visibly shaking. It’d feel like cheating now to cop out his death again after the strong reaction Thor had.

I love seeing Tony Stark being heroic again with impressive updates to the Iron Man suit with continuous 3D printing for repairs. Doctor Strange, although I’m still annoyed they never gave him a complete character arc in the first place, has a lot of fun banter with Tony with some visually wonderful sorcery and fighting. Peter Parker, as usual, is fun and naive and still wanting to prove himself, and he’s best when he gets to be a team player in these ensemble films to form strategy. But what Tom Holland does best as Peter is reminding us of his young age and emotional vulnerability, which is why his death is the most gut-wrenching as he’s clinging to Tony for dear life and pleading to not go.

The rest of the characters are more hit-and-miss in their development, especially as most of them haven’t been seen since Civil War. And they try to bring up the Sokovia Accords again, but that gets cast aside quickly to get the Mind Stone out of Vision. Steve Rogers and T’Challa shine as leaders as the battle comes to Wakanda, and I can watch that scene where all the warriors chant “yibambe” over and over again. It’s relieving to see Rhodey and Bucky back in action after the physical and mental turmoil they went through, and Sam still has plenty of fun one-liners. Black Widow, Okoye and Scarlet Witch make a fun girl power team. And when Thor, Rocket and Groot come in, words just escape me in how intensely fun that battle gets.

I think the weakest part of this section is probably the romance between Scarlet Witch and Vision. It is one of the few parts where not much is explained what happened to them in between movies and how Vision was able to deceive Tony for so long. They were kinda just thrown into the mix in Age of Ultron, and I don’t think they ever figured out what to do with them aside from finding a way to work in an Infinity Stone. But once again, what pulls them through is the performances by Elizabeth Olsen and Paul Bettany to bring the weight of the unavoidable situation these two are in where only Scarlet Witch can kill Vision via destroying the Mind Stone.

Part of what makes the heavy-handed tone work is how inconsequential everything feels. Even for all the gritty and depressing moments, MCU always finds a way to end it on a hopeful or even funny note to keep spirits up. This time, they’re not fucking around. Think about it-- every film from Doctor Strange to Black Panther in the grand scheme leading up to Infinity War doesn’t matter anymore. Stephen learning to be humble, the Guardians learning to trust each other and move past trauma, Peter Parker learning responsibility, Thor becoming a great hero without his hammer, and T’Challa opening up Wakanda to the world? Yup, none of it fucking mattered cause most of them were either killed by Thanos or disintegrated anyway. And the worst part is that they were playing by the book and most of their plans worked out, but Thanos still found a way to one-up them anyway and win.

A lot of people mentioned this already, but what makes Thanos fascinating as a villain is that the film almost frames him as the hero to his own self-deluded ideas. He has a backstory, a goal, an arc, the whole nine yards. He doesn’t hesitate to kill whoever to get the next stone, he’s incredibly manipulative towards his own children (which is best depicted in how he “adopted” Gamora), and he’s so far gone beyond reason to believe genocide is what is right to fix and over-populated universe. Even more wild is the fact he doesn’t want the glory or credit, and he’s perfectly content to retire on some remote planet to watch the sun rise-- as seen at the end of the film. However, I do question why the Soul Stone regarded him killing Gamora as an act of love when it was always, always manipulation, but hopefully we’ll get to see that explained in the next film cause, c’mon folks, that ain’t love.

There’s also some things left unclear like what exactly happened on Xandar, and why Bruce can no longer bring out the Hulk, but we still got a couple more movies to look forward to in the year until Avengers 4. And I guarantee the Russo brothers had a shit ton more scenes they wanted to add in but couldn’t due to time constraints, and if they were to release an extended cut, I would not mind at all.

Like I said before, this film had so much going against it, but paid off tremendously well with a consistent dramatic tone, bringing together characters for the first time and reuniting others, and always keeping the audience guessing on what to expect next. And it succeeded in emotionally screwing us over with an always brilliant cast who know how to wrench our hearts out.

One of the best of the MCU without a doubt.

If you liked this and enjoy what I do, buy me a Ko-fi to say “Job well done!”

#avengers #Avengers infinity war #infinity war #spoilers galore #movie #movie review #review #movie reviews #reviews #mcu #marvel #marvel cinematic universe #my writing

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toddlazarski · 4 years ago

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Last Suppers Vol. 2

Shepherd Express

In the days B.C.(Before Covid), when normal life, and more importantly, sports, proliferated and dotted the rote landscape of daily routine, I held a superstition with any of my real or fantasy teams: they wouldn’t play well if I actually watched. It was best I averted my eyes, distanced my associative bad juju. Nowadays, I do the same, except with the only statistical options: infection rates and confirmed cases and total deaths. I don’t look at virus numbers all day, then, when the house is quiet, the dishwasher humming, the lights half-off, I sit at the tiny kitchen table with a spoon and a pint of something chocolatey and my desperation and my phone and the giddy anxiety dread of a fresh-inked boxscore. It’s like I’m an immunologist with a gambling problem. Some combination of the ultimate-stakes card game scene in Casino Royale and the uncontrollable absurdity of Kramer betting on which flight lands first at Laguardia. Come the eventual loss, and then the shoulder-shrugged resigned finger-stabbing, the desperate working of the back triangle, the scrolling down, there is always a path to the only spot of hope in any news source today: an updated list of open restaurants and takeout offerings.

This is how I eventually stumbled on MobCraft, or, rather, remembered it was there, barely safely social distanced outside my once-normal morning cycle of coffee and work, just another place before, another option, yet another in a too long list of new breweries, one I didn’t know how to take seriously before all this because I have a middle-aged mistrust of anything “crowdsourced.” In my mind it suddenly began burgeoning like a lighthouse, with the irresistible notion that homemade craft beer, and nearly equally curated pizza, could be brought to my car as I idled with my Spotify playlist and the safe removal of the other half. There are plenty of places to get either, there are plenty within blocks—Fixture has better pizza, Indeed has better beer—but here is both. Two birds, one stone. Or, as the day-appropriate analogy runs: two vices, half the infection chance.

Later, as I ignored common sense to waste ever-precious paper towel squares on wiping down the rectangular boxes, I noticed the packages are ink-branded: ‘Hidden Kitchen.’ How apt. In the age of hearth-cooking and HGTV-backed open concepting, how hidden they’ve suddenly all become. Though here I wouldn’t really know, as I’ve still never set foot even on the curb outside. And, really, you’d think no one has, judging from the streets on a recent beer and pizza run evening. There was a couple with matching face masks at the corner of 5th and Bruce, and one guy on a bike, also in a mask that maybe you could convince yourself was a scarf, if you wanted to make it all seem less Cormac McCarthy, which I often struggle to do, telling myself the usual: “Well, it’s Sunday.” You could also just blame the weather—there’s still time in the season for that. Everyone just wants to be inside, sure. Or maybe he is, maybe they are—maybe we’re all—bank robbers. But getting off the Hoan at the Lakefront, circling up Clybourn and through the Third Ward, by the shell of the Public Market, a cold Colectivo, the only sign of life or movement is generally the streetcar, empty, running like a phantom reminder of how petty all our social media grievances once were. The city looks like a darkened backstage set, waiting. It feels recently completed, clean, ready, an up-and-comer, Cream City brick and Rustbelt charm and hints of the river rubbing against new development, Shake Shack and West Elm framed by turn-of-the-last-century port city industriousness. It’s an attractive potential leading man, wizened but spruced, primed for today, for a turn in the spotlight. To play part, the setting and co-star both, in the historic naming of someone—whomever!—to lead us out of this national nightmare. Now tumbleweeds blow down Water. 1st Street’s major pulse is two just-hanging-on taco trucks. Instead of simply taking the bikes away, Bublr has placed plastic bags over each individual docking station, they billow in the wind like a line of waiting ghosts, emphatic in doom declaration. Steny’s, empty, makes it feel like it’s too early. Anodyne, empty, like it’s too late. The expectation, the possibility here, is only for pizza and beer to take back to your little abode that by now feels half sanctuary, part jail.

And once you are home, hands washed, boxes washed too, psyche shaken of the jarring urban emptiness, distracted just enough by HBO or Netflix, what is there but to eat and drink and discuss said eats and drinks? Yet, first, as a collective, writers, judgers, hall monitors and such, very clearly, as a commandment or some other kind of religious term, should agree: objectivity is rightly dead. There should currently exist no pretense of criticism. Any words spent on food or drink should simply be a celebration that we are still around, have health and funds enough to still eat and drink. Every meal is worth only the comfort it brings. My recent birthday dinner selection was Pizza Shuttle, and was met not with laughs, scoffs, but gentle understanding nods. This is for your soul, not your tongue, forget your mind. None of us are seeing our doctors for normally scheduled tire-kicking and blood death panels anytime soon anyways. In that spirit, Mobcraft might be the greatest restaurant in the world right now.

Opening the boxes reveals a sort of paradigm of the flat bread-y, happy hour shareable brewpub pizza. It is in some way reminiscent of those things we are all missing the most: where you don’t feel like going out after a long day, then you go out anyways, and have something hoppy and local and loosen up, and unexpected alliances are formed by ABV, and there are ‘nother ones, and excuses made to selves and to significant others, and the coming weekend seems suddenly endless, eternal, what, in hindsight, feels almost, yes, maybe, blessed. And there is the realm of “one more” and somebody orders something from the bar to share, and everybody gets a wedge and pulls without cootie and corona paranoia, and the collective cheese pull is beautiful, pizza delivery commercial Instagrammable. The soft, deep, focaccia-like layers house typically creative topping combos: mac n’ cheese with pulled pork, a pungent gyro number with shaved lamb, a reuben pie with sauerkraut for those that prefer to sleep alone. Or there are more standard takes—pleasing marinara and pepperoni, with stretchy, blankety mozz, pleasant dusty crust flour fallout that snows softly down on the sweat pants and couch, lovingly sprinkled oregano flecks, cheese and edges just going brown toward crisp, but everything immeasurably pillowy, like a salty, saucy padding to smooth life’s edges just a bit. The “Pollo” has become an overnight favorite, featuring chicken chunks, the underutilized brotherly punch-in-the-arm of poblanos, bacon bits, velvety, guilt-inducing Alfredo sauce. It’s neither Italian or Mexican, craft or common. It is simply a feel, that of comfort pizza done with deft touch, a happy taste experience, now especially, arriving on the nostalgia spectrum somewhere between a Grandma slice from a Brooklyn street corner, whatever doughy carb-and-sauce bomb you used to get way too late at night in college, and elementary school cafeteria pizza day square.

But you also can’t leave a palate sodium-parched. So there is the accompanying, expected microbrew tome of types and tastes—a cranberry farmhouse ale, a coffee brown brew, things fermented in barrels, limited offerings of ideas pitched by the public and then voted on by any Joe Six Pack with the internet, the flavor winner then brewed in house—most any to be jogged to your car in the ultimate “this is more like it” lesson we can take away from pandemic times. But it is mostly the distinct, pungent mouthfeel of a hazy IPA—”Squeezin’ Juice,” dry-hopped and 6.7% potent—that acts as total counterpoint to the state of existence right now. There is something of a citrus dance, a zest, a subsequent scrunched-up-face of bitterness showing reaction, any kind of reaction really indicating a defiant act of living. Even if it comes from a sip taken sitting on the couch, in the basement, solo cheersing another year gone by, alone, knowing everyone in the world is mostly doing the same, is in some state of either worrying, or sleeping, or dying. This is probably why even the fizzy astringency of kombucha tastes good to me right now. And probably why the thought of a crowdsourced brewery, whatever that really means, is totally fine.

By the time the pizza is done and the ice cream too, once the music and news of the day has been faced, when the blindfold is ready for donning, it’s like the next year wish all sports fans know too well. Tomorrow, for sure. The numbers will tumble with lead boots-weight in the right direction, a vax will appear imminent, a treatment will truly show promise. If not, there will be some leftover pizza. And maybe one juicy IPA to sink down with.

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rickthaniel · 7 years ago

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The Avenger Promise or: How I enjoyed Guardians of the Galaxy Vol. 2 despite its squandered potential

This weekend I saw Guardians of the Galaxy Vol. 2. Since I’d let a few weeks pass post-release, I was surprised to find the theatre just as packed as I’d expect from opening night. The world, like me, must have all been anticipating the sequel to what, in retrospect, might be the standout success of the entire Marvel Cinematic Universe. The original Guardians was stylish, witty, delightfully cast and coated head to foot in retro aesthetic, which in a pre-Stanger Things world felt totally fresh.

Unfortunately, Guardians 2 doesn’t hit that same stride. Mind you, I enjoyed it quite a bit. Dave Bautista really comes into his own with a bevy of smart/dumb one-liners, Bradley Cooper continues to build a strangely compelling character in Rocket Raccoon, and the soundtrack, opening up with a full-on dance sequence to ELO’s “Mr. Blue Sky,” may even surpass that of the original. But through it all, Guardians 2 feels like it’s struggling against its own ubiquitous, monolithic creator, like a passionate kid trying desperately to convince his parents that a degree in music is just as valuable as enrollment in the business school.

See, in 2008, Marvel made us all a promise. The deal was, that if we all behaved and came out to support their summer superhero flicks, they’d reward us with a big, star-studded crossover event. The Avenger Promise. We all learned to sit patiently through every end credit sequence for that inevitable glimpse at the final chapter, the little tidbit to keep us satiated. The names were huge. Who wouldn’t be excited about Thor, Captain America and Robert Downey Jr.’s flamboyant Tony Stark? Every chapter, with varying success, established its own distinct world, its own feel, its own draw. Each one began and ended on its own power, and when Joss Whedon brought them all together four years after Iron Man’s screen debut, everyone cheered. I remember being absolutely certain that The Avengers would flop. There was no way they could take four years of hype built up over four different movies, throw together all that star power in two and a half hours, and walk away with something that would satisfy. But they did.

Five years after that success, however, the Avenger Promise has become a weight on the back of every Marvel film. Remember when they talked about the different stages of the MCU? The PowerPoint slides numerating franchise plans years into the future? We’re living that future now, and I have no clue anymore what stage we’re at. It’s gotten so that half the trailers before any movie you care to see are MCU trailers, and we all sit through the Dolby logo at every closing credits, be it for Pixar or Tarantino, because we’ve been conditioned to expect that little nugget at the end. The oversaturation of the superhero genre and Disney’s cinematic dominance has been talked to death, so I don’t want to dwell, but the scale just keeps getting more unbalanced. And now, it’s starting to really starting to harm itself.

Guardians 2 has, if I counted correctly, four individual scenes spread throughout the credits. Some were foreshadowing, others were simply comic relief, but I realized somewhere between the third and fourth that the movie feels less complete because of it. Captain America began and ended, with enough of a wink and nod to get you excited for Steve Roger’s inevitable thawing. It was the same with Iron Man and Thor. Guardians, on the other hand, feels like a stepping stone.

The appeal of the first movie was its distinct style. It felt more like an extra-campy, 70s sitcom rendition of Star Wars than a superhero film. The action was solid, and the ties to the rest of the universe were there, but it worked on the merits of its quirky individuality, which now seems threatened by the very circumstances that gave it breath.

As much as I loved Karen Gillan and Michael Rooker in the first film, I find it a little odd that they, among other minor characters from Guardians 1 (remember Yondu’s backcountry first mate?), all become so central this time around. Everybody has an arc, a speech, and a hug-it-out moment of resolution, which is…nice…but it feels a little bizarre in a franchise that already boasts five major leads. Add Kurt Russell’s Ego to the mix and you have a cast of eight major players, more than the first Avengers even with Sam Jackson thrown in. That’s absurd, and it made me wonder why such a huge crew was necessary.

By the third act (if you can call it that, the movie has a weirdly one-act feel with everything pretty much happening in the same spot), I figured it out. Because somebody needs to be in danger. Because somebody needs to deliver the emotional gut-punch. Somebody’s arc needs to wrap up, one way or another, and it can’t possibly be any of the five protagonist. No, they’re arcs are waiting on Infinity War and Vol. 3 and whatever follows in MCU Stage 12. Every personal moment with the core cast felt weightless because their brand status is now abundantly clear. They’re protected from on high from any permanent character shifts, any major change in dynamic, any real danger at all. Instead, the movie spends half an hour speed-grinding a minor character up to the party level just so somebody can have a real moment. It comes off alright, but it doesn’t avoid feeling shoehorned in by the multi-billion dollar guardian angel that is Disney. For all the Fast and Furious family talk, the character inclusivity still seems like a scheme to keep Chris Pratt, Zoe Saldana and the other three headliners in narrative stasis.

Even Rocket’s arc, which to me felt subtle and interesting, loses a ton of weight by the fact that this movie is just the latest piece of a massive puzzle that I have an ever-diminishing interest in finishing. Infinity War holds none of the allure for me that the first Avengers did in 2012. Thanos has been hiding in the credits too long for me to care anymore. Will I see it? Yes, they got me. For a big dumb fight with theater surround sound, I’ll toss eight more bucks Disney’s way. The machine keeps turning, and I’m a part of the problem. It just saddens me to see a really brilliant property like Guardians kept from its true potential, its uniqueness and creativity crushed under the heel of the MCU business model.

When Ego helps Starlord unlock his god-powers, Chris Pratt grins and promises to “build some weird shit.” There’s a glint in his eye. He’s psyched. But all too soon, Ego reveals the price of those resources – life as a “battery,” fueling the assimilation of everything he’s ever known. Guardians 2 is almost too good of a self-prophecy. And while the jokes still play, the music still bumps, and a lot of the style remains, it hurts to watch something great be crippled by its obligation as a cog in an endless expanse.

#guardians of the galaxy #guardians of the galaxy vol. 2 #mcu #marvel cinematic universe #marvel #disney #the avengers #iron man #captain america #thor #infinity war #the avengers infinity war #thor ragnarok #starlord #kurt russell #chris pratt #rocket raccoon #baby groot #thanos

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